Podcasts about arts design

Society is evolving at an unprecedented pace, but are our schools keeping up? In this compelling conversation, Adriano Di Prato, co-author of Game Changers: Leading Today's Learning for Tomorrow's World, explores the balance between honoring our traditions and exploring innovation in education. We discuss how school leaders can adapt to a rapidly changing world, what it means to be a "game-changing" leader, and the role courage and purpose play in transforming schools for a future-ready model. If you're ready to challenge the status quo and rethink leadership in education, this deep and impactful conversation is for you!  About Adriano Di Prato: Adriano Di Prato serves as the Campus Director at LCI Melbourne, a progressive art, design, and enterprise institute of higher education that is part of a global network of 23 campuses, originally founded as LaSalle College International in Montreal, Canada, over 65 years ago. Adriano is the co-author of the bestselling book Game Changers: Leading Today's Learning for Tomorrow's World, where he advocates for a bold new social contract for learning—one grounded in regenerative, long-term interactions that prioritise human-centred innovation, ecological sustainability, and the transformative potential of education. His work challenges the status quo, emphasising the importance of designing learning ecosystems that nurture both individual growth and collective wellbeing. An influential thought leader, Adriano was named one of the Edruptors of 2022 by ISC Research UK and has been recognised as one of Australia's Top 50 Most Influential Educators by The Educator magazine in both 2022 and 2023. In 2024, he was invited to deliver a keynote at the Second Arab International Conference on AI in Education in Tunisia, where he explored the transformative potential of artificial intelligence in reshaping education while emphasising unlocking the human dimension within educational ecosystems. In 2023, Adriano's collaboration with Catholic Education South Australia led to the creation of Limitless Possibilities, a social entrepreneurial learning model that earned recognition in the inaugural ACER Teacher Awards for Curriculum Design and Implementation. Grounded in Catholic Social Teaching Principles and underpinned by Project-Based Learning (PBL) and Design Thinking methodologies, this innovative framework empowers students to create socially just and sustainable solutions for a better future. Throughout his extensive 26-year career in secondary education, Adriano has held key leadership roles in curriculum, operations, and student well-being. This includes 12 years as Deputy Principal at Marcellin College, where his leadership helped establish the school as one of Victoria's top-performing Catholic boys' schools. He also served for 10 years at Caroline Chisholm Catholic College, including four years as Deputy Principal, where he contributed to the development of a vibrant and inclusive learning community. Academically, Adriano holds a Bachelor of Arts (Design) from Monash University, a Teaching degree, a Master of School Leadership from the University of Melbourne, and a Postgraduate Certificate in Not-for-Profit Management from Australian Catholic University. He also completed a Theology study audit at the ACU Centre in Rome in 2017, deepening his commitment to Catholic education, which earned him Honorary Life Membership from the VCSSDPA in 2015. Adriano's vision for education is both hope-filled and deeply purposeful, as he believes education's greatest calling is not merely to...

Cat Willett is a Brooklyn-based artist. She has written, illustrated, and published two full-length books. The first is The Queen of Wands: The Story of Pamela Colman Smith, the Artist Behind the Rider-Waite Tarot Deck. Her newest book, Women of Tarot, An Illustrated History of Divinators, Card Readers, and Mystics is out next week. Cat is fascinated by tarot as a facet of art history, and her work aims to elevate the women behind its evolution. She's dedicated the last few years to telling these magical stories in her published books, both of which feature her own research and gorgeous artwork. Cat also makes illustrated comics about parenting, motherhood, gender, and animals, and she is a regular contributor to The Washington Post. Other clients and publications include The New York Times, Apple, Doc Martens, the Museum of Arts + Design, and the Brooklyn Botanic Garden, and she is available for select freelance work and projects as well. On this episode, Cat discusses visionary tarot artists such as Pamela Colman Smith and Lady Frieda Harris, the illuminating power of illustration, and the divinely feminine history of divination.Pam also talks about tarot's impact on the arts, and answers a listener question about witchly concerns regarding a religious pre-school. Our sponsors for this episode are Black Phoenix Alchemy Lab, Sphere + Sundry, BetterHelp, The Queer Witches of Maude's Paperwing Gallery, and Snowy Owl Tea.Please consider donating to Pam's fundraiser for the Palestine Children's Relief FundWe also have brand new print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Pasakorn Intoo-Marn and Sorayut Aiemueayut  This dialogue covers artist-led research projects taking place over the last decade of political transformation in Thailand with Pasakorn Intoo-Marn (Lecturer in Theatre and Performance Practice at the Faculty of Fine and Applied Arts, Thammasat University) and Sorayut Aiemueayut (Lecturer in Visual Culture at the Dept. of Media, Arts & Design at Chiang Mai University). The interview was conducted at the 2023 Arts in Society conference in Krakow Poland.    Links: https://www.facebook.com/pasakorn.intoomarn/ https://www.facebook.com/sorayut.aiemueayut/ https://artsinsociety.com/    

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Black Arts Design w/David Bleakley | Extreme Benchrest XI 2022 - Atlas Airguns Podcast A short interview with one of the coolest guys in the industry, David Bleakley from Black Arts Design. You can find out more about David and Black Arts Design on his website: https://blackartsdesign.com Facebook: https://www.facebook.com/BlackArtsDesign1 Instagram: https://www.instagram.com/blackartsdesign/ --- Support this podcast: https://anchor.fm/atlas-airguns/support

Industrial Design, Creative Inspiration & Personal Projects! Today, we chat about a fun new magazine that Zak got, celebrating all different design industries and giving Sean Platek a big plate of sandwiches. On today's episode of “The Process” we discuss: Daylight savings time John Mullaney's show Communication Arts Design Annual Celebrating design in a magazine Finding good design magazines Having physical magazines Giving Sean Platek sandwiches All the links, all the time! Industrial Design, Creativity & Inspiration! For Industrial Design related business inquiries: Big Design Company Website: www.bigdesigncompany.com Big Design Company email: hi@bigdesigncompany.com Follow us on Instagram! @theprocess__podcast Zak Watson // LinkedIn Behance Website NFTs Dylan Torraville // LinkedIn Website 3D Dyl Behance Send us an email to hi.theprocesspodcast@gmail.com if you have any questions or want to reach out! The Process is a podcast created by industrial designers Dylan Torraville and Zak Watson. Dyl and Zak are picking up microphones to chat about their experiences in design school, personal projects and navigating the creative process. Oh yeah, and there will be some sweet interviews with other designers and friends too.

Black Arts Design w/David Bleakley | Extreme Benchrest XI 2022 - Atlas Airguns Podcast A short interview with one of the coolest guys in the industry, David Bleakley from Black Arts Design. You can find out more about David and Black Arts Design on his website: https://blackartsdesign.com Facebook: https://www.facebook.com/BlackArtsDesign1 Instagram: https://www.instagram.com/blackartsdesign/ #airgun #extremebenchrest #airguns #pewpew #pewpewlife #rangeday #airgunsofarizona --- Support this podcast: https://anchor.fm/atlas-airguns/support

This episode is also available as a blog post: https://thecitylife.org/2022/10/15/mta-arts-design-announces-contemporary-artists-commissioned-to-create-artworks-for-mtas-new-grand-central-madison-terminal/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

In today's episode of the Finding Fearless podcast, I have a critical conversation with the one and only Jo Marini.Jo Marini is the founder of Mother Superior, a venture and social purpose foundry focused on redesigning venture capital. She's also the co-founder of Mothership Materials, a biotech and skincare brand focused on transforming end-to-end sustainability for the wellness industry. In addition, Jo is also a graduate professor at the California College of Arts Design where she teaches sustainability studios as a part of their MBA program.We have an incredibly important conversation about the importance of deep diving into systemic thinking in order to restructure businesses and the overall wellness industry for impact. Jo shares her wealth of knowledge in the world of business and how the many professional hats she wears intersect and harmonize. She talks about supporting her students and setting them up to become change makers while also deepening their understanding of business and systems.Tune into this inspiring and important conversation all about making sustainable changes from the ground up.In this episode, we cover:What shaped Jo Marini into the woman she is todayWhat pulled Jo into the world of business?The different professional hats that Jo wears, how they intersect, and how she harmonizes them all togetherHow to support the ideas of students to make progressWhy business is all about systems Advice for founders who are embarking on a journey into the wellness industryAbout Jo:Jo specializes in helping impact-driven founders redesign and transform the social, environmental, and power systems in which their ventures are focused.She is the co-founder of Mothership Materials and REYN, a biotech startup and skincare brand, respectively, each transforming end-to-end sustainability for the wellness industry. She is also a graduate professor at California College of the Arts Design MBA program, where she teaches Sustainability Studio.(I'm still active with Mother Superior, but it has taken on a different form since we last spoke -- can decide to omit this or work in a shortened version for context, if appropriate.... Jo is also the founder, and present advisor, of Mother Superior, a VC & impact foundry dedicated to creating access and opportunity for founders who have been historically excluded from venture capital and aligning purpose-driven entrepreneurs with unique and generative impact models.)Links Mentioned:https://www.mothersuperior.coInstagram: https://www.instagram.com/signora.fortuna/  LinkedIn: https://www.linkedin.com/in/jomarini/ Rate and subscribe to The Finding Fearless Podcast - Apple, Spotify Know a Female Founder you'd love to hear on the podcast? Shoot us an email to hello@fearlessfoundry.com to submit their info! The Finding Fearless Podcasts primary purpose is to highlight female entrepreneurs' voices. This has been a Fearless Foundry production. All audio is recorded and owned by Fearless Foundry.

Join our Discord community on: thecreativeinsider.com/discord In this episode of The Creative Insider Podcast, we had a conversation with Bulgarian computational art expert, musician, and producer, Ivaylo Chichanov. During the conversation, we have discussed Ivaylo's background in computational art and his opinions about the new AI Platforms like Midjourney and DALL-E 2. You can get in touch with Ivaylo on: https://www.instagram.com/ivaylochichanov/ If you want to be a real Insider subscribe to our newsletter here: https://thecreativeinsider.com/subscribe/ Don't miss our exclusive content across all our channels: Twitter: @tcipodcast_eu TikTok: @tcipodcast Instagram: @tcipodcast LinkedIn: The Creative Insider If you are getting value out of TCI coffee is always needed: https://ko-fi.com/tcipodcast Stay around soon more content on our YouTube Page: The Creative Insider Thank you for your support, Désirée and Georgi :)!

In our second episode with the amazing Laura Splan, we talk about the rewards of providing exhibition opportunities for others, the promise of the NFT as a viable distribution model for long format video art, transfiguration!, the roll of magic in art, how our relationship to science, technology and medicine emerges in our daily lives, the beauty industry's deliberate misuse of the language of spirituality & science in the service of marketing, the enchanted language of spam email and the use of blood as a medium and a metaphor.  Laura Splan is a transdisciplinary artist working at the intersections of science, technology, and culture. Her research-driven projects connect hidden artifacts of biotechnology to everyday lives through embodied interactions and sensory engagement. Her artworks exploring biomedical imaginaries have been commissioned by the Centers for Disease Control Foundation and the Triënnale Brugge. Her work has been exhibited at the Museum of Arts & Design, Pioneer Works, and New York Hall of Science and is represented in the collections of the Thoma Art Foundation, the Chan Zuckerberg Initiative, NYU's Langone Art Collection, and the Berkeley Art Museum.  Her recent exhibitions featuring molecular animations and material artifacts of laboratory animals include her large-scale immersive installation in the Brooklyn Army Terminal at BioBAT Art Space. She is currently developing a new series of collaborative artworks with theoretical biophysicist Adam Lamson for a project supported by the Simons Foundation. Her research as a member of the New Museum's NEW INC Creative Science incubator included collaborations with scientists to interrogate interspecies entanglements in the contemporary biotechnological landscape. She is now a NEW INC Artist-in-Residence at EY where she is collaborating with the Cognitive Human Enterprise at EY on projects and research exploring the implications of virtual technologies. Splan often creates public engagement with her projects to make concepts and techniques behind her work accessible to audiences with programming including everything from all ages bacterial transformation workshops to remote textiles collaborations.

In our first episode with Laura Splan, we talk about her Syndemic Sublime project, coopting scientific tools and processes in the service of art making, driving dynamic visualizations with unexpected data sets, utilizing software in unintended ways, NFTs as just another outlet or platform to explore, the possibilities of custom smart contracts and how they are the most material aspect of the NFT, the conventions of metadata and how exhibition opportunities and access to spaces influences her work. Laura Splan is a transdisciplinary artist working at the intersections of science, technology, and culture. Her research-driven projects connect hidden artifacts of biotechnology to everyday lives through embodied interactions and sensory engagement. Her artworks exploring biomedical imaginaries have been commissioned by the Centers for Disease Control Foundation and the Triënnale Brugge. Her work has been exhibited at the Museum of Arts & Design, Pioneer Works, and New York Hall of Science and is represented in the collections of the Thoma Art Foundation, the Chan Zuckerberg Initiative, NYU's Langone Art Collection, and the Berkeley Art Museum.  Her recent exhibitions featuring molecular animations and material artifacts of laboratory animals include her large-scale immersive installation in the Brooklyn Army Terminal at BioBAT Art Space. She is currently developing a new series of collaborative artworks with theoretical biophysicist Adam Lamson for a project supported by the Simons Foundation. Her research as a member of the New Museum's NEW INC Creative Science incubator included collaborations with scientists to interrogate interspecies entanglements in the contemporary biotechnological landscape. She is now a NEW INC Artist-in-Residence at EY where she is collaborating with the Cognitive Human Enterprise at EY on projects and research exploring the implications of virtual technologies. Splan often creates public engagement with her projects to make concepts and techniques behind her work accessible to audiences with programming including everything from all ages bacterial transformation workshops to remote textiles collaborations.

