Podcasts about No Justice

'No Justice, No One Piece' is a brand new anime focused podcast hosted by Danny Justic and Perla Cobos. In this debut episode, Danny and Perla covered the first 3 arcs of the anime/ manga (Romance Dawn, Orange Town, and Syrup Village). They discuss the politics of the show, what stood out to them, and what connections we were able to draw to past and present events in our own world. This is a can't miss for any anime fan!!!

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.com

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

When multiple young women were found slain within days of each other in 1978, not much fuss was made as they were simply labeled as ‘prostitutes'. If these stories had made more than a blimp in local reporting, there might have been talks of a serial killer being on the loose, tormenting sex workers. But what's scarier? One man taking out multiple women, or multiple men killing women as they please? Today I'll be discussing the stories of Antoinette Carter, Dianna Kuhn, and Lisa McCauley. Classmates.com- Toni Carter - Newspapers.com Dec 11 1978, Obituaries - Newspapers.com December 12 1978, Dianna wanted to 'be on her own' - A closer look at the 1978 cold murder case solved by West Linn police - Adams High School (Oregon) - Wikipedia - The Oregonian Dec 8 1978 - Second prostitute slain in Portland in 11 days - The Daily Astorian Nov. 28 1978 -Charge upped to murder - The Bulletin - March 30 1979- Murder trial begins - The Oregonian April 3 1979- Moore convicted in Woman's death - Oregon Journal April 3 1979- Man convicted of stomping death - The Bulletin April 3 1979 Moore convicted - The Oregonian- May 23 1979- Moore sentenced to 30 years in fatal assault - State v. Moore :: 1980 :: Oregon Court of Appeals Decisions - The Oregonain Aug 13 1993- Obits. Torey Carter - The Sunday Oregonian Aug 8 1993- Shootings leave 1 dead, 1 hospitalized - The Oregonian Aug 17 1993- Red-Clad mourners grieve for leader of gang - The Oregonian July 7 1994 - Killer of teen pleads no-contest to murder - The Sunday Oregonian Sept. 5 1993 - Moose: Chief gets out on the streets, patrols with officers - The Sunday Oregonian Jan 9 1994 - 1993: The Homicide Year - Alameda, Portland, Oregon - Wikipedia - Alameda neighborhood - Alameda (remastered) - The Oregonian Dec 3 1992- 9-year-old victim of shooting wants to move out of his home - Fontaine Bleau shooter sentenced to life in prison - Owner of Shuttered Hip-Hop Club, The Fontaine Bleau, Details Allegations of Racial Discrimination by Portland City Hall and OLCC - Judge throws out Fontaine Bleau's discrimination suit against city of Portland, state liquor control commission - oregonlive.com - The Oregonian July 7 1994- Killer of teen pleads no-contest to murder - Oregon Journal June 6 1979 Confession to highlight murder trial - Statesman Journal Aug 18 1981- Courts - Oregon Journal Feb. 15 1979- Suspect held in death of woman, 68, here - Oregon Journal Dec 13 1979 Death Probe Continues - Oregon Journal Dec 14 1979, Police ask public aid in murder - Oregon Journal Jan 30 1979 Link hinted in slaying of women - The Oregonian Dec 14 1978 Park murder believed unrelated to slayings - Oregon Journal Dec 22 1978 Who killed Dianna Kuhn? Police checking every lead - Mary S. Young Park | City of West Linn Oregon Official Website - Oregon journal Nov 12 1981 - Slayer Quinn sentenced anew without guaranteed minimum - Oregon Offender SearchOur Sponsors:* Check out Kensington Publishing: https://www.kensingtonbooks.comAdvertising Inquiries: https://redcircle.com/brands

“As long as you are fighting/fearing something, you are giving it power.” Crrow777“Each day I claim my emotions and the emotional energy that I create. Not only does this serve to ensure I observe my emotions, it also ensures I recognize and claim my rights every day. Much of our current world, and its systems, (more...)

Dominique Dunne was 22 and a rising star in in Hollywood in 1982 — she had everything going for her, except when it came to her ex-boyfriend, Ma Maison head chef John Sweeney. She’d broken up with him after several severe beatings and nearly a year of coercive control, but he still wouldn’t leave her alone. When she tried to get the message across, he killed her. That was just the beginning, as a justice system more concerned about protecting the reputation of a man with a history of violence again women than getting justice for his victim let her, her family and her friends down again. Maureen presents. Rebecca gives the NNW review treatment to the Netflix doc “Victim, Suspect.”

