Podcast appearances and mentions of Daniel Harding

durée : 01:28:46 - Daniel Harding, précision et liberté - par : Aurélie Moreau - Chef d'orchestre accompli et pilote de ligne, Daniel Harding est directeur musical de l'Orchestre de l'Académie Sainte-Cécile. Il a dirigé l'enregistrement de Tosca de Puccini avec Jonathan Tetelman, Eleonora Buratto, Ludovic Tézier… (DGG, 3/2025).

durée : 00:26:36 - Disques de légende du jeudi 29 mai 2025 - En 2008 paraissait chez Deutsche Grammophon La 10ème symphonie de Mahler par le Wiener Philharmoniker, avec Daniel Harding à la baguette.

durée : 00:26:36 - Disques de légende du jeudi 29 mai 2025 - En 2008 paraissait chez Deutsche Grammophon La 10ème symphonie de Mahler par le Wiener Philharmoniker, avec Daniel Harding à la baguette.

This week on OUTCAST WORLD, Graeme and newly crowned Sexual Freedom Awards Writer of the Year Topher Taylor are talking about how Trump's budget cuts in the US have impacts for queer people everywhere. We're joined by journalist and author Daniel Harding, whose new book Letters to My Younger Queer Self is already being called essential reading. Together, we ask: what would you say to your younger queer self if you had the chance?Plus:

SEE US LIVE! We're doing a live show at the Kings Head Theatre in London on May 23rd. Visit ⁠⁠wizardradio.lnk.to/tickets⁠⁠ for tickets now. If you could tell your younger self anything... what would you say? That's the question that journalist Daniel Harding is answering with his new book Letters To My Younger Queer Self, which includes letters written by the likes of comedian Suzi Ruffell, Nadia Whittome MP, Olympic gymnast Andrew Stamp, TV personality Ella Morgan and more as they reflect on their growth of self-acceptance and the human spirit. On this episode of A Gay And A NonGay, James and Dan are joined by... another Dan... as they talk about the importance of understanding diverse journeys within the queer community, dealing with judgement and the healing process shared through Dan's new book. Follow A Gay & A NonGay TikTok: ⁠⁠⁠@gaynongay⁠⁠⁠ Instagram: ⁠⁠⁠@gaynongay⁠⁠⁠ YouTube: ⁠⁠⁠@gaynongay⁠⁠⁠ Facebook: ⁠⁠⁠@gaynongay⁠⁠⁠ Website: ⁠⁠⁠gaynongay.com⁠⁠⁠ Email Us: ⁠⁠⁠us@gaynongay.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Kleinjung, Tilmann www.deutschlandfunkkultur.de, Studio 9

durée : 01:11:17 - Live à Fip - Retrouvez notre soirée live où le classique rencontre l'électro enregistrée à l'Auditorium de Maison de la Radio et de la Musique avec l'Orchestre Philharmonique de Radio France dirigé par Daniel Harding en première partie, et la productrice Calling Marian en seconde partie.

[@3 min] Alright, this week…New Year, New OBS! There's a lot to look forward to in the coming months and we have all your 2025 recommendations, resolutions, and redshirts. [@36 min] And then…legendary French conductor Marc Minkowski takes a free throw on the career of one of his longtime collaborators and favorite singers. You'll have to stay tuned to find out who, but we can give you a hint: it rhymes with Schmagdalena Kožená. [@46 min] Plus, in the ‘Two Minute Drill'…say it isn't so! Sir Bryn Terfel is retiring his Scarpia, and conductor Daniel Harding loves taking risks in the pit, but hopefully not the cockpit. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

O convidado do programa Pânico dessa segunda-feira (11) é Thiago Arancam. Dono de uma voz poderosa, o brasileiro Thiago Arancam é considerado um dos maiores tenores da atualidade. Ele se apresentou nos principais teatros do mundo, em mais de 40 países. Destaque para o Alla Scala (Milão), Ópera de Roma (Itália), Ópera Nacional de Washington (EUA), Ópera Estadual de Viena (Áustria), Deutsche Ópera de Berlim (Alemanha), Bolshoi (Moscou), além de inúmeras produções no Japão, Emirados Árabes, Malásia, Canadá, Espanha, França, Polônia, Letônia, Mônaco e Reino Unido. Foram mais de 700 apresentações ao redor do mundo. No Brasil, em 2011, subiu ao palco do Theatro Municipal do Rio de Janeiro com a montagem da ópera “Tosca”, de Puccini, no papel do pintor Mario Cavaradossi, amante de Floria Tosca. Em 2014, no Theatro Municipal de São Paulo, encenou a Ópera Carmen de Bizet. Na Europa, conheceu Plácido Domingo, com quem gravou “Cyrano de Bergerac”, na São Francisco Opera (USA); “Madame Butterfly”, em Washington e “Carmen”, na Los Angeles Opera. Trabalhou com grandes regentes de orquestra, entre eles: Daniel Harding em vários concertos com a Swedish Radio Symphony Orchestra; Christian Thielemann em “Dresden” na Manon Lescaut, Pier Giorgio Morandi na ópera “Tosca” em Las Palmas e Estocolmo; o brasileiro Silvio Barbato com a Orquestra Camerata Brasil em Brasília, João Carlos Martins, Plácido Domingo, Julius Rudel, Lorin Maazel, Nicola Luisotti, Patrik Fournellier, Renato Palumbo, Corrado Rovaris, entre outros. De volta ao Brasil em 2017, Thiago Arancam reencontrou suas raízes, lançou o álbum “Bela Primavera”, que deu origem ao espetáculo que rodou o país e emocionou o público. Em 2018, gravou o CD “This is Thiago Arancam” (2018); em 2019, “Thiago Arancam (Ao Vivo)”. Os três trabalhos trazem as influências do mundo lírico e aproximam o tenor da Música Popular Brasileira, além da força e da emoção da voz do artista, considerado um dos principais tenores da atualidade. Em paralelo ao trabalho com as turnês e lançamento dos novos álbuns, o cantor seguiu com as apresentações em diferentes países, entre eles Rússia, Lituânia, Estados Unidos e Austrália, com as óperas Madame Butterfly, Manon Lescaut, Turandot, Tosca e Carmen. E também lançou clipes e disponibilizou o conteúdo da turnê Bela Primavera em seu canal oficial no YouTube. Com fôlego gigante, Thiago Arancam protagonizou a versão brasileira de “O Fantasma da Ópera”, musical já visto por mais de 140 milhões de pessoas em todo o mundo. No Brasil, ficou em cartaz no Teatro Renault, em São Paulo, de agosto de 2018 até dezembro de 2019. Arancam realizou 360 apresentações, sendo sua maior marca de execução em uma mesma obra. Durante a pandemia 2020/2021 Thiago realizou mais de 20 shows ao vivo por streaming e transmissões pela televisão, totalizando mais de 10 milhões de visualizações em audiência. Como comentarista, o programa traz Mônica Salgado. Jornalista, criadora de conteúdo multiplataforma, consultora e palestrante.

