Podcasts about Dewey

On a very special episode of “What Dewey Do?”, Molly and Ryan Stapelman from the #LuckyFinProject join Dewey to discuss the mission of their non-profit and the thousands of lives they've touched through their story. You can learn more about #LuckyFinProject by looking at their website https://luckyfinproject.org/. Follow Us

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news

About Our GuestMargarita Mooney Suarez (Clayton)* is an Associate Professor in the Department of Practical Theology at Princeton Theological Seminary. She founded The Scala Foundation in 2016 and continues to serve as Scala's Executive Director. Scala Foundation's vision is to restore meaning and purpose to American culture by focusing on the intersection of artists (culture creators), liberal arts education, and religion (liturgy, personal prayer, theology).NotesIn this episode, Trae and Margarita Mooney Suarez (Clayton) take a closer look at the philosophical underpinning of modern education. The late American philosopher, psychologist, and educational reformer John Dewey maintains a massive influence on how contemporary schools and families think about learning and the role of the school and its teachers. Dewey's philosophy of education, while seemingly positive on some points, is ultimately grounded in the denial of the spiritual needs of students and a rejection of tradition. As a result, Dewey's views have contributed to the rise of beliefs and practices that effectively turn teachers into little more than bureaucratic therapeutic reformers, cut off from tradition with little to no approaches to teaching outside the scientific method applied across subjects. Today, most schools strip students of traditional beliefs and practices and expect them to build a future on no sure foundation. If we want to undo the influence of Dewey and restore a common unity between the church, the household, and the school, we will need some help. Enter Jacques Maritain and Luigi Giussani. * Margarita married David Clayton after this recording and now shares his last name.  Some topics and ideas in this episode include: Deep Rot in Our Education System  The Influence of Philosophy on Education  Jacques Maritain and Luigi Giussani's Concerns with John Dewey  Teachers as Beuarocratic Therapeutic Reformers Truth and The Scientific Method    All Education as Moral Education  The Freedom to Choose What's Right  Teaching as an Art  Common Unity Between Household, Church, and School   Tradition and Authority  Deconstruction, Questioning, and Scepticism  Resources and Books & Mentioned In This Episode After Virtue by Alasdair MacIntyre A Common Faith by John Dewey  Letters to a Young Education Reformer by Frederick M. Hess The Crisis of Western Education by Christopher Dawson The Burnout Society by Byung-Chul Han Education at the Crossroads by Jacques Maritain The Risk of Education: Discovering Our Ultimate Destiny by Luigi Giussani  Margarita's Foundation and Books  SCALA Foundation  The Acton Institute 28th Anniversary Speech The Love of Learning: Seven Dialogues on the Liberal Arts  The Wounds of Beauty: Seven Dialogues on Art and Education _________________________________Credits:Sound Engineer: Andrew HelselLogo Art: Anastasiya CFMusic: Used with permission. cellists: Sara Sant' Ambrogio and Lexine Feng; pianist: Alyona Waldo  © 2022 Beautiful Teaching. All Rights Reserved ★ Support this podcast on Patreon ★

The Columbia River Quarantine Station, established on  the 9th of May, 1899, at Knappton Cove. The Quarantine Station served as a ship disinfection station as well as an isolation facility for people with contagious disorders.At the Battle of Manila Bay, the USS CONCORD was part of Commodore Dewey's squadron, which defeated the Spanish Pacific Fleet. The ship was fifth in Dewey's six-ship fighting line during the engagement.Listen now to learn more about how these two subjects intertwine!A special thank you goes out to Al Hirsch for providing the music for the podcast, check him out on YouTube.Find merchandise for the podcast now available at:     https://washington-history-by-jon-c.creator-spring.comIf you enjoy the podcast and would like to contribute, please visit: https://www.buymeacoffee.com/EvergreenpodIf you have any questions, episode ideas you'd like to see explored, or just have a general comment, please reach out at Historyoftheevergreenstatepod@gmail.comTo keep up on news for the podcast and other related announcements, please like and follow:https://www.facebook.com/HistoryoftheevergreenstatepodcastThank you for listening!

Abiku unleashes new powers. Dewey divines an Empty fear. Vee goes all out. And the Hunter strikes with osseous fury. "The Second Stranger" is sponsored by Dmitry (https://twitter.com/DmitryOpines) and ExplainTrade (https://www.explaintrade.com/), a negotiation skills training consultancy; because you can't ask to roll persuasion in real life. Special thanks to our Heroes and Paragons: Alex, Azra, Brooke Brite, @brownestnerd, Charles, chillacres, Cora Eckert, Emma, Finn, Hat, Isabel, Kanding, Lex Slater, Moonflower Tea, Nicholas, Purplemouse, Rose, Scruffasus, Summer Rose Folta, Sunny, and Targott. Content warnings for this episode: darkness, references to hunting animals, violence against dog-like creatures, fantasy violence, gore, blood, heights and falling, explosions, and references to imprisonment. CREDITS: Title - “summer, somewhere” by Danez Smith. Music - C.I.S. Music (https://soundcloud.com/cis_music), Fesliyan Studios (https://www.fesliyanstudios.com/), and Soundstripe (https://www.soundstripe.com/). Album art - Sea Thomas (https://twitter.com/pisharpart). Podcast editing - Sea Thomas (https://twitter.com/pisharpart). Join our Discord server at https://discord.gg/rTbPwxRsBe!

This week we journey to Kansas City, Missouri in the late 1960's to hear the story of an interracial couple that joined together for a life of crime, both for their relationship at that time and for the many of vice activities they were a part of. That pairing resulted in a child and that child is my guest this week, Dewey Reynolds. He shares his parents story and growing up in the foster care system after they abandoned him at 6 months. He also talks about the book he wrote on his parents transgressions. This was a fascinating conversation!_____________________________________Check out Dewey's Book Here: https://www.amazon.com/Two-Shades-Vice-interracial-together/dp/154508887X/—————————————————————Link to all things Not in a Huff Podcast: https://linktr.ee/notinahuffpodcastPlease follow/subscribe to the podcast to get the new episodes when they come out each week and rate us on Apple Podcast and Spotify! :)

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news SOURCES

Molly is a true gem. We are connected through working in New York City together in the summer of 2013. While we technically only overlapped for a few short months, she quickly became my soul [little] sister and dear friend. Molly is a mama of two littles — currently ages 1.5 and 2 months. She is the co-founder of Mettacool — a coaching and professional development company for women. Molly has so much wisdom to share and in this episode we have a true heart-to-heart catch up diving into baby names, her love story, her journey to starting Mettacool, entrepreneurship, working moms, postpartum anxiety, having a natural vs. medicated birth, and so much more. It's juicy! Hope you enjoy.

Vee usurps Øka as Transplanar's resident horsegirl. Abiku sees a new side of the Qaghan. Dewey tracks down the Herd. And Manaia says goodbye. "The Second Stranger" is sponsored by Dmitry (https://twitter.com/DmitryOpines) and ExplainTrade (https://www.explaintrade.com/), a negotiation skills training consultancy; because you can't ask to roll persuasion in real life. Special thanks to our Heroes and Paragons: Alex, Azra, Brooke Brite, @brownestnerd, Charles, chillacres, Cora Eckert, Emma, Finn, Hat, Isabel, Kanding, Lex Slater, Moonflower Tea, Nicholas, Purplemouse, Rose, Scruffasus, Summer Rose Folta, Sunny, and Targott. Content warnings for this episode: romance, flirting, references to sexual entanglements, fantasy violence, death, references to hunting animals, and darkness. CREDITS: Title - “All Pacing Horses” by Loone & Paper Bee. Music - C.I.S. Music (https://soundcloud.com/cis_music), Fesliyan Studios (https://www.fesliyanstudios.com/), and Soundstripe (https://www.soundstripe.com/). Album art - Sea Thomas (https://twitter.com/pisharpart). Podcast editing - Sea Thomas (https://twitter.com/pisharpart). Join our Discord server at https://discord.gg/rTbPwxRsBe!

“Not in my movie!” Those are the iconic final words of Sidney Prescott in the original “Scream” film, declaring that she will not let the actions and terror inflicted by her boyfriend will define her life. Over the course of the first chapter in the horror franchise, the audience is introduced a young woman who is trying to make sense of her trauma a year after her mother was murdered. Soon after she is harassed and attacked by a masked killer, Sidney's life is again thrown into upheaval. Join Ryan and podcast contributor Amar Karim to discuss how Sidney grows from a meek teenage girl preyed upon by her boyfriend to a fierce young woman who breaks all the textbook “final girl” rules. In addition, Ryan is joined by Jamie Acorn to introduce the episode and Chris Saint to conclude the episode, both of whom share their Scream stories and participate in the Speed Round. Introduction with Jamie Accorn Neve's Overall Performance First 30 Minutes Introduction: Bedroom, School, Attack at Home Sidney's dialogue-driven scenes with Gale, Dewey, Tatum, Billy: All About Her Mom and Dad Sidney in the Bathroom with the Cheerleaders Sidney and Billy Breaking the Rules Attack at Stu's House: Chase Scene, Kenny, and Police Car Her Movie: Sidney in the Finale Conclusion with Chris Saint Subscribe on Patreon at Patreon.com/screamwithrcs  All Episodes Available: Apple Podcasts, Spotify, EarGlueMedia, GooglePodcasts, Audible, Stitcher. Find us on Twitter, Instagram, and Facebook. Host: @ScreamWithRCS  Producer: @albertmpadilla  Network: @EarGlueMedia  Contributor: @Amar Karim Patreon Guests: @jacorn17 @saintpiercing  Purchase Merchandise: teepublic.com/user/screamwithrcs

This week's episode features Morgan Dewey, a member of the East Carolina Women's Soccer Team. Morgan transferred to ECU after her freshman year at the University of Louisville. After enduring 2 ACL injuries, Morgan medically retired from soccer just before her 6th season. She bravely decided to remain a part of the team and take on alternative roles. Throughout her journey, she expresses the importance of listening to other people's stories and the impact that this had on her own growth. The two encourage all athletes listening to play every day as though it could be your last and to find enjoyment in the sport rather than the accolades. Website - https://www.strongerscars.com/Instagram - https://www.instagram.com/strongerscars/?hl=enTwitter - https://twitter.com/strongerscars

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news SOURCES

Carolina is back in Kenan Stadium for a huge game against Pitt...we preview the key Coastal Division match-up (6:28)Basketball season starts tonight as Carolina holds its only public exhibition of the season versus Johnson C Smith (21:05)Audio from our Video Pod interview with Tar Heel tight end Kamari Morales (29:05)Leaky Black joins for an awesome interview to talk coming back for an extra year, blocking out the noise and chasing that winning-in-March feeling (46:58)Plus: talking Dewey's (38:46), #5SecondChallenge (1:17:11), the world will be a little less classy soon (1:25:31), Game Day experience in Chapel Hill (1:35:51) and some extra Gio stories in #Storytime (1:54:09)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news

THE HALLOWEEN SPECIAL IS BACK!!! Just like last year we have a extra spooky scary screen play written by Bob and preformed by Dewey, Connor, and special guests Nick and Kelsey! This is one you will NOT want to miss! The gang also talked about The Mortuary Assistant, Xenoblade Chronicles 2, The Convenience Store, Gundam Evolution, The Watcher, WoW Classic, and more!Our intro is remixed by Poison FrogFollow us on Instagram Watch us play games live on Twitch Leave us a voicemail at (804) 286-0626 and consider supporting us through our Patreon Check out the Discord!  

Dewey Halpaus of the Peer Pleasure Podcast joins me this week to talk about an album that has amazed and confused me for decades at this point. We discuss the effect this record had on both of us the first time we heard it and how we have interacted with and tried to make sense of it over the years. We tackle the “story” of the album and what we think some of its themes are inspired by.Listen to and follow Peer PleasureApple: https://apple.co/3VU8N7NSpotify: https://spoti.fi/3DqAZrWFacebook: https://bit.ly/3z7tymDTwitter: https://bit.ly/3smBRqYInstagram: https://bit.ly/3DoQCQsWebsite: https://bit.ly/3Sml9mgFollow DFT'S DungeonSpotify: https://spoti.fi/3RVbOCnApple: https://apple.co/3F9osdwYoutube: https://bit.ly/3LmRqYmPatreon: https://bit.ly/3UlV4puFacebook: https://bit.ly/3LnPleQTwitter: https://bit.ly/3DDa50fInstagram: https://bit.ly/3UioAwoLast.FM: https://bit.ly/3qKGVVmEmail: dftdungeon@gmail.comJoin the DFT Dungeon Discord Server!https://discord.gg/wSpc8WcRBphttps://www.dftdungeon.com

With the start of Carolina basketball season just over two weeks away, former Tar Heel Dewey Burke joins host Tommy Ashley for this special edition of the InsideCarolina.com podcast. Burke, a mainstay on IC postgame basketball podcasts, shares his thoughts on the coming 2022-23 season, all the hype going into the year and expectations for this experience ladened group. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Today on Soundtracker, would you like to play a game? It's called "listen to me and Brian Salisbury (@BriguySalisbury) talk about SCREAM for 2 hours". Brian co-hosts a great podcast called Junkfood Cinema (@JunkfoodCinema), and against all odds--which included power outages--we managed to get this episode in the bag. So listen, as we discuss the masterclass of tension in the opening scene, the films that came out in the years following SCREAM, the sequels, sweet Dewey, Gale, Sydney and all of the usual suspects. Oh yeah, and we also discuss its incredibly solid soundtrack. So give it a listen, and see if you can guess who the killer is (it's Brian).SUPPORT THE SHOW ON PATREON: www.patreon.com/soundtrackerCheck out Junkfood Cinema here: https://podcasts.apple.com/us/podcast/junkfood-cinema/id833726995Support that show on Patreon here: https://www.patreon.com/junkfoodcinema

On Tuesday November 2nd, 1948 The United States held its forty-first presidential election. If you'd tuned into the results early in the evening, you'd have been convinced that the pre-election polls were correct and Thomas Dewey would become the next president. You'd have been wrong. Dewey ran a low-risk campaign. His advisers believed all he had to do to win was avoid major mistakes. So Dewey spoke in platitudes, avoided controversial issues, and was vague on what he planned to do as president. But, many republicans disliked Dewey, feeling he was too cold and stiff, and surprisingly against outlawing the Communist Party. Believing he had nothing to lose, Harry Truman ran a feisty campaign. He ridiculed Dewey's platitudes, and claimed Communists were rooting for a GOP victory to ensure another Great Depression. Energizing traditional Democrats, as well as Catholic and Jewish voters, Truman also fared surprisingly well with Midwestern farmers. When it was all over, Harry Truman's victory was considered one of the greatest election upsets in American history, garnering 303 electoral votes to Thomas Dewey's 189. With simultaneous success in the 1948 congressional elections, the Democrats also regained control of both the House and Senate, which they lost in 1946.

Ups, downs, highs, lows, anxiety, and adrenalin are all common words used when discussing the art of investing. But what can you actually expect? Tune in this week as Dewey flies solo to discuss "What to Expect When You're Investing!". Dewey hands out five expectations as well as a bonus sixth expectation that you will not want to miss! Follow Us

At 5PM Mutual's most famous program, The Shadow signed on. The show was in its eleventh season on the air in 1948. Andre Baruch handled emcee duties while Grace Matthews played Margo Lane. Bret Morrison was Lamont Cranston. Halloween's episode was called “Murder By A Corpse.” This season's Shadow rating was 13.2. It was Mutual's highest-rated show. As night descended on New York on October 31st, temperatures dropped into the upper 40s and an eerie fog rolled in. Police were ready for mischief as children went trick or treating. The Halloween tradition was still seen by many as an act of begging and vandalism. In response, members of the Madison Square Boys Club paraded through the Lower East Side carrying a banner that read "American Boys Don't Beg.” Politically, Progressive Henry Wallace was making a dent in Harry Truman's campaign. On Election Day, Truman still carried the City, collecting 1.6 million votes to Dewey's 1.1 million, but Henry Wallace received over four-hundred thousand votes. It's this split that allowed Thomas Dewey to narrowly win New York state by sixty-thousand votes, giving the republicans forty-seven important electorates. At home, the Mutual Broadcasting System's prime time programming featured news and music, but at 7PM literature's most famous detective—Sherlock Holmes—took to the air from WOR. Sherlock Holmes peaked on radio between 1939 and 1946 with Basil Rathbone and Nigel Bruce playing Holmes and Watson. They made over a dozen films and their rating climbed to 14.1 in 1942 on NBC. The next year, the entire cast moved to the Mutual Broadcasting System. Petri wine sponsored the series. Famed radio character actor Harry Bartel became the announcer. They remained on Mutual for three seasons until Holmes left for ABC. Basil Rathbone stayed with Mutual to star in a new series called Scotland Yard. Nigel Bruce still played Watson while Tom Conway became Holmes. When the Semler Company discontinued sponsorship in the spring of 1947, ABC canceled the show. That summer Clipper Craft Clothing signed to pay the bills. The program moved back to Mutual with John Stanley as Holmes and Alfred Shirley as Watson. By Halloween 1948 it was airing Sundays at 7PM. As radio audiences changed, Holmes and Watson couldn't keep up. That Spring Mutual canceled the series. ABC revived it for one final season before the last version of an American Sherlock Holmes series departed the air.

It's spooooooky month and we decided to watch one of the most successful spooky sequels, Scream 2! Coming hot off the heels of the original (just 1 year later!), we find Sydney Prescott at college, trying to leave the Woodsboro murders and the memory of her crazy psycho boyfriend behind her, even with the Hollywood version of her story now a major motion picture. But there is a copy cat killer running amok and Dewey, Gail Weathers, and Randy all try to help her (and stay alive) while the body count starts piling up.  We talk about how legit EVERYONE is in this movie (even characters from the first who DIED have cameos?!), how it really seems like everybody dies in this one (brutal and poor Syd!), and how Syd continues to be one bad ass bitch even with all that past trauma! Also, what kind of a name is Cotton Weary?!!

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news

For More Infused: A Cannabiz Talk Show visit: Youtube: https://www.youtube.com/c/InfusedShow Instagram: @theinfusedshow Facebook: @Infused:ACannabizTalkShow Twitter: @showinfused Subscribe to Infused on iTunes: https://podcasts.apple.com/us/podcast/infused-a-cannabiz-talk-show/id1535836627. #cannabis #cannabiscommunity #cannabislegalization #deweygoespink #cannabisnews #cannabisculture #cannabisovercancer #nicoledimonda #cannabispodcast #deweybeachdelaware

In this episode, Billy and Scott talk about the time Billy performed for and met stars including Michael Jackson and Bette Midler. Billy also gives a behind the scenes look at both Finding Nemo: The Musical and Finding Nemo: The Big Blue...and Beyond! at Animal Kingdom, what show he'd want to create, and why he wants to be more like Aladdin. They have fun playing Huey, Dewey, and Louie and discuss Billy's favorite restaurant, dish, snack, character, and more! "Billy Flanigan: The Happiest Man on Earth" is available on-demand via Amazon, Apple TV / iTunes, VUDU, and Google Play. Twitter: @MouseMePodcast TikTok: @TheMouseAndMePodcast FB & Instagram: The Mouse and Me Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://anchor.fm/themouseandme/support

FOLLOW THE PODCAST ON INSTAGRAM:https://www.instagram.com/creatingthe4pod/Don't forget to rate & review the podcast on spotify and apple podcasts! It helps us so much when you do! She is a 16 year former soccer Pro Athlete AND a US Soccer Women's National Team Member.Joanna Lohman is a Mindset Coach, co-author of the book Raising Tomorrow's Champions, a CELESBIAN who has built a platform for social impact advocating for gender equality, human rights, equal pay and so much more. She was the first player in Washington Spirit History to have her jersey retired. Her ted talk, and her work as a Sport Diplomat for the State Department have led her to help shape and influence the minds of high performing students and athletes around the world.Joanna's passion for living an unabashedly authentic life based around deep-rooted acceptance and discovering a comfort in her own skin, is SO inspiring and I am just so excited to share her story with you.  A wife, A dog mom to Dewey, The Johawk, JoLo, The Rainbow Warrior, #23 it is an HONOR to welcome Joanna Lohman to Creating The 4% Podcast this week!A REAL LIFE PRO ATHLETE she is verified with a blue check on IG people!Follow Jo on IG here:https://www.instagram.com/joannalohman15/Check out her TED talk here:https://www.youtube.com/watch?v=vYF-A9ztjGcPurchase Raising Tomorrow's Champions:https://rtcsoccer.com/Visit JoLo's website:https://joannalohman.com/

Hamnah Shahid, Dare Hickman, Austin Knight, and quinn b. rodriguez join the main cast of THE SECOND STRANGER during this very bad, no good dinner party interlude. Jaran reunites with Øka. Gentle brokers peace. Citlalli and Vasanti size up the competition. Dewey becomes a loverboy. Abiku makes a grand entrance. And Øka ruins the potluck. Producer Note: Lyra was unavailable to record this episode, but Manaia returns in the beginning of Arc Five! "The Second Stranger" is sponsored by Dmitry (https://twitter.com/DmitryOpines) and ExplainTrade (https://www.explaintrade.com/), a negotiation skills training consultancy; because you can't ask to roll persuasion in real life. Special thanks to our Heroes and Paragons: Alex, Azra, Brooke Brite, @brownestnerd, Charles, chillacres, Cora Eckert, Emma, Finn, Hat, Isabel, Kanding, Lex Slater, Moonflower Tea, Nicholas, Purplemouse, Scruffasus, Summer Rose Folta, Sunny, and Targott. Content warnings for this episode: romance, kissing, references to sexual entanglements, trauma, grief, descriptions of food, and surgery. CREDITS: New cast - Hamnah Shahid (https://twitter.com/hshahid_), Dare Hickman (https://twitter.com/dare2dreamrpg), Austin Knight (https://twitter.com/sailorsctaustin), and quinn b. rodriguez (https://twitter.com/quinnntastic_). Title - “I'm Going Back To Minnesota Where Sadness Makes Sense” by Danez Smith. Music - C.I.S. Music (https://soundcloud.com/cis_music), Fesliyan Studios (https://www.fesliyanstudios.com/), and Soundstripe (https://www.soundstripe.com/). Album art - Sea Thomas (https://twitter.com/pisharpart). Podcast editing - Connie Chang (https://twitter.com/ByConnieChang). Join our Discord server at https://discord.gg/rTbPwxRsBe!

