Podcast appearances and mentions of tyler hislop

Mark, Al, our editor Tyler Hislop, and Dr. Jamie Madigan of the Psychology of Video Games podcast talk about a wide range crafting and building games from Minecraft to Starcraft to Sim City to Civilization to Rimworld to Subnautica. Given what a time commitment these typically require, what makes some of them worthwhile? For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel. Sponsors: Listen to The Psychology Podcast with Scott Barry Kaufman and The History of Literature Podcast with Jacke WIlson.

Mark, Al, our editor Tyler Hislop, and Dr. Jamie Madigan of the Psychology of Video Games podcast talk about a wide range crafting and building games from Minecraft to Starcraft to Sim City to Civilization to Rimworld to Subnautica. Given what a time commitment these typically require, what makes some of them worthwhile? For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel. Sponsors: Listen to The Psychology Podcast with Scott Barry Kaufman and The History of Literature Podcast with Jacke WIlson.

To celebrate (and postpone) our big ep. 300, here's a brand new mix and edit by Tyler Hislop (and Mark) from the original voice files of our very first discussion, covering Plato's "Apology." Recorded by Mark, Seth, and Wes on April 19, 2009. Contact us to let us know what you think of it. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. Sponsors: Get a discount on the #1 meal kit for eating well at GreenChef.com/PEL135. Visit NordVPN.com/PEL for a risk-free massively discounted 2-year plan, plus one free month.

Nude Tuesday is a brand new 5-star comedy from Armagan Ballantyne and Jackie van Beek about a suburban couple who go to a new-age retreat as a last ditch attempt to save their marriage. Their path to reconnection is riddled with hilarity and humiliation as they seek to find themselves and each other. In this episode, we hear from comedy actors Karen O'Leary and Chris Parker. Chris is an award-winning stand up comedian, improviser, actor and writer. You might know him from his viral Instagram channel, his recent comedy special called Back to School or a ton of acting roles on kiwi comedies. Karen O'Leary is another brilliant actor who worked for many years in early childhood education. She's Officer O'Leary in Wellington Paranormal, the spinoff series from the film she's also a real scene stealer in - What We Do In The Shadows.The Nude Tuesday podcast was brought to you by Film Queenstown Lakes, and New Zealand and Australian distributors, Madman Entertainment. It was produced, hosted and edited by me - Tim Batt and co-produced by Courtney Mayhew and Tyler Hislop. This series is also supported by Flicks - download the Flicks app to find Nude Tuesday session times near you and get tickets. See acast.com/privacy for privacy and opt-out information.

Nude Tuesday is a brilliant new film from Armagan Ballantyne and Jackie van Beek about a suburban couple who go to a new-age retreat as a last ditch attempt to save their marriage. Their path to reconnection is riddled with hilarity and humiliation as they seek to find themselves and each other. Plus there's nudity, Jemaine Clement is a sex guru and oh yeah, everyone is speaking in a gibberish.Tim Batt hosts a series of interviews of a range of people who contributed to Nude Tuesday, from director Armagan Ballantyne to screenwriter Jackie van Beek to actors Jemaine Clement, Damon Herriman, Karen O'Leary and Chris Parker to musician Luke Buda and even the person who created and trained everyone on the 'gibberish', dialect coach Perry Piercy.The Nude Tuesday podcast was brought to you by Film Queenstown Lakes, and New Zealand and Australian distributors, Madman Entertainment. It was produced, hosted and edited by me - Tim Batt and co-produced by Courtney Mayhew and Tyler Hislop. This series is also supported by Flicks - download the Flicks app to find Nude Tuesday session times near you and get tickets. See acast.com/privacy for privacy and opt-out information.

Nude Tuesday is a brand new 5-star comedy from Armagan Ballantyne and Jackie van Beek about a suburban couple who go to a new-age retreat as a last ditch attempt to save their marriage. Their path to reconnection is riddled with hilarity and humiliation as they seek to find themselves and each other.In this episode of the podcast, we hear from Luke Budda, one third of Monkier, the musical outfit responsible for the awesome covers of big hits on the soundtrack of Nude Tuesday. Luke is a brilliant New Zealand musicians who's not just a stunning solo artist, he's part of the trio that's won awards for their original music on movies like Taika Waitit's Boy, Hunt For The Wilderpeople and Eagle vs Shark. The Nude Tuesday podcast was brought to you by Film Queenstown Lakes, and New Zealand and Australian distributors, Madman Entertainment. It was produced, hosted and edited by me - Tim Batt and co-produced by Courtney Mayhew and Tyler Hislop. This series is also supported by Flicks - download the Flicks app to find Nude Tuesday session times near you and get tickets. See acast.com/privacy for privacy and opt-out information.

