Podcast appearances and mentions of mary bevan

durée : 00:12:39 - A Most Marvellous Party: Noel Coward and Friends - Mary Bevan, Nicky Spence & Joseph Middleton - Pour célébrer le 50e anniversaire de la mort de Noel Coward, les artistes Mary Bevan, Nicky Spence et Joseph Middleton enregistrent ses oeuvres et celles de ses contemporains.

durée : 01:29:51 - En pistes ! du mercredi 31 mai 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce mercredi, c'est la musique de Clara et Robert Schumann ainsi que celle de Fanny et Félix Mendelssohn qui sera à la une. Nous écouterons également Beethoven interprété par Lyia Petrova ou encoreFauré par Mary Bevan.

On the verge of receiving the coveted George Peabody Medal for Outstanding Contributions to Music and Dance in America, the trumpeter and composer Terence Blanchard joins Sara Mohr-Pietsch. He discusses his ventures into the operatic world, the success of The Met's recent production of his opera Fire Shut Up in My Bones, and returning to the New York opera company's hallowed stage for their current run of his first opera, Champion, which is based on the life of boxer Emile Griffith. Sara travels to the Church of Our Most Holy Redeemer, in Chelsea, to hear from a modern von Trapp family lineage of singers – the Bevan Family Consort. We hear from sisters Sophie and Mary Bevan about their new album, following in the musical footsteps of their parents' generation, and singing together as a family. David Price, Director of Analysis at the International Federation of the Phonographic Industry, gives Music Matters the latest news about how listeners access and engage with classical music recordings. And, as his new collection of lyrics – Never Good with Horses – hits the bookshelves, the Poet Laureate Simon Armitage discusses the art of writing words that can be set to music. We hear too about a special speed-dating project, as part of the Leeds Lieder festival, which paired-up 12 poets from the city with 12 young composers to create a songbook. Sara talked to composers Georgia Barnes and Daniel Saleeb, and the poet Dalton Harrison.

Davina Clarke is a violinist based in London who specialises in historically informed performance and Baroque music. She also hosts her own podcast called The Classical Corner where she has had the opportunity to speak to a number of distinguished artists about what makes them the top of their field. I was pleased to speak to Davina during a Saturday morning in October over Zoom where we talked about the world of historical performance practice today and some of her exciting musical projects including her latest album of Handel and a video series with the Connaught Hotel entitled Musical Mixology which aims to explain different aspects of classical music to a cocktail drinking audience. She also has an album out now including Handel's Nine German Arias and two violin sonatas by the composer. Thanks to Davina for taking the time to speak to me. Davina's album Sweet Stillness is available to stream, download or purchase wherever you like to get your music! Davina's album Sweet Stillness: https://orcd.co/kv0avry Musical Mixology: https://www.youtube.com/watch?v=15MiR-5Ud6w (all episodes available to watch on Davina's YouTube channel: https://www.youtube.com/@davinaclarke6578) The Classical Corner podcast: https://lnkfi.re/classicalcorner Davina's bio: http://www.davinaclarke.com/about-davina End music: George Frideric Handel. Meine Seele hört im Sehen, HWV207 from Nine German Arias [performed by Mary Bevan, Davina Clarke and the Davina Clarke Ensemble]. On Sweet Stillness. Voces8 Records. (Original work composed 1724-1726). Interview recorded 22 October 20222; podcast published 14 December 2022. --- Send in a voice message: https://anchor.fm/talking-classical-podcast/message

A prolific concert performer, Andrew has appeared with the Berliner and Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks and the Orchestra of the Age of Enlightenment with Sir Simon Rattle; the Orchestre de Paris, Swedish Radio Symphony Orchestra and London Symphony Orchestra with Daniel Harding; the Deutsches Symphonie-Orchester Berlin and the ScottishChamber Orchestra with Robin Ticciati; the Rotterdams Philharmonisch Orkest, the Orcherstre Métropolitain and the Philadelphia Orchestra with Yannick Nézet-Séguin; the Accademia Santa Cecilia with Semyon Bychkov; and the Staatskapelle Berlin with Daniel Barenboim. Andrew made his debut at the Royal Opera House, Covent Garden as Jacquino Fidelio, returning for Flamand Capriccio, Tamino Die Zauberflöte, Tichon Katya Kabanova and Narraboth Salome. He has also appeared at the Metropolitan Opera, the National Theatre Prague; La Monnaie Brussels; the Salzburger Festspiele; Hamburgische Staatsoper, Theater an der Wien, the Lucerne Festival and the Lyric Opera of Chicago. Staples has staged Le nozze di Figaro, Così fan tutte, Cenerentola and La bohème in London, at the Jordan Music Festiavl, Musique Cordiale in Provence and the Menton Festival. His celebrated semi-staging of Die Zauberflöte for the Lucerne Festival, conducted by Daniel Harding culminated in a full staging in Stockholm's Drottningholm Palace Theatre with the Swedish Radio Symphony Orchestra. Andrew believes firmly in the evolution of cultural content for screen. Bringing his experience on stage both as a performer and director, he has made a series of music films. Aiming to bring cinematic techniques and rigour to the pre- and post-production phase of his projects, his films aim to capture the thrill of live performance and present it to an audience on screen who desire something more than an archive or stream of the event. The potential to create and evolve in this space is huge and he enjoys the opportunity to collaborate with artists, organisations and cultural broadcasters. In 2021 he received the Royal Philharmonic Society Enterprise Fund Trailblazer Grant, presented in association with Harriet's Trust, in order to support and advance the making of such music films. As a photographer, Staples' work has been featured in the Times, The Evening Standard, Lawyer Magazine, the front cover of The Strad, the BBC Music Magazine, various CD cover images, The National Portrait Gallery's magazine and a number of artist's and ensembles photographs including Tim Mead, Mary Bevan, the Borodin Quartet, The King's Singers, The Gabrieli Consort and Players and Voces8. Follow us on Twitter and Instagram.