The 1948 DNC convened in July with President Truman's approval rating as low as 32%. Northern Democrats pushed for a strong civil rights platform, which the President was in favor of. Conservative southern Dems were opposed. Moderates feared voter alienation. When the convention adopted the civil rights plank in a close vote, Southern Dems walked out and split off, nominating Strom Thurmond for President. They became known as Dixiecrats, hoping to force a contingency in the House of Representatives, extracting concessions from either Truman or Republican nominee Thomas Dewey. The post-war strikes didn't end. On October 26th the Radio Writers Guild struck for fair wages and for RWG guideline adherence by ad agencies. Their focus was the coming new medium: Television. Negotiations would continue into 1949. On Halloween 1948, the Presidential election was on everyone's mind. The night before, Thomas Dewey ended his campaign at Madison Square Garden. He'd run against FDR in 1944, losing, but received 46% of the popular vote. After President Roosevelt passed away, there were many who felt Dewey made a better post-war choice than Harry Truman. In the 1946 New York Gubernatorial election, Dewey won by nearly 700,000 votes, the most in New York history to that point. Tuesday, November 2nd was the 41st U.S. presidential election in history. Truman was a massive underdog with South Carolina's Governor Strom Thurmond opposing on the Dixiecrat ticket, and another FDR VP, Henry Wallace as the Progressive Party nominee. Meanwhile in the Middle East, The Arab-Israeli war raged on. Fighting started the previous November. It ramped after Palestine was officially dissolved, and Israel declared Independence on May 14th. Count Bernadotte of Visborg was assassinated in September by four members of Lehi, a Jewish Zionist group. One of whom—Yitzhak Shamir would go on to be the Seventh Prime Minister of Israel. Operation Hiram ended on Halloween with Israeli forces claiming to have complete control of Galilee. The fighting would continue into 1949. The Cold War was growing, with Americans investigating potential communist cells within the government, fearing the world could split into two distinct groups: those who supported democracy, and those who supported totalitarianism.

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news SOURCES New York post

Did you know that the word 'Halloween' is a contraction meaning "spirit night", in other words, a special night during which spirits can return from the dead? And the phrase "trick or treat" was first used in a Disney cartoon featuring Huey, Dewey, and Louie in 1952? Explore lots of Halloween traditions and history with us at HALLOWEEN HISTORIES & MYSTERIES UNWRAPPED here at 1001 Heroes, Legends, Histories & Mysteries Podcast. ANDROID USERS- 1001 Radio Days right here at Google Podcasts FREE: https://podcasts.google.com/search/1001%20radio%20days 1001 Classic Short Stories & Tales at Google Podcasts https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vQURMNzU3MzM0Mjg0NQ== 1001 Heroes, Legends, Histories & Mysteries at Google Podcasts: https://podcasts.google.com/search/1001%20heroes 1001 Sherlock Holmes Stories (& Tales from Arthur Conan Doyle) https://podcasts.google.com/search/1001%20sherlock%20holmes 1001 Ghost Stories & Tales of the Macabre on Spotify: https://podcasts.google.com/search/1001%20ghost%20stories 1001 Stories for the Road on Google Podcasts https://podcasts.google.com/search/1001%20stories%20for%20the%20road Enjoy 1001 Greatest Love Stories on Google Podcasts https://podcasts.google.com/search/1001%20greatest%20love%20stories 1001 History's Best Storytellers: (author interviews) on Stitcher https://www.stitcher.com/show/1001-historys-best-storytellers APPLE USERS Catch 1001 Heroes on any Apple Device here (Free): https://podcasts.apple.com/us/podcast/1001-heroes-legends-histories-mysteries-podcast/id956154836?mt=2  Catch 1001 CLASSIC SHORT STORIES at Apple Podcast App Now: https://podcasts.apple.com/us/podcast/1001-classic-short-stories-tales/id1078098622 Catch 1001 Stories for the Road at Apple Podcast now:  https://podcasts.apple.com/us/podcast/1001-stories-for-the-road/id1227478901 NEW Enjoy 1001 Greatest Love Stories on Apple Devices here: https://podcasts.apple.com/us/podcast/1001-greatest-love-stories/id1485751552 Catch 1001 RADIO DAYS now at Apple iTunes!  https://itunes.apple.com/us/podcast/1001-radio-days/id1405045413?mt=2 NEW 1001 Ghost Stories & Tales of the Macabre is now playing at Apple Podcasts! https://podcasts.apple.com/us/podcast/1001-ghost-stories-tales-of-the-macabre/id1516332327 NEW Enjoy 1001 History's Best Storytellers (Interviews) on Apple Devices here: https://podcasts.apple.com/us/podcast/1001-historys-best-storytellers/id1483649026 NEW Enjoy 1001 Sherlock Holmes Stories and The Best of Arthur Conan Doyle https://podcasts.apple.com/us/podcast/1001-sherlock-holmes-stories-best-sir-arthur-conan/id1534427618 Get all of our shows at one website: https://.1001storiespodcast.com REVIEWS NEEDED . My email works as well for comments: 1001storiespodcast@gmail.com SUPPORT OUR SHOW BY BECOMING A PATRON! https://.patreon.com/1001storiesnetwork. Its time I started asking for support! Thank you. Its a few dollars a month OR a one time. (Any amount is appreciated). YOUR REVIEWS AND SUBSCRIPTIONS AT APPLE/ITUNES AND ALL ANDROID HOSTS ARE NEEDED AND APPRECIATED! LINKS BELOW... Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our guest today is Mike Senacareb, CEO of Dewey's Bakery. Dewey's Bakery was founded in 1930 in Winston-Salem and was famous regionally for their baked goods. Fairly recently they opened a CPG line with lots of treats. Their cookies are incredibly delicious, not just saying that because Mike came on the show. We discuss the history of Dewey's, why they decided to start a CPG line, approach to baking and manufacturing, brand positioning and how Mike became the CEO. Some of the questions I ask – Why did a bake shop decide to create a CPG brand? What's the history of Dewey's? Why did you decide to join Dewey's and let your brand be acquired by the company? What did you think was missing within the cookie and biscuits category? What are some of the challenges taking a bake shop and building out a line of packaged goods products? What are some of the benefits being vertically intergrated? Were you able to not have as much disruption due to the supply chain crunch? How do you also think about the positioning of Dewey's and sales channels? Given Walmart and Target are featuring more premium products, do you see yourselves as a brand for conventional grocery? There's been lots of better for you products within cookies and the dessert/snack space. How do you think about what consumers want in a modern cookie company? What did you learn from COVID? What has been your biggest lessons learned about ecommerce? What's one book that inspired you personally and one book that inspired you professionally? What's the best piece of advice that you've received?

Jack, Mark, and fill-in producer Johnny Cadillac lead What Chaps Your Hide Wedneday, chat with Dr. Ken Dewey, and John Bishop. Plus Crimestoppers, Sound Off, and Morning Drive!

As Founder and Creative Director of The Distinct Life, Rick Williams understands how to grow a retail brand into an iconic brand. Being the Founder of Burn Rubber Sneaker Boutique and Co-owner of Cream Blends, Williams has mastered the art of connecting brands with their audience. This week, Rick joins Dewey to break it all down, from designing over 50 sneakers, to creatively and strategically leading campaigns with Puma, Beats by Dre, Gucci, and Comedy Central - Rick has done it all, but he's only just gettin' started! This is a fantastic episode you don't want to miss! As we keep moving into Season 3 of What Dewey Do? we have topped over 40,000 listens, over 1,000,000 total views on social media and, as Dewey likes to say… “We're just gettin' started!” Follow Us

Hocus Pocus (1993) PG 1h 36m Jennie and Sarah take listeners away into a discussion of magic, innocence and what makes witches scary. In the first of four special Screen Scares episodes made for October, Screen Cares co-hosts explore why the 1993 Halloween film favorite Hocus Pocus reveals deeper truths about how innocence and evil intersect in insidious ways. Listeners are invited to reminisce about their special movie viewing traditions, ask themselves if immortality is a blessing or a curse, and reflect on what scares them and what that says about us as a person and a culture.  8-Hocus Pocus (1993): Is Hocus Pocus Ever Really Child's Play? Episode Transcript Episode Page with Pictures Host: Jennie Ziverk Carr Co-Host: Sarah Woolverton-Mohler   Screen Shares Rating:  Buddy Screen Hocus Pocus is a delightful movie to watch with adults friends while snickering at silly references to yabbos and virginity, but may be a smidge awkward to watch with kids despite the PG rating     Screen Sparks: What if we cherished innocence and welcomed aging? Is love and morality the only reason immortality is a curse? (I'm looking at you vampires)? Why are witches scary? The witches need the book, but the kids think it is devoid of power after their death. To what extent do evil things hold the power of their owner? Can you think of other literary examples of this phenomenon? Is immortality a blessing or a curse?     Bonus Material-Links Referenced during the show: 5 Reasons we like being scared- https://www.psychologytoday.com/us/blog/thoughts-thinking/201810/5-reasons-we-enjoy-being-scared?amp Jennie and Sarah discuss the upcoming 2022 sequel  Hocus Pocus 2 being released on Disney+ September 30th. View the Trailer Here: https://www.youtube.com/watch?v=idc0EOmKr30 History of Trick-Or-Treating: https://www.smithsonianmag.com/smart-news/the-history-of-trick-or-treating-is-weirder-than-you-thought-79408373/ Did you know? Although it is unknown precisely where and when the phrase “trick or treat” was coined, the custom had been firmly established in American popular culture by 1951, when trick-or-treating was depicted in the Peanuts comic strip. In 1952, Disney produced a cartoon called “Trick or Treat” featuring Donald Duck and his nephews Huey, Dewey and Louie. https://www.history.com/news/halloween-trick-or-treating-origins Not surprising that David Kirschner would write this oddly mocking to innocence movie. He did a shockingly broad assortment of projects including:  Hocus Pocus, Childs Play, all Curious George movies, and American Tale. See his full CV here: https://www.imdb.com/name/nm0456946/?ref_=tt_ov_wr Behind the Scenes: Jennie witching it up one Halloween with her husband Justin, during one of the adult Halloween parties where Hocus Pocus was casting a spell in the background.                There is an incredible amount of awesome Hocus Pocus merchandise to help us get into the spooky holiday spirit. Jennie and Sarah picked their two favorite Sanderson Sisters Inspired merch to get them into the mood for witches brews and black flame candles.  Sanderson Sisters Tee- from FoxDesignCustomStore on Etsy.com https://www.etsy.com/listing/1295760172/sanderson-sisters-comfort-colors-shirt?utm_source=OpenGraph&utm_medium=PageTools&utm_campaign=Share Sanderson Sisters Brew Pub Cup- from SavageVinylShop on Etsy.com https://www.etsy.com/listing/1268824067/sanderson-sisters-brewing-co-cup-l?click_key=9f5c5f81a6b0bd14fc93dcb767f22637579f846f%3A1268824067&click_sum=0adff33a&ga_order=most_relevant&ga_search_type=handmade&ga_view_type=gallery&ga_search_query=hocus-pocus&ref=sr_gallery-3-22&organic_search_click=1&sts=1     Special Thanks to Brooks Milgate for Creating the spooky-spin on our Screen Cares Theme Music! Find him on instagram @brakesmilgate   Hocus Pocus (1993) was created by:  Director Kenny Ortega, Writers David Kirschner(story) Mick Garris(story)Neil Cuthbert(screenplay) Stars: Winefred-Bette Midler, Sarah-Sarah Jessica Parker , Mary-Kathy Najimy, Dani- Thora Birch  

An Alliance forms. Dewey recovers. Vee solidifies a commitment. Manaia receives prudent advice. And Øka is reborn. "The Second Stranger" is sponsored by Dmitry (https://twitter.com/DmitryOpines) and ExplainTrade (https://www.explaintrade.com/), a negotiation skills training consultancy; because you can't ask to roll persuasion in real life. Special thanks to our Heroes and Paragons: Alex, Azra, Brooke Brite, @brownestnerd, Charles, chillacres, Cora Eckert, Emma, Finn, Hat, Isabel, Kanding, Lex Slater, Moonflower Tea, Nicholas, Purplemouse, Scruffasus, Summer Rose Folta, Sunny, and Targott. Content warnings for this episode: familial conflict, complex and complicated relationships, romance, flirting, kissing, references to sexual entanglements, hospitals, trauma, and grief. CREDITS: Title - “halos of the endings of dreams” from “debasement” by Raji Bathish, translated by Suneela Mubayi. Music - C.I.S. Music (https://soundcloud.com/cis_music), Fesliyan Studios (https://www.fesliyanstudios.com/), and Soundstripe (https://www.soundstripe.com/). Album art - Sea Thomas (https://twitter.com/pisharpart). Podcast editing - Marisa Ewing of Hemlock Creek Productions (https://twitter.com/sassy_composer). Join our Discord server at https://discord.gg/rTbPwxRsBe!

Carolina played its most complete game of the season to-date and smoked Virginia Tech, 41-10 (6:13)Mike Connells of The Connells joins to talk music, Tar Heels and much more (31:13)Plus: Sweet Play of the Week (brought to you by Dewey's Bakery) (20:57), Jones is misidentified in #HCYJT (22:35), we were sent the wildest video on the internet (1:22:27) and tickling the ivories in #Storytime (1:28:46)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Scream Welcome to The Guys Review, where we review media, products and experiences.  **READ APPLE REVIEWS/Fan Mail**Mention Twitter DM group - like pinned tweet @The_GuysReviewRead emails theguysreviewpod@gmail.comTwitter Poll Scream Director: Wes Craven Starring:  David ArquetteNeve CampbellCourteney CoxMatthew LillardRose McGowanSkeet UlrichJamie KennedyDrew Barrymore Released: December 18, 1996 (Los Angeles)December 20, 1996 (United States) Budget: $14–15 million ($27.4M today)  Box Office: $173 Million ($326.6 Million in 2022)  Ratings:   IMDb 7.4/10 Rotten Tomatoes 79% Metacritic 65% Google Users 85%  Here art thine Awards My Lord Tucker the Wanker second Earl of Wessex. Lord of the Furries. Heir of Lord baldy the one eyed snake wrestler. Protector of Freedom units. Step Sibling with funny feelings down stairs. Entertainer of uncles. Jailor of innocent. 1996 International Horror Guild Best FilmScreamWon[72]Saturn AwardBest ActressNeve CampbellWon[68]Best DirectionWes CravenNominated[73]Best Horror FilmScreamWon[68]Best Supporting ActorSkeet UlrichNominated[73]Best Supporting ActressDrew BarrymoreNominated[73]Best WritingKevin WilliamsonWon[68] 1997MTV Movie AwardBest Female PerformanceNeve CampbellNominated[74]Best MovieScreamWon[74] Gérardmer Film FestivalGrand PrizeWes CravenWon[69][70] First Time You Saw It: Plot:High school student Casey Becker is home alone when she receives a flirty phone call from an unknown person, during which they discuss horror films. However, the caller turns sadistic and threatens her life. He reveals that her boyfriend Steve Orth is bound and gagged outside on her patio and demands she answer questions about horror films. After Casey answers a question about Friday the 13th incorrectly, Steve is murdered in front of her. Casey is then stabbed and murdered by a person wearing a black robe and a ghost mask, and her parents find her disemboweled corpse hanging from a tree. News media descend on the town and a police investigation begins. As Sidney Prescott struggles with the first anniversary of her mother Maureen's rape and murder, a news reporter, Gale Weathers, who Sidney dislikes, arrives. Gale was responsible for spreading rumors and conspiracy theories about Maureen's death, insinuating that the imprisoned Cotton Weary, who had been tried and convicted of Maureen's rape and murder, was not responsible for her assault and killing. In the evening while waiting at home for her best friend Tatum Riley to arrive, Sidney gets a taunting phone call and is attacked by the killer. Sidney's boyfriend Billy Loomis arrives shortly after. When he drops his cell phone, Sidney suspects him of making the call and flees. Billy is arrested and questioned, but later, at Tatum's house, Sidney receives another ominous call. The next day, Billy is released and suspicion shifts to Sidney's father Neil Prescott, due to the ominous phone calls having been traced to his phone. As school is suspended in wake of the murders, the killer stabs Principal Arthur Himbry to death in his office. Tatum's boyfriend and Billy's best friend, Stu Macher, throws a party to celebrate the school's closure. Gale attends uninvited, as she expects the killer will strike again. Tatum's older brother, Deputy Sheriff Dewey Riley, also looks out for the murderer at the party. The killer then murders Tatum by crushing her neck with the garage door. Many party attendees are drawn away after hearing of Himbry's death, leaving only Sidney, Billy, their friend Randy Meeks, Stu, and Gale's cameraman Kenny. After having sex, Sidney and Billy are confronted by the killer and Billy is seemingly killed. Sidney escapes from the house and seeks help from Kenny, but the killer fatally slashes his throat. Gale crashes her van while escaping and Dewey is stabbed in the back while investigating in the house. Sidney takes his gun for protection. Randy and Stu show up and accuse each other of being the killer, but Sidney retreats back into the house where she finds Billy wounded. After they let Randy inside, Sidney gives Billy the gun, but Billy shoots and injures Randy, revealing himself to be the killer, having faked his attack. Stu reveals himself to be the second killer by talking into a voice changer. Billy and Stu corner Sidney in the kitchen and discuss their plan to kill her and pin the murder spree on her father, whom they have taken hostage. They also reveal that they murdered her mother and framed Cotton for it, as she was having an affair with Billy's father, which drove his mother away. Gale intervenes, and it allows Sidney to escape and turn the tables on the killers, taunting them with a phone call and donning the killer's costume, before knocking Billy out and dropping a television set on Stu's head, killing him. An enraged Billy awakens and attacks Sidney, but Gale shoots and injures him. Randy is revealed to be wounded but alive, and remarks that the killer always resurfaces for one last scare. As Billy rises, Sidney shoots Billy in the head, finally killing him for good. As police arrive, Dewey, badly injured, is taken away by ambulance as Gale makes an impromptu news report about the night's events. TOP 5 Facts 1: Henry Winkler, who asked to go uncredited because the producers did not want to detract any attention from the younger, lesser known actors, only ever appears in three scenes in the film, all of which take place in his office. 2: Reese Witherspoon turned down the role of Sidney Prescott. 3: To date, this is the only Scream film in which the two killers are of the same gender, in this instance, Billy and Stu who are both male. Every other subsequent sequel with two killers featured one male and one female killer. 4: At the start of the film when Sidney and Billy are together, "don't fear the reaper" is playing; this is preempts the identity of the killer. **TRIPLE LINDY AWARD** **REVIEW AND RATING**Trey 3ChrisStephen 2Tucker 1 TOP 5Stephen:1 Breakfast club2 T23 Sandlot4 Color out of space5 Mail order brides Chris:1. sandlots2. T23. trick r treat4. rocky horror picture show5. hubie halloween Trey:1) Boondocks Saints2) Mail Order Brides3) Tombstone4) Very bad things5) She out of my league  Tucker:1. T22: Tombstone3: My Cousin Vinny4: John Wick5: Scream WHAT ARE WE DOING NEXT WEEK? Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReview - Twitter DM groupFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news

What's up, you wonderful lil nuggets? Mike, Andrew & Alissa are in a barrel of monkeys without a hacksaw if you get my meaning. Still in search of those last two cursed books, our heroes have to use every ounce of their waning strength and energy to return them to their pedestals and free themselves from their subterranean confines. Will this be the day they get out? Will Jolly finally give them this job so they can earn enough money to buy a ticket into the Yawning Portal and save Dalton?? Will ANDREW GET TO USE THAT FRICKIN NET???!!! I don't know, man! Listen and find out for your damn self.  Tune in for another rousing episode of DUNGEOOOON RADIOOOOO HOURRRRRR!!!!!::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::Our DM is Dalton RiddleOur Players are Andrew Gehrlein, Michael Adair & Alissa AdairEditing by Alissa & Michael AdairTheme song (both old and new!!) by Dustin Hook (so talented)Please check out our Instagram, Twitter and Tiktok @dungeonradiohour to keep up with the latest DRH news! bye for now~

SPONSOR: https://www.adammale.com USE OFFER CODE: DEWEY AT CHECK-OUT FOR 50% OFF OF ALMOST ANY ONE ITEM & FREE/DISCREET SHIPPING! ——————————————————————————————— The Dewey show platforms: www.dews.news Join The Dewey show™ Patreon!: http://join.dews.news/ MAKE A ONE TIME DONATION TO THE SHOW: https://cash.app/$Deweyshow https://donorbox.org/dewey STORE: https://bit.ly/3mATTDJ THE DEWEY SHOW: LISTEN/SOCIAL MEDIA https://bit.ly/3rYRLc8 https://bit.ly/2ZN1xSO SOCIAL MEDIA: Twitter: https://www.twitter.com/deweyshow  Facebook: https://www.facebook.com/deweyshow Personal Instagram: https://www.instagram.com/dewtheright Podcast Instagram: https://www.instagram.com/dewtheright TikTok: www.tiktok.com/@dewtheright CONTACT:  info@dews.news

Alexa please play ‘Who Can I Run To' by Xscape because at this point, the pickings are slim. On today's episode, Dewey kicks it with Dey and Brandi, 2/3 of Take Control Podcast, to discuss the infamous question of who can I run to when it comes to relationships, friendships, and even just life in general. Dey shares that she more impulsive when it comes to seeking advice and just needs to get it out, while Brandi is more of a person who overthinks & sits with herself before calling for help. Dewey argues that you have to know your personnel because most friends who give advice are miserable and bitter. The three also discuss how they give advice, wanting to square up with their friends partners, and who in their family won't ever get the tea. If you to are trying to figure out who you can run to, get into this episode. Guests: Dey: @d_hawkins Brandi: @allhalebrandi_ Take Control Podcast: @takecontrolpodcast Follow on Instagram: @prescribeddr_ https://www.instagram.com/prescribeddr_/ Follow on Twitter: @PrescribedDr https://twitter.com/PrescribedDR

Clothing designer Chamiah Dewey joins the show today to talk with Mai Ling about her work. She created Chamiah Dewey Fashion, the UK's first clothing brand for people with Dwarfism/short stature. Chamiah tells about the beginnings of her fashion design career, the impetus for launching her company, and her system for breaking up business-related tasks throughout a week. This conversation not only dives into the creation of a business but also some great time management tips that anyone can implement. 

Eighty-eight percent of the Fortune 500 companies that existed in 1955 are gone. Poof.Half of them withered because they had a manager in the role of CEO when they desperately needed a leader. The other half were destroyed by a leader when a manager could have held the company together and grown it incrementally. The most important role of a board of directors is to know when their company needs a leader and when it needs a manager. Managers prefer incremental change, evolution. Leaders prefer exponential change, revolution. Managers guard the status quo. “If it ain't broke, don't fix it.” Leaders invent new ways of thinking. “If it ain't broke, break it, so we can create something new.” Managers prefer a map and a path. Leaders prefer unexplored territory. Managers say, “Ready, Aim, Fire.” Leaders say “Ready, Fire, Aim.” But this isn't as crazy as it sounds. When shooting a cannon, this is called finding your range. Managers focus on planning and execution. Leaders focus on improvisation and innovation. Managers make organizational charts. Leaders make messes. Managers are given authority over others. Leaders are voluntarily followed by others. Kodak, Blockbuster, MySpace, General Motors, and General Electric were overwhelmingly dominant in their categories until their Manager-CEO's fell asleep while guarding the status quo. Do not think the internet killed K-Mart, Montgomery Wards, Sears, J.C. Penney, or Bed Bath & Beyond. Walmart sells all those same products and they're still doing fine because they saw the marketplace rapidly changing in August, 2016 and responded by putting visionary leader Marc Lore in charge of Walmart's US e-commerce operations. Amazon did $398.8 billion in 2021.Walmart did $488 billion.Managers mistakenly think they can lead. Leaders mistakenly think they can manage. I know only two men who can perform both functions. Dewey Jenkins is one of them. If I written those words during the 10 years Dewey and I worked together, it would have sounded like flattery. But now that he is retired and I have stepped away, I am free to speak the truth. Good mothers can also perform both functions. Every good mother is a miraculous manager and a visionary leader. I was raised by an extremely good mother and my sons were raised by another. Good managers know what to “protect at all costs.” They know what not to change. Bad managers look only for compliance and conformity, blind to the special abilities that hide within their employees. But good managers see those special abilities and call them to the surface where they can sparkle. A good manager encourages your special ability and uses it to maximum effect, while partnering you with someone who sparkles in the area where you are weak. When you see a legendary duo, you can be sure that a brilliant manager put them together. The genius of visionary leaders is that they charge full speed ahead when they see opportunity on the horizon. When they see a storm coming, they steer around it. Visionary leaders recognize what is no longer working and do hesitate to change it. Bang. Gone. If you want to listen to the inner thoughts of visionary leaders and understand how their minds work, there are only two books you need to read. Sam Walton: Made in America (John Huey and Sam Walton) Iacocca: An Autobiography (Lee Iacocca and William Novak) As a special bonus to yourself, take a look at – https://www.amazon.com/Where-Have-All-Leaders-Gone/dp/1416532471/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1663430767&sr=8-1 (Where Have All the Leaders Gone?) – a slim volume written by Lee Iacocca when he was 82 years old. I love that book. And I love you, too. Thanks for reading my ramblings. Roy H. Williams Six times a year, Jonathan Dahl produces a magazine that reaches 1.8 million global executives and business owners. He also publishes a weekly online newsletter that has gets more than 3.5 million annual page views. Jonathan

Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Baby, Now That I've Found You" by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Turtles songs in the episode. There's relatively little information available about the Turtles compared to other bands of their era, and so apart from the sources on the general LA scene referenced in all these podcasts, the information here comes from a small number of sources. This DVD is a decent short documentary on the band's career. Howard Kaylan's autobiography, Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc.,  is a fun read, if inevitably biased towards his own viewpoint. Jim Pons' Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God is much less fun, being as it is largely organised around how his life led up to his latter-day religious beliefs, but is the only other book I'm aware of with a substantial amount of coverage of the Turtles. There are many compilations of the Turtles' material available, of which All The Singles is by far and away the best. The box set of all their albums with bonus tracks is now out of print on CD, but can still be bought as MP3s. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've spent a lot of time recently in the LA of summer 1967, at the point where the sunshine pop sound that was created when the surf harmonies of the Beach Boys collided with folk rock was at its apex, right before fashions changed and tight sunny pop songs with harmonies from LA became yesterday's news, and extended blues-rock improvisations from San Francisco became the latest in thing. This episode is the last part of this four-episode sequence, and is going to be shorter than those others. In many ways this one is a bridge between this sequence and next episode, where we travel back to London, because we're saying goodbye for a while to the LA scene, and when we do return to LA it will be, for the most part, to look at music that's a lot less sunshine and a lot more shadow. So this is a brief fade-out while we sing ba-ba-ba, a three-minute pop-song of an episode, a last bit of sunshine pop before we return to longer, more complicated, stories  in two weeks' time, at which point the sun will firmly set. Like many musicians associated with LA, Howard Kaylan was born elsewhere and migrated there as a child, and he seems to have regarded his move from upstate New York to LA as essentially a move to Disneyland itself. That impression can only have been made stronger by the fact that soon after his family moved there he got his first childhood girlfriend -- who happened to be a Mouseketeer on the TV. And TV was how young Howard filtered most of his perceptions -- particularly TV comedy. By the age of fourteen he was the president of the Soupy Sales Fan Club, and he was also obsessed with the works of Ernie Kovacs, Sid Caesar, and the great satirist and parodist Stan Freberg: [Excerpt: Stan Freberg, "St. George and the Dragonet"] Second only to his love of comedy, though, was his love of music, and it was on the trip from New York to LA that he saw a show that would eventually change his life. Along the way, his family had gone to Las Vegas, and while there they had seen Louis Prima and Keeley Smith do their nightclub act. Prima is someone I would have liked to do a full podcast episode on when I was covering the fifties, and who I did do a Patreon bonus episode on. He's now probably best known for doing the voice of King Louis in the Jungle Book: [Excerpt: Louis Prima, "I Wanna Be Like You (the Monkey Song)"] But he was also a jump blues musician who made some very good records in a similar style to Louis Jordan, like "Jump, Jive, an' Wail" [Excerpt: Louis Prima, "Jump, Jive, an' Wail"] But like Jordan, Prima dealt at least as much in comedy as in music -- usually comedy involving stereotypes about his Italian-American ethnic origins. At the time young Howard Kaylan saw him, he was working a double act with his then-wife Keeley Smith. The act would consist of Smith trying to sing a song straight, while Prima would clown around, interject, and act like a fool, as Smith grew more and more exasperated, and would eventually start contemptuously mocking Prima. [Excerpt: Louis Prima and Keeley Smith, "Embraceable You/I've Got It Bad and That Ain't Good"] This is of course a fairly standard double-act format, as anyone who has suffered through an episode of The Little and Large Show will be all too painfully aware, but Prima and Smith did it better than most, and to young Howard Kaylan, this was the greatest entertainment imaginable. But while comedy was the closest thing to Kaylan's heart, music was a close second. He was a regular listener to Art Laboe's radio show, and in a brief period as a teenage shoplifter he obtained records like Ray Charles' album Genius + Soul = Jazz: [Excerpt: Ray Charles, "One Mint Julep"] and the single "Tossin' and Turnin'" by Bobby Lewis: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] "Tossin' and Turnin'" made a deep impression on Kaylan, because of the saxophone solo, which was actually a saxophone duet. On the record, baritone sax player Frank Henry played a solo, and it was doubled by the great tenor sax player King Curtis, who was just playing a mouthpiece rather than a full instrument, making a high-pitched squeaking sound: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] Curtis was of course also responsible for another great saxophone part a couple of years earlier, on a record that Kaylan loved because it combined comedy and rock and roll, "Yakety Yak": [Excerpt: The Coasters, "Yakety Yak"] Those two saxophone parts inspired Kaylan to become a rock and roller. He was already learning the clarinet and playing part time in an amateur Dixieland band, and it was easy enough to switch to saxophone, which has the same fingering. Within a matter of weeks of starting to play sax, he was invited to join a band called the Nightriders, who consisted of Chuck Portz on bass, Al Nichol on guitar, and Glen Wilson on drums. The Nightriders became locally popular, and would perform sets largely made up of Johnny and the Hurricanes and Ventures material. While he was becoming a budding King Curtis, Kaylan was still a schoolkid, and one of the classes he found most enjoyable was choir class. There was another kid in choir who Kaylan got on with, and one day that kid, Mark Volman came up to him, and had a conversation that Kaylan would recollect decades later in his autobiography: “So I hear you're in a rock 'n' roll band.” “Yep.” “Um, do you think I could join it?” “Well, what do you do?” “Nothing.” “Nothing?” “Nope.” “Sounds good to me. I'll ask Al.” Volman initially became the group's roadie and occasional tambourine player, and would also get on stage to sing a bit during their very occasional vocal numbers, but was mostly "in the band" in name only at first -- he didn't get a share of the group's money, but he was allowed to say he was in the group because that meant that his friends would come to the Nightriders' shows, and he was popular among the surfing crowd. Eventually, Volman's father started to complain that his son wasn't getting any money from being in the band, while the rest of the group were, and they explained to him that Volman was just carrying the instruments while they were all playing them. Volman's father said "if Mark plays an instrument, will you give him equal shares?" and they said that that was fair, so Volman got an alto sax to play along with Kaylan's tenor. Volman had also been taking clarinet lessons, and the two soon became a tight horn section for the group, which went through a few lineup changes and soon settled on a lineup of Volman and Kaylan on saxes, Nichol on lead guitar, Jim Tucker on rhythm guitar, Portz on bass, and Don Murray on drums. That new lineup became known as the Crossfires, presumably after the Johnny and the Hurricanes song of the same name: [Excerpt: Johnny and the Hurricanes, "Crossfire"] Volman and Kaylan worked out choreographed dance steps to do while playing their saxes, and the group even developed a group of obsessive fans who called themselves the Chunky Club, named after one of the group's originals: [Excerpt: The Crossfires, "Chunky"] At this point the group were pretty much only playing instrumentals, though they would do occasional vocals on R&B songs like "Money" or their version of Don and Dewey's "Justine", songs which required more enthusiasm than vocal ability. But their first single, released on a tiny label, was another surf instrumental, a song called "Dr. Jekyll and Mr. Hyde": [Excerpt: The Crossfires, "Dr. Jekyll and Mr Hyde"] The group became popular enough locally that they became the house band at the Revelaire Club in Redondo Beach. There as well as playing their own sets, they would also be the backing band for any touring acts that came through without their own band, quickly gaining the kind of performing ability that comes from having to learn a new artist's entire repertoire in a few days and be able to perform it with them live with little or no rehearsal. They backed artists like the Coasters, the Drifters, Bobby Vee, the Rivingtons, and dozens of other major acts, and as part of that Volman and Kaylan would, on songs that required backing vocals, sing harmonies rather than playing saxophone. And that harmony-singing ability became important when the British Invasion happened, and suddenly people didn't want to hear surf instrumentals, but vocals along the lines of the new British groups. The Crossfires' next attempt at a single was another original, this one an attempt at sounding like one of their favourite new British groups, the Kinks: [Excerpt: The Crossfires, "One Potato, Two Potato"] This change to vocals necessitated a change in the group dynamic. Volman and Kaylan ditched the saxophones, and discovered that between them they made one great frontman. The two have never been excessively close on a personal level, but both have always known that the other has qualities they needed. Frank Zappa would later rather dismissively say "I regard Howard as a fine singer, and Mark as a great tambourine player and fat person", and it's definitely true that Kaylan is one of the truly great vocalists to come out of the LA scene in this period, while Volman is merely a good harmony singer, not anything particularly special -- though he *is* a good harmony singer -- but it undersells Volman's contribution. There's a reason the two men performed together for nearly sixty years. Kaylan is a great singer, but also by nature rather reserved, and he always looked uncomfortable on stage, as well as, frankly, not exactly looking like a rock star (Kaylan describes himself not inaccurately as looking like a potato several times in his autobiography). Volman, on the other hand, is a merely good singer, but he has a naturally outgoing personality, and while he's also not the most conventionally good-looking of people he has a *memorable* appearance in a way that Kaylan doesn't. Volman could do all the normal frontman stuff, the stuff that makes a show an actual show -- the jokes, the dancing, the between-song patter, the getting the crowd going, while Kaylan could concentrate on the singing. They started doing a variation on the routine that had so enthralled Howard Kaylan when he'd seen Louis Prima and Keeley Smith do it as a child. Kaylan would stand more or less stock still, looking rather awkward, but singing like an angel, while Volman would dance around, clown, act the fool, and generally do everything he could to disrupt the performance -- short of actually disrupting it in reality. It worked, and Volman became one of that small but illustrious group of people -- the band member who makes the least contribution to the sound of the music but the biggest contribution to the feel of the band itself, and without whom they wouldn't be the same. After "One Potato, Two Potato" was a flop, the Crossfires were signed to their third label. This label, White Whale, was just starting out, and the Crossfires were to become their only real hit act. Or rather, the Turtles were. The owners of White Whale knew that they didn't have much promotional budget and that their label was not a known quantity -- it was a tiny label with no track record. But they thought of a way they could turn that to their advantage. Everyone knew that the Beatles, before Capitol had picked up their contracts, had had their records released on a bunch of obscure labels like Swan and Tollie. People *might* look for records on tiny independent labels if they thought it might be another British act who were unknown in the US but could be as good as the Beatles. So they chose a name for the group that they thought sounded as English as possible -- an animal name that started with "the", and ended in "les", just like the Beatles. The group, all teenagers at the time, were desperate enough that they agreed to change their name, and from that point on they became the Turtles. In order to try and jump on as many bandwagons as possible, the label wanted to position them as a folk-rock band, so their first single under the Turtles name was a cover of a Bob Dylan song, from Another Side of Bob Dylan: [Excerpt: Bob Dylan, "It Ain't Me Babe"] That song's hit potential had already been seen by Johnny Cash, who'd had a country hit with it a few months before. But the Turtles took the song in a different direction, inspired by Kaylan's *other* great influence, along with Prima and Smith. Kaylan was a big fan of the Zombies, one of the more interesting of the British Invasion groups, and particularly of their singer Colin Blunstone. Kaylan imitated Blunstone on the group's hit single, "She's Not There", on which Blunstone sang in a breathy, hushed, voice on the verses: [Excerpt: The Zombies, "She's Not There"] before the song went into a more stomping chorus on which Blunstone sang in a fuller voice: [Excerpt: The Zombies, "She's Not There"] Kaylan did this on the Turtles' version of "It Ain't Me Babe", starting off with a quiet verse: [Excerpt: The Turtles, "It Ain't Me Babe"] Before, like the Zombies, going into a foursquare, more uptempo, louder chorus: [Excerpt: The Turtles, "It Ain't Me Babe"] The single became a national top ten hit, and even sort of got the approval of Bob Dylan. On the group's first national tour, Dylan was at one club show, which they ended with "It Ain't Me Babe", and after the show the group were introduced to the great songwriter, who was somewhat the worse for wear. Dylan said “Hey, that was a great song you just played, man. That should be your single", and then passed out into his food. With the group's first single becoming a top ten hit, Volman and Kaylan got themselves a house in Laurel Canyon, which was not yet the rock star Mecca it was soon to become, but which was starting to get a few interesting residents. They would soon count Henry Diltz of the Modern Folk Quartet, Danny Hutton, and Frank Zappa among their neighbours. Soon Richie Furay would move in with them, and the house would be used by the future members of the Buffalo Springfield as their rehearsal space. The Turtles were rapidly becoming part of the in crowd. But they needed a follow-up single, and so Bones Howe, who was producing their records, brought in P.F. Sloan to play them a few of his new songs. They liked "Eve of Destruction" enough to earmark it as a possible album track, but they didn't think they would do it justice, and so it was passed on to Barry McGuire. But Sloan did have something for them -- a pseudo-protest song called "Let Me Be" that was very clearly patterned after their version of "It Ain't Me Babe", and which was just rebellious enough to make them seem a little bit daring, but which was far more teenage angst than political manifesto: [Excerpt: The Turtles, "Let Me Be"] That did relatively well, making the top thirty -- well enough for the group to rush out an album which was padded out with some sloppy cover versions of other Dylan songs, a version of "Eve of Destruction", and a few originals written by Kaylan. But the group weren't happy with the idea of being protest singers. They were a bunch of young men who were more motivated by having a good time than by politics, and they didn't think that it made sense for them to be posing as angry politicised rebels. Not only that, but there was a significant drop-off between "It Ain't Me Babe" and "Let Me Be". They needed to do better. They got the clue for their new direction while they were in New York. There they saw their friends in the Mothers of Invention playing their legendary residency at the Garrick Theatre, but they also saw a new band, the Lovin' Spoonful, who were playing music that was clearly related to the music the Turtles were doing -- full of harmonies and melody, and inspired by folk music -- but with no sense of rebelliousness at all. They called it "Good Time Music": [Excerpt: The Lovin' Spoonful, "Good Time Music"] As soon as they got back to LA, they told Bones Howe and the executives at White Whale that they weren't going to be a folk-rock group any more, they were going to be "good time music", just like the Lovin' Spoonful. They were expecting some resistance, but they were told that that was fine, and that PF Sloan had some good time music songs too. "You Baby" made the top twenty: [Excerpt: The Turtles, "You Baby"] The Turtles were important enough in the hierarchy of LA stars that Kaylan and Tucker were even invited by David Crosby to meet the Beatles at Derek Taylor's house when they were in LA on their last tour -- this may be the same day that the Beatles met Brian and Carl Wilson, as I talked about in the episode on "All You Need is Love", though Howard Kaylan describes this as being a party and that sounded like more of an intimate gathering. If it was that day, there was nearly a third Beach Boy there. The Turtles knew David Marks, the Beach Boys' former rhythm guitarist, because they'd played a lot in Inglewood where he'd grown up, and Marks asked if he could tag along with Kaylan and Tucker to meet the Beatles. They agreed, and drove up to the house, and actually saw George Harrison through the window, but that was as close as they got to the Beatles that day. There was a heavy police presence around the house because it was known that the Beatles were there, and one of the police officers asked them to drive back and park somewhere else and walk up, because there had been complaints from neighbours about the number of cars around. They were about to do just that, when Marks started yelling obscenities and making pig noises at the police, so they were all arrested, and the police claimed to find a single cannabis seed in the car. Charges were dropped, but now Kaylan was on the police's radar, and so he moved out of the Laurel Canyon home to avoid bringing police attention to Buffalo Springfield, so that Neil Young and Bruce Palmer wouldn't get deported. But generally the group were doing well. But there was a problem. And that problem was their record label. They rushed out another album to cash in on the success of "You Baby", one that was done so quickly that it had "Let Me Be" on it again, just as the previous album had, and which included a version of the old standard "All My Trials", with the songwriting credited to the two owners of White Whale records. And they pumped out a lot of singles. A LOT of singles, ranging from a song written for them by new songwriter Warren Zevon, to cover versions of Frank Sinatra's "It Was a Very Good Year" and the old standard "We'll Meet Again". Of the five singles after "You Baby", the one that charted highest was a song actually written by a couple of the band members. But for some reason a song with verses in 5/4 time and choruses in 6/4 with lyrics like "killing the living and living to kill, the grim reaper of love thrives on pain" didn't appeal to the group's good-time music pop audience and only reached number eighty-one: [Excerpt: The Turtles, "Grim Reaper of Love"] The group started falling apart. Don Murray became convinced that  the rest of the band were conspiring against him and wanted him out, so he walked out of the group in the middle of a rehearsal for a TV show. They got Joel Larson of the Grass Roots -- the group who had a number of hits with Sloan and Barri songs -- to sub for a few gigs before getting in a permanent replacement, Johnny Barbata, who came to them on the recommendation of Gene Clark, and who was one of the best drummers on the scene -- someone who was not only a great drummer but a great showman, who would twirl his drumsticks between his fingers with every beat, and who would regularly engage in drum battles with Buddy Rich. By the time they hit their fifth flop single in a row, they lost their bass player as well -- Chuck Portz decided he was going to quit music and become a fisherman instead. They replaced him with Chip Douglas of the Modern Folk Quartet. Then they very nearly lost their singers. Volman and Kaylan both got their draft notices at the same time, and it seemed likely they would end up having to go and fight in the Vietnam war. Kaylan was distraught, but his mother told him "Speak to your cousin Herb". Cousin Herb was Herb Cohen, the manager of the Mothers of Invention and numerous other LA acts, including the Modern Folk Quartet, and Kaylan only vaguely knew him at this time, but he agreed to meet up with them, and told them “Stop worrying! I got Zappa out, I got Tim Buckley out, and I'll get you out.” Cohen told Volman and Kaylan to not wash for a week before their induction, to take every drug of every different kind they could find right before going in, to deliberately disobey every order, to fail the logic tests, and to sexually proposition the male officers dealing with the induction. They followed his orders to the letter, and got marked as 4-F, unfit for service. They still needed a hit though, and eventually they found something by going back to their good-time music idea. It was a song from the Koppelman-Rubin publishing company -- the same company that did the Lovin Spoonful's management and production. The song in question was by Alan Gordon and Gary Bonner, two former members of a group called the Magicians, who had had a minor success with a single called "An Invitation to Cry": [Excerpt: The Magicians, "An Invitation to Cry"] The Magicians had split up, and Bonner and Gordon were trying to make a go of things as professional songwriters, but had had little success to this point. The song on the demo had been passed over by everyone, and the demo was not at all impressive, just a scratchy acetate with Bonner singing off-key and playing acoustic rhythm guitar and Gordon slapping his knees to provide rhythm, but the group heard something in it. They played the song live for months, refining the arrangement, before taking it into the studio. There are arguments to this day as to who deserves the credit for the sound on "Happy Together" -- Chip Douglas apparently did the bulk of the arrangement work while they were on tour, but the group's new producer, Joe Wissert, a former staff engineer for Cameo-Parkway, also claimed credit for much of it. Either way, "Happy Together" is a small masterpiece of dynamics. The song is structured much like the songs that had made the Turtles' name, with the old Zombies idea of the soft verse and much louder chorus: [Excerpt: The Turtles, "Happy Together"] But the track is really made by the tiny details of the arrangement, the way instruments and vocal parts come in and out as the track builds up, dies down, and builds again. If you listen to the isolated tracks, there are fantastic touches like the juxtaposition of the bassoon and oboe (which I think is played on a mellotron): [Excerpt: The Turtles, "Happy Together", isolated tracks] And a similar level of care and attention was put into the vocal arrangement by Douglas, with some parts just Kaylan singing solo, other parts having Volman double him, and of course the famous "bah bah bah" massed vocals: [Excerpt: The Turtles, "Happy Together", isolated vocals] At the end of the track, thinking he was probably going to do another take, Kaylan decided to fool around and sing "How is the weather?", which Bonner and Gordon had jokingly done on the demo. But the group loved it, and insisted that was the take they were going to use: [Excerpt: The Turtles, "Happy Together"] "Happy Together" knocked "Penny Lane" by the Beatles off the number one spot in the US, but by that point the group had already had another lineup change. The Monkees had decided they wanted to make records without the hit factory that had been overseeing them, and had asked Chip Douglas if he wanted to produce their first recordings as a self-contained band. Given that the Monkees were the biggest thing in the American music industry at the time, Douglas had agreed, and so the group needed their third bass player in a year. The one they went for was Jim Pons. Pons had seen the Beatles play at the Hollywood Bowl in 1964, and decided he wanted to become a pop star. The next day he'd been in a car crash, which had paid out enough insurance money that he was able to buy two guitars, a bass, drums, and amps, and use them to start his own band. That band was originally called The Rockwells, but quickly changed their name to the Leaves, and became a regular fixture at Ciro's on Sunset Strip, first as customers, then after beating Love in the auditions, as the new resident band when the Byrds left. For a while the Leaves had occasionally had guest vocals from a singer called Richard Marin, but Pons eventually decided to get rid of him, because, as he put it "I wanted us to look like The Beatles. There were no Mexicans in The Beatles". He is at pains in his autobiography to assure us that he's not a bigot, and that Marin understood. I'm sure he did. Marin went on to be better known as Cheech Marin of Cheech and Chong. The Leaves were signed by Pat Boone to his production company, and through that company they got signed to Mira Records. Their first single, produced by Nik Venet, had been a version of "Love Minus Zero (No Limit)", a song by Bob Dylan: [Excerpt: The Leaves, "Love Minus Zero (No Limit)"] That had become a local hit, though not a national one, and the Leaves had become one of the biggest bands on the Sunset Strip scene, hanging out with all the other bands. They had become friendly with the Doors before the Doors got a record deal, and Pat Boone had even asked for an introduction, as he was thinking of signing them, but unfortunately when he met Jim Morrison, Morrison had drunk a lot of vodka, and given that Morrison was an obnoxious drunk Boone had second thoughts, and so the world missed out on the chance of a collaboration between the Doors and Pat Boone. Their second single was "Hey Joe" -- as was their third and fourth, as we discussed in that episode: [Excerpt: The Leaves, "Hey Joe"] Their third version of "Hey Joe" had become a top forty hit, but they didn't have a follow-up, and their second album, All The Good That's Happening, while it's a good album, sold poorly. Various band members quit or fell out, and when Johnny Barbata knocked on Jim Pons' door it was an easy decision to quit and join a band that had a current number one hit. When Pons joined, the group had already recorded the Happy Together album. That album included the follow-up to "Happy Together", another Bonner and Gordon song, "She'd Rather Be With Me": [Excerpt: The Turtles, "She'd Rather Be With Me"] None of the group were tremendously impressed with that song, but it did very well, becoming the group's second-biggest hit in the US, reaching number three, and actually becoming a bigger hit than "Happy Together" in parts of Europe. Before "Happy Together" the group hadn't really made much impact outside the US. In the UK, their early singles had been released by Pye, the smallish label that had the Kinks and Donovan, but which didn't have much promotional budget, and they'd sunk without trace. For "You Baby" they'd switched to Immediate, the indie label that Andrew Oldham had set up, and it had done a little better but still not charted. But from "Happy Together" they were on Decca, a much bigger label, and "Happy Together" had made number twelve in the charts in the UK, and "She'd Rather Be With Me" reached number four. So the new lineup of the group went on a UK tour. As soon as they got to the hotel, they found they had a message from Graham Nash of the Hollies, saying he would like to meet up with them. They all went round to Nash's house, and found Donovan was also there, and Nash played them a tape he'd just been given of Sgt Pepper, which wouldn't come out for a few more days. At this point they were living every dream a bunch of Anglophile American musicians could possibly have. Jim Tucker mentioned that he would love to meet the Beatles, and Nash suggested they do just that. On their way out the door, Donovan said to them, "beware of Lennon". It was when they got to the Speakeasy club that the first faux-pas of the evening happened. Nash introduced them to Justin Hayward and John Lodge of the Moody Blues, and Volman said how much he loved their record "Go Now": [Excerpt: The Moody Blues, "Go Now"] The problem was that Hayward and Lodge had joined the group after that record had come out, to replace its lead singer Denny Laine. Oh well, they were still going to meet the Beatles, right? They got to the table where John, Paul, and Ringo were sat, at a tense moment -- Paul was having a row with Jane Asher, who stormed out just as the Turtles were getting there. But at first, everything seemed to go well. The Beatles all expressed their admiration for "Happy Together" and sang the "ba ba ba" parts at them, and Paul and Kaylan bonded over their shared love for "Justine" by Don and Dewey, a song which the Crossfires had performed in their club sets, and started singing it together: [Excerpt: Don and Dewey, "Justine"] But John Lennon was often a mean drunk, and he noticed that Jim Tucker seemed to be the weak link in the group, and soon started bullying him, mocking his clothes, his name, and everything he said. This devastated Tucker, who had idolised Lennon up to that point, and blurted out "I'm sorry I ever met you", to which Lennon just responded "You never did, son, you never did". The group walked out, hurt and confused -- and according to Kaylan in his autobiography, Tucker was so demoralised by Lennon's abuse that he quit music forever shortly afterwards, though Tucker says that this wasn't the reason he quit. From their return to LA on, the Turtles would be down to just a five-piece band. After leaving the club, the group went off in different directions, but then Kaylan (and this is according to Kaylan's autobiography, there are no other sources for this) was approached by Brian Jones, asking for his autograph because he loved the Turtles so much. Jones introduced Kaylan to the friend he was with, Jimi Hendrix, and they went out for dinner, but Jones soon disappeared with a girl he'd met. and left Kaylan and Hendrix alone. They were drinking a lot -- more than Kaylan was used to -- and he was tired, and the omelette that Hendrix had ordered for Kaylan was creamier than he was expecting... and Kaylan capped what had been a night full of unimaginable highs and lows by vomiting all over Jimi Hendrix's expensive red velvet suit. Rather amazingly after all this, the Moody Blues, the Beatles, and Hendrix, all showed up to the Turtles' London gig and apparently enjoyed it. After "She'd Rather Be With Me", the next single to be released wasn't really a proper single, it was a theme song they'd been asked to record for a dire sex comedy titled "Guide for the Married Man", and is mostly notable for being composed by John Williams, the man who would later go on to compose the music for Star Wars. That didn't chart, but the group followed it with two more top twenty hits written by Bonner and Gordon, "You Know What I Mean" and "She's My Girl". But then the group decided that Bonner and Gordon weren't giving them their best material, and started turning down their submissions, like a song called "Celebrity Ball" which they thought had no commercial potential, at least until the song was picked up by their friends Three Dog Night, retitled "Celebrate", and made the top twenty: [Excerpt: Three Dog Night, "Celebrate"] Instead, the group decided to start recording more of their own material. They were worried that in the fast-changing rock world bands that did other songwriters' material were losing credibility. But "Sound Asleep", their first effort in this new plan, only made number forty-seven on the charts. Clearly they needed a different plan. They called in their old bass player Chip Douglas, who was now an experienced hitmaker as a producer. He called in *his* friend Harry Nilsson, who wrote "The Story of Rock & Roll" for the group, but that didn't do much better, only making number forty-eight. But the group persevered, starting work on a new album produced by Douglas, The Turtles Present The Battle of the Bands, the conceit of which was that every track would be presented as being by a different band. So there were tracks by  Chief Kamanawanalea and his Royal Macadamia Nuts,  Fats Mallard and the Bluegrass Fireball, The Atomic Enchilada, and so on, all done in the styles suggested by those band names. There was even a track by "The Cross Fires": [Excerpt: The Cross Fires, "Surfer Dan"] It was the first time the group had conceived of an album as a piece, and nine of the twelve tracks were originals by the band -- there was a track written by their friend Bill Martin, and the opening track, by "The US Teens Featuring Raoul", was co-written by Chip Douglas and Harry Nilsson. But for the most part the songs were written by the band members themselves, and jointly credited to all of them. This was the democratic decision, but one that Howard Kaylan would later regret, because of the song for which the band name was just "Howie, Mark, Johnny, Jim & Al". Where all the other songs were parodies of other types of music, that one was, as the name suggests, a parody of the Turtles themselves. It was written by Kaylan in disgust at the record label, who kept pestering the group to "give us another 'Happy Together'". Kaylan got more and more angry at this badgering, and eventually thought "OK, you want another 'Happy Together'? I'll give you another 'Happy Together'" and in a few minutes wrote a song that was intended as an utterly vicious parody of that kind of song, with lyrics that nobody could possibly take seriously, and with music that was just mocking the whole structure of "Happy Together" specifically. He played it to the rest of the group, expecting them to fall about laughing, but instead they all insisted it was the group's next single. "Elenore" went to number six on the charts, becoming their biggest hit since "She'd Rather Be With Me": [Excerpt: The Turtles, "Elenore"] And because everything was credited to the group, Kaylan's songwriting royalties were split five ways. For the follow-up, they chose the one actual cover version on the album. "You Showed Me" is a song that Roger McGuinn and Gene Clark had written together in the very early days of the Byrds, and they'd recorded it as a jangly folk-rock tune in 1964: [Excerpt: The Byrds, "You Showed Me"] They'd never released that track, but Gene Clark had performed it solo after leaving the Byrds, and Douglas had been in Clark's band at the time, and liked the song. He played it for the Turtles, but when he played it for them the only instrument he had to hand was a pump organ with one of its bellows broken. Because of this, he had to play it slowly, and while he kept insisting that the song needed to be faster, the group were equally insistent that what he was playing them was the big ballad hit they wanted, and they recorded it at that tempo. "You Showed Me" became the Turtles' final top ten hit: [Excerpt: The Turtles, "You Showed Me"] But once again there were problems in the group. Johnny Barbata was the greatest drummer any of them had ever played with, but he didn't fit as a personality -- he didn't like hanging round with the rest of them when not on stage, and while there were no hard feelings, it was clear he could get a gig with pretty much anyone and didn't need to play with a group he wasn't entirely happy in. By mutual agreement, he left to go and play with Crosby, Stills, Nash, and Young, and was replaced by John Seiter from Spanky and Our Gang -- a good drummer, but not the best of the best like Barbata had been. On top of this, there were a whole host of legal problems to deal with. The Turtles were the only big act on White Whale records, though White Whale did put out some other records. For example, they'd released the single "Desdemona" by John's Children in the US: [Excerpt: John's Children, "Desdemona"] The group, being the Anglophiles they were, had loved that record, and were also among the very small number of Americans to like the music made by John's Children's guitarist's new folk duo, Tyrannosaurus Rex: [Excerpt: Tyrannosaurus Rex, "Debora"] When Tyrannosaurus Rex supported the Turtles, indeed, Volman and Kaylan became very close to Marc Bolan, and told him that the next time they were in England they'd have to get together, maybe even record together. That would happen not that many years later, with results we'll be getting to in... episode 201, by my current calculations. But John's Children hadn't had a hit, and indeed nobody on White Whale other than the Turtles had. So White Whale desperately wanted to stop the Turtles having any independence, and to make sure they continued to be their hit factory. They worked with the group's roadie, Dave Krambeck, to undermine the group's faith in their manager, Bill Utley, who supported the group in their desire for independence. Soon, Krambeck and White Whale had ousted Utley, and Krambeck had paid Utley fifty thousand dollars for their management contract, with the promise of another two hundred thousand later. That fifty thousand dollars had been taken by Krambeck as an advance against the Turtles' royalties, so they were really buying themselves out. Except that Krambeck then sold the management contract on to a New York management firm, without telling the group. He then embezzled as much of the group's ready cash as he could and ran off to Mexico, without paying Utley his two hundred thousand dollars. The Turtles were out of money, and they were being sued by Utley because he hadn't had the money he should have had, and by the big New York firm, because  since the Turtles hadn't known they were now legally their managers they were in breach of contract. They needed money quickly, and so they signed with another big management company, this one co-owned by Bill Cosby, in the belief that Cosby's star power might be able to get them some better bookings. It did -- one of the group's first gigs after signing with the new company was at the White House. It turned out they were Tricia Nixon's favourite group, and so they and the Temptations were booked at her request for a White House party. The group at first refused to play for a President they rightly thought of as a monster, but their managers insisted. That destroyed their reputation among the cool antiestablishment youth, of course, but it did start getting them well-paid corporate gigs. Right up until the point where Kaylan became sick at his own hypocrisy at playing these events, drank too much of the complimentary champagne at an event for the president of US Steel, went into a drunken rant about how sick the audience made him, and then about how his bandmates were a bunch of sellouts, threw his mic into a swimming pool, and quit while still on stage. He was out of the band for two months, during which time they worked on new material without him, before they made up and decided to work on a new album. This new album, though, was going to be more democratic. As well as being all original material, they weren't having any of this nonsense about the lead singer singing lead. This time, whoever wrote the song was going to sing lead, so Kaylan only ended up singing lead on six of the twelve songs on what turned out to be their final album, Turtle Soup. They wanted a truly great producer for the new album, and they all made lists of who they might call. The lists included a few big names like George Martin and Phil Spector, but one name kept turning up -- Ray Davies. As we'll hear in the next episode, the Kinks had been making some astonishing music since "You Really Got Me", but most of it had not been heard in the US. But the Turtles all loved the Kinks' 1968 album The Kinks Are The Village Green Preservation Society, which they considered the best album ever made: [Excerpt: The Kinks, "Animal Farm"] They got in touch with Davies, and he agreed to produce the album -- the first time he did any serious outside production work -- and eventually they were able to persuade White Whale, who had no idea who he was, to allow him to produce it. The resulting album is by far the group's strongest album-length work, though there were problems -- Davies' original mix of the album was dominated by the orchestral parts written by Wrecking Crew musician Ray Pohlman, while the group thought that their own instruments should be more audible, since they were trying to prove that they were a proper band. They remixed it themselves, annoying Davies, though reissues since the eighties have reverted to a mix closer to Davies' intentions. Some of the music, like Pons' "Dance This Dance With Me", perhaps has the group trying a little *too* hard to sound like the Kinks: [Excerpt: The Turtles, "Dance This Dance With Me"] But on the other hand, Kaylan's "You Don't Have to Walk in the Rain" is the group's last great pop single, and has one of the best lines of any single from the sixties -- "I look at your face, I love you anyway": [Excerpt: The Turtles, "You Don't Have to Walk in the Rain"] But the album produced no hits, and the group were getting more and more problems from their label. White Whale tried to get Volman and Kaylan to go to Memphis without the other band members to record with Chips Moman, but they refused -- the Turtles were a band, and they were proud of not having session players play their parts on the records. Instead, they started work with Jerry Yester producing on a new album, to be called Shell Shock. They did, though bow to pressure and record a terrible country track called "Who Would Ever Think That I Would Marry Margaret" backed by session players, at White Whale's insistence, but managed to persuade the label not to release it. They audited White Whale and discovered that in the first six months of 1969 alone -- a period where they hadn't sold that many records -- they'd been underpaid by a staggering six hundred and fifty thousand dollars. They sued the label for several million, and in retaliation, the label locked them out of the recording studio, locking their equipment in there. They basically begged White Whale to let them record one last great single, one last throw of the dice. Jim Pons had, for years, known a keyboard player named Bob Harris, and had recently got to know Harris' wife, Judee Sill. Sill had a troubled life -- she was a heroin addict, and had at times turned to streetwalking to earn money, and had spent time in prison for armed robbery -- but she was also an astonishing songwriter, whose music was as inspired by Bach as by any pop or folk composer. Sill had been signed to Blimp, the Turtles' new production and publishing company, and Pons was co-producing some tracks on her first album, with Graham Nash producing others. Pons thought one song from that album, "Lady-O", would be perfect for the Turtles: [Excerpt: Judee Sill, "Lady-O"] (music continues under) The Turtles stuck closely to Sill's vision of the song. So closely that you haven't noticed that before I started talking, we'd already switched from Sill's record to the Turtles' version. [Excerpt: The Turtles, "Lady-O"] That track, with Sill on guitar backing Kaylan, Volman, and Nichol's vocals, was the last Turtles single to be released while the band were together. Despite “Lady O” being as gorgeous a melody as has ever been produced in the rock world, it sank without trace, as did a single from the Shell Shock sessions released under a pseudonym, The Dedications. White Whale followed that up, to the group's disgust, with "Who Would Ever Think That I Would Marry Margaret?", and then started putting out whatever they had in the vaults, trying to get the last few pennies, even releasing their 1965 album track version of "Eve of Destruction" as if it were a new single. The band were even more disgusted when they discovered that, thanks to the flurry of suits and countersuits, they not only could no longer perform as the Turtles, but White Whale were laying legal claim to their own names. They couldn't perform under those names -- Howard Kaylan, Mark Volman, and the rest were the intellectual property of White Whale, according to the lawyers. The group split up, and Kaylan and Volman did some session work, including singing on a demo for a couple of new songwriters: [Excerpt: Steely Dan, "Everyone's Gone to the Movies"] When that demo got the songwriters a contract, one of them actually phoned up to see if Kaylan wanted a permanent job in their new band, but they didn't want Volman as well, so Kaylan refused, and Steely Dan had to do without him. Volman and Kaylan were despondent, washed-up, has-been ex-rock stars. But when they went to see a gig by their old friend Frank Zappa, it turned out that he was looking for exactly that. Of course, they couldn't use their own names, but the story of the Phlorescent Leech and Eddie is a story for another time...

On today's episode we are joined by professor, author and noted speaker Dr. Dewey Caron. Dewey is an active member of the Honey Bee Health Coalition where he helps with the creation and maintenance of the Coalition's Hive Management program. Today he joins us to talk about the just updated, Varroa Management Guide. Varroa management is a very serious problem for beekeepers around the world. Sadly, varroa was just found in Australia this year with devastating consequences as hundreds, if not thousands of colonies, have been destroyed in an attempt to eradicate the mite before it establishes a foothold on the last, varroa-free continent. The HBHC has published several useful tools for beekeepers to help them manage varroa to a level where the negative effects of varroa, such as the varroa associated viruses and diseases can be limited. This is includes varroa management videos, the Varroa Management Decision Tool, Commercial Beekeeper Case Studies, the Varroa Resistance and Testing Team and today's topic the Varroa Management Guide. The Management Guide explains the tested, practical, and effective methods to manage the mites in your colonies. Dewey talks with us about the updates, varroa and also talks about the latest edition of his book, “Honey Bee Biology and Beekeeping.” We hope you enjoy the episode. Leave comments and questions in the Comments Section of the episode's website. Thank you for listening! Links and websites mentioned in this podcast:  Honey Bee Health Coalition Varroa Management Webpage - https://honeybeehealthcoalition.org/resources/varroa-management/   Bee Culture October Event: Inspiring Leaders in Beekeeping - https://www.beeculture.com/beeing-diverse-inspiring-leaders-in-beekeeping/ Honey Bee Obscura - https://www.honeybeeobscura.com ______________ This episode is brought to you by Global Patties! Global offers a variety of standard and custom patties. Visit them today at http://globalpatties.com and let them know you appreciate them sponsoring this episode!  We welcome Betterbee as sponsor of today's episode. Betterbee's mission is to support every beekeeper with excellent customer service, continued education and quality equipment. From their colorful and informative catalog to their support of beekeeper educational activities, including this podcast series, Betterbee truly is Beekeepers Serving Beekeepers. See for yourself at www.betterbee.com Thanks to Strong Microbials for their support of Beekeeping Today Podcast. Find out more about heir line of probiotics in our Season 3, Episode 12 episode and from their website: https://www.strongmicrobials.com Thanks for Northern Bee Books for their sponsorship of Bee Books: Old & New with Kim Flottum. Northern Bee Books is the publisher of bee books available worldwide from their website or from Amazon and bookstores everywhere. They are also the publishers of The Beekeepers Quarterly and Natural Bee Husbandry. We want to also thank 2 Million Blossoms as a sponsor of the podcast. 2 Million Blossoms is a regular podcast featuring interviews with leading bee and insect researchers in the world of pollination, hosted by Dr. Kirsten Traynor. _______________ We hope you enjoy this podcast and welcome your questions and comments in the show notes of this episode or: questions@beekeepingtodaypodcast.com Thanks to Bee Culture, the Magazine of American Beekeeping, for their support of The Beekeeping Today Podcast. Available in print and digital at www.beeculture.com Thank you for listening!  Podcast music: Be Strong by Young Presidents; Epilogue by Musicalman; Walking in Paris by Studio Le Bus; A Fresh New Start by Pete Morse; Original guitar background instrumental by Jeff Ott Beekeeping Today Podcast is an audio production of Growing Planet Media, LLC

We're living proof of what God's mercies can do. In “Giving God The Glory,” Dr. Dewey Smith from House Of Hope reminds us that giving God glory requires us to renew our minds and use our daily lives to bring Him praise. If you've just made a decision for Christ, please respond HERE: http://ele.vc/tIepfr