Nude Tuesday is a brand new 5-star comedy from Armagan Ballantyne and Jackie van Beek about a suburban couple who go to a new-age retreat as a last ditch attempt to save their marriage. Their path to reconnection is riddled with hilarity and humiliation as they seek to find themselves and each other.In this episode we're joined by subtitler Julia Davis and Music Supervisor Karyn Rachtman. Karyn is considered the most sought-after music supervisor in the world today. She's worked with Quentin Tarantino, Baz Luhrmann's, Paul Thomas Anderson and many, many others bringing their films to life by getting the right music in.Nude Tuesday's subtitler Julia Davis is a BAFTA-winning British comedian who you might know from Love Actually, Phantom Thread or her own TV shows Nighty Night, Hunderby and Camping.The Nude Tuesday podcast was brought to you by Film Queenstown Lakes, and New Zealand and Australian distributors, Madman Entertainment. It was produced, hosted and edited by me - Tim Batt and co-produced by Courtney Mayhew and Tyler Hislop. This series is also supported by Flicks - download the Flicks app to find Nude Tuesday session times near you and get tickets. See acast.com/privacy for privacy and opt-out information.

Nude Tuesday is a brand new 5-star comedy from Armagan Ballantyne and Jackie van Beek about a suburban couple who go to a new-age retreat as a last ditch attempt to save their marriage. Their path to reconnection is riddled with hilarity and humiliation as they seek to find themselves and each other.In this episode Tim chats to Jemaine Clement and Damon Herriman. Damon Herriman plays Bruno, who Damon describes as “a real mix of qualities. He's super optimistic, he has a very sunny demeanour and is very enthusiastic about life, but he also has a short fuse – people can press his buttons very easily.” Damon is known for playing Dewey on FX's Justified and for portraying Charles Manson in the Netflix smash hit Mindhunter and then again in Quentin Tarantino's Once Upon A Time In Hollywood.Jemaine Clement is, of course, one half of Flight of The Conchords, the co-creator and star of What We Do in The Shadows and has recently been shooting on James Cameron's upcoming Avatar sequels. In Nude Tuesday he plays Bjorg, a self-styled sex therapist and relationship guru, who rules over an eager and doe-eyed support staff.The Nude Tuesday podcast was brought to you by Film Queenstown Lakes, and New Zealand and Australian distributors, Madman Entertainment. It was produced, hosted and edited by me - Tim Batt and co-produced by Courtney Mayhew and Tyler Hislop. This series is also supported by Flicks - download the Flicks app to find Nude Tuesday session times near you and get tickets. See acast.com/privacy for privacy and opt-out information.

Nude Tuesday is a brand new 5-star comedy from Armagan Ballantyne and Jackie van Beek about a suburban couple who go to a new-age retreat as a last ditch attempt to save their marriage. Their path to reconnection is riddled with hilarity and humiliation as they seek to find themselves and each other.In this episode of the podcast, we're diving a little deeper on the behind the scenes part of the movie and talking to two people who were crucial to setting up the made up language and the nudity. Dialect coach Perry Piercy is an award-winning actor and director who has travelled the world instructing actors and presenters operating at the highest level on how they can use their voice most effectively. Perry constructed the rules for the made up language in Nude Tuesday and trained the actors on how to improvise within a dialect that doesn't actually exist. Tandi Wright is a kiwi screen icon known for her appearances on Shortland Street, Nothing Trivial, 800 Words and recently, the black comedy sci-fi Creamerie. Tandi was Nude Tuesday's intimacy co-ordinator, getting everyone ready for the actors to bare all on the big screen.The Nude Tuesday podcast was brought to you by Film Queenstown Lakes, and New Zealand and Australian distributors, Madman Entertainment. It was produced, hosted and edited by me - Tim Batt and co-produced by Courtney Mayhew and Tyler Hislop. This series is also supported by Flicks - download the Flicks app to find Nude Tuesday session times near you and get tickets. See acast.com/privacy for privacy and opt-out information.