Welcome to Series 2 of The Classical Corner! In this first episode, Davina is joined by the internationally renowned, award-winning British soprano, Mary Bevan. They discuss her career as a recital and opera singer with the world's finest companies, Mary's love for baroque music and lieder, and also selection of her disks. Davina and Mary cover a range of repertoire including Handel's 'Un pensiero nemico di pace' from his oratorio Il trionfo del Tempo e del Disinganno, Holst's ‘Soft and Gently', Debussy's ‘Le Jet D'Eau' and also arias by Wolf and Vaughan Williams.    All of the recordings from Series 2, Episode 1 can be found in the Spotify Playlist below: https://open.spotify.com/playlist/042hQO5wx6g7VStOrNTGYM?si=376b8b3c67f9451f   Mary's latest disk 'Voyage' is available to buy here   Find out more about Mary here

This week Ash + Avi have the pleasure of chatting with Soprano Mary Bevan! Listen in to hear all about Mary's path to becoming an internationally renowned Opera Singer, and about the newly founded Music at the Tower Festival which managed to create some wonderful music amongst a global pandemic! Check out all the links below! Mary's Instagram: https://www.instagram.com/marycbevan/?hl=en Mary's Twitter: https://twitter.com/marycbevan?lang=en Music at the Tower: https://www.facebook.com/Musicatthetower/ 2 MONTHS FREE PRIMEPHONIC! : http://bit.ly/2MonthsForFree Support us: http://www.patreon.com/AAOPERA IG: @aaoperapod Enquiries: https://www.aaoperapod.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/aa-opera/support

Sean Rafferty is joined by soprano Ailish Tynan with pianist James Baillieu, and talks Bach with the French pianist Emmanuel Despax. He also meets the versatile Solem Quartet, and hears some rare Vaughan Williams folk song settings courtesy of Mary Bevan, William Vann and Jack Liebeck.

Radio 3’s flagship magazine programme Music Matters returns this Saturday as Tom Service surveys the developments that have occurred in the musical world during an unprecedented summer period blighted by COVID-19. Discussing the significance of local performance, the role cities play in creating cultural energy, how music is serving audiences in both the community and online, and how freelance musicians might continue to support themselves as government support schemes are wound down, Tom is joined by the ISM’s Deborah Annett, Manchester Camerata’s Bob Riley, and the economist Gerard Lyons. We visit the organist and pianist James McVinnie and London gallerist and founder of Bold Tendencies, Hannah Barry, during rehearsals for their public concert series at Peckham’s Multi-Story Car Par, to see how living musical culture is returning in an of era social distancing. And the soprano Mary Bevan tells Tom how she created opportunities for performers to make live music outside a church tower in Hornsey. He also hears from the classical music critic Fiona Maddocks, and speaks to programmer, curator & producer, Toks Dada, about how the industry needs to adapt and innovate in order to survive.

For her latest Signum Classics album, ‘The Divine Muse', the soprano Mary Bevan has chosen a programme of Franz Schubert and Hugo Wolf, and at its heart, Joseph Haydn's scena Arianna a Naxos. She explores the project with James Jolly.

