Podcasts about urdu poetry

Announcing: Society Girl -- A Tale of Sex, Lies and Scandal, the new book by Saba Imtiaz & Tooba Masood-Khan (Roli Books, 2024). The book explores the circumstances around the death of the poet and former civil servant Mustafa Zaidi in October 1970, and the ensuing scandal that became a fixture in Pakistani newspapers. This new investigation into a story of twisted motives and murderous intentions, of it-girls and playboys, of class and culture, and a press out for blood and salaciousness, tells a far more complex tale than anyone could have possibly imagined. On this special episode of Notes on a Scandal, Saba and Tooba are interviewed by Sanam Maher, the author of The Sensational Life and Death of Qandeel Baloch, about their book Society Girl: A Tale of Sex, Lies and Scandal. Buy Society Girl now:Kindle Edition: [US] - [UK] - [India]India: [CMYK] - [Amazon]- All major bookstores in India!Pakistan edition: Coming this month!For more about the book & bonus content: societygirlbook.comThank you for listening! Find us on Instagram and Twitter: Instagram: @murdermystery70Tooba Masood-KhanTwitter: @tabahitooba Instagram: @tabahitoobaSaba ImtiazTwitter: @sabaimtiaz Instagram: @sabaimtiaz

Join Fabeha Syed as she dives into the rich and evocative world of the Urdu word 'nadaamat,' which translates to 'regret.' Discover how poets have woven this bittersweet emotion into their verses, capturing the delicate dance between longing and lessons learned. Whether you're a lover of language or a seeker of soul-stirring poetry, this episode promises to leave you with a deeper appreciation for the beautiful complexity of life.

Silence in class! After a deep dive into Sanjay Leela Bhansali's hit web series 'Heeramandi', Fabeha Syed continues her Urdu class on this episode of 'Urdunama'. Through an engaging narrative and the enchanting recitation of Urdu poetry, discover how 'lahja' shapes communication and adds depth to our linguistic heritage. Urdu's phonetics and tone are integral to its charm and expressiveness, making it one of the most melodious languages in the world. One's 'lahja'  can convey their geographical background, education level, and even social status, making it a key element in communication and interaction. Listen till the end as Fabeha reads poetry by Bashir Badr, Rahat Indori and Jan Nisar Akhtar. In the 'Aap Ki Qalam Se' section, we feature oiginal poetry by Mutassim Khan.

This episode of Urdunama gets real. Our host, Fabeha Syed dives into a feeling we all know too well: 'mayoosi', or despair. If you've ever felt that things are not going your way, this episode is for you.  Taking shade under the wisdom of poets like Sahir Ludhianvi, Faiz Ahmad Faiz and Firaq Gorakhpuri, let us heal together. Tune in!

Apologies are in order! Urdunama is making a comeback after a two-week hiatus as Fabeha was busy with mommy duties. In this episode, we delve into the concept of the self. We explore how the Urdu language evokes notions of freedom and self-worth, and discuss the subtle distinction between being firm in one's principles and being 'khuddar'. Listen till the end as Fabeha reads poetry by Javed Akhtar, Kaif Bhopali and Muzaffar Razmi. The episode features original poetry by our listener Mohammad Adnan. You can get your poetry featured in the 'Aap ki Qalam' section of Urdunama. Or if you're a singer, send us a rendition of your favourite songs for 'Aap ki Awaaz'. We'd love to include you in the next episode.

'Hoshwalon ko khabar kya, bekhudi kya cheez hai'. This ghazal by Nida Fazli has been a constant in many 90s kids' playlists. Sung by the great Jagjit Singh, the song was picturised on Aamir Khan for the 1999 film 'Sarfarosh'. In this episode of Urdunama, Fabeha Syed discusses the everyday, yet essential Urdu word 'khabar' and its significance in the Indian context. From street conversations to newsrooms, 'khabar' plays a pivotal role in conveying information and connecting people across diverse communities in India. Listen in as Fabeha reads poetry by Hairat Allahabadi, Mirza Ghalib and Parveen Shakir. The episode also features original poetry by Tarannum Shaikh. If you want to feature on the Urdunama podcast, DM @fabehathesyed or @novacanemusic97 on Instagram with a voice note of your original poetry or songs.