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.com

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Content WarningThis episode contains discussions of murder, suicide, and Victorian scandal. Support resources are listed at the end of these notes.This EpisodeSeason 39 Finale: The Balham Mystery. The jury deliberated for three hours. Their verdict would haunt this case for one hundred and fifty years: "Willful murder by person or persons unknown."Murder--but no murderer. Four suspects. Four possible killers. And no way to know which one poisoned Charles Bravo.The VictimCharles Bravo died on April 21st, 1876. On August 12th, after twenty-three days of testimony, the jury confirmed what his family had always believed: he was murdered. But they could not--or would not--name the killer.This was not acquittal. Florence Bravo, Jane Cannon Cox, and Dr. James Manby Gully walked free not because they were innocent, but because the evidence against each was insufficient for prosecution. The cloud of suspicion would follow all three for the rest of their lives.The CrimeFour suspects. Four possible murderers.Florence Bravo had motive: freedom from an unhappy marriage and control of her fortune. She had opportunity: she was present at The Priory that evening. But she was not alone with Charles, and her psychological profile--a woman who had fought for independence her entire life--suggested she might simply have waited for divorce.Jane Cannon Cox had motive: Charles wanted her dismissed, threatening her livelihood. She had opportunity: she was the last person to interact with Charles before his collapse. She had means: the coachman testified she had asked about the antimony in the stables. But her alleged confession story, if fabricated, created enormous risk--the very outcome she feared would result from investigation.Dr. James Manby Gully had motive: jealousy, revenge against the man who had taken his lover. He had knowledge: as a physician, he knew exactly how much antimony would kill. But he was not at The Priory that night. If he killed Charles, he did so through an intermediary--most likely Mrs. Cox.Charles Bravo himself might have committed suicide, as Mrs. Cox claimed. But he left no note, settled no affairs, and had taken out life insurance that would be void if he killed himself--leaving his devoted family with nothing.The InvestigationThe evidence pointed everywhere and nowhere.The antimony was definitively identified--enough tartar emetic to kill three men. It was kept in the stables at The Priory, accessible to anyone in the household. The poison most likely entered Charles's system through his bedside water jug.The servants testified about a household filled with tension. Charles and Florence argued constantly. Mrs. Cox's position was precarious. The shadow of Dr. Gully hung over everything.The jury faced an impossible task: convict without proof, or release without justice.Historical ContextAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Democracy Wins—Pentagon Loses. Another Fumble from Hegseth. Vietnam Vet Robert Mueller Dies. No Justice for Breonna Taylor. RIP, CBS Radio.  Admiral James Stavridis is back for a master class on war, peace, and the future of American power at a moment when Donald Trump can do almost anything he wants with the most powerful military on earth. The former NATO Supreme Allied Commander joins host Paul Rieckhoff to break down Trump's war in Iran, the risks of escalation, what it would really mean to send Marines through the Strait of Hormuz, and how adversaries like Russia, China, Iran, and North Korea are watching—and celebrating. Stavridis explains why cyber is the next battlefield, what AI-enabled cyberattacks could look like, and why offensive cyber tools in the hands of angry regimes should have every American's attention.​ They dig into Trump's deployment of ICE to airports amid a partial shutdown, the culture crisis inside ICE, and whether Trump is road-testing ICE as a domestic political weapon where he can't legally use the U.S. military. Stavridis lays out where checks on Trump's power might actually come from—courts, Congress, NATO, and the American people—and why he still believes in the possibility of a centrist, independent political movement (even as a registered independent himself). It's Manosphere Monday, March Madness is in full swing, St. John's is dancing into the Sweet 16, and Rieckhoff and Stavridis still find “something good” in Disney World, underdogs, and the young Americans now fighting and dying in Iran.​ -WATCH full video of this episode here. -Pickup a copy of the Admiral's outstanding book: 2084 A Novel of Future Wars. . -Join IVA and stand up to Trump's Forever Wars. -Learn more about Paul's work to elect a new generation of independent leaders with Independent Veterans of America. -Learn more about American Veterans for Ukraine here. -Remember Independent is an Attitude. -Learn more about The Headstrong Project for Veterans, Tragedy Assistance Program for Survivors (TAPS), and Department of Veterans Affairs resources in your area. Seeking support is not a sign of weakness. It's a show of strength. If you or a loved one are in immediate crisis, dial 988 and press 1, or text 838255. Connect with Independent Americans: Subscribe on YouTube, Spotify, Apple Podcasts, and all podcast platforms Read more at Substack Support ad-free episodes at Patreon  Connect: Instagram  • X/Twitter • BlueSky • Facebook  Follow on social: @PaulRieckhoff on X, Instagram, Threads, and Bluesky -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -And get cool IA and Righteous hats, t-shirts and other merch now in time for the new year.  Independent Americans is powered by veteran-owned and led Righteous Media.  And now part of the BLEAV network!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Episode 13, you'll hear about the case of Debbie Fewster, whose heart finally gave out while she was waiting for cardiac surgery. As her son Daniel explains, the delay occurred because the requisition was put in the wrong pile.Read our report in the Winnipeg Sun: Fewster death exposes NDP's lack of competence, and compassion9.50 Part 2- When a family entrusts the life of their mother to Manitoba's health care professionals, they don't expect to ever hear that "human error" caused her to die. "It's so much worse than we thought," Daniel Fewster says. As we reported last year, the family believed the issue was surgical wait times, but an internal investigation dug up the real reason. He explains how his mother, a retired Niverville health care aid, received medication to ensure she didn't take up a hospital bed, but that resulted in her being considered an "outpatient." Debbie's file was tossed into a 180-day 'surgery can wait' pile. That case management system was invented as a COVID measure and was never reviewed by the NDP. "There are fundamental breakdowns in communication between the health regions."25.09 Part 3- “There's no justice, there's no explanation, it's just, your mom died cause there was a mistake, have a good day... there's a level of pain that comes with that.”Is this death just the cost of doing business for the NDP?“It's made me nervous. I sure hope I don't get sick and haveto go to the hospital. Man, to be on this side of losing a loved one to a medical error like that sure doesn't help your trust in the system.” 41.18 - Marty asks Daniel about whether this case also proves there was no review of the patient files after being placed in the 'outpatient' file to make sure those cases didn't require urgent attention.The reaction of reporters at the press conference, hosted by SecondStreet.org, was "a silent gasp, like, my gosh, this actually happened in Canada." 44.00- As Second Street president Colin Craig discovered, “Government documents show no staffhave received any disciplinary action for this tragedy.”The discussion wraps up with the lack of accountability for government institutions compared to deaths that occur within private industry; the status of Debbie's Law, and why it is still needed; and how the NDP's Bill 27 serves to protect the bureaucrats and politicians like Health Minister Uzoma Asagwara, not the patients or the public. *******Read our report- Kinew delays consumption site rolloutWe have led the way in holding the Kinew government to account for fake public consultations, withholding information, and dubious harm reduction policies proposed for a drug user site. *****The mandate of ActionLine.ca is to carry on the hard-nosed, ask tough questions approach pioneered on Winnipeg radio by Peter Warren. We receive NO government funding for our work holding governments, institutions and the legacy media accountable. When you contribute to our Season Seven Support campaign, those funds go to paying for web hosting, back-end and technical support, transportation and other costs that are incurred in our investigations and analysis of public affairs. To make a donation, or to advertise on our podcast, please email martygoldlive@gmail.com

