Podcasts about jerome foundation

From Cuba, Dafnis Prieto's revolutionary drumming techniques and compositions have had a powerful impact on the music landscape, nationally and internationally. His various awards and honors include a MacArthur “Genius” Fellowship, a GRAMMY Award for Back to the Sunset (2018), two additional GRAMMY nominations, two Latin GRAMMY nominations (including Best New Artist in 2007), and the Jazz Journalists Association's Up & Coming Musician of the Year in 2006. As a composer, Prieto has created music for dance, film, chamber ensembles, and most notably for his own bands, ranging from duets to big bands. He has received commissions, grants, and fellowships from Chamber Music America, Princeton University, Jazz at Lincoln Center, MoMA, Whitney Museum of American Art, National Association of Latino Arts and Cultures, Jerome Foundation, East Carolina University, Painted Bride Art Center, Meet The Composer, WNYC, New Music USA, Hazard Productions, and Metropole Orkest, among others. Prieto has performed at many national and international music festivals as a bandleader. Since his 1999 arrival in New York, he has also worked in bands led by Michel Camilo, Chucho and Bebo Valdés, Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O'Farrill, Dave Samuels and the Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Edward Simon, Roy Hargrove, Don Byron, and Andrew Hill, among others. Also a gifted educator, Prieto has conducted numerous master classes, clinics, and workshops around the world. He was on the jazz studies faculty at New York University from 2005 to 2014, and in 2015 joined the faculty of the University of Miami's Frost School of Music. In 2016, Prieto published the groundbreaking analytical and instructional drum book, A World of Rhythmic Possibilities. In 2020, he published Rhythmic Synchronicity, a book for non-drummers inspired by a course of the same name that Prieto developed at the Frost School of Music. In 2025 he released the book "WHAT ARE THE ODDS" the third book in his catalog, and it shows not only his passion for rhythm and drumming but furthermore his commitment to music education at large. This one takes you to a fascinating journey of rhythms and meters. The book features 519 examples, and each of them comes with an audio track and a video clip. He is the founder of the independent music company Dafnison Music, established in 2008. In this episode Dafnis talks about: Building a career on your own terms Teaching at Frost School of Music at Miami University His new book: “What are the Odds” Asking tough questions about tradition as it relates to Latin music Allowing patterns and phrasing to dictate the time feel Valuing the content you play over the ability to play with a click Here's our PatreonHere's our YoutubeHere's our Homepage

Karina Dandashi is a Syrian-American Muslim filmmaker born and raised in Pittsburgh, PA. Her work has been featured in numerous Oscar-Qualifying festivals around the U.S. and programs at The Museum of Modern Art and The American Cinematheque. Karina was a 2020 Creative Culture Fellow at The Jacob Burns Film Center and a 2021 Sundance Ignite Fellow. She was featured in Marie Claire's inaugural Creators Issue as one of the “Top 21 Creators to Watch” in 2022. Her feature script OUT OF WATER was selected by Film Independent for their 2023 Screenwriting Lab and was awarded three grants from MPAC, The Heinz Endowments, and The Jerome Foundation. Her short film COUSINS is available on The New Yorker and is a Vimeo Staff Pick.Connect with Karina:➡️ Instagram: @KarinaDandashiwww.karinadandashi.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.☕Tourist Hat Coffee Companyhttps://touristhatcoffeecompany.com/

Dobby Gibson joins Kevin Young to read “I have slept in many places, for years on mattresses that entered,” by Diane Seuss, and his own poem “This Is a Test of the Federal Emergency Management Agency Wireless Warning System.” Gibson is the author of five poetry collections, including, most recently, “Hold Everything.” He's also the recipient of fellowships from the Lannan Foundation, the McKnight Foundation, the Jerome Foundation, and the Minnesota State Arts Board. Learn about your ad choices: dovetail.prx.org/ad-choices

Katie talks to Medea Benjamin who was roughed up protesting the White House Correspondents' Dinner and Bryce Greene, who was arrested at Indiana University where snipers have been brought in. But first, she's joined by filmmakers Rami Younis and Sarah Ema Friedland who talk about their documentary/ science fiction hybrid film Lyd, about the Palestinian city of Lyd, which is now known as the Israeli city Lod. The film shows what the city is like today and imagined what it could have been like without the Nakba. Bryce Greene is a student, writer, organizer and media critic based in Indianapolis. He is a contributor to Fairness and Accuracy In Reporting. He was arrested and banned from Indiana University's campus for participating in the Gaza solidarity encampment at Indiana University. Aidan Khamis is an organizer for Palestine Solidarity Committee IU and IU divestment coalition. Media Benjamin Medea Benjamin is the co-founder of the women-led peace group CODEPINK. She is also co-founder of the human rights group Global Exchange, the Peace in Ukraine Coalition, Unfreeze Afghanistan, ACERE: The Alliance for Cuba Engagement and Respect, and the Nobel Peace Prize for Cuban Doctors Campaign. Medea has been an advocate for social justice for 50 years. She was one of 1,000 women from 140 countries nominated to receive the Nobel Peace Prize on behalf of the millions of women who do the essential work of peace worldwide. She is the author of ten books, including Drone Warfare: Killing by Remote Control, Kingdom of the Unjust: Behind the U.S.-Saudi Connection, and Inside Iran: The Real History and Politics of the Islamic Republic of Iran. Her most recent book, coauthored with Nicolas J.S. Davies, is War in Ukraine: Making Sense of a Senseless Conflict. Sarah Ema Friedland Director/Cinematographer) is an NYC-based media artist and educator. Her work has screened at institutions including Cannes Film Festival, Lincoln Center, Anthology Film Archives, PBS, the Tang Teaching Museum, The Chelsea Museum, The Queens Museum, The 14th Street Y, and the MIT List Center. Her works have been supported by grants and fellowships, including the Jerome Foundation, NYSCA, the Palestine American Research Center, the LABA House of Study, and the MacDowell Colony. She is a recipient of the Paul Robeson Award from the Newark Museum, and was nominated for a New York Emmy. Friedland is a member of the Meerkat Media Collective and the Director of the MDOCS Storyteller's Institute at Skidmore College where she is also a Teaching Professor in the MDOCS Program. Rami Younis is a Palestinian filmmaker, writer, journalist and activist from Lyd. He was a 2019-20 Fellow at the Harvard Divinity School. As a journalist, he mainly wrote for the online magazine +972 and served as both writer and editor of its Hebrew sister site, “local call”, a journalistic project he co-founded, designed to challenge Israeli mainstream journalism outlets. Rami served as a parliamentary consultant and media spokesperson for Palestinian member of Knesset Haneen Zoabi. Rami is also co-founder and manager of the first-ever Palestine Music Expo, an event that connects the local Palestinian music scene to the worldwide industry. Younis is the host of the Arabic-language daily news show, “On the Other Hand.” ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps

Sarita Covington is a social entrepreneur, the founder of Upper Manhattan Forest Kids, a multi-disciplinary artist, and a racial justice organizer from Harlem. She holds an MFA from Yale and co-founded ACRE (Artists Co-Creating Real Equity), an organizing body of artists and cultural workers committed to undoing racism within arts and culture work. In 2016, she launched Upper Manhattan Forest Kids, a business that leads outdoor classes based on the Danish Forest School model for children up to ten years old. She uses New York City's public parks as a classroom to learn about the world and build relationships with our natural ecosystems. The work intends to expand the culture of urban forest schooling through class curricula and related products that inspire urban families, and support the next generation to be thoughtful stewards of the Earth, living in the right relationship with nature. Her work has received support from the Lower Manhattan Cultural Council, the Open Meadows Foundation, The Puffin Foundation, and the Jerome Foundation. Sarita has taught and facilitated within various communities, including the inmates at the Fishkill Correctional Facility and Yale University. To learn more about Sarita Covington and Upper Manhattan Forest Kids: IG - https://www.instagram.com/uppermanhattanforestkids/ Facebook - https://www.facebook.com/uppermanhattanforestkids X (Twitter) - https://twitter.com/UMFK8/ Pinterest - https://www.pinterest.com/uppermanhattan