In this captivating episode of Rekhta Podcast, "Isteaare Ki Talaash Mein - Metaphors in Urdu Poetry" host Ritesh and writer Dheerendra Singh Faiyaz embark on a lyrical journey through the rich tapestry of Urdu poetry. Delving deep into the heart of Urdu's literary tradition, they unravel the beauty and complexity of metaphors, exploring how poets like Ghalib, Faiz, and Mir have used this literary device to convey profound emotions and thoughts. Through engaging discussions and recitations, this episode promises to enlighten listeners about the artistry behind the metaphors that define and elevate Urdu poetry. #RekhtaPodcast #UrduPoetry #IsteaareKiTalaashMein #MetaphorsInPoetry #UrduLiterature #PoeticImagery

'Mere hazrat ne Madine mei manaayi Holi'. This line by Gauhar Jaan perfectly encapsulates the spirit of 'Ganga-Jamuni Tehzeeb', which is entrenched in the Urdu language. Welcome to this special episode of Urdunama, where Fabeha Syed delves into the vibrant world of Nazeer Akbarabadi's poetry, particularly focusing on his evocative verses celebrating the festival of Holi. From the joyous splashes of colors to the deeper themes of unity and celebration, join us as we celebrate the spirit of Holi through the lens of Urdu poetry in this episode of Urdunama. Aparupa Gupta, a long-time Urdunama listener has lent her voice for a soulful rendition of some nazms. If you too are a singer/poet, DM us to get featured on the next episode of Urdunama. We would love for you to be a part of our community.

In this episode of Urdunama, Fabeha Syed discusses the word 'khafa', with a smile on her face, of course! The Urdu word means 'displeased', 'upset', and 'offended'. As she reads poetry by Javed Akhtar, Bashir Badr and Anwar Shuoor, we unpack the complexities of releationships, and understand how 'naraazi' can help us heal. Listen till the end!

This episode of Urdunama celebrates the life and work of the iconic ghazal singer and composer, Pankaj Udhas. We lost the legend on 26 February 2024 to Pancreatic Cancer. He was born on 17 May 1951 in Gujarat, and made a name for himself in both film and independent music. Fabeha Syed will delve into the captivating world of his ghazals, exploring their emotional depth and the unique style that captivated audiences worldwide. Prateek Lidhoo joins in to sing heartfelt renditions of his most loved songs like 'Chitthi Aayi Hai', 'Chandi Jaisa Rang', and 'Aur Ahista'. We'll witness how Pankaj Udhas breathed new life into the ghazal tradition, earning him recognition as a pioneer of the genre. If you too are a fan of this maestro, listen till the end and tell us your favourite song of his down below.

This episode of Urdunama delves into the depths of a single Urdu word, 'beqarar,' capturing the essence of restlessness, yearning, and disquiet. It's a word that paints not only human emotion but also the beating heart, the pangs of love, and the very pulse of life. Join Fabeha Syed as we embark on a journey exploring the various facets of 'beqarar' in Urdu poetry. We'll witness how this word blossoms into a kaleidoscope of emotions within poetry.

Jagjit Singh was born on 8 February 1941. This episode of Urdunama pays homage to the legendary ghazal singer, whose soulful voice painted a thousand emotions with every rendition. We delve into his illustrious career, exploring his unique style that captivated audiences worldwide. Join us on a musical journey through the maestro's most cherished ghazals, brought to life in a medley by Prateek Lidhoo. Relive the magic of classics like 'Kal Chaudhvi Ki Raat Thi', 'Tum Itna Jo Muskura Rahe Ho' and 'Tumko Dekha Toh Yeh Khayaal Aaya', as we celebrate the timeless legacy of Jagjit Singh.

You may not know it but Muslim poets writing in Urdu about Hindu epics have had a great impact on popular culture. There exists a vast body of shayari on Lord Ram, the Mahabarata was brought alive on the screen through the writing of Dr Rahi Masoom Raza, there are Ram Leelas performed in Urdu and even qawwali often refers to Hindu deities and epics. This is just one embodiment of India's syncretic culture, a vast confluence of faith and traditions. This episode was more personal and emotional than usual, a somewhat late reaction to the inauguration of the Ram temple in Ayodhya. Do listen and share the latest episode of All Indians Matter. Main Samay Hoon: https://www.youtube.com/watch?v=7A-9Rwt8iMI_Krishna Aayega, from Yugandhar: https://www.youtube.com/watch?v=7hc2OiCGUhwMukhtiyar Ali's Man Kunto Maula: https://www.youtube.com/watch?v=vP9Zmx5diVY

This Urdunama episode is a tribute to a legend, a poetic journey that will leave you mesmerized and wanting more. We lost Munawwar Rana on 14 January 2024. A luminary in the realm of Urdu literature, Rana's profound verses resonated with the depths of human emotion, leaving an indelible mark on the hearts of readers and listeners alike. Born in Rae Bareli, India, in 1949, Munawwar Rana's poetic journey was a testament to the power of words to transcend boundaries. His eloquent expression and poignant verses delved into the complexities of life, love, and societal issues, capturing the essence of the human experience. Explore the rich tapestry of Rana's literary contributions through iconic collections like 'Muhajirnama,' 'Shahdaba,' and 'Bagh.' His words were not mere poetry; they were a mirror to the human experience, offering solace and inspiration to generations. Rest in poetry, maestro!