Luther Adams – Free Man of Color is an Associate Professor at the University of Washington Tacoma. He earned his B.A. in history at the University of Louisville (1994), and a Ph.D. in history at the University of Pennsylvania (2002). He has published in a variety of forums including the Register of the Kentucky Historical Society, Ohio Valley History Journal, the Journal of Social History and the Journal of Urban History. His book, Way Up North in Louisville: African American Migration in the Urban South, 1930-1970 was published by the University of North Carolina Press in 2010. Additionally Luther Adams is the author of “Bayard Rustin: The Man Behind MLK,” published in All About History Magazine, No. 136. Luther Adams is currently working on a book called No Justice, No Peace

Welcome to the one hundred and seventh episode of Through A Glass Darkly Radio with Sean Patrick Hazlett! For this episode, we will discuss how the current administration continues to be completely tone deaf to justice. Don't miss it! Intro: "Mark of the Doomslayer" by Karl Casey @ White Bat Audio Copyright © 2026 Through a Glass Darkly Radio with Sean Patrick Hazlett. All rights reserved.

When we do what is right in our own eyes, when we determine that there is no ultimate authority over us – that there is no King whose righteous standard we must uphold – then we distort justice in order to protect us and ours.

In this edition of the show, Jack and Miles discuss the summary public execution of American citizen Renee Nicole Good and how long we, the American public, are gonna let this cook?See omnystudio.com/listener for privacy information.

Show #2572: Show Notes: Men of Iron Conference: https://www.menofironconference.org/ LAN: https://thelibertyactionnetwork.com/ SGC Giveaway: https://savinggodschildren.com/giveaway/ Saving God’s Children: https://savinggodschildren.com/ Hula Bowl: https://www.hulabowl.com/ Support Sheriff Mack: https://cspoa.org/join/ The Real Election Map: https://www.facebook.com/photo/?fbid=1413147216874576&set=a.110975963758381 On Venezuela: https://www.facebook.com/photo/?fbid=10238599226696162&set=a.10200724417169595 J6 Timeline: https://investigatej6.org/ Masons everywhere: https://www.facebook.com/photo/?fbid=4154150558170096&set=a.1723428924575617 Masonic […]