Welcome to the Atlas Airguns Podcast. On this episode we talk to David, a designer who uses additive manufacturing to produce aftermarket airgun accessories. From FX Airguns to AEAs, Black Arts Design is providing unique solutions such as mirrors, barrel bands, stock magnets and more. If you want to learn about Black Arts Design or additive manufacturing, this episode is for you. If you want to learn more about David and Black Arts Design click on the following links: blackartsdesign.com Instagram Facebook Have a question? Email atlasairguns@gmail.com --- Support this podcast: https://anchor.fm/atlas-airguns/support

In this episode, I talk with Margaret Kerr-Jarrett. Margaret is a writer and strategist. We talk about verbal identity, what it is, how to create it and how to make sure it matches with visual identity. Margaret Kerr-Jarrett is a writer and strategist who partners with companies and brand & design studios to craft verbal identity, brand voice, and messaging for global clients.Her commercial and personal work has been featured in Its Nice That!, Communication Arts, Bezalel School of Arts & Design, HEAPS Magazine, Apricity Press, and elsewhere.Connect with Margaret on LinkedIn (https://www.linkedin.com/in/margaretkerrjarrett/) or on her website www.margaretkj.comIf you're interested in the new course on brand strategy, visit letstalkbranding.com and sign up to the newsletter.

It's time to clock in! This week, we are highlighting Black women excelling in each of our fields - Education, Public Health/Health Equity, and the Arts/Design. It's important for us to give these brilliant Black women their flowers while we can. Read down below for information and links to sites for Amber Scott, Marcella Nunez-Smith, MD, MHS, and Aurora James. Amber Scott: Founder of LeapYear https://theleapyear.org Marcella Nunez-Smith, MD, MHS: Head of White House Health Equity Task Force Associate Dean for Health Equity Research and Associate Professor of Internal Medicine (General Medicine), of Epidemiology (Chronic Disease) and of Public Health (Social And Behavioral Sciences); Associate Dean, Health Equity Research; Founding Director, Equity Research and Innovation Center (ERIC), Yale School of Medicine; Director, Center for Research Engagement (CRE); Director, Center for Community Engagement and Health Equity; Deputy Director for Health Equity Research and Workforce Development, Yale... https://www.yalemedicine.org/specialists/marcella_nunez-smith Aurora James: Founder of Brother Vellies https://brothervellies.com/pages/about-brother-vellies

This week on GovComms, we talk with Professor Sora Park, the Associate Dean of Research and Professor of Communication at the Faculty of Arts & Design at the University of Canberra. Professor Sora Park chats with contentgroup CEO David Pembroke about the rapidly changing media market during and post the COVID-19 pandemic and the challenges of effectively communicating throughout. Sora was the former Director of the News & Media Research Centre at the University of Canberra and the Chair of Media Industry Studies Interest Group, International Communication Association (ICA). She is currently the President of Australian and New Zealand Communication Association (ANZCA).  She has extensive experience in policy research and consultancy regarding digital media in South Korea. In the private sector, she has had various consultancy experiences for major internet and media companies such as KBS, NHN Corp and MBC. She also has lots of education experience, teaching at Hanyang University and Kwangwoon University. Discussed in this episode: Trends in the consumption of Government media and content The impact of citizens being able to access content direct from Government Current issues in the media market such as anti-trust regulation and misinformation The future of media companies

This week on GovComms, we talk with Professor Sora Park, the Associate Dean of Research and Professor of Communication at the Faculty of Arts & Design at the University of Canberra. Professor Sora Park chats with contentgroup CEO David Pembroke about the rapidly changing media market during and post the COVID-19 pandemic and the challenges of effectively communicating throughout. Sora was the former Director of the News & Media Research Centre at the University of Canberra and the Chair of Media Industry Studies Interest Group, International Communication Association (ICA). She is currently the President of Australian and New Zealand Communication Association (ANZCA).  She has extensive experience in policy research and consultancy regarding digital media in South Korea. In the private sector, she has had various consultancy experiences for major internet and media companies such as KBS, NHN Corp and MBC. She also has lots of education experience, teaching at Hanyang University and Kwangwoon University. Discussed in this episode: Trends in the consumption of Government media and content The impact of citizens being able to access content direct from Government Current issues in the media market such as anti-trust regulation and misinformation The future of media companies Hosted on Acast. See acast.com/privacy for more information.

It’s O-Week! In this episode your host Luke, introduces you to some of our coolest clubs in Health, Arts & Design! You’ll hear from: Swinburne University Psychology Association (SUPA), Swinburne Design Collective, Behind the Game, Swinburne Architecture Students Association (SASA), and Swinburne Labor Left. They debate over life’s toughest questions like – “Is it ever ok to store onions in the fridge?” and “What’s a greater quantity of milk – a splash or a dash” ? You’ll also hear about the awesome online social events they have coming up and plenty more!

Interview with Savannah College of Arts & Design (SCAD) Assistant Coach Sinead Byrne as she describes the role of an assistant coach and her development within coaching.

In this episode of Beach Weekly Arts, host Suzane Jlelati sits down with CSULB film student Cathy Bui to discuss her production company room306 in a recurring segment known as Design Brief. Bui, along with three high school friends, were given the opportunity to develop professional video content during Bui's freshman year of college. They have gone from storyboarding in a dorm room to creating advertising and marketing content for professional clients. On-air: Suzane Jlelati. Edited by Julia Terbeche.

Laura Splan is a Brooklyn-based artist whose work mines the materiality of science to reveal poetic subjectivities. Her mixed media projects destabilize notions of the presence and absence of bodies evoking the mutability of categories that delineate their status. Splan’s work compels an intimate engagement with detail calling into question how things are made and what they are made of. She reconsiders perceptions and representations of the corporeal with a range of traditional and new media techniques. She often combines the quotidian with the unfamiliar to interrogate cultural constructions of order and disorder, function and dysfunction. Her frequent combinations of textiles with technology challenge values of "the hand" in creative production and question notions of agency and chance in aesthetics. Her recent Embodied Objects series uses biosensors (electromyography, electroencephalography) to create data-driven forms and patterns for digitally fabricated sculptures, weavings and works on paper as well as for movement in performances with sensor-actuated apparatus. Her current solo exhibition, Conformations, combines biotech imagery, networked devices, and artifacts with sculptures made from the hand-spun fiber of laboratory animals. Splan's work has been exhibited at the Museum of Arts & Design and Beall Center for Art + Technology. International audiences for her work have included Iceland, South Korea, England, Germany, Sweden, Austria, and Canada. Her work is included in the collections of the Thoma Art Foundation, the NYU Langone Art Collection, and the Science Center. Her biomedical themed artworks have been commissioned by the Centers for Disease Control Foundation, the Gen Art New Media Art Exhibition and Davidson College. She has received research funding from The Jerome Foundation and her residencies have been supported by the Knight Foundation, the Institute for Electronic Arts, Harvestworks, and the Pollock-Krasner Foundation. She has been a visiting lecturer at Stanford University teaching interdisciplinary courses including “Embodied Interfaces”, “Data as Material” and “Art & Biology”. She is currently a Creative Experiments track member at NEW INC, the New Museum’s cultural incubator. Sound & Vision is sponsored by Golden Paints.

Brooks Atwood - Le Provocateur, Creative Innovator & DesignerBrooks has been named as one of the “world's innovative creators”, known for his passion for design, collaboration, education, and life. Brooks is the Design Director at OfficeUntitled and has given numerous lectures including TEDx, at the Museum of Arts & Design in New York City, the Museum of Contemporary Art in Sydney, and the Australian Centre of the Moving Image in Melbourne.On today's episode of The Daily Talk Show, we discuss: - OfficeUntitled- Perfection, experimentation and MVPs- Collaboration- Education and play based learning- Knowing your strengths and weaknesses- Making money through creativity- Nostalgia- Notes, routines and rituals- Technology and its relationship with creativityBrooks on Instagram: https://www.instagram.com/brooksatwood/OfficeUntitled: https://www.officeuntitled.com/Watch and listen to this episode of The Daily Talk Show at https://thedailytalkshow.com/519Email us: hi@thedailytalkshow.comSend us mail: PO BOX 400, Abbotsford VIC 3067The Daily Talk Show is an Australian talk show and daily podcast by Tommy Jackett and Josh Janssen. Tommy and Josh chat about life, creativity, business, and relationships — big questions and banter. Regularly visited by guests and gronks! If you watch the show or listen to the podcast, you're part of the Gronk Squad.This podcast is produced by BIG MEDIA COMPANY. Find out more at https://bigmediacompany.com/

Michelle graduated from Trinity College, University of Dublin, Ireland in 1991 with an honours degree in Sociology and German, before training as a journalist. She then worked for newspapers and magazines (both political and lifestyle) for more than 20 years, in Ireland, Britain and then Australia. Michelle's most recent position as a journalist was at The Canberra Times, as editor of the Saturday edition's news review and analysis section. Michelle later moved into academia, joining the Faculty of Arts & Design at the University of Canberra as a Teaching Fellow in Journalism & Communication in 2011. Here, she educated students on political and strategic communication. She received a Communications doctorate in 2015, for her research into the Australian media's representation of Indigenous opposition to the Northern Territory Emergency Response 2007, also known as the Intervention. Michelle then worked as a researcher for the University of Canberra's News & Media Research Centre, specialising in media representation of marginalised groups. Following this, she worked as External Affairs & Media Adviser to Amnesty International Australia. Her most recent role was as Capacity Building Outreach adviser to the Australian Centre for International Agricultural Research, a small government agency under the Australian Aid umbrella. She now works here with us, at contentgroup, as a Senior Communications Strategist. Discussed in this episode: What makes a good journalist Finding the story for your audience Six tips for writing a great story Balancing creativity and consistency for campaign success The benefits of a simple approval process The challenges that come with everyone being a storyteller The importance of curiosity in the workplace Michelle's advice for the modern communicator Hosted on Acast. See acast.com/privacy for more information.

