Podcast appearances and mentions of Semyon Bychkov

Daphne, by Richard Strauss, comes to Seattle Opera for two concert performances in January 2025. This gorgeous opera, based on Greek myth, is a splendid showcase for a fantastic orchestra. Jonathan Dean explains what Strauss learned from Wagner, tells this unfamiliar opera's story, and explores the meaning of the myth. Musical examples from the 2005 Decca recording of Daphne (West Deutscher Rundfunk Orchestra conducted by Semyon Bychkov, with Renee Fleming, Johan Botha, Michael Schade, Anna Larsson, Kwanchul Youn, Julia Kleiter, and Twyla Robinson); the 1983 EMI recording (Bayerischen Rundfunks conducted by Bernard Haitink, with Lucia Popp, Reiner Goldberg, Peter Schreier, Ortrun Wenkel, and Kurt Moll); and the 1965 Deutsche Gramophon recording (Vienna Symphony conducted by Karl Böhm, starring Hilde Gueden, James King, Fritz Wunderlich, Vera Little, and Paul Schöffler).

durée : 01:28:49 - Semyon Bychkov, les couleurs de l'orchestre et l'intensité - par : Aurélie Moreau - Chef d'orchestre au vaste répertoire lyrique et symphonique, Semyon Bychkov est directeur musical de l'Orchestre Philharmonique Tchèque. Sa musicalité innée jointe à la rigueur de l'école russe font de ses interprétations des moments très attendus.

durée : 00:15:43 - Le Disque classique du jour du jeudi 07 novembre 2024 - La Philharmonie tchèque et son chef d'orchestre et directeur musical Semyon Bychkov présentent un nouvel enregistrement des Symphonies 7, 8 et 9 d'Antonín Dvořák, couplées aux ouvertures de concert du compositeur In Nature's Realm, Carnival et Othello.

durée : 00:15:43 - Le Disque classique du jour du jeudi 07 novembre 2024 - La Philharmonie tchèque et son chef d'orchestre et directeur musical Semyon Bychkov présentent un nouvel enregistrement des Symphonies 7, 8 et 9 d'Antonín Dvořák, couplées aux ouvertures de concert du compositeur In Nature's Realm, Carnival et Othello.

durée : 01:28:07 - En pistes ! du jeudi 07 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le chef Semyon Bychkov et l'orchestre philharmonique tchèque présentent deux grandes symphonies de Dvořák. Retrouvez aussi quelques requiems français, celui de Duruflé et celui de Fauré dans une version étonnante pour piano.

durée : 01:28:07 - En pistes ! du jeudi 07 novembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le chef Semyon Bychkov et l'orchestre philharmonique tchèque présentent deux grandes symphonies de Dvořák. Retrouvez aussi quelques requiems français, celui de Duruflé et celui de Fauré dans une version étonnante pour piano.

In this week's Gramophone Podcast, Editor Martin Cullingford is joined by the conductor Semyon Bychkov to talk about his new recording with the Czech Philharmonic for the Pentatone label of the music of Dvořák - the composer's last three symphonies, Nos 7, 8 and 9, along with three concert overtures, In Nature's Realm, Carnival and Othello. 

durée : 01:28:27 - Relax ! du mardi 27 août 2024 - par : Lionel Esparza - Votre serviteur se rendait cet été à Bayreuth à la découverte du Festspielhaus et de ses environs et surtout du programme du festival avec " Tristan et Isolde " mené par un Semyon Bychkov exceptionnel, " L'or du Rhin " et " La Walkyrie " avec la prise de rôle de Michael Spyres en Sigmund.

durée : 01:28:27 - Relax ! du mardi 27 août 2024 - par : Lionel Esparza - Votre serviteur se rendait cet été à Bayreuth à la découverte du Festspielhaus et de ses environs et surtout du programme du festival avec " Tristan et Isolde " mené par un Semyon Bychkov exceptionnel, " L'or du Rhin " et " La Walkyrie " avec la prise de rôle de Michael Spyres en Sigmund.

Dmitri Shostakovich (1906 - 1975) - Sinfonia n. 10 in mi minore, op. 93 00:00:00 I. Moderato00:23:09 II. Allegro00:27:21 III. Allegretto00:39:54 IV. Andante – Allegro Orchestra Sinfonica della WDR Semyon Bychkov, conductor About Sinfonia n. 10 in mi minore, op. 93 

در این قسمت از پادکست کنارش سراغ اپرای "قدرت سرنوشت" اثر جوزپه وردی، آهنگساز شهیر ایتالیایی رفتم. و البته ناگفته نماند که از لندن هم نقل مکان کردم. مهاجرت اول سخته ولی دومی بامزه‌ست. بر خلاف چیزی که از عنوان این قسمت ممکنه خیال کنید، قرار نیست دربارهٔ تاثیر سرنوشت بر زندگی حرف بزنم و اتفاقا به جای قدرتِ سرنوشت، میخوام از قدرتِ روایت بگم. این اپرا به نقل از مایسترو پاپانو یک رمان روسی بزرگه. پُر از کاراکترهای پیچیده و داستان‌های درهم تنیده. شاید چون سفارش دهندهٔ این اثر اپرا هاوس سنت پترزبورگ بوده و وردی از ادبیات روسی تاثیر گرفته. هر چی که هست نتیجه موسیقی بی‌نظیری شده.   All Prepared by Raam Azodi & Pardis Nikbakhsh & Sima Darvish Logo and Cover by Sepehr Omidvaar    حمایت ارزی از پادکست کنارش حمایت ریالی از پادکست کنارش Telegram  |  Instagram | Twitter | Goodreads   Guiseppe Verdi - La Forza del Destino Overture - WDR Symphony Orchestra 2002 - Semyon Bychkov, Conductor   Fifi Howls from Happiness 2013 - A documentary on provocative artist Bahman Mohassess - Mitra Farahani, Director    

SynopsisOn today's date in 1840, a new opera by Gaetano Donizetti debuted at the Opéra Comique in Paris. This was La Fille du Régiment, or The Daughter of the Regiment. Other operas by the popular Italian composer were already playing in Paris, and others were scheduled. Despite being tailor-made to Parisian tastes, The Daughter of the Regiment was not well received.Apparently, French composers, Berlioz among them, felt threatened by the Donizetti blitz. “Monsieur Donizetti seems to treat us like a conquered country,” Berlioz wrote. “It is a veritable invasion. One can no longer speak of the opera houses of Paris, but only of the opera houses of Donizetti!”Well, eventually, Donizetti did win over French hearts and minds. And it's ironic to note that 100 years after its 1840 premiere, Paris was indeed an occupied country. In 1940, German tanks rolled into Paris, and at the Metropolitan Opera in New York, patriotic French soprano Lily Pons used her starring role in a revival of Donizetti's The Daughter of the Regiment to express her solidarity with the French Resistance. She added a rousing version of La Marseillaise to the finale of Donizetti's score, which brought sympathetic American audiences to their feet.Music Played in Today's ProgramGaetano Donizetti (1797-1848): La Fille du Regiment, excerpt; Joan Sutherland, soprano; Covent Garden Orchestra; Richard Bonynge, cond. London 414 520Claude-Joseph Rouget de Lisle (1760-1836) (arr. Berlioz): La Marseillaise; Jessye Norman, soprano; Paris Orchestra; Semyon Bychkov, cond. Philips 422 922