In this special episode of Urdunama, Fabeha delves into the captivating realm of 'kitaab', the very essence of knowledge and imagination. Join us as we explore the world of books as a metaphorical embodiment of knowledge, wisdom and life in general. Listen till the end as Fabeha reads poetry by Ahmad Faraz and Ejaaz Tawakkal.

In the first Urdunama of 2024, Fabeha Syed ignites a conversation about 'Agaaz,' the Urdu word for 'beginning.' Agaaz is not just a starting point, but a potent spark that ignites possibilities, fuels dreams, and propels us forward into the unknown. Listen till the end as she reads poetry by Ahmad Faraz and Kafeel Aazar Amrohvi.

In this episode of Urdunama, Fabeha Syed unfurls the intricate layers of the Urdu word 'Ilzaam', meaning 'blame' or 'accusation'. It's a word that carries a weight of suspicion, hurt, and sometimes even injustice. Fabeha opens the episode with a personal anecdote, recalling a familiar scene: her mother's accusing gaze as a misplaced winter scarf sparks a flurry of 'Ilzaam'. This relatable moment sets the stage for a deeper exploration of how 'Ilzaam' manifests in our lives and takes on different forms in the world of Urdu poetry. Through the verses of renowned poets like Sahir Ludhianvi, we'll traverse the emotional landscape of 'Ilzaam'.

Fabeha Syed explores the poignant concept of 'Adhoora,' or 'unfinished,' in Urdu poetry. This evocative term captures the incompleteness and impermanence that are inherent aspects of human existence. Through the verses of renowned poets like Jan Nisar Akhtar and Javed Akhtar, we'll delve into the various shades of Adhoora. The episode is also joined by our in-house 'tuntuna' man Prateek Lidhoo for a rendition of 'Ek Adhoora Kaam' from the film 'Ram Prasad Ki Tehrvi.' This soulful rendition perfectly captures the yearning and unfulfilled desires at the heart of 'Adhoora.' Listen till the end!

In this captivating episode of Urdunama, Fabeha Syed embarks on a journey through the ever-changing landscapes of Mausam (weather in Urdu), exploring its profound influence on Urdu poetry. Mausam is not merely a physical phenomenon; it is a living, breathing entity that weaves itself into the very fabric of Urdu verses. Poets have long drawn inspiration from the transformative power of weather, using it as a metaphor for the human experience, capturing its beauty, its harshness, and its relentless cycle of change.

In this week's episode of Urdunama, Fabeha Syed delves into the depths of the Urdu word 'Deedar,' a term that signifies a profound 'sight' or 'vision' often associated with the beloved. Deedar is a word that carries immense weight and longing, representing both the physical act of seeing and the spiritual yearning for connection. Syed will explore the different ways in which Deedar is used in Urdu poetry, taking listeners on a journey through verses that express the burning desire for a glimpse of the beloved, the joy of reunion after separation, and the sorrow of unfulfilled longing.

In this week's episode of Urdunama, Fabeha Syed explores the Urdu word "azmaish," meaning "test" or "trial." Azmaish is a powerful and evocative word, with many different meanings and connotations. It can refer to a literal test, such as an exam or a challenge, but it can also be used to describe more abstract concepts such as temptation, adversity, or even spiritual growth. Syed will discuss the different ways in which azmaish is used in Urdu poetry, and will read some of her favorite poems that feature this word. She will also explore the cultural significance of azmaish in Urdu culture, and how it has been used to express a wide range of human emotions, from fear and despair to hope and resilience.

In this captivating episode of the Rekhta Podcast, delve into the enchanting world of Urdu Shayari as we explore the art of expressing love through poetic verses. Titled "Urdu Shayari Mein Mehboob Ki Tareef," the episode unravels the intricacies of praising one's beloved through the rich tapestry of Urdu poetry. Hosted by Ritesh Yadav, the discussion is heightened by references to Hitesh Gupta Adil's book, "Humsafar: The World of Urdu Poetry." This collection of love-themed poems, accompanied by English translations, serves as a poetic guide, unraveling the timeless beauty and depth found in the eloquence of Urdu expressions of love. This episode is contributed by Priyamvada Singh Click here to purchase the book.

In this week's episode of Urdunama, Fabeha Syed explores the Urdu word 'deewana,' meaning 'mad.' Deewana is a powerful word, with a rich and complex history. It can be used to describe someone who is passionate, obsessed, or even out of their mind. Syed will discuss the different ways in which deewana is used in Urdu poetry and will read some of her favorite poems by Ahmad Faraz, Khushbir Singh Shaad, and Mohammad-Hossein Shahriar. She will also explore the cultural significance of deewana in Urdu culture, and how it has been used to express a wide range of human emotions, from love and longing to despair and madness. Listen till the end.

Réka Máté's Portrayals of Women in Pakistan: