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So excited to share this fantastic interview with artist, Philemona Williamson! Find out more about Philemona's vibrant paintings that show twisting, gender-bending adolescents "up to stuff," and her fascinating ambiguous poetic sense of narrative (and also why I have appointed her an Honorary New Orleanian!). Philemona also grew up in a famous Art Deco building in NYC, and her childhood stories are not to be missed. Works mentioned: "Branching Eyes" 2023, "The Gathering" 2021, "Verbena Street 2" 2022, "Snow Interrupted" 2021 More info about Philemona Williamson: Philemona's website: https://www.philemonawilliamson.com/ Philemona on IG: https://www.instagram.com/philemona8/ Her MTA Fused Glass Panels at Livonia Ave, Queens (L train): https://www.nycsubway.org/perl/artwork_show?206 Current/Upcoming Exhibitions: June Kelly Gallery, NYC, Apr 18 - June 4, 2024: https://www.junekellygallery.com/williamson/index.html Passerelle, Centre d'art contemporain d'intérêt national, Brest, France, June-Aug 2024: https://www.cac-passerelle.com/expositions/en-cours/ In "Century: 100 Years of Black Art at MAM" Montclair Art Museum, NJ, Through July 7, 2024: https://www.montclairartmuseum.org/exhibition/century-100-years-black-art-mam Philemona Williamson has exhibited her work for over 25 years at the June Kelly Gallery in NYC and recently, at her mid-career retrospective at the Montclair Art Museum in NJ. She is the recipient of numerous awards and residencies including the Joan Mitchell Foundation, Pollock Krasner, National Endowment For The Arts, New York Foundation For The Arts and Millay Colony as well as serving on the advisory board of the Getty Center for Education. Her work has been shown in many solo and group exhibitions such as The Queens Museum of Art, Wisconsin's Kohler Art Center, The Sheldon Museum in Nebraska, The Bass Museum in Miami, The Mint Museum in North Carolina, The Forum of Contemporary Art in St. Louis, The International Bienal of Painting in Cuenca, Ecuador and most recently at the Anna Zorina Gallery in NYC. She is represented in numerous private and public collections, including The Montclair Art Museum; The Kalamazoo Art Institute; The Mint Museum of Art; Smith College Museum of Art; Hampton University Museum; Sheldon Art Museum; Mott-Warsh Art Collection, and AT&T. Her public works includes fusedglass murals created for the MTA Arts in Transit Program at the Livonia Avenue Subway Station in Brooklyn, a poster for the MTA Poetry In Motion and — for the NYC School Authority — a mosaic mural in the Glenwood Campus School. She currently teaches painting at Pratt Institute and Hunter College in NYC. All music by Soundstripe ---------------------------- Pep Talks on IG: @peptalksforartists Amy, your beloved host, on IG: @talluts Pep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8s BuyMeACoffee Donations always appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support
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Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
Ep.132 features Rico Gatson, a multimedia visual artist whose work explores themes of history, identity, popular culture and spirituality, through sculpture, painting, drawing, video, and public art projects. Over the course of almost two decades, he has been celebrated for politically layered artworks, often based on significant moments in black history. From the Watts Riots, the formation of the Black Panthers, to the election of President Barack Obama are a few subjects touched upon in his work. His work has been exhibited nationally and internationally, including exhibitions at The Studio Museum in Harlem, NY; The Whitney Museum of American Art, NY; The Essl Museum, Austria, Vienna and The Smithsonian American Art Museum in Washington, DC. In 2019 completed a large commission for MTA Arts and Design in titled “Beacons”; eight permanent large-scale mosaics of prominent figures associated with and installed in a subway station in the Bronx. His work is featured in the permanent collections of The Smithsonian American Art Museum, The Studio Museum in Harlem, The Denver Art Museum, The Cheekwood Museum, The Kempner Museum and The Yale University Art Gallery. His work is also included in numerous private collections. Headshot photo courtesy of the Artist Artist https://ricogatson.com/ Miles McEnery https://www.milesmcenery.com/artists/rico-gatson Issuu Nov 2022 Publication https://issuu.com/amy-nyc/docs/rico_gatson_pages_22581d0e587ad7 Art Rabbit https://www.artrabbit.com/events/rico-gatson-spectral-visions Feldman Gallery https://feldmangallery.com/artist-home/rico-gatson Studio Museum of Harlem https://studiomuseum.org/artist/rico-gatson Ocula https://ocula.com/art-galleries/miles-mcenery-gallery/artworks/rico-gatson/untitled-triple-consciousness/ SVA https://sva.edu/faculty/rico-gatson Christies Real Estate https://www.christiesrealestate.com/blog/creative-spirit-in-the-studio-with-artist-rico-gatson/ Anderson Ranch https://www.andersonranch.org/people/rico-gatson/ Sugar Hill Museum https://www.sugarhillmuseum.org/rico-gatson Artnet https://www.artnet.com/artists/rico-gatson/events Art for Change https://artforchange.com/collections/rico-gatson Wikipedia https://en.wikipedia.org/wiki/Rico_Gatson
This episode is also available as a blog post: https://thecitylife.org/2022/10/15/mta-arts-design-announces-contemporary-artists-commissioned-to-create-artworks-for-mtas-new-grand-central-madison-terminal/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Philemona Williamson is a narrative painter who has shown widely in the United States and abroad. Her work explores the tenuous bridge between adolescence and adulthood, encapsulating the intersection of innocence and experience at its most piercing and poignant moment. The lush color palette and dreamlike positioning of the figures ensures that their vulnerability - of age, of race, of sexual identity - is seen as strength and not as weakness. “My figures navigate a world of uncertainty as they search for understanding—both internally and in ever-shifting environments. I see the figures as vehicles to explore the existence of the most vulnerable adolescents, those evolving people of color, grappling with what will define and identify them. My paintings give voice and space to invisibility.” Williamson has exhibited her work for over 25 years at the June Kelly Gallery in NYC and recently, at her mid-career retrospective at the Montclair Art Museum in NJ. She is the recipient of numerous awards and residencies including the Joan Mitchell Foundation, Pollock Krasner, National Endowment For The Arts, New York Foundation For The Arts and Millay Colony as well as serving on the advisory board of the Getty Center for Education. Her work has been shown in many solo and group exhibitions such as The Queens Museum of Art, Wisconsin's Kohler Art Center, The Sheldon Museum in Nebraska, The Bass Museum in Miami, The Mint Museum in North Carolina, The Forum of Contemporary Art in St. Louis, The International Bienal of Painting in Cuenca, Ecuador and most recently at the Anna Zorina Gallery in NYC. She is represented in numerous private and public collections, including The Montclair Art Museum; The Kalamazoo Art Institute; The Mint Museum of Art; Smith College Museum of Art; Hampton University Museum; Sheldon Art Museum; Mott-Warsh Art Collection, and AT&T. Her public works includes fusedglass murals created for the MTA Arts in Transit Program at the Livonia Avenue Subway Station in Brooklyn, a poster for the MTA Poetry In Motion and — for the NYC School Authority — a mosaic mural in the Glenwood Campus School. She currently teaches painting at Pratt Institute and Hunter College in NYC. For Philemona’s latest project, she created a series of paintings for the children’s book Lubaya’s Quiet Roar, just out from Penguin Random House. "The Gathering" 48" x 60 ” oil on canvas 2019 "Here I Hold Becoming” 48” x 60” oil on canvas 2020
Jonah and Renessa catch up about life, work, and the shooting of Jacob Blake in Wisconsin. BLACK LIVES MATTER. DEFUND THE POLICE. NO JUSTICE, NO PEACE. SPEAK UP AND VOTE.Our guest today is Marcos Chin, an award-winning illustrator whose work has appeared as surface and wall designs, on book and CD covers, advertisements, fashion catalogs, and magazines. He has worked with clients such as MTA Arts for Transit, Neiman Marcus, Fiat, Budweiser, Time, Rolling Stone, The New Yorker, GQ, Sports Illustrated, and The New York Times. Marcos has given lectures and workshops throughout the U.S. and abroad, and currently lives in New York where he teaches Illustration at the School of Visual Arts. We heard about his work during the pandemic, his creative heroes and passion for writing fan letters, his Canadian and African roots, participating in the #BlackLivesMatter movement and what Pride meant for him this year, how he started getting big clients and being published, his experience with artist agents, his personal artwork, sharing his process and queerness on social media, teaching at SVA, and (bonus) his first time seeing a vagina!Stay tuned after the interview for a new installment of Qmmunity Updates, where we highlight queer companies and creators! If you would like to submit yourself for an upcoming episode, send Jonah an email at info@thequeercreative.com with the subject line “Qmmunity Updates” and he’ll get back to you as soon as possible.Show links:http://www.marcoschin.comhttps://www.instagram.com/marcoschinart/https://twitter.com/marcoschinarthttps://www.facebook.com/marcoschinWhat Does Pride Mean Now? article: https://www.nytimes.com/2020/06/16/arts/author-gay-pride-2020.htmlQmmunity Updates links:hillsandholler.com / Insta: @hillsandhollerevanjpeterson.com / Twitter: @evanjpeterson / Insta: @evan.j.petersongayprideapparel.com / Insta: @gayprideapparel / Twitter: @GayPrideApp
State of the Art Founder Ethan James Appleby returns to introduce our new host, Gabriel Barcia-Colombo (aka Gabe), and SOTA's return to its roots primarily as an art + tech podcast. Gabe was previously a guest on the podcast, back in 2018 in episode 48 "The Art of Collecting Memories". Together they discuss Gabe's latest projects and where he plans on taking the podcast.You can email Gabe at gabe@thestateoftheart.org-About Gabriel Barcia-Colombo-Gabriel Barcia-Colombo is a mixed media artist whose work focuses on collections, memorialization and the act of leaving one's digital imprint for the next generation. His work takes the form of video sculptures, immersive performances, large scale projections and vending machines that sell human DNA. His work plays upon this modern exigency in our culture to chronicle, preserve and wax nostalgic, an idea which Barcia-Colombo renders visually by “collecting” human portraits on video.Gabriel was commissioned to be the first digital artist to show work at the New Fulton Terminal Stop with the MTA Arts & Design program in New York City. His work has been featured in the Volta, Scope, and Art Mrkt art fairs, Victoria & Albert Museum as well as Grand Central Terminal and the New York Public Library. He recently received an Art and Technology grant from the Los Angeles County Museum of Art where he created "The Hereafter Institute," a company that questions the future of death rituals and memorials and their relationship to technology. His work is part of the permanent collection of the Los Angeles County Museum of Art. Gabriel served as a member of the artist advisory board at the New York Foundation for the Arts, as well as the education committee member at the Museum of Art and Design. In 2012 Gabriel gave a TED talk entitled "Capturing Memories in Video Art," and in 2014 he gave another entitled "My DNA Vending Machine" and was awarded a Senior TED fellowship. In 2016 Gabe founded Bunker.nyc a pop up gallery showcasing emerging art made with technology. Bunker became the first pop up digital art gallery to open in the Sotheby's Auction House in New York Summer 2017. Gabe is a New York Foundation for the Arts grant awardee and faculty member at the Interactive Telecommunications Program at New York University's Tisch School of the Arts. Learn more about Gabe at https://www.gabebc.com/Follow him @GabeBC
Leslie Wayne was born in 1953 in Landstül, Germany to American parents and grew up in Southern California. She studied painting at the College of Creative Studies, UC Santa Barbara for two years before moving to Paris for a year, followed by five years in Israel. In 1982 she moved to New York and received her BFA with Honors in Sculpture from Parsons School of Design. Her signature abstract paintings are known for their highly dimensional surfaces of oil paint with strong references to geology. She is the recipient of numerous awards, including a fellowship from the John Simon Guggenheim Memorial Foundation, a Joan Mitchell Foundation Grant, a Pollock-Krasner Foundation Grant, 2 New York Foundation for the Arts Fellowships in Painting, a New York State Council on the Arts Projects Residency Grant, a Yaddo Artists Fellowship, a Buhl Foundation Award for abstract photography and an Adolph and Esther Gottlieb Foundation Grant. She has exhibited widely throughout the United States and abroad and her work is in the public collections of the Birmingham Museum of Art, Birmingham, AL; la Coleccion Jumex, Mexico City; Collezione Maramotti, Reggio Emilia, Italy; the Corcoran Gallery of Art, Washington DC; le Fondation Cartier pour l’art contemporain, Paris; the Cooper Hewitt Design Museum Smithsonian Library, NYC; The Miami Museum of Contemporary Art, FL; the Portland Museum of Art, Portland, OR; the Davis Museum of Art, Wellesley, MA; and the Neuberger Museum of Art, Purchase, NY, among others. In 2017 the MTA Arts and Design program in New York City commissioned her to create a window for the Bay Parkway Station on the Culver (F) line in Brooklyn, NY. She is a member and serves on the Board of the National Academy of Design. Wayne is represented by Jack Shainman Gallery and lives and works in New York City.