Interpreten: Czech Philharmonic, Semyon Bychkov Label: Pentatone EAN: 8717306260435 Die lange ersehnte Fortsetzung des Mahler Symphonien Zyklus aus Prag. Semyon Bychkov und die Tschechische Philharmonie mit Gustav Mahlers erster Symphonie. Die Erwartungen werden auch hier nicht enttäuscht, wie wieder Michael Gmasz verrät. Nachdem in den vergangenen Jahren bereits höchst eindrucksvolle Aufnahmen der Zweiten Mahler mit Christiane Karg und Elisabeth Kulman, der vierten Symphonie mit Chen Reiss und der Fünften Mahler erschienen sind, war es an der Zeit, die Mahler Reihe der Tschechischen Philharmonie unter Semyon Bychkov bei Pentatone fortzusetzen. Aufgenommen auch diesmal wieder im Dvořák Saal des Rudolfinums in Prag. Der Titan, wie man die erste Symphonie gerne nennt, wobei der Titel von Mahler wieder zurückgezogen wurde, ist die neue Folge der über längere Zeit angelegten Mahler Gesamtaufnahme aus Prag und auch diese Aufnahme setzt an musikalischer Raffinesse und Qualität fort, was die bisherigen bereits geboten haben. Diese erste Symphonie von Gustav Mahler ist ein faszinierendes Werk. Naturverbunden, tänzerisch, mit traditionellen Elementen und ersten Klezmer-Anklängen. Mit ganz leisen aber doch auch feierlich lauten Tönen. Semyon Bychkov ist ein Freund der Kleinigkeiten, der feinen Nuancen, der Transparenz, trotz des großen Orchesterapparates. Das Besondere an dieser Aufnahme ist jedoch, dass Bychkov nie aufdringlich auf die speziellen Elemente in Mahlers Werk hinweist. Der Ländler im zweiten Satz ist tänzerisch, aber nicht übermäßig „gestrampft“, die Klezmerkapelle im Dritten fügt sich ins Geschehen ein, als wäre es das Normalste der Welt. Das ist die Spezialität von Semyon Bychkov und seiner Mahlerdeutung. Es wirkt alles absolut natürlich, nichts aufgesetzt oder übertrieben – und genau dafür gebührt ihm großer Dank und immer wieder eben auch die Anerkennung meinerseits zumindest als Wochenempfehlung auf radio klassik Stephansdom! (mg)

When Renaud Capuçon and Semyon Bychkov last appeared together with the CSO, sparks flew. The French violinist “made you aware of a searching musical intellect supported by a superb technical arsenal” (Chicago Tribune). The parties reunite in Saint-Saëns' brilliant Third Violin Concerto. Framing the program are Dvořák's boisterous portrait of a street carnival and Brahms' noble and heart-rending Fourth Symphony. Learn more: cso.org/performances/23-24/cso-classical/bychkov-conducts-brahms

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Interview mit dem Dirigenten Semyon Bychkov zum Konzert der Bamberger Symphoniker 25.5.

In Deutschland ist der russische Dirigent Semyon Bychkov vor allem durch seine langjährige Ära als Chefdirigent des WDR Sinfonieorchesters in Köln bekannt geworden. Auch beim Symphonieorchester des Bayerischen Rundfunks hat er schon viele Konzerte dirigiert. Am 30. November feiert er seinen 70. Geburtstag - für BR-KLASSIK gratuliert Fridemann Leipold.

Synopsis On today's date in 1938, two works by the American composer Samuel Barber received their very high-profile premiere performances on a live, coast-to-coast broadcast by the NBC Symphony conducted by Arturo Toscanini. Toscanini was impressed by Barber's First Symphony, which was performed at the 1937 Salzburg Festival, so Toscanini asked the 25-year old composer for a short orchestral piece, which Toscanini might perform with the newly-formed NBC Symphony. Barber offered Toscanini his pick of two short pieces, and must have been surprised when Toscanini agreed to perform BOTH of them: a newly-composed Essay for Orchestra and Barber's arrangement for full string orchestra of a movement from a String Quartet he had written in 1936. Re-titled Adagio for Strings, it was destined to become Barber's best-known work. Barber's “Adagio” acquired a special resonance during World War Two, as a threnody for America's war dead. It was also performed at the funeral of wartime President Franklin D. Roosevelt. More recently, Barber's Adagio has been used to great effect in several successful films, including “The Elephant Man” and “Platoon.” In a memorial tribute to Barber, American composer Ned Rorem wrote, “If Barber [25 years old when the ‘Adagio' was completed] later aimed higher, he never reached deeper into the heart.” Music Played in Today's Program Samuel Barber (1910-1981) First Essay for Orchestra, Op. 12 Detroit Symphony; Neeme Järvi, cond. Chandos 9053 Samuel Barber (1910-1981) Adagio for Strings, Op. 11 Berlin Philharmonic; Semyon Bychkov, cond. Philips 434 108

Somewhere among the dark forests of Eastern Europe, Baba Yaga, the crinkled crone of Slavic folklore, lurks inside a timber hut atop a pair of chicken legs. She hops through the woods, doing good or evil or just her own thing, depending on whom you ask. GennaRose Nethercott's debut novel, Thistlefoot, reimagines the folklore of Baba Yaga in a contemporary American setting. Estranged siblings Bellatine and Isaac Yaga are brought together, somewhat unwillingly, by a surprising and mysterious inheritance: a sentient house on chicken legs, named Thistlefoot, who once belonged to their twice-great-grandmother, and with whom they embark on a cross-country puppet tour. But a shadowy figure from a century ago is stalking them, bringing the horrors of the Yagas' ancestral shtetl with him. Nethercott is a writer and folklorist whose first book, The Lumberjack's Dove, was selected by Louise Glück as a winner of the National Poetry Series. She joins us to talk about the folktales and history that inspired her latest work. Go beyond the episode:GennaRose Nethercott's ThistlefootCatch her on tour, with a live puppet show, this fallRead the short story “A Diviner's Abecedarian”“Vassilissa the Beautiful” is one of the tales featuring Ivan Bilibin's magnificent illustration in this collection of Russian fairy talesHear more Slavic folklore on our episode about the Snow MaidenTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. The music in this episode is “The Hut on Fowl's Legs,” from Pictures at an Exhibition by Modest Mussorgsky, performed by the Oslo Philharmonic with conductor Semyon Bychkov. Hosted on Acast. See acast.com/privacy for more information.

