Podcast appearances and mentions of Jimmie Dale Gilmore

Hello friends! John Dell, Jacob Rivera, and David Dalton from Austin, psychedelic Cumbia band, Los Desechos are my guests for episode 1493! Their new album, Cumbias Levantamuertos comes out on streaming and vinyl on July 15th and they'll be celebrating with release shows at Hotel Vegas and Antone's Records. Go to losdesechos.com for show dates, music, and more. Great convo. Plus, Ben Jones checks in about Night For The Iron Man: A Musical Fundraiser For Chris Gage taking place on Monday June 16th at Donn's Depot featuring music from Jimmie Dale Gilmore, Marcia Ball, Carolyn Wonderland, Ben Jones, Andrea Magee, and many, many more. Find out more about the event HERE. Great conversations with great people. Enjoy!   Donate to Chris Gage's Go Fund Me HERE   Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Hello friends! Colin Gilmore and Marco Gutierrez from Austin-based Americana band, West Texas Exiles return to the show for episode 1489! Their new single, "Division" featuring Kelly Willis from their upcoming album 8000 Days (out Sept. 5) is available now wherever you stream or download music. They're playing some shows with Austin rockers Madam Radar this Thursday, 5/22 at The Heights Theater in Houston and Friday, 5/23 at The Kessler Theater in Dallas. Go to westtexasexiles.com for tour dates, music, and more. We have a great conversation about making 8000 Days, recording "Division" with Kelly Willis, playing with Jimmie Dale Gilmore, songwriting, A.I., the crazy music business and much more. I had a great time catching up with Colin and Marco. I'm sure you will too. Let's get down!   Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

We wish many happy returns to a one-of-a-kind Texas musician, who celebrates the Big 8-0 today.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Send us a textOn this weeks episode, we take a listen to a true Texas legend, Jimmie Dale Gilmore, and his 1993, Spinning Around the Sun.With his high, lonesome voice, Jimmy Dale embodies the very essence of that land from which he hails, the Texas Panhandle. Even thought he was in his forties when his first solo album was recorded, he had already made his mark on the musical landscape of the Lone Star State, having been in the legendary Flatlanders (along with Joe Ely and Butch Hancock) and the Hub City Movers (the first band to play the Armadillo World Headquarters). By the time he recorded his fourth solo outing, Spinning Around the Sun, Jimmie Dale had found his voice. Hailed as his break out LP, Jimmie Dale sings his heart out on songs he penned and a choice selections of tunes written by other notable songwriters, and features fantastic duet with Lucinda Williams. Spinning Around the Sun is a remarkable album filled with songs of beauty and heartbreak, earning him his first of three Grammy nominations. Visit us at www.tappingvinyl.com.

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Join us for an in-depth conversation with Dave Alvin, the legendary guitarist, songwriter, and roots music pioneer. From The Blasters and the LA punk/roots scene to his acclaimed solo career, collaborations with Jimmie Dale Gilmore, and his experimental psychedelic project The Third Mind. Dave shares insights on songwriting, musical influences, and what's next for him. Don't miss this deep dive into one of Americana's most respected artists  https://www.davealvin.net/ Support the Channel: If you enjoyed this please follow, like, and subscribe @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran. Transcript

Dave Alvin and Jimmie Dale Gilmore are still here! Join us as we present great music and fun conversation with this wonderful duo of musical legends. Also on stage is Brennen Leigh from Texas who shares her flavorful blend of classic Country music. Nick also has a sit-down with Lisa Morey, inventor of EcoBLox, to discuss the future of building with ancient materials.  That's all this week on eTown! Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.

This episode was recorded on October 27th, 2024 at the Culture Center Theater in Charleston, WV. The lineup includes Dave Alvin & Jimmie Dale Gilmore with the Guilty Ones, Will Hoge, Alex Cuba, MALINDA, and Sarah Siskind. https://bit.ly/3ZcDA3o

We catch up with Jimmie Dale Gilmore and Dave Alvin while they're on the road touring their new album, Texicali. Great collaborators and friends, our guests reflect on writing and playing together, defying genre expectations, acoustic guitars, and (most importantly) having a good time.Support the show:Join us on PatreonMake a donation on PayPalGive a rating and reviewAdditional Resources:Visit Dave Alvin's website.Visit Jimmie Dale Gilmores's website.Learn to play Alvin's "King of California" in the May 2007 issue of Acoustic Guitar magazine.Learn to play "Dallas" by the Flatlanders in the November 1996 issue of Acoustic Guitar magazine.The Acoustic Guitar Podcast theme music is composed by Adam Perlmutter and performed for this episode by Jeffrey Pepper Rodgers.This episode is hosted, directed, and edited by Joey Lusterman and produced by Tanya Gonzalez. Executive producers are Lyzy Lusterman and Stephanie Campos Dal Broi.The Acoustic Guitar Podcast is produced by the team at Acoustic Guitar magazine, including:Publisher: Lyzy LustermanEditorial Director: Adam PerlmutterManaging Editor: Kevin OwensCreative Director: Joey LustermanDigital Content Director: Stephanie Campos Dal BroiDigital Content Manager: Nick GrizzleMarketing Services Manager: Tanya GonzalezSupport the Show.

Přestože pánové a dáma, o nichž bude řeč, na hudební scéně působí dlouhá desetiletí, jsou stále ve formě a mají co říct i mnohem mladším posluchačům. Že v country music věk nehraje žádnou roli, se nás pokusí přesvědčit Willie Nelson, Connie Smith, Marty Stuart, Roger McGuinn, Chris Hillman, Joe Ely, David Alvin, Jimmie Dale Gilmore a George Strait.

Přestože pánové a dáma, o nichž bude řeč, na hudební scéně působí dlouhá desetiletí, jsou stále ve formě a mají co říct i mnohem mladším posluchačům. Že v country music věk nehraje žádnou roli, se nás pokusí přesvědčit Willie Nelson, Connie Smith, Marty Stuart, Roger McGuinn, Chris Hillman, Joe Ely, David Alvin, Jimmie Dale Gilmore a George Strait.

This week, hosts Jason Jefferies and Reggie Worth discuss the new releases of June 21, 2024 including Stung! by Pond, Texicali by Dave Alvin and Jimmie Dale Gilmore, Good Together by Lake Street Dive, WeirdOs by O., Afraid of Tomorrow by The Mysterines,  and Proxy Music by Linda Thompson.  Happy listening!    

Leo Schumaker's Bluesland music podcast from June 27, 2024.  Here is blues, soul and rock n roll for you from my radio show. Buddy Guy, Gary Clark Jr., Howlin' Wolf, The Fabulous Thunderbirds, Ray Charles, Charlie Patton, Dave Alvin and Jimmie Dale Gilmore and more. Tune in next Thursday 7-9 PM live. 

Send us a Text Message.Gerald Dowd has been described as “the hardest working drummer in Chicago” (Richard Milne, WXRT), playing on over 100 albums, and averaging 150 live dates a year around the world. In recent years, he's been releasing solo albums of original material, starting with his 2012 release, Kingsize EP. In 2014, he was the recipient of an IAP arts grant from Chicago's Dept. Of Cultural Affairs/Special Events (DCASE), which led to his first full-length solo album, Home Now, produced by Grammy-nominated producer Liam Davis, and featuring, among others, Chicago legends Robbie Fulks and Casey McDonough. His most recent album, Father's Day, was engineered/co-produced by Steve Dawson (Dolly Varden, Funeral Bonsai Wedding), and features Robbie Gjersoe (Flatlanders, Jimmie Dale Gilmore), Nora O'Connor (The Decemberists, Neko Case, Iron And Wine) and pedal steel legend Lloyd Maines.  Gerald has also appeared on Switchback's upcoming album Red or Blue and has played on Martin Laurence McCormack's original music as well.   His website is www.GeraldDowd.com Support the Show.We are always grateful to have you listening to STRUNG OUT. Here are some important links:SUPPORT THE SHOW:https://www.buymeacoffee.com/MartyfineaKMARTIN'S WEBSITE:http://www.MARTINMcCORMACK.COM (note---you can get my weekly bulletin when you sign up on the list!)MARTIN'S MUSIC: Music | Martin Laurence McCormack (bandcamp.com)Martin McCormack | SpotifyMARTIN'S YOUTUBE CHANNELMartin McCormack - YouTubeFACEBOOKFacebook...

Send us a Text Message.​​Gerald Dowd has been described as “the hardest working drummer in Chicago” (Richard Milne, WXRT), playing on over 100 albums, and averaging 150 live dates a year around the world. In recent years, he's been releasing solo albums of original material, starting with his 2012 release, Kingsize EP. In 2014, he was the recipient of an IAP arts grant from Chicago's Dept. Of Cultural Affairs/Special Events (DCASE), which led to his first full-length solo album, Home Now, produced by Grammy-nominated producer Liam Davis, and featuring, among others, Chicago legends Robbie Fulks and Casey McDonough. His most recent album, Father's Day, was engineered/co-produced by Steve Dawson (Dolly Varden, Funeral Bonsai Wedding), and features Robbie Gjersoe (Flatlanders, Jimmie Dale Gilmore), Nora O'Connor (The Decemberists, Neko Case, Iron And Wine) and pedal steel legend Lloyd Maines.  Gerald has also appeared on Switchback's upcoming album Red or Blue and has played on Martin Laurence McCormack's original music as well.   His website is www.GeraldDowd.com Support the Show.We are always grateful to have you listening to STRUNG OUT. Here are some important links:SUPPORT THE SHOW:https://www.buymeacoffee.com/MartyfineaKMARTIN'S WEBSITE:http://www.MARTINMcCORMACK.COM (note---you can get my weekly bulletin when you sign up on the list!)MARTIN'S MUSIC: Music | Martin Laurence McCormack (bandcamp.com)Martin McCormack | SpotifyMARTIN'S YOUTUBE CHANNELMartin McCormack - YouTubeFACEBOOKFacebook...

Back in 2018, LA roots-punk pioneer Dave Alvin and cosmic country slayer Jimmie Dale Gilmore wrote their first album together to great fanfare and kindled their lifelong friendship. The duo have announced a new full-length recording, TexiCali, coming in June that promises to deliver 11 trippy tracks, culled from the hearts of these two storytellers and providing a sonic tapestry across their home states. “We're Still Here” celebrates their bond. 

Ana Egge - who Lucinda Williams calls 'the folk music Nina Simone' - has released 13+ records, starting with her first in 1994, and including some produced by Steve Earle, is a luthier, and has toured with John Prine, Shawn Colvin, Jimmie Dale Gilmore, Ron Sexmith, Lucinda, and Iris Dement amongst others. In one of our more intriguingly esoteric conversations, we talk a lot about meditation practice and how that influences your creativity and approach to your career as a whole, as well as how Ana stumbled across her incredible practice of co-writing with her own dreams!Get more access and support this show by subscribing to our Patreon, right here.Links:Ana EggeDave SangerAsleep at the WheelEsther PerelGeorge StraitFolk AllianceWestern State CenterEric WardSwedenborgEp 44 - Laura VeirsClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Selección de novedades que arranca con el soulman Aaron Frazer y acaba con los escoceses The Jesus and Mary Chain. En el camino nos encontramos a McKinley James que viene de gira, un clásico de los Byrds redimensionado por Johnny Casino, a unos garageros austriacos de los 60 rescatados por el sello You Are The Cosmos o la última versión de los oníricos Luna. Disfruta del viaje.(Foto del podcast por Rosie Cohe; Aaron Frazer)Playlist;AARON FRAZER “Payback” (Adelanto del álbum “Into the blue”)McKINLEY JAMES “Got a hold on me” (Still standing by, 2021)ROB PICAZO “Wall to wall” (Soothe my soul, 2023)DENIZ TEK “Waiting” (Outside, 1994)JOHNNY CASINO “Eight miles high” (adelanto del álbum “High Stone”)Versión y Original; THE BYRDS “Eight miles high” (1966)THE HILLBILLY MOON EXPLOSION “Reno” (Back in time, 2024)DAVE ALVIN and JIMMIE DALE GILMORE “We are still here” (adelanto del álbum “Texicali”)MARC JONSON “The moon” (Groova Tizmo, 2024)LES MARQUIS “Fire horses” (single 1969, reed 2024)LUNA “Starman” (single 2023)THE JESUS and MARY CHAIN “Hey Lou Reid” (Glasgow eyes, 2024)Escuchar audio

Playlist: Thee Sinseers - Keep on CallingVarious, featuring Abeti et Les Redoutables - Musique TshilubaSuper Rail Band Of The Buffet Hôtel De La Gare De Bamako - FolibaVarious, featuring Alton Ellis & The Flames - Girl I've Got a Date (1967 Mix)Empanadas Ilegales - La Danza Del VampiroFarrah Kaddour - Madd Ou JazrYummi Wisler Guitar Combo - Sonido AmazonicoNadah El Shazly - RiadErin Ross - InsincereTaegen Domstad - Leather JacketMr. Liquor - Crying BluesBoogát, Maï - Siempre BailoRamon Chicharron - Que Se Vayan las PenasKhruangbin - Caja de la SalaBola Johnson - KilodeDaymé Arocena , featuring Rafa Pab​ö​n - Suave y PegaoVarious, featuring Torrez Band - Dance Again (Merengue Mix)Cedric Burnside - Juke JointDave Alvin, Jimmie Dale Gilmore, The Guilty Ones - We're Still HereDakhaBrakha - Karpatskyi RepOrkestar Kriminal - Wardatun Li Ajlin Qalbin MansiyinTommy Guerrero - Under the Pink LightVarious Artists, featuring Yasuaki Shimizu - Summer TimeLi Yilei - Pillow, Mantra and TranceBab L'Bluz - Iwaiwa Funk

Playlist: La Yegros - BailarinToots & The Maytals - Funky KingstonDon Letts - The DoormanDubmatix - Pressure DubAna Tijoux - OyemeOkan - Eshu Nigue (Elegue)Afro-Peruvian New Trends Orchestra - Latino BluesSant Anna Bay Coconuts - No Pizza On My PineappleThe Surfers - HonoluluTerreur Twist - jabba jabba heyErin Ross - Stoke That FireHangman - Weatherman LiedOhama - Part In Peace (2024)Various, featuring African Revival - Soul MakossaSaigon Soul Revival - Ai Th​ậ​t L​ò​ng Y​ê​u AiShoukichi Kina, featuring Ry Cooder - Eternally EcstasyVarious Artists, featuring Toshiyuki Honda - Living in a CityJustin Saladino Band, featuring Ariel Posen - Fan The Flames (Live)Dave Alvin, Jimmie Dale Gilmore, The Guilty Ones - We're Still hereTreat Her Right - JunkyardYummi Wisler Guitar Combo - Albanian ShuffleOrkestar Kriminal - TO AMPELOPO​Ú​LI TOUShazalakazoo - ToulaOsmanthus - Variegated Forms I, II & III

On this episode of Tent Show Radio, host & New York Times best-selling author Michael Perry and his band The Long Beds hit the Big Top stage. Michael Perry 's original songs are a direct reflection of his life experiences. Raised in rural Wisconsin by farmers, preachers, and tough country women, his songs reflect "certain wisdoms" available only from whistlers, frauds, and sinners. Ranging from straight-up twang to churchly harmonies and populated by characters drawn straight from rural and small-town America, they launch from places like the overpass outside Perry's beloved hometown of New Auburn, Wisconsin (population currently 562), a gospel service in a granary, and the kitchen floor of a woman about to drop a world of hurt on her drunken husband. Raised in a church so austere that hymns were sung with no choir, no accompaniment, and no church (the congregation met in a farmhouse and sat on straight-backed wooden chairs,) Perry and his brother learned to sit side-by-side and work out harmonies on the fly. Those Sunday mornings instilled in Perry a love of singing “clear and pure” that can be heard throughout all of his recordings. Perry began writing music in the early 1990s as a way to break up all-night typing sessions when he was struggling to survive on prose. Eventually, a musician friend invited him to play a coffee shop gig. Since then, Michael has released 4 albums, several singles, and toured - backed by a collection of renowned musicians who have performed on numerous stages throughout the world (including The Tonight Show, Austin City Limits, and Eaux Claires festival) and worked with a host of artists, including Bon Iver, S. Carey, The Staves, Miley Cyrus, Lizzo, Field Report, The Tallest Man on Earth, Jimmie Dale Gilmore, and many more. Every Long Beds show is built on roughneck ballads and freight train rockers interspersed with hilarious off-the-cuff tales from Mike's diverse experience as a Wisconsin farm kid turned cowboy turned nurse turned best-selling author.     EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Keenan McIntyre - Engineer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW HOST MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2024 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/   Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/   Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism   The Bayfield Inn - https://bayfieldinn.com/   Cable Area Chamber of Commerce - https://www.cable4fun.com/   Kylmala Truss - https://www.kylmalatruss.com/  SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/  

  or direct download here.Two Toppers in one month? That's madness! Christmas madness? New Year's fever?? Hanukkah insanity??? And yet it is so. Features music by The Cyrkle, Heavenly Melody, Feebe N' the Ragweed Patche, Sam Cooke, Nichts, Leo Kottke, Charanjit Singh, Penny Saints, Tide Cartwright, Heavenly Melody (again), JJ Cale, Peter Peter Ivers Band, Dave Frishberg, Jimmie Dale Gilmore, The Sandals, The Soul Stirrers (with Sam Cooke), and Chrome off their Alien Soundtracks LP.

TOUCH - Don Letts, Gaudi WHO BY FIRE - Skinny Pelembe, Beth Orton WAITING FOR A CLOUD - Golden Apples BORN FOR LOVING YOU - Big Thief ALONE - A Beacon School HYPER TROPHY - Citizen EX-FILES - The Bamboos AIRPORT - awakebutstillinbed FOXY - Sparkle Division IT WILL NEVER STOP - Sparklehorse VIRGOS NEED MORE LOVE - Pouty COOLER THAN MARS - L7 THE DOOR - Teddy Swims DIS QUE TU M'AIMES - Fox Sinclair LET THE SUN COME IN - Pretenders LIKE VEILS SAID LORRAINE - Joni Mitchell BATMAN THEME - 5. 6. 7. 8.'S BORDERLINE - Dave Alvin & Jimmie Dale Gilmore  

Today on The Arwen Lewis Show - Arwen welcomes Music Artist A third generation Austinite, Al splits his time between Houston and the Big Bend high desert area of Far West Texas. His album of new music, Somewhere in West Texas, recorded in Marfa, TX, features an all-star lineup of musicians, including Fran Christina (Fabulous Thunderbirds, Bonnie Raitt), Scrappy Jud Newcomb (Ian McLagan, Ray Wylie Hubbard, Patty Griffin, Slaid Cleaves) and Chris Maresh (Eric Johnson, Willie Nelson, Bonnie Raitt, Kenny Wayne Shepherd). Al says of the album: "Great songs, two guitars, bass, drums, and a cloud of dust - recorded way out West." Jimmie Dale Gilmore says, “Something Good is Gonna Happen - in fact it already has! The new album, “Somewhere in West Texas” by Al Staehely is full of heart, humor, and fun. This recording is a long overdue, surprising, genre-leaping addition to the catalog of an iconic rock star. His Texas roots shine through as do the musicianship and pitch-perfect, no-frills production. It is a jewel.” "Somewhere in West Texas", the new album by Americana singer-songwriter Al Staehely is out now along with the focus track “Mercy of The Moon” can be viewed HERE: https://youtu.be/1NMPxhXJGbg LINKS: http://www.alstaehely.com/ https://www.facebook.com/al.staehely https://www.instagram.com/alstaehely/ CONTACT: Facci PR Sarah Facciolo – Sarah@faccipr.com The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

AUSTIN CONSIGLIEREOLD NO. 1 by Guy Clark (RCA, 1975)Guy Clark's farmhouse was ground zero for a whole generation of America's finest songwriters. Check out the scene in the “Outlaw Country” doc, Heartworn Highways, with the babyfaced Steve Earle, Rodney Crowell, and Guy harmonizing and trading songs and stories at the kitchen table. This was a summit meeting of Towne Van Zandt's Gospel spreaders keeping the flame of devotion burning- and Guy, Towne's best friend, was John the Baptist. Or, watch that David Letterman clip, 24 years later, with Guy, Jerry Jeff Walker, Jimmie Dale Gilmore, Nanci Griffith, Steve, and Rodney standing up there like Mount Rushmore, singing “Desperadoes Waiting for a Train”, and you realize that the gospel seeds that had been spread in the 70's had flowered across the nation. Well, that signature song appears on this, Guy's debut album, and it's like encountering the Dead Sea Scrolls - the original rendition. Add to this the elegiac, definitive version of L.A. Freeway - the song Jerry Jeff made into a folk-rock hit - (with my high school buddy, Jon Simons on harp), and you begin to intuit that you're listening to history being made - and, oddly, it still sounds brand new.To quote the liner notes in Apple Music, a Guy Clark song…”isn't as loose as Walker, or as poetic as Townes Van Zandt, but his songs were the best built.” In 2006, this professional luthier put out the album “Workbench Songs” who's title characterizes his steady carpenter's hand. It was nominated for best Contemporary Folk/Americana Grammy. By this time the much covered consigliere of Austin was a universally acknowledged master and national treasure. In 2019 Steve Earle recorded an album of his mentor's songs and I made the pilgrimage to Amoeba Records to get my copy signed and my picture taken with the man who knew the man who wrote these songs. 

Hello friends! Colin Gilmore and Eric Harrison from Austin's new Americana band, West Texas Exiles are my guests for episode 1252! Their debut EP, "Vol. 1" is out today wherever you stream or download music. They're celebrating the release of "Vol. 1" tomorrow, Saturday 2/25 at 6 pm at Saxon Pub in Austin. Go to westtexasexiles.com for music, show dates and more. We have a great conversation about how the band came together, having a band with three lead singers and how that works, backing up legends like Jimmie Dale Gilmore, the music, mysticism and expanse of West Texas and what it does to the artists, playing SXSW and much more. I had a great time catching up with Eric and Colin. I'm sure you will too. Let's get down! Get the best, full-spectrum CBD products from True Hemp Science and enter code HDIGH for a special offer from How Did I Get Here? If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

PART ONE:Paul and Scott chat about the canonical playlist that's part of every Independence Day fireworks display, the time Scott accidentally hit Lee Greenwood in the face with a water balloon, and how our Patreon supporters can get the chance to get their hands on one of the very first copies of Dave Alvin's forthcoming book New Highway. PART TWO:Our in-depth interview with "Fourth of July" composer Dave Alvin on the Fourth of July! ABOUT DAVE ALVIN:Grammy-winning artist, musician, songwriter, poet, and roots music pioneer Dave Alvin launched his professional career when he and his brother Phil founded the Downey, California, based group The Blasters. Blending rockabilly and R&B, Dave became the band's primary songwriter, penning classics such as “Marie, Marie,” “American Music,” “Border Radio,” “Jubilee Train,” “Little Honey,” “Dark Night,” and “Long White Cadillac,” which later became a Top 40 country hit for Dwight Yoakam. After a brief stint as a member of the band X, Dave launched a solo career and continued to craft critically-acclaimed songs that defy genre, including “Fourth of July,” “Haley's Comet,” “Dry River,” “King of California,” “Abilene,” “Ashgrove,” “Harlan County Line,” “Johnny Ace is Dead,” and “Downey to Lubbock,” a collaboration with Jimmie Dale Gilmore. Dave's songs have been covered by Los Lobos, Little Milton, Buckwheat Zydeko, Shakin' Stevens, Joe Ely, Robert Earl Keen, James McMurtry, and others. Additionally, his music has been featured on a number of TV soundtracks, including Justified and The Sopranos. 

Joe Ely, Adam Carroll, and Willis Alan Ramsey. What do these three have in common? They're all born and raised in Texas and they have each released fantastic albums that are uniquely Texan. Joe Ely's 1978 album "Honky Tonk Masquerade" is a mixture of old school country, with a touch of zydeco and norteno mixed in, and a collection of songs written by Ely and his Lubbock bandmates, Jimmie Dale Gilmore and Butch Hancock. Adam Carroll's first album, South of Town, is a debut album by an excellent songwriter who seems wiser than his then 23 years old. He is like an updated version of Bob Dylan from the Freewheelin' days. And Willis Alan Ramsey's so far only release is a classic, a touchstone for many Texas artists to come, with songs that are almost impossible to categorize. We hope you enjoy this little window into the world of these great Texas songwriters and performers.

Here's a kitchen session from the archives – Butch Hancock and Jimmie Dale Gilmore singing and playing for my friends during their first UK tour in 1988. This podcast also brings you another undiscovered gospel great, and remembers the Congolese guitarist Bongo Wende. Visit https://andykershaw.co.uk for play-lists and to get in touch, make a donation or become a sponsor.

Nashville-based husband-and-wife duo Mike T. Lewis and MaryBeth Zamer, known on stage as The Twangtown Paramours, have made a name for themselves defying boundaries with their award-winning catalogue of Americana, folk, and blues anthems. With a slew of accolades for their first two acoustic full-length albums, they've earned a loyal following, balancing serious instrumental and vocal chops with witty stage banter and a lighthearted approach to life. They don't take themselves, or the world, too seriously. Now poised to release their third full-length album, Double Down on a Bad Thing, The Twangtown Paramours are shifting gears to showcase a full band, electric, groove-oriented, upbeat, soul-infused, and retro blues sound. “We want people to have fun, to cheer up, to dance, and to start sporting a positive attitude, dammit,” says Mike. Hit songwriter, session musician, and producer Mike Lewis was born in NYC, but his sound is informed by a mix of experiences across the country's major music centers, including NYC, L.A., Austin, and Nashville. He began learning classical and jazz guitar at age eight, studying under Leonid Bolotine, William Matthews, and Barry Galbraith, before earning degrees at Columbia in New York City and the Grove School of Music in Los Angeles. He wrote a #1 platinum pop hit ranked the 2nd biggest-selling female ballad of all time in Korea, and occasionally plays upright bass for Jimmie Dale Gilmore. Born in Washington D.C., lead singer MaryBeth Zamer was raised on a mix of opera and American songbook music, singing along to Dean Martin and Ella Fitzgerald, before discovering Little Feat, Bonnie Raitt, and the blues in high school. A fixture in the Washington, D.C. club scene for years, MaryBeth performed with popular local cover band, Ignition and sang backup vocals for Eva Cassidy's band, Method Actor. “Eva was a huge influence on my singing style,” MaryBeth says. “She taught me to go beyond having fun and hitting the right notes, to sing in a way that conveys real emotion.” MaryBeth and Mike met and started dating in 2009, while both were working on separate musical projects. “The relationship came first,” says MaryBeth, “but I kept hearing songs he'd written that I loved, and I wanted to add my own vocal spin to them. I felt like I could interpret and deliver Mike's songs the way he intended them to be.” The Twangtown Paramours released their debut self-titled album via Inside Edge Records just a year later in 2010, a well-received, pop-infused folk album that rose to #11 on the Folk charts. In 2012, they released their second full-length project, The Promise of Friday Night, a narrative-driven, acoustic folk album that hit #2 on the Folk charts, #150 on the Americana charts, and #7 on Deep Roots Magazine's top 50 albums of 2012. In the following years, the pair became three-time finalists at the Kerrville New Folk Competition in Kerrville, TX and winners of the Wildflower Contest in Richardson, TX. They also had the honor to open for major acts such as Joe Ely, Claire Lynch, and Jimmie Dale Gilmore. Twangtwon's Info https://www.thetwangtownparamours.com https://open.spotify.com/artist/0ZMbWnqq5aCDE910lU5TSP?si=hI7PqEONSqCd7LAVm67i6w  

ASHLEY “PK” MOGAYZEL has worked as a tour manager, production assistant, and done a lot of Merch.  She's toured with Wilco, the Eels, Post Modern Jukebox, Deer Tick, Nathaniel Rateliff, Man Man, The Colourist, & I'm With Her.   Eric “Colonel” Frankhouser is a tour manager.  He's toured with Wilco, Tweedy, the Eels, Lucinda Williams, Hal Ketchum, Paula Cole, Jimmie Dale Gilmore, James McMurtry, Matraca Berg, & Amanda Ghost.

The Whitmore sisters are a duo made of Eleanor and Bonnie Whitmore, two sisters who have both made incredible careers for themselves in the music industry. Older sister Eleanor is half of the duo “The Mastersons” with her husband Chris. She's also toured with Steve Earle for years, and worked with Brandi Carlile and Shooter Jennings on the recent album by Tanya Tucker “While I'm Living.” Bonnie is an accomplished musician herself living in Austin Texas, and has worked with artists like Hayes Carll, Jimmie Dale Gilmore, and Aaron Lee Tasjan to name a few. They recently teamed up to record an album together, and it sounds phenomenal. I had a chance to chat with them about the album, I hope ya dig it! 