Nude Tuesday is a brand new 5-star comedy from Armagan Ballantyne and Jackie van Beek about a suburban couple who go to a new-age retreat as a last ditch attempt to save their marriage. Their path to reconnection is riddled with hilarity and humiliation as they seek to find themselves and each other.In this episode we hear from Armagan Ballantyne and Jackie van Beek themselves - the pair who created this wonderful film. Jackie is the co-writer, screenwriter and co-star of the film. An actor, improviser, writer and director, she's perhaps best known for her movie The Breaker Upperers which she made with Madeleine Sami.Armagan is the director and co-writer of Nude Tuesday. Her first feature, The Strength of Water (2009) won several awards which added to a pile of accolades she's received for her work in TV and music videos. A Kiwi-German, she also was one of 22 filmmakers from around the globe invited to work on United Nations anthology film Stories on Human Rights in 2008.The Nude Tuesday podcast was brought to you by Film Queenstown Lakes, and New Zealand and Australian distributors, Madman Entertainment. It was produced, hosted and edited by me - Tim Batt and co-produced by Courtney Mayhew and Tyler Hislop. This series is also supported by Flicks - download the Flicks app to find Nude Tuesday session times near you and get tickets. See acast.com/privacy for privacy and opt-out information.

Second in our series on the odes of John Keats is Ode to a Nightingale, in which Keats imagines a journey into the realm of negative capability, a concept introduced in our previous episode on Ode to a Grecian Urn. Keats hears a nightingale's song and it inspires him to ponder such questions as, what makes an ideal artist? How might we access the world of artistic creation? How does art unite humanity across the ages? Wes and Erin discuss whether artists, however inspired, can escape the anxieties of a potential audience. The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Subscribe: (sub)Text won't always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.

Are protest songs effective, either as protest or songs? Four songwriters including your host Mark Linsenmayer, Lilli Lewis, Rod Picott, and PMP's audio engineer Tyler Hislop discuss how protest works in various musical genres, who it's aimed at, and when it goes wrong. Has the day of the protest song passed, or is it alive and well? For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel. Sponsor: Find a top-rated doctor by visiting ZocDoc.com/PMP and downloading the free ZocDoc app.

Are protest songs effective, either as protest or songs? Four songwriters including your host Mark Linsenmayer, Lilli Lewis, Rod Picott, and PMP's audio engineer Tyler Hislop discuss how protest works in various musical genres, who it's aimed at, and when it goes wrong. Has the day of the protest song passed, or is it alive and well? For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel. Sponsor: Find a top-rated doctor by visiting ZocDoc.com/PMP and downloading the free ZocDoc app.

Supergiant's Hades is now the first video game ever to have won a Hugo award and has set a new standard in the Roguelike genre. What is this genre, and what makes Hades unique? With guests Jamie Madigan from psychologyofgames.com, Al Baker, and Tyler Hislop. For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel. Sponsors: Find a doctor at zocdoc.com/PMP. Lower your monthly credit payments at upstart.com/PRETTY.

Supergiant's Hades is now the first video game ever to have won a Hugo award and has set a new standard in the Roguelike genre. What is this genre, and what makes Hades unique? With guests Jamie Madigan from psychologyofgames.com, Al Baker, and Tyler Hislop. For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel. Sponsors: Find a doctor at zocdoc.com/PMP. Lower your monthly credit payments at upstart.com/PRETTY.

Tyler (PMP's audio editor) rejoins Mark, Erica, and Brian to explain one of his passions. How is it a battle and what are the rules? What's the appeal? How does it relate to free-stylin', rap albums, and insult comedy? Does it make sense as a "free speech zone"? For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

We all know this story, in part because it captures a period that will always have a special place in the American imagination. Prosperous and boozy, the Jazz Age seemed like one great party, held to celebrate the end of a terrible world war; the liberating promise of newly ubiquitous technologies, including electricity, the telephone, and the automobile; and a certain image of success as carefree, inexhaustibly gratifying, and available to all who try. And yet perhaps this fantasy is rooted in disillusionment, and a denial of inescapable social realities, including the impossibility of genuine social mobility. What do we mean when we talk about the American Dream? Is it realistic? Wes & Erin discuss F. Scott Fitzgerald’s “The Great Gatsby.” Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.