With the wonders of our imagination and some great music to help, all things are possible - so let's enjoy the views from the top of a mountain: leaving the house (or even getting out of bed) is entirely optional. Richard Strauss takes us over the top (in every sense) in his epic, excessive, exuberant Alpine Symphony, with great views and plenty of thrills but also moments that inspire deeper contemplation on the glories of nature. It's a trip you don't want to miss. Listening time: 62 mins (Podcast, 11', music 51')   In 1982 Herbert von Karajan conducted An Alpine Symphony with the Berlin Philharmonic Orchestra. It was the first thing to be put on cd, and those who know these things maintain that it's still one of the best: Links here to performances on Youtube, Spotify and Apple Music . If you can, try to listen without adverts, which are particularly interrupting in this piece! If you like to see huge orchestras in action, there are good films performances on youtube. I like the Oslo Philharmonic with Vasily Petrenko and the WDR Symphony and Semyon Bychkov. Picture credit: Thanks to Melanie Stefan for providing the picture, it's the Alps in France, as seen from the Charmant Som in the Chartreuse Mountains.   What do you think? Let me know with an easy voicemail or comment at Cacophonyonline.com, Facebook or Twitter.   If you'd like to support Cacophony there are easy, great, ways: - share this episode with someone you know - share the 100 second trailer - buy us a cuppa at ko-fi.com - subscribe/ review and keep listening!   Thanks for listening!  

Tom Sutcliffe and guest reviewers Bidisha and Amon Warmann discuss Bullet Train, starring Brad Pitt. It's a vivid mixture of comedy and violence from director David Leitch, and is based on a thriller by Japanese author, Kotaro Isaka. We also discuss Mohsin Hamid's latest novel, The Last White Man - a fable about what happens when white people's skin begins to turn brown. Conductor Semyon Bychkov conducts the BBC Symphony Orchestra at the Proms in a programme of a programme of Czech and Russian music. He left the USSR for the USA in 1975 and is currently Chief Conductor and Music Director of the Czech Philharmonic. He talks music and politics too - he's spoken out and taken part in protests against Russia's invasion of Ukraine, but has also criticised the dropping of Russian works from concerts around the world. Presenter: Tom Sutcliffe Producer: Paul Waters

Stephen Sackur speaks to one of the world's great conductors, Semyon Bychkov. Born in the Soviet Union, exiled from Russia, and a fierce critic of Vladimir Putin's war in Ukraine, does he fear the fall out for artists when nationalism and politics take centre stage?

durée : 00:28:10 - Semyon Bichkov (5/5) - Semyon Bychkov commence à diriger à l'âge de 17 ans et ne s'arrête plus depuis. Nombreux sont les orchestres du monde entier qui l'ont connu. Cette semaine, nous revenons sur sa discographie.

durée : 01:57:53 - En pistes ! du vendredi 17 juin 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous terminons la semaine sur un bel enregistrement sur le vif d'un concert du pianiste Josep Colom qui interprète Bach, Mozart, Beethoven, Chopin, Schumann, Brahms et Schoenberg. Beau programme donc. En deuxième partie, suite et fin de notre zoom sur Semyon Bychkov.

durée : 00:28:47 - Semyon Bichkov (4/5) - Semyon Bychkov commence à diriger à l'âge de 17 ans et ne s'arrête plus depuis. Nombreux sont les orchestres du monde entier qui l'ont connu. Cette semaine, nous revenons sur sa discographie.

durée : 00:27:53 - Semyon Bichkov (3/5) - Semyon Bychkov commence à diriger à l'âge de 17 ans et ne s'arrête plus depuis. Nombreux sont les orchestres du monde entier qui l'ont connu. Cette semaine, nous revenons sur sa discographie.

durée : 01:57:47 - En pistes ! du mercredi 15 juin 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce mercredi, les plus sportifs d'entre nous serons ravis avec ce nouvel enregistrement de la clarinettiste Annelien van Wauwe inspiré par le yoga... Nul doute que les autres apprécieront aussi. Nous continuons également d'explorer la discographie de Semyon Bychkov.

durée : 00:27:02 - Semyon Bichkov (2/5) - Semyon Bychkov commence à diriger à l'âge de 17 ans et ne s'arrête plus depuis. Nombreux sont les orchestres du monde entier qui l'ont connu. Cette semaine, nous revenons sur sa discographie.

durée : 00:26:44 - Semyon Bichkov (1/5) - Semyon Bychkov commence à diriger à l'âge de 17 ans et ne s'arrête plus depuis. Nombreux sont les orchestres du monde entier qui l'ont connu. Cette semaine, nous revenons sur sa discographie.

Eminent conductor Semyon Bychkov has recently embarked on a multi-year series of performances and recordings of the music of Pyotr Ilyich Tchaikovsky. The Russian-born Maestro joins us to talk about the first recording in the project, which includes Tchaikovsky's Symphony No. 6, The Pathétique.

Jess Gillam swaps mixtapes with pianist and composer Joseph Havlat, with tracks by Nick Drake and Mike Oldfield, a Romantic classic by Tchaikovsky and a toe tapping early folk tune. Playlist: Trad - Kathryn Oggie [Baltimore Consort] Tchaikovsky - Romeo and Juliet Fantasy Overture [Czech Philharmonic, Semyon Bychkov (conductor)] Nigel Westlake - Shards of Jaisalmer [Grigoryan Brothers] Nick Drake - Saturday Sun Mike Oldfield - Incantations (pt 4) Punch Brothers - All Ashore Schumann - Traumerei, op.15 no.7 [Martha Argerich (piano)] The Dream Academy - Life in a Northern Town

Join us for a discussion with pianist Robert Levin. Pianist and Conductor Robert Levin has performed throughout the United States, Europe, Australia and Asia. His solo engagements include the orchestras of Atlanta, Berlin, Birmingham, Boston, Chicago, Cleveland, Detroit, Los Angeles, Montreal, Utah and Vienna on the Steinway with such conductors as Semyon Bychkov, James Conlon, Bernard Haitink, Sir Neville Marriner, Seiji Ozawa, Sir Simon Rattle and Esa-Pekka Salonen.