Coro Trentino [00:23] "Not en Val Gardena" Music of the Italian Alps Capitol Records T10120 A quick little Tyrolean excursion. "Bald" Bill Hagan and his Trocarderons [02:04] "Frankie and Johnny" Music to Strip By Somerset P-16800 1966 Not exactly a song I would associate with burlesque. Carlene Carter with Dave Edmunds [04:26] "Baby Ride Easy" Musical Shapes Warner Bros. Records BSK 3465 1980 That's right kids, Carlene backed by Rockpile, covering a little number Johnny and June used to do. Jacques Bondon, Lamoureux Orchestra of Paris [07:46] "Interlude for an Unexpeted Show" Musiques Officielles pour Les Xièmes Jeux Olympiques d'Hiver - Grenoble 1968 ERATO STU70337 1968 That sounds like a truly unexpected show for the Olympics. Joe Ely [13:06] "Dallas" Musta Notta Gotta Lotta Southcoast Records MCA-5183 1981 A fine rendition of this Jimmie Dale Gilmore tune, with some excellent steel guitar assistance from Lloyd Maines. The Kinks [16:33] "Muswell Hillbilly" Muswell Hillbillies RCA Victor AYL1-4558 1971 (1981 reissue) Ever wonder where The Cars got that riff from "Best Friend's Girl (https://youtu.be/RyFo6p6LGkA)"? Thee Oh Sees [21:30] "Sticky Hulks" Mutilator Defeated at Last Castle Face CF 55 2015 Another classic album from John Dwyer and company, this one from 2015. Elvis Costello [29:09] "(The Angels Wanna Wear My) Red Shoes" My Aim Is True Columbia JC 35037 1978 Hard to pick just one track, but this is the song that popped right into my head when I pulled the record of the shelf. John Coltrane [31:59] "But Not For Me" My Favorite Things Atlantic SD 1361 1961 The Gershwin brothers standard peformed with Coltrane on tenor sax and the help of McCoy Tyner on piano, Steve Davis on double bass, and Elvin Jones on drums. Brian Eno - David Byrne [41:30] "A Secret Life" My Life in the Bush of Ghosts Sire SRK 6093 1981 Mucking about in rhythm and sampling, featuring sampled vocals by Lebanese singer Samira Tewfik. Barbra Streisand [45:40] "I've Got No Strings" My Name Is Barbra Columbia CS 9136 1965 Oh Geppetto, what have you unleashed?! Barbra Streisand [48:30] "The Shadow of Your Smile (Love Theme from The Sandpiper)" My Name Is Barbra, Two... Columbia CS 9209 1965 The theme song to the steamy Vincent Minelli film from 1965, featuring Liz & Dick. Allan Sherman [51:12] "My Zelda" My Son, the Folk Singer Warner Bros. Records W 1475 1962 A little spoof on the Calypsonian classic "Matilda" (https://youtu.be/fRnOQaA1xsw). Ponty Bone and the Squeezetones [56:48] "Ni Por Mil Punados De Oro" My, My, Look at This Amazing Records AM 1015 1987 Heck yeah! Dust off the dance floor! Music behind the DJ: "Cold, Cold Heart" by Jerry Byrd

#623 - Heidi Hyatt Heidi Hyatt is a special guest on The Paul Leslie Hour. It's a great honor to welcome Heidi Hyatt on The Paul Leslie Hour. She keeps the legacy of her husband the late Walter Hyatt going, through King Tears Music which she heads. She manages the catalog of Walter Hyatt and his influential Uncle Walt's Band. Uncle Walt's Band included Walter Hyatt, Champ Hood and David Ball. They made some truly exceptional recordings with unique songs and influenced some renowned artists: Marcia Ball, Lucinda Williams and some of our past guests: Lyle Lovett, Willis Alan Ramsey and Jimmie Dale Gilmore. Walter Hyatt sadly passed away in 1996 and the following year Austin City Limits broadcast a tribute featuring Lyle Lovett, Willis Alan Ramsey, David Ball, Champ Hood, Marcia Ball, Jimmie Dale Gilmore, Junior Brown, David Halley, Allison Moorer and Shawn Colvin. On October 1, 2021 Omnivore Records is releasing the 11 songs from that ACL broadcast on CD and digital. Also included will be songs that didn't get aired and some previously unreleased Walter Hyatt recordings. The release is entitled "Mighty Fine: An Austin City Limits Tribute to Walter Hyatt." Heidi Hyatt makes a great interview, and we hope you enjoy. Do yourself a favor and check out the album. You'll be very glad you did. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

Recorded in 2005, this episode features Emmylou Harris, Billy Joe Shaver, Buddy Miller, Jimmie Dale Gilmore, and Jamie Hartford. Podcast support provided by Digital Relativity. https://bit.ly/3kabVvu

Texas Legends Joe Ely, Butch Hancock, & Jimmie Dale Gilmore first got together as the Flatlanders in 1972, they were together for a year, put out one album and then...their individual careers took off and it was 20 years before there was another Flatlanders album! Fast Forward to 2021 and they've just released their first album in 12 years, Treasure of Love. I talk with all three about the new album, their storied careers and the surprising influence they all have in common. --- Support this podcast: https://anchor.fm/chuck-taylor/support

Our guest today is Jimmie Dale Gilmore, a Texas music icon who's been writing and playing songs for more than 50 years. Most folks know Gilmore best from his work with The Flatlanders, the legendary trio of Butch Hancock, Joe Ely, and, of course, Jimmie Dale Gilmore. The Flatlanders just released a new country music album called Treasure of Love, their first album of new recordings in more than 12 years. Fellow Flatlander Butch Hancock had this to say about Jimmie Dale: “From swapping songs sitting on some floor after midnight in Lubbock, Texas, to stage after stage from Italy to New Zealand, Jimmie's voice still echoes the miles and smiles The Flatlanders have shared.” The 15 tracks on Treasure of Love revisit songs the guys have enjoyed playing since the early days. Take a listen, and thanks again for tuning into DittyTV. See omnystudio.com/listener for privacy information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In America, "Downtown" is the place to be. Downtown Columbus, GA, or simply "Uptown" is one of those places. In 2010, it was all but abdonded and now years of renovations, growing, community support, and attractions, Uptown Columbus is a hot spot. And we're not talking about the heat! Playlist: Plus ​tôt​, Alexandra ​Stréliski Easy Street, Julie London On Broadway, The Drifters Downtown, Petula Clark Since You Asked, Judy Collins Everybody's Talkin', Nilsson & George Tipton A Bo Story: Boulevard of Broken Dreams, The Boulevard of Broken Dreams Orchestra Flight from the City, Jóhann Jóhannsson Tonight I Think I'm Gonna Go Downtown, Jimmie Dale Gilmore and the Flatlanders Look on Down from the Bridge, Mazzy Star Lunar sea, Camera Obscura Downtown, Majical Cloudz Downtown Train, Wesley Schultz Empty Town, Sebastian Blanck Go Lightly, Jesse Marchant Pup Shalom, hymn for her

"NANCI GRIFFITH- ANOTHER VACANCY ON THE BOULEVARD OF HEAVENLY DREAMS”- Folk and Country Angel Nanci Griffith boarded The Mystery Train on August 13 at the age of 68 . Her profound gift cannot be defined with any typical ease.

#600 - Jimmie Dale Gilmore Jimmie Dale Gilmore is a special guest on The Paul Leslie Hour. Ladies and gentlemen, this is episode #600 of The Paul Leslie Hour. We have a truly great Texas-born singer and songwriter joining us. Jimmie Dale Gilmore has one of the great, unique voices in American music. A prolific performing and recording artist, Jimmie Dale Gilmore has worked both with the legendary group The Flatlanders, as a solo artist and with a great number of other singers. The styles he has covered are vast, from Country and Western to Blues, American Standards and Bluegrass. Jimmie Dale Gilmore can do it all. He's a philosophical, laidback, thoughtful man. His humility is evident. I had fun talking to Jimmie Dale Gilmore, and hope we speak again. I'm so honored you're tuning into this one. It's a real treat and I sincerely hope you enjoy Jimmie Dale Gilmore... right here on The Paul Leslie Hour. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

On this week's show, we... spend quality time with new records from the Goon Sax & the Flatlanders wonder no more what Jason Isbell covering Metallica would sound like  spin new songs from Courtney Barnett, Pokey LaFarge & Rock Hill's own Courtney Lynn & Quinn  All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On Episode 184, I'm joined by singer-songwriter Butch Hancock of The Flatlanders. During this conversation, we talk about Hancock's West Texas Waltzes & Dust-Blown Tractor Tunes, driving tractors and working on cotton farms around Lubbock, discipline & dedication within songwriting, the diverse Flatlanders song catalog, the impact & evolution of the radio, and The Flatlanders' latest album, Treasure of Love (July 09).  Note: This is the first in a three-part installment of interviews with Jimmie Dale Gilmore, Joe Ely, and Butch Hancock of The Flatlanders.This episode's presenting partner is Desert Door Texas Sotol and The Blue Light Live.New Slang PatreonNew Slang TwitterNew Slang InstagramNew Slang FacebookNew Slang Merch StoreThe Neon Eon PodcastThe Neon Eon Merch Store  Support the show (https://www.paypal.me/ThomasMooney)

On Episode 183, I'm joined by Joe Ely, the acclaimed singer-songwriter and member of the legendary Lubbock band The Flatlanders. During this conversation, we talk about The Flatlanders' newest album, Treasure of Love (July 9), lost band names, other Ely supergroups, albums like Panhandle Rambler & Hi-Res, the collaboration musical Chippy, playing with Bobby Keys, and hear a few Stubb's stories.  Note: This is the first in a three-part installment of interviews with Jimmie Dale Gilmore, Joe Ely, and Butch Hancock of The Flatlanders.This episode's presenting partner is Desert Door Texas Sotol and The Blue Light Live.New Slang PatreonNew Slang TwitterNew Slang InstagramNew Slang FacebookNew Slang Merch StoreThe Neon Eon PodcastThe Neon Eon Merch Store Support the show (https://www.paypal.me/ThomasMooney)

On Episode 182, I'm joined by acclaimed Lubbock singer-songwriter Jimmie Dale Gilmore of The Flatlanders. This Friday, July 09, The Panhandle trio is releasing their newest full-length album, Treasure of Love.  During this conversation, we talk about recording Treasure of Love, growing up in Lubbock, the importance of radio, hearing Terry Allen for the first time, collaborating with Dave Alvin, the genius of Lloyd Maines, and the enduring impact of The Flatlanders. Note: This is the first in a three-part installment of interviews with Jimmie Dale Gilmore, Joe Ely, and Butch Hancock of The Flatlanders. This episode's presenting partner is Desert Door Texas Sotol and The Blue Light Live.New Slang PatreonNew Slang TwitterNew Slang InstagramNew Slang FacebookNew Slang Merch StoreThe Neon Eon PodcastThe Neon Eon Merch Store Support the show (https://www.paypal.me/ThomasMooney)

Hemos llegado a mitad de este 2021 y es el momento de hacer un pequeño balance de todo lo que hemos escuchado a lo largo de estos seis meses en los que, a pesar de las circunstancias especiales a las que nos ha obligado la pandemia, hemos reunido un buen puñado de canciones perfectas para escuchar en el porche a cualquier hora. Ojalá a finales de año podamos hacer lo mismo con los próximos seis meses. Con la herencia de enormes contadores de historias, Mac Leaphart, nacido en Carolina del Sur, nos ha dejado un álbum tan vitalista como Music City Joke y una canción magnífica: "That Train". Yendo a las tierras de Colorado nos encontramos a The Barlow, cuyo segundo trabajo, Horseshoe Lounge, está inyectado de Red Dirt Music tal y como se manifiesta en “Fixin’ To Run”. De la provincia canadiense de Ontario, es Spencer Burton que regresa a sus raíces naturales en “Things I Can’t Do”, con el apoyo vocal de Caitlin Rose, para su álbum Coyote. John Hiatt y la Jerry Douglas Band han continuado con la tradición del legendario RCA Studio B de Nashville para completar un álbum como Leftover Feelings y dejar piezas maestras del calibre de "All The Lilacs In Ohio". A medio camino entre John Prine y Guy Clark, Vincent Neil Emerson ha encontrado a Rodney Crowell para producir su segundo álbum y regalando temas como "Texas Moon". Por otro lado, William Beckmann tuvo a Radney Foster como mentor y prepara un álbum en el que incluirá temas atemporales de la magnitud de "Bourbon Whisky". El también tejano Jason Eady ha dejado en su álbum Passage of Time una especie de estallido de creatividad en plena cuarentena. "My Best Friend” es su mejor ejemplo. Lukas Nelson & Promise Of The Real lanzaron por fin A Few Stars Apart, uno de los discos más esperados y donde Lukas se acerca más a las esencias de su padre, Ol' Willie, en una oda al amor como “We’ll Be Alright”. Tampoco podemos olvidar el regreso de la legendaria Loretta Lynn con Still Woman Enough, donde colabora con distintas mujeres cercanas al country, entre ella está Margo Price con quien recuerda a dúo “One’s On The Way”. El atrevimiento de Shannon McNally ha dado sus frutos en The Waylon Sessions, visión femenina y matizada de algunos de los grandes clásicos del mítico músico tejano. Su versión junto a Rodney Crowell de "I Ain’t Living Long Like This" es soberbia. Tras un docena de años en silencio, Treasure of Love supone la vuelta conjunta de Butch Hancock, Joe Ely y Jimmie Dale Gilmore bajo el nombre mítico de los Flatlanders con una versión imponente del clásico “Sittin’ On Top Of The World”. Para despedirnos nos emplazamos a ver a Blackberry Smoke, en su regreso a escenarios españoles a comienzos de 2022. Ahora nos han regalado You Hear Georgia, un disco magnífico en el que aparece "Ain't The Shame" . Escuchar audio