J. Mae Barizo, born in Toronto to Filipino immigrants, is a poet, essayist, librettist and multidisciplinary artist. She is the author of two books of poetry, Tender Machines (Tupelo Press, 2023) and The Cumulus Effect. A finalist for the Graywolf Nonfiction Prize and the 2023 Megaphone Prize, her work has been anthologized in books published by W.W. Norton, Atelier Editions and Harvard University Press. Recent writing appears in Poetry, Ploughshares, Esquire, Los Angeles Review of Books, Paris Review Daily, Boston Review, BookForum, among others. As a librettist, she is the inaugural recipient of Opera America's IDEA residency, given to artists who have the potential to shape the future of opera. Her monodrama ISOLA will have its world premiere at Long Beach Opera in 2024, and UNBROKEN, commissioned for Opera Theatre of St. Louis, will be premiered in 2024. She is also the recipient of fellowships and awards from Bennington College, Mellon Foundation, Opera America, Jerome Foundation and Poets House. She is on the MFA faculty of The New School and lives in New York City. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

Rachel Elizabeth Seed is a Los Angeles-based nonfiction storyteller working in film, photography and writing. She is a 2022 Jewish Film Institute fellow, a 2021 California Film Institute fellow and Jewish Story Partners grantee, a 2020 Sundance Institute, Chicken + Egg Pictures, NYFA New York Women's Film Fund fellow, and a 2019 Sundance Edit & Story Lab fellow and Sundance Documentary Fund recipient for her feature documentary, A PHOTOGRAPHIC MEMORY. Rachel's work has also been supported by Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, and IFP.  Formerly a photo editor at New York Magazine, her photography was included in the International Center of Photography's exhibit on Hurricane Sandy, Rising Waters, and she was a cameraperson on several award-winning feature documentaries including SACRED by Academy-Award-winning filmmaker Thomas Lennon. Rachel's writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a thriving NYC-based filmmaker collective with 250+ members. Rachel directed a film A PHOTOGRAPHIC MEMORY A daughter attempts to piece together a portrait of her mother, an avant-garde journalist and a woman she never knew. Uncovering the vast archive Sheila Turner-Seed produced, including lost interviews with iconic photographers Henri Cartier-Bresson, Gordon Parks, and Lisette Model, the film explores memory, legacy and stories left untold. https://www.rachelseed.com/#/apm/ --- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Sibyl Kempson is interviewed and produced by Julia Duffy (SLC'25) Kempson's plays have been presented in the United States, Germany, and Norway. As a performer she toured internationally from 2000-2011 with Nature Theater of Oklahoma, New York City Players, and Elevator Repair Service. Her own work has received support from the Jerome Foundation, the Greenwall Foundation, National Endowment for the Arts, and Dixon Place. She was given four Mondo Cane! commissions from 2002-2011 for The Wytche of Problymm Plantation, Crime or Emergency, Potatoes of August, and The Secret Death of Puppets). She received an MAP Fund grant for her collaboration with Elevator Repair Service (Fondly, Collette Richland) at New York Theatre Workshop (NYTW), a 2018 PEN/Laura Pels International Foundation for Theater Award for American Playwright at Mid-Career (specifically honoring “her fine craft, intertextual approach, and her body of work, including Crime or Emergency and Let Us Now Praise Susan Sontag”), and a 2014 USA Artists Rockefeller fellowship with NYTW and director Sarah Benson. She received a 2013 Virginia B. Toulmin Foundation commission for Kyckling and Screaming (a translation/adaptation of Ibsen's The Wild Duck), a 2013-14 McKnight National residency and commission for a new play (The Securely Conferred, Vouchsafed Keepsakes of Maery S.), a New Dramatists/Full Stage USA commission for a devised piece (From the Pig Pile: The Requisite Gesture(s) of Narrow Approach), and a National Presenters Network Creation Fund Award for the same project. Her second collaboration with David Neumann/Advanced Beginner Group, I Understand Everything Better, received a Bessie Award for Outstanding Production in 2015; the first was Restless Eye at New York Live Arts in 2012. Current and upcoming projects include a new opera with David Lang for the Isabella Stewart Gardner Museum in Boston for 2018, Sasquatch Rituals at The Kitchen in April 2018, and The Securely Conferred, Vouchsafed Keepsakes of Maery S. Kempson is a MacDowell Colony fellow; a member of New Dramatists; a USA Artists Rockefeller fellow; an artist-in-residence at the Abrons Arts Center; a 2014 nominee for the Doris Duke Impact Award, the Laurents Hatcher Award, and the Herb Alpert Award; and a New York Theatre Workshop Usual Suspect. Her plays are published by 53rd State Press, PLAY: Journal of Plays, and Performance & Art Journal (PAJ). Kempson launched the 7 Daughters of Eve Theater & Performance Co. in April 2015 at the Martin E. Segal Center at the City University of New York. The company's inaugural production, Let Us Now Praise Susan Sontag, premiered at Abrons Arts Center in New York City. A new piece, Public People's Enemy, was presented in October 2018 at the Ibsen Awards and Conference in Ibsen's hometown of Skien, Norway. 12 Shouts to the Ten Forgotten Heavens, a three-year cycle of rituals for the Whitney Museum of American Art in the Meatpacking District of New York City, began on the vernal equinox in March 2016 to recur on each solstice and equinox through December 2018

The annual Cedar Commissions show, funded by the Jerome Foundation, and staged next Friday and Saturday at the Cedar Cultural Center, presents bold musical statements. Each of the 6 artists is funded to create new work; Outcomes are often surprising. Phil Nusbaum talked with Robert Lehmann of the Cedar. Robert is one of those who helped curate the show. We'll listen to music first by Ukrainian American singer songwriter Yev, and then by hip hop artist RZ and alt country artist McCain.

In this episode, we provide valuable insights on promoting diversity and inclusion in your comedy scene! We're not judging anyone's current position, but hoping to inspire! While coordinating the diversity scholarship at the Magnet Theater, Jason thought it would be good to share practical suggestions for growing the community you are trying to foster. Keep in mind that each comedy scene is unique, so feel free to adapt and implement these ideas that resonate with you for the betterment of your community! Got your back! Jerome Foundation: jeromefdn.org/announcing-re-tool-racial-equity-panel-process For Magic Mind go to https://www.magicmind.com/JANthereitis Use code THEREITIS20 for an additional discount! Twitter: @ThereItIsPod, @JasonFarrJokes  Instagram: @ThereItIsPod, @JasonFarrPics  Facebook: @ThereItIsPod  Subscribe to our comedy newsletter: https://mailchi.mp/e22defd4dee2/thereitis