We were introduced to the fascinating work of Gabriel Barcia-Colombo when we stumbled across his TedTalk "Capturing memories in video art" in which Gabe discussed his memorialization of friends via virtual and cellular means. His piece, Animalia Chordata, reads like a cabinet of curiosity displaying people trapped in glass jars, individuals who seemingly respond to one's presence; others are a little less humorous and a tad unsettling, like his DNA Vending machine which grants patrons the opportunity to purchase actual DNA samples. In all of his projects, Gabe explores and plays with capturing memories, the role of technology in society, the virtual and physical identities we create across platforms, and so much more.In this episode, we speak with Gabe about his mixed-media, interactive work, his personal trajectory from cinema to digital art, his projects with Soethby', the reception and role of tech art in the art world, and the future of art and ownership.-About Gabriel Barcia-Colombo-Gabriel Barcia-Colombo is a mixed media artist whose work focuses on collections, memorialization and the act of leaving one's digital imprint for the next generation. His work takes the form of video sculptures, immersive performances, large scale projections and vending machines that sell human DNA. His work plays upon this modern exigency in our culture to chronicle, preserve and wax nostalgic, an idea which Barcia-Colombo renders visually by “collecting” human portraits on video.Gabriel was commissioned to be the first digital artist to show work at the New Fulton Terminal Stop with the MTA Arts & Design program in New York City. His work has been featured in the Volta, Scope, and Art Mrkt art fairs, Victoria & Albert Museum as well as Grand Central Terminal and the New York Public Library. He recently received an Art and Technology grant from the Los Angeles County Museum of Art where he created "The Hereafter Institute," a company that questions the future of death rituals and memorials and their relationship to technology. His work is part of the permanent collection of the Los Angeles County Museum of Art. Gabriel served as a member of the artist advisory board at the New York Foundation for the Arts, as well as the education committee member at the Museum of Art and Design. In 2012 Gabriel gave a TED talk entitled "Capturing Memories in Video Art," and in 2014 he gave another entitled "My DNA Vending Machine" and was awarded a Senior TED fellowship. In 2016 Gabe founded Bunker.nyc a pop up gallery showcasing emerging art made with technology. Bunker became the first pop up digital art gallery to open in the Sotheby's Auction House in New York Summer 2017. Gabe is a New York Foundation for the Arts grant awardee and faculty member at the Interactive Telecommunications Program at New York University's Tisch School of the Arts.You can learn more about Gabriel Barcia-Colombo hereFollow Gabe @gabebcTweet him @gabebcCover art by Graydon Speace
Joseph Cavalieri is an award-winning native New York artist and educator. His work can be seen in the permanent collection of the Museum of Arts and Design, the Leslie-Lohman Museum, the Italian American Museum, and the Stax Museum. He has exhibited in the US and Europe, most recently a solo show at the Ivy Brown Gallery in Chelsea, New York. Cavalieri has produced private and public art commissions including an MTA Arts for Transit public art installation at the Philipse Manor Train Station in Westchester, New York. Cavalieri works in a material with a powerful spiritual history: painted stained glass. Since 1997, he has taught workshops around the world, and has been invited to over 12 artist residencies. In 2015, he was the keynote speaker for the Glass Society of Ireland and NCAD Glass Conference.Cavalieri's aim is to merge contemporary imagery with the time-honored processes of painted stained glass, a material with a powerful spiritual history. His work is based of historic fables, contemporary pop art and human and architectural icons.
Joseph Cavalieri is an award-winning native New York artist and educator. His work can be seen in the permanent collection of the Museum of Arts and Design, the Leslie-Lohman Museum, the Italian American Museum, and the Stax Museum. He has exhibited in the US and Europe, most recently a solo show at the Ivy Brown Gallery in Chelsea, New York. Cavalieri has produced private and public art commissions including an MTA Arts for Transit public art installation at the Philipse Manor Train Station in Westchester, New York. Cavalieri works in a material with a powerful spiritual history: painted stained glass. Since 1997, he has taught workshops around the world, and has been invited to over 12 artist residencies. In 2015, he was the keynote speaker for the Glass Society of Ireland and NCAD Glass Conference. Cavalieri's aim is to merge contemporary imagery with the time-honored processes of painted stained glass, a material with a powerful spiritual history. His work is based of historic fables, contemporary pop art and human and architectural icons.
This month’s Study With the Best focuses on visual arts – painters, photographers, the MTA Arts for Transit program, and a pop-up gallery.