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The Matts examine the conclusion of the Independent Office for Police Conduct 14 YEAR (!) investigation into the Hillsborough disaster and reflect on the ghastly sequence of events that has consumed so many lives, literally and otherwise. And to add insult to the closure of a process that has taken 36 years to produce zero accountability for the 97 lives lost by unlawful killing. Also, in the first half of the pod, the Matts discuss Trump's latest outrage and how it is opening the door to racism and racists everywhere.Head to nakedwines.co.uk/matts to get a £30 voucher and 6 top-rated wines from our sponsor Naked Wines for £39.99, delivery included.OFFER: Get The New World for just £1 for the first month. Head to https://www.thenewworld.co.uk/2matts Hosted on Acast. See acast.com/privacy for more information.

Politics: open.spotify.com/show/41mlbGBR2FEx5DyxcQVkat Fight Films: creators.spotify.com/pod/show/lawson-leong9 DBZ: soundcloud.com/ballin-out-super Wrestling: open.spotify.com/show/5SqrqDzZNbGwsYyrbmvURu BluLock: creators.spotify.com/pod/profile/nick1933/ FULL EP AT PATREON.COM/PODDAMNAMERICA

Megan McDonald was just 20 years old when she was found brutally beaten to death on a quiet road in Wallkill, New York. The daughter of a retired NYPD detective, Megan's murder shocked her community and left investigators searching for answers. Her car was found abandoned. There was no robbery, no sexual assault, and no arrests for more than two decades.Behind the scenes, detectives focused on one man: her ex-boyfriend, Edward Holley. He owed Megan thousands of dollars and was reportedly angry after she ended their relationship. Prosecutors claim jealousy and money were his motive, linking him to the crime through phone records, witness statements, and DNA.But the case is far from over. Holley's defense points to another ex, Pauly Simpson, who spoke to Megan the night she was killed. Add in a dead suspect, political pressure, and a mistrial after twenty-two years, and the truth becomes even harder to see.Will Megan's family ever find peace, or will her case remain one of New York's most frustrating unsolved murders?Follow True Crime Recaps for the stories that prove time does not always bring justice.

In this episode of FMEP's Occupied Thoughts podcast, FMEP President Lara Friedman speaks with Zo Brown (an alias), the founder of Databases for Palestine about the project, and about why actively working to preserve evidence and memory of Israel's genocide of Gaza -- and actively working to fight the erasure of both -- is central to the achievement of accountability and justice. You can follow the work of Databases for Palestine on X (https://x.com/databases4pal) and at https://databasesforpalestine.org/, and you can support it via Patreon (https://www.patreon.com/databases4pal).

Thanks so much for listening to our podcast! We have turned to the prophets in the Narrative Lectionary, and this sermon is based on Amos 5:14–15, 21–24, the famous passage where Amos cries for "justice to roll down like waters." It is a powerful passage, and we hope this sermon will be meaningful to you this week.To find out more about our church, you can head on over to ⁠⁠⁠⁠⁠⁠www.williamsburgbaptist.com⁠⁠⁠⁠⁠⁠. If you have a moment, we'd also love for you to click over to follow us on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠.We are a small but vibrant and growing congregation, and there are lots of ways to connect. Please don't hesitate to reach out if we can help support you in any way! Thanks so much for tuning in!

The mysterious death of Ellen Greenberg continues to shock the nation — a young Philadelphia woman found with over 20 stab wounds to her neck, back, and heart, yet her death was ruled an unaliving, not a homicide. Now, award-winning attorneys and hosts of The Prosecutors Podcast join STS for an in-depth discussion and analysis after a long deep dive into this deeply disturbing case. Many believe possible corruption and cover-ups prevented Ellen's death from ever being properly investigated. Could justice for Ellen Greenberg finally be within reach? Find Brett and Alice on ‪@ProsecutorsPodcast‬ #EllenGreenberg #JusticeForEllen #ProsecutorsPodcast #TrueCrime #PhiladelphiaMystery #STS #EllenGreenbergCase #TrueCrimeCommunity #murderMysteryThanks for supporting the show and being a part of #STSNation! Donate to STS' Trial Travel: Https://www.paypal.com/ncp/payment/GJ...VENMO: @STSPodcast or Https://www.venmo.com/stspodcastCheck out STS Merch: Https://www.bonfire.com/store/sts-store/Joel's Book: Https://amzn.to/48GwbLxSupport the show on Patreon: https://www.patreon.com/SurvivingTheSurvivorEmail: SurvivingTheSurvivor@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Last week we talked about the 1991 deaths of Vicki Arnold and Julie-Anne Leahy, initially ruled a murder suicide. This week, we are going to go through Vicki Arnold's psychological profile, very serious accusations against Julie Anne's husband Alan, two more inquest findings, and eventually a suspect no one expected. This case is *disputed*Podcast recommendation: Scamfluencers Support the show!Get the exclusive show Beyond the Files plus Crimelines episodes ad free onSupercast: https://crimelines.supercast.com/Patreon: https://www.patreon.com/crimelinesApple Subscriptions: https://podcasts.apple.com/us/podcast/crimelines-true-crime/id1112004494 For one time support:https://www.basementfortproductions.com/supportLinks to all my socials and more:https://linktr.ee/crimelinesSources:2025 Crimelines Podcast Source List Transcript: https://app.podscribe.ai/series/3790If an exact transcript is needed, please request at crimelinespodcast@gmail.com Licensing and credits:Theme music by Scott Buckley https://www.scottbuckley.com.au/Cover Art by Lars Hacking from Rusty HingesCrimelines is a registered trademark of Crimelines LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Shea and Stacy discuss the final installment of Sep-Bran-Tember , JEEPERS CREEPERS 2001