Award-winning vocalist, composer, and educator Kavita Shah's latest album, Cape Verdean Blues, is the culmination of a diasporic quest to find a spiritual home. The carefully curated album of traditional Cape Verdean music is also a tribute to the charismatic and unapologetically individual artist Cesária Évora, and a love letter to her breathtaking archipelago and its welcoming people. On Cape Verdean Blues, Shah's ethnographic research on the island of São Vicente, and her bold self-possession have enabled her to achieve a rare feat: creating a world music album that feels like home. At the heart of the 12-song album is “sodade,” an idiomatic word that doesn't have a strict English definition, but connotes a melancholy sense of transience that permeates Cape Verde, its music, and its free-spirited island population. “In this paradise in the middle of the Atlantic Ocean, I found a sense of home that has eluded me for much of my 37 years,” Shah says. She continues: “When I look back, I realize that upon hearing Cesária's voice nearly a decade ago, she was summoning me down a path I must continue walking in search of sodade.” Shah is a global citizen and cultural interlocutor whose work involves deep engagement with the jazz tradition, while also addressing and advancing its global sensibilities. She is a lifelong New Yorker of Indian origin hailed for possessing an “amazing dexterity for musical languages” (NPR). Shah speaks 9 languages—she is fluent in Spanish, Portuguese, and French—and incorporates ethnographic research into original music. She has researched traditional music practices in Brazil, West Africa, East Africa, Turkey, and India. To support her work, Shah has earned grants from the Jerome Foundation, Chamber Music America, Asian Cultural Council, and New Music USA. Shah holds a B.A. in Latin American Studies from Harvard, and a Master's in Jazz Voice from Manhattan School of Music. To date, Shah's projects include Visions (2014), co-produced by Lionel Loueke; Folk Songs of Naboréa, which premiered at the Park Avenue Armory in 2017; and Interplay in duo with François Moutin, which was nominated in 2018 for France's Victoires de la Musique for Jazz Album of the Year. Shah regularly performs her music at major concert halls, festivals, and clubs on six continents. 乐团 whose 2020 album “The Adventures of Pie Boy” won Best Instrumental Album, Best Instrumental Recording and Best Arrangement (Bittersweet) at the 32nd Annual Golden Melody Awards and serves as music director for Tia Ray 袁婭維. He has recorded, produced, performed and arranged for dozens of artists across Greater China, including David Tao陶喆, Li Ronghao 李榮浩， Matzka馬斯卡, Leah Dou竇靖童, Maobuyi 毛不易， Karen Mok莫文蔚， A-Lin, Kevin Sun and more. He graduated from Oberlin College and Conservatory, where he studied Jazz performance with Robin Eubanks. Hsieh plays Denis Wick mouthpieces and the Adams F5 Flugelhorn. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Join Quenton Baker and special guests for a celebration of and conversation on their new book ballast. This event occurred on April 26, 2023. Ballast is a poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery. In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker's ballast is an attempt at incomplete redress. With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker's poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions. Ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry. Poets: Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, jubilat, Vinyl, The Rumpus, and elsewhere.They are a two-time Pushcart Prize nominee and the recipient of the2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 NEA Fellow. They are the author of This Glittering Republic (Willow Books, 2016) and we pilot the blood (The 3rd Thing, 2021). Marwa Helal was born in Al Mansurah, Egypt. She is the author of Ante body (Nightboat Books, 2022), Invasive species (Nightboat Books, 2019), the chapbook I AM MADE TO LEAVE I AM MADE TO RETURN (No Dear, 2017) and a Belladonna chaplet (2021). Helal is the winner of BOMB Magazine's Biennial 2016 Poetry Contest and has been awarded fellowships from the Whiting Foundation, New York Foundation of the Arts, Jerome Foundation, Poets House, Brooklyn Poets, and Cave Canem, among others. She has presented her work at the Museum of Modern Art (MoMA), the Studio Museum in Harlem, the Brooklyn Museum, and the Guggenheim Museum. Douglas Kearney has published seven collections, including Optic Subwoof (2022), the 2022 Griffin Poetry Prize-winning Sho (2021), Buck Studies (2016), winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and California Book Award silver medalist (Poetry). M. NourbeSe Philip calls Kearney's collection of libretti, Someone Took They Tongues (2016), “a seismic, polyphonic mash-up.” Kearney's Mess and Mess and (2015), was a Small Press Distribution Handpicked Selection that Publisher's Weekly called “an extraordinary book.” WIRE magazine calls Fodder (2021), a live album featuring Kearney and frequent collaborator, Val-Inc., “Brilliant.” Natasha Oladokun is a Black, queer poet and essayist from Virginia. She earned a BA in English from the University of Virginia, and an MFA in creative writing from Hollins University. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Watch the live event recording: https://youtube.com/live/Sp7hlQNb2FE?feature=share Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Pam has been creating, teaching and performing dance for over 40 years. She was involved with the Nancy Hauser Dance Company/Hauser Dance from the mid-1980s to 2011 as an apprentice, company member, teacher and choreographer, along with freelancing in the community. As director of MotionArt (cofounded in 2013 with Diane Moncrieff), she is dedicated to providing opportunities for people - no matter their age or ability - to move, express, learn, create and find community in dance – whetherthrough the Ageless Dance class she initiated with Heidi Hauser Jasmin twenty years ago, or through other adult and children's classes, monthly improvisation gatherings, somatic workshops andperformances. Her collaborations with professional and nonprofessional dancers spanning nine decades in age, along with musicians, composers, visual artists and film makers have resulted in over 50 choreographed pieces, eight theater productions and four films. She has taught, performed and/orpresented dance in many Twin Cities venues, several US cities, in Taiwan, Japan, Russia and Ireland, and her work has been supported by grants from the Minnesota State Arts Board, the Jerome Foundation, and the Metropolitan Regional Arts Commission. In 2019, she was a “50 over 50” honoree by AARP/Pollen for her contributions and achievements in the arts and for disrupting outdated beliefs about aging.Pam received a BS in Community Health Education with minors in Dance and Psychology from UW-Madison, where she first delved into the study of Modern Dance. She holds an MA in Kinesiology from the University of Minnesota and has been a Pilates instructor and personal trainer since 1999. She taught “The Articulate Body“ (Dance Kinesiology), Pilates and Modern Dance in the University of Minnesota Dance Department, was a faculty member in the Physical Education department at NorthHennepin Community College, a community health educator for research in the Epidemiology Department at the University of Minnesota and has been a guest artist at several Midwest colleges.As a teacher, Pam draws from her strong interest in both the art and science of the body in motion to offer biomechanically sound classes infused with individual exploration and improvisation. As a choreographer, inspirations are as varied as life itself, planted in her psyche and often manifest when she's not looking. These seeds of inspiration have resulted in a wide body of work - from abstract to theatrical, solo to large ensemble, melancholy to slapstick and are reflective of her fascination with universal principles of motion and universal aspects of being human.

Another episode touching on aspects not featured in past episodes. Today playwright Anna Ouyang Moench sits in the Playwright's Spotlight and, thankfully, after botching her name twice, she was nice enough to stick around. In this interview, we discuss the benefits of writers groups, the pursuit of playwriting, and developing a play during rehearsal through a nontraditional writing approach. We also discuss the techniques of structure, working under time constraints and the the practicality and theatricality of producing, transferring from larger markets to smaller markets as well as building your network as you grow. We also talk about how playwriting helps in the arena of film and television, how to take notes and receive feedback and being mindful when receiving it, how to juggle life's responsibilities and finding discipline while writing, the mechanisms of a play, playing with the structure of timeline as well as obtaining theatrical and literary representation and so much more. Certainly a learning experience on my end which I hope you enjoy. Anna Ouyang Moench is an award-winning playwright and screenwriter. Her plays have been produced across the country and include Mothers, Birds of North America, and Sin Eaters. She has been supported by fellowships and residencies from The Playwrights Realm, New York Foundation of the Arts, the Jerome Foundation, the Van Lier Foundation, Yaddo, the Tofte Lake Center, the Sewanee Writers Conference, and the Last Frontier Theatre Conference. Her awards include the Paul Stephen Lim Playwriting Award from the Kennedy Center, the Gerbode Special Award in the Arts, Boulder Ensemble Theater Company's Generations Award, and East West Players' 2042: See Change Award. She is an alum of UCSD's Playwriting M.F.A. program, the Emerging Writers Group at the Public Theater, Youngblood at Ensemble Studio Theatre, the Jam at New Georges, and writers groups at East West Players and the Echo Theater Company.To view the video format of this episode, visit -https://youtu.be/HbNX6N4sPaAFor tickets to Birds of North America if you're in the Los Angeles area, visit -https://odysseytheatre.com/whats-on/birds-of-north-america/Links to sites mentioned in this episode - Playwright's Realm -https://playwrightsrealm.org/New York Foundation for the Arts -https://www.nyfa.orgJerome Foundation -https://www.jeromefdn.orgVan Lier Fellowship -https://www.aaartsalliance.org/programs/van-lier-fellowshipYaddo -https://yaddo.orgSawanee Writers Conference -https://www.sewaneewriters.orgLast Frontier -http://www.theatreconference.orgUCSD Theatre Dept. -https://theatre.ucsd.eduWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Minnesota is known for its lively arts and culture scene, but a strong arts culture doesn't just happen by accident. It takes loyal audiences and organizations that support the arts. One of the key funding organizations for artists in Minnesota is the Jerome Foundation, a private foundation that's been around since the 1960s. Hundreds of Minnesota filmmakers, playwrights, choreographers, poets and other artists got a boost early in their career through a Jerome Foundation grant. And while some other private foundations are pulling back from funding the arts, Jerome Foundation is doubling down in the wake of the COVID-19 pandemic with support for new artists and the organizations that nurture them.   MPR News host Angela Davis talks with the Jerome Foundation's new CEO and president Eleanor Savage about what the foundation does and its new focus on equity.  Guests:  Eleanor Savage is the president and CEO of the Jerome Foundation, a private foundation that supports early career artists in Minnesota and New York City and the nonprofit organizations that support them. She was a program director at the Jerome Foundation for 15 years and worked previously as a freelance video producer, a curator and as director of events and media production at the Walker Arts Center. She's also a longtime activist for racial and LGBTQ justice and on the board of directors for Grantmakers in the Arts, a national association of grantmaking organizations that fund arts and culture.  Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS.  Use the audio player above to listen to the full conversation.   