"Zeppelin oben rechts": Erstmals eröffnen die Hofer Filmtage mit einem Dokumentarfilm, einer Langzeitdokumentation über Künstlerinnen und Künstler mit Behinderung von Regisseur Olli Duerr. Festivalleiter Thorsten Schaumann im Gespräch mit Knut Cordsen / "The Room Next Door": Der neue Film mit Tilda Swinton und Julianne Moore von Pedro Almodóvar gewann beim Filmfestival von Venedig den Goldenen Löwen. Diese Woche läuft der Film in den deutschen Kinos an. Moritz Holfelder hat ihn gesehen / Wechsel am Dirigierpult: Das Orchestra dell'Accademia Nazionale die Santa Cecilia ist eines der renommiertesten Orchester Italiens. Fast zwei Jahrzehnte leitete es Antonio Pappano, jetzt übernimmt ein neuer: der nicht weniger prominente Daniel Harding. Judith Rubatscher berichtet.

The app that changed the way we love, make friends and hook up at it's 15th birthday. In this special programme (exclusively in video form on Spotify and available to listen wherever you get your podcasts. The LGBTQ+ journalist and author of "Gay Man Talking" Daniel Harding looks into how the community are using the app we all take for granted. THIS IS OUTCAST UK

Daniel Harding look at how 15 years of Grindr has affected LGBTQ+ communities and dating culture! Hosted on Acast. See acast.com/privacy for more information.

The 2023/24 season marked Chad Goodman's inaugural year as music director of the Elgin Symphony Orchestra—only the fifth leader in the orchestra's prestigious seven-decade history. Chad also serves as artistic director of IlluminArts, Miami's art song and chamber music concert series.  He curates site-specific classical music programs in collaboration with the leading museums, art galleries, and historic venues of Miami. From 2019 to 2023, he was the Conducting Fellow of the New World Symphony, where he was the assistant conductor to Michael Tilson Thomas. In addition to leading the orchestra in more than fifty performances, Chad created the educational program “SPARK: How Composers Find Inspiration,” which blended engaging audience participation with captivating light design and videography.He has served as an assistant conductor to the San Francisco Symphony, working alongside Michael Tilson Thomas, Esa-Pekka Salonen, Manfred Honeck, Daniel Harding, Elim Chan, Simone Young, and James Gaffigan, among others.As you will hear, Chad also leads workshops that teach young musicians the business skills needed to navigate successfully the music world. Forbes praised his bold strides both on and off stage and hailed him as “An entrepreneur bringing innovation to classical music.” Last year, he published the book, You Earned a Music Degree. Now What?

Graeme is joined in the studio by Daniel Harding the author and LGBTQ+ journalist to talk about the 15th anniversary of Grindr. Daniel is also the author of best selling LGBTQ book "Gay man talking" and has a new book coming next year called "Letters to my younger queer self".

All things queer lit with Emma Goswell.This week Emma chats to author of "Gay man talking" and journalist Daniel Harding.We also head to Manchester's northern quarter to "queer lit" to find out the latest LGBTQ books hitting our shelves. Hosted on Acast. See acast.com/privacy for more information.

Emma Goswell is here with a brand new show to Virgin Radio Pride, bringing you the best in new and established LGBTQ+ literature.This week, Emma was joined by DANIEL HARDING, the author of Gay Man Talking: All the Conversations We Never Had ...plus the team at Queer Lit in Manchester's Northern Quarter are here with their picks of the best reads that week. Hosted on Acast. See acast.com/privacy for more information.

