Podcast appearances and mentions of margaret jenkins

Today on Bailey & Johnny: We found out that it's "Quitter's Day", we learning about an owl attack near the Royal Jubilee Hospital plus how koalas can be a nuisance around crime scenes in The More You Novak! Don't forget that this episode contains the 7am and 9am keywords for Virgin Radio's Destroy Your Debt! Quitters Day - (00:00:56) The More You Novak - (00:02:13) Ultimate Dinner Party from Brentwood Bay Resort - (00:03:35) Redfern Park Owl Attack - (00:04:46) Phone Call Class - (00:06:25) TL;DR - (00:08:24) School Shout Out from Margaret Jenkins - (00:11:10) What's Up This Weekend - (00:12:45) Destroy Your Debt Keywords (00:14:24) Have a funny story to share? Voice memo us on social media and you could be included in the next episode. Listen live weekdays 530 -10 am PST on the iHeartRadio app and 1073virginradio.ca

Der Wild Atlantic Way ist mit seinen 2500 Kilometern die längste ausgewiesene Küstenstraße der Welt. Von der  Halbinsel Inishowen im Norden des County Donegals schentlang der irischen Westküste bis ins Küstenstädtchen Kinsale im Süden des County Cork. Irlands Westen verspricht überwältigende Naturschönheit und idyllische Ruhe. Von dieser Landschaft mit ihren Steinmauern, reetgedeckten Cottages, stimmungsvollen Bergen und verlassenen Stränden ließen sich schon Träumer, Landstreicher, Dichter und Maler gleichermaßen inspirieren. Nehmen Sie bei einem Abenteuer am Rande Europas eine Auszeit vom Alltag. Margaret Jenkins kümmert sich vor Ort um die Vermarktung des Abschnitts Galway, Clare, Limerick und kennt die bekannten Attraktionen ebenso wie die Geheimtipps entlang dieser Traumstraße. Links:https://www.ireland.com/de-de/destinations/experiences/wild-atlantic-way/https://www.wild-atlantic-way.de/

On this episode I was joined by Margaret Jenkins, who's the Founder and Principal at Global Pharma Solutions. Margaret and I discuss: Clinical Data interpretation and authoring eCTD Module 2 Overview Learning drug assays with a device background Non-Clinical eCTD Module 4 Clinical eCTD Module 5 Margaret Jenkins is the Founder and Principal at Global Pharma Solutions where she works closely with clients to provide strategic solutions, allowing them to follow the most efficient pathway to registration and launch in their chosen markets. Margaret has more than 30 years' experience in the Pharmaceutical industry both in the UK and Australia, spanning drug discovery, drug development and Regulatory Affairs.Margaret has hands-on experience in numerous successful global submissions in both the innovator and generic spaces for: US, EU, Asia Pacific and ANZ. Margaret has written all 5 modules of the CTD including writing clinical overviews and summaries, several module 3s (CMC), and summarizing pre-clinical reports.

Today's guest is Margaret Jenkins. Margaret Jenkins, founder and artistic director of the Margaret Jenkins Dance Company, celebrating the 50th anniversary of her Company in 2022, is a choreographer and mentor to many artists as well as a designer of unique community-based dance projects. In the 1960's, Margaret moved to New York to study at Juilliard, continued her training at UCLA and returned to New York to dance in the companies of Jack Moore, Viola Farber, Judy Dunn, James Cunningham, Gus Solomons, Jr. and Twyla Tharp's original company with Sara Rudner. In addition, Jenkins was a member of the faculty of the Merce Cunningham Studio and restaged his works for companies in Europe and the United States for over 12 years. In 1970, Jenkins returned to San Francisco, and in 1973, formed the MJDC. She opened one of the West Coast's first studio-performing spaces and a school for the training of professional modern dancers. In the last five decades, she has created an impressive body of work, with over 85 works created on her Company, as well as resident companies in the United States, Asia and Europe. For her unique artistic vision, Margaret has received numerous awards, including a Guggenheim Fellowship, an Irvine Fellowship in Dance, the San Francisco Arts Commission Award of Honor, three Isadora Duncan Awards (Izzies), and the Bernard Osher Cultural Award for her outstanding contributions to the arts community in San Francisco and the Bay Area.   Fore more on this episode: Movers & Shapers: A Dance Podcast and The Moving Architects

Raissa Simpson is an African American/Pilipino choreographer and artistic director of the San Francisco-based PUSH Dance Company. Her multidisciplinary dances are at the intersection of complex racial and cultural identities and centers around discourse on the complex experiences of racialized bodies. A graduate of SUNY Purchase, Simpson had an extensive performance career with Robert Moses Kin and Joanna Haigood's Zaccho Dance Theatre. Her choreography honors include Magrit Mondavi Award, San Francisco Arts Commission, Zellerbach Family Foundation, San Francisco Foundation, Kenneth Rainin Foundation, and Grants for the Arts. Her choreography has been presented by Joyce SoHo, Aspen Fringe Festival, Dance St. Louis, Ferst Center, Los Angeles Women's Theater Festival and Black Choreographers Festival. She has held creative residencies at Dance Initiative Carbondale, Santa Clara University, Bayview Opera House, Sacramento State University, Margaret Jenkins' CHIME, African American Theater Alliance (AATAIN!) and CounterPulse. She received a Phyllis C Wattis Foundation with Bayview Opera House for her most recent work, The Motley Experiment. Check out Raissa's essay, “Writings on Dance: Artistic Reframing for Celestial Black Bodies,” out now in Critical Black Futures: Speculative Theories and Explorations (2021). A transcript of this episode are available at odc.dance/stories.

Christopher Watson was a member of the New Dance Ensemble of Minneapolis and has performed with the Chicago Moving Company, Harbinger Dance Company of Detroit, and Joanna Haigood's Zaccho company in San Francisco, dancing in works by Pearl Lang, David Gordon, Dan Wagoner, Linda Shapiro, Kathryn Posin, Doris Humphrey, and Margaret Jenkins, among others.Christopher received a Bachelor of Arts degree in sociology from Coe College and a Master of Science degree in journalism from Northwestern University prior to beginning his dance training. He began dance study at the Houston Ballet Academy and subsequently trained with the Chicago Moving Company and at the Merce Cunningham and Joffrey Ballet studios in New York. Christopher then received a Master of Fine Arts in dance from the University of Michigan. From 1978-1982, he co-directed the Dance Theatre 2 Company and School in Ann Arbor, MIAs associate director of American Inroads and Theater Artaud in San Francisco, he produced a wide range of dance, music, and theater events, including the concert premiere of John Adam's Opera Nixon in China, a concert version of Phillip Glass' Liquid Days with Linda Ronstadt, and the first annual Black Choreographers Moving showcase, as well as performances by noted artists Bebe Miller, Susan Marshall, Stephen Petronio, and the Kronos Quartet, among many others. He founded the Christopher Watson Dance Company in Sacramento, CA in 1991 after performing as an independent choreographer and dancer for several years. Mr. Watson returned to Minneapolis in the fall of 1994.A former member of the Board of Directors of the Minnesota Dance Alliance, Christopher has served on committees and panels for the Michigan Dance Association, Dance Bay Area in San Francisco, and the Sacramento Area Dance Alliance. He has served as a consultant for local arts agencies and organizations including the California Arts Council and the National Endowment for the Arts. Currently he serves on the board of directors for Ressl Dance!A distinguished teacher, Christopher has served as a guest artist at Eastern Michigan University, California State University Sacramento, University of California at Davis, University of Minnesota Duluth, the Sacramento Visual and Performing Arts High School, and the Pinole Valley Arts Magnet School in the San Francisco Bay area.Mr. Watson's work has been supported through grants from the Michigan Council for the Arts, the New Works Program of the Sacramento Metropolitan Arts Commission, the Jerome Foundation through the SpaceSpace Co-Project, the Linden Hills UCC Fund, the Metropolitan Regional Arts Council, the Lyndale Neighborhood Association, Minneapolis Arts Commission, the Minnesota Dance Alliance, and Mervyn's.

Since 2010, an all-female peacekeeping contingent has been monitoring a fragile ceasefire between the Government of the Philippines and the Moro Islamic Liberation Front in the southern Philippines. Drawing on in-depth interviews with the peacekeepers, WAPPP Fellow Margaret Jenkins explains how this all-female unit responds to myriad sources of violence, and navigates conservative gender norms. Do these women feel they have been taken seriously by Islamist rebels and Filipino soldiers? What have been their main challenges and successes on the ground? This case is one of several that Jenkins is studying as part of a two-year research project funded by the Social Sciences & Humanities Research Council of Canada on the effectiveness and experience of all-female contingents working in conflict zones. Speaker: Margaret Jenkins, Research Associate on Peacekeeping, Georgetown Institute for Women, Peace & Security, Georgetown University; Postdoctoral Fellow, Social Sciences & Humanities Research Council of Canada; WAPPP Fellow

This Educator Guide corresponds with the "Margaret Jenkins: Modern Choreographer" video from KQED Spark.

Travel with choreographer Margaret Jenkins from the streets of San Francisco to the dance studios of China.

Travel with choreographer Margaret Jenkins from the streets of San Francisco to the dance studios of China. Original air date: February 2005.

John Perpener, dance historian and FSU Dep't of Dance professor, speaks with Margaret Jenkins, Director of MJDC, and Varshaa Ghosh, dancer with the Tansuree Shankar Dance Company from Calcutta, India about "A Slipping Glimpse".

Dan Wagoner, choreographer and FSU Dep't of Dance professor, speaks with Margaret Jenkins, director of the Margaret Jenkins Dance Company about her recent collaboration with the Tansuree Shankar Dance Company from Calcutta, India for "A Slipping Glimpse".