A prolific concert performer, Andrew has appeared with the Berliner and Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks and the Orchestra of the Age of Enlightenment with Sir Simon Rattle; the Orchestre de Paris, Swedish Radio Symphony Orchestra and London Symphony Orchestra with Daniel Harding; the Deutsches Symphonie-Orchester Berlin and the ScottishChamber Orchestra with Robin Ticciati; the Rotterdams Philharmonisch Orkest, the Orcherstre Métropolitain and the Philadelphia Orchestra with Yannick Nézet-Séguin; the Accademia Santa Cecilia with Semyon Bychkov; and the Staatskapelle Berlin with Daniel Barenboim. Andrew made his debut at the Royal Opera House, Covent Garden as Jacquino Fidelio, returning for Flamand Capriccio, Tamino Die Zauberflöte, Tichon Katya Kabanova and Narraboth Salome. He has also appeared at the Metropolitan Opera, the National Theatre Prague; La Monnaie Brussels; the Salzburger Festspiele; Hamburgische Staatsoper, Theater an der Wien, the Lucerne Festival and the Lyric Opera of Chicago. Staples has staged Le nozze di Figaro, Così fan tutte, Cenerentola and La bohème in London, at the Jordan Music Festiavl, Musique Cordiale in Provence and the Menton Festival. His celebrated semi-staging of Die Zauberflöte for the Lucerne Festival, conducted by Daniel Harding culminated in a full staging in Stockholm's Drottningholm Palace Theatre with the Swedish Radio Symphony Orchestra. Andrew believes firmly in the evolution of cultural content for screen. Bringing his experience on stage both as a performer and director, he has made a series of music films. Aiming to bring cinematic techniques and rigour to the pre- and post-production phase of his projects, his films aim to capture the thrill of live performance and present it to an audience on screen who desire something more than an archive or stream of the event. The potential to create and evolve in this space is huge and he enjoys the opportunity to collaborate with artists, organisations and cultural broadcasters. In 2021 he received the Royal Philharmonic Society Enterprise Fund Trailblazer Grant, presented in association with Harriet's Trust, in order to support and advance the making of such music films. As a photographer, Staples' work has been featured in the Times, The Evening Standard, Lawyer Magazine, the front cover of The Strad, the BBC Music Magazine, various CD cover images, The National Portrait Gallery's magazine and a number of artist's and ensembles photographs including Tim Mead, Mary Bevan, the Borodin Quartet, The King's Singers, The Gabrieli Consort and Players and Voces8. Follow us on Twitter and Instagram.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

durée : 00:25:16 - Semyon Bychkov, chef d'orchestre (1/5) - par : Judith Chaine - Dans ce 1er volet de nos entretiens, le chef d'orchestre Semyon Bychkov évoque ses parents, une mère pianiste et un père passionné de culture. Il nous raconte son enfance à Leningrad et son entrée à l'école des chœurs Glinka. - réalisé par : Gilles Blanchard

durée : 00:25:11 - Semyon Bychkov, chef d'orchestre (2/5) - par : Judith Chaine - réalisé par : Gilles Blanchard

durée : 00:25:14 - Semyon Bychkov, chef d'orchestre (3/5) - par : Judith Chaine - réalisé par : Gilles Blanchard

durée : 00:25:09 - Semyon Bychkov, chef d'orchestre (4/5) - par : Judith Chaine - réalisé par : Gilles Blanchard

durée : 00:25:15 - Semyon Bychkov, chef d'orchestre (5/5) - par : Judith Chaine - Dans ce dernier volet de notre entretiens, Semyon Bychkov partage avec nous ses premiers souvenirs en France. Après Lyon où il est invité par Louis Erlo pour diriger Casse-noisette, le Festival d'Aix-en-Provence lui ouvre ses portes. Retour sur cette expérience décisive... - réalisé par : Gilles Blanchard

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Ta teden v oddaji gostimo Andraža Goloba, klarinetista, ki je spomladi uspešno opravil avdicijo za sodelovanje v slovitem orkestru Berlinske filharmonije. Ob tem uspehu smo ga povabili v studio, da sam kaj več pove o svoji glasbeni poti in o tem, kako se bo razvijala naprej. Guillaume Connesson: DISCO, toccata za klarinet in violončelo Izvaja Trio Tempestoso Maurice Ravel, prir. Andraž Golob: Volinski vrt iz cikla Moja mati gos Izvaja Trio Tempestoso György Ligeti: Šest bagatel za pihalni kvintet, 1. – Allegro con spirito Izvaja Pihalni kvintet Vivus Andraža Goloba je od nekdaj navduševala pripovedna moč orkestralne glasbe. S tem ne misli samo na programsko glasbo, globlji pomen je namreč mogoče najti v vsaki skladbi, pa naj bo ta napisana za solista, orkester ali komorno zasedbo. Na ta način se mu zdi posebej pomembno očinstvu približati tudi sodobno glasbo. Od sezone 2021/2022 je novi solo basovski klarinetist v orkestru Berlinske filharmonije, še pred tem pa je med letoma 2019 in 2021 zasedal mesto akademista v orkestru Dunajske filharmonije. Poleg tega je že nastopal tudi z Dunajsko državno opero, Nurnberškimi simfoniki, Mladinskim orkestrom Gustava Mahlerja in Graškimi filharmoniki in to pod vodstvom svetovno priznanih dirigentov, kot so John Williams, Daniel Harding, Christian Thielemann, Zubin Mehta, Christoph von Dohnanyi, Christoph Eschenbach, Semyon Bychkov in drugi. Leta 2018 se je kot solist predstavil na festivalu Mecklenburg-Vorpommern, kjer je z Norddeutsche Philharmonie Rostock izvedel Mozartov koncert za klarinet in orkester, poleg tega pa je tudi zmagovalec več tekmovanj za mlade glasbenike.

«NOTEN & SCHLÜSSEL»Konzerteinführungen aus Grafenegg, die Ohren öffnenRenate Burtscher über das Programm des Konzerts in Grafenegg am 26. August. InterpretenTschechische PhilharmonieSemyon Bychkov , Dirigent ProgrammMILOSLAV KABELÁČ«Mysterium der Zeit» Passacaglia für großes Orchester op. 31GUSTAV MAHLERSymphonie Nr. 5 cis-Moll grafenegg.com/podcast

durée : 00:58:35 - Portrait musical de Semyon Bychkov - par : Aurélie Moreau - Chef d'orchestre est un étrange métier, avec un côté vaguement schizophrène. Semyon Bychkov s'en amuse : "Il faut être à la fois à l'intérieur de la musique sans se laisser déborder par son ego, et à la fois se tenir à l'extérieur pour froidement la maîtriser." - réalisé par : Louise Loubrieu

In this episode, I have the great pleasure of speaking about all things mindful practice with international cello soloist Alisa Weilerstein. Alisa has attracted widespread attention for her playing that combines natural virtuosity and technical precision with impassioned musicianship.  In this episode, Alisa shares insight on: How her parents nurtured a natural unfolding and healthy progression of her career Practicing: focusing efficient practice, intentional breaks and time off management (so important for long term sustainability + physical and mental health!) Her approach to learning a piece The importance of keeping musicality part of the technical work (as she said “Keeping everything married”) How practicing mindfully is the key for her to get rid of nerves and feel comfortable in performance How she plays mock performance for friends How to develop a natural rubato using the metronome … and much more!   It's an information and inspiration packed episode and I hope you enjoy and find value in our discussion!   MORE ABOUT ALISA WEILERSTEIN alisaweilerstein.com twitter.com/aweilerstein facebook.com/AlisaWeilerstein instagram.com/alisaweilerstein/   Alisa Weilerstein is one of the foremost cellists of our time. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur “genius grant” Fellowship in 2011. Today her career is truly global in scope, taking her to the most prestigious international venues for solo recitals, chamber concerts, and concerto collaborations with all the preeminent conductors and orchestras worldwide. “Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composer's wishes, she inhabits a piece fully and turns it to her own ends,” marvels the New York Times. “Weilerstein's cello is her id. She doesn't give the impression that making music involves will at all. She and the cello seem simply to be one and the same,” agrees the Los Angeles Times. As the UK's Telegraph put it, “Weilerstein is truly a phenomenon.”   Bach's six suites for unaccompanied cello figure prominently in Weilerstein's current programming. Over the past two seasons, she has given rapturously received live accounts of the complete set on three continents, with recitals in New York, Washington DC, Boston, Los Angeles, Berkeley and San Diego; at Aspen and Caramoor; in Tokyo, Osaka, Guangzhou, Shenzhen, London, Manchester, Aldeburgh, Paris and Barcelona; and for a full-capacity audience at Hamburg's iconic new Elbphilharmonie. During the global pandemic, she has further cemented her status as one of the suites' leading exponents. Released in April 2020, her Pentatone recording of the complete set became a Billboard bestseller and was named “Album of the Week” by the UK's Sunday Times. As captured in Vox's YouTube series, her insights into Bach's first G-major prelude have been viewed almost 1.5 million times. During the first weeks of the lockdown, she chronicled her developing engagement with the suites on social media, fostering an even closer connection with her online audience by streaming a new movement each day in her innovative #36DaysOfBach project. As the New York Times observed in a dedicated feature, by presenting these more intimate accounts alongside her new studio recording, Weilerstein gave listeners the rare opportunity to learn whether “the pressures of a pandemic [can] change the very sound a musician makes, or help her see a beloved piece in a new way.”   Earlier in the 2019-20 season, as Artistic Partner of the Trondheim Soloists, Weilerstein joined the Norwegian orchestra in London, Munich and Bergen for performances including Haydn's two cello concertos, as featured on their acclaimed 2018 release, Transfigured Night. She also performed ten more concertos by Schumann, Saint-Saëns, Elgar, Strauss, Shostakovich, Britten, Barber, Bloch, Matthias Pintscher and Thomas Larcher, with the London Symphony Orchestra, Zurich's Tonhalle Orchestra, Frankfurt Radio Symphony, Gürzenich Orchestra Cologne, Tokyo's NHK Symphony, the New York Philharmonic, and the Houston, Detroit and San Diego symphonies. In recital, besides making solo Bach appearances, she reunited with her frequent duo partner, Inon Barnatan, for Brahms and Shostakovich at London's Wigmore Hall, Milan's Sala Verdi and Amsterdam's Concertgebouw. To celebrate Beethoven's 250th anniversary, she and the Israeli pianist performed the composer's five cello sonatas in Cincinnati and Scottsdale, and joined Guy Braunstein and the Dresden Philharmonic for Beethoven's Triple Concerto, as heard on the duo's 2019 Pentatone recording with Stefan Jackiw, Alan Gilbert and the Academy of St. Martin in the Fields.   Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She has premiered two important new concertos, giving Pascal Dusapin's Outscape “the kind of debut most composers can only dream of” (Chicago Tribune) with the co-commissioning Chicago Symphony in 2016 and proving herself “the perfect guide” (Boston Globe) to Matthias Pintscher's cello concerto un despertar with the co-commissioning Boston Symphony the following year. She has since reprised Dusapin's concerto with the Stuttgart and Paris Opera Orchestras and Pintscher's with the Gürzenich Orchestra Cologne and with the Danish Radio Symphony and Cincinnati Symphony, both under the composer's leadership. It was also under Pintscher's direction that she gave the New York premiere of his Reflections on Narcissus at the New York Philharmonic's inaugural 2014 Biennial, before reuniting with him to revisit the work at London's BBC Proms. She has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival. Since then she has played the work with orchestras around the world, besides frequently programming his Omaramor for solo cello. Grammy nominee Joseph Hallman has written multiple compositions for her, including a cello concerto that she premiered with the St. Petersburg Philharmonic and a trio that she premiered on tour with Barnatan and clarinetist Anthony McGill. At the 2008 Caramoor festival, she premiered Lera Auerbach's 24 Preludes for Violoncello and Piano with the composer at the keyboard, and the two subsequently reprised the work at the Schleswig-Holstein Festival, Washington's Kennedy Center and for San Francisco Performances.   Weilerstein's recent Bach and Transfigured Night recordings expand her already celebrated discography. Earlier releases include the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin, named “Recording of the Year 2013” by BBC Music, which made her the face of its May 2014 issue. Her next album, on which she played Dvořák's Cello Concerto with the Czech Philharmonic, topped the U.S. classical chart, and her 2016 recording of Shostakovich's cello concertos with the Bavarian Radio Symphony and Pablo Heras-Casado proved “powerful and even mesmerizing” (San Francisco Chronicle). She and Barnatan made their duo album debut with sonatas by Chopin and Rachmaninoff in 2015, a year after she released Solo, a compilation of unaccompanied 20th-century cello music that was hailed as an “uncompromising and pertinent portrait of the cello repertoire of our time” (ResMusica, France). Solo's centerpiece is Kodály's Sonata for Solo Cello, a signature work that Weilerstein revisits on the soundtrack of If I Stay, a 2014 feature film starring Chloë Grace Moretz in which the cellist makes a cameo appearance as herself.   Weilerstein has appeared with all the major orchestras of the United States, Europe and Asia, collaborating with conductors including Marin Alsop, Daniel Barenboim, Jiří Bělohlávek, Semyon Bychkov, Thomas Dausgaard, Sir Andrew Davis, Gustavo Dudamel, Sir Mark Elder, Alan Gilbert, Giancarlo Guerrero, Bernard Haitink, Pablo Heras-Casado, Marek Janowski, Paavo Järvi, Lorin Maazel, Cristian Măcelaru, Zubin Mehta, Ludovic Morlot, Yannick Nézet-Séguin, Peter Oundjian, Rafael Payare, Donald Runnicles, Yuri Temirkanov, Michael Tilson Thomas, Osmo Vänskä, Joshua Weilerstein, Simone Young and David Zinman. In 2009, she was one of four artists invited by Michelle Obama to participate in a widely celebrated and high-profile classical music event at the White House, featuring student workshops hosted by the First Lady and performances in front of an audience that included President Obama and the First Family. A month later, Weilerstein toured Venezuela as soloist with the Simón Bolívar Symphony Orchestra under Dudamel, since when she has made numerous return visits to teach and perform with the orchestra as part of its famed El Sistema music education program.   Born in 1982, Alisa Weilerstein discovered her love for the cello at just two and a half, when she had chicken pox and her grandmother assembled a makeshift set of instruments from cereal boxes to entertain her. Although immediately drawn to the Rice Krispies box cello, Weilerstein soon grew frustrated that it didn't produce any sound. After persuading her parents to buy her a real cello at the age of four, she developed a natural affinity for the instrument and gave her first public performance six months later. At 13, in 1995, she made her professional concert debut, playing Tchaikovsky's “Rococo” Variations with the Cleveland Orchestra, and in March 1997 she made her first Carnegie Hall appearance with the New York Youth Symphony. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, Weilerstein also holds a degree in history from Columbia University. She was diagnosed with type 1 diabetes (T1D) at nine years old, and is a staunch advocate for the T1D community, serving as a consultant for the biotechnology company eGenesis and as a Celebrity Advocate for JDRF, the world leader in T1D research. Born into a musical family, she is the daughter of violinist Donald Weilerstein and pianist Vivian Hornik Weilerstein, and the sister of conductor Joshua Weilerstein. She is married to Venezuelan conductor Rafael Payare, with whom she has a young child.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing! If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

Reinhold Friedrich has been a prolific performer on major stages around the world such as the Musikverein in Vienna, the Concertgebouw Amsterdam and the Berlin Philharmonie. As a soloist, Reinhold Friedrich performs both on modern and historic keyed trumpet with renowned ensembles such as the Bamberger and Wiener Symphoniker, the Orchestre Philharmonique de Radio France, the BBC Symphony Orchestra, the Berliner Barock Solisten and the Cappella Andrea Barca; conducted amongst others by Sir András Schiff, Reinhard Goebel, Sir Neville Marriner, Christopher Hogwood, Semyon Bychkov, Michael Gielen, Adam Fischer and Vladimir Fedossejev. From 1983 to 1999 Reinhold Friedrich held the position of solo trumpeter at the Radio Sinfonieorchester Frankfurt. He is permanent solo trumpeter of the Lucerne Festival Orchestra under Claudio Abbado, now Riccardo Chailly, and artistic director of the Lucerne Festival Orchestra Brass Ensemble. Reinhold Friedrich is a professor of trumpet at Karlsruhe University of Music, honorary professor at the Royal Academy of Music in London and the Escuela Superior de Musica Reina Sofia in Madrid as well as a sought-after lecturer for masterclasses all over the world. Reinhold has premiered a large number of significant works including pieces by Wolfgang Rihm, Hans Werner Henze, Luciano Berio, Sir Peter Maxwell Davis and Peter Eötvös. Numerous CD recordings on labels such as DG, Capriccio, MDG and Sony. The show notes for this episode may be found at bobreeves.com/71.

durée : 02:00:01 - Musique matin du vendredi 22 novembre 2019 - par : Jean-Baptiste Urbain - Depuis 2016, Semyon Bychkov orchestre un projet ambitieux autour de l'oeuvre symphonique de Tchaïkovski, projet qui se décline en disques, mais aussi en diverses résidences : du 22 au 24 novembre, le chef russe et son prestigieux Czech Philarmonic seront ainsi de passage à la Philharmonie de Paris. - réalisé par : Yassine Bouzar

Panelen grälar om tonsättaren Max Regers storhet och expositionsreprisen i Esa-Pekka Salonens tolkning av Beethovens tredje symfoni. Men är överens om att Marie Samuelssons musik är bländande. Veckans skivor: SYMPHONY NO 3 "EROICA" & METAMORPHOSEN Musik av Ludwig van Beethoven och Richard Strauss Sinfonia Grange au Lac Esa-Pekka Salonen, dirigent Alpha ALPHA 544 Betyg: 4 THE LOVE TRILOGY - AIRBORNE LINES AND RUMBLES Musik av Marie Samuelsson Daphne DAPHNE 1062 Betyg: 4 MAX REGER - PIANO CONCERTO & PIANO PIECES Pianomusik av Max Reger Markus Becker, piano Nordtyska radions filharmoniker i Hannover Joshua Weilerstein, dirigent Avi Music AVI 8553306 Betyg: 4 ETHEL SMYTH - MASS IN D & OUVERTURE TO THE WRECKERS   Musik av Ethel Smyth BBC Symfoniorkester i London Sakari Oramo, dirigent Chandos CHSA 5240 Betyg: 4 Musikrevyn möter: Dirigenten Semyon Bychkov - "Liv och musik kan inte separeras" Den sovjetfödde Semyon Bychkov har världen som arbetsfält. Han är en av dagens mest mest eftertraktade dirigenter, aktuell med inspelningar av Tjajkovskijs samlade symfonier där han leder sin egen orkester i Prag. Musikrevyns Albert Ehnrooth träffade Bychkov för att prata om förbehållslös kärlek till en tonsättare och varför han stämplades som politiskt opålitlig av Sovjetunionen och tvingades emigrera.

durée : 01:58:50 - Carrefour de Lodéon - Acte II du dimanche 22 septembre 2019 - par : Frédéric Lodéon - L’Orchestre Philharmonique Tchèque dirigé par Semyon Bychkov interprète Tchaïkovski : symphonies, oeuvres orchestrales, concertos pour piano avec Kirill Gerstein (Decca). Le Concert de la Loge (Aparté). Antoine Tamestit & Masato Suzuki (Harmonia Mundi). Paul Tortelier & Robert Veyron-Lacroix (Erato) - réalisé par : Sophie Pichon

durée : 00:16:36 - Le Disque classique du jour du mardi 03 septembre 2019 - Amoureux de Tchaïkovsky depuis des années, apportant à chaque fois, une vision neuve de l’oeuvre du maître Russe, Seymyon Bychkov est aujourd’hui l’interprète majeur du compositeur et ceci depuis des années puisqu’à la fin des années 80, il avait déjà enregistré ses symphonies pour Philips.

Sean Rafferty presents the In Tune Highlights, bringing you a top selection from the best musicians on the show this week. This week features the magical conductor Seymon Bychkov ahead of his proms performance, brothers Sam and Jack Furness chat Trial by Jury, Renee Fleming chats to Sean from New York ahead of her Broadway CD and finally, Worbey and Farrell give us a performance.

I programmet diskuteras bl.a. Manfred-symfonin ledd av Semyon Bychkov, Schuberts Forellkvintett, Sibelius Tapiola under Hannu Lintu samt komplett Goldmark-opera från Freiburg. Hanna väljer Finland. I panelen Aurélie Ferriere, Bengt Forsberg och Kati Raitinen som tillsammans med programledaren Johan Korssell betygsätter följande skivor: PETER TJAJKOVSKIJ Manfred-symfonin Tjeckiska filharmonin Semyon Bychkov, dirigent Decca 4832320 KARL GOLDMARK Drottningen av Saba Katerina Hebelkova m.fl Kör från Freiburg-teatern samt Vokalensemble från Musikhögskolan i Freiburg Freiburgs filharmoniker Fabrice Bollon, dirigent CPO 555 013-2 FRANZ SCHUBERT Forellkvintetten m.m Anne-Sophie Mutter, violin Daniil Trifonov, piano Hwayoon Lee, viola Maximilian Hornung, cello Roman Patkoló, kontrabas DG 479 7570 JEAN SIBELIUS Tapiola, En saga, 8 sånger Anne Sofie von Otter, mezzosopran Finska radions symfoniorkester Hannu Lintu, dirigent Ondine ODE 1289-5 Referensen Johan jämför med och refererar till en inspelning av Sibelius Tapiola med Philharmonia Orchestra, London dirigerad av Herbert von Karajan, inspelad i London 1953 på skivmärket Palladio.  Hannas val Med anledning av att Finland firar 100 år av självständighet den 6 december, belyser Hanna Höglund "samtidigt i Finland"-temat som inkluderar premiären av Fagerlunds opera Höstsonaten och dirigenten Susanna Mälki som fått Nordiska rådets musikpris samt apropå självständighetsfirandet, bjuds vi några nyutkomna finska inspelningar.  Andra i programmet nämnda eller rekommenderade inspelningar: Sibelius Tapiola med Philharmonia Orchestra, London ledda av Herbert von Karajan, inspelad 1953 på skivmärket Palladio (Referensen) samt med Helsingfors filharmoniker under ledning av Paavo Berglund på Warner Bros; Tjajkovskijs Manfred-symfoni med Londons filharmoniker under Vladimir Jurowski på LPO; Liverpools filharmoniker ledd av Vasilij Petrenko på Naxos; Sovjetunionens statliga symfoniorkester under Jevgenij Svetlanovs ledning på Warner Bros samt med Paris-radions orkester under Constantin Silvestri på Testament.  Inget Svep denna vecka

Picks from across the week on In Tune with Sean Rafferty, including mezzo-soprano Joyce DiDonato with conductor Sir Antonio Pappano, and pianist Imogen Cooper. Plus, in the week of the untimely death of Russian baritone Dmitri Hvorostovsky, conductor Semyon Bychkov and Sir Bryn Terfel pay him tribute.

Highlights from the week, including Russian musicians Semyon Bychkov and Yevgeny Sudbin.

I programmet diskuteras Méhuls opera Uthal, Jevgenij Kissin spelar Beethoven samt Franz Schmidts andra symfoni med Wiens filharmoniker ledd av Semyon Bychkov. Johan väljer Vaughan Williams. I panelen Bengt Forsberg, Evabritt Selén och Magnus Lindman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  ÉTIENNE-NICOLAS MÉHUL Uthal, opera i en akt Karine Deshayes, Yann Beuron m.fl. Namurs kammarkör Les Talens Lyriques Christophe Rousset, dirigent Ediciones Singulares ES 1026 LUDWIG VAN BEETHOVEN Pianosonater nr 3, 14, 23, 26 och 32, Variationer c-moll Jevgenij Kissin, piano DGG 479 7581 (2 CD) FRANZ SCHMIDT RICHARD STRAUSS Symfoni nr 2 Ess-dur Träumerei am Kamin Wiens filharmoniker Semyon Bychkov, dirigent Sony  88985355522 Referensen Franz Schmidts andra symfoni Johan refererar till och jämför med en inspelning med Chicagos symfoniorkester under ledning av Neeme Järvi, inspelad på Chandos.  Johans val Johan spelar valda delar ur ett nytt album med Ralph Vaughan Williams sjunde symfoni, Sinfonia Antartica (sopransolist: Mari Eriksmoen), Pianokonserten, (här med 2 pianon, solister:Louis Lortie och Hélène Mercier) samt Four Last Songs (med barytonen Roderick Williams). Andrew Davis leder Bergens filharmoniker. Inspelad på Chandos.  Andra i programmet nämnda eller rekommenderade inspelningar: Schmidts andra symfoni med Malmös symfoniorkester ledd av Vasilij Sinajskij på skivmärke Naxos; med Chicagos symfoniorkester under ledning av Neeme Järvi på Chandos (Referensen) samt en live-inspelning med Wiens filharmoniker dirigerad av Dimitri Mitropoulos på skivmärket Music & Arts. Beethovens pianosonater med Paul Lewis på skivmärke Harmonia Mundi, Alfred Brendel på Philips samt med Friedrich Gulda på märket Decca.  Svepet Johan sveper över två historiska album, båda inspelade på ICA Classics; den första där Herbert von Karajan leder Philharmonia Orchestra i musik av Mozart (bl a pianokonsert nr 23 med solisten Clara Haskil), Ravel och Tjajkovskij, inspelad 1955-56 i Royal Festival Hall i London samt den andra som även den är inspelad i Royal Festival Hall 1953 där Guido Cantelli leder Philharmonia Orchestra i musik av Rossini, Schumann och Brahms.

Semyon Bychkov is sought after across the world as a conductor of all repertoire, but he has a particularly deep connection with the music of Tchaikovsky. He talks to Tom about the music of this oft-misunderstood composer as he continues his season-long Tchaikovsky project, and gives his opinions on the state of culture in Russia and the West today. Composer Brian Irvine discusses his music and community projects in Hull as part of the PRS Foundation New Music Biennial, and following the publication of a new book exploring connections between music and landscape architecture, Tom meets the author David Nicholas Buck together with the writer and performer Kate Romano to explore the areas where these two disciplines share common ground.