Daniel Harding leads Holst's The Planets, the interstellar orchestral suite that has inspired generations of sci-fi film composers. Experience the ferocity of “Mars,” the golden song of “Jupiter,” the eerie calm of “Saturn” and the haunting off-stage vocals of the ethereal “Neptune.” The full Chicago Symphony Chorus delights in Brahms' radiant Schicksalslied (“Song of Destiny”). Learn more: cso.org/performances/23-24/cso-classical/the-planets

Mit Daniel Harding und den Wiener Philharmonikern endet die Konzertreihe "Zeit mit Ligeti" der Salzburger Festspiele. Ein herausragender Abend, der auch bekannte Komponisten in neuem Licht erscheinen lässt.

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: STEFANO BOLLANI. Stefano is not only one of my best friends, he was also my best man at my wedding and my deskmate at high school. We have gone through uncountable adventures, with some highlights like the recording of the album Carioca in Brazil (followed by several tours) and his jazz quintet I Visionari. Leave a comment if you like. Listen to Stefano''s answers to the questions below:  00:00 Introduction 02:50 Why do you transcribe? 27:34 How do you choose the solos you transcribe? 30:30 What is your methodology? 40:53 Do you write it down? 45:25 How do you practice your transcriptions? 46:00 How do you incorporate ideas into your solos? 48:26 Who was the most difficult player you transcribed? 57:47 Which transcription you've done is your favourite? Stefano Bollani (born 5 December 1972) is an Italian composer, pianist, and singer, also active as a writer and television presenter. Stefano has worked with such musicians as Gato Barbieri, Chick Corea, Bill Frisell, Sol Gabetta, Richard Galliano, Egberto Gismonti, Lee Konitz, Bobby McFerrin, Pat Metheny, Caetano Veloso, Phil Woods, Hector Zazou and has recorded more than 15 albums with trumpeter Enrico Rava. Bollani has performed with several symphonic orchestras (Filarmonica della Scala, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leipzig Gewandhaus Orchestra, Royal Concertgebouw Orchestra, Orchestre de Paris, Toronto Symphony Orchestra, among others) and with directors such as Riccardo Chailly, Daniel Harding, Kristjan Järvi, Zubin Mehta, Gianandrea Noseda and Antonio Pappano. He has also played with Italian pop-rock artists and has participated in and hosted TV and radio shows. Currently, he has published 49 albums alone (31 studio). Stefano, as usual, approaches transcription from a different angle and perspective. Knowing him for more than 40 years, I never had a chance to have a long, deep conversation on jazz transcriptions. I learned unexpected things and understood (finally) a few things that were always a mystery to me. Click on the link and listen to the beautiful answer that Stefano gave me. Leave a comment if you wish. You can check Stefano Bollani's music here: https://stefanobollani.com/

In the lead up to Pride Month, we are beginning to see an annual wave of support for the LGBTQ+ people around us. But much of this “support” may not be the loving expression that we think it is. Stereotypes, such as The Gay Best Friend, can be heard all year round, but are these terms doing far more harm than good? Daniel Harding, author of Gay Man Talking, joined Stefanie Preissner who was filling in for Seán today to explain his relationship with these terms and the effects they can have on gay individuals.

In the lead up to Pride Month, we are beginning to see an annual wave of support for the LGBTQ+ people around us. But much of this “support” may not be the loving expression that we think it is. Stereotypes, such as The Gay Best Friend, can be heard all year round, but are these terms doing far more harm than good? Daniel Harding, author of Gay Man Talking, joined Stefanie Preissner who was filling in for Seán today to explain his relationship with these terms and the effects they can have on gay individuals.

Im Rahmen des Mahler-Festivals in Leipzig tritt auch das Symphonieorchester des Bayerischen Rundfunks auf. In Kooperation mit ARTE und MDR streamt BR-KLASSIK insgesamt vier Konzerte mit Symphonien Mahlers, mit hochkarätigen Orchestern, Dirigenten und Solisten.

Scottish composer Helen Grime is this week's guest on Composing Myself, talking to Wise Music Group CEO Dave Holley and Creative Director Gill Graham about her life in and out of music. Melodic motifs on the conversational score today include her formative years studying the oboe, why a first rehearsal is more nerve-wracking than a premiere, experiences at Tanglewood - the summer home of the Boston Symphony Orchestra, why passing knowledge forward through teaching and learning is so important, and the nature of inspiration - “sometimes I seek it, and sometimes I really need it”. As ever, a joyful and enlightening hour.https://helengrime.com/The music of Helen Grime has been performed by leading orchestras around the world, among them the London Symphony Orchestra, Hallé Orchestra, Boston Symphony Orchestra, Orchestre de Paris, Royal Concertgebouw Orchestra, Deutsches Symphonie-Orchester Berlin and Swedish Radio Symphony Orchestra. Conductors who have championed her music include Sir Simon Rattle, Sir Mark Elder, Pierre Boulez, Kent Nagano, Oliver Knussen, George Benjamin, Daniel Harding, Marin Alsop and Thomas Dausgaard. Her music frequently draws inspiration from related artforms such as painting (Two Eardley Pictures, Three Whistler Miniatures), sculpture (Woven Space) and literature (A Cold Spring, Near Midnight, Limina) and has won praise in equal measure for the craftsmanship of its construction and the urgency of its telling.Born in 1981, Grime attended St Mary's Music School in Edinburgh and, following studies at the Royal College of Music in London, was awarded a Leonard Bernstein Fellowship to attend Tanglewood Music Center in 2008. Between 2011 and 2015 she was Associate Composer to the Hallé Orchestra in Manchester and in 2016 was appointed Composer in Residence at Wigmore Hall in London. She was Lecturer in Composition at Royal Holloway, University of London, between 2010 and 2017 and is currently Professor of Composition at the Royal Academy of Music in London. She was appointed MBE in the 2020 New Year Honours List for services to music. Hosted on Acast. See acast.com/privacy for more information.

Mark Stringer himself said, at the end of our chat, "Good luck editing that down to a manageable length" - well, after over a year of waiting, I have. It is the longest episode so far BUT it is full of great anecdotes, wisdom and advice for any aspiring conductor! He talks candidly about the "Faustian bargain" he took early in his career, we have a disagreement about whether you need to play the piano to be a good conductor, and I hear why one particular oboist's scowling face was not for the reason he thought it was! If you want to hear the bonus mini-episode about Mark's experiences teaching Daniel Harding, why not subscribe at https://www.patreon.com/amiconthepodium, and, for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 1st December 2021 via Zoom.

durée : 00:28:33 - Actualités de l'orchestre - par : Christian Merlin - Les coupures budgétaires à la BBC, mais aussi à la Radio autrichienne, menacent dangereusement les orchestres. Avec la nomination de Daniel Harding à l'Académie Sainte-Cécile de Rome, ce sera l'essentiel de notre rubrique du jour. - réalisé par : Marie Grout

Dan Harding is the Head of Music Performance at the University of Kent. In this video, he talks about his early experiences with music and what led him to his current role conducting the University orchestra and choir at the Colyer Ferguson Hall in Canterbury. WATCH THE VIDEO HERE: https://youtu.be/Y0Dg_mMMtDg Recorded in January 2023 at the University of Kent in Canterbury. More details about University of Kent Music: https://cultureinkent.org/profiles/university-of-kent-music/

Coach Myers takes a deep dive into all the issues surrounding youth wrestling and coaching with the man that wrote the book on it. Daniel Harding is a former high school and college wrestler who has been involved with coaching youth wrestling for the past 15 years. Grab your copy of “Elite Youth Wrestling: your blueprint to helping your child win in life - and the mat”  link: www.amazon.com/ELITE-YOUTH-WRESTLING-Blueprint-Mat/dp/1647468183 Brought to you by: Max Effort Muscle Maxeffortmuscle.com Ice Barrel Save $125 off with code: WRESTLING IceBarrel.com

111 :  Daniel Harding, author of 'Gay Man Talking', discusses his favorite bars in South End on Sea and London. Our first episode dealing exclusively with gay bars in the UK.  #gaybarchives #ilovegaybars #lgbthistory #gayUK #gayLondon #GayEngland Find more segments at tv.GayBarchives.com GayBarchives = Gay + Bar + Archives #pridemonth

It does exactly what it says on the tin! Welcome! I'm Dan, and I'm here for the long haul to bring you fascinating conversations and prompt you to think a little differently. Join me and my weirdness on Instagram too! @the.dan.osman Don't forget to subscribe and share with friends if you enjoy these episodes. I've known Daniel Harding for nearly 18 years as a friend and former uni housemate. His sexuality has never been a "thing" for me. I would like to say sexuality in general isn't really an issue for anyone, but unfortunately that's just not the case. He's just Dan

Good News! We're celebrating Daniel Harding's debut book Gay Man Talking. Daniel's book explores 'all the conversations we never had' growing up LGBTQ+ and even includes stories from your favourite Queer Talk hosts Mufseen & Spencer! In this episode we ask Daniel to revisit his experience writing about three topics in Gay Man Talking - Sex, Bullying and Parents.Follow Daniel on Instagram and TwitterOrder your copy of Gay Man Talking here (Lorraine Kelly herself said it's essential reading!)Follow Queer Talk on Instagram and Twitter. Let us know your thoughts on the episode on socials, we love to hear from listeners!Support this show http://supporter.acast.com/queer-talk-podcast. Hosted on Acast. See acast.com/privacy for more information.

Trotz Fußverletzung: Kirill Petrenko hat sich nicht geschont. Am Sonntag stand er am Pult "seiner" Berliner Philharmoniker. Den zweiten Salzburg-Abend bestritt jedoch Daniel Harding für ihn. Auch kein Schaden. Zwei Konzerte auf Weltklasse-Niveau.

durée : 01:28:40 - La violoniste Isabelle Faust (4/4) - par : François-Xavier Szymczak - Avec les pianistes Florent Boffard, Ewa Kupiec ou Alexander Melnikov, avec les chefs Claudio Abbado ou Daniel Harding, la violoniste Isabelle Faust à gravé depuis des années des dizaines d'enregistrements plus passionnants les uns que les autres. Elle nous emmène en voyage musical en quatre escales! - réalisé par : Emmanuel Benito

durée : 01:27:57 - La violoniste Isabelle Faust (3/4) - par : François-Xavier Szymczak - Avec les pianistes Florent Boffard, Ewa Kupiec ou Alexander Melnikov, avec les chefs Claudio Abbado ou Daniel Harding, la violoniste Isabelle Faust à gravé depuis des années des dizaines d'enregistrements plus passionnants les uns que les autres. Elle nous emmène en voyage musical en quatre escales! - réalisé par : Emmanuel Benito