Melanie Figg has been writing poetry since college. Since then, her poems, essays, and reviews have been published in more than 70 print and online literary journals. Her poetry chapbook 'Hurry, Love', was published in standard & fine arts editions, and her full-length collection of poems 'Trace', won the Many Voices Project competition, and Kirkus Reviews not only gave it a prestigious Kirkus-starred review but also named it one of the Best Indie Books of 2020. She also has received six awards for Excellence in Teaching from The Loft Literary Center, the University of Utah, and the Jerome Foundation, and she currently teaches workshops at The Writer's Center, Hugo House, The Loft Literary Center, as well as at regional book festivals and in private homes in the DC area. You can learn more about her classes and workshops here: https://www.melaniefigg.net/classes--workshops.html In this interview, Figgs talks about what inspired her to start writing and creating stories, what makes a good teacher, how she balances her work, finding time to write, how students find her and how she determines who she works with, why she likes being a coach and dealing with people's inner critic and procrastination. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

The scope of Nic Lincoln's choreographic career is comprised of 29 works, and he dancedprofessionally in the Twin Cities for over 20 years. His pieces have been commissioned by James Sewell Ballet, The O'Shaughnessy Theater, Hope College, Blue Lake Fine Arts Camp, DITA in Michigan, and the Human Rights Campaign. Most recently, he received the Cowles Center's Generating Room: Open Proposal Initiative (2020), Minnesota State ArtsBoard Artist Initiative Grant (2015), a prestigious commission from Momentum for the Southern Theater, funded by the Walker Arts Theater, the Jerome Foundation, and the Cowles Theater (2015), and was Named One of “25 to Watch” by Dance Magazine (2013), and a McKnight Artist Fellowship for Dance (2011). As a dance artist and activist he has teamed with OutFront MN, The Red Door Clinic, Transforming Families, The MN AIDS Project and The Human Rights Campaign. For his most recent work, “Escalade”, he is teaming with RECLAIM. RECLAIM works to increase access to mental health support so that queer and trans youth may reclaim their lives from oppression in all its forms. Follow Nic on Instagram @popartseeker

Laura Splan is a transdisciplinary artist working at the intersections of science, technology, and culture. She creates conceptually layered and carefully crafted artworks that explore the sublime complexity of the biological world while unraveling entanglements of natural and built systems. Her research-driven projects connect hidden artifacts of biotechnology to everyday lives through embodied interactions and sensory experiences. Recent exhibitions have included immersive installations, networked devices, and tactile sculptures. Splan often engages audiences with themes in her work through companion programming, including participatory workshops covering laboratory techniques, specialized software, and textiles methods that she uses in her own studio practice. Her artworks exploring biomedical imaginaries have been commissioned by the Centers for Disease Control Foundation and the Bruges Triennial. Her work has been exhibited at the Museum of Arts & Design, Pioneer Works, and New York Hall of Science and is represented in the collections of the Thoma Art Foundation, the Chan Zuckerberg Initiative, NYU's Langone Art Collection, and the Berkeley Art Museum. Reviews and articles including her work have appeared in The New York Times, Wired, Discover, designboom, American Craft, and Frieze. Splan's research and residencies have been supported by the Jerome Foundation, Institute for Electronic Arts, Harvestworks, the Knight Foundation, and the Pollock-Krasner Foundation. In this episode, Laura and I discuss where art and science meet, Sticky settings in software and DNA, the relationship between learning and teaching, the presence of sound, early memories of where her art practice began and where it stands now. --- Support this podcast: https://podcasters.spotify.com/pod/show/ongoingness/support

Joanna Rakoff discusses the first pages of her memoir, My Salinger Year, how she approached the writing through the vantage point of a novelist, her use of the royal we, her poetry background and how it influenced her sentences, and her advice to begin your book with what you're most passionate about, in whatever form that may be.Rakoff's first pages can be found here.Help local bookstores and our authors by buying this book on Bookshop.Click here for the audio/video version of this interview.The above link will be available for 48 hours. Missed it? The podcast version is always available, both here and on your favorite podcast platform.Here are Joanna's First Pages teaching notes (hint: they're great!)Joanna Rakoff is the author of the international bestselling memoir My Salinger Year and the bestselling novel A Fortunate Age, winner of the Goldberg Prize for Fiction and the Elle Readers' Prize. Rakoff's books have been translated into twenty languages, and the film adaptation of My Salinger Year opened in theaters worldwide in 2021 and is now streaming. She has been the recipient of fellowships and residencies from MacDowell, Sewanee, Bread Loaf, Jerome Foundation, Authors' Guild, PEN, Ragdale Foundation, Art OMI/Ledig House, and Saltonstall; and has taught at Columbia University, Brooklyn College, and Aspen Words. Her writing has appeared in The New York Times, The Guardian, O: The Oprah Magazine, Vogue, Elle, Porter, and elsewhere, and her new memoir, The Fifth Passenger, is forthcoming from Little, Brown in 2024. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Many of us bereaved by suicide find ourselves as Frank Campbell describes in a “Canyon of Why”. Our world assumptions are shattered.What happens to a family with multiple losses by suicide?In this interview I speak to Juliet Patterson, a poet and the author of the book “Sinkhole: A Legacy of Suicide.” Juliet grew up in the shadows of multiple family members deaths by suicide and wondered too — “Will I die this way?” Instead, she has come to find poetry and other forms of storytelling are helping her make meaning.About Juliet PattersonJuliet Patterson is the author of Sinkhole: A Legacy of Suicide (Milkweed Editions, September 2022) and two full-length poetry collections, Threnody, (Nightboat Books 2016), a finalist for the 2017 Audre Lorde Poetry Award, and The Truant Lover, (Nightboat Books, 2006), winner of the Nightboat Poetry Prize and a finalist for the 2006 Lambda Literary Award. A recipient of a Arts & Letters Susan Atefat Prize in non-fiction, and a Lynda Hull Memorial Poetry Prize, she has also been awarded fellowships from the Jerome Foundation, the Minnesota State Arts Board, and the Minneapolis-based Creative Community Leadership Institute (formerly the Institute for Community and Creative Development). She teaches creative writing and literature at St. Olaf College and is also a faculty member of the college's Environmental Conversations program. for more information on this episode go to https://www.sallyspencerthomas.com/hope-illuminated-podcast/118

Susan Hensel's new innovative artwork, which blends commercial embroidery processes with sculptural concerns, is gaining attention and awards. Her knowledge of materials makes it possible for her to create small to large-scale hard-edge sculpture from soft fabrics that paradoxically keep their crisp form with minimal armatures. Her knowledge of the physics of color allows her to create shape-shifting displays employing the special reflective characteristics of embroidery thread with the goal to create opportunities to experience awe, rest and renewal in daily life.Susan Hensel received her BFA from University of Michigan with a double major in painting and sculpture and a concentration in ceramics. She has a history, to date, of more than 300 exhibitions, 35 of them solo, twenty + garnering awards. In the coming two years, Susan has solo and 2-person and group exhibitions scheduled in Ellicot, MD; Bloomington, MN ; Hopkins, MN; Duluth, MN and the Garrett Museum of Art, Garrett, Indiana. In recent years Hensel has been awarded multiple grants and residencies through the Jerome Foundation, Minnesota State Arts Board, Art to Change the World and Ragdale Foundation.(source: susanhenselprojects.com)Susan's art work can be found at her gallery,  Susan Hensel Gallery,  Minneapolis, MN and online:Web: susanhenselprojects.com FB: @SusanHenselProjectsIG: @susan_hensel_multimedia_artistTW: @hensel_susanYT: @susanhensel1Susan's Artist Recommendations:   Wangechi Mutu - Saatchi Gallery       New Museum Exhibition - “Wangechi Mutu: Intertwined”     Agnes Martin - MoMa      Guggenheim  Support the show

Megan MayerI am an award-winning Minneapolis-based artist working with choreography, dance, experimental video and photography. My work pulls from minimalism, transposition, mimicry, grief, tenderness, wry humor, loneliness, social anxiety, fake bad timing and exacting musicality. By exposing tiny emotional undercurrents, I find virtuosity through vulnerability and gesture. Drawn to the edges of the experience of performing: the anticipatory rapid heartbeat before going onstage, and the regretful relief after exiting, my work often reveals where that switch lives in the body. I make deeply personal dances that celebrate the people performing them.For 35+ years I've always held a full-time job in addition to being an artist. My job and dancemaking are so intertwined that I can't consider one without the demands of the other. I make art work amidst the inequities and confines of late-stage capitalism and try to use my privilege to advocate for fellow artists and employees. My work has been generously supported by two McKnight Foundation Choreographic Fellowships, residencies at the National Center for Choreography (Ohio), Maggie Allesee National Center for Choreography (Florida) and several local arts organizations, grants from MRAC, MSAB and Jerome Foundation, a Sage Dance Award and numerous choreographic commissions. www.meganmayer.com