Michelle graduated from Trinity College, University of Dublin, Ireland in 1991 with an honours degree in Sociology and German, before training as a journalist. She then worked for newspapers and magazines (both political and lifestyle) for more than 20 years, in Ireland, Britain and then Australia. Michelle’s most recent position as a journalist was at The Canberra Times, as editor of the Saturday edition’s news review and analysis section. Michelle later moved into academia, joining the Faculty of Arts & Design at the University of Canberra as a Teaching Fellow in Journalism & Communication in 2011. Here, she educated students on political and strategic communication. She received a Communications doctorate in 2015, for her research into the Australian media's representation of Indigenous opposition to the Northern Territory Emergency Response 2007, also known as the Intervention. Michelle then worked as a researcher for the University of Canberra’s News & Media Research Centre, specialising in media representation of marginalised groups. Following this, she worked as External Affairs & Media Adviser to Amnesty International Australia. Her most recent role was as Capacity Building Outreach adviser to the Australian Centre for International Agricultural Research, a small government agency under the Australian Aid umbrella. She now works here with us, at contentgroup, as a Senior Communications Strategist. Discussed in this episode: What makes a good journalist Finding the story for your audience Six tips for writing a great story Balancing creativity and consistency for campaign success The benefits of a simple approval process The challenges that come with everyone being a storyteller The importance of curiosity in the workplace Michelle’s advice for the modern communicator

Dancer/choreographer Akram Khan appeared in the West Coast premiere of XENOS, a Cal Performances co-commission, in Zellerbach Hall on March 2-3, 2019. Khan, who is of British and Bangladeshi descent, is celebrated for physically demanding, visually arresting solo productions that combine Indian kathak with contemporary dance to tell stories through movement. Khan’s full length solo performances of XENOS conjure the despair and alienation suffered by an Indian soldier recruited to fight for the British Crown in the trenches of World War I.As an instinctive and natural collaborator, Khan has been a magnet for world-class artists from other cultures and disciplines. His previous collaborators include the National Ballet of China, actress Juliette Binoche, ballerina Sylvie Guillem, singer Kylie Minogue, writer Hanif Kureishi and composer Steve Reich.In this talk, Akram Khan speaks with Cal Performances’ interim artistic director Rob Bailis in the weekly open session of the Arts + Design course Creativity, Migration, Transformation held at the Berkeley Art Museum and Pacific Film Archive on Feb. 28, 2019. The event was free and open to the public.More information about the class can be found on Berkeley Arts and Design's website.Listen and read the transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

The CAFTCAD Awards was had it first ever awards ceremony. Nominees were selected from all over the country, in categories that ranged from period costume design, to building, and which is the first time this category has been created in any film, and television awards ceremony. Costume Design is one of the most important aspects of film and television, because it translates who the characters are visually, let audiences know who they are before saying a word.During the night Carolyn had the opportunity to speak with Cynthia Amsden. See acast.com/privacy for privacy and opt-out information.

Part 2 of Carolyn's night at the CAFTCAD Awards with an interview of one of the night's winners Alexander Reda, Costume Designer of Anne With an E.The CAFTCAD Awards was had it first ever awards ceremony. Nominees were selected from all over the country, in categories that ranged from period costume design, to building, and which is the first time this category has been created in any film, and television awards ceremony. Costume Design is one of the most important aspects of film and television, because it translates who the characters are visually, let audiences know who they are before saying a word. See acast.com/privacy for privacy and opt-out information.

Welcome Back! We are continuing with the God, the Artistic Creator sharing His plans for Worship with the Artifacts that He requires when He meets with Moses. Today, we will unpack His next Arts Design for the Table of Showbread.  This is the third in the series, so if you missed the First and Second Podcasts in this series, take a moment to go back and get caught up. Also, if you are a note taker, I have created a Google Doc for you to write your notes for you to go back at some point to review them. Please click the Salt & Light Arts Logo below to utilize the notes. And, you are starting to collect items for your Artisan Toolbox, the Bible is a pretty good tool to start with and possibly the best Tool in your Artisan Toolbox.  For this study, I will be using the “Inspired By…The Bible Experience:  The Complete Bible – Today’s New International Version, TNIV: Old Testament (Exodus 25:23-30), Zondervan, 2007”   Wanna add this to your Artisans Toolbox…?  Here’s the link, click the picture! Don't forget to check out my website:  https//saltandlightarts.com  For additional articles or to contact me with suggestions that you would like me to cover on this podcast.   Peace!