durée : 01:28:25 - La violoniste Isabelle Faust (2/4) - par : François-Xavier Szymczak - Avec les pianistes Florent Boffard, Ewa Kupiec ou Alexander Melnikov, avec les chefs Claudio Abbado ou Daniel Harding, la violoniste Isabelle Faust à gravé depuis des années des dizaines d'enregistrements plus passionnants les uns que les autres. Elle nous emmène en voyage musical en quatre escales! - réalisé par : Emmanuel Benito

durée : 01:28:21 - La violoniste Isabelle Faust (1/4) - par : François-Xavier Szymczak - Avec les pianistes Florent Boffard, Ewa Kupiec ou Alexander Melnikov, avec les chefs Claudio Abbado ou Daniel Harding, la violoniste Isabelle Faust à gravé depuis des années des dizaines d'enregistrements plus passionnants les uns que les autres. Elle nous emmène en voyage musical en quatre escales! - réalisé par : Emmanuel Benito

French oboist Philippe Tondre has secured a place among the finest musicians of his generation. «Master of the oboe » (Bonner General Anzeiger), his music-making is packed with emotional sensitivity and stunning virtuosity. Principal oboe of the Philadelphia Orchestra, the Chamber Orchestra of Europe, and the SWR Symphony Orchestra, Philippe Tondre is also a member of the Mito Chamber Orchestra, the newly-founded Kammer Ensemble Paris, and Principal Oboe of the Saito Kinen Orchestra Matsumoto. From 2014 until 2020 he was Solo Oboe of the Budapest Festival Orchestra and from 2016 until 2017 Solo Oboe of the Gewandhaus Orchestra in Leipzig. He has worked with eminent conductors, amongst others Seiji Ozawa, Yannick Nezet-Séguin, Sir Simon Rattle, Gustavo Dudamel, Andris Nelsons, Ivan Fischer, Daniele Gatti, Teodor Currentzis, Franz Welser- Möst, Sir Roger Norrington, Fabio Luisi, Herbert Blomstedt, Esa-Pekka Salonen und Daniel Harding. In November 2015 Philippe Tondre was nominated Professor for Oboe at the Hochschule für Musik Saar. He gives masterclasses in China, Taiwan, Japan, Spain, Switzerland, and Germany. Philippe Tondre plays a Buffet Crampon « Légende » Oboe. ********************************************************************************************************************************************** In this episode, I speak to Philippe about his early musical journey, the key teachers and mentors that had a great influence on him, what studying with Maurice Bourguewas like; his tips for competitions and peak performance, why having active sports and exercise regime is important for wind players, how he toggles between playing in the US and Europe, his upcoming projects, recordings and concerts, the French school of oboe, and his personal tips for young musicians. To find out more about him, visit: http://www.philippetondre.com LOR podcast is sponsored by Barton Cane. To enjoy free shipping, use coupon code, “legendsofreed”, all one word on any order. https://www.bartoncane.com

A prolific concert performer, Andrew has appeared with the Berliner and Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks and the Orchestra of the Age of Enlightenment with Sir Simon Rattle; the Orchestre de Paris, Swedish Radio Symphony Orchestra and London Symphony Orchestra with Daniel Harding; the Deutsches Symphonie-Orchester Berlin and the ScottishChamber Orchestra with Robin Ticciati; the Rotterdams Philharmonisch Orkest, the Orcherstre Métropolitain and the Philadelphia Orchestra with Yannick Nézet-Séguin; the Accademia Santa Cecilia with Semyon Bychkov; and the Staatskapelle Berlin with Daniel Barenboim. Andrew made his debut at the Royal Opera House, Covent Garden as Jacquino Fidelio, returning for Flamand Capriccio, Tamino Die Zauberflöte, Tichon Katya Kabanova and Narraboth Salome. He has also appeared at the Metropolitan Opera, the National Theatre Prague; La Monnaie Brussels; the Salzburger Festspiele; Hamburgische Staatsoper, Theater an der Wien, the Lucerne Festival and the Lyric Opera of Chicago. Staples has staged Le nozze di Figaro, Così fan tutte, Cenerentola and La bohème in London, at the Jordan Music Festiavl, Musique Cordiale in Provence and the Menton Festival. His celebrated semi-staging of Die Zauberflöte for the Lucerne Festival, conducted by Daniel Harding culminated in a full staging in Stockholm's Drottningholm Palace Theatre with the Swedish Radio Symphony Orchestra. Andrew believes firmly in the evolution of cultural content for screen. Bringing his experience on stage both as a performer and director, he has made a series of music films. Aiming to bring cinematic techniques and rigour to the pre- and post-production phase of his projects, his films aim to capture the thrill of live performance and present it to an audience on screen who desire something more than an archive or stream of the event. The potential to create and evolve in this space is huge and he enjoys the opportunity to collaborate with artists, organisations and cultural broadcasters. In 2021 he received the Royal Philharmonic Society Enterprise Fund Trailblazer Grant, presented in association with Harriet's Trust, in order to support and advance the making of such music films. As a photographer, Staples' work has been featured in the Times, The Evening Standard, Lawyer Magazine, the front cover of The Strad, the BBC Music Magazine, various CD cover images, The National Portrait Gallery's magazine and a number of artist's and ensembles photographs including Tim Mead, Mary Bevan, the Borodin Quartet, The King's Singers, The Gabrieli Consort and Players and Voces8. Follow us on Twitter and Instagram.

Nyhetssändning från kulturredaktionen P1, med reportage, nyheter och recensioner.

Each year, boat manufacturers of all walks come to the Ft. Lauderdale International Boat Show with their latest and greatest vessels. Power & Motoryacht editors Daniel Harding and Charlie Levine attended the show to get a first-hand glimpse of these new boats that range from large yachts to center consoles. Listen in as the editors discuss the overall theme of the show and dig in on some of their favorite new models from the boating world's top builders. Make sure to visit PMYmag.com for more.

Welcome to our podcast for Church on October 17th.  We are honoured to have Daniel Harding from Meridan Community Church sharing about the word “with” … God's design for community. This podcast is an exert from our online service, if you wish to view the full service we invite you to follow the link below. https://youtu.be/v4-wNIVyZ84   Wherever you are tuning in from, we are glad you're joining us today! For more information and to keep up with all that's happening at Goodlife visit our website! https://www.goodlife.org.au/  If you would like prayer or need care, we want to help! Visit https://www.goodlife.org.au/care or email prayer@goodlife.org.au to reach out.  

Ta teden v oddaji gostimo Andraža Goloba, klarinetista, ki je spomladi uspešno opravil avdicijo za sodelovanje v slovitem orkestru Berlinske filharmonije. Ob tem uspehu smo ga povabili v studio, da sam kaj več pove o svoji glasbeni poti in o tem, kako se bo razvijala naprej. Guillaume Connesson: DISCO, toccata za klarinet in violončelo Izvaja Trio Tempestoso Maurice Ravel, prir. Andraž Golob: Volinski vrt iz cikla Moja mati gos Izvaja Trio Tempestoso György Ligeti: Šest bagatel za pihalni kvintet, 1. – Allegro con spirito Izvaja Pihalni kvintet Vivus Andraža Goloba je od nekdaj navduševala pripovedna moč orkestralne glasbe. S tem ne misli samo na programsko glasbo, globlji pomen je namreč mogoče najti v vsaki skladbi, pa naj bo ta napisana za solista, orkester ali komorno zasedbo. Na ta način se mu zdi posebej pomembno očinstvu približati tudi sodobno glasbo. Od sezone 2021/2022 je novi solo basovski klarinetist v orkestru Berlinske filharmonije, še pred tem pa je med letoma 2019 in 2021 zasedal mesto akademista v orkestru Dunajske filharmonije. Poleg tega je že nastopal tudi z Dunajsko državno opero, Nurnberškimi simfoniki, Mladinskim orkestrom Gustava Mahlerja in Graškimi filharmoniki in to pod vodstvom svetovno priznanih dirigentov, kot so John Williams, Daniel Harding, Christian Thielemann, Zubin Mehta, Christoph von Dohnanyi, Christoph Eschenbach, Semyon Bychkov in drugi. Leta 2018 se je kot solist predstavil na festivalu Mecklenburg-Vorpommern, kjer je z Norddeutsche Philharmonie Rostock izvedel Mozartov koncert za klarinet in orkester, poleg tega pa je tudi zmagovalec več tekmovanj za mlade glasbenike.