Sadly, Erika Kirk's public declaration of forgiving Charlie's killer has sparked controversy.  People are angry over Charlie's murder and they're not in a mood to forgive. They want justice. Which raises a question: is it possible to both forgive and demand justice at the same time?Join me for today's Daily Word & Prayer to learn more.Scripture Used in Today's MessageMatthew 5:43-48Romans 12:19 -- !3:4Ecclesiastes 8:11Revelation 6: 10To find Tom on Instagram, Facebook, TiKTok, and elsewhere, go to linktr.ee/tomthepreacher

Tamla Horsford was a little nervous about going to the “girls night” birthday of a friend in Cumming, Georgia, in November 2018. She didn't know many of the other women, she had a husband and five sons at home to take care of, and on top of it, she was a Black woman in a […]

SummaryThis episode of 'Murder in the Black' delves into two tragic cases of injustice: the police shooting of Timothy Russell and Melissa Williams in Cleveland, and the racially motivated bombing of civil rights activists Harry T. and Harriet Moore in 1951. The hosts explore the systemic issues surrounding homelessness, police brutality, and the ongoing fight for civil rights, highlighting the need for reform and justice in both historical and contemporary contexts.TakeawaysCleveland has a significant crime issue.Mental illness is a major factor in homelessness.The police response to perceived threats can escalate quickly.No weapon was found in the car during the shooting incident.The community's outrage can lead to policy changes.Harry and Harriet Moore were pivotal figures in civil rights activism.The Moores' deaths symbolize the ongoing struggle for justice.Systemic racism continues to affect the justice system.The Groveland Four case exemplifies racial injustice in America.Justice is often delayed or denied for marginalized communities.Chapters00:00 Introduction to Crime in Cleveland02:32 The Lives of Timothy Russell and Melissa Williams05:07 The High-Speed Chase Begins09:11 The Tragic Shooting Incident11:57 Aftermath and Investigation19:46 The Case of Harry T. and Harriet Moore33:23 Legacy of the Moores and Ongoing InjusticeKeywordsCleveland crime, Timothy Russell, Melissa Williams, police shooting, Harry T. Moore, civil rights, racial injustice, homelessness, police reform, systemic racism

Today - A Bisbee father was murdered in his own home, and ten years later, despite a named suspect and a trail of missed chances, his killer remains free.Support the show: https://www.myheraldreview.com/site/forms/subscription_services/See omnystudio.com/listener for privacy information.

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.com

The Department of Justice's release of the Ghislaine Maxwell transcripts is nothing but theater—a sham staged to protect the powerful and slam the door shut on the Epstein saga. Maxwell, a convicted trafficker, was granted immunity and a microphone to mock survivors, erase the notion of a client list, and cast doubt on Epstein's death, all while the DOJ used her denials as a shield. The scandal isn't that these transcripts were released—it's that the interview happened at all, that the government legitimized a predator's voice and tried to use it as “closure” for the most explosive trafficking scandal of our time.But this isn't closure—it's desperation. They want the public exhausted, numb, and willing to accept Maxwell's lies as the final word. Yet those who've been in the trenches since the beginning know better. This doesn't end because she says it ends. Every denial and every carefully managed release only proves the cover-up is alive, the names are still hidden, and the truth is still too dangerous to reveal. The DOJ can trot out Maxwell as their mouthpiece, but it won't work—this fight isn't over, and when the reckoning comes, it won't be Maxwell or the elites doing the laughing.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