Dentro de poco más de un mes se edita el décimo quinto álbum de Jackson Browne, Downhill From Everywhere, el primero en seis años y que supone un regreso al intimismo que nos dejaron sus primitivos trabajos, hace casi medio siglo. Es una metáfora de la propia vida representada en la ciudad de Los Ángeles que hoy abre nuestro programa. Rodney Crowell ha cantado a su amnesia total transitoria, un episodio benigno y por suerte temporal de pérdida de memoria, que sufrió en plena pandemia. Es uno de los temas más introspectivos de su nuevo disco que resume cuestiones relativas a encontrar respuestas y consuelo en el caos. Songs and Music from She's the One que Tom Petty and the Heartbreakers pusieron en el mercado en 1996 será reeditada a primeros de julio con cuatro temas inéditos. Esta vez, el disco pasa a llamarse Angel Dream, aunque hoy mismo está en el mercado de manera especial para celebrar el Record Store Day en una edición limitada en vinilo de color azul. Viajar es una de las grandes recompensas de un músico, y Travis Linville lo sabe bien. Con JD McPherson como productor de su nuevo álbum, I’m Still Here, inyecta el afán de volver a la carretera sin mirar atrás, bajar las ventanillas del coche, subir el volumen… y recuperar el tiempo perdido. Producido por Sadler Vader, que se ha llevado sus compañeros de la 400 Unit de Jason Isbell, incluyendo al líder, Zach Schmidt se ha descolgado con un álbum de extraordinaria solidez donde encontramos canciones que se escuchan en bucle. Pero no olvidemos a Brock Gonyea desde las tierras del estado de Nueva York compartiendo canciones del presente que parecen temas perdidos en grabaciones de décadas casi olvidadas. “We’ll Be Alright”, una oda al amor, es muy posiblemente la canción del nuevo álbum de Lukas Nelson & Promise Of The Real en la que su líder se manifiesta más cercano a las formas de su padre, Willie Nelson. A Few Stars Apart, su nuevo disco, se editó ayer incidiendo en la conexión entre todos nosotros, dando una importancia fundamental a la familia, los amigos y el propio yo. Otra de las bandas que se ha convertido en habitual del Bunker de Bruce Robison es Reckless Kelly, que comandan los hermanos Braun. Su reciente grabación analógica de “Thinkin' Bout You All Night” nos devuelve la sensación de normalidad. Es algo que también ocurre con The Flatlanders, el trío que conforman desde hace décadas Joe Ely, Jimmie Dale Gilmore y Butch Hancock . "She Belongs to Me" es una de las canciones que se han incluido en Treasure of Love, su primer disco en más de una década. Asleep At The Wheel, la mejor banda de carretera de la historia y toda una leyenda para los amantes del Western swing, quiere celebrar su medio siglo de existencia con Better Times, un doble álbum que se editará en octubre pero que se anticipa ahora con ese tema central y dos de apoyo que transmiten esperanza en estos tiempos. Incluso Ed Jurdi y Gordy Quist de Band of Heathens han colaborado con una canción que muestra su versatilidad. Y para cerrar el programa de hoy hemos contado con The Shootouts, el grupo establecido al noroeste del estado de Ohio que hace guiños a las canciones que sonaban en las radios de country music en la década de los 90, como es evidente en "Saturday Night Town". Escuchar audio

Let's take a road trip through the Lone Star State on this ArtHaus Radio! Love and light, y'all Playlist: Plus tôt by Alexandra Stréliski John the Relevator by Blind Willie Johnson Texas by Highwaymen Dallas by Willie Nelson Dallas by Jimmie Dale Gilmore and the Flatlanders Tonight I Think I'm Gonna Go Downtown by Jimmie Dale Gilmore and the Flatlanders Two Fires by Eric Taylor If You Were a Bluebird by Emmylou Harris Texas Sun by Kruangbin & Leon Bridges Last Ride Back to KC BY Nick Cave & Warren Ellis Amarillo By Morning by George Strait Galveston by Jimmy Webb Galveston by Jeffrey Martin Waves of Galveston by Iron & Wine I by Aphex Twin Texas by George Strait Luckenbach, Texas (Back to the Basics of Love) by Waylon Jennings Pup Shalom by hymn for her *Online Show music from "Space on Earth" by Man Bartlett*

Han pasado 12 años para volver a escuchar a los Flatlanders, ese trío legendario que forman Butch Hancock, Joe Ely, and Jimmie Dale Gilmore, en quienes se fijan todos los que preservan el misterioso espíritu tejano. El álbum Treasure of Love se editará como álbum a comienzos de julio pero hoy abren nuestro tiempo con una versión luminosa del clásico "Sittin' On Top Of The World". Turner Cody formó parte de la generación anti-folk de los últimos 90 en Nueva York. Ahora regresa con The Soldiers Of Love y tonalidades country y folk, además de letras inspiradas en el cine y la literatura norteamericana. Una de las sorpresas de estos días en el nuevo Ep de Croy and the Boys,  una banda de honky tonk de Austin con versiones a estilos muy lejanos como el anarco-punk de Crass. Y funciona. Titty Bingo es una banda de garaje fundada en Austin en 1988 en los márgenes y arropada por Willie Nelson, que acaba de intervenir en su nuevo tema, “Dead Or Alive”, como parte de una historia sobre el Salvaje Oeste. Willie también ha colaborado con Michael McDonald y David Hidalgo en una canción a beneficio de los trabajadores agrícolas de Estados Unidos en estos tiempos de pandemia. The Steel Woods se sobrepusieron a la muerte inesperada de su compañero Jason "Rowdy" Cope y han publicado por fin su tercer álbum, All Of Your Stones, balanceándose entre baladas y temas atronadores, con guiños vocales a Ronnie Van Zant e influencias nada disimuladas de Lynyrd Skynyrd. El tejano Cody Jinks se ha recreado en sus antiguas Adobe Sessions a las que ha añadido el término Unplugged para darles un nuevo toque intensidad. Esa es la que nunca le ha faltado a Chris Stapleton, que nos deja un nuevo single, “You Should Probably Leave”, un tema que era habitual en sus conciertos de sus comienzos. También es una constante de John R. Miller, con quien volvemos a los sonidos más profundos de los Apalaches. Anotad el nombre de Summer Dean que debuta a sus 40 años con el álbum Bad Romantic, previsto para finales de agosto y anticipado hoy con “You’re Lucky She’s Lonely”, un dúo con Colter Wall en la más pura tradición de la country music. Y para despedir el programa de hoy nos quedamos con el nuevo proyecto de Margo Price, A Series of Rumors. Se trata de un club de venta de discos por correo con curiosidades e inéditos partiendo de su último álbum That's How Rumors Get Started, que publicó el año pasado. Escuchar audio

During the 1980s and 1990s, DJ Andy Kershaw travelled around Africa and the Americas searching out great music and taping it on his Walkman Pro, a new broadcast-quality cassette recorder that was bringing about a revolution in mobile recording. He also used it to capture his celebrated Kitchen Sessions, held in his small flat in Crouch End. In this episode, Andy meets Malian blues man Ali Farka Touré on a boat on the Niger and wins a bottle of BBQ sauce at Fred's Lounge in Louisiana whilst enjoying some live cajun music from the Mamou Cajun Band. We witness the breakneck speed of Scottish accordionist Phil Cunningham and banjo player Gary Petersen in an impromptu session in a pub in Shetland and we take a look at the iconic Cuban song Guantanamera, with versions by Cuarteto Iglesias on a roof top in Cuba and Celina Gonzales in Andy's Crouch End kitchen. Also from the kitchen we have vintage sessions from Butch Hancock and Jimmie Dale Gilmore and English psychedelicists, Robyn Hitchcock & The Egyptians. Plus Andy dusts off the Walkman Pro to records a brand new session with folk singer-songwriter and guitarist Steve Tilston. Producer: Martin Webb

On this week's show, we...  spend quality time with the full-length debut from Akron-based honky-tonkers The Shootouts check out cool new covers from Los Lobos, Jason Isbell & Violet & Dave Grohl get caught up on a whole mess of new roots music from The Flatlanders, Anderson East & The Deep Dark Woods  Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

#547 - Willis Alan Ramsey Willis Alan Ramsey is a special guest on The Paul Leslie Hour. I am ecstatic to present an exclusive interview with one of America's great troubadours. I've wanted to welcome him on the show for years. He's been called a cult legend. A singer-songwriter, concert performer and recording artist, Willis Alan Ramsey is here on The Paul Leslie Hour. A very influential artist, the songs of Willis Alan Ramsey have been recorded by a great variety of artists: country artists like Waylon Jennings, Jerry Jeff Walker, Jimmie Dale Gilmore, and also singer-songwriters like Eric Clapton, Shawn Colvin and Jimmy Buffett who said "I think he is one of the best writers I have ever known." Groups have recorded his work as well: America, The Captain & Tennille and Widespread Panic. One of the great artists who has covered and collaborated with Willis Alan Ramsey is the iconic Lyle Lovett. There is a very special event coming up this week. Lyle Lovett and Willis Alan Ramsey in Conversation and Song. You can get the ticket on  http://www.lylelovett.com Friday April 9th at 9 PM ET / 8 PM CT. You'll be able to watch through April 11th. This interview is a great preview of what to come. It's an honor to have you join us for the first Willis Alan Ramsey interview, right here on The Paul Leslie Hour! The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture. This podcast is powered by Pinecast.

After 20+ years of traveling as a Tour Manager and FOH Sound Engineer, Paul Dalen retired from touring in the ‘90s and worked for Bill Graham Presents in San Francisco as production manager at The Fillmore, The Warfield and a number of other bay area venues.In 2001, he moved to New York and spent the next 5 years at David Whitehead’s highly respected firm Maine Road Management. At the time of his departure, the music roster included David Bowie, David Byrne, Luna, Joe Henry, Beth Orton, Helmet, Dean and Britta, Jimmie Dale Gilmore, Air, Jim White, Laura Cantrell and Joe Ely; and the producer roster featured Kevin Killen, Ryan Freeland, Tucker Martine and others.Paul returned to full time touring and festival production in 2012 and he remains enthusiastic about traveling the world utilizing his skills in Artist Management to great effect in his current roles as Tour Manager / Production Manager / FOH mixer.FESTIVALS (PRODUCTION MANAGER / STAGE MANAGER)Bonnaroo 2011–2015 (stage manager)Firefly Music Festival 2012–2015 (stage manager) 2018 (overnight head of production)Googamooga Festival 2012 (stage manager, main stage)Governors Ball NYC 2012–2014 + 2019 (stage manager)Life Is Beautiful 2018 (stage manager)Lockn' Festival 2014–2015 (stage manager, both stages)Outside Lands Festival 2011–2014 + 2017- 2018 (stage manager)Rock the Bells 2012 SF / LA / NYC (stage manager for Nas)TOURS (VARIOUSLY AS TM / PM / FOH)** 1970’SRobin Trower / 1979Styx / Paradise Theatre World Tour / 1979** 1980’SBarry White / 1988 Full strings, over 70 inputsChicago / 1989–1990David Sanborn  / 1986–1994, 2001–2003Psychedelic Furs  / 1986–1987** 1990’SAimee Mann  / 1999–2001Barry Manilow  / 1991–1995Fiona Apple / 1996–1998, 2007–2008, 2010Joe Henry / TM 1999–2016Chris Isaak / 1994–1997Lisa Stansfield / 1990–1992, Hong Kong 199710,000 Maniacs / 1992–1993** 2000’SChristopher Cross / 2001–2012Cowboy Junkies / 2007–2010** MORE RECENTLYAnimal Collective /  2012–2017Bonnie Raitt / 2014–2021Fiona Apple / 2007–2008, 2010Jim James / 2018 - 2019”Live From Here” NPR Radio Show 2019 - 2020Luna / 2001- 2018Marc Cohn / 2013–2015 + 2019My Morning Jacket / TM 2019 - 2021Nick Swardson / 2014Nickel Creek / 2020Punch Brothers / 2019 - 2020The Decemberists / 2020The Wallflowers /2012–2013The Jayhawks / 2010 / 2018 / 2019 / 2020ONE-OFFS AND MINI-TOURS, VARIOUSLY AS TM / PM / FOHJames Taylor (assistant TM) / Juana Molina / Rosanne Cash / Bruce Hornsby  / Tune-Yards / Suzanne Vega / Al Jarreau / Ella Fitzgerald / NAS / Joan Baez / Calexico / Nick Lowe / Luther VandrossMember of Event Safety Alliance since 2014 Board Of Directors / JusticeAid.orghttps://www.reverse-thread.com/Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9JCBNUCRNRVKY&source=url)

Today's guest is songwriter, performer, and virtuoso guitarist, Taylor Scott. We go back 8ish years to the Snowy Range Music Festival in Laramie, WY (RIP!). We met through our mutual friend, Nic Clark (episodes 5 and 31), and ended up forming a "songwriter in round" group called, Sydow, Scott & Clark. We never broke up, we just stopped playing shows. Taylor spent his earliest years in St. Louis, MO before moving to Cheyenne, WY with his family as a kid. At the age of nine, he became enamored with the guitar, and discovered he was pretty good at it too. He was invited to tour with a blues band right out of high school and soon after was invited to be the touring guitarist with award winning Trace-Blues artist, Otis Taylor. 2019 saw the release of Taylor Scott Band's latest studio album, All We Have. It was produced by Steve Berlin of Los Lobos. In support of the album, he toured with his band opening for Dave Alvin and Jimmie Dale Gilmore. Along the way, Scott and his band recorded their live set at the Belly Up in Solana Beach, CA. That was released on all streaming platforms back in September, 2020. In our conversation, we chat about all of this plus his personal story, and what it's like to finally get to a level where you have a team (booking agent, manager etc.) helping push your music. If you enjoy the podcast, please let others know, subscribe or write a review. 5 star ratings and reviews on Apple Music as well as subscribing to our YouTube Channel help us out the most!! IF YOU'D LIKE TO SUPPORT THE PODCAST IN A MONETARY WAY, I'M NOW ON PATREON! https://www.patreon.com/andysydow You can support my artist career and this podcast for as little as $3 per month. The price of one cup of coffee helps keep this podcast on its feet. Any and every contribution is greatly appreciated! Guest Links: Taylor Scott Website: https://www.taylorscottmusic.com/ Taylor Scott Instagram: https://www.instagram.com/taylorscottband/ Episode Music: Theme 2: "Theme 2" by Andy Sydow Sponsor Music: "Wicked Dreams" by Andy Sydow Guest Music: "Clearance Bin" by Taylor Scott Band Interview Outro Music: “Who I Want To Be” by Andy Sydow Guest Music: "Salted Watermelon (Live)" by Taylor Scott Band Sponsors: A huge thanks to our sponsors, PQ Mastering and Narrator RF. For any sponsorship inquiries, shoot me an email at middleclassrockstar@gmail.com http://pqmastering.com https://narratorrf.com

Welcome back to The Neon Eon. We kick off February being joined by singer-songwriter Terry McBride. McBride began making a name for himself as a bass player playing for the likes of Dale McBride (his father), Delbert McClinton, Rosie Flores, Jimmie Dale Gilmore, and others down in his native Texas before bursting onto the scene as the lead vocalist and chief lyricist of the trio McBride & The Ride. Later, he'd be recognized as a hit songwriter for the likes of Brooks & Dunn and Reba McEntire. During this conversation, we talk about those early Texas roots, establishing McBride & The Ride, hanging out with Guy Clark, recording the breakout album Sacred Ground, hitting it off with Ronnie Dunn, writing "If You See Him/If You See Her," and making his way back to recording albums once more.  Like and Follow The Neon Eon on Facebook, Instagram, Twitter, and Patreon. Today's theme music is "Rollin'" by Lauren Duski.

David has quite a storied career having managed many artists you know the names of, working as a motorcycle messenger at Stiff Records, MD at Pinnacle Records, and distribution at Rough Trade Records. He's worked with artists like David Bowie, David Byrne, Luna, Natalie Merchant and Jimmie Dale Gilmore. He currently manages Keeley Forsyth, Joe Jackson, Lloyd Cole, Helmet, Joe Henry and the instinctive theatrical brilliance of Hugh Laurie through his management company, Maine Road.He shares a bunch of stories and common projects that he and LP worked on over the years. And they dive into a discussion about David's favorite band, the Faces. Learn more about Maine Road Management . Learn more about Lyte.  Hosted on Acast. See acast.com/privacy for more information.

David has quite a storied career having managed many artists you know the names of, working as a motorcycle messenger at Stiff Records, MD at Pinnacle Records, and distribution at Rough Trade Records. He's worked with artists like David Bowie, David Byrne, Luna, Natalie Merchant and Jimmie Dale Gilmore. He currently manages Keeley Forsyth, Joe Jackson, Lloyd Cole, Helmet, Joe Henry and the instinctive theatrical brilliance of Hugh Laurie through his management company, Maine Road.He shares a bunch of stories and common projects that he and LP worked on over the years. And they dive into a discussion about David's favorite band, the Faces. Learn more about Maine Road Management . Learn more about Lyte. 

We’re blowing out 2020 with PART TWO of our celebration of JON BRION. This time focusing on the music beyond the movies. FEATURING: An interview with MIRANDA LEE RICHARDS… and these songs featuring Jon Brion except *: Jon Brion - Voices Sam Phillips - Your Hands The Bats - Pop Gun The Bats - How Pop Can You Get? Elvis Costello - Jack Of All Parades* Jon Brion - Hook, Line & Sinker (Demo) Jon Brion - Not Ready Yet (Demo) Jon Brion - Anything’s Possible (Demo) The Grays - Everybody’s World Jon Brion - The Same Thing (Live at Largo ‘97) The Grays - The Same Thing The Grays - Not Long For This World The Grays - Nothing Between Us The Grays - No One Can Hurt Me Now Jon Brion - Meaningless Jon Brion - Dead To The World Jon Brion - Trouble Jon Brion - I Believe She’s Lying Jon Brion - Ruin My Day Jon Brion - Strange Bath Jon Brion - Knock Yourself Out Jon Brion - Strangest Times Jon Brion - Didn’t Think It Would Turn Out Bad Beck - Everybody’s Gotta Learn Sometime Aimee Mann - You Could Make A Killing Aimee Mann - How Am I Different? Aimee Mann - Nobody Does It Better Fiona Apple - As Fast As I Can Fiona Apple - Not About Love (Jon Brion produced) Fiona Apple - Not About Love (Fiona Apple produced) Robyn Hitchcock - Viva Sea-Tac Eleni Mandell - I’m Your Girl Kanye West - Gone (Feat. Consequences & Cam’Ron) Miranda Lee Richards - I Know What It’s Like The Crystal Method - Over The Line Rhett Miller - This Is What I Do Rhett Miller - The El Mac Miller - Good News Frank Ocean - White Ferrari Janelle Monae - Jane’s Dream Ben Gibbard - When The Sun Goes Down The Walllowers - One Headlight Leonard Cohen - Democracy* David Byrne - I Know Sometimes A Man Is Wrong Eels - Not Ready Yet Jellyfish - Joining A Fan Club Sam Phillips - Power World Jimmie Dale Gilmore = Braver Newer World Lincoln - Blow Elliott Smith - Waltz #1 Mary Lou Lord - Throng Of Blowtown Macy Gray - Sex-o-matic Venus Freak Peter Gabriel - More Than This Tom Petty & The Heartbreakers - Money Becomes King Rickie Lee Jones - For No One Of Montreal - Lithium Beyonce - Hold Up Emmitt Rhodes - Dog On a Chain Bruce Springsteen - Hitch Hikin’ Noir Bruce Springsteen - There Goes My Miracle Jon Brion - Casey At The Mike (Live at Largo ‘97) Here's a Spotify playlist featuring a lot of these songs: KUSF Interview referenced in the show: https://kusf-archives.blogspot.com/2009/10/kusf-100409-4-6-pm-just-another-menace.html Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

#500 - Butch Hancock Butch Hancock is the special guest on Episode #500 of The Paul Leslie Hour! He is a man who has been called a "master of words" and "one of the finest songwriters of our time." Butch Hancock is a vocalist, performer and recording artist. He's also a visual artist (both a painter and a photographer). He is a member of the renowned group the Flatlanders, along with Joe Ely and Jimmie Dale Gilmore. His released numerous recordings through the years and his songs have been interpreted by people like Emmylou Harris and the late Jerry Jeff Walker. This interview is quite revealing and sheds a lot of light on Hancock's creative process and writing. It's a fascinating look into the mind of a great writer. Butch Hancock is right here on The Paul Leslie Hour! The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

País Estados Unidos Dirección Joel Coen Guion Joel Coen, Ethan Coen Música Carter Burwell Fotografía Roger Deakins Reparto Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, Sam Elliott, John Turturro, Tara Reid, Ben Gazzara, Peter Stormare, Mark Pellegrino, Jon Polito, David Thewlis, Flea, Carlos León, Philip Moon, Torsten Voges, Jimmie Dale Gilmore, Jack Kehler, Richard Gant, Christian Clemenson Sinopsis El Nota (Jeff Bridges), un vago que vive en Los Ángeles, un día es confundido por un par de matones con el millonario Jeff Lebowski, con quien sólo comparte apellido. Después de que orinen en su alfombra, el Nota inicia la búsqueda de El Gran Lebowski. De su encuentro surgirá un trato: el Nota recibirá una recompensa si consigue encontrar a la mujer del magnate.

...los Long Wagon homenajeando al sonido country del cine western, Eva Vázquez y Los Lobos, compositora y cantante que se inspira en la música americana de los 60 y adelante o los Boo Devils, banda rockandrolera, con su versión de Johnny Halliday. Los Blam Blams desde Nashville son unos Queen glamrockeros con cancione smuy reconocibles. Joe Ely recuerda los días con sus colegas Jimmie Dale Gilmore y Butch Hancock en los Flatlanders al mismo tiempo que Matt Rollins se une a las figuras Willie Nelson, Lyle Lovett y Ramblin' Jack Elliott para versionar un estándar de 1949. Hellbound Glory y Quarter Horse nos traen dos canciones de calidad, licor de malta Leroy Virgil y a versión de Willie Nile sobre el gran batería de The Band, Levon Helm cantando (El sol brillará cuando Levon cante). Con ésta y la siguiente de Madrid al cielo, el superviviente de Badfinger Joey Molland nos adelanta una canción power pop perfecta de su próximo disco, Be True To Yourself y cerramos con Stacie Collins con su rock atada a tí y los Stray Cats en directo, construídos para la velocidad.- Malabrava, Veneno Tropical- Malabrava, Scary Love- Long Wagon, Disparando A Muerte- Eva Vázquez & The Wolves, The Bridge- The Boo Devils, Por Amor- The Blam Blams, My Opening Night - Joe Ely, All You Are Love- Joe Ely, You Can Rely On Me - Matt Rollings, That Lucky Old Sun - Hellbound Glory, Malt Liquor - Quarter Horse, When Levon Sings - Joey Molland, Rainy Day Man- Kesha, Children Of The Revolution- Stacie Collins, Tied To You - Stray Cats, Built for Speed

Hoy empezamos el tiempo de TOMA UNO fundiendo hard rock y bluegrass. Y es que tras una larga lucha contra el cáncer, hemos pedido también a Eddie Van Halen a los 65 años. Revolucionario de la guitarra, el músico holandés nacido en Nijmegen emigró a Estados Unidos con su familia a los ocho años y se asentó en Pasadena, California. A dúo con su hermano Alex formó una serie de grupos en los comienzos de la década de los 70 hasta que se cruzaron con el carismático David Lee Roth. La incorporación de Michael Anthony completó un cuarteto mítico como Van Halen. El único single de la banda que llegó al No. 1 de las listas fue “Jump”, extraído de su álbum 1984. Fue la canción que provocó fuertes tensiones entre los dos pesos pesados del grupo, Eddie Van Halen y David Lee Roth, culminando con la salida de este último del grupo. Lo curioso es que Roth recuperaría en 2006 la mítica canción en esta versión de bluegrass para su álbum Strummin' With the Devil: The Southern Side Of Van Halen, todo un homenaje al legendario grupo, en el que intervenían los más diversos invitados del género, entre ellos la John Jorgenson Bluegrass Band. El tejano Zane Williams, con siete discos en solitario y una veneración secular en la escena del Lone Star State, se refugió en una especie de supergrupo que tomó el primitivo nombre de Hill Country. Hay buena química y una variedad de formas que abarcan rock clásico, bluegrass, country y folk con unas armonías vocales como arma secreta. El viernes 2 de octubre las redes sociales de Hill Country colgaban un mensaje en el que informaban que pasaban a llamarse The Wilder Blue. Nuevo nombre, debido a un problema de marca registrada, pero la misma formación y los mismos argumentos sonoros. Su paseo por la montaña en “Evergreen” es uno de los momentos mágicos del cálido trabajo que les sirvió de debut. Por otro lado, Hill Country Revival se formó como grupo hace tres años en 2017 y muy pronto se han ido ganando una seria reputación en la escena de la Red Dirt music, aunando elementos de country, blues y folk, y entre los seguidores del Southern rock. Este quinteto que integran músicos de Montana, Georgia y Texas, se ha asentado en el Lone Star State recorriendo el circuito central de Texas, con paradas en el norte de Austin y el centro de San Antonio. Hill Country Revival tiene en el vocalista CJ Simmons la base de un sonido distintivo que se refleja en canciones como “Silver Fox”, anticipo de su álbum de debut. El country de los buenos tiempos lleva al recuerdo de las formas de Merle Haggard y los Strangers de la mano de Zephaniah OHora con un segundo álbum titulado Listening To The Music que incide en las enseñanzas del legendario artista de Bakersfield desde su tema de apertura, “Heaven’s On The Way”. Para este nuevo disco que da continuidad a This Highway, su debut de hace tres años, ha contado con la producción del desaparecido Neal Casal en abril de 2019. Zephaniah grabó este trabajo en The Bunker de Brooklyn, NY, a donde se mudó desde su natal New Hampshire para conseguir trabajo en el popular Skinny Dennis de Brooklyn, un bar que debe su nombre al que fuera bajista de Guy Clark. De esta forma, reivindica que la country music puede hacerse en cualquier lugar. El más reciente EP de Kurt Vile, Speed, Sound, Lonely KV (ep), se ha venido completando a lo largo de cuatro años en The Butcher Shoppe Studio de Nashville. Son cinco canciones, con dos versiones de John Prine y una de “Cowboy” Jack Clement además de dos temas originales del músico de Pennsylvania. A comienzos de año se editará físicamente en vinilo rosa y CD. Hoy hemos querido recrearnos con una versión de “Speed Of The Sound Of Loneliness”, una canción inundada de una melancolía casi enfermiza por un amor perdido, que el legendario artista tristemente desaparecido a cuenta del Covid-19 incluyó en su álbum German Afternoons. Nuestros amigos de Track Dogs tienen en Fire On The Rails su cuarto álbum como grupo. Su nombre tiene que ver con los equipos de mantenimiento del metro de Nueva York, y su sonido reúne una enorme diversidad de fuentes, tal y como persiste en el término Americana, referida también a “Las Américas”. El último de los singles que acaban de extraer de ese trabajo cuenta con la especial colaboración de Ashley Campbell, hija del legendario Glenn Campbell, que incorpora su banjo en “Don’t Delay”, del que han lanzado un vídeo grabado desde los hogares de cada uno, incluyendo a la artista de Phoenix, Arizona. Ashley Campbell es la más joven de los ocho hijos que tuvo el mítico Glen Campbell. Hace dos años vino a nuestro país, pero ni tuvo el eco que merecía ni su álbum de entonces, The Lonely One, era la mejor tarjeta de presentación. Ahora es muy diferente. Su música es una mezcla de sus amplias influencias, combinando el sonido del country de la vieja escuela popularizado por su padre durante los años 60 y 70 con la Americana music contemporánea y las raíces más tradicionales. Eso se pone de manifiesto de forma evidente en Something Lovely, un álbum compacto y mucho más maduro en el que encontramos canciones tan deliciosas como “Moonlight”, que cierra el trabajo. "In The Name Of God" es una de las canciones más potentes del nuevo EP de los Mastersosns, Red, White & I Love You Too. Resulta ser una condena formal y conmovedora del estado actual del mundo, aunque fuera compuesta hace un par de años. Tristemente, la situación política ha empeorado. Durante la gira Lampedusa: Concert for Refugees que realizaron en 2018 en apoyo a los refugiados, fueron conscientes de la situación de las personas que se ven obligadas a abandonar sus tierras para huir de la violencia. Los mensajes de miedo y odio que se han difundido por parte de administraciones como la estadounidense les impulsaron a escribir canciones como “In The Name of God”. En estas fechas, Chris Masterson y Eleanor Whitmore están trabajando con Steve Earle en un álbum de homenaje a Justin Townes Earle, hijo de Steve, fallecido el pasado 20 de agosto. Durante las dos últimas décadas quienes han asistido a conciertos de Sunny Sweeney, Eliza Gilkyson, Jimmie Dale Gilmore o Butch Hancock se habrán fijado en una bajista llamada Bonnie Whitmore que también posee una voz especial. Es la hermana pequeña de Eleanor de los Mastersons, residente en Austin y habitual de la legendaria Continental Club Gallery de la ciudad tejana. Para grabar su álbum Last Will & Testament quiso tener cerca a su banda, The Sad Girls, y se refugió en el Ramble Creek Studio de la capital del mundo de la música en directo para completar un disco que no rehuye ninguno de los temas del momento, desde la ruptura al suicidio, pasando por esa “cultura” de la violación y la gran división de su país. Su idea es que hablar de todo ello deje de ser tabú y que podamos encontrar algo de consuelo y de paz. Dentro de este trabajo muy recomendable hay algún respiro emocional como ocurre en "Fine", compuesto junto a Jaimee Harris, y hablando sobre las vicisitudes de las relaciones. A sus 74 años, Linda Ronstadt ha unido un nuevo premio a su vasta colección. Aunque este es claramente especial. En la trigésimo tercera entrega anual de los Premios de la Herencia Hispana, recibió el de “leyenda”. La ceremonia se transmitió el martes por la noche a través de PBS, la cadena de televisión pública de Estados Unidos. Cuando Linda dejó la Universidad de Arizona tras el primer trimestre, fue para unirse al guitarrista Bob Kimmel, con quién ya había actuado junto a sus hermanos con el nombre de los Three Ronstadts en clubs locales. Ese recuerdo estuvo presente en el álbum Más Canciones de 1991, cuando Linda interpretó “El Camino” junto a sus dos hermanos Pete, que era por entonces jefe de policía en Tucson, Arizona, y Mike, que regentaba una tienda de hardware informático. No olvidemos que su padre era mejicano. Gilbert, cantaba con ella y sus otros dos hijos canciones de su tierra natal en los pocos ratos de ocio que les permitía la ferretería que regentaban. Linda nunca olvidó aquellas raíces, no tal solo en los distintos álbumes dedicados íntegramente a canciones hispanas, sino a lo largo de toda su carrera. La fusión del alma musical de dos países, Irlanda y México, dieron vida a un álbum tan conmovedor como San Patricio, la última colaboración entre los irlandeses Chieftains, que lidera Paddy Moloney, y el multi-instrumentista y cantautor Ry Cooder. Su título tiene que ver con la leyenda del batallón de San Patricio, un grupo de inmigrantes irlandeses que desertó del ejército estadounidense en 1846 para pelear al lado de los mexicanos contra los invasores yankees en la guerra entre México y Estados Unidos que duró hasta 1848. Fueron tildados de traidores por unos y de héroes por otros. Ahí estaba Linda Ronstadt con un tradicional como “A la orilla de un palmar”. Tras el éxito del documental Linda Ronstadt: The Sound of My Voice, que recorría la carrera de la artista de Arizona, próximamente se estrenará Linda and the Mockingbirds, un documental sobre su viaje a México con un grupo de estudiantes el pasado 2019. Los canadienses Ian & Sylvia son parte de la quinta esencia del folk de aquel país, junto a su buen amigo Gordon Lightfoot. Ian Tyson y Sylvia Fricker se encontraron en su Canadá natal en 1960 y empezaron a actuar juntos muy pronto. Un par de años después vivían en Nueva York, donde llamaron la atención de Albert Grossman, que después se convertiría en el manager de Bob Dylan. A finales del 1962 lanzaron el primero de sus álbumes, Four Strong Winds, que estaba lleno de canciones tradicionales, exceptuando una versión impecable de “Tomorrow Is A Long Time” de Dylan y este tema propio que le daba nombre y que FolkAlley eligió como novena canción folk de todos los tiempos. Escuchar audio