En el episodio de hoy tenemos como invitado a Darío Mariño, Clarinete Solista de la Orquesta Sinfónica del Gran Teatro del Liceo de Barcelona. Darío inició sus estudios con el clarinete en Galicia y más adelante decidió continuar con su formación en Berlín. Entre sus profesores principales se encuentran José María Belló, Carlos Casadó, Vicente Alberola, Karl-Heinz Steffens y Wenzel Fuchs. Ha colaborado con diferentes orquestas jóvenes, como la JONDE y la Gustav Mahler, donde tuvo la oportunidad de trabajar junto a Claudio Abbado. Entre los años 2010 y 2012, fue academista de la Karajan Akademie en la Filarmónica de Berlín y desde entonces colabora como primer clarinete con orquestas como la Filarmónica de Berlín, Mahler Chamber Orchestra y algunas de las mejores orquestas europeas. Antes de conseguir su plaza en la Orquesta Sinfónica del Gran Teatro del Liceo, Darío fue solista de clarinete de la Konzerthausorchester Berlin, y de la orquesta del Teatro estatal de Kassel. Ha trabajado con directores como Simon Rattle, Valery Gergiev, Christian Thielemann, Daniel Barenboim, Daniel Harding, Andris Nelsons, Herbert Blomsted, Paavo Järvi, Iván Fischer y Christoph Eschenbach, entre otros. Como músico de cámara fundó el Natalia Ensemble, el Trio Hanns Eisler y el Berliner Nonett y comparte escenario con algunos de los músicos con mayor proyección a nivel internacional. Como solista, ganó en 2008 el Primer Premio y Medalla de oro en el concurso de solistas del Primer Palau de Barcelona, interpretando y grabando desde entonces los conciertos para clarinete de Mozart, Weber, Artie Shaw y Copland. Apasionado por la pedagogía, enseña en Masterclases tanto de clarinete como de música de cámara y orquesta en diversos formatos. Una gran trayectoria y que tenemos la oportunidad de conocer con más detalle en este episodio, donde hablaremos de: Toda su trayectoria desde los inicios con el clarinete y qué fue lo que hizo que quisiera dedicarse a la música Por qué decidió cambiar del sistema francés al alemán y cómo vivió ese cambio Hablaremos sobre en qué casos podría ser una mejor opción estudiar el Superior en España o en otro país y los pros y contras, dependiendo siempre de cada caso en en particular. Su etapa estudiando en Berlín con Wenzel Fuchs Cómo es ser Academista de la Filarmónica de Berlín y qué supuso en su carrera Su primera vez tocando con la Filarmónica de Berlín y la primera vez que tocó como Solista en esta Orquesta Cómo fue trabajar junto a Claudio Abbado y qué es lo que destaca de algunos de los directores con los que ha trabajado De esto y mucho más es de lo que hablaremos en este episodio. Si quieres escuchar a Darío tocando la 1ª Sinfonía de Mahler con la Filarmónica de Berlín bajo la dirección de Daniel Harding, te dejo este enlace aquí para que lo veas. Y como he comentado antes, ya estamos de nuevo en Septiembre, donde empezamos nuevo curso, nuevos proyectos, nuevos retos… Porque Septiembre es un mes para eso, para empezar. Y aunque nos cueste dejar atrás el verano, es momento de volver a la rutina. ¿Pero qué hacer después de haber estado unas semanas de descanso sin tocar el clarinete? ¿Cómo empezar a estudiar? ¿Hay algún ejercicio que me hará retomar la forma antes? Estas puede que sean algunas de las preguntas que te estés haciendo. Y de eso es de lo que vamos a hablar ahora mismo. Igual que los deportistas no empiezan a entrenar a tope después de las vacaciones, necesitan de un proceso de adaptación o pretemporada, lo mismo pasa con la práctica musical. No podemos pasar de 0 a 100. Por eso he subido algunas clases a la academia donde explico unos ejercicios para empezar mejor y colocar todo en el sitio lo antes posible. Estas clases funcionan muy bien si has estado de vacaciones o un has tenido un tiempo inactividad. Así que si quieres volver a la rutina y empezar el curso en forma, puedes echarle un vistazo a estas clases en academiadeclarinete.com No te pierdas el apartado de Masterclasses, donde habrán novedades este mes. Recuerda que en academiadeclarinete.com tienes a tu disposición cientos de clases grabadas en vídeo con ejercicios, técnicas, partituras y todo lo que necesitas, para mejorar como clarinetista. También tienes disponible la sección de Masterclasses, donde grandes clarinetistas colaboran regularmente compartiendo todo lo que saben con los estudiantes de la academia, y de esta manera, hacer de esta plataforma un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Muchas cosas están por llegar. No te lo pierdas. Descarga gratis la Guía de estudio del Clarinetista. *Fotografía: Paco Amate (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

Hits: 0 The post Christy and Daniel Harding | Bible Studies for Life | Elijah Lesson 5 appeared first on Second Baptist.

We had too much to talk about so here is the second half of my chat with Daniel Harding. I find out what his early years as a conductor were like, why conductors should be more like Sir Anthony Hopkins and why his life is reaching new stratospheric heights. 

This really was a fun way to spend two hours!  In a special two-part episode, I have a very frank and open chat with Daniel Harding.  In Part One, I find out the differences between his two mentors (Claudio Abbado and Simon Rattle), how he first got to meet Simon Rattle and why conductors should be more like Tiger Woods.  Part 2 will follow very soon..

Meet the musician who takes being a high-flying success more literally than most. Daniel Harding was only 22 when he began working with the MCO in 1997. Now he's not only one of the most-sought after conductors in the world, but also a qualified commercial airline pilot. So with the seatbelt sign switched on and little chance of turbulence between these friends of over 20 years, join our host Yannick Dondelinger as he sits down with Daniel to talk about flying planes and conducting Mozart.

Matteuspassionen av Johann Sebastian Bach är ett av världens mest spelade verk, men varför? Kan en förklaring finnas i verkets arkitektoniska uppbyggnad? Lyssna på alla avsnitt i Sveriges Radio Play. Bachs Matteuspassion fortsätter att gripa tag i oss, fast vi befinner oss långt ifrån det liturgiska sammanhang den en gång skrevs för, fast det finns en uppsjö av tolkningar och passioner – inte bara på Matteus- utan också på Markus-, Lukas- och Johannesevangelierna, men varför?Bachexperten Ruth Tatlow, docent knuten till Uppsala universitet, har upptäckt att verket är uppbyggt som en hel katedral med perfekta proportioner räknat i antal takter, i lager på lager.Bachexperten Markus Rathey, professor i musikhistorisk praktik vid Yale school of Music, USA, i sin tur säger att Bachs Matteuspassion är så stark att den talar direkt till oss - utan att vi känner till dess ursprungliga liturgiska sammanhang eller förstår ett enda ord om den framförs på originalspråket tyska - men vilken roll spelar då passionens språkliga rum?"Det är av avgörande betydelse", säger Dan-Olof Stenlund, professor emeritus i kördirigering. Han har framfört verket på svenska i 40 år, först i Engelbrektskyrkan i Stockholm och sedan tillsammans med Malmö kammarkör. Vid sidan av ovanstående tre får ni också höra vad sopranen Ida Falk Winland säger om verket och också höra två arior med henne.Musikexemplen är hämtade från ett uppförande med Dan-Olof Stenlund med kör och orkester från 2000 i Lund och Malmö, ett spår från albumet Matthäus-Passion under ledning av Philippe Herreweghe samt ett uppförande i Engelbrektskyrkan från 2008 med Sveriges Radios symfoniorkester, Radiokören och solister under ledning av Daniel Harding.En dokumentär från 2019 av Berit Nygren/Sveriges Radio P2