We talk about justice.We talk about money.But rarely do we admit: there's no justice without wealth.In this episode, Adina shares a bold reframe on what financial liberation really means — especially in a world where our communities are under constant attack.Because true justice isn't just legal. It's also financial.And financial work is justice work.Whether you're quietly budgeting for the first time, helping your community build wealth, or building a social impact organization or business — this episode is for you.You'll hear:Why financial disempowerment is a deliberate tool of oppressionHow trauma around money gets passed down — and how we heal itFinancial empowerment as a form of activism How financial coaching, community education, and building businesses can shift generationsWhat we're building through Immigrant Finance & International Empowerment — and why it matters now more than everThis episode is a grounding force and a rally cry.You're not behind. You're part of a bigger movement.Financial healing is activism. Let's build together.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

The Constitution Study with Host Paul Engel – When people shout “No Justice, No Peace,” are they really seeking justice or just revenge? I question whether recent actions by political leaders and officials reflect a true pursuit of justice or a cycle of political retaliation. Join me as I explore the difference between justice and revenge in today's headlines and what it means for our society...

The Department of Justice's declaration that Jeffrey Epstein was a "lone wolf" with no ties to intelligence and no involvement in kompromat is not just laughable—it's an insult to the intelligence of every American with a functioning frontal lobe. This isn't just a lie; it's a grotesque act of gaslighting. You don't amass blackmail material on billionaires, politicians, and royalty by accident. You don't operate an international sex trafficking ring out of mansions, private islands, and government-funded plea deals unless someone very powerful is holding the door open. For the DOJ to issue this absurd narrative in 2025, after years of irrefutable evidence and obvious patterns, is like spitting in the face of every survivor, whistleblower, journalist, and citizen who's been screaming the truth while being told they were delusional.What this memo really signals is institutional rot—an admission, cloaked in denial, that the system doesn't intend to clean up its mess. It's a grotesque pantomime of justice, hoping the public will grow tired, stop asking questions, and let the concrete dry over a grave full of secrets. But this isn't going away. You don't get to burn the files, wash your hands, and pretend the smell isn't still in the air. The Epstein operation was too big, too protected, and too damn obvious to be chalked up to one rogue predator. What we're witnessing is not closure—it's cover-up, and it reeks.to contact me:bobbycapucci@protonmail.com

The Department of Justice's declaration that Jeffrey Epstein was a "lone wolf" with no ties to intelligence and no involvement in kompromat is not just laughable—it's an insult to the intelligence of every American with a functioning frontal lobe. This isn't just a lie; it's a grotesque act of gaslighting. You don't amass blackmail material on billionaires, politicians, and royalty by accident. You don't operate an international sex trafficking ring out of mansions, private islands, and government-funded plea deals unless someone very powerful is holding the door open. For the DOJ to issue this absurd narrative in 2025, after years of irrefutable evidence and obvious patterns, is like spitting in the face of every survivor, whistleblower, journalist, and citizen who's been screaming the truth while being told they were delusional.What this memo really signals is institutional rot—an admission, cloaked in denial, that the system doesn't intend to clean up its mess. It's a grotesque pantomime of justice, hoping the public will grow tired, stop asking questions, and let the concrete dry over a grave full of secrets. But this isn't going away. You don't get to burn the files, wash your hands, and pretend the smell isn't still in the air. The Epstein operation was too big, too protected, and too damn obvious to be chalked up to one rogue predator. What we're witnessing is not closure—it's cover-up, and it reeks.to contact me:bobbycapucci@protonmail.com

The Department of Justice's declaration that Jeffrey Epstein was a "lone wolf" with no ties to intelligence and no involvement in kompromat is not just laughable—it's an insult to the intelligence of every American with a functioning frontal lobe. This isn't just a lie; it's a grotesque act of gaslighting. You don't amass blackmail material on billionaires, politicians, and royalty by accident. You don't operate an international sex trafficking ring out of mansions, private islands, and government-funded plea deals unless someone very powerful is holding the door open. For the DOJ to issue this absurd narrative in 2025, after years of irrefutable evidence and obvious patterns, is like spitting in the face of every survivor, whistleblower, journalist, and citizen who's been screaming the truth while being told they were delusional.What this memo really signals is institutional rot—an admission, cloaked in denial, that the system doesn't intend to clean up its mess. It's a grotesque pantomime of justice, hoping the public will grow tired, stop asking questions, and let the concrete dry over a grave full of secrets. But this isn't going away. You don't get to burn the files, wash your hands, and pretend the smell isn't still in the air. The Epstein operation was too big, too protected, and too damn obvious to be chalked up to one rogue predator. What we're witnessing is not closure—it's cover-up, and it reeks.to contact me:bobbycapucci@protonmail.com

