Podcasts about parsons school

Peter Cho is a Designer and Co-Founder of Jack Mason Brand watches. After moving from coast to coast in his youth, he earned his BFA in Product Design from Parsons School of Design in New York, New York and went on to work as a Designer at Movado Group in 2006. He moved to Dallas, Texas in 2010 to work as a Designer at Fossil and founded Jack Mason in 2015 to bring the world premium watches for enthusiasts of all levels. Peter now calls Dallas home. 

Vera Chow is a Hong Kong-raised, NYC/LA-based Film and TV Costume Designer best known for her work on AMC's The Walking Dead and Netflix's The Brothers Sun, starring Michelle Yeoh. With nearly 20 years of global experience, her dynamic portfolio spans period dramas, sci-fi, arthouse, and large-scale epics, including recent critically acclaimed projects Lucky Lu (Cannes) and RoseMead (Tribeca). She is currently filming The Season in Hong Kong with SK Global (Crazy Rich Asians). A survivor of bullying, Vera found solace in movies and art from a young age, fueling her lifelong passion for storytelling through design. She holds degrees from NYU's Tisch School of the Arts, Parsons School of Design, and Istituto Europeo di Design in Barcelona. Known for her fearless creativity—mixing thrifted finds with couture—Vera is also a proud advocate for AAPI representation in media.

Jeffrey Madoff is, as you will discover, quite a fascinating and engaging person. Jeff is quite the creative entrepreneur as this episode's title says. But he really is so much more.   He tells us that he came by his entrepreneurial spirit and mindset honestly. His parents were both entrepreneurs and passed their attitude onto him and his older sister. Even Jeffrey's children have their own businesses.   There is, however, so much more to Jeffrey Madoff. He has written a book and is working on another one. He also has created a play based on the life of Lloyd Price. Who is Lloyd Price? Listen and find out. Clue, the name of the play is “Personality”. Jeff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year.   My conversation with Jeff is a far ranging as you can imagine. We talk about everything from the meaning of Creativity to Imposture's Syndrome. I always tell my guests that Unstoppable Mindset is not a podcast to interview people, but instead I want to have real conversations. I really got my wish with Jeff Madoff. I hope you like listening to this episode as much as I liked being involved in it.       About the Guest:   Jeffrey Madoff's career straddles the creative and business side of the arts. He has been a successful entrepreneur in fashion design and film, and as an author, playwright, producer, and adjunct professor at Parsons School of Design. He created and taught a course for sixteen years called “Creative Careers Making A Living With Your Ideas”, which led to a bestselling book of the same name . Madoff has been a keynote speaker at Princeton, Wharton, NYU and Yale where he curated and moderated a series of panels entitled "Reframing The Arts As Entrepreneurship”. His play “Personality” was a critical and audience success in it's commercial runs at People's Light Theater in Pennsylvania and in Chicago and currently waiting for a theater on The West End in London.   Madoff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year. Ways to connect Jeffrey:   company website: www.madoffproductions.com LinkedIn: https://www.linkedin.com/in/b-jeffrey-madoff-5baa8074/ www.acreativecareer.com Instagram: @acreativecareer   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone. Welcome to another episode of unstoppable mindset. We're glad to have you on board with us, wherever you happen to be. Hope the day is going well for you. Our guest today is Jeffrey Madoff, who is an a very creative kind of person. He has done a number of things in the entrepreneurial world. He has dealt with a lot of things regarding the creative side of the arts. He's written plays. He taught a course for 16 years, and he'll tell us about that. He's been a speaker in a variety of places. And I'm not going to go into all of that, because I think it'll be more fun if Jeffrey does it. So welcome to unstoppable mindset. We are really glad you're here and looking forward to having an hour of fun. And you know, as I mentioned to you once before, the only rule on the podcast is we both have to have fun, or it's not worth doing, right? So here   Jeffrey Madoff ** 02:13 we are. Well, thanks for having me on. Michael, well, we're really glad   Michael Hingson ** 02:17 you're here. Why don't we start as I love to do tell us kind of about the early Jeffrey growing up, and you know how you got where you are, a little bit or whatever.   Jeffrey Madoff ** 02:28 Well, I was born in Akron, Ohio, which at that time was the rubber capital of the world. Ah, so that might explain some of my bounce and resilience. There   Michael Hingson ** 02:40 you go. I was in Sandusky, Ohio last weekend, nice and cold, or last week,   Jeffrey Madoff ** 02:44 yeah, I remember you were, you were going to be heading there. And, you know, Ohio, Akron, which is in northern Ohio, was a great place to grow up and then leave, you know, so my my childhood. I have many, many friends from my childhood, some who still live there. So it's actually I always enjoy going back, which doesn't happen all that often anymore, you know, because certain chapters in one's life close, like you know, when my when my parents died, there wasn't as much reason to go back, and because the friends that I had there preferred to come to New York rather than me go to Akron. But, you know, Akron was a great place to live, and I'm very fortunate. I think what makes a great place a great place is the people you meet, the experiences you have. Mm, hmm, and I met a lot of really good people, and I was very close with my parents, who were entrepreneurs. My mom and dad both were so I come by that aspect of my life very honestly, because they modeled the behavior. And I have an older sister, and she's also an entrepreneur, so I think that's part of the genetic code of our family is doing that. And actually, both of my kids have their own business, and my wife was entrepreneurial. So some of those things just carry forward, because it's kind of what, you know, what did your parents do? My parents were independent retailers, and so they started by working in other stores, and then gradually, both of them, who were also very independent people, you know, started, started their own store, and then when they got married, they opened one together, and it was Women's and Children's retail clothing. And so I learned, I learned a lot from my folks, mainly from the. Behavior that I saw growing up. I don't think you can really lecture kids and teach them anything, yeah, but you can be a very powerful teacher through example, both bad and good. Fortunately, my parents were good examples. I think   Michael Hingson ** 05:14 that kids really are a whole lot more perceptive than than people think sometimes, and you're absolutely right, lecturing them and telling them things, especially when you go off and do something different than you tell them to do, never works. They're going to see right through it.   Jeffrey Madoff ** 05:31 That's right. That's right. And you know, my kids are very bright, and there was never anything we couldn't talk about. And I had that same thing with my parents, you know, particularly my dad. But I had the same thing with both my parents. There was just this kind of understanding that community, open communication is the best communication and dealing with things as they came up was the best way to deal with things. And so it was, it was, it was really good, because my kids are the same way. You know, there was always discussions and questioning. And to this day, and I have twins, I have a boy and girl that are 31 years old and very I'm very proud of them and the people that they have become, and are still becoming,   Michael Hingson ** 06:31 well and still becoming is really the operative part of that. I think we all should constantly be learning, and we should, should never decide we've learned all there is to learn, because that won't happen. There's always something new,   Jeffrey Madoff ** 06:44 and that's really what's fun. I think that you know for creativity and life at large, that constant curiosity and learning is fuel that keeps things moving forward, and can kindle the flame that lights up into inspiration, whether you're writing a book or a song or whatever it is, whatever expression one may have, I think that's where it originates. Is curiosity. You're trying to answer a question or solve a problem or something. Yeah,   Michael Hingson ** 07:20 and sometimes you're not, and it's just a matter of doing. And it doesn't always have to be some agenda somewhere, but it's good to just be able to continue to grow. And all too often, we get so locked into agendas that we don't look at the rest of the world around us.   Jeffrey Madoff ** 07:41 I Well, I would say the the agenda in and of itself, staying curious, I guess an overarching part of my agenda, but it's not to try to get something from somebody else, right, other than knowledge, right? And so I guess I do have an agenda in that. That's what I find interesting.   Michael Hingson ** 08:02 I can accept that that makes sense.   Jeffrey Madoff ** 08:06 Well, maybe one of the few things I say that does so thank you.   Michael Hingson ** 08:10 I wasn't even thinking of that as an agenda, but just a way of life. But I hear what you're saying. It makes sense. Oh, there are   Jeffrey Madoff ** 08:17 people that I've certainly met you may have, and your listeners may have, also that there always is some kind of, I wouldn't call it agenda, a transactional aspect to what they're doing. And that transactional aspect one could call an agenda, which isn't about mutual interest, it's more what I can get and or what I can sell you, or what I can convince you of, or whatever. And I to me, it's the the process is what's so interesting, the process of questioning, the process of learning, the process of expressing, all of those things I think are very powerful, yeah,   Michael Hingson ** 09:03 yeah, I hear what you're saying. So for you, you were an Akron did you go to college there? Or what did you do after high school? So   Jeffrey Madoff ** 09:11 after high school, I went to the University of Wisconsin, ah, Madison, which is a fantastic place. That's right, badgers, that's right. And, and what really cinched the deal was when I went to visit the school. I mean, it was so different when I was a kid, because, you know, nowadays, the kids that my kids grew up with, you know, the parents would visit 18 schools, and they would, you know, they would, they would file for admission to 15 schools. And I did one in my parents. I said to them, can I take the car? I want to go check out the University. I was actually looking at Northwestern and the University of Wisconsin. And. And I was in Evanston, where Northwestern is located. I didn't see any kids around, and, you know, I had my parents car, and I finally saw a group of kids, and I said, where is everybody? I said, Well, it's exam week. Everybody's in studying. Oh, I rolled up the window, and without getting out of the car, continued on to Madison. And when I got to Madison, I was meeting somebody behind the Student Union. And my favorite band at that time, which was the Paul Butterfield blues band, was giving a free concert. So I went behind the Student Union, and it's a beautiful, idyllic place, lakes and sailboats and just really gorgeous. And my favorite band is giving a free concert. So decision made, I'm going University of Wisconsin, and it was a great place.   Michael Hingson ** 10:51 I remember when I was looking at colleges. We got several letters. Got I wanted to major in physics. I was always science oriented. Got a letter from Dartmouth saying you ought to consider applying, and got some other letters. We looked at some catalogs, and I don't even remember how the subject came up, but we discovered this University California campus, University California at Irvine, and it was a new campus, and that attracted me, because although physically, it was very large, there were only a few buildings on it. The total population of undergraduates was 2700 students, not that way today, but it was back when I went there, and that attracted me. So we reached out to the chair of the physics department, whose name we got out of the catalog, and asked Dr Ford if we could come and meet with him and see if he thought it would be a good fit. And it was over the summer between my junior and senior year, and we went down, and we chatted with him for about an hour, and he he talked a little physics to me and asked a few questions, and I answered them, and he said, you know, you would do great here. You should apply. And I did, and I was accepted, and that was it, and I've never regretted that. And I actually went all the way through and got my master's degree staying at UC Irvine, because it was a great campus. There were some professors who weren't overly teaching oriented, because they were so you research oriented, but mostly the teachers were pretty good, and we had a lot of fun, and there were a lot of good other activities, like I worked with the campus radio station and so on. So I hear what you're saying, and it's the things that attract you to a campus. Those count. Oh,   Jeffrey Madoff ** 12:35 yeah. I mean, because what can you really do on a visit? You know, it's like kicking the tires of a car, right? You know? Does it feel right? Is there something that I mean, sometimes you get lucky and sometimes you do meet a faculty member or someone that you really connect with, and that causes you to really like the place, but you don't really know until you're kind of there, right? And Madison ended up being a wonderful choice. I loved it. I had a double major in philosophy and psychology. You know, my my reasoning being, what two things do I find really interesting that there is no path to making a good income from Oh, philosophy and psychology. That works   Michael Hingson ** 13:22 well you possibly can from psychology, but philosophy, not hardly   Jeffrey Madoff ** 13:26 No, no. But, you know, the thing that was so great about it, going back to the term we used earlier, curiosity in the fuel, what I loved about both, you know, philosophy and psychology used to be cross listed. They were this under the same heading. It was in 1932 when the Encyclopedia Britannica approached Sigmund Freud to write a separate entry for psychology, and that was the first time the two disciplines, philosophy and psychology, were split apart, and Freud wrote that entry, and forever since, it became its own discipline, but the questions that one asks, or the questions that are posed in Both philosophy and psychology, I still, to this day, find fascinating. And, you know, thinking about thinking and how you think about things, I always find very, very interesting.   Michael Hingson ** 14:33 Yeah, and the whole, the whole process, how do you get from here to there? How do you deal with anything that comes up, whether it's a challenge or just fulfilling the life choices that you make and so on. And philosophy and psychology, in a sense, I think, really are significantly different, but they're both very much thinking oriented.   Jeffrey Madoff ** 14:57 Oh, absolutely, it. And you know, philosophy means study of life, right? What psychology is, yeah, so I understand why they were bonded, and now, you know, understand why they also separated. Yeah,   Michael Hingson ** 15:15 I'll have to go look up what Freud said. I have never read that, but I will go find it. I'm curious. Yeah,   Jeffrey Madoff ** 15:23 it's it's so interesting. It's so interesting to me, because whether you believe in Freud or not, you if you are knowledgeable at all, the impact that he had on the world to this day is staggeringly significant. Yeah, because nobody was at posing those questions before, yeah,   Michael Hingson ** 15:46 yeah. And there's, there's no doubt that that he has had a major contribution to a lot of things regarding life, and you're right, whether you buy into the view that he had of a lot of things isn't, isn't really the issue, but it still is that he had a lot of relevant and interesting things to say, and he helps people think that's right, that's right. Well, so what did you do? So you had a double major? Did you go on and do any advanced degree work? No,   Jeffrey Madoff ** 16:17 you know it was interesting because I had thought about it because I liked philosophy so much. And I approached this professor who was very noted, Ivan Saul, who was one of the world Hegelian scholars, and I approached him to be my advisor. And he said, Why do you want me to be your advisor? And I said, because you're one of the most published and respected authors on that subject. And if I'm going to have an advisor, I might as well go for the person that might help me the most and mean the most if I apply to graduate schools. So I did in that case certainly had an agenda. Yeah, and, and he said, you know, Jeff, I just got back from the world Hegelian conference in Munich, and I found it very depressing as and he just paused, and I said, why'd you find it depressing? And he said, Well, there's only one or two other people in the world that I can speak to about Hegel. And I said, Well, maybe you want to choose a different topic so you can make more friends. That depressing. That doesn't sound like it's a mix, you know, good fit for life, right? But so I didn't continue to graduate studies. I took graduate courses. I started graduate courses the second semester of my sophomore year. But I thought, I don't know. I don't want to, I don't want to gain this knowledge that the only thing I can do is pass it on to others. It's kind of like breathing stale air or leaving the windows shut. I wanted to be in a world where there was an idea exchange, which I thought would be a lot more interesting. Yeah. And so there was a brief period where I thought I would get a doctorate and do that, and I love teaching, but I never wanted to. That's not what I wanted to pursue for those reasons.   Michael Hingson ** 18:35 So what did you end up doing then, once you got   Jeffrey Madoff ** 18:37 out of college? Well, there was a must have done something I did. And there's a little boutique, and in Madison that I did the buying for. And it was this very hip little clothing store. And Madison, because it was a big campus, you know, in the major rock bands would tour, they would come into the store because we had unusual things that I would find in New York, you know, when I was doing the buying for it, and I get a phone call from a friend of mine, a kid that I grew up with, and he was a year older, he had graduated school a year before me, and he said, Can you think of a gig that would earn more than bank interest? You know, I've saved up this money. Can you think of anything? And I said, Well, I see what we design. I mean, I see what we sell, and I could always draw. So I felt like I could design. I said, I'll start a clothing company. And Michael, I had not a clue in terms of what I was committing myself to. I was very naive, but not stupid. You know, was ignorant, but not stupid. And different. The difference between being ignorant and being stupid is ignorant. You can. Learn stupids forever, yeah, and that started me on this learning lesson, an entrepreneurial learning lesson, and there was, you know, quite formative for me. And the company was doubling in size every four months, every three months, and it was getting pretty big pretty quick. And you know, I was flying by the seat of my pants. I didn't really know what I was doing, but what I discovered is I had, you know, saleable taste. And I mean, when I was working in this store, I got some of the sewers who did the alterations to make some of my drawings, and I cut apart a shirt that I liked the way it fit, so I could see what the pieces are, and kind of figure out how this all worked. So but when I would go to a store and I would see fabric on the bolt, meaning it hadn't been made into anything, I was so naive. I thought that was wholesale, you know, which it wasn't and but I learned quickly, because it was like you learn quickly, or you go off the edge of a cliff, you go out of business. So it taught me a lot of things. And you know the title of your podcast, the unstoppable, that's part of what you learn in business. If you're going to survive, you've gotta be resilient enough to get up, because you're going to get knocked down. You have to persevere, because there are people that are going to that you're competing with, and there are things that are things that are going to happen that are going to make you want to give up, but that perseverance, that resilience, I think probably creativity, is third. I think it's a close call between perseverance and resilience, because those are really important criteria for a personality profile to have if you're going to succeed in business as an entrepreneur.   Michael Hingson ** 22:05 You know, Einstein once said, or at least he's credited with saying, that the definition of insanity is doing the same thing over and over again and expecting different results, right and and the reality is that good, resilient. People will look at things that didn't go right, and if they really look at them, they'll go, I didn't fail. Yeah, maybe I didn't go right. I may have made a mistake, or something wasn't quite right. What do I do to fix it so that the next time, we won't have the same problem? And I think that's so important. I wrote my book last year, live like a guide dog, true stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith. And it's all about learning to control fear, but it's also all about learning from dogs. I've had eight guide dogs, and my wife had a service dog, and it's all about learning from dogs and seeing why they live in an environment where we are and they feed off of us, if you will. But at the same time, what they don't do is fear like we do. They're open to trust, and we tend not to be because we worry about so many things, rather than just looking at the world and just dealing with our part of it. So it is, it is interesting to to hear you talk about resilience. I think you're absolutely right that resilience is extremely important. Perseverance is important, and they do go together, but you you have to analyze what it is that makes you resilient, or what it is that you need to do to keep being resilient.   Jeffrey Madoff ** 23:48 Well, you're right. And one of the questions that you alluded to the course that I taught for 16 years at Parsons School of Design, which was my course, was called creative careers, making a living with your ideas. And I would ask the students, how many of you are afraid of failing? And probably more than three quarters of the class, their hands went up, and I said to them, you know, if that fear stops you, you'll never do anything interesting, because creativity, true creativity, by necessity, takes you up to and beyond the boundaries. And so it's not going to be always embraced. And you know, failure, I think everyone has to define it for themselves. But I think failure, to me, is and you hear that, you know, failure is a great way to learn. I mean, it's a way. To learn, but it's never not painful, you know, and it, but it is a way to learn if you're paying attention and if you are open to that notion, which I am and was, because, you know, that kind of risk is a necessary part of creativity, going where you hadn't gone before, to try to find solutions that you hadn't done before, and seeing what works. And of course, there's going to be things that don't, but it's only failure if you stop doing what is important to you. Yeah,   Michael Hingson ** 25:39 well, I think you're absolutely right. And one of the things that I used to do and still do, but it started when I was working as program director of our radio station at UC Irvine, was I wanted people to hear what they sounded like on the radio, because I always listened to what I said, and I know it helped me, but getting the other radio personalities to listen to themselves was was well, like herding cats, it just wasn't doable. And what we finally did is we set up, I and the engineer of the radio station, set up a recorder in a locked cabinet, and whenever the board went on in the main studio, the microphone went on, it recorded. So we didn't need to worry about the music. All we wanted was what the people said, and then we would give people the cassettes. And one of the things that I started saying then, and I said it until, like about a year ago, was, you know, you're your own worst critic, if you can learn to grow from it, or if you can learn to see what's a problem and go on, then that's great. What I learned over the last year and thought about is I'm really not my own worst critic. I'm my own best teacher, because I'm the only one who can really teach me anything, and it's better to shape it in a positive way. So I am my own best teacher. And so I think you're right. If you really want to talk about the concept of failure, failure is when you won't get back up. Failure is when you won't do anything to learn and grow from whatever happens to you, even the good stuff. Could I have done it better? Those are all very important things to do.   Jeffrey Madoff ** 27:19 No, I agree. So why did you think it was important for them to hear their voice?   Michael Hingson ** 27:25 Because I wanted them to hear what everyone else heard. I wanted them to hear what they sounded like to their listeners. And the reality is, when we got them to do that, it was, I say it was incredible, but it wasn't a surprise to me how much better they got. And some of those people ended up going into radio broadcasting, going into other kinds of things, but they really learned to hear what everyone else heard. And they they learned how to talk better. They learn what they really needed to improve upon, or they learn what wasn't sounding very good to everyone else, and they changed their habits.   Jeffrey Madoff ** 28:13 Interesting, interesting. So, so part of that also helps them establish a certain on air identity. I would imagine finding their own voice, so to speak, right,   Michael Hingson ** 28:30 or finding a better voice than they than they had, and certainly a better voice than they thought they had. Well, they thought they had a good voice, and they realized maybe it could be better. And the ones who learned, and most of them really did learn from it, came out the better for it.   Jeffrey Madoff ** 28:49 So let me ask you a personal question. You have been sightless since birth? Is that correct?   Michael Hingson ** 28:56 Yeah, I've been blind since birth. And   Jeffrey Madoff ** 28:59 so on a certain level, I was trying to think about this the other night, and how can I phrase this? On a certain level, you don't know what you look like,   Michael Hingson ** 29:15 and from the standpoint of how you look at it, yeah, yeah.   Jeffrey Madoff ** 29:19 And so, so two, that's two questions. One is so many of us for good and bad, our identity has to do with visual first, how do you assess that new person?   Michael Hingson ** 29:39 I don't look at it from a visual standpoint as such. I look at it from all the other senses that I have and use, but I also listen to the person and see how we interact and react to. Each other, and from that, I can draw pretty good conclusions about what an individual is like, so that I can decide if that's a a lovely person, male or female, because I'm using lovely in the sense of it's the kind of person I want to know or not, and so I don't obviously look at it from a visual standpoint. And although I know Helen Keller did it some, I'm not into feeling faces. When I was in college, I tried to convince girls that they should let me teach them Braille, but they had no interest in me showing them Braille, so we didn't do that. I actually a friend of mine and I once went to a girls dorm, and we put up a sign. Wanted young female assistant to aid in scientific Braille research, but that didn't go anywhere either. So we didn't do it. But so Braille pickup. Oh, Braille pickup. On the other hand, I had my guide dog who was in in my current guide dog is just the same chick magnet right from the get go, but, but the the reality is that visual is, I think there's a lot to be said for beauty is only skin deep in a lot of ways. And I think that it's important that we go far beyond just what one person looks like. People ask me all the time, well, if you could see again, would you? Or if you could see, would you? And my response is, I don't need to. I think there's value in it. It is a sense. I think it would be a great adventure, but I'm not going to spend my life worrying about that. Blindness isn't what defines me, and what defines me is how I behave, how I am, how I learn and grow, and what I do to be a part of society and and hopefully help society. I think that's more important.   Jeffrey Madoff ** 31:53 You know, I agree with you, and it's it's also having been blind since birth. It's not like you had a you had an aspect that you lost for some reason, right?   Michael Hingson ** 32:04 But I know some people who became blind later in life, who attended centers where they could learn about what it was like to be blind and learn to be a blind person and and really adapted to that philosophy and continue to do what they did even before they lost their their eyesight, and were just as successful as they ever were, because it wasn't so much about having eyesight, although that is a challenge when you lose it, but it was more important to learn that you could find alternatives to do the same things that you did before. So   Jeffrey Madoff ** 32:41 if you ever have read Marvel Comics, and you know Daredevil has a heightened sense of a vision, or you know that certain things turn into a different advantage, is there that kind of in real life, compensatory heightened awareness of other senses.   Michael Hingson ** 33:08 And the answer is not directly. The answer is, if you choose to heighten those senses and learn to use them, then they can be a help. It's like SEAL Team Six, or Rangers, or whatever, they learn how to observe. And for them, observing goes far beyond just using their eyesight to be able to spot things, although they they certainly use that, but they have heightened all of their other senses because they've trained them and they've taught themselves how to use those senses. It's not an automatic process by any definition at all. It's not automatic. You have to learn to do it. There are some blind people who have, have learned to do that, and there are a number that have not. People have said, well, you know, could any blind person get out of the World Trade Center, and like you did, and my response is, it depends on the individual, not necessarily, because there's so many factors that go into it. If you are so afraid when something like the World Trade Center events happen that you become blinded by fear, then you're going to have a much harder time getting out than if you let fear be a guide and use it to heighten the senses that you have during the time that you need that to occur. And that's one of the things that live like a guide dog is all about, is teaching people to learn to control fear, so that in reality, they find they're much more effective, because when something happens, they don't expect they adopt and adapt to having a mindset that says, I can get through this, and fear is going to help.   Jeffrey Madoff ** 34:53 That's fascinating. So one I could go on in this direction, I'll ask you, one, one other. Question is, how would you describe your dreams?   Michael Hingson ** 35:08 Probably the same way you would, except for me, dreaming is primarily in audio and other interactions and not using eyesight. But at the same time, I understand what eyesight is about, because I've thought about it a lot, and I appreciate that the process is not something that I have, but I understand it, and I can talk about light and eyesight all day. I can I when I was when it was discovered that I was blind for the first several years, I did have some light perception. I never as such, really even could see shadows, but I had some light perception. But if I were to be asked, How would you describe what it's like to see light? I'm not sure how I would do that. It's like asking you tell me what it's like to see put it into words so that it makes me feel what you feel when you see. And it's not the excitement of seeing, but it's the sensation. How do you describe that sensation? Or how do you describe the sensation of hearing their their senses? But I've yet to really encounter someone who can put those into words that will draw you in. And I say that from the standpoint of having done literally hundreds or 1000s of speeches telling my story about being in the World Trade Center, and what I tell people today is we have a whole generation of people who have never experienced or had no memory of the World Trade Center, and we have another generation that saw it mainly from TV and pictures. So they their, their view of it was extremely small. And my job, when I speak is to literally bring them in the building and describe what is occurring to me in such a way that they're with me as we're going down the stairs. And I've learned how to do that, but describing to someone what it's like to see or to hear, I haven't found words that can truly do that yet. Oh,   Jeffrey Madoff ** 37:15 fascinating. Thank you.   Michael Hingson ** 37:20 Well, tell me about creativity. I mean, you do a lot of of things, obviously, with with creativity. So what is creativity?   Jeffrey Madoff ** 37:29 I think that creativity is the compelling need to express, and that can manifest in many, many, many different ways. You have that, you know, just it was fascinating here you talk about you, describing what happened in Twin Towers, you know. And so, I think, you know, you had a compelling need to process what was a historic and extraordinary event through that unique perception that you have, and taking the person, as you said, along with you on that journey, you know, down the stairs and out of the Building. I think it was what 78 stories or something, right? And so I think that creativity, in terms of a trait, is that it's a personality trait that has a compelling need to express in some way. And I think that there is no such thing as the lightning bolt that hits and all of a sudden you come up with the idea for the great novel, The great painting, the great dance, the great piece of music. We are taking in influences all the time and percolating those influences, and they may come out, in my case, hopefully they've come out in the play that I wrote, personality and because if it doesn't relate to anybody else, and you're only talking to yourself, that's you know, not, not. The goal, right? The play is to have an audience. The goal of your book is to have readers. And by the way, did your book come out in Braille?   Michael Hingson ** 39:31 Um, yeah, it, it is available in Braille. It's a bit. Actually, all three of my books are available in with their on demand. They can be produced in braille, and they're also available in audio formats as well. Great.   Jeffrey Madoff ** 39:43 That's great. So, yeah, I think that person, I think that creativity is it is a fascinating topic, because I think that when you're a kid, oftentimes you're told more often not. To do certain things than to do certain things. And I think that you know, when you're creative and you put your ideas out there at a very young age, you can learn shame. You know, people don't like what you do, or make fun of what you do, or they may like it, and it may be great, but if there's, you know, you're opened up to that risk of other people's judgment. And I think that people start retreating from that at a very young age. Could because of parents, could because of teachers, could because of their peer group, but they learn maybe in terms of what they think is emotional survival, although would never be articulated that way, at putting their stuff out there, they can be judged, and they don't like being judged, and that's a very uncomfortable place to be. So I think creativity is both an expression and a process.   Michael Hingson ** 40:59 Well, I'll and I think, I think you're right, and I think that it is, it is unfortunate all too often, as you said, how children are told don't do this or just do that, but don't do this, and no, very few people take the next logical step, which is to really help the child understand why they said that it isn't just don't. It should be. Why not? One of my favorite stories is about a student in school once and was taking a philosophy class. You'll probably have heard this, but he and his classmates went in for the final exam, and the instructor wrote one word on the board, which was why? And then everybody started to write. And they were writing furiously this. This student sat there for a couple of minutes, wrote something on a paper, took it up, handed it in, and left. And when the grades came out, he was the only one who got an A. And the reason is, is because what he put on his paper was, why not, you know, and, and that's very, very valid question to ask. But the reality is, if we really would do more to help people understand, we would be so much better off. But rather than just telling somebody what to do, it's important to understand why?   Jeffrey Madoff ** 42:22 Yeah, I remember when I was in I used to draw all the time, and my parents would bring home craft paper from the store that was used to wrap packets. And so they would bring me home big sheets I could do whatever I wanted on it, you know, and I would draw. And in school I would draw. And when art period happened once or twice a week, and the teacher would come in with her cart and I was drawing, that was when this was in, like, the middle 50s, and Davy Crockett was really a big deal, and I was drawing quite an intricate picture of the battle at the Alamo. And the teacher came over to me and said she wanted us to do crayon resist, which is, you know, they the watercolors won't go over the the crayon part because of the wax and the crayon. And so you would get a different thing that never looked good, no matter who did it, right? And so the teacher said to me, what are you doing? And I said, Well, I'm drawing. It's and she said, Why are you drawing? I said, Well, it's art class, isn't it? She said, No, I told you what to do. And I said, Yeah, but I wanted to do this. And she said, Well, you do what I tell you, where you sit there with your hands folded, and I sat there with my hands folded. You know I wasn't going to be cowed by her. And I've thought back on that story so often, because so often you get shut down. And when you get shut down in a strong way, and you're a kid, you don't want to tread on that land again. Yeah, you're afraid,   Michael Hingson ** 44:20 yeah. Yeah. And maybe there was a good reason that she wanted you to do what she wanted, but she should have taken the time to explain that right, right now, of course, my question is, since you did that drawing with the Alamo and so on, I'm presuming that Davy Crockett looked like Fess Parker, right? Just checking,   Jeffrey Madoff ** 44:42 yeah, yep, yeah. And my parents even got me a coon   Michael Hingson ** 44:47 skin hat. There you go, Daniel Boone and David Crockett and   Jeffrey Madoff ** 44:51 Davy Crockett and so there were two out there. Mine was actually a full coon skin cap with the tail. And other kids had it where the top of it was vinyl, and it had the Disney logo and a picture of Fess Parker. And I said, Now I don't want something, you know, and you are correct, you are correct. It was based on fess Barker. I think   Michael Hingson ** 45:17 I have, I had a coons kid cap, and I think I still do somewhere. I'm not quite sure where it is, but it was a real coonskin cap with a cake with a tail.   Jeffrey Madoff ** 45:26 And does your tail snap off? Um, no, yeah, mine. Mine did the worst thing about the coonskin cap, which I thought was pretty cool initially, when it rained, it was, you know, like you had some wet animal on your Well, yes, yeah, as you did, she did, yeah, animal on your head, right? Wasn't the most aromatic of the hub. No,   Michael Hingson ** 45:54 no, it's but Huh, you got to live with it. That's right. So what is the key to having great creative collaborations? I love collaborating when I wrote my original book, Thunder dog, and then running with Roselle, and then finally, live like a guide dog. I love the idea of collaborating, and I think it made all three of the books better than if it had just been me, or if I had just let someone else do it, because we're bringing two personalities into it and making the process meld our ideas together to create a stronger process.   Jeffrey Madoff ** 46:34 I completely agree with you, and collaboration, for instance, in my play personality, the director Sheldon apps is a fantastic collaborator, and as a result, has helped me to be a better writer, because he would issue other challenges, like, you know, what if we looked at it this way instead of that way? What if you gave that power, that that character, the power in that scene, rather than the Lloyd character? And I loved those kinds of challenges. And the key to a good collaboration is pretty simple, but it doesn't happen often enough. Number one is listening. You aren't going to have a good collaboration if you don't listen. If you just want to interrupt and shut the other person down and get your opinion out there and not listen, that's not going to be good. That's not going to bode well. And it's being open. So people need to know that they're heard. You can do that a number of ways. You can sort of repeat part of what they said, just so I want to understand. So you were saying that the Alamo situation, did you have Davy Crockett up there swinging the rifle, you know? So the collaboration, listening, respect for opinions that aren't yours. And you know, don't try to just defeat everything out of hand, because it's not your idea. And trust developing a trust with your collaborators, so that you have a clearly defined mission from the get go, to make whatever it is better, not just the expression of one person's will over another. And I think if you share that mission, share that goal, that the other person has earned your trust and vice versa, that you listen and acknowledge, then I think you can have great collaboration. And I've had a number of great collaborators. I think I'm a good collaborator because I sort of instinctively knew those things, and then working with Sheldon over these last few years made it even more so. And so that's what I think makes a really great collaboration.   Michael Hingson ** 49:03 So tell me about the play personality. What's it about? Or what can you tell us about it without giving the whole thing away?   Jeffrey Madoff ** 49:10 So have you ever heard of Lloyd Price?   Michael Hingson ** 49:14 The name is familiar. So that's   Jeffrey Madoff ** 49:16 the answer that I usually get is, I'm not really sure. Yeah, it's kind of familiar. And I said, Well, you don't, probably don't know his name, but I'll bet you know his music. And I then apologize in advance for my singing, you know, cause you've got walk, personality, talk, personality, smile, oh yeah, yeah. I love that song, you know. Yeah. Do you know that song once I did that, yes, yeah. So Lloyd was black. He grew up in Kenner, Louisiana. It was he was in a place where blacks were expected to know their place. And. And if it was raining and a white man passed, you'd have to step into a mud puddle to let them pass, rather than just working by each other. And he was it was a tough situation. This is back in the late 1930s and what Lloyd knew is that he wanted to get out of Kenner, and music could be his ticket. And the first thing that the Lloyd character says in the play is there's a big dance opening number, and first thing that his character says is, my mama wasn't a whore. My dad didn't leave us. I didn't learn how to sing in church, and I never did drugs. I want to get that out of the way up front. And I wanted to just blow up all the tropes, because that's who Lloyd was, yeah, and he didn't drink, he didn't learn how to sing in church. And, you know, there's sort of this baked in narrative, you know, then then drug abuse, and you then have redeemed yourself. Well, he wasn't like that. He was entrepreneurial. He was the first. He was the it was really interesting at the time of his first record, 1952 when he recorded Lottie, Miss Claudia, which has been covered by Elvis and the Beatles and Bruce Springsteen and on and on. There's like 370 covers of it. If you wanted to buy a record by a black artist, you had to go to a black owned record store. His records couldn't get on a jukebox if it was owned by a white person. But what happened was that was the first song by a teenager that sold over a million copies. And nobody was prejudiced against green, which is money. And so Lloyd's career took off, and it The story tells about the the trajectory of his career, the obstacles he had to overcome, the triumphs that he experienced, and he was an amazing guy. I had been hired to direct, produce and direct a short documentary about Lloyd, which I did, and part of the research was interviewing him, and we became very good friends. And when I didn't know anything about him, but I knew I liked his music, and when I learned more about him, I said, Lloyd, you've got an amazing story. Your story needs to be told. And I wrote the first few scenes. He loved what I wrote. And he said, Jeff, I want you to do this. And I said, thank you. I want to do it, but there's one other thing you need to know. And he said, What's that? And I said, You're the vessel. You're the messenger, but your story is bigger than you are. And he said, Jeff, I've been waiting for years for somebody to say that to me, rather than just blowing more smoke up my ass. Yeah. And that started our our collaboration together and the story. And it was a great relationship. Lloyd died in May of 21 and we had become very close, and the fact that he trusted me to tell his story is of huge significance to me. And the fact that we have gotten such great response, we've had two commercial runs. We're moving the show to London, is is is really exciting. And the fact that Lloyd, as a result of his talent and creativity, shattered that wall that was called Race music in race records, once everybody understood on the other side that they could profit from it. So there's a lot of story in there that's got a lot of meat, and his great music   Michael Hingson ** 54:04 that's so cool and and so is it? Is it performing now anywhere, or is it? No, we're   Jeffrey Madoff ** 54:12 in between. We're looking actually, I have a meeting this this week. Today is February 11. I have a meeting on I think it's Friday 14th, with my management in London, because we're trying to get a theater there. We did there in October, and got great response, and now we're looking to find a theater there.   Michael Hingson ** 54:37 So what are the chance we're going to see it on Broadway?   Jeffrey Madoff ** 54:41 I hope a very good chance Broadway is a very at this point in Broadway's history. It's it's almost prohibitively expensive to produce on Broadway, the West End has the same cache and. Yeah, because, you know, you think of there's that obscure British writer who wrote plays called William Shakespeare. You may have heard of   Michael Hingson ** 55:07 him, yeah, heard of the guy somewhere, like, like, I've heard of Lloyd Price, yeah, that's   Jeffrey Madoff ** 55:15 it. And so I think that Broadway is certainly on the radar. The first step for us, the first the big step before Broadway is the West End in London. Yeah,   Michael Hingson ** 55:30 that's a great place to go. It is.   Jeffrey Madoff ** 55:32 I love it, and I speak the language, so it's good. Well, there you   Michael Hingson ** 55:35 are. That helps. Yes, well, you're a very creative kind of individual by any standard. Do you ever get involved with or have you ever faced the whole concept of imposter syndrome?   Jeffrey Madoff ** 55:48 Interesting, you mentioned that the answer is no, and I'll tell you why it's no. And you know, I do a fair amount of speaking engagements and that sort of thing, and that comes up particularly with women, by the way, imposter syndrome, and my point of view on it is, you know, we're not imposters. If you're not trying to con somebody and lying about what you do, you're a work in progress, and you're moving towards whatever it is that your goals are. So when my play became a produced commercial piece of theater and I was notarized as a playwright, why was that same person the day before that performance happened? And so I think that rather than looking at it as imposter, I look at it as a part of the process, and a part of the process is gaining that credibility, and you have to give yourself permission to keep moving forward. And I think it's very powerful that if you declare yourself and define yourself rather than letting people define you. So I think that that imposter syndrome comes from that fear, and to me, instead of fear, just realize you're involved in the process and so you are, whatever that process is. And again, it's different if somebody's trying to con you and lie to you, but in terms of the creativity, and whether you call yourself a painter or a musician or a playwright or whatever, if you're working towards doing that, that's what you do. And nobody starts off full blown as a hit, so to speak. Yeah,   Michael Hingson ** 57:44 well, I think you're absolutely right, and I think that it's all about not trying to con someone. And when you are doing what you do, and other people are involved, they also deserve credit, and people like you probably have no problem with making sure that others who deserve credit get the credit. Oh, absolutely, yeah, I'm the same way. I am absolutely of the opinion that it goes back to collaboration. When we're collaborating, I'm I'm very happy to talk about the fact that although I started the whole concept of live like a guide dog, carry Wyatt Kent and I worked on it together, and the two of us work on it together. It's both our books. So each of us can call it our book, but it is a collaborative effort, and I think that's so important to be able to do,   Jeffrey Madoff ** 58:30 oh, absolutely, absolutely, you know, the stuff that I was telling you about Sheldon, the director, you know, and that he has helped me to become a better writer, you know, and and when, as as obviously, you have experienced too, when you have a fruitful collaboration, it's fabulous, because you're both working together to create the best possible result, as opposed to self aggrandizement, right?   Michael Hingson ** 59:03 Yeah, it is. It is for the things that I do. It's not about me and I and I say it all the time when I'm talking to people who I'd like to have hire me to be a speaker. It's not about me, it's about their event. And I believe I can add value, and here's why I think I can add value, but it's not about me, it's about you and your event, right? And it's so important if, if you were to give some advice to somebody starting out, or who wants to be creative, or more creative and so on, what kind of advice would you give them?   Jeffrey Madoff ** 59:38 I would say it's more life advice, which is, don't be afraid of creative risk, because the only thing that you have that nobody else has is who you are. So how you express who you are in the most unique way of who you are? So that is going to be what defines your work. And so I think that it's really important to also realize that things are hard and always take more time than you think they should, and that's just part of the process. So it's not easy. There's all these things out there in social media now that are bull that how people talk about the growth of their business and all of this stuff, there's no recipe for success. There are best practices, but there's no recipes for it. So however you achieve that, and however you achieve making your work better and gaining the attention of others, just understand it's a lot of hard work. It's going to take longer than you thought, and it's can be incredibly satisfying when you hit certain milestones, and don't forget to celebrate those milestones, because that's what's going to give you the strength to keep going forward.   Michael Hingson ** 1:01:07 Absolutely, it is really about celebrating the milestones and celebrating every success you have along the way, because the successes will build to a bigger success. That's right, which is so cool. Well, this has been a lot of fun. We've been doing this for an hour. Can you believe it? That's been great. It has been and I really appreciate you being here, and I I want to thank all of you who are listening, but please tell your friends to get into this episode as well. And we really value your comments, so please feel free to write me. I would love to know what you thought about today. I'm easy to reach. It's Michael M, I C H, A, E, L, H i at accessibe, A, C, C, E, S, S i b, e.com, or you can always go to our podcast page, which is Michael hingson, M, I C H, A, E, L, H i N, G, s o n.com/podcast, where you can listen to or access all the of our podcasts, but they're also available, as most likely you've discovered, wherever you can find podcasts, so you can get them on Apple and all those places and wherever you're listening. We do hope you'll give us a five star review. We really value your reviews, and Jeff has really given us a lot of great insights today, and I hope that you all value that as well. So we really would appreciate a five star rating wherever you're listening to us, and that you'll come back and hear some more episodes with us. If you know of anyone who ought to be a guest, Jeff, you as well. Love You to refer people to me. I'm always looking for more people to have on because I do believe that everyone in the world is unstoppable if you learn how to accept that and move forward. And that gets back to our whole discussion earlier about failure or whatever, you can be unstoppable. That doesn't mean you're not going to have challenges along the way, but that's okay. So we hope that if you do know people who ought to be on the podcast, or if you want to be on the podcast and you've been listening, step up won't hurt you. But again, Jeff, I want to thank you for being here. This has been a lot of fun, and we really appreciate your time. Thank   Jeffrey Madoff ** 1:03:16 you, Michael, for having you on. It was fun. You   **Michael Hingson ** 1:03:23 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

The Unfrozen crew hit the 19th Venice Architecture Biennale with all the furious energy our 100th episode deserved. A rollicking roundup of robots, pans, picks, porches and pavilions, with special guest interviews: Michele Champagne, Kate Wagner, Marisa Moran Jahn, Bekim Ramku, Rafi Segal, Jeanne Gang, and Mark Cavagnero. And finally, while Rome picked a pontiff, we had our own mini-conclave in Venice and humbly offered up our picks for the 20th Biennale curator. Join us for this extra special centenary episode.--Intro/Outro: “Bounder of Adventure,” by The Cooper Vane--Discussed:-      Olly Wainwright: Can robots make the perfect Aperol spritz? – Venice Architecture Biennale 2025 review | Architecture | The Guardian-         Rowan Moore: Venice Architecture Biennale review: ‘a hot mess of pretension' | The Observer-         The New York Architecture Review crew: Nicolas, Chloe and Sammy-         International Exhibition in the Arsenaleo  Robots, hemp, bio-concrete, 8-point font with AI-assisted summarieso  Kate Crawford and Vladan Joier's megascale text: Calculating Empireso   Bjarke Ingels Group's entry: Ancient Future, with Bhutanese carvers paced by an ABB roboto  Christopher Hawthorne's Speaker's Cornero  Shades of Rem Koolhaas' 2014 Fundamentals edition-         Kate Wagner's review:o  Dated techno-optimismo  Cannibalism of architecture by art and exhibition design-         National Pavilions:o  Austria: “Agency for Better Living”o  Canada: “Picoplanktonics” by The Living Room Collectiveo  Denmark: “Build of Site”o  Estonia: “Let Me Warm You”o  Romania: “Human Scale”o  Saudi Arabia: “The Um Slaim School: An Architecture of Connection”o  Slovenia: “Master Builders”o  South Korea: “Little Toad, Little Toad”, but mainly this cato  Spain: “Internalities: Architectures for Territorial Equilibrium”o  UAE: “Pressure Cooker”o  USA: “Porch: An Architecture of Generosity”§  Curators: ·        Peter MacKeith, Fay Jones School of Architecture, University of Arkansas·        Rod Bigelow, Executive Director, Crystal Bridges Museum of Art·        Marlon Blackwell, Marlon Blackwell Architects·        Susan Chin, Design Connects·        Stephen Burks, Man Made§  Shades of the timber-themed 2021 exhibit, but with a twist§  Interview with Mark Cavagnero, Mark Cavagnero Associates, on participation in Porch and his work updating the original 1969 design of the Oakland Museum of California by Kevin Roche and Dan Kiley o  Uzbekistan: A Matter of Radiance-         Interview with collaborators on Art-Tek Tulltorja, conversion of former brick works into a tech hub and community center, Pristina, Kosovo:o  Rafi Segal, Associate Professor, Architecture & Urbanism, MITo  Marisa Moran Jahn, Director, Integrated Design,Parsons School of Designo  Bekim Ramku, OUD+ Architectso  Nol Binakaj, OUD+ Architects-         Interview with Jeanne Gang, amidst a Bio-Blitz powered by the iNaturalist app and featuring a “disco ball for bees”-         Unfrozen's nominations for 2027 Biennale curator:o  Carolyn Whitzman, Senior Housing Researcher, Schoolof Cities, University of Toronto and author of Home Truths: Fixing Canada's Housing Crisiso  Diane Longboat, Senior Manager, StrategicInitiatives, Center for Addiction and Mental Health, Toronto§  See: Sweat lodge at the Centero  Patrick Bellew, Chief Sustainability Officer, Surbana Jurong (Atelier Ten)§  Gardens by the Bay cooling system,powered by incinerated tree trimming wasteo  Peter Barber, Peter Barber Architectso  Eyal Weizman, Forensic Architecture-         Stafford Beer: “The purpose of the system is what it does.”

Work smarter, not harder. That is what the high achieving women who wear Luxeire's technical tailored button-ups are doing and what mother-daughter co-founders Gina Kuyers and Margot Adams do in their business as well. (Okay, sometimes they are working smart and hard). In just five years, they've grown the brand to 7 figures. They're self-funding the business and the growth hasn't come without risks. They've learned to experiment quickly and have found what investments pay off for them and which don't. Their whole business is built for problem solving. In episode 117, Gina and Margot share how they've focused Luxeire's marketing and ad strategy around what matters most to their customers, how they take risks without jeopardizing their family life, and why producing in New York city fits their business values. Gina Kuyers: Co-Founder and CEO The idea for Luxeire emerged from founder Gina Kuyers' frustration with the discomfort and high maintenance of beautiful clothing. Gina, unable to find any brands that offered the perfect fit, decided to take matters into her own hands and create one. With a 20-year career and a PhD in school psychology, Gina had spent decades applying research to real-world problem solving. She used this expertise to identify a significant gap in the fashion industry: the lack of stylish, comfortable, and low-maintenance clothing that fits perfectly. Motivated by her own experiences and the needs of countless others, Gina set out to create Luxeire. Gina's meticulous approach to research and problem-solving has been instrumental in the development of Luxeire's unique product line. She has leveraged her analytical skills to source the finest materials and employ innovative design techniques that ensure each piece is both functional and beautiful. Luxeire's wardrobe staples are a testament to Gina's commitment to quality, comfort, and sustainability, offering a perfect fit for modern lifestyles. Luxeire stands as a testament to her dedication to solving everyday problems with elevated, practical solutions. Margot Adams: Co-Founder and Head of Marketing and Sales In December 2020, Margot Adams, Gina's daughter, joined Luxeire as the dynamic head of marketing and sales. Serving as the driving force behind the brand's direct-to-consumer launch, Margot's leadership has been instrumental in reshaping Luxeire's market approach. Margot attended the prestigious Parsons School of Design in New York City, where she immersed herself in business design with a special focus on marketing and sustainability. While at Parsons, she honed her creative skills and developed a keen eye for aesthetics and trends. Her time as a marketing assistant and stylist for Sarah Flint further enriched her understanding of the fashion world, allowing her to blend practical experience with academic knowledge. This background has been instrumental in shaping Luxeire's brand identity, infusing it with innovative marketing strategies and a strong emphasis on sustainable practices. Margot's creative vision and strategic insight have been pivotal in elevating Luxeire's market presence, ensuring the brand resonates with contemporary consumers who value both style and sustainability. Her ability to merge creative artistry with business insights continues to be a driving force behind Luxeire's success. This episode explores: Fitting the customer Who the Luxeire customer is The problems with classic tailoring that Gina and Margot set out to solve How Margot focused Luxeire's whole marketing and ad strategy around what matters most to their customers Why it all started with a problem and one special fabric Fitting the lifestyle How Gina and Margot take risks without jeopardizing their family life Gina and Margot's vision for success  What Gina's business plan looked like when she first started versus now What has worked and not worked for Luxeire when it comes to hiring help Fitting the values Why producing in New York city fits Luxeire's business values What sustainability looks like in Luxeire's products and business People and resources mentioned in this episode: Luxeire website Luxeire Instagram Do you want fashion business tips and resources like this sent straight to your inbox? Sign up for the How Fitting newsletter to receive new podcast episodes plus daily content on creating fashion that fits your customer, lifestyle, and values.

Alina Z is an award-winning, Board-Certified Health Coach, Chopra Life Coach, Detox Specialist, and former chef named creator of the #1 Best Diet in America by Harper's Bazaar. She also holds a degree from Parsons School of Design and a Master's in Communication, blending style, soul, and science into one transformational experience. Through her signature Wholistic Self-Discovery Coaching Program, Alina helps high-achieving women reconnect with their true purpose by transforming how they eat, dress, and live. Her philosophy? When you eat to nourish your soul and dress to express your truth, you shift your inner state — and from that space, everything changes. Peace returns. Confidence rises. Sparkle comes back. Alina's mission is to help women become the version of themselves they dreamed of at 8 years old — radiant, powerful, and fully aligned. While today Alina is happy with her body, a fulfilling career, and a life full of sparkle, it wasn't always like this. At 15 she left her home country and a $100,000,000 company that her parents wanted her to inherit and came to USA alone to create a life she desired to build on her own terms. She attended a Quaker school in Maryland and then graduated from Parsons School of Design in New York. Working in the marketing industry, at the age of 27 she grew into a position of a VP of Marketing for one of Washington DC's largest catering companies. During her tenure there her entire days were wrapped around talking about, writing about and tasting food! From early morning networking breakfasts to late-night cocktail receptions and galas, Alina barely had time to eat healthy. This busy lifestyle lead to an unwanted extra 20 pounds, which she struggled to lose with traditional diets and an endless supply of dieting books. She also felt that there was more to life than working long hours and making money. She felt she was lacking a purpose. As fate would have it, in 2009, Alina went on a inspirational cruise to Alaska, where she personally met and learned from world-renowned teachers like Dr. Wayne Dyer and Louise Hay. It was during Dr. Dyer's speech that Alina realized she wanted to be of service to the community. She thought that if she could find solutions to her own challenges, maybe she could help others with the same struggles. Inspired by the cruise, in 2010 she enrolled to study nutrition at the world's largest nutrition school -- Institute For Integrative Nutrition, in New York City. The experience was truly life-changing -  she found a unique way to health and fell in love with the field of nutrition. The one thing she saw missing most in the health market was FUN! Alina noticed two crucial things: first, food is typically labeled as either healthy or delicious and second, there is a total lack of connection being made between nutrition and the key to a happy life. With a passion for making the connection, Alina's mission as nutrition and life coach is to help you pursue your life passions and discover that food can be healthy, delicious, on budget, quick and easy! Quiz on my website at AlinaZ.com to find out your body type: https://www.alinaz.com/quiz #EatWithPurpose#SoulfulLiving#DetoxYourLife#ChopraLifeCoach#IntegrativeNutrition https://calendly.com/rebeccaelizabethwhitman/breakthrough https://wellnessmarketingltd.com/magnetic-abundance-manifest-your-dream-life-retreat/ https://www.amare.com/et/kd4k0a/2088608 https://mall.riman.com/rebeccawhitman/home http://pillar.io/rebeccaewhitman To learn more about Rebecca…https://www.rebeccaelizabethwhitman.com/#home

Are you ready to step into a world where style is personal, bold, and non-binary? In this episode, I chat with Shao Yang, the visionary behind Shao New York, a bespoke suiting brand that's pushing the boundaries of what tailored clothing can be. From creating custom pieces for both men and women to blending tailoring with streetwear, Shao is redefining how we think about fashion and identity. We discuss her journey, the challenges she's overcome in a male-dominated industry, and how she crafts pieces that are as unique as the people who wear them. If you're ready to transform the way you look and feel, or simply want to hear more about Shao's innovative approach to fashion, this episode is for you. Join us as we talk about the future of fashion and how you can start your own journey of self-expression through custom tailoring. “A custom suit isn't really particularly a man's garment or a woman's garment. It is just a piece of garment that you can use to tell your own story.” ~ Shao YangIn this Episode:- Meet Shao Yang- Shao's vision behind tailoring- Breaking gender norms in fashion- The fusion of tailoring and streetwear- Client transformations and personal stories- The custom tailoring process- The flexibility of custom tailoring vs off-the-rack fashion- The unique vision behind Shao's ready-to-wear brand- Inspiration behind Shao's latest collection- Upcoming projects and future plans for Shao New YorkAbout Shao Yang:Shao Yang is a Taiwanese-American fashion designer and the founder of The Tailory New York, a bespoke tailoring atelier renowned for its inclusive approach to custom clothing. After immigrating to the United States at age five, she pursued her passion for fashion design at Parsons School of Design, graduating in 2002. Drawing inspiration from her heritage and a decade of experience in the fashion industry, Shao established The Tailory New York in 2013. Her atelier offers a personalized, gender-neutral suiting experience, catering to individuals across the gender spectrum and emphasizing self-expression through custom garments. Instagram: https://www.instagram.com/shaoy/ Website: https://www.thetailorynyc.com/ Connect with me here:

Talia Cotton is a designer, coder, and educator who is recognized as a leading specialist in the intersection of design and technology. In 2023 she founded Cotton, a creative agency pursuing purposeful design work with code. Talia also teaches intro and advanced coding at Parsons School of Design. She has been recognized by The One Club, TDC, Fast Company, and It's Nice That, and has inspired audiences around the globe on The Cotton Global worldwide tour.Talia joins us today to teach us about code and how she and her studio of like-minded designers use it to make excellent work. Their work is as unique as their approach. They are a pioneer agency in this exciting and emerging way of working creatively with code. We were thrilled to sit and talk with her about everything going on in her life and unpack why she has watched Sex and the City three times through, and never the final episode. Enjoy!

Alexandra Deutsch, the John L. and Marjorie P. McGraw Director of Collections, at Winterthur Museum, Garden and Library and Dr. Jonathan Michael Square, Assistant Professor of Black Visual Culture at Parsons School of Design, and Guest curator of Almost Unknown, The Afric-American Picture Gallery, discussed the exhibit now on view through January 4, 2026 at Winterthur. Prompted by an 1859 essay by writer, social commentator and abolitionist William J. Wilson, “Afric-American Picture Gallery,” the exhibit uses text, lighting, sound and about 32 objects culled from the Winterthur collection to create the fictional galley’s experience. ‘Almost Unknown,’ five years in the making, captures the Winterthur Museum, Library and Gardens mission, presenting American material culture and design with context and history. For more information, hours and programming offered in conjunction with Almost Unknown: The Afric-American Picture Gallery and its other collections go to WINTERTHUR.ORG

Eun-Ha Paek in her studio in Brooklyn, 2024. Photo by Helmi Korhonen. Courtesy of Hostler Burrows Brooklyn-based multimedia artist Eun-Ha Paek's sculptures give physical form to the artist's inner narratives and personal history, while exploring broader themes of identity and human experience. Paek's hybrid approach to ceramics is informed by her background in animation and film. Her attempts to roll increasingly smaller, tighter coils eventually led her to introduce 3D printing to her practice, enabling detail that would not be possible by hand. The resulting pieces, while finally static, are created through a process that in many ways mimics stop motion animation. Paek's work, across media, investigates questions of identity through storytelling. Hints of recognizable references and motifs are present in her figures, but this host of characters is the unique product of a visual language developed to give shape to the artist's internal dialogue. Born in Seoul, South Korea, in 1974, Paek currently lives and works in Brooklyn, NY. She received a BFA in Film/Animation/Video from the Rhode Island School of Design, where she has also been a guest lecturer. Paek's work has been exhibited throughout the United States and internationally, and she is the recipient of several awards and grants including the Windgate Scholarship and Rudy Autio Grant from the Archie Bray Foundation. Paek's animated films have screened in the Guggenheim Museum, Sundance Film Festival, and venues around the world. She has been a guest lecturer at the Fashion Institute of Technology, a visiting critic at the Maryland Institute College of Art, and she currently serves on the faculty at Parsons School of Design/The New School. Eun-Ha Paek, Pied Piper, 2025. Glazed stoneware. 17" H x 15.5" W x 9.5” D. Photo by Joe Kramm. Courtesy of Hostler Burrows Eun-Ha Paek, Duck Lips Redux, 2024. 3D printed glazed stoneware. 17.5" H x 14" W x 8” D. Photo by Joe Kramm. Courtesy of Hostler Burrows Eun-Ha Paek, Mongmong Mountain, 2025. Glazed stoneware, gold leaf. 17" H x 22" W x 16”D. Photo by Joe Kramm. Courtesy of Hostler Burrows

Once again, we don't often have fiction picks on I'd Rather Be Reading, but usually every year I leave you with a fiction book of the summer around this time of year—and here is one for you: Hotter in the Hamptons by none other than Tinx, who is my esteemed guest today! In case you're in the 1 percent of the population who isn't familiar with Tinx, she is an influencer that has become known as “TikTok's older sister” because of her advice about relationships and mental health. Her name is Christina Najjar, and her content focuses on celebrity commentary, dating advice, and so-called “starter packs for rich moms.” She attended Stanford and Parsons School of Design, and she too is a podcaster, hosting the It's Me, Tinx podcast. She has written a nonfiction book that came out in 2023 called The Shift: Change Your Perspective, Not Yourself, which tackles topics like self-confidence, friendships, dating, and more; now she's got a novel, Hotter in the Hamptons, coming out May 6, and it is as juicy as it gets. Tinx is already a New York Times bestselling author from her first book, and I fully expect her to become one again with Hotter in the Hamptons. There's so much in the book that is compelling—love, sex, friendship, fashion, influencer culture, the Hamptons—it's difficult for me to cover fiction because I just want to give it all away, but I refuse to do that. I found Tinx to be absolutely lovely; her calming, soothing voice will instantly relax you. I hope you enjoy this conversation and this book. Take a listen!Hotter in the Hamptons by Tinx

I am so excited to say that my guest on the GWA Podcast is one of the most anticipated and exciting painters working today – Danielle McKinney. Born in Alabama, and based in New Jersey, McKinney is hailed for her small, contemplative, introspective and intimate paintings of women. Caught in moments of rest, relaxation and repose, McKinney's works, to my mind, are a collective portrait of the joys of female solitude. Painted on a black-coloured canvas emphasising the twilight time in which they appear to be set, McKinney's seductive and alluring paintings situate the figure swept up in their own world. Although she uses only a few thick, washy strokes of paint, each has significance, whether it be to evoke a dress, a hint of a cigarette flame, or a glow of light under a low-lit lamp in their soft-focus interiors. Never fussy or over-painted, they show just how much something so simple like a woman in her private space can be so powerful. While we aren't told much about them, it's up to us as the viewers to imagine their lives. I like to read stories into them, trying to understand where they are, and on what day and which time, they can also be read as interior moods. Full of atmosphere, it's almost like you can hear a soundtrack of Sade blasting softly in the background – one of McKinney's great inspirations. But painting wasn't always something she had pursued. While she had a great love of the medium in childhood, McKinney's training is in photography, having graduated from Parsons School of Design in 2013. Fascinated by humanity and movement, and the framing of an image, McKinney had a career as a photographer before turning to painting during the Covid-19 pandemic. Shut inside her New Jersey home, she hid herself away, bought some cheap canvases and turned her focus to painting – and hasn't stopped, and come five years later today, she has exhibited across the world. Recent bodies of work include an Edward Hopper-inspired series – which gets me to think about the connection between the solitude of 1930s America with today. But unlike Hopper, McKinney paints exclusively women, always inside, and resting in still, private moments – as she has said: “That's what I really try to capture in this beautiful solitude … Some of the ladies are very tense in those moments with a cigarette, and then sometimes they're asleep and beautiful. But those moments are theirs. --- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

This video's release was delayed over the weekend due to security reasons. Reporting from Gaza, Afeef Nessouli - a freelance journalist and host of “With Afeef Nessouli” on Patreon. He is also an adjunct professor for Parsons School of Design. He has previously worked for Spotify, The Daily Show and The Wall Street Journal. He focuses on queer and Arab stories. Afeef lived through the 2006 Lebanon war and went to prison in Beirut for covering Palestine. You can find his work on social media at https://www.instagram.com/afeefness/

Amanda (she/her) is a textile artist specializing in sustainability and natural dyeing. After a decade in New York City's art and fashion scenes, she moved to Eufaula, Alabama, in 2021 to reconnect with nature and focus on her family. This transition deepened her commitment to organic materials and eco-conscious practices. Inspired by motherhood, Amanda explores plant-based dyes and the longevity of textiles, blending traditional techniques with modern design. Her work celebrates change, sustainability, and our bond with the natural world. She is passionate about preserving textile heritage while innovating with natural processes. Amanda's artistic journey began early, studying at the Fashion Institute of Technology and Parsons School of Design. She has exhibited at the Kentuck Festival of the Arts, where she won a Merit Award in 2023, as well as Bells Gallery and the Fearrington Art Show. Through her evolving practice, she continues to create meaningful, sustainable art.

In this episode you meet Ben Barry - fashion educator, designer-researcher and academic leader who is devoted to equity, inclusion and social justice in fashion education and the fashion industry.  Ben Barry has been described as an ‘idea machine' whose work has been lauded as ‘positive, determined action to undo stereotypes and redefine society's idea of beauty. He is Dean and Associate Professor of Equity and Inclusion in the School of Fashion – at Parsons School of Design in New York City.Fashion is a great teacher talks to him about unpicking his suit jackets and inherent notions of masculinity, transformative educational experiences and using ones' body to navigate the complexities of institutional change. Finding liberatory pockets and fashion utopia in everyday clothing. And how it all started with him playing in his grandmother's closet. Sound editor: Moritz BaillyMusic by: Johannes von WeizsäckerGraphic by: Studio Regular

Welcome Tammi Meehan LMHC, artist and clinical therapist. Tammi is originally from Boston and studied at Parsons School of Design in New York City. From there, she went on to the University of Paris at the Sorbonne in France and later received a BFA from Massachusetts College of Art in 1993. Sixteen years later, Tammi returned to school and received a Masters of Education in Counseling Psychology from Cambridge College in Cambridge, Massachusetts. In 2019, Tammi Meehan integrated her counseling and painting practices. As a Clinical Therapist, her interests in Jungian Psychology, Neuroscience, Quantum Physics, and Spiritualism are recognizable influences. Her daily meditation practice is the mainspring of her current work and represents eclectic integrations of conceptual methodologies, cosmic symbolism, archetypal visions, and stylistic diversity. Tammi Meehan spoke with The Artists Index's cofounder, documentarian, and podcast host, Ron Fortier, last summer about her passion for color and texture using acrylic and oil paint, oil stick, dry pigment, charcoal, and graphite to create surfaces that flirt with the viewer to touch. This episode was recorded at our recording studio at Spectrum Marketing Group at Howland Place in New Bedford.   Tammi Meehan Fairhaven, Massachusetts 02719 Email | Website | Facebook | Instagram | LinkedIn | Other   Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

Children of immigrants are often hard workers; they’re under pressure to live up to their parents’ dreams. And it’s often thought that creativity and hard work don’t go hand in hand. Jean Lin has proven quite the opposite. Growing up in Massachusetts she was aware she came from a different place to her friends. But she credits her different upbringing, one focused on valuing family, hard work, integrity, with her success. Lin is the founder and gallerist of the downtown NYC design gallery and studio Colony. The designer’s co-op in Tribeca that’s changing the way New Yorkers shop for their interiors. With Colony, her goal is to support and foster independent designers and makers. Unlike traditional galleries, who take a 40% commission, her model is based on a monthly co-op fee (to cover the rent) and a small 15% commission. Then there’s The Designers’ Residency, an incubator program that mentors the next generation of young designers. She’s also authored a book, ‘What We Keep’, published by Abrams last year. It offers advice from artists and designers on the joy and benefits of living with the things you love. Lin originally moved to New York to train as a fashion designer at Parsons School of Design. She always knew she didn’t quite fit in with the fashion set. It was when she landed on her love for art and design more broadly that her career really started to sing. Fast forward to today and she has taught at Parsons, and guest lectured everywhere from Rhode Island School of Design to Pratt Institute and Tama Art University in Tokyo to name just a few. Listen in as Vince and Jean discuss working on J Lo’s fashion brand, having the transformative realisation that design is literally everything around us and why it’s better value to buy it once and buy it well.See omnystudio.com/listener for privacy information.

self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman's Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an expression of its own. Press the material to the utmost, and it will suggest ideas and creative avenues to the responsive artist.' The statement was sincere and enthusiastic, but decidedly naïf. I never thought when I wrote it that it would be the one statement of mine that would continue to be repeatedly quoted, throughout my 46- year-long career, as my defining philosophy. I have no defining philosophy. I am a visual artist, not a philosopher. Thoughts and ideas and opinions do not constitute a philosophy, and my thoughts and ideas and opinions have evolved and matured and changed in the time that has passed since 1964.” He continues: “As an artist I like to think of myself as a visitor in a maze, trying to find a solution to a dizzying puzzle. As in a maze, I have, through blunders and exploration, arrived at solutions, and embraced the manifold possibilities that the material offers: plasticity, transparency, opacity, translucency. I am sensitive to the wonders of the visual world and inspired by the forms and colors of the natural world. My training as a designer has enabled me to understand and exploit organization and structure, adding a rational perspective to my intuitive, emotional self.” Myers earned his degree in advertising design from Parsons School of Design in 1954. He studied in Copenhagen, Denmark, before earning a B.F.A. and M.F.A. in ceramics from the New York State College of Ceramics at Alfred University in the early 1960s. In 1963, he was hired as design director at Blenko Glass Company in Milton, West Virginia. Captivated by the drama of this thriving glass factory, he learned glassblowing through observation and practice.  In 1970, Myers established the nascent glass department at Illinois State University in Normal, Illinois, where he served as Distinguished Professor of Art for 30 years until he retired from teaching in 1997. He is an Honorary Lifetime Member, 2012 Lifetime Achievement Award Winner and past President of the Glass Art Society, a Fellow of the American Crafts Council, and the recipient of a National Endowment for the Arts Fellowship. His work is represented in prominent museum collections around the world, including The Corning Museum of Glass, Corning, NY; The Art Institute of Chicago, Chicago, IL; the National Museum of American History, Smithsonian Institution, Washington, DC; the Smithsonian American Art Museum, Washington, D.C; The Museum of Decorative Arts, Prague; Hokkaido Museum of Modern Art, Japan; Musee des Arts Decoratifs, Palais du Louvre, Paris, France; and Musee de Design et d'Arts Appliques Contemporains, Lausanne, Switzerland, amongst others. Of his sculpture, Myers states: “My work is concerned with drawing, painting, playing with color and imagery on glass. I work with simple forms and concentrate on the surface enrichment. I prefer the spherical, three-dimensional surface to a flat one, because as I paint and draw on the glass, the glass form receives the drawing, adapts to its shape, distorts and expands it as it clothes and envelops itself in my drawing. I feel a communication with the material, and a reciprocation from my subconscious, as I continually search for new insights into my unknown self.” Enjoy this enlightening conversation with Myers, who at 91 has a near photographic memory of the events and developments that spurred the Studio Glass movement forward in its early days, as well as the ideas and processes of his personal work in glass – some of the most successful and collected of its day.  

Tosha Hays is an accomplished inventor, entrepreneur, and fashion executive with a wealth of experience in the textiles and fashion industry. A graduate of the University of Georgia, she earned her degree in Textiles and Fashion Merchandising before furthering her studies in Fashion Design at Parsons School of Design and Seattle Central College.Read more...Photo: David Lamer

Dom powinien być bezpiecznym i zdrowym miejscem. Posłuchajcie co możemy zrobić już dzisiaj, aby poprawić swój komfort życia i pozbyć się szkodliwych substancji z naszych wnętrz. Agata Słoma podpowiada: m.in. za co lubi linoleum, dlaczego farba tablicowa i płyty OSB powinny mieć zakaz wstępu do naszych domów, jakich przedmiotów, materiałów i wykończeń unikać i czym je zastąpić.Agata Słoma od ponad 20 lat projektuje wnętrza domów, mieszkań, hoteli. W projektach uwzględnia wpływ materiałów na zdrowie, w oparciu o unikalną wiedzę specjalistyczną. Jest absolwentką Wydziału Architektury Politechniki Warszawskiej, Zarządzania Projektami na Akademii L. Koźmińskiego oraz prestiżowej Parsons School of Design w Nowym Jorku. Nadzorowała realizację centrum handlowego Złote Tarasy w Warszawie, jednego z najbardziej złożonych technicznie obiektów w Europie i zarządzała budową ikonicznego wieżowca Złota 44.IG Agaty ⁠https://www.instagram.com/zdrowo_cie_urzadze/⁠Polecam jej e-book "Jak wyciszyć mieszkanie": https://agatasloma.com/produkt/jak-wyciszyc-mieszkanie-e-book/Zapraszam na odcinek i czekam na Wasze refleksje:Mój IG: @odpowiedzialnamodaLubisz ten podcast? Oto opcje wsparcia :)Kawka: ⁠https://buycoffee.to/odpowiedzialnamoda⁠Patronite: ⁠https://patronite.pl/odpowiedzialnamoda⁠#odpowiedzialnamoda #katarzynazajaczkowska #podcast #wnętrza #agatasloma Podcast Odpowiedzialna moda dostępny jest w aplikacjach: Spotify, Apple Podcast, Overcast, Pocket Casts, Radio Public i EmpikGo i na kanale YouTube

Episode 463 / Rose Nestler (b. 1983, Spokane, WA) is a mixed media sculptor who lives and works in Brooklyn, NY. She holds an MFA from Brooklyn College and BA in Art History from Mount Holyoke College. Recent solo and two-person exhibitions include Public, London, UK (2024), Pangeè, Montreal, QC (2023); Mrs., New York, NY (2022); and Carvalho Park, New York, NY (2022) Selected group exhibitions include Asya Geisberg, New York, NY (2025), Plains Art Museum, Fargo ND (2024); Chart, New York, NY (2024), (The University of Leeds' Stanley & Audrey Burton Gallery, Leeds, UK (2023); Boston University, Boston, MA (2023); Rugby Art Gallery and Museum, Rugby, UK (2022); Perrotin, New York, NY (2022); Hesse Flatow, New York, NY (2021), and Frye Art Museum, Seattle, WA (2021); She was an artist in residence at the Joan Mitchell Center in New Orleans in 2022. Nestler has also conducted residencies at The Fores Project, London, UK, and The Lighthouse Works, Fishers Island, NY, among others. Her work is part of the permanent collection of the Frye Art Museum, Seattle, WA, USA and has been featured and reviewed on Art21, in The Brooklyn Rail, BOMB Magazine, Hyperallergic and New York Magazine. She is part time faculty at Parsons School of Design and College of Staten Island (CUNY). 

Join me as we sit down with Tim Gunn, the iconic fashion expert and star of Project Runway. Tim opens up about his childhood and upbringing, revealing how his early years shaped his path to success. He shares insights into his time as a teacher, how he joined Parsons School of Design, and the journey that led him to the world of fashion. Tim also reflects on his fashion evolution, the birth of Project Runway, and how he became an integral part of the show. He recounts how the show began and dives into the origins of his famous catchphrase "Make It Work." Tim also shares valuable fashion tips, trends and so much more.See omnystudio.com/listener for privacy information.

Planet Poet-Words in Space – NEW PODCAST!  LISTEN to my WIOX show (originally aired February 11th, 2025) featuring poet Tina Barry on her spellbinding new book, I Tell Henrietta.  Kristin Flynn, the artist who created the intense, expressive cover and interior art for I Tell Henrietta also joins us on the show.  Visit:Tina Barry at Tina Barry writer and  Kristin Flynn at https://www.kristinflynn.art   Praise for I Tell Henrietta"Tina Barry's astonishing collection I Tell Henrietta explores thresholds between the dream world and wakefulness and between poetry and prose... " ---- Mary Biddinger, author of Department of Elegy"Tina Barry's startling and eclectic I Tell Henrietta pushes the hybrid aesthetic envelope forward....Suffused with astute observation, memory and crystalline imagery, Barry's collection is a must-read for those who love small works containing multitudes"----  Nathan Leslie, editor of Best Small Fictions, author of Hurry Up and RelaxTina Barry is a textile designer turned poet, short-fiction writer and editor. She is the author of I Tell Henrietta (Aim Higher, Inc., 2024) with art by Kristin Flynn, Beautiful Raft and Mall Flower (Big Table Publishing, 2019 and 2016).Her writing can be found in Rattle, Verse Daily, ONE ART: a journal of poetry, SWWIM, The Indianapolis Review, The Best Small Fictions 2020 (spotlighted story) and 2016, and elsewhere. Tina has five Pushcart Prize nominations and several Best of the Net and Best Microfiction nods. She teaches at The Poetry Barn and Writers.com. Kristin Flynn earned a BFA in fashion design from Parsons School of Design, an AAS degree in Textiles from Rochester Institute of Technology, and studied painting at Marylhurst University in Portland, Oregon. Her paintings and drawings have been exhibited in numerous group and solo shows, including the Cheryl McGinnis Gallery, Stone Ridge Center for the Arts, Jane Street Gallery Studio 89, Brick Gallery, Kingston Museum of Contemporary Art, and Bard College. 

Hi everyone! Welcome back to another episode of The Chai on Life Podcast. I'm Alex Segal, and today we have Rebekah Saltzman on the show. Rebekah is an organizing wizard who is going to help all of us get into the decluttering and organization mindset today.Rebekah holds a degree in fashion design from Parsons School of Design, and for many years worked as a graphic designer. Rebekah's passion for the environment and helping people improve their lives drove her to change careers and create her brand, Balagan Be Gone.Rebekah's straightforward approach to managing “stuff” and her no-nonsense ability to get to the heart of what is important combines with her people skills to help people take control of their lives through organization. She is the author of Organized Jewish Life and the podcast host of Journey to Organization (linked here!)In the episode, we speak about organization and decluttering from a mindset approach as well as a practical one. I love what she says when it comes to clearing out your space to make room for shefa and abundance to flow into your life. We speak about getting rid of the “just incase” mindset and what our relationship with Hashem has to do with decluttering.We also get to tachlis questions like what to do with the plethora of kids projects and toys that may come into your home, whether to involve kids in the process or not and how to do so, what to do if you're feeling overwhelmed at getting started and how to break free of that, what to do with seasonal items in your home and soooo much more.Also, I hate to bring up Pesach – and don't worry we have time! But it is coming and while you certainly do not have to declutter and organize your whole house for Pesach, there is something about this time of year with spring coming that makes you want to feel lighter, clean things out, and just get control of everything after a long winter where things may have built up. There is the phrase, spring cleaning, after all. So Rebekah has a special program called Painless Pesach which is a 36-day decluttering challenge that starts on February 23 (That is next Sunday) and just $36, so a dollar a day.The program is really smart because it's broken down into really small steps so every day of the 36-day challenge, you'll get a video prompt in your inbox with something to do that takes just 15-30 minutes per day. There is live support via WhatsApp and Facebook and a workbook included so you can track your progress. By the end of the 36-day challenge, your whole house will be decluttered and you will just arrive at the seder table feeling like a lighter, clearer version of yourself and what could be better than that? CLICK HERE TO JOIN THE PAINLESS PESACH PROGRAM!SOCIAL MEDIA LINKSFacebookFacebook GroupInstagramTikTokLinkedInYoutubePinterest

A thoughtful and profound conversation with Alison Mears, architect, Associate Professor of Architecture, and Director and Co-founder of Healthy Materials Lab, a design research lab at Parsons School of Design, who's goals aim for healthier spaces and healthier lives.Mentioned in this episode:Healthy Materials LabHealthy Materials Lab on IGMaterial Health: Design Frontiers by Parsons Healthy Materials Lab6 Classes: Chemicals of ConcernHempitectureKeim PaintHave thoughts or comments to share? Feel free to reach out to MAREDI Design at hello@maredi-design.com

Jonsara Ruth is co-founder and Design Director of Healthy Materials Lab (HML) at Parsons School of Design, where she is an Associate Professor and Founding Director of the MFA Interior Design program. Alison Mears is Associate Professor of Architecture, Director and Co-Founder of HML and Director/Co-Founder of HML EU. Alison and Jonsara published “Material Health:Design Frontiers” exploring the intersectional and complex nature of material health. They also co-authored a chapter of The Regenerative Materials Movement (Living Future/Ecotone, 2024). This year is the Healthy Materials Lab's tenth in operation. Alison and Jonsara's close collaboration has been central to the Lab's development and to its success in engaging people and changing minds and practices.“Jonsara and I have a lot in common,” Alison says, “including a drive to use our design skills in the service of a higher goal to produce place for people that meet all their needs. We want to raise the bar. And we want to invite people in to do this work.”Jonsara says their partnership works well because they have complementary skill sets and they've always been willing to hear one another out. “We value intuition and we respect each other's experience. We are both committed to always learning and evolving,” she says. 

Episode #132 with Jewelry Designer Christina Greene McAllen This week on Living the Authentic Life, we sit down with Christina Greene McAllen, the powerhouse behind Christina Greene Jewelry—the brand known for its stunning turquoise and gold designs that blend Western charm with timeless elegance. Christina shares how her jewelry journey began in thrift stores and craft projects as a young girl, eventually leading her to Parsons School of Design in NYC and back home to Houston, where she turned her passion into a thriving business. From the long hours hustling at markets and trade shows, she takes us through the grit, glamour, and behind-the-scenes magic of bringing her designs to life. We also chat about:


In Dinner for Shoes podcast episode 59, How to Make It in Fashion: Tips From an FIT Professor, host Sarah Wasilak chats with FIT Assistant Professor of Fashion Design Amy Sperber about what it's like to be a student at the renowned college. Amy and Sarah talk about the technological advancements in fashion design that have been introduced to the curriculum and Amy offers tips for aspiring designers that dream of making it in the industry.  Sarah also depicts her own journey as a fashion journalism student studying at NYU, offering insight into the internships she tried and various career moves she made to land where she is now. Sarah tries Amy's favorite meal — a refreshing herb salad with fruit and goat cheese, complemented by a crispy chicken cutlet — then goes on to answer her first Shoe Therapy call. Whether you're in need of outfit advice or in the midst of a style dilemma, the Shoe Therapy hotline is open for your anonymous voicemails. Call 917-336-2057 with fashion vents and funny stories so I can “heel” ya — you just may hear your message on the podcast. THIS DINNER Paulie Walnuts Salad with a chicken cutlet from Chickie's in Jersey City, NJ and Redbull Zero  THESE SHOES Steve Madden Lawsen Black Leather Loafer THIS OUTFIT Shop my look Quince Mongolian Cashmere Oversized Boyfriend Cardigan Sweater Quince Mongolian Cashmere Scarf Hollister Low-Rise Medium Wash Baggy Jeans Brahmin Lane in Pecan Melbourne Warby Parker Andre colorblock eyeglasses THESE CHAPTERS 0:00 - INTRO 4:30 - THE OUTFIT BEHIND THE SHOES 11:10 - FIT PROFESSOR INTERVIEW 42:30 - REDBULL AND CHICKEN CUTLET SALAD 47:20 - MY FASHION CAREER 59:00 - SHOE THERAPY HOTLINE THIS PRODUCTION is created, written, hosted, and produced by Sarah Wasilak. is creative directed and executive produced by Megan Kai. is tech supervised by Nick Zanetis. includes photos and videos in chronological order by Sarah Wasilak, Fashion Avatars, Fashion Institute of Technology, Tanner Leatherstein, Parsons School of Design, Central Saint Martins, Marshall Columbia, Haley Greene, Amazon, Anthropologie, Revolve, and Reformation.     references Craft Me More Faux Pearl Trim, Syhood Velvet Ribbon Trim, Tinkrstuff Resin Rhinestones For Crafting, Gras E6000 Fabri-Fuse Fabric Adhesive Glue, Pilcro The Kenna Mid-Rise Heritage Barrel Jeans via Anthropologie, Alice + Olivia Ora Wide Leg via Revolve, and Reformation Cary High Rise Slouchy Wide Leg Jeans. is made with love. Dinner for Shoes is a fashion podcast for people who love food, hosted by editor Sarah Wasilak. With appearances by her cats, Trish and Kit, and agendas that almost always go to shit, we aim to dive into a discussion about fashion and style and break some bread in each episode.  Dinner for Shoes podcast episodes are released weekly on YouTube, Spotify, and Apple. You can follow along for updates, teasers, and more on TikTok, Instagram, and Facebook. If there are any fashion topics you've been pondering or good eats you think Sarah should try, don't hesitate to send a DM or an email. Dinner for Shoes is an original by The Kai Productions. Follow Dinner for Shoes: @dinnerforshoes on Instagram, TikTok, Facebook, and YouTube  Follow host Sarah Wasilak: @slwasz on Instagram  Follow producer Megan Kai: @megankaii on Instagram  Get in touch: dinnerforshoes@gmail.com To make this video more accessible, check out YouDescribe, a web-based platform that offers a free audio description tool for viewers who are blind or visually impaired.

On this episode of the Openwork podcast, we look at luxury pricing. Of course, we've already done a deep dive on how watches are priced. (Check out our episode with Mike Margolis of Czapek and Singer Reimagined for that.) However, in the past, we've largely focused on how inputs like cost of labor, materials, inflation and currency exchange impact pricing. But there's of course more that goes into pricing for watches and luxury goods more broadly. There are considerations like brand value, product positioning as well as consumer psychology that also impact pricing. And that's what we explore today – those other more nebulous, but equally significant, inputs into pricing. To help us with that we have the perfect guest: Katharine K. Zarrella is a writer, editor, and the Fashion Critic-at-Large at Document Journal. With a background as Fashion Director at the Wall Street Journal's Off Duty section and as a lecturer at Parsons School of Design and Central Saint Martins, she has contributed to numerous renowned publications, including Harper's Bazaar, The Business of Fashion, and most recently The New York Times, where she recently published the guest essay: Obscene Prices, Declining Quality: Luxury Is in a Death Spiral. Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry. You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

In this episode of PhotoWork with Sasha Wolf, Sasha closes out the year with photographer Keisha Scarville. Keisha and Sasha talk about her book, lick of tongue rub of finger on soft wound (MACK), and Keisha's personal and unique use of archival imagery. Keisha and Sasha also discuss the ways in which Keisha has moved away from thinking of projects as discreet bodies of work, choosing instead, a much more holistic approach. https://keishascarville.com/home.html ||| https://www.mackbooks.us/products/lick-of-tongue-rub-of-finger-on-soft-wound-br-keisha-scarville Keisha Scarville (b. Brooklyn, NY; lives Brooklyn, NY) weaves together themes dealing with loss, latencies and the elusive body. Her work has been widely exhibited, including the Studio Museum of Harlem, Huxley-Parlour in London, ICA Philadelphia, Contact Gallery in Toronto, The Caribbean Cultural Center, Lightwork, The Brooklyn Museum of Art, and Higher Pictures. Recent group exhibitions include The Rose at the lumber room, Portland, Oregon (curated by Justine Kurland); If I Had a Hammer - Fotofest Biennial, Houston (2022); and All of Them Witches, Jeffrey Deitch, Los Angeles (2020, curated by Dan Nadel and Laurie Simmons). Her work is held in the collections of the Smithsonian Museum of American Art, Yale University Art Gallery, the George Eastman House, Denver Museum of Art, and the Detroit Institute of Arts. She has participated in residencies at Lightwork, Lower Manhattan Cultural Council, WOPHA, Baxter Street CCNY, and Skowhegan School of Painting and Sculpture. In addition, her work has appeared in publications including Vice, Small Axe, and The New York Times where her work has also received critical review. She is a recipient of the 2023 Creator Lab Photo Fund and awarded the inaugural Saltzman Prize in Photography earlier this year. She is currently a Visiting Professor in the Department of Art, Film, and Visual Studies at Harvard University and a faculty member at Parsons School of Design in New York. Her first book, lick of tongue rub of finger on soft wound, was published by MACK and shortlisted in the 2023 Aperture/Paris Photobook Awards. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Jim Osman was born in New York City. He received a BA & MFA from Queens College. He has had solo exhibitions at McKenzie Fine Art, Robichon Gallery, Lesley Heller Workspace, Long Island University and Dartmouth College. His work has been included in group shows at the Brooklyn Museum, Equity Gallery and University of Texas at San Antonio. He has received grants from the Brooklyn Arts Council, Parsons School of Design and a NYFA Artist Fellowship in Craft/Sculpture. He became a member of the National Academy in 2019. Mr. Osman taught courses in three-dimensional design and sculpture at Parsons School of Design for 22 years. He lives and works in Brooklyn, New York. Clock, 2024, wood, paint, 63 x 49 x 60 inches. Photo: McKenzie Fine Art. Dogleg with Target, 2024, wood, paint, 6 5/8 x 7 1/4 x 7 1/2 inches. Photo: Christian Nguyen Cedar Porch, 2024, wood, paint, 8 x 6 x 5 inches. Photo: Christian Nguyen

Welcome to the final episode of Wear Who You Are for 2025! We have the honor of speaking with Fiona Dieffenbacher, an Associate Professor of Fashion at Parsons School of Design. Fiona's work expertly intertwines the realms of dress, embodiment, and spirituality, providing valuable insights into how clothing impacts our emotional and social well-being. Fiona shares her journey into the world of fashion education and her tenure at Parsons, emphasizing her passion for teaching, enacting change, and the importance of research in understanding the intricacies of fashion. Natalie and Fiona also bond over their spiritual religious practices and how their spirituality, the soul, and the body are all linked.What we love most, however, is of course how her research focuses on how dress acts as a medium through which we express ourselves. Sound familiar? Natalie and Fiona discuss the research work on “Dress & Emotion,” which highlights varying perceptions of clothing, from uniformity and persona to provocation and protection. Additionally, this episode delves into Fiona's “Outlier Initiative,” which shares surprising interviews, revealing highly unique insights into people's relationships with their clothing. Fiona's research also focuses on articulating the “space in between,” fostering understanding between fashion, philosophy, and theology. She challenges misconceptions within these intersections, encouraging us to consider how our clothing choices reflect deeper truths about ourselves and society. As a seasoned insider of the fashion industry, Fiona also discusses inclusivity and the evolution of beauty standards within the industry. She provides a critical perspective on the efforts made towards representation but also identifies areas demanding improvement. Through teaching her students about body positivity and inclusion, she aims to cultivate a more compassionate future for fashion.Read More About Fiona's ResearchBooks Recommended by Fiona: Fashion Theology by Robert Covolo Silhouettes of the Soul by Otto von Busch The Social Psychology of Clothing: Symbolic Appearances in Context by Susan B. Kaiser ––Follow Us:Follow the podcast on social media, and submit your questions by sending us a message here!@bustyle@natalie_tincherCheck out the website for more info at www.bu.styleSign Up for Nat's NewsletterRate, Review, & Subscribe to the podcast on Apple & SpotifyThis Podcast is brought to you by Upstarter Pods

Combining digital technology with everyday salvaged materials, sculptor and composer Trimpin has invented ways of playing everything from giant marimbas to a 60-foot stack of guitars using MIDI commands. Taking inspiration equally from junkyards, museums, and concert halls, Trimpin creates eccentric and interactive instruments from found materials, including saw blades, toy monkeys, duck calls, beer bottles, Bunsen burners, slide projectors, turkey basters, and pottery wheels. Trimpin's computer-driven musical contraptions defy the constraints of traditional instruments. In conversation with Gage's Gary Faigin, Trimpin will discuss specific projects from his career and share short videos that highlight his unique approach and philosophy. Trimpin is a German born kinetic sculptor, sound artist, and musician currently living in Seattle and Tieton, Washington. Trimpin's work integrates sculpture and sound across a variety of media including fixed installation and live music, theater, and dance performance. Beginning in July 2005, several Washington museums engaged in a year-long survey of his work. A feature documentary film about the artist/inventor/composer's life and work, TRIMPIN: The Sound of Invention, was produced and directed by Peter Esmonde. Painter, critic, and author Gary Faigin is cofounder and Artistic Director of Gage Academy of Art in Seattle, as well as the school's Still Life Atelier instructor. He has taught in art schools across the country including the National Academy of Design and the Parsons School of Design. Presented by Town Hall Seattle and Gage Academy of Art.

KAREN GEHRES: THANK YOU VERY MUCH

Claire is from a family of artists where sketchbooks were ever present. Her father Glen is an animator, her grandfather Bil was a cartoonist and apparently her great granddad drew machine parts for steam engines. Her uncle Jeff is a cartoonist, her brother Max draws and animates… so does her cousin. And from the looks of it, her kids are following in her footsteps. After studying design at Parsons School of Design and l'École Supérieure d'Arts Graphiques in Paris, she began her career at Disney Feature Animation in California designing for Tangled, Frozen and Enchanted among other films. Over time, her work expanded to include picture books including Little Wonder, Prunella, Love is, Not Yeti, Make Way, Once Upon a Cloud, and a range of other collaborative projects. In the summer of 2024, Claire returned to Paris with her children, where you'll often find her sketching in a café alongside her basset hound, Stanley.

in this episode Alicia Skehan and Karyne Tinord discussed their lifestyles and recent activities, which included travel and gym workouts. Alicia shared her background in fashion, particularly in the handbag industry, emphasizing the importance of functionality and customer needs. They explored the balance between beauty and practicality in design, with Alicia highlighting the need for durable, lightweight materials and practical features like phone storage. They also touched on the influence of travel on creativity and the potential for new products tailored to beauty professionals, such as functional and stylish luggage for stylists on the go. Who is Alicia Skehan? Alicia Skehan is an accomplished accessories designer with over 15 years in the fashion industry. Originally from Washington, DC, she moved to New York and earned her Bachelor of Fine Arts in Fashion Design from Parsons School of Design. Her expertise in handbag construction, technical design, and material development has made her a sought-after talent. Alicia has significantly contributed to brands such as Kate Spade New York, Coach, Kipling, MZ Wallace, and Cole Haan. Currently, Alicia is the Vice President of Design for Baggallini, a handbag brand founded by two female entrepreneurs in the travel sector. Alicia's journey blends creativity, resilience, and a dedication to supporting women in business, making her a true leader in the fashion industry. Connect with our guest: Alicia Sckehan

Learn the secret book cover strategies used by top bestselling authors and big publishers with Claudine Mansour Key Topics: How Claudine Mansour (Random House, Parsons School of Design) ended up designing book covers for T. S. Eliot, Antoine de Saint-Exupéry, President Jimmy Carter, The Dalai Lama, Pope John Paul II, Elizabeth Berg and more! Do readers judge a book by the cover? What makes a knockout cover: 3 secret strategies that top cover designers use to make a book a standout bestseller The digital world: what your cover must do to grab attention online and in stores What bookstore owners and publishers look for in a cover Do you want to build an audience and monetize on social media in the next 90 days? Join me in the Secret Visibility Project- first and likely only time we'll offer this! https://www.saraconnell.com/secret-visibility-project

Kevin Koch disucsses his new book Midwest Bedrock: In Search For Nature's Soul in America's Heartland. And the dean of fashion at Parsons School of Design discusses disability-led fashion projects

Mainstream adaptive fashion lines are relatively new, but creating clothes to fit and flatter a range of bodies has long been part of disability culture. Anita meets three disabled fashionistas who design with disabled bodies as a starting point, not an afterthought.Meet the guests:- Dr. Ben Barry is the Dean of Fashion at Parsons School of Design who's pushing for further inclusion in fashion – particularly when it comes to the ways clothing is designed, marketed and modeled for folks with disabilities-  Sky Cubacub is a Chicago-based fashion designer focused on making size-inclusive garments for queer and trans disabled folks through their company, Rebirth Garments- Samantha Jade Durán is a designer and influencer also known by the handle “A Disabled Icon"Read the transcript | Review the podcast on your preferred platformFollow Embodied on TikTok and Instagram Leave a message for Embodied

On this episode of HR Like a Boss, John interviews entrepreneur, clothing designer, and playwright B. Jeffrey Madoff to discuss the importance of collaboration and building effective teams in business. Madoff highlights how success in both business and life revolves around relationships, trust, and clear communication. They explore the challenges and benefits of remote work, stressing the need for setting expectations and maintaining team cohesion, even in virtual settings. Madoff shares his vision of HR leadership as engaging with others, making them feel heard, valued, and respected, ultimately building strong, lasting relationships. ABOUT B. JEFFERY MADOFF B. Jeffrey Madoff is the founder of Madoff Productions and is known for his unique abilities in creativity, storytelling, and entrepreneurship. He has had a prolific career spanning fashion design, producing, and directing commercials, documentaries, music videos, television, live streaming events, brand stories for prestigious clients such as Ralph Lauren, Victoria's Secret, Tiffany, Harvard School for Public Health, Raymond James, and Radio City Music Hall. Madoff's ability to craft compelling narratives has made him a sought-after director, speaker, and educator. He has been a featured speaker at Wharton School, Princeton University, and NYU. He created a course called “Creative Careers Making a Living With Your Ideas”, which he taught at Parsons School of Design for fifteen years. Madoff wrote a best-selling book of the same name, based on his class. His passion for storytelling and creativity culminated in the creation of the groundbreaking musical, "Personality: The Lloyd Price Musical." This captivating production, written by Madoff, tells the amazing story of the legendary Rock and Roll Hall of Fame inductee, Lloyd Price. Lloyd was the first teenager to sell over a million records and shattered the wall called “race music”. Premiering in June of 2023 to sold-out audiences at the Studebaker Theater in Chicago, "Personality" received critical acclaim for its powerful storytelling and unforgettable music.

On this week's episode of the Friends in Beauty podcast I welcome my Meka Mathis to the Friends in Beauty guest chair. Meka is a seasoned master aesthetician with over 20 years of dedicated experience in the beauty and skincare industry. As the founder and lead esthetician of Skin Beauty Bar, a highly regarded skincare spa in Washington, DC, Meka has established a thriving environment centered around self-care and innovative beauty treatments.  A proud graduate of the prestigious Parsons School of Design, Meka seamlessly integrates her Design Marketing degree with her expertise in esthetics to run a successful beauty business. Her unique approach has garnered recognition from notable media outlets, including Essence Magazine and Hello Beautiful, highlighting her impressive contributions to the skincare field.  In addition to her media accolades, Skin Beauty Bar is proud to serve as the official skincare partner for the Washington Wizards Dancers, further solidifying Meka's reputation in the industry. With her unwavering passion for skincare and commitment to excellence, Meka Mathis continues to inspire and elevate beauty standards in her community and beyond. During our chat we talked about being the face of her brand, working with the Washington Wizards dancers, skin care tips, having integrity & professionalism, her opinion on posting waxing before and afters on social media, and so much more. Enjoy this episode! Leave us a 5 star review and share this episode with a friend or 2 or 3. info@friendsinbeauty.com GET A PEEK INSIDE OF BEAUTYPRO FUNNELS HERE https://www.getbeautyprofunnels.com/friends JOIN FRIENDS IN BEAUTY x GLAMAZON BEAUTY AT FRIENDSGIVING 2024 https://bit.ly/FIBDinnerParty GET BOOKKEEPING & ACCOUNTING SERVICES - Tell Them Friends in Beauty Sent You https://kickstartaccountinginc.com ENROLLMENT OPEN - TRAILBLAZERS CLUB MEMBERSHIP https://bit.ly/FIBTrailblazersClub ADVERTISE YOUR BUSINESS OF THE PODCAST https://www.friendsinbeauty.com/advertise LEARN HOW TO RECORD + EDIT A PODCAST IN 7 DAYS OR LESS:  https://bit.ly/DIYPodcasterCourse FRIENDS IN BEAUTY FACEBOOK COMMUNITY https://www.facebook.com/groups/friendsinbeauty Additional Resources: MUST HAVE BEAUTY, PODCASTING, CONTENT CREATION TOOLS, AND BOOKS https://www.amazon.com/shop/akuarobinson LEARN A NEW SKILL Skillshare - Use this link for 2 months free of the premium plan: https://skl.sh/30t352q SAVE 10% ON MENTED COSMETICS (I'M SHADE D10) Shop Mented Cosmetics - https://www.mentedcosmetics.com/?rfsn=1290937.f2481 Use Code “AKUAROBINSON” for 10% of your purchase  Join the Friends in Beauty Mailing List: https://www.bit.ly/FIBTribe Social Media Info: Skin Beauty Bar (Instagram) - https://www.instagram.com/skinbeautybardc Friends in Beauty (Instagram) - https://www.instagram.com/friendsinbeauty Friends in Beauty (YouTube) - https://bit.ly/FIBTube Akua Robinson (Instagram) - https://www.instagram.com/akuarobinson Akua Robinson (Website) - https://www.akuarobinson.com NOTE: I am a Brand Ambassador and affiliate for certain businesses, products and services that I believe in. I may have referenced these and included links in this video, description or someplace else at this site. I hope you find the resources helpful. Copyright, Liability Waiver and Disclaimers. All rights reserved.

Interior design creates movement and reflects thoughtfulness.  It is the one profession that the art and discovery of each element reflects not only upon the lives and tastes of the client, but the expertise of the designer themselves.This episode will introduce you to one of the most talented souls Anne has met:  Rosemarie Padovano. As Elsie de Wolf once said, “I am going to make everything around me beautiful. That will be my life.”  It is as if Elsie was writing that specifically for Rosemarie. With a master's degree in sculpture and a bachelor's from the renowned Parsons School of Design, Rosemarie draws on her studies while leveraging her strong creative compass to create memorable and meaningful spaces.Her brand, Artemisia, is shared with her husband Marcello Marvelli.  Marcello is an art historian, curator and antique dealer.  Their intention is to create uncomplicated interiors that feel original and collected over time. Artemisia's expression expands beyond unique design services, it is a destination for curated finds for your home. Featured in Town and Country, New England Home, Vogue and Elle Decor, Artemisia has captured the attention of interior designers and hearts of discerning enthusiasts. Rosemarie's story is one that will draw you in.  Her portfolio of experiences, innate talents and warm personality is the reason success loves to follow her.In this episode Anne and Rosemarie discuss:Artemisia's storyRosemarie's tips for approaching design in your home. Their historical home in Old Lyme, CT. Maremma, Italy - A very special place and location of their second home. A beautiful web story and shop destination.You can find Artemisia at artemisiainc.com and @artemisianyc on Instagram.Complete show notes are on the Classic & Curious podcast page via styledbyark.com Where to Find Anne!@styledbyarkMore from Anne & Styled by A.R.K.Schedule your design Mini! Sometimes you need a little advice - a quick conversation to support your design needs. We are here for you! 

Jenny Walton is an illustrator, a writer, and Vogue's vintage shopping columnist. She studied fashion design at Parsons School of Design and subsequently worked in fashion and textile design at places such as Anthropologie and Calypso St. Barth. She eventually transitioned into illustration and began posting her work on Instagram, where she has since built a dedicated following. She also drew attention for her unique, vibrant, and eclectic sense of style. For the last few years, she's been living in Milan, pursuing further opportunities in illustration and running the popular Substack publication Jenny Sais Quoi. Walton joins us this week to talk about her sources of inspiration, the difference between American and Milanese fashion, and her best vintage shopping tips.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jenny Walton is an illustrator, a writer, and Vogue's vintage shopping columnist. She studied fashion design at Parsons School of Design and subsequently worked in fashion and textile design at places such as Anthropologie and Calypso St. Barth. She eventually transitioned into illustration and began posting her work on Instagram, where she has since built a dedicated following. She also drew attention for her unique, vibrant, and eclectic sense of style. For the last few years, she's been living in Milan, pursuing further opportunities in illustration and running the popular Substack publication Jenny Sais Quoi. Walton joins us this week to talk about her sources of inspiration, the difference between American and Milanese fashion, and her best vintage shopping tips.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Victoria Rickson is a Canadian ceramic artist based in San Francisco, specializing in nerikomi. With a BFA in Photography from Parsons School of Design, Victoria transitioned to pottery post graduation, mastering the technique of colored clay as a member of community studios. Victoria's work balances precision with spontaneity, creating one-of-a-kind, color driven pieces. http://ThePottersCast.com/1063

Hello & welcome back to Raw Intentions! This week, we're thrilled to have Anna Tedstrom, the founder of Hoohah, a vibrant brand creating hand crafted, colorful clothing- designed to get women outdoors. Growing up in the small ski town of Edwards, Colorado, Anna's love for the outdoors was fostered from a young age. She later moved to NYC for art school at Parsons School of Design, where she honed her craft and saw a gap in the outdoor industry that inspired her to start her brand, Hoohah. We discuss her creative process, the challenges of scaling her brand, where she pulls inspiration, and the invaluable lessons learned from her customers and fashion shows. Community has always been at the forefront of “Hoohah Land,” and she's made that a priority by growing the brand via participating in various farmers markets and vendor booths since she began in 2021. Anna also shares what's on the horizon for Hoohah and what to expect from her iconic brand. If you're passionate about fashion, the outdoors, or following your creative instincts, this episode is for you. Let us know what resonates! XoThis podcast is sponsored by Hazlo. Feel more like you, and get fueled for your day with this thoughtfully crafted elixir. Ready to drink with high quality ingredients, and packed full with electrolytes, antioxidants, and adaptogens. A fabulous mixer with your favorite tequila, or a refreshing treat on it's own. Use our code Raw15 to get 15% off on your purchase at drinkhazlo.comHoohah: https://www.instagram.com/hoohah_us/?hl=enShop Raw & Rebellious: https://www.rawrebellious.com/Raw & Rebellious Instagram: https://www.instagram.com/raw_rebellious/Raw & Rebellious TikTok: https://www.tiktok.com/@raw_rebellious?lang=enRaw Intentions Podcast Instagram: https://www.instagram.com/rawintentionspodcast/

Meredith Scardino is the creator and showrunner of the Netflix TV series Girls5eva. Born and raised outside of Philadelphia, from a young age, Meredith was encouraged by her parents to pursue all types of art, and tried everything from cartooning classes (and watching Saturday Night Live) to painting classes in high school. She earned a bachelors degree in fine arts from Cornell before moving to New York City to pursue a masters in painting from the Parsons School of Design. There, her world opened up, as she took improv classes and writing electives at Parsons alongside her painting classwork. Scardino then landed a job creating animated comedy shorts, which combined her love for painting with her growing talent for comedy writing. Soon, she decided she wanted to pursue comedy writing full-time and quickly landed a writing gig at VH1's Best Week Ever. Stints at the Late Show With David Letterman and The Colbert Report followed before she jumped into narrative TV by working on The Unbreakable Kimmy Schmidt. In 2021, she created her own show, Girls5eva, about a one-hit-wonder girl group that gets a chance at redemption decades after their initial fame. This year, she's nominated for an Emmy for Outstanding Writing for a Comedy Series.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Carly Cushnie is a designer in every sense of the word, perhaps best known for her mold-breaking womenswear line, Cushnie (formerly Cushnie et Ochs). She was born and raised in London, and studied at the Parsons School of Design, where she met her future co-founder, Michelle Ochs. After graduating, they launched their label, Cushnie et Ochs, and immediately received attention for their sleek yet flirty designs. In 2011, they were finalists for the CFDA/Vogue Fashion Fund, and in 2012, were nominees for the CFDA Swarovski Award for Womenswear. Carly continued to design collections and ultimately rebranded as Cushnie when she went solo in 2018. After struggling to stay afloat during the COVID-19 pandemic, Carly was forced to close Cushnie, which—although was heartbreaking—gave her a moment to think about her next steps. In the years since, she's pursued different creative projects; including nurturing her longtime love for interiors and architecture by beginning to work as an interior designer. Her work in the interior space culminated this year in the creation of a furniture collection with the luxury furniture brand Lulu and Georgia.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Micaela Erlanger is a stylist and best-selling author. Micaela grew up loving fashion and styling, and followed that passion to Parsons School of Design, where she earned a degree in Strategic Design and Management. After graduating into an economy during a recession, Micaela hustled for experience, freelancing for movie shoots and fashion magazines before landing a full-time job with the iconic stylist Annabel Tollman. Tollman grew to become Micaela's mentor, but after her untimely death in 2013, Micaela struck out on her own. After a successful partnership with her first client, Michelle Dockery, she began working with Lupita Nyong'o during her awards season run for 12 Years a Slave. Immediately, Micaela was topping The Hollywood Reporter's list of most powerful stylists. Over the next decade, she grew her client list to include other A-listers like Meryl Streep and Kelly Clarkson, moved into private and bridal styling, wrote a book, and so much more. In 2020, she decided she wanted a change, so she applied (and was accepted) to Harvard Business School's Program for Leadership Development. She graduated with an Executive MBA this past April and is now figuring out what she'll do next. She's creating her second life as we speak!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A single company, EssilorLuxottica, owns so much of the eyewear industry that it's hard to escape their gravitational pull — or their “obscene” markups. Should regulators do something? Can Warby Parker steal market share? And how did Ray-Bans become a luxury brand? (Part one of a two-part series.) SOURCES:Neil Blumenthal, co-founder and co-CEO of Warby Parker.Dave Gilboa, co-founder and co-CEO of Warby Parker.Jessica Glasscock, fashion historian and lecturer at the Parsons School of Design.Neil Handley, curator of the British Optical Association Museum at the College of Optometrists.Ryan McDevitt, professor of economics at Duke University.Cédric Rossi, equity research analyst at Bryan Garnier.Tim Wu, professor of law, science and technology at Columbia Law School. RESOURCES:"Leonardo Del Vecchio Dies at 87; Transformed Eyeglass Industry," by Jonathan Kandell (The New York Times, 2022).Making a Spectacle: A Fashionable History of Glasses, by Jessica Glasscock (2021)."Dave Gilboa and Neil Blumenthal: ‍A Vision for Business," by Lucy Handley (CNBC, 2020)."The Roots of Big Tech Run Disturbingly Deep," by Tim Wu and Stuart A. Thompson (The New York Times, 2019)."The Spectacular Power of Big Lens," by Sam Knight (The Guardian, 2018).The Curse of Bigness: Antitrust in the New Gilded Age, by Tim Wu (2018)."Statement of the Federal Trade Commission Concerning the Proposed Acquisition of Luxottica Group S.p.A. by Essilor International (Compagnie Generale d'Optique) S.A.," FTC File No. 171-0060 (2018).Cult Eyewear: The World's Enduring Classics, by Neil Handley (2011).A Far-Sighted Man, by Luca Goldoni (1991). EXTRAS:"Direct-to-Consumer Mattresses," by The Economics of Everyday Things (2024)."Are Two C.E.O.s Better Than One?" by Freakonomics Radio (2023).“Are We in a Mattress-Store Bubble?” by Freakonomics Radio (2016).