In our October 2019 podcast, we discuss the news that Jules Buckley has been taken on the role of creative artist in association at the BBC Symphony Orchestra, and the family of a girl chorister has sued Berlin Cathedral Choir after it rejected her application for an audition. Plus, we introduce our October issue, in which we talk to husband-and-wife team mezzo Magdalena Kožená and maestro Simon Rattle about their recording of works for voice and piano. We also try out the BBC Philharmonic’s new in-concert app, and, as usual, we each bring along a new recording we’ve been enjoying this month. This episode is presented by editor Oliver Condy, who is joined by deputy editor Jeremy Pound and reviews editor Michael Beek. It was produced by Ben Youatt and Jack Bateman.Recordings:Brahms String Sextet No. 1 in B flatRaphael EnsembleHyperion CDA66276‘Il volo cosí fido al doce’ from Handel’s Riccardo PrimoHandel’s QueensLucy Crowe, Mary Bevan, London Early Opera/Bridget CunninghamSignum SIGCD579Olly’s choice: Kabalevsky Colas Breugnon OvertureMalmö Symphony Orchestra/Darrell AngNaxos 8573859Jeremy’s choice: Lassen Violin ConcertoLinus Roth, BBC Scottish Symphony Orchestra/Antony HermusHyperion CDA68268 Michael’s choice: ‘The Duel’ from John Williams’s The Adventures of Tintin: The Secret of the UnicornAcross the StarsAnne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles/John WilliamsDeutsche Grammophon 4797553Stories:Bagpiper receives noise complaints for practising in back garden: https://www.thescottishsun.co.uk/news/scottish-news/4601608/alan-jamieson-wishaw-bagpipes-sunderland-hate-mail/Berlin choir accused of gender discrimination by girl chorister: https://www.theguardian.com/world/2019/aug/09/berlin-choir-accused-of-gender-discrimination-by-nine-year-old-girlJules Buckley announced as creative artist in association: https://www.theguardian.com/music/2019/aug/26/stormzy-collaborator-jules-buckley-bbc-symphony-orchestra See acast.com/privacy for privacy and opt-out information.

Since he retired last year, the international ballet Star Carlos Acosta has set up a dance company in his native Cuba, Acosta Danza. The company will debut in the UK at Sadler's Wells in London late this September. Carlos spoke to John Wilson in between rehearsals. John reviews the V&A's exhibition about 400 years of opera with top soprano Mary Bevan and critic Peggy Reynolds. John Wilson speaks to Michael Winterbottom about his new film On the Road, and the decision to include actors in what would otherwise be a classic rock documentary about the band Wolf Alice. Does the mixing of fact and fiction work?

Top picks from across the week on In Tune, including pianist Murray Perahia, Oliver Mears and Antonio Pappano from the Royal Opera House, and crime novelist Donna Leon. Plus pianist Joseph Middleton who was recently nominated for two Royal Philharmonic Society Awards with soprano Mary Bevan, and finally folk musicians Kathryn Tickell and Amy Thatcher from Radio 3's Uproot Festival in Hull.

Mary Bevan writes about the destruction of war and the power of forgiveness. Recorded byZzipp Media www.zzippmedia.com, introduced by Gail Aldwin ad read by Mary Bevan

Libby Purves meets ceramicist Roger Law; sopranos Sophie and Mary Bevan; actor and director Sondra Lee and cruise ship guide Douglas Ward. Sopranos and sisters, Sophie and Mary Bevan, come from a family steeped in musical tradition. Sophie is currently playing Ilia in Mozart's Idomeneo at the Royal Opera House and Mary is performing Susanna in The Marriage of Figaro with the English National Opera at the Coliseum. Roger Law is the satirist and ceramicist who co-created Spitting Image, the television puppet show which aired for over 18 series. Following the end of Spitting Image Roger travelled to Australia, becoming artist-in-residence at National Art School in Sydney. The ceramics he makes today incorporate his own ideas with ancient Chinese tradition. His solo exhibition features pots influenced by his love of Australian marine life. Roger is also presenting a talk at the British Museum alongside its exhibition Ming: 50 years that changed China. His solo exhibition, Roger Law, is at Sladmore Contemporary Gallery. Sondra Lee is an actor, dancer, director and teacher. She is directing Go See by Norris Church Mailer at The King's Head Theatre, London. In 1954 she was heralded on Broadway for her creation of Tiger Lily in Peter Pan and during her long career she collaborated with Jerome Robbins; Federico Fellini and Marlon Brando. She also appeared in Broadway productions of Hello Dolly and Hotel Paradiso. Her book I've Slept With Everybody: A Memoir, written in 2009, is published by BearManor Fiction. Go See by Norris Church Mailer is at The King's Head Theatre, London. Douglas Ward, a former band leader, is the author of The Berlitz Guide to Cruising and Cruise Ships. He's completed over 6,000 days at sea, participated in more than 1,000 cruises, 158 transatlantic crossings and countless ship-naming ceremonies. The Berlitz Guide to Cruising and Cruise Ships is published by Insight Guides.

Edward Seckerson interviews Richard Suart and Mary Bevan, who play Ko-Ko and Yum-Yum in ENO's 2012 revival of The Mikado.