In this episode of "Normal World," Dave Landau, 1/4 Black Garrett, and Angela open with headlines about Alex Cooper's disputed misconduct claim, Netflix's pay gap between Robin Wright and Kevin Spacey, and the unexpected vinyl release of "Brokeback Mountain." From there, the episode takes a darker turn into true crime, conspiracy, and cultural history. They break down the growing suspicions around the so-called Lady Bird Lake Killer, after several bodies have been found in Austin under eerily similar circumstances. The conversation spirals into theories about serial killers being part of larger operations, with names like John Wayne Gacy, Jeffrey Dahmer, Ted Bundy, Ed Gein, and Richard Ramirez woven into stories about MKUltra, satanic symbolism, and government psyops. Also on the table: the Laurel Canyon music scene's strange military ties, the Franklin cover-up, and whether the Manson murders were manipulated to fracture trust in the 1960s counterculture. Melissa Hager and Matt Bechtel join for stories about pen pals in prison, city council at 22, and cars that doubled as death traps. Today's guests on "Normal World" are author Matt Bechtel and comedian Melissa Hager. Matt's brother's sauce: https://woodriverbbq.com/ Merch Go to shop.blazemedia.com/collections/normal-world to shop our merch! Sponsors LEAN Let's get you started with 20% off. Just use code NORMAL20 at https://www.takelean.com Learn more about your ad choices. Visit megaphone.fm/adchoices

0:00 - Newsom: Trump wants civil war 9:41 - No Justice, No Peace Maxine taunting National Guardsmen 30:31 - Dems protest sing-alongs 52:18 - WHY DP IS SINGLE 01:04:39 - In-depth history with Frank from Arlington Heights 01:07:29 - Noah Rothman, senior writer at National Review: Democrats Just Can’t Quit the Looters and Rioters. Follow Noah on X @NoahCRothman 01:23:28 - Ozempic Update 01:27:11 - Ted Dabrowski, president of Wirepoints, warns that Gov. Pritzker and Mayor Johnson are driving the wealthy out of Illinois. Get Ted’s latest at wirepoints.org 01:43:03 - Ferris Bueller's sweater 01:44:35 - FoxNews Political Analyst, Gianno Caldwell, on the day that changed his life forever and his new book The Day My Brother Was Murdered: My Journey Through America’s Violent Crime Crisis. The Day My Brother Was Murdered is available 6/24 01:57:17 - SPORTS & POLITICS 02:00:13 - Bjorn Lomborg, president of the Copenhagen Consensus think tank: ‘Cheap’ solar and wind is a lie, green countries pay more! Check out Bjorn’s most recent book Best Things FirstSee omnystudio.com/listener for privacy information.

The illegal alien convicted of killing a Washington State Patrol trooper will face shockingly little prison time. Meanwhile, Governor Bob Ferguson orders the State Patrol to prostrate itself after accidentally interfering with pride flag raising. Seattle Mayor Bruce Harrell dodges questions about his vilification of peaceful Christians. Florida students asked to explain their heterosexuality.

Cornell University has canceled Slope Day headliner Kehlani over her Anti Israel thoughts. Is Cornell University next on the list for defunding? Sarah Palin has lost her defamation case retrial case against The New York Times. No Justice for her. Mark Takes Your Calls! Mark Interviews Author Ann Coulter. Ann breaks down how Cornell University will go under if they don't fix the Anti-Semitic issue. How come the Left-Wing networks like MSNBC and CNN aren't off the air? Signal Gate will destroy the left-wing media.

President Trump said he wouldn't fire Jerome Powell. Former Governor Andrew Cuomo is getting questioned about his past decisions on Covid 19, that killed people in the nursing home. 60 Minutes Executive Producer Bill Owens is stepping down. Mark Interviews Boston Radio Host Howie Carr. Mark and Howie talk about how the democrats are still using woke ideas to go after Trump on. Howie explains how attacking Tesla and getting angry is only making Dems look worse. Dems are not for America. Cornell University has canceled Slope Day headliner Kehlani over her Anti Israel thoughts. Is Cornell University next on the list for defunding? Sarah Palin has lost her defamation case retrial case against The New York Times. No Justice for her.  Mark Interviews Author Ann Coulter. Ann breaks down how Cornell University will go under if they don't fix the Anti-Semitic issue. How come the Left-Wing networks like MSNBC and CNN aren't off the air? Signal Gate will destroy the left-wing media.

Cornell University has canceled Slope Day headliner Kehlani over her Anti Israel thoughts. Is Cornell University next on the list for defunding? Sarah Palin has lost her defamation case retrial case against The New York Times. No Justice for her. 