Diane Elliot was born in Chicago and grew up in the north suburbs. Trained in dance from an early age, she received extensive training in dance and theatre at New Trier High School in Winnetka and in 1971 graduated summa cum laude, phi beta kappa from the University of Michigan, with a major in American Arts. For the next 25 years, Diane enjoyed a varied career in dance and theatre, studying with Alwin Nikolais and Murry Louis, Nancy Meehan and Finis Jung in New York City; performing and touring from 1972-77 with New York-based Phyllis Lamhut Dance Company; and producing her own work in New York in such venues as The Dance Gallery, the Theatre of Riverside Church, and Dance Theatre Workshop, as well as across the country.  From 1979-82 she taught at the Centre National de Danse Contemporaine in Angers, France, and performed with La Manivelle throughout Alsace. In 1981 Diane relocated to Minneapolis, where she taught at the University of Minnesota as a guest artist and then joined MICA (the Minnesota Independent Choreographer's Alliance, later the Minnesota DanceAlliance). For a number of years, she edited MICA's newsletter and worked in the office. During her time in New York and Minnesota, Diane created over 30 dances, including commissions for the Ft. Wayne Dance Collective, The Yard, Dance Caravan, the Carolina Dancers, Zenon Dance Company, the New Dance Ensemble, and the Jerome Foundation, as well serving as choreographer for several productions at the Illusion Theatre and the Guthrie Lab production of Cymbeline. Her work was recognized with grants from the McKnight Foundation, the Minnesota State Arts Board Grants, Artslink, and the Jerome Foundation. Beginning in 1983, Diane trained in the somatic modality Body-Mind Centering® with its founder, Bonnie Bainbridge Cohen, and for some 30 years maintained a private practice in somatic therapy and taught in the School for Body-Mind Centering's training programs. In 1990 she co-founded the Women's PerformanceProject, which explored the healing potential of movement-based performance in a series of five evening-length performances, including Bloodroot and Labyrinth. In 1998 Diane relocated to California and in 2000 matriculated at the Academy for Jewish Religion, California, in Los Angeles. Ordained as a rabbi in 2006, Diane has served communities in the Bay Area. As a Program Director for the ALEPH Alliance for Jewish Renewal, she created and directed the Embodying Spirit, En-spiriting Body training, a residential retreat program in embodied Jewish spiritual leadership. She currently teaches independently; serves as a spiritual director; is on the faculty of Taproot, a spiritual training program for Jewish activists, artists, and, and changemakers; and is a founding member and on the advisory council of the Embodied Jewish Wisdom Network. Diane is the author of three books of poetry, most recently The Voice isMovement (Hakodesh Press, 2020). You can learn more about her work atwww.whollypresent.org.

Cedar Commissions artists are granted funds from the Jerome Foundation to Create New Musical Work and perform the work on the stage of the Cedar Cultural Center in Minneapolis. The dates for the 2023 event are February 17 and 18. Today Phil Nusbaum talks with Robert Lehmann of the Cedar Cultural Center about the artists presenting on Friday February 17.

For Video Edition, Please Click and Subscribe Here: https://www.youtube.com/live/A-PguWyqmmA?feature=share Debra Solomon has been creating award-winning animation since 1994, the year her first independent film, “Mrs. Matisse,” debuted in the New York Film Festival's opening day program. It won the Young Lion Award at the Venice International Film Festival, appeared in over 25 festivals, and was acquired by the Metropolitan Museum of Art's Film and Video Collection. “It's a little masterpiece of gallows humor,” was Village Voice film critic Molly Haskell's reaction to “Everybody's Pregnant,” Solomon's next animated film (1998). The film declares the fearlessness and compassion with which her works transform extreme personal experiences into shared, universal journeys. Funded in part by a Jerome Foundation grant, it went on to win many awards. Award-winning filmmaker and Emmy-nominated animator Sherene Strausberg combines her experience in film, music and sound engineering with graphic design and illustration to create animated videos for her clients at the company she founded, 87th Street Creative. Having won a national composition competition in high school, she was awarded a scholarship to the prestigious Indiana University School of Music, where she completed two bachelor's degrees in four years. Film scores she wrote in her first career, as a film composer, have been heard on AMC, Spike TV and Netflix. As a graphic designer for Jewish National Fund, she won two awards from Graphic Design USA. Her latest passion project, the short, animated film “Cool For You”, which she animated and scored, has been accepted to 37 film festivals around the world.

Cynthia Stevens/ INSITU slips into swamps, streams and forests creating environmental performance and media. This multidisciplinary work explores the interconnections of dance with original music, somatics and ecology to foster a visceral sense of place. Over the past 40 years her productions have been presented in the United States, Canada, Europe and New Zealand. She has created over 60 works including What If I…; Calling Down the Moon; Unearthed with Judith Howard in their collaborative company Flying Sisters Theatre; numerous site-based works for her group INSITU including Leonora's Dream in collaboration with poet William Reichard  in Wirth Park, Minneapolis and in the Kröller-Muller Scupture Garden, Otterlo, Netherlands, Bodies of Water in the Chain of Lakes, Mpls, BIG TREES/small dance in Muir Woods National Monument, California for its Centennial, and the SOURCE series of performances and film set in Six Mile Creek, the water source for Ithaca, NY. Recent solos include Still Here, exploring species extinction; and site-specific works Dwell, Limb to Limb, and Near/Far. Cynthia's productions features original, live music including her own vocal compositions, the vocal and violin compositions of Jane Anfinson for several works in Flying Sisters Theatre, as well as collaborations with Sera Smolen, Max Buckholtz, Mary Ellen Childs, Michelle Kinney, Carl Witt, Kate Lynch and Annie Enneking.Cynthia has collaborated with numerous improvisers including Nancy Stark Smith, Karen Nelson, Kirstie Simson, Megan Flood, Jane Shockley, Andrew Harwood, Martin Keogh, Chris Mathias, and site-specific outdoor improvisation for five years with Julie Nathanielsz. She has performed with choreographers Diane Elliot, Hijack, Ann Carlson, Bill T Jones, Georgia Stephens, and FX Widarayanto, and in the dances of Hanya Holm and Nancy Hauser.Her work has been recognized by, among others, two McKnight Fellowships; grants funded by the Jerome Foundation;  an NEA/Intermedia Arts Interdisciplinary Arts Grant; MN State Arts Board Grants;a grant from the New York Foundation for the Arts for her film, SOURCE; NY Danceforce commissions; and artist residencies at the Headlands Center for the Arts, the SEEDS Festival in MA and META in North Carolina.Cynthia has a BS in Natural Resources/Wildlife Ecology from the University of Wisconsin-Madison and is a certified Somatic Movement Educator and Practitioner of Body-Mind Centering(R). She has taught courses and workshops in site-specific dance making, dance, somatics and eco-somatics to participants of all ages in universities, schools, festivals and workshops. She currently lives with her husband, Jean-Luc Jannink, in Ithaca, NY.

Cedar Commissions shows are here on Friday and Saturday February 17 and 18. Each performer receives funding from the Jerome Foundation to create new musical work and perform the work on the stage of the Cedar Cultural Center in Minneapolis. On today's show, Twin Cities Weekend covers the artists performing this Saturday night. Phil Nusbaum talks with Robert Lehmann of the Cedar Cultural Center about the show.

Annie Enneking has been a performing artist for over forty years. In her various capacities as actor, dancer, songwriter and fight director, her work has been seen on almost every stage in the Twin Cities, as well as across the country. She fronts and founded the band Annie and the Bang Bang, with whom she goes on many rock and roll adventures. She was a 2010 Playwrights' Center McKnight Theater Artist Fellow, and has twice received a Minnesota State Arts Board Music Grant to further her work as a theatre/music maker. Additionally, she received support from the Jerome Foundation and Minnesota Regional Arts Council for devised music events like what i want now i will want later (created with Samantha Johns). Based on the myth of the Sirens, it was part fight club, part movement event, part album release party. As a dancer, Annie worked and toured professionally with Paula Mann Dance, Shawn McConneloug and Her Orchestra, Jane Shockley, and Danny Buraczeski's JAZZDANCE. Combining her love of dance and acting, she currently teaches the art of stage violence at the University of Minnesota, in both the BA and BFA programs. She lives in Minneapolis with her husband, firefighter and writer, Jeremy Norton, with whom she has two amazing daughters.

Cecilia Schiller was born into a working-class family, without money for college she became a hairstylist. While viewing a retrospective of the abstract expressionist sculptor and designer, Isamu Noguchi she realized she was going to be an artist. Uncertain of where she fit in the American landscape, she embarked on a seven-year journey working as an artesania making handmade crafts, which she sold on the street. After overcoming, poverty, fear, and countless hardships she returned home with two young daughters to raise as a single mother. Cecilia apprenticed with a master woodcarver over the next seven years, learning the engineering and kinetics of automata; through wooden cranks and gears—making wood move. In witnessing her pieces, we are transported into magical scenes that come to life.  Engineering, carving, woodworking, metalsmithing, theater set design, puppeteering, mask carving, and hairstyling—all these skills come into play in her breathtaking work. Through her years of dedication, ability to move beyond fear, and the faith to follow her artistic desire,  Cecilia is now an award-winning wood sculptor, recognized for her work with grants from the Minnesota State Arts Board, the Jerome Foundation, and the National Endowment for the Arts. In addition to creating original and custom automata, Cecilia Schiller shares her skills by teaching classes and offering DIY original laser-cut kits at Cranky Heart Automata. It was truly inspirational to learn about Cecilia's path. We are thrilled to welcome this talented and generous artist to this episode of Intrinsic Drive™. 

Darine Hotait talked about her new film "Tallahassee."Darine Hotait is a writer and film director. Her work focuses on the politics of identity, Arab & African diaspora, and science fiction. She has written and directed a dozen award-winning narrative films that can be seen on Sundance Channel, The New Yorker, AMC Networks, BBC, Forbes, Outfest Now, ShortsTV, and at numerous Oscar-qualifying international film festivals. Named on Disney's Launchpad 2022 list of directors on the rise, Darine's latest film “TALLAHASSEE” premiered at the 10th Blackstar Film Festival. It was nominated for Best Narrative Short at the 22nd Woodstock Film Festival and received the Audience Award at Mizna Film Festival. Tallahassee was released exclusively on The New Yorker in January 2022. She is the recipient of the New York Council on the Arts Artist Award, the New York Foundation for the Arts Immigrant Artist Fellowship, the Jerome Hill Finalist Award, and the AFAC Cinema Award. Her work has received the support of The Sundance Institute, Comedy Central, The Independent Film Project, Maison Des Scenaristes, The Royal Film Commission, the Jerome Foundation, and the Ghetto Film Roster.Created & hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Movie Night: Movie Night is an interview series that calls for afikra community members who are interested in movies and films to spend time watching along with the entire community. Movies will be announced on afikra's watching list. This interview series will host filmmakers and actors who are featured in the announced movie. Community members will be asked to watch the film on online streaming platforms or online film festivals before the series and join the conversation with the creators of the film. Movie Night is an opportunity for members to ask questions about the plot, behind the scenes, themes, and information about the movie.Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

“I Kill with my c*nt. You can write about it in Midnight Magazine.” Released in 1982, Liquid Sky is a sexual sci fi thriller produced and directed by Slava Tsukerman. 40 years later and this movie is taking on things mainstream film is too afraid to touch. Women's bodies, gender, self expression, the other, all under a blaring 80s synth soundtrack. ---- Madeleine Olnek is a writer, director and producer, known for her 2018 film “Wild Nights With Emily” starring Molly Shannon - famous for being the first ever queer portrayal of Emily Dickinson - in 2018! Madeleine got her start as a playwright, she wrote and directed over 24 original plays in downtown NYC. She has received dozens of awards and fellowships including the Jerome Foundation. She is a co-author of “The Practical Handbook for The Actor” which is required reading at many universities.

Sarah Hauss is a choreographer, dancer, presenter, and teacher who has been living and working in the Twin Cities for over 30 years. She is a Visiting Assistant Professor of Dance at Gustavus Adolphus College. She has a BA in dance from the University of Oregon and an MFA in dance from the University of Colorado, with additional studies at Hunter College in New York City and University of Milwaukee - Wisconsin. She is a licensed K-12 Dance Educator and has great interest in interdisciplinary learning. Hauss has danced and choreographed in New York, California, and Oregon as well. Her work has been supported over the years by Red Eye Collaborations, the McKnight Foundation, the Jerome Foundation, Minnesota State Arts Board, the Metropolitan Regional Arts Council, and The Ritz Theater. She was a founding member of Paula Mann Dance and Artistic Director of Riverbend Dance Arts from 1993-1999. Over the years, she has worked with Kinetic Evolutions, Gomez Dance Group, Third Rabbit Dance Ensemble, Interstate Dance Collective, Gerry Girouard, and the Christopher Watson Dance Company.  She also teaches at Ballare Teatro Performing Arts Center in Minneapolis and has been a yoga instructor at the St Paul Yoga Center since 2002.  Hauss was the director and co-founder (with Off Leash Area) of Inbox@Artbox, a choreographer's evening that presented annually for three years (2018-2020) in the Twin Cities. This Fall, she will be presenting her choreography at the Nobel Conference hosted by Gustavus. 

https://mamabearsdoc.com/ https://www.instagram.com/mamabearsdoc/ Daresha writes, produces, and directs film and television in Spanish and English. A graduate of NYU Film School, she recently completed Mama Bears, her second feature documentary about how conservative, Christian mothers are transformed when they decide to accept their LGBTQ children, which premiered at SXSW and won Best Documentary at the Sun Valley Film Festival. In 2018 she was commissioned by the ACLU to direct Trans In America: Texas Strong, which garnered over 4 million views online, screened at SXSW, and won two Webby Awards and an Emmy for “Outstanding Short Documentary.” In 2017 she co-directed and produced Chavela, a multiple award-winning documentary about iconic singer Chavela Vargas that was distributed by Music Box Pictures and screened in over 40 countries, including Translyvania. In 2015 she produced Kristina Wong's How Not to Pick Up Asian Women. In 2014 she served as EP of Emmy-winning writer Kevin Avery's satirical take on The Wiz starring an all-white cast called The Whizz and in 2011 she produced his short comedy, Thugs, The Musical. In 1992 Daresha won a full fellowship from Tri-Star Pictures to attend the directors' program at the AFI Conservatory based on her short, award-winning narrative Land Where My Fathers Died, co-starring Isaiah Washington. She produced her first, award winning drama, The Thinnest Line, as a student at NYU. Daresha's films have been funded by ITVS, NEA, IDA Enterprise, Creative Capital, the Jerome Foundation, and many other foundations. She was a fellow in the Firelight Media Documentary Lab, Chicken & Egg Eggcelerator Lab, Sundance Institute: Women and Film Financing Intensive, Breaking Through the Lens, Film Independent Documentary Lab, Creative Capital, and A Blade of Grass cohorts. Daresha also has an extensive background in television and has produced programming for FX, WE, AMC, Telemundo, and FUSE, among other networks. Tammi Terrell Morris was born, raised, and currently resides in Southern California with her fiance, Shadae and 2 sons.She has a degree in Sociology and a Masters of Leadership and Management. Tammi has spent her professional life serving the community of individuals with developmental disabilities in the Inland Empire in multiple capacities, from Job Coach to Regional Center Case Coordinator. Tammi has recently transitioned to a full time Caregiver (Stay at home Mom). In her spare time, she enjoys producing and recording material for her podcast Confused Reality. She hopes to use her talents of writing poetry, performing spoken word, motivational speaking, and ability to connect with people to make the world a more loving and accepting place. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/bravemaker/message Support this podcast: https://anchor.fm/bravemaker/support

Grantmakers in the Arts is participating in the Racial Equity Coding Project, which was kicked off with a culmination of research led by Doris Duke Charitable Foundation (DDCF) with Callahan Consulting for the Arts (CCA). The project has given funders an opportunity to examine and refine their own coding practices and to consider new data collection measures for the future. In the second episode of this three-part series, we are glad to be joined by Eleanor Savage, program director, Jerome Foundation and Tiffany Wilhelm, program officer/operations, Opportunity Fund. They discuss their experience with the Racial Equity Coding Project's “By, For, and About” Framework, and the importance of including nuance in the process. Stay tuned for an opportunity to get involved!