I programmet diskuteras bl.a. Ann Hallenbergs Farinelli-skiva, Tjajkovskijs 6a med Bychkov och pianisten Louis Lorties inspelning med pianomusik av Fauré. Johan möter dirigenten Vladimir Jurowski. I panelen Johanna Paulsson, Niklas Lindblad och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor: W A MOZART Violinkonserter Isabelle Faust, violin Il Giardino Armonico Giovanni Antonini, dirigent Harmonia Mundi HMC 902230-31 GABRIEL FAURÉ Après un reve  A Fauré recital Louis Lortie, piano Chandos CHAN 10915 FARINELLI Ett porträtt Live i Bergen Ann Hallenberg, mezzosopran Les Talens Lyriques Christophe Rousset, dirigent AP Arte AP 117 PETER TJAJKOVSKIJ Symfoni nr 6, Romeo och Julia Tjeckiska filharmonin Semyon Bychkov, dirigent Decca 483 0656 Johan möter Johan Korssell träffade den ryske dirigenten Vladimir Jurowski, chefdirigent för Londons filharmoniker, i samband med en konsert i Royal Festival Hall i London i oktober 2016. Referensen Johan spelar ur, belyser och refererar till två alternativa inspelningar av Tjajkovskijs sjätte symfoni, nämligen den med New Yorks filharmoniker under ledning av Leonard Bernstein inspelad 1986 på DG samt med Londons symfoniorkester ledd av Igor Markevitch och inspelad 1962 på Philips. Andra i programmet nämnda eller rekommenderade inspelningar: Pianomusik av Fauré med Jean-Philippe Collard på Brilliant Classics. Louis Lorties tidigare utgåvor med musik av Ravel och Beethoven på skivmärke Chandos. Mozarts violinkonserter med Christian Tetzlaff, som solist och dirigent tills. med Deutsche Kammerphilharmonie, Bremen, på skivmärke Virgin Classics; David Oistrach och Lamoureux-orkestern, Paris under Bernard Haitink på Philips; Isaac Stern och Cleveland-orkestern ledd av George Szell på Columbia; Andrew Manze som solist och dirigent med The English Concert på märke Harmonia Mundi; samt med Arthur Grumiaux tillsammans med Londons symfoniorkester ledd av Colin Davis på Philips. Isabelle Fausts inspelningar med Bachs verk för soloviolin, Bartóks två violinkonserter samt Beethovens violinsonater tillsammans med pianisten Alexander Melnikov alla inspelade på Harmonia Mundi. Farinellis arior med countertenoren Philippe Jarousski på Erato samt med Cecilia Bartoli på Decca. Tjajkovskijs sjätte symfoni med Concertgebouw-orkestern ledd av Semyon Bychkov på Philips; Leningradfilharmonin under Vladimir Mravinskij på DG; Mariinskij-teaterns orkester, Sankt Petersburg dirigerad av Valerij Gergijev på Philips; Nordnorska symfoniorkestern, Bodö under Christian Lindbergs ledning på Bis;  Inget svep denna vecka

Eminent conductor Semyon Bychkov has recently embarked on a multi-year series of performances and recordings of the music of Pyotr Ilyich Tchaikovsky. The Russian-born Maestro joins us to talk about the first recording in the project, which includes Tchaikovsky's Symphony No. 6, The Pathétique.  

Music legend Bob Dylan has won the Nobel Prize for Literature on the day the death of previous winner, playwright Dario Fo, was announced. We get reaction to both the singer-songwriter becoming a Nobel laureate and the legacy of the Italian who penned Accidental Death of an Anarchist.Tutankhamun is the new Sunday evening drama on ITV, focusing on Howard Carter's discovery in 1922 of the grave of the boy pharaoh buried in Egypt 3,300 years ago. The drama's writer Guy Burt discusses his approach to his telling of the story of 'King Tut'.Russian conductor Semyon Bychkov is embarking on a monumental Tchaikovsky project, with three concerts and the release of the 6th Symphony, the Pathétique, the first in a cycle of new recordings. He talks to Samira Ahmed about his lifelong relationship with the music of the composer he calls his 'beloved friend'.Presenter Samira Ahmed Producer Marilyn Rust.

Picks from the week on In Tune with Sean Rafferty: conductor Semyon Bychkov, pianist Lucas Debargue, folk singer Kate Rusby, auctioneer Simon Maguire, and The Horne Section.

Semyon Bychkov on conducting Tchaikovsky's Eugene Onegin at the Royal Opera House.

On Start the Week Tom Sutcliffe picks through the remains of vanished buildings with the writer James Crawford. In his book, Fallen Glory, Crawford looks at the life and death of some of the world's most iconic structures. The conductor Semyon Bychkov explores why some music fades, and the enduring appeal of Tchaikovsky's Eugene Onegin. Julia Sallabank studies endangered languages and whether it's possible to revive indigenous languages on the verge of extinction. And it is origins which feature on Peter Randall-Page's latest sculpture: a naturally eroded glacial boulder carved with stories of creation myths from cuneiform to text speak. Producer: Katy Hickman.

Semyon Bychkov, fresh from winning the best conductor prize at the International Opera Awards, talks to Suzy Klein about his upcoming concerts at the Royal Academy of Music and with the London Symphony Orchestra, as well as his visit to the BBC PROMS this season with the Vienna Philharmonic and an early passion for volleyball.

A guide to Verdi's opera Don Carlos featuring the voices of opera historian Sarah Lenton, Verdi experts Flora Willson and Nicholas Baragwanath, as well as conductors Antonio Pappano and Semyon Bychkov and tenor Rolando Villazón.

A guide to Wagner's opera Lohengrin featuring the voices of Wagner experts Nicholas Baragwanath and John Deathridge, singer Petra Lang, critic Fiona Maddocks and conductor Semyon Bychkov.

In the first of a series of interviews with prominent musicians, writer and broadcaster Norman Lebrecht talks to one of the world's most sought after conductors, Semyon Bychkov. Born in Russia, growing up during the Soviet era, he finished his education in the United States. He talks about living in poverty in Leningrad, crammed into a single room with his parents and brother, and having to share a bathroom with several families. He describes himself as obsessive about music, yet denies ever being a control freak. Married to pianist Marielle Labeque, he also discusses his difficult relationship with his brother, Yakov Kreizberg who died earlier this year. Producer, Jeremy Evans.

Andrew Marr talks to the conductor Semyon Bychkov about Tannhauser, Wagner's tortured artist, out of place in conventional society. While the scientist Mark Miodownik takes a measure of the world, and asks 'Does size matter?' in this year's Royal Institution Christmas Lectures. Author Susan Hill ponders kindness, grief and miracles and the television screenwriter Tony Jordan forsakes EastEnders to take on 'the greatest story ever told', the Nativity. Producer: Katy Hickman.