A janitor whose love of movies got him to appear in the Big Lebowski and a musical virtuoso who went on to win a Grammy with Old Crow Medicine Show. This is episode 38 of Caffe Lena: 60 Years of Song . Thank you to Sarah at the Caffe for the list of songs and artists for the feature. Jimmie Dale Gilmore recorded his first album in 1972 and took a break that lasted for 16 years. During that time he joined an ashram in New Orleans and worked as a janitor in a synagogue in Denver. For the film buff, you may notice he randomly appeared in movies like The Thing Called Love, Parkland, and The Big Lebowski. Chance McCoy is a true musical virtuoso. In one weekend alone, he took home top honors for fiddle, banjo, and dulcimer at the prestigious West Virginia State Championships. He tried touring with his first band but came home with less money each time, supporting himself and his son with food stamps and teaching fiddle lessons. Then he got a call asking him to audition for Old Crow Medicine

BioIntegrity started in 2015 as a for-profit focused on connecting altruistic donors to the most economically efficient environmental solutions in the world. Its mission is to help the world's most impactful, global environmental solutions succeed as fast as possible. It endeavors to make the world a better place by promoting partnered solutions that protect and restore the Earth's ecological systems, resources, biodiversity, and beauty, in perpetuity. So far, BioIntegrity donors have protected more than 8,000 threatened species and kept more than 10,000,000 tons of CO2 out of the atmosphere. Our guest on Shades of Green is Chris Searles, the Founder and President of Biointegrity. Chris has been active in environmental sustainability since 2005. He has worked in many capacities and acquired a broad range of professional experience. Chris is also a musician (drummer), and his career includes touring and/or recording with Shawn Colvin, James McMurtry, The Flatlanders, Jimmie Dale Gilmore, Alejandro Escovedo, Joe Ely, Kelly Willis, Bruce Robison, and many more.

Mo Pitney viene de Rockford, en Illinois, y consiguió debutar hace cuatro años con Behind This Guitar, un álbum en el que colaboraban Morgane Stapleton y Alison Krauss. Sus inclinaciones hacia la tradición y los sonidos acústicos se salen de las normas que suele dictar la industria de Music City, aunque milite en un sello poderoso como Curb Records que tiene previsto publicar un segundo álbum a mitad de agosto al que da nombre este "Ain't Lookin' Back", subrayando que tiene una habilidad especial para seleccionar canciones que pueden llevar la firma de expertos en la materia. American Jackpot/American Girls es la nueva propuesta de Reckless Kelly, tomando el revelo a Sunset Motel de hace cuatro años. La idea era escribir sobre Estados Unidos y su gente, pero con la intención de no hacer himnos ni pontificar sobre ello. Lo que iba a ser un álbum sencillo se convirtió en dos ofertas gemelas con un total de 20 canciones en el que se encuentran historias de personajes convincentes, arrepentimientos y remordimientos, amores y rupturas. Todo con un robusto sonido envolvente. “Lonesome On My Own”, que forma parte del segundo de los discos, siendo una de las canciones que se les acumularon a los hermanos Braun en aquellas sesiones, manifiesta formas más amables de la banda de Idaho afincada en Austin. La otra parte de la “familia Braun” se reúne en Micky & The Motorcars, con Micky y Gary Braun como pilares fundamentales de un grupo que se marchó a Nashville para ser producidos por Keith Gattis, aunque persisten en su rock enraizado tras 17 años en la carretera y tomando el pulso vital al resurgir de Austin como capital del mundo de la música en directo. El tema que ha dado nombre genérico al registro, compuesto entre Micky Braun y Bruce Robison, es el encargado de culminar el proyecto, celebrando los altibajos de cualquier aventura para lograr algo importante. Es el viaje de unos contadores de historias cotidianas y reales. Desde que supimos de la creación de The Panhandlers, comentamos que el supergrupo que forman William Clark Green, Josh Abbott, John Baumann y Cleto Cordero estaba concebido para grabar un álbum de versiones en homenaje a los Flatlanders, el legendario trío de los legendarios Joe Ely, Butch Hancock y Jimmie Dale Gilmore. Sin embargo, aquel proyecto derivó hacia un disco de temas originales tras reunirse en la tejana ciudad de Marfa, para componer. Todas las canciones tienen que ver con el panhandle de Texas, un lugar poco agradecido que suele pasarse por alto. Y todas ellas están compuestas por los cuatro miembros de los Panhandlers, excepto la que sirve de apertura, "West Texas in My Eye", escrita por el compositor y fotógrafo de la ciudad de Lubbock Charlie Stout como una evidente fantasía escapista y en la que los integrantes del cuarteto se reparten el protagonismo vocal. Esta semana ocupa la primera plaza de la Texas Regional Radio Report la Chad Cooke Band con “Four Minutes”, un tema perfecto de two step para llenar las pistas de cualquier honky tonk… en el momento oportuno. Hablamos de un cuarteto originario de Houston que se mueve en los terrenos de la Red Dirt Music desde Oklahoma City hasta San Antonio, con guiños a los buenos tiempos de Brooks & Dunn y procurando no olvidar las armonías vocales que caracterizaron a los Eagles. Debutaron hace cuatro años con su álbum Easy Way Home y en la primavera de 2018 se marcharon a Nashville para proseguir su andadura que ha dado como resultado un segundo trabajo, Risk It All, del que forma parte es “Four Minutes”. Aquellos que siguen insistiendo en que el country clásico ha desaparecido con las nuevas generaciones, debería echar una escucha a Elijah Ocean. Para recuperar la tradición y las maneras de los buenos y viejos tiempos puede bastar recluirse en un estudio casero de Los Angeles, a donde llegó desde su Maine natal, y sacar a la luz las esencias del honky tonk para su quinto álbum en solitario, Blue Jeans & Barstools, que parece reclamar la vuelta de los mejores sonidos de la californiana Bakersfield y el espíritu de los legendarios forajidos de la escena campera. "Cleaned Up in Vegas", uno de los cortes más sobresalientes de un álbum bien equilibrado y altamente recomendable, muestra la desgarradora angustia del drogadicto. A primeros de abril, Charley Crockett nos sorprendió con 30 temas de baja calidad sonora que tituló Field Recordings Vol. 1 y ofreció para descarga digital. La grabación fue realizada junto a Kyle Madrigal en la granja que este posee en Mendocino County, al norte de California. Estaba formada por canciones propias y versiones de otras muy enraizadas en la tradición. Pero el artista sigue fiel a su inquieta personalidad y ya podemos escuchar la canción que dará nombre a su nuevo álbum de estudio, Welcome To Hard Times, previsto para el 31 de julio y donde mantiene el equilibrio entre country clásico, rhythm and blues y ciertas pinceladas de spaghetti western. Como viene haciendo en los últimos tiempos, este tejano nativo de San Benito está filmando y dirigiendo una serie de videos que el mismo protagoniza a lo largo de paisajes desérticos. Es la tierra que describe su sonido… y viceversa. Cody Jinks también ha publicado nueva música en estas fechas, la primera novedad desde que el pasado año nos regalara dos álbumes como The Wanting y After The Fire. La resistencia y la esperanza en días mejores suele ser el mensaje más habitual en tiempos de cuarentena, aunque el tejano haya tomado un camino diferente con "Watch the World Die", un tema melancólico que va adquiriendo dureza antes de que todo desaparezca. La solución es mantener el dedo corazón bien erguido y hacer el amor toda la noche. El toque esperanzador llega en versos como "Por la mañana, si estamos solo nosotros dos, sabremos que lo hemos hecho bien". Otro nombre que añadir a la lista de artistas con personalidad suficiente para conquistarnos es Kylie Frey, que creció compitiendo en el circuito del rodeo y componiendo desde muy corta edad. Sus padres apoyaron sus inclinaciones musicales y tras actuar en distintos locales de Texas y su natal Louisiana (ella nació hace 25 años en Opelousas, la tercera ciudad más antigua de aquel estado), debutó a finales de 2014 con su álbum Cinderella Dreams, del que destacó un tema propio editado en single, “The Chase”, logrando una importante repercusión en las emisoras de country tejanas. Hace tres años nos hicimos eco de su dúo con Randy Rogers en “Too Bad”, una balada impecable para un EP que produjo Paul Worley, seguido hace unos meses por “One Night in Tulsa” y ahora llega “Spur Of The Moment”, una de las canciones favoritas en las emisoras tejanas… y en TOMA UNO. Caitlin Cannon es puro desparpajo y optimismo. Nativa de Alabama, con un padre que abandonó a la familia, una madre peluquera esforzada por sacar adelante su hogar y un hermano en prisión, celebra con descaro y orgullo su situación y la de quienes sobreviven a los malos momentos con esfuerzo. Y lo hace en "Going For Bronze", el tema de apertura de su última novedad, un álbum con el explícito título de TrashCannon. Pero entre bravuconadas y cierto desapego emocional, Caitlin confiesa su alcoholismo y alguna que otra adicción para ahogar la realidad de una mala relación, cobijada en el rockabilly, algunos acentos punk y el llamado countrypolitan. Es la mejor manera de reflejar su soledad, frustración y el desafío ante situaciones injustas. Regreso a las raíces y a las botas. Vuelta a los sonidos originales y a las tradiciones que han construido un género tan particular como el country. Ese es el camino recorrido por Tessy Lou Williams, sobre cuyo álbum de debut, de título homónimo, llamábamos la atención hace varias semanas. Criada en Willow Creek, una localidad de alrededor de 210 habitantes en el estado de Montana, pasó por la tejana Austin y ha terminado en Nashville, de donde partieron en origen sus padres, también músicos. En la Music City ha contado con el apoyo de artistas como Ashley Campbell, Carl Jackson, Larry Cordle o Jon Randall. “Your Forever Will Never Say Goodbye” es una de las grandes canciones de este álbum, pero no la única. Ha estado casi una década al frente de Tessy Lou & the Shotgun Stars, pero ya era el momento de lanzarse en solitario a las aguas del country clásico, con evidentes influencias de Lee Ann Womack y Patty Loveless. En su disco de título homónimo Tessy Lou Williams despliega tonalidades de honky tonk, baladas enternecedoras y un respeto casi secular por la tradición, como se hace evidente en "Someone Lonely", la canción de su padre, una robusta balada recubierta por el Steel guitar de Mike Johnson. Su debut supone uno de los más apasionantes activos del presente de una country music que está recuperando su razón de ser desde la independencia de sus nuevas propuestas, al otro lado de las grabaciones sobre-producidas que atiborran las emisoras de radio fórmula del género. Convertir una súplica en una promesa es el milagro que Whitney Rose consigue en “Don’t Give Up On Me”, la canción que hoy cierra nuestro tiempo de radio y nos emplaza para la próxima semana. La artista canadiense, afincada y afianzada en Texas, nos ha hechizado a todos con un trabajo tan solvente como We Still Go to Rodeos, un último trabajo con un arsenal emocional evidente Escuchar audio

Jimmie Dale Gilmore is a music legend. With Joe Ely and Butch Hancock he founded the highly influential Flatlanders. Jimmie joins CWMD to talk about his music beginnings, leaving the business for spiritual pursuits, his return to Country and his work with the great Dave Alvin. Jimmie Dale Gilmore is a one of a kind. Check out his website: https://jimmiedalegilmore.com/Opening Music: "Dallas," by Jimmie Dale Gilmore and the FlatlandersConsulting Producer: Dustin MarshallTechnical Shit (and not always well) Matt DwyerSpecial Thanks To: Kelly, Maebe & Tillie. Welcome to the world Tillie! See acast.com/privacy for privacy and opt-out information.