Phillip Larrimore is a visual artist who explores that which is between painting and sculpture and realism and abstraction. His most recent work is creating multi-layered paintings on aluminum screens that he shapes into various forms. His paintings have been shown at many exhibits, including at The Gaston County Museum and CPCC Sensoria.  Phillip is also an essayist, an art critic and a poet. He has written extensively for Charlotte Viewpoint and the Charlotte Observer on literature, theater, music and opera. His poetry has been published in The New Yorker magazine. His artistry extends to botany and designing hundreds of gardens for clients of nurseries. He has co-owned a documentary video business on avant-garde dance performance and a retail cacti and orchid store. Phillip studied at the Corcoran School of the Arts & Design. This episode is perfect for anyone interested in hearing an artist with an encyclopedic mind and prodigious memory talk about his life and work.  IN THIS EPISODE Phillip talks about how he thinks of himself, when he is happiest and what haunts him. He discusses what he and Osip Mandelstam, Paul Klee and Jean Arp have in common. He describes what we would see when we encounter his work, what holographic imagery has to do with it, and the construction and reconstruction of appearance. He connects 360 degree thinking to Sufism, Islam and 99 perforated aluminum boxes. He considers William Blake and the choreography of the placement of figure in painting. Phillip answers whether he cares about the viewers of his visual art. Phillip connects the Frieze of the Prophets by John Singer Sargent with being a Trotskyite Jewish boy raised by a Baptist minister. He references To Kill A Mockingbird, a Ouija board, Edgar Allen Poe and spending time in cemeteries. He talks about attending the Corcoran School of the Arts & Design and being a member of the Weather Undergound. Phillip discusses having a nom de guerre, Howard Moss, the  poetry editor of The New Yorker, the poet Elizabeth Bishop, and Alex Liberman, editorial director of Conde Nast. He shares stories about choreographers Elizabeth Streb, Merce Cunningham and Trisha Brown, the musician John Cage, and the critic Edwin Denby. Phillip connects chance operations to the I Ching and sea urchins. He talks about recovering emotionally from being a caregiver during the AIDS crisis.  He discusses converting sorrow into beauty and whether art requires melancholy. After the conversation, host Mark Peres adds a personal word that begins this way, "Sometimes in an interview one misses the obvious because the obvious is hidden in plain site..." To learn more, visit On Life and Meaning.    

Esther de Charon, a.k.a. The Wonderfully Weird Soul Whisperer, is a Certified Transformational Coach, an author, an artist, and an Art Historian with over 25 years of experience in the International Culture, Arts & Design, and Consultancy industries. She has worked with entrepreneurs and large brands such as KLM, Fortis Bank, and GreenWish and has been featured in several publications including The Huffington Post, Marie Claire, and Thrive Global.   Esther joins me on today's Client Case Study segment to share her entrepreneurial story and how she transformed her business to achieve the impossible. She explains how strategically planning her challenges and launches have allowed her to go from having no clients starting out, to helping over 1,000 “wonderfully weird” female entrepreneurs.   “It's all about seeing what's possible.” - Esther de Charon   Today's Client Case Study on The Sigrun Show: How Esther felt about her business one year ago Why she decided to invest in a mastermind The transformational moment in her business The importance of planning your launch or challenge instead of “launching from the hip” How her previous work experience played a role in her business success The importance of knowing what you are capable of Key Takeaway: Following a plan actually gave me a framework. Within a framework, you can do anything you like.   Please share, subscribe and review on iTunes Thank you for joining me on this episode of the Sigrun Show. If you enjoyed this episode please share, subscribe and review on iTunes or Google Play Music so more people can enjoy the show. Don't forget to follow and connect with me on Facebook, Twitter, and Instagram!   Get Your Free Training Through my own entrepreneurial journey and by training thousands of online entrepreneurs I've identified 7 STAGES of a Profitable Online Business. Get free access to the 7 Stages training videos and take your online business to the next stage.

Cher Slater-Barlevi is an American Artist, an Author, and a Spiritual Counselor with a passion for lifting consciousness on this planet. She holds a Masters in Spiritual Psychology and is also an Arts/Design graduate, cum laude, where she has illustrated award-winning children’s books, tabletop books, magazine editorials, education books, and now her very own book, “DOG OF GOD: The Novel, A Wild Romp Through Magical Lands Over her lifetime, this California girl and Hay House author has worked at developing her talents as a Medium: doing readings and using her art for channeling large “SOUL” paintings having to do with images and messages she receives, to helping move people’s lives forward. She also does art with a message for people’s pets to help in the healing process whether it has to do with a pet’s health, the owner’s healing or after a pet’s passing. ”When two dolphin lovers, Zeeep and Eeeoo—vowing to be together forever —lose their lives in a poacher’s snare, they learn their next lives will be on land: Eeeoo becomes Sabrina, a comatose little girl in Montreal, Canada and Zeeep becomes Xico, a flea-ridden dog in a tiny village in Brazil. It seems the two will never be together but the magic of fate relies on a higher knowing. This crossover novel leads the reader on adventures with Xico the dog through mystical travels visiting Otherworldly dimensions, learning the world of healing. The two lovers eventually reunite in Brazil where a famous shaman and psychic surgeon lives. When they meet again, Xico has learned to be a medium and is helping the shaman. He lovingly helps to initiate the healing of Sabrina. When Sabrina’s desperate mother steals Xico and takes him to Canada to be with her daughter, the Brazilian villagers rally together to get their “healing dog” back so he can do his God-given job.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Larry Norman, deputy provost for the arts and associate professor in Romance languages and literature, theater and performance studies, and the College, and Steven Wiesenthal, University architect and associate vice president for facilities services, cordially invite you to celebrate Tod Williams and Billie Tsien Architects at the unveiling of their design for The Reva and David Logan Center for Creative and Performing Arts.Scheduled to open in Spring 2012, the Reva and David Logan Center for Creative and Performing Arts will embody the experimentation and multidisciplinary inquiry, teaching, performance, and production inherent in the University's vision for the arts through the innovative design of Tod Williams Billie Tsien Architects. The Logan Arts Center will become an architectural and cultural destination in Chicago, opening the creative and critical core of the University to the neighborhood and the city as never before. It will serve as a southern gateway to campus where distinguished local and international artists and scholars will create, debate, exhibit, and perform

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Larry Norman, deputy provost for the arts and associate professor in Romance languages and literature, theater and performance studies, and the College, and Steven Wiesenthal, University architect and associate vice president for facilities services, cordially invite you to celebrate Tod Williams and Billie Tsien Architects at the unveiling of their design for The Reva and David Logan Center for Creative and Performing Arts.Scheduled to open in Spring 2012, the Reva and David Logan Center for Creative and Performing Arts will embody the experimentation and multidisciplinary inquiry, teaching, performance, and production inherent in the University's vision for the arts through the innovative design of Tod Williams Billie Tsien Architects. The Logan Arts Center will become an architectural and cultural destination in Chicago, opening the creative and critical core of the University to the neighborhood and the city as never before. It will serve as a southern gateway to campus where distinguished local and international artists and scholars will create, debate, exhibit, and perform

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Larry Norman, deputy provost for the arts and associate professor in Romance languages and literature, theater and performance studies, and the College, and Steven Wiesenthal, University architect and associate vice president for facilities services, cordially invite you to celebrate Tod Williams and Billie Tsien Architects at the unveiling of their design for The Reva and David Logan Center for Creative and Performing Arts.Scheduled to open in Spring 2012, the Reva and David Logan Center for Creative and Performing Arts will embody the experimentation and multidisciplinary inquiry, teaching, performance, and production inherent in the University's vision for the arts through the innovative design of Tod Williams Billie Tsien Architects. The Logan Arts Center will become an architectural and cultural destination in Chicago, opening the creative and critical core of the University to the neighborhood and the city as never before. It will serve as a southern gateway to campus where distinguished local and international artists and scholars will create, debate, exhibit, and perform

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Larry Norman, deputy provost for the arts and associate professor in Romance languages and literature, theater and performance studies, and the College, and Steven Wiesenthal, University architect and associate vice president for facilities services, cordially invite you to celebrate Tod Williams and Billie Tsien Architects at the unveiling of their design for The Reva and David Logan Center for Creative and Performing Arts.Scheduled to open in Spring 2012, the Reva and David Logan Center for Creative and Performing Arts will embody the experimentation and multidisciplinary inquiry, teaching, performance, and production inherent in the University's vision for the arts through the innovative design of Tod Williams Billie Tsien Architects. The Logan Arts Center will become an architectural and cultural destination in Chicago, opening the creative and critical core of the University to the neighborhood and the city as never before. It will serve as a southern gateway to campus where distinguished local and international artists and scholars will create, debate, exhibit, and perform

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Larry Norman, deputy provost for the arts and associate professor in Romance languages and literature, theater and performance studies, and the College, and Steven Wiesenthal, University architect and associate vice president for facilities services, cordially invite you to celebrate Tod Williams and Billie Tsien Architects at the unveiling of their design for The Reva and David Logan Center for Creative and Performing Arts. Scheduled to open in Spring 2012, the Reva and David Logan Center for Creative and Performing Arts will embody the experimentation and multidisciplinary inquiry, teaching, performance, and production inherent in the University's vision for the arts through the innovative design of Tod Williams Billie Tsien Architects. The Logan Arts Center will become an architectural and cultural destination in Chicago, opening the creative and critical core of the University to the neighborhood and the city as never before. It will serve as a southern gateway to campus where distinguished local and international artists and scholars will create, debate, exhibit, and perform