Podcast: The Partially Examined Life Philosophy Podcast (LS 65 · TOP 0.1% what is this?)Episode: PEL Presents (sub)Text: The American Dream in F. Scott Fitzgerald's “The Great Gatsby"Pub date: 2020-11-08We all know this story, in part because it captures a period that will always have a special place in the American imagination. Prosperous and boozy, the Jazz Age seemed like one great party, held to celebrate the end of a terrible world war; the liberating promise of newly ubiquitous technologies, including electricity, the telephone, and the automobile; and a certain image of success as carefree, inexhaustibly gratifying, and available to all who try. And yet perhaps this fantasy is rooted in disillusionment, and a denial of inescapable social realities, including the impossibility of genuine social mobility. What do we mean when we talk about the American Dream? Is it realistic? Wes & Erin discuss F. Scott Fitzgerald's “The Great Gatsby.” Subscribe: (sub)Text won't always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.The podcast and artwork embedded on this page are from Mark Linsenmayer, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.

Benjamin Braddock is a little worried about his future. He’s a recent college graduate who moves back in with his upper-middle-class parents and feels smothered by their vapid, materialistic lifestyle. But he begins an affair with a woman from his parents’ circle… And then he falls in love with her daughter. Like Benjamin, we wonder what the future can and should hold for us. Can it be free of the negative trappings of our society and culture, of our parents’ influence, of the past? Wes and Erin discuss Mike Nichols’ 1967 film "The Graduate." Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.

Wes and Erin continue their discussion of W.B. Yeats’ "The Second Coming." In Part 1, they analyzed the first stanza of the poem, in particular Yeats' use of "gyre"; the meaning of the phrases "things fall apart" and "the center cannot hold"; and the conflict between aristocratic and revolutionary values. In Part 2, they discuss -- with a little help from Nietzsche -- the anti-redemption of the second stanza, and the meaning of Yeats' vision of a "rough beast" slouching towards Bethlehem.  Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.

The poet John Keats is famous for the concept of “negative capability,” his description of the ability to tolerate the world’s uncertainty without resorting to easy answers. Literary minds in particular should be more attuned to beauty than facts and reason. In fact, truth in the highest sense is the same thing as beauty, he tells us at the end of his poem Ode on a Grecian Urn. What does that mean? Is it true? Wes and Erin discuss these questions, and how it is that aesthetic judgments can communicate a kind of truth that is not strictly descriptive or factual. Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website The cover art is based on Keats’ tracing of the Sosibios Vase, which may have helped inspire the poem. Thanks to Tyler Hislop for the audio editing on this episode.

At the center of every courting ritual, there’s a great unknown. How do we know when we’ve met someone we can love? How do we know the other person is actually who they seem to be? In the beginning, all we have to go on is surface appearances, which amount to a kind of hearsay. The question is how to get beyond them. Wes and Erin discuss Shakespeare’s Much Ado About Nothing, which seems to suggest that witty banter is more than just good fun, and has an important role to play in getting to know others. The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Subscribe: Apple | Spotify | Android | RSS Follow: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.

When egotistical weatherman Phil Connors gets trapped in a time loop in Punxsutawney, Pennsylvania, he gets drunk, steals money, manipulates women, binges on breakfast food, plays God… and finally grows up. The story charts Phil’s development over the course of thousands of repeated February 2nds. Along the way, it raises questions about our own capacity for growth. How do we go about improving ourselves? How can we escape boredom? Achieve fulfillment? Wes and Erin discuss the 1993 film Groundhog Day. Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Jeff Mitchel for allowing us to repurpose his poster for the cover art. Thanks to Tyler Hislop for the audio editing on this episode.

An advantageous marriage is Elizabeth Bennet’s only potential escape from a foolish mother, a disinterested father, three very silly sisters, and a house that’s entailed away to her idiotic cousin Mr. Collins. But she turns down fabulously wealthy Mr. Darcy because he’s prideful—and maybe a little prejudiced. But then, so is she. How do we know if two people are well-suited to each other? What makes a successful match? Is Mr. Collins actually the perfect man? Wes and Erin discuss Jane Austen’s Pride and Prejudice. Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Abbie Smith for allowing us to repurpose her poster for the cover art. And thanks to Tyler Hislop for the audio editing on this episode.