Darine Hotait talked about her new film "Tallahassee."Darine Hotait is a writer and film director. Her work focuses on the politics of identity, Arab & African diaspora, and science fiction. She has written and directed a dozen award-winning narrative films that can be seen on Sundance Channel, The New Yorker, AMC Networks, BBC, Forbes, Outfest Now, ShortsTV, and at numerous Oscar-qualifying international film festivals. Named on Disney's Launchpad 2022 list of directors on the rise, Darine's latest film “TALLAHASSEE” premiered at the 10th Blackstar Film Festival. It was nominated for Best Narrative Short at the 22nd Woodstock Film Festival and received the Audience Award at Mizna Film Festival. Tallahassee was released exclusively on The New Yorker in January 2022. She is the recipient of the New York Council on the Arts Artist Award, the New York Foundation for the Arts Immigrant Artist Fellowship, the Jerome Hill Finalist Award, and the AFAC Cinema Award. Her work has received the support of The Sundance Institute, Comedy Central, The Independent Film Project, Maison Des Scenaristes, The Royal Film Commission, the Jerome Foundation, and the Ghetto Film Roster.Created & hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Movie Night: Movie Night is an interview series that calls for afikra community members who are interested in movies and films to spend time watching along with the entire community. Movies will be announced on afikra's watching list. This interview series will host filmmakers and actors who are featured in the announced movie. Community members will be asked to watch the film on online streaming platforms or online film festivals before the series and join the conversation with the creators of the film. Movie Night is an opportunity for members to ask questions about the plot, behind the scenes, themes, and information about the movie.Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

Today, I have the pleasure of interviewing Claire Stanford. Born and raised in Berkeley, Claire holds an MFA in Creative Writing from the University of Minnesota and is currently a Ph.D. candidate in English at UCLA, where she studies science fiction/speculative fiction, narrative theory, and novel theory. Claire's work has received fellowships and grants from the Jerome Foundation, the Minnesota State Arts Board, the Kimmel Harding Nelson Center for the Arts, the Brush Creek Foundation for the Arts, and the Hambidge Center for the Creative Arts & Sciences. Claire is also an avid watcher of BBC mysteries and the author of her debut novel, Happy for You.   In this episode Claire Stanford and I discuss: The meaning of happiness, its relationship with social media, and how that plays out in her novel. Why she classifies her novel as literary fiction as opposed to speculative. How she navigated writing a novel about a character who is strongly opposed to change.   Plus, her #1 tip for writers. For more info and show notes: diymfa.com/405

Alys Ayumi Ogura (she/her/hers) is a storyteller through her movement, voice and quirky humor. Her dance training began in Japan, where she learned from the now late Mika Kurosawa, the famed godmother of Japanese contemporary dance. She earned a BA in Theater Studies from Westmar University, and her theater training concluded with her earning the “most outstanding student” award from the school's Theater and Dance Department.Her choreographies and performances have been curated for the Walker Art Center's Choreographer's Evening by Megan Mayer, and for BodyCartography Project's/HIJACK's Future Interstates. Ogura has worked since 2010 in the Twin Cities' thriving arts community. As a way of giving back to the Twin Cities arts community, Ogura serves as a DanceMN steering-committee member, and she supports MN Artist Coalition efforts. She most recently performed in Generic Minneapolis, by Emily Gastineau, and she is set to be part of the April Sellers Dance Collective's summer residency/tour. Ogura is a former Arts Organizing Institute fellow (2017-18) through the Pangea World Theater, and a 2021 Naked Stages fellow, managed by Pillsbury House Theatre and funded by the Jerome Foundation.

When m was seven, they had a pet snake named Herman. Kept him in a bubble bath container shaped like a train, and when they opened the lid, they could see him peering back. Everyone else in their family was afraid of snakes. Them favorite was the gentle black king snake. Herman was tiny and green. A rubbery toy they had to hide from their mother, who had a way of making things disappear. Like their sixth finger, which they wore between thumb and index, from which they shot little projectiles that contained messages. Like the satanic bible, which they read to investigate the opposition, since their father was a born again man of the cloth. Being a gender fluid person was likely going too far, but eventually, it wasn't something they could put a lid on. Around the same time as Herman, they started rink roller skating, dressing in wide cords with an alligator belt, a white cotton shirt, and beneath it, a striped cravat they called a dickey. One day, m peered at Herman peering back at them and felt a sudden fear, realizing that soon, they would also be hiding. In high school, they excelled in Science and Art. In college, Psychology and Philosophy. Them was enamored of semiotics, game theory and topography while getting their mfa at Yale. No wonder that their work evolved into computer spaces, where they wove Queer meaning into photographs and made installations that were given Guggenheim, NYFA and Jerome Foundation awards. Currently, m is offering tours of their studio, working on an installation performance and editing seven years of work into a “book.” As a Professor in Exile at The New School, m teaches outside of University settings, offering group studio courses and individual mentoring. m is currently reading these books mentioned in the imterview: The Great Treatise on the Stages of the Path to Enlightenment Volume One, by Je Tsongkhapa (Translated by Lam Rim Chen Mo); Paul Outerbridge: New Color Photos. Nazraeli Press, 2022, One Thing Well: 22 Years of Installation Art by Kim Davenport. CHAPTEr onE, THis CHAPTEr onE, THE oTHEr cHAPTEr onE, ink on paper with grommets, ©mBurgess, 2021

The Cedar Cultural Center in Minneapolis and the Jerome Foundation partner each year to present the Cedar Commission, two nights of performances featuring cutting edge work by multiple artists. This year's performances are held Friday and Saturday February 18 and 19. Phil Nusbaum talked to one of the event's organizers, Robert Lehmann about the performances.

On January 25th, 2022, the Lannan Center presented a reading and talk featuring poets Valzhyna Mort and Michael Prior. Moderated by Carolyn Forché.About Valzhyna Mort Valzhyna Mort is a poet and translator born in Minsk, Belarus. She is the author of three poetry collections, Factory of Tears (Copper Canyon Press 2008), Collected Body (Copper Canyon Press 2011) and, mostly recently, Music for the Dead and Resurrected (FSG, 2020). Mort is a recipient of fellowships from the Lannan Foundation, the Amy Clampitt residency, and the Civitella Raineri residency. Her work has been honored with the Bess Hokin Prize from Poetry and the Glenna Luschei Prairie Schooner Award. Her work has appeared in Best American Poetry, New Yorker, Poetry, Poetry Review, Poetry International, Prairie Schooner, Granta, Gulf Coast, White Review, and many more. With Ilya Kaminsky and Katie Farris, Mort co-edited Gossip and Metaphysics: Russian Modernist Poems and Prose. Mort teaches at Cornell University and writes in English and Belarusian. About Michael PriorMichael Prior is a writer and teacher born in Vancouver, Canada. He is the author of two books of poems: Burning Province (McClelland & Stewart/Penguin Random House, 2020), which won the Canada-Japan Literary Award and the BC & Yukon Book Prizes' Dorothy Livesay Poetry Prize, and Model Disciple (Véhicule Press, 2016). Prior is the recent recipient of fellowships from the New York Public Library's Cullman Center, the Jerome Foundation, and Hawthornden Literary Retreat. His poems have appeared in Poetry, The New Republic, Narrative Magazine, the Sewanee Review, PN Review, the Academy of American Poets' Poem-A-Day series, and elsewhere. He is an Assistant Professor of English and an ACM Mellon Faculty Fellow at Macalester College.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

In this episode we interview Icelandic composer Bergrún Snæbjörnsdóttir. We discuss animated scores, French Horn, nature, and the idea of "control" as an artist/maker.   credits for "Ecognosis" (2021): Joshua Rubin, clarinet Rebekah Heller, bassoon Josh Modney, violin Kyle Armbrust, viola Michael Nicolas, cello Maciej Lewandowski, tech/audio Originally presented and live streamed by Roulette Intermedium on April 21st 2021 in partnership with Dark Music Days & Harpa Concert Hall (https://roulette.org/event/dark-music-days/).  Bergrún Snæbjörnsdóttir's Ecognosis was developed through the Ensemble's icecommons Artist-in-Residence program, with lead support from Jerome Foundation. This engagement was supported by Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts, the Andrew W. Mellon Foundation and the Howard Gilman Foundation. Dark Music Days is funded by the Icelandic Music Fund, the Festival Fund of Reykjavík city and Iceland Music.   musical example citations: (in order of appearance): USED FOR EDUCATIONAL PURPOSES - IF YOU WOULD LIKE YOUR MUSIC REMOVED FROM THE PODCAST PLEASE EMAIL US   Björk - Wanderlust (from Volta) ​​Guðmundur Steinn Gunnarsson - Sporgyla Heart - Barracuda Sigur Rós - Inní mér syngur vitleysingur (from Með suð í eyrum við spilum endalaust) Bergrún Snæbjörnsdóttir - Lohanimalia (2012) Bergrún Snæbjörnsdóttir - Esoteric Mass (2014) Bergrún Snæbjörnsdóttir - Ecognosis (2021) Pauline Oliveros - Horse Sings from Cloud (from Accordion & Voice) Bergrún Snæbjörnsdóttir - Areolae Undant (2017)   click here for Bergrún Snæbjörnsdóttir's personal website click here to visit the website of S.L.Á.T.U.R. (the Icelandic collective Bergrún references)     interview recorded 12/15/2021   Follow us on Twitter! Check out our website! Follow Bergrún on Twitter! Follow Bergrún on IG!

MCAD President Sanjit Sethi welcomes Ben Cameron, President of the Jerome Foundation, and Marianna Schaffer, Vice President of Programs at the Geraldine R. Dodge Foundation, to discuss how the philanthropic field has changed and how foundations can equitably support the artists of today as well as long into the future.

Xiaolu Wang (she/they) is an emerging documentary filmmaker and a translator from the Hui Muslim Autonomous Region of China, whose practice is based in the mapping of interiority, with the use of video, poetry, memory, translations, and a decolonial lens. Their work have been screened at local venues and international film festivals in countries like Lebanon, Mexico, China, and Argentina. They contributed translations to journals including 单读, onlimbo, and Cinephila. When they are not studying films, Xiaolu helps out at a friend's donation-based food pop-up, "The Shui Project", or reads the Tao Te Ching. They are a recipient of the 2019 Jerome Film and Media Grant, a fellow of DocX Archive Lab 2021 organized by Duke University's Center for Documentary Studies, and their work has been generously supported by Metropolitan Regional Arts Council of Minnesota, Saint Paul Neighborhood Network, Jerome Foundation, Women Make Movies, and UnionDocs. They live in Minneapolis with two cats, Marvin and Moto, who sleep on separate couches. See clips from Xiaolu's films here. Follow Moonplay on Instagram: @moonplaycinema Email: moonplaycinema@gmail.com www.moonplaycinema.org Theme music by Jes Reyes. Original recording date: September 10, 2021

John Bleasdale talks to Lynne Sachs, the Memphis born, Brooklyn based filmmaker on the eve of a season of her works being streamed on the Criterion Channel. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself. Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My Tongue, Your Day is My Night, Investigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work. Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter. www.lynnesachs.comAfter comprehensive career retrospectives at Sheffield Doc/Fest 2020 and the Museum of the Moving Image in 2021, the Criterion Channel is delighted to announce that director Lynne Sachs' films will join the Channel in October 2021 along with a newly recorded director interview exploring her works. Sachs will be making her the Criterion Channel debut with seven earlier works followed by her latest feature, Film About a Father Who, recently released theatrically by Cinema Guild and receiving its exclusive streaming premiere with the Criterion Channel. Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

 Lynne Sachs is a Memphis born, Brooklyn based filmmaker. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My Tongue, Your Day is My Night, Investigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter.  Lynne's films are now available on the Criterion Channel. STEPHEN VITIELLO (MUSIC):Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. Solo and group exhibitions include MASS MoCA, The High Line, NYC, and Museum of Modern Art.  ALEX WATERS (PRODUCER):Alex Waters is a media and music producer. He  has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza, as well as for other independent artists. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music independently and in collaboration with others. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

Welcome to episode four of where to from here, a podcast series hosted by artist Jes Reyes. Its formation is both a result and a response to postponing Moonplay Cinema's first season of in-person programming due to COVID-19 safety protocols. Today's episode features Kiera Faber. Kiera Faber is an artist working with materiality and texture through the mediums of animated experimental film, photography, and drawing. Her auteur, award winning films are entirely crafted by hand. Each film involves extensive drawing, sculpture, and painting for sets, puppet stop motion animations, and other forms of frame-by-frame animation. Faber creates visually complex and richly evocative surreal worlds where themes of loss and trauma are explored through enigmatic abstract narratives. Faber's work is internationally screened and exhibited at film festivals, galleries, and museums, most notably the South Bend Museum of Art, DeVos Art Museum, Museum of Contemporary Photography, George Eastman Museum, and the Walker Art Center. She received her MFA from the Visual Studies Workshop after completing a BA in Psychology from the University of Rochester. In 2018, Faber received a McKnight Fellowship in Media Arts. She has received numerous regional grants and two film production grants from the Jerome Foundation (2013, 2019). Faber currently is in production on her next animated film, The Garden Sees Fire, supported in part by the Jerome Foundation. Faber is a Luxembourger/American and currently resides in Minnesota. See clips from Kiera's films here. Follow Moonplay on Instagram: @moonplaycinema Email: moonplaycinema@gmail.com www.moonplaycinema.org Theme music by Jes Reyes. Original recording date: December 19, 2020

February 22nd, 2020 The Parrish hosted a special performance of 4 Little Girls: Moving Portraits of the American Civil Rights Movement, by the Edge School of the Arts (ESOTA), co-presented with the Hamptons United Methodist Church and with support from the Jerome Foundation for Jerome Artist Fellow, Kerri Edge. Followed by a conversation with artistic director Kerri Edge, the performers and special guest tap dancer Omar Edwards, moderated by Parrish Director Terrie Sultan.  4 Little Girls: Moving Portraits of the American Civil Rights Movement is an experimental narrative film by Kerri Edge that infuses historical authenticity, contemporary dance movements (tap, modern dance, hip hop, and ballet) choreographed to spoken word and 60's protest songs to recant the horrific story of Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley, the four young black girls who were violently murdered by the Ku Klux Klan when a bomb exploded in the basement of the Black 16th Street Baptist Church in Birmingham, Alabama, on September 15, 1963. The story unfolds through the imaginative interpretations of present-day performing arts students whose teacher challenges them to go back in time and recreate the moments leading up to what Martin Luther King Jr. described as, “one of the most vicious and tragic crimes ever perpetrated against humanity.”

Eric Wubbels is a a New York based composer and pianist who for the past several years has been co-director of the world renowned Wet Ink Ensemble. His music is intense, meticulous and an utterly thrilling listening experience. Eric has been awarded grants and fellowships from the American Academy of Arts and Letters, Chamber Music America, MATA Festival, Barlow Endowment, Jerome Foundation, New Music USA and others. He is a great cat with a lot of insight.

A follow up of the effects of the air quality on the health of Californians two weeks after the Camp fire in Butte County and the Woolsey fire in Malibu started. Guest: Dr. Kari Nadeau is the Director of the Sean N. Parker Center for Allergy and Asthma Research at Stanford University.  She is one of the nations foremost experts in adult and pediatric allergy and asthma in the country. Then, The Nazis and the Psychiatrist with Jack El-Hai. Guest: Jack El-Hai is a journalist who covers history, medicine, and science, and the author of the acclaimed book The Lobotomist. He is the winner of the June Roth Memorial Award for Medical Journalism, as well as fellowships and grants from the McKnight Foundation, the Jerome Foundation, and the Center for Arts Criticism. The post The Effects of the Unhealthy Air on the Health of Californians. Then, The Nazi and The Psychiatrist appeared first on KPFA.

Lisa Ko is the author of The Leavers, a novel which won the 2016 PEN/Bellwether Prize for Socially Engaged Fiction and will be published by Algonquin Books in May 2017. Her writing has appeared in Best American Short Stories 2016, The New York Times, Apogee Journal, Narrative, O. Magazine, Copper Nickel, Storychord, One Teen Story, Brooklyn Review, and elsewhere. A co-founder of Hyphen and a fiction editor at Drunken Boat, Lisa has been awarded fellowships and residencies from the New York Foundation for the Arts, the Lower Manhattan Cultural Council, the MacDowell Colony, the Helene Wurlitzer Foundation, Writers OMI at Ledig House, the Jerome Foundation, Blue Mountain Center, the Van Lier Foundation, Hawthornden Castle, the I-Park Foundation, the Anderson Center, the Constance Saltonstall Foundation, and the Kimmel Harding Nelson Center. Born in Queens and raised in Jersey, she lives in Brooklyn.