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter The 53rd episode of the Burning Ambulance podcast features an interview with singer-songwriter and guitarist Dave Alvin, and is sponsored by Harry's men's grooming products. If you’re listening to this, you can get a Harry’s trial set at harrys.com/burning. You’ll get a weighted ergonomic handle for a firm grip; a five blade razor with a lubricating strip and trimmer blade; rich lathering shave gel with aloe to keep your skin hydrated; and a travel blade cover to keep your razor dry and easy to grab on the go. Go to harrys.com/burning to start shaving better today! I am incredibly excited that I got to talk to Dave Alvin. I first heard the Blasters, the band he formed with his brother Phil in 1979 or so, 30 years ago, in 1990, when a compilation called The Blasters Collection came out, and I was just blown away. Their music was a mix of rockabilly, blues, country, hillbilly music, Forties jump blues and Fifties R&B – they basically threw everything into a blender and somehow turned it into one thing, all driven by Dave Alvin’s lead guitar and Bill Bateman’s massive drums, which could really be a whole conversation on their own. Dave Alvin’s made close to twenty albums since leaving the Blasters, including a couple with Phil in the last few years but also a whole string of records with his band the Guilty Men, some collaborations with country singer Jimmie Dale Gilmore and rockabilly singer Sonny Burgess, and guest appearances on a million things, because he’s a kick-ass guitar player with a unique style and sound that a lot of people want to use for things. And now he’s got a new band called the Third Mind, which was the impetus for this interview. They don’t really sound like anything else he’s done before – their music is highly improvisatory psychedelic rock, with some touches of very early jazz-rock fusion thrown in there, too. So if you were wondering how a roots-rock semi-traditionalist singer-songwriter winds up on this podcast, well, that’s how. This conversation is really fascinating, and goes down a lot of pathways I wasn’t expecting. We talk about Robert Johnson, Miles Davis, Bob Dylan, Dick Dale, Sun Records, growing up in California…Dave Alvin’s a hell of a sharp guy who knows a lot about music, and I had a fantastic time talking to him. I’m sure you'll enjoy hearing our conversation. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: The Blasters, "Long White Cadillac" (Non Fiction) The Third Mind, "Journey in Satchidananda" (The Third Mind)

  Jason's guests this week on the pod are Micheal Chernus and Emily Simoness, a married couple who join him to take a very deep dive into all the wonderful, like, greatness, man, of 'The Big Lebowski'.   Michael's a Julliard-trained stage, TV, and film actor currently appearing on TV as speechwriter Ken Rosey opposite Edie Falco on the CBS series 'Tommy'.     You might have also seen him as  Piper's brother Cal Chapman on 'Orange Is The New Black' or playing Congressman Edward Tavner in Amazon's 'Patriot'.   Michael's movie roles include portraying The Tinkerer, the original McGyver, in Marvel's Spider-Man: Homecoming; playing Tom Hanks' first mate Shane Murphy in the excellent Paul Greengrass film 'Captain Phillips'; and appearing opposite Will Smith in 2012's 'Men In Black 3".     The other half of this power-couple, Emily, is the founder and executive Director of SPACE on Ryder Farm, a non-profit artistic residency program and organic farm located on the grounds of a 225-year-old family homestead in Putnam County, New York.   But outside their professional accomplishments, they're just wonderful midwestern good people, whose self-effacing humor and innate smarts you'll hear on display in the podcast as we discuss the Coen Brother's 'The Big Lebowski'. ABOUT THE MOVIE:  The Big Lebowski (/ləˈbaʊski/) is a 1998 crime comedy film written, produced, and directed by Joel and Ethan Coen. It stars Jeff Bridges as Jeffrey "The Dude" Lebowski, a Los Angeles slacker and avid bowler. He is assaulted as a result of mistaken identity, after which The Dude learns that a millionaire (also named Jeffrey Lebowski) was the intended victim. The millionaire Lebowski's trophy wife is kidnapped, and he commissions The Dude to deliver the ransom to secure her release; the plan goes awry when the Dude's friend Walter Sobchak (John Goodman) schemes to keep the ransom money. Julianne Moore, Steve Buscemi, David Huddleston, John Turturro and Philip Seymour Hoffman also appear, in supporting roles. The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically, and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant."[4] The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers. The Big Lebowski was a disappointment at the U.S. box office and received mixed reviews at the time of its release. Over time, reviews have become largely positive, and the film has become a cult favorite,[5] noted for its eccentric characters, comedic dream sequences, idiosyncratic dialogue, and eclectic soundtrack.[6] In 2014, the film was selected for preservation in the National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant".[7][8] A spin-off based on John Turturro's character, titled The Jesus Rolls, was released in 2019 with Turturro also acting as writer and director. Cast Jeff Bridges as Jeffrey "The Dude" Lebowski. Bridges had heard or was told by the Coen brothers that they had written a screenplay for him. John Goodman as Walter Sobchak; a Vietnam veteran and bowling partner and friend of "The Dude." Walter was based, in part, on screenwriter and director John Milius. Julianne Moore as Maude Lebowski; Jeffrey "The Big" Lebowski's daughter, a feminist and an avant-garde artist. Steve Buscemi as Theodore Donald "Donny" Kerabatsos; a bowling partner and friend of "The Dude." Walter's repeated response, "Shut the fuck up, Donny!" is a reference to Fargo, in which Buscemi's character was constantly talking and interrupting conversations when he is not paying attention to the story. David Huddleston as Jeffrey "The Big" Lebowski; a millionaire philanthropist for whom "The Dude" is mistaken. Philip Seymour Hoffman as Brandt; Jeffrey "The Big" Lebowski's executive assistant Tara Reid as Bunny Lebowski; Jeffrey "The Big" Lebowski's blonde 20s-something trophy wife and former porn video performer (“Log Jammin’”) for Jackie Treehorn Productions. According to Reid, Charlize Theron also tried out for the role. Philip Moon as Woo; a Jackie Treehorn thug Mark Pellegrino as the Blond Treehorn thug Peter Stormare, Torsten Voges, and Flea as Uli Kunkel/Karl Hungus, Franz, and Kieffer, the German nihilists; Uli originated on the set of Fargo between Ethan Coen and Stormare, who often spoke in a mock German accent. Jimmie Dale Gilmore as Smokey; a hippie bowler in the league whom Walter threatens at gunpoint over an attempt to mark his frame an eight despite letting his foot move over the alley line Jack Kehler as Marty; The Dude's landlord, who is also a performance artist John Turturro as Jesus Quintana. The Coen brothers let Turturro come up with a lot of his own ideas for the character, like towel-shining the bowling ball and the scene where he dances backward from his bowling alley line, which he says was inspired by Muhammad Ali. David Thewlis as Knox Harrington, an avant-garde videographer-friend of Maude Lebowski Sam Elliott as The Stranger, a smooth-talking urban cowboy who also serves as the narrator of the film Ben Gazzara as big-time porn video producer Jackie Treehorn, to whom Bunny Lebowski owes money Jon Polito as Da Fino, a private dick who mistakes the Dude for a "brother shamus", hired by Bunny's family to return her to them Leon Russom as the Malibu police chief Aimee Mann as Nihilist Woman/Franz's Girlfriend who donates her amputated green nail-polished little toe (proof of Bunny Lebowski's kidnapping) Lu Elrod coffee shop waitress SOUNDTRACK The original score was composed by Carter Burwell, a veteran of all the Coen Brothers' films. While the Coens were writing the screenplay they had Kenny Rogers' "Just Dropped In (to See What Condition My Condition Was in)", the Gipsy Kings' cover of "Hotel California", and several Creedence Clearwater Revival songs in mind.[25] They asked T-Bone Burnett (who would later work with the Coens on O Brother, Where Art Thou? and Inside Llewyn Davis) to pick songs for the soundtrack of the film. They knew that they wanted different genres of music from different times but, as Joel remembers, "T-Bone even came up with some far-out Henry Mancini and Yma Sumac."[26] Burnett was able to secure songs by Kenny Rogers and the Gipsy Kings and also added tracks by Captain Beefheart, Moondog and Bob Dylan's "The Man in Me".[25] However, he had a tough time securing the rights to Townes Van Zandt's cover of the Rolling Stones' "Dead Flowers", which plays over the film's closing credits. Former Stones manager Allen Klein owned the rights to the song and wanted $150,000 for it. Burnett convinced Klein to watch an early cut of the film and remembers, "It got to the part where the Dude says, 'I hate the fuckin' Eagles, man!' Klein stands up and says, 'That's it, you can have the song!' That was beautiful."[25][27] Burnett was going to be credited on the film as "Music Supervisor", but asked his credit to be "Music Archivist" because he "hated the notion of being a supervisor; I wouldn't want anyone to think of me as management".[26] For Joel, "the original music, as with other elements of the movie, had to echo the retro sounds of the Sixties and early Seventies".[16]:156 Music defines each character. For example, "Tumbling Tumbleweeds" by Bob Nolan was chosen for the Stranger at the time the Coens wrote the screenplay, as was "Lujon" by Henry Mancini for Jackie Treehorn. "The German nihilists are accompanied by techno-pop and Jeff Bridges by Creedence. So there's a musical signature for each of them", remarked Ethan in an interview.[16]:156 The character Uli Kunkel was in the German electronic band Autobahn, an homage to the band Kraftwerk. The album cover of their record Nagelbett (bed of nails) is a parody of the Kraftwerk album cover for The Man-Machine and the group name Autobahn shares the name of a Kraftwerk song and album. In the lyrics the phrase "We believe in nothing" is repeated with electronic distortion. This is a reference to Autobahn's nihilism in the film.[28]

Han pasado exactamente 25 años desde que llegara a España el New American Music Tour '95. En la repleta sala Aqualung de Madrid actuaron el 26 de abril de 1995 Marty Stuart , Trisha Yearwood y Emmylou Harris& The Hot Band, con Rodney Crowell, Albert Lee y Glen D, Hardin entre sus miembros. Cuando Marty Stuart visitó por primera vez España junto a los Rock And Roll Cowboys estaba a punto de lanzar su primer disco de grandes éxitos tras el lanzamiento el año anterior de “Love And Luck”, el octavo de su carrera y al que daba nombre genérico este tema compuesto junto a Bob DiPiero y donde Vince Gill y Ricky Skaggs estaban en los coros vocales. Marty Stuart fue otro de los artistas que también pudo haber visitado nuestro país el pasado año. Trisha acababa de editar su quinto álbum,Thinkin' About You, que había sido anticipado con el single “XXX's and OOO's (An American Girl)" de su amiga Matraca Berg, la mujer de Jeff Hanna de la Nitty Gritty Dirt Band, con la que llegaría por segunda vez a la cima de las listas de country contando la historia de una joven que aún firma sus cartas con “besos y abrazos” pero que trabaja duro por triunfar en un mundo de hombres. A lo largo del tema había referencias a Patsy Cline y Aretha Franklin. Emmylou Harris había actuado el año anterior en Vitoria junto a los Nash Ramblers y cuando llegó a Madrid lo hizo acompañada por la Hot Band, con Rodney Crowell, Albert Lee y Glen D, Hardin en el grupo y una mirada a las grandes canciones que la encumbraron. El año anterior, su sello discográfico había lanzado el recopilatorio Songs of the West, que tuvo mucho que ver con el repertorio que aquella noche escuchamos en la sala Aqualung. Como ejemplo está “Even Cowboys Get The Blues”, una composición de Rodney que había formado parte de Blue Kentucky Girl en 1979. Resulta curioso que tras presentarse junto a la Hot Band en aquella gira, a su regreso publicara el álbum Wrecking Ball, que supuso un cambio de rumbo en su carrera, abandonando sus formas habituales. Todos aquellos encuentros con la tradición fueron reconvertidos por Daniel Lanois en otras propuestas sonoras. Cuatro años sin publicar un nuevo trabajo y ahora Reckless Kelly están a cuatro semanas de editar no uno, sino dos álbumes que han titulado American Jackpot y American Girls. El primero de ellos hace un repaso por las personas y la vida cotidiana de la parte más rural de Estados Unidos y entre las canciones incluidas está "I Only See You With My Eyes Closed", que conserva el espíritu outlaw de la banda con raíces en Idaho del que conservan un poderoso individualismo. El quinteto con base en la tejana Austin tomó el nombre de Reckless Kelly de una película de 1993 del actor y director australiano Yahoo Serious. The Golden Roses vienen de Austin, y han aprendido todo lo que saben destilando honky tonk y Ameripolitan music con su EP The Usual Suspects y su álbum Terlingua Graveyard. La continuación viene de la mano de Smell The Roses al que da nombre genérico esta canción sobre lo ya vivido y las decisiones tomadas, donde el cuarteto ha contado con Zachary Moulton de Mike and the Moonpies en la Steel guitar. Se trata de un trabajo producido por Adam Odor en los Yellow Dog Studios de Wimberly, en Texas, que sigue las rodadas de unas influencias musicales que abarcan country, Western swing, un toque de rock 'n roll y una pizca de bluegrass, rememorando lugares tan legendarios como el Broken Spoke o el Ginny’s Little Longhorn Saloon, al lado de cuyo escenario aprendieron casi todo lo que saben. Un disco equilibrado entre baladas solemnes y desgarradoras, hasta temas festivos y despreocupados. Pero siempre apuntando al Oeste. Homeland Insecurity, el último álbum de Flatland Cavalry, deja la sensación de haber estado reunido con tus viejos amigos poniéndote al día. Son 11 canciones cercanas, que cuentan experiencias vitales, llenas de realidad cotidiana y algunas preguntas que están buscando respuesta. "Come Back Down", es una invitación a volver a casa tras estar demasiado tiempo fuera. Cleto Cordero, el líder de la banda, compuso el tema tras visitar a sus padres tras mucho tiempo sin verlos. Tras un disco tan brillante como fue Humble Folks de hace tres temporadas, este nuevo proyecto tiene muchos detalles distintivos, explorando nuevas fórmulas y puliendo los detalles para completar un disco muy afinado que sitúa a Flatland Cavalry muy cerca de los mejores nombres de la red Dirt Music. También han seguido grabando junto a Bruce Robison en The Bunker y "Sober Heart Of Mind" es otra de las muestras que, además ha formado parte del segundo volumen del proyecto The Next Waltz que sigue adelante con una vitalidad envidiable. Josh Abbott, William Clark Green, Cleto Cordero y John Baumann se han unido rindiendo homenaje a la tejana Lubbock. Son cuatro de los grandes talentos de la Red Dirt Music que reivindican la vuelta a las raíces y el orgullo de ser de dónde son. Inspirados, además, en los míticos Flatlanders de los que hablábamos hace un instante. “West Texas In My Eye” es la canción que abre el álbum de debut de este supergrupo tejano conocido como The Panhandlers gracias al apoyo fundamental de Bruce Robison, que los ha incorporado a su proyecto audiovisual The Next Waltz y le grabó en The Bunker en Lockhart, Texas, con métodos exclusivamente analógicos. Love In The Midst Of Mayhem es el más reciente álbum digital de Joe Ely, que no ha querido esperar a que pase esta pandemia para expresar sus sentimientos más íntimos volviéndose hacia su oficio. En un principio iban a ser un par de canciones, pero se fueron sumando nuevas composiciones que se ajustaban al momento buscando en notas de viejas canciones que no habían encontrado acomodo en discos anteriores y el amor, desde distintos puntos de vista, se convirtió en el protagonista de cada una de ellas. Su origen abarca casi cinco décadas. La intimidad y la calidez son el rasgo común de estos 10 temas en el que los músicos son especialmente sensibles y la producción es simple aún sin perder la brillantez. Esta vez el músico de Amarillo se ha inspirado en la actualidad, sensibilizado por las personas sin trabajo, sin alimentos, por los trabajadores sanitarios y por todos los que ponen sus vidas en peligro para hacer frente a esta pandemia, expresando la belleza del espíritu humano: sacrificio, unión y compartir. Joe Ely es el autor de todas las canciones excepto de "All You Are Love", compuesta con sus amigos Butch Hancock y Jimmie Dale Gilmore de los Flatlanders. Es una manera preciosa de recordarnos lo que es importante. Con unas armonías imponentes de Courtney Patton Eady “Let Me Hold You Tonight” es un casi un vals que Deryl Dodd escribió tras una ruptura cuando tenía 19 años con la sincera candidez de la edad. Solía tocarla en acústico a finales de los 80 y principios de los 90, pero no decidió grabarla hasta el verano pasado. En 1991, su buena amiga Nancy Davis Clark le pidió que abriera el concierto que Dean Dillon iba a dar en Cody's, su club en la tejana Waco. Entre las versiones que interpretó en aquellos 20 minutos cantó “Let Me Hold You Tonight”. Dean Dillon quedó impresionado con aquel tema y le invitó a que fuera a verle a Nashville convirtiéndose en su mentor. Fue el despegue de la carrera de este tejano de Dallas que ha regresado a sus raíces más profundas y que anticipa el álbum que continuará a Long Hard Ride, editado hace tres años. Randy Rogers y Wade Bowen han dado continuación a su proyecto conjunto Hold My Beer con un segundo volumen de estudio, previsto para editarse a primeros de mayo. Al contrario del primero de aquellos discos, en esta ocasión se han cuidado todos los detalles, esforzándose en que los matices diferenciadores con respecto a sus carreras individuales sean evidentes, para lo cual han contado con el apoyo en la producción del experimentado Lloyd Maines que ha conformado un trabajo emocionante, como destilan canciones de la categoría de “Rhinestoned”, que la pareja dice que es su favorita del álbum. En Hold My Beer Vol. 2, Randy Rogers y Wade Bowen ha incluido 10 nuevas canciones procurando dar al conjunto del disco una significación mucho más personal y profunda. Para terminar el programa de hoy, emplazándote para la semana que viene en la sintonía de Radio 3 el sábado y el domingo a la 1 del mediodía, las 12 en Canarias, la mejor despedida en forma de canción es la que ha dado nombre a este proyecto que ya va por su segunda entrega. Escuchar audio