You know, it’s that old story of boy meets girl … girl is dating boy’s married boss … girl tries to commit suicide … boy saves girl’s life …. Okay, that sounds pretty dark. But somehow it’s the basis for a classic romantic comedy, Billy Wilder’s 1960 film, The Apartment. The film raises the question of how we distinguish authentic relationships from relationships of utility and convenience. What cultivates human intimacy? What compromises it? When are we just using people? Wes and Erin discuss. Cover art is based on a French poster for the film. Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly: Apple | Spotify | Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.

What constitutes a video RPG? Is there any actual role-playing involved? Our editor Tyler Hislop rejoins Mark, Erica, and Brian to discuss those video games that are supposed to make you feel like your choices matter, with comparisons to MMO RPGs, table-top role-playing, and more. For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life network and is curated by openculture.com. Sponsor: Visit skillshare.com/pretty for two months of free, unlimited learning.

What is pop culture? Does it make sense to distinguish it from high culture, or can something be both? Welcome to this new pop culture podcast hosted by Mark Linsenmayer, Erica Spyres, and Brian Hirt. This episode also features Tyler Hislop, our editor. For more, see prettymuchpop.com. Get involved from the start at patreon.com/prettymuchpop. We'll solicit your input for our episodes, release them early for supporters, and provide bonus content with every episode; there's already some waiting for you now. Presented by openculture.com and the Partially Examined Life podcast network. End song: "High Rollin' Cult" written by Mark just for this release, featuring Erica. Theme music by Mark and Erica. PMP logo by Ken Gerber.  

To celebrate year #2, previous guests return: Bradley (see #32) talks "Duet" from Take Out the Poison, Jeff (see #5) presents "Still Life with Broken Heart" from Emotional Terrorism, and Steve (see #6) discusses "Wind of Change" from A Tribute to the Bee Gees '66 to '78. Finally, hear Tyler Hislop (see #24) about his "Wounds and Nihilism (Feat. Mark Lint)." Opening music: "Dawning on Me" by Mark Lint. Hear more Nakedly Examined Music. Like our Facebook page. Support us at patreon.com/nakedlyexaminedmusic to hear bonus audio for this episode.

To celebrate year #2, previous guests return: Bradley (see #32) talks "Duet" from Take Out the Poison, Jeff (see #5) presents "Still Life with Broken Heart" from Emotional Terrorism, and Steve (see #6) discusses "Wind of Change" from A Tribute to the Bee Gees '66 to '78. Finally, hear Tyler Hislop (see #24) about his "Wounds and Nihilism (Feat. Mark Lint)." Opening music: "Dawning on Me" by Mark Lint. Hear more Nakedly Examined Music. Like our Facebook page. Support us at patreon.com/nakedlyexaminedmusic to hear bonus audio for this episode.

Continuing on Nietzsche's 1888 book. Is there any ground from which we could judge life as a whole to be good or bad? Is N. more about saying "yes" to life or saying "no" to all the numerous things that piss him off? We also talk Becoming, whether producing great art is more important than being nice to everyone, and whether Nietzsche is ultimately someone we'd want to hang around. End song: "Oblivion" by Tyler Hislop, as interviewed on Nakedly Examined Music #24. Listen to part 1 first, or get the unbroken, ad-free Citizen Edition. 

Mark and Seth ask Doug Lain (Zero Squared), Brett O'Shea (Revolutionary Left Radio), and C. Derick Varn (Symptomatic Redness) what they think of Debord and PEL's treatment of the book on Ep #170. End song: "Open Your Eyes (Wake Up)" from Tyler Hislop, interviewed on Nakedly Examined Music #24.

Tyler (editor of this podcast!) can rap endlessly, and has filled up ten albums with his machine-gun musings on life and politics. A great intro to indie hip-hop for the ignorant (like me)! Songs: "Negative Space," "Long Way Down," and "Ciphers" (feat Grimm) from Long Way Down (2015), and "Kids of the Earth" from Quest for Meaning (2008). Hear more at soundcloud.com/sacrifice. Hear more Nakedly Examined Music.

Tyler (editor of this podcast!) can rap endlessly, and has filled up ten albums with his machine-gun musings on life and politics. A great intro to indie hip-hop for the ignorant (like me)! Songs: "Negative Space," "Long Way Down," and "Ciphers" (feat Grimm) from Long Way Down (2015), and "Kids of the Earth" from Quest for Meaning (2008). Hear more at soundcloud.com/sacrifice. Hear more Nakedly Examined Music.