President Trump said he wouldn't fire Jerome Powell. Former Governor Andrew Cuomo is getting questioned about his past decisions on Covid 19, that killed people in the nursing home. 60 Minutes Executive Producer Bill Owens is stepping down. Mark Interviews Boston Radio Host Howie Carr. Mark and Howie talk about how the democrats are still using woke ideas to go after Trump on. Howie explains how attacking Tesla and getting angry is only making Dems look worse. Dems are not for America. Cornell University has canceled Slope Day headliner Kehlani over her Anti Israel thoughts. Is Cornell University next on the list for defunding? Sarah Palin has lost her defamation case retrial case against The New York Times. No Justice for her.  Mark Interviews Author Ann Coulter. Ann breaks down how Cornell University will go under if they don't fix the Anti-Semitic issue. How come the Left-Wing networks like MSNBC and CNN aren't off the air? Signal Gate will destroy the left-wing media. See omnystudio.com/listener for privacy information.

Cornell University has canceled Slope Day headliner Kehlani over her Anti Israel thoughts. Is Cornell University next on the list for defunding? Sarah Palin has lost her defamation case retrial case against The New York Times. No Justice for her. Mark Takes Your Calls! Mark Interviews Author Ann Coulter. Ann breaks down how Cornell University will go under if they don't fix the Anti-Semitic issue. How come the Left-Wing networks like MSNBC and CNN aren't off the air? Signal Gate will destroy the left-wing media. See omnystudio.com/listener for privacy information.

Cornell University has canceled Slope Day headliner Kehlani over her Anti Israel thoughts. Is Cornell University next on the list for defunding? Sarah Palin has lost her defamation case retrial case against The New York Times. No Justice for her. See omnystudio.com/listener for privacy information.

As of February 2000, High School sweethearts Nick Kunselman and Stephanie Hart-Grizzell had been together for two years and, by all accounts, were madly in love and wanted to stay together forever. The two had survived the Columbine school shooting only 10 months prior in April 1999, and by all accounts, their shared experience had only made the two grow closer. However, early in the morning on Valentine's Day in the year 2000, Stephanie and Nick were discovered murdered at the Subway location Nick worked at in Littleton, Colorado. For a community still healing from one of the most infamous mass shootings in history, their murders only made that wound deeper. And what's worse, their murders are still unsolved to this day. Support our Sponsor! https://hiyahealth.com/milehigher Support our Sponsor! https://acorns.com/milehigher Support our Sponsor! https://simplisafe.com/milehigher Metro Denver Crime Stoppers: 720-913-7867 OR https://metrodenvercrimestoppers.com Cold Case Investigator: 303-271-5195 OR coldcase@jeffco.us Mile Higher Merch: HTTP://milehigher.shop Charity Merch for NCMEC:  https://kendallrae.shop Higher Hope Foundation: https://higherhope.org Check out our other podcasts! The Sesh https://bit.ly/3Mtoz4X Lights Out https://bit.ly/3n3Gaoe Planet Sleep https://linktr.ee/planetsleep Join our official FB group! https://bit.ly/3kQbAxg Join our Discord community, it's free! https://discord.gg/hZ356G9 MHP YouTube: http://bit.ly/2qaDWGf Are You Subscribed On Apple Podcast & Spotify?! Support MHP by leaving a rating or review on Apple Podcast :) https://apple.co/2H4kh58 MHP Topic Request Form: https://forms.gle/gUeTEzL9QEh4Hqz88 Merch designer application: https://forms.gle/ha2ErBnv1gK4rj2Y6 You can follow us on all the things: @milehigherpod Twitter: http://www.twitter.com/milehigherpod Instagram: http://www.instagram.com/milehigherpod YouTube: https://www.youtube.com/@MileHigher Hosts: Kendall: @kendallraeonyt IG: http://instagram.com/kendallraeonyt TW: https://www.twitter.com/kendallraeonyt YT: https://www.youtube.com/c/kendallsplace Josh: @milehigherjosh IG: http://www.instagram.com/milehigherjosh TW: https://www.twitter.com/milehigherjosh Producer: Janelle: @janelle_fields_ IG: https://www.instagram.com/janelle_fie... TW: https://www.twitter.com/janelle_fields_ Editor: Tom: @tomfoolery_photo IG: https://www.instagram.com/tomfoolery_photo/ Podcast sponsor inquires: joshthomas@night.co ✉ Send Us Mail & Fan Art ✉ Kendall Rae & Josh Thomas  8547 E Arapahoe Rd Ste J # 233 Greenwood Village, CO 80112 Music By: Mile Higher Boys YT: https://bit.ly/2Q7N5QO Spotify: https://open.spotify.com/artist/0F4ik... The creator hosts a documentary series for educational purposes (EDSA). These include authoritative sources such as interviews, newspaper articles, and TV news reporting meant to educate and memorialize notable cases in our history. Videos come with an editorial and artistic value. SOURCES CITED: https://pastebin.com/zjdgTvDL