A recent change of plans at the LA Phil leads us to reminisce on other times we've had conductors cancel. What happens when the audience is waiting and the show must go on? Transcript Nathan Cole: Hello, and welcome back to Stand Partners for Life with "The show must go on." That's the name of this episode, not just saying that about our show… But thanks, as always, for being here with me for, I think this will be, a great episode. It's about, well, the show must go on. We were kind of thinking that this past week. We played the entire Romeo and Juliet ballet with dancers, and video, and everything, and the concert stretched to three hours. Right before some of those performances, I was almost wondering, "Must I go on?" I love the music, and I know you do too. That's one of your favorite pieces. Akiko Tarumoto: Yeah. Nathan Cole: It's a big- Akiko Tarumoto: The music is so good that I've almost already forgotten how long it felt. It's like childbirth. Nathan Cole: Obviously, I wouldn't know, but I've heard. Yeah, today, this being the first day that we didn't play the Prokofiev. I've just had all the tunes running through my head all day, so I guess that's proof of how great the music is, although I do … I mean, I guess I get bad music stuck in my head, too, but this is undoubtedly great. Akiko Tarumoto: Yeah. Well, right now, I have Wheels on the Bus stuck in my head, so not a good person to ask. Nathan Cole: Okay. Well, I mean, that's an effective tune, also. Looking at this week coming up, we've got a bit of a conundrum. I mean, not that we have to solve it, but- Akiko Tarumoto: Oh, it's been- Nathan Cole: … our- Akiko Tarumoto: … solved. Nathan Cole: That's right. It just was solved today, but rehearsals start the day after tomorrow, and up until today, we had no conductor and no real program for the coming week. That's because the conductor canceled. Daniel Harding, who we've spoken about on this podcast before, actually, I hope you're doing well. I heard there was some sickness or … Sickness or injury? Akiko Tarumoto: Injury. Nathan Cole: Okay. Well, we definitely wish him the best, but yeah, it was a pretty short-notice change of plans for the orchestra. Usually, these things get solved instantaneously. It's like as soon as someone canceled, they've got 20 people lined up who can just drop everything and come, for an orchestra like LA anyway, but in this case, it took some doing. It seemed like everybody was engaged. I guess it's not like it's the summer, where plans are loosey-goosey. I think all the conductors had stuff going on in October, so … Akiko Tarumoto: Yeah. In fact, I think a few times, it's worked out great. I can't remember who it was who canceled, but Jaap van Zweden was able to come in … Was that in Chicago? Nathan Cole: That was in Chicago. He interrupted his honeymoon, as I recall. He came back from Hawaii early, and he was all bronzed and- Akiko Tarumoto: Right, and that was the first time we'd seen him, and we thought he was great. It was, it was really fun having him conduct. Nathan Cole: Yeah. You never know what you're going to get, and just for the curious, for this coming week, it's turned out that one of the so-called Dudamel Fellows, we have several that rotate throughout the season, Paolo … Akiko Tarumoto: I can't say it… Nathan Cole: I'm laughing at myself stumbling over his name, because when I ask him to say his own name, he says it so fast that I can't make enough sense of it, so I'll have to get him to record it, but it's spelled Bortolameolli, but it does not sound like five syllables when I hear him pronounce his own name- Akiko Tarumoto: Right. Nathan Cole: … so- Akiko Tarumoto: Got to practice. Nathan Cole: I know. I need some practice, but Paolo is going to take over next week,

“All music was new music once,” we often have to remind ourselves, and the same is true of conductors: they were all young once upon a time. But what does age have to do with a conductor's artistic vision, or prowess with a baton? That's what we figure out in today's episode. Just how necessary is a conductor in the first place? Well, maybe not strictly necessary, but pretty important, as Akiko and the Chicago Symphony found out back in 2010 when Riccardo Muti fell ill just an hour before the season-opening gala! The orchestra and soloist Anne-Sophie Mutter went ahead with the Beethoven violin concerto and a Mozart symphony without anyone on the podium. It was hair-raising stuff, and anything but easy. Nathan talks about his first job, in the Saint Paul Chamber Orchestra, where conductor-less weeks were (and remain) a feature, not a bug. We get into how conductors were trained in the old days (and the old countries), versus how they're brought up now. Hint: it's faster now, and that leads to consequences both good and bad for orchestras. Back when Nathan was at Curtis, the conducting teacher Otto-Werner Mueller stuck to the old ways when he selected his students. Only the cream of the analytical crop survived his grueling tests and earned the right to conduct Stravinsky's The Rite of Spring under his watchful eye at the audition finals. But not all them instinctively knew how to use the baton. We recall our (still young) boss, Gustavo Dudamel, making his first appearance with us and the Chicago Symphony while he was still in his 20s. A senior member of the orchestra challenged him in rehearsal, and the way Dudamel handled himself set the tone for his illustrious career. Likewise, Daniel Harding has appeared with us both in Chicago and in Los Angeles. We take our own remembrances of those not-always-happy meetings, and combine them with Harding's own interview on the subject, to discover what experience taught him about orchestras. Here's the link to the 2011 New York Times interview with Harding: Prodigy Ages into a Merely Young Conductor Finally, we round up the things young conductors can do, or not do, to start off on the right foot with a new group. There's a lot to be said for trust, in both directions!