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Rockcast1. Jimi Hendrix - All Along The Watchtower [Alternate Mix]2. John Lennon - I'm Stepping Out3. Joe Walsh - Happy Ways4. Jenny Hval - High Alice5. Avett Brothers - Bleeding White6. Rolling Stones - Bye Bye Johnnie7. Tommy Tutone - Angel Say No8. Jess Malin and Lucinda Williams - Dead On9. The Band - Ophelia10. Jellybricks - Can't Get Over You11. Dave Alvin and Jimmie Dale Gilmore - Goodbye Baby12. Ramones - We Want The Airwaves13. Megadeath - No More Mr. Nice Guy14. Steely Dan - Black Friday [Crunch Guitars Mix]15. Extreme - Cupids Dead [Horns Version]16. Reel Big Fish - Take On Me [Horns Mix]17. Fountains Of Wayne - Can't Get It Out Of My Head

I have met my tangenting match. I went into this interview, backstage at the legendary Club Passim in Cambridge, Massachusetts, with a slate of questions for Steve Poltz, about his new album Shine On, about writing “You Were Meant For Me” with Jewel, about humor in music. I probably could have gotten a good hour with Steve with two or three questions. There is no telling where his mind might flash next. Just in terms of music, the conversation covered his early days with The Rugburns, Nirvana and 90s “goat music,” the Replacements, the Dead Milkmen, Mojo Nixon, Tom Lehrer, and Allan Sherman over the course of a few minutes. We talked about spirituality, Risky Business, Hyman Roth from Godfather II, Jesus, Marianne Williamson, Styx in another five-minute section. At one point, when I told Poltz the name of the podcast, he said, “We're living up to the name.” This breakneck tangenting is something you have experienced if you've seen Poltz onstage. I hadn't seen him play since he did an in-the-round show with Beaver Nelson, “Scrappy” Jud Newcomb, and Adam Carroll perhaps seventeen or eighteen years before. I certainly hadn't remembered this version of him. When he smiles, it splits his face almost completely, and he smiles a lot when he's not singing. He also jigs, which makes him seem like a Muppet version of Jimmie Dale Gilmore. The first several minutes onstage, he told stories, picked up his guitar and put it back down again, and threatened not to pick it up the rest of the show. It'll be there, he said, the audience would see it, but maybe he wouldn't use it. He played the Grateful Dead's “Althea” off the top of his head, which surprised even him. He apologized for the bad notes, but backtracked, saying, “Think of how many bad notes the Dead hit.” The new album is called Shine On, and you can find more info about that and Poltz on www.poltz.com, and find him on Facebook and Twitter under Steve Poltz. You can also find more about Club Passim at www.passim.org. And if you're intrigued by some of the music you heard in the background, that's Boston singer/songwriter Rachel Sumner, formerly of Twisted Pine, and you can find her stuff at www.rachelsumnermusic.com. I am currently putting together this year's Daily Horror Film Fest, for which I post a different short horror film every day in October. If you are a short horror filmmaker, or even if you just have a short horror film you love dearly, e-mail your suggestions to nick@nickzaino.com. And now for something completely different. Or maybe not. This week's featured track is "Comfort" from Secret Shame of Asheville, North Carolina, from their new album, out today, September 5th, called Dark Synmthetic. This new album would have sounded great in nestled somewhere in your collection with the Pixies, The Cure, and Nirvana. It's propulsive guitar rock, mixing glassy chorus and echo with heavy, distorted riffs to create this wide-open sound. From somewhere within that sound, singer Lena is trying to reach you through waves of reverb. Seven songs come in just under twenty-six minutes total. Not a note wasted. The band is kicking off a tour this week, and you can find them on BandCamp and Facebook to find out more.

DEEP DIVES & tiny curations Podcast Episodes Available Today: http://tinycurations.com Listen NOW on Pandora: https://www.pandora.com/search/tiny%20curations/ Hear the playlist on Spotify: https://open.spotify.com/user/n9g9p0bspz4axwozqtyy8dzgd/playlist/4GMOWI1hSlxgKVOy7N4xlG?si=NbDNY7foRmyhB4DOezYjNg 01 - All Just To Get To You 02 - Gallo del Cielo 03 - Imagine Houston One month ago I saw Joe Ely play his acoustic guitar in a small living room at a private fundraiser for Texas State's Wittliff Collection in Terrytown in Austin. Bill Wittliff, the screenwriter and Director was the honoree that night and shared some wonderful stories about being 15 and meeting Elvis. Bill passed away yesterday at the age of 79. So I would like to honor Mr. Wittliff with this episode of tiny curations, featuring Joe Ely. Joe Ely, Austinite by way of Lubbock had long ago with Jimmie Dale Gilmore and Butch Hancock, he formed the Flatlanders which has been resurrected after many years. He befriended the Clash in their early days. Joe Strummer and the Clash loved him so much, that when they booked their first American tour, they came to Texas and toured with Joe Ely leading their way. But let's let the music speak for itself, in this first song you may recognize another one of his admirer and friends familiar voice: That was Imagine Houston, recently released from the vault, from "B4 84". This song captures his spark in the early 80's, using an Apple II! Before that was, Gallo del Cielo, or Sky Rooster, that may be the best chicken fighting song every written. Both songs from And did you hear that voice on All Just to Get to You, that was none other than The Boss, he loves Joe, too! Joe Ely still plays around Austin and goes on small tours, be sure to catch him, he's one of the good ones! --- Send in a voice message: https://anchor.fm/tiny-curations-deep-dives/message

In celebration of National Barbecue Month, which is every month in our book, stories from C.B. “Stubb” Stubblefield and his Blues Cookbook Cassette, Jimmie Dale Gilmore, Joe Nick Patoski, Robb Walsh, Tom T. Hall, Willie Nelson’s bass player Bee Spears and more.

Show 34 – Recorded 4-13-19 This podcast provides 13 performances of blues songs performed by a variety of 14 artists ranging from the late 1920’s up to performances recorded in 2019.  Blues artists are: Bonnie Raitt, Mississippi John Hurt, Jimmy Reed, Leon Russell, Jack “Oilman” Johnson, Samantha Fish, Dave Alvin and Jimmie Dale Gilmore, Junior Wells, Hugh Laurie, Little Willie John, Lloyd Price, Etta James, Bob Lanza.

Show 34 – Recorded 4-13-19 This podcast provides 13 performances of blues songs performed by a variety of 14 artists ranging from the late 1920’s up to performances recorded in 2019.  Blues artists are: Bonnie Raitt, Mississippi John Hurt, Jimmy Reed, Leon Russell, Jack “Oilman” Johnson, Samantha Fish, Dave Alvin and Jimmie Dale Gilmore, Junior Wells, Hugh Laurie, Little Willie John, Lloyd Price, Etta James, Bob Lanza.

Capítulo dedicado en su primera parte al nuevo trabajo de Steve Earle 'GUY'. Un disco en el que se rinde un conmovedor tributo a las legendarias composiciones del compositor tejano Guy Clark. Además, por nuestros minutos pasan artistas como Todd Snider con su última obra, el adelanto del nuevo trabajo de Kenny Wayne Shepherd o el recuerdo del último álbum de Dave Alvin y Jimmie Dale Gilmore. Cerramos con Cordovas que hoy comienzas su gira por nuestro país. Gracias por apoyar, escuchar y compartir.

Capítulo dedicado en su primera parte al nuevo trabajo de Steve Earle 'GUY'. Un disco en el que se rinde un conmovedor tributo a las legendarias composiciones del compositor tejano Guy Clark. Además, por nuestros minutos pasan artistas como Todd Snider con su última obra, el adelanto del nuevo trabajo de Kenny Wayne Shepherd o el recuerdo del último álbum de Dave Alvin y Jimmie Dale Gilmore. Cerramos con Cordovas que hoy comienzas su gira por nuestro país. Gracias por apoyar, escuchar y compartir.

Welcome to the latest episode of AM Radio – where the AM stands for Americana Music – experience music from Rosanne Cash, Jim Lauderdale, Dave Alvin, Jimmie Dale Gilmore, and SoCal artists Emily Zuzik, Alice Wallace and Mark Christian.  Enjoy!

Join special guest-host Peter Mulvey as episode #925 brings us performances from The Wood Brothers, Todd Snider, Dave Alvin & Jimmie Dale Gilmore and Kat Wright. Recorded at The Culture Center in Charleston, WV. Plan a trip to see a live Mountain Stage performance at www.mountainstage.org/

On "Downey to Lubbuck," the album named after their respective hometowns, the two legendary Americana artists find a lot in common.

For our 200th episode of the Fretboard Journal Podcast, we take the show on the road and broadcast from our recent Fretboard Journal Live event from the Calton Case headquarters in Austin, Texas. You'll hear our live interview with Steve McCreary (Collings Guitars), music from Redd Volkaert, Paul Glasse and Kym Warner (Greencards) and hear our conversation with Jimmie Dale Gilmore and Dave Alvin about their new album, Downey to Lubbock. Closing things out, we hear a great tune with Anthony da Costa. This episode is sponsored by Austin's own Straight Frets Guitar Service, Exile Vancouver and Dying Breed Music!    On behalf of all of us, thank you for listening to our podcast and for helping us reach this milestone! As always, if you like what we're up to, please leave us a review on iTunes and share the episode with your friends. Show notes 10:15 Steve McCreary (Collings Guitars / Waterloo Guitars) interview 16:10 Redd Volkaert / Paul Glasse 22:28 Kym Warner (Greencards) & Redd Volkaert 26:47 Dave Alvin & Jimmie Dale Gilmore interview 45:12 Anthony da Costa

Meet Dan and Dan! Dan Reed, Music Director and Afternoon Host at WXPN/Philadelphia and Dan DeLuca, Music Critic and Columnist for the Philadelphia Inquirer sit down on a bi-weekly basis to talk MUSIC! Dan and Dan debate stepping away from the music industry and entering the world of marriage counseling. Don’t worry, that notion doesn’t last too long. However, the Dan’s do welcome a husband and wife musical couple to the show. Amy Rigby and Wreckless Eric call in to talk about their own respective careers and what it’s like to be married to a fellow musician. Plus, the guys give their thoughts about the departure of Lindsey Buckingham from Fleetwood Mac during our ‘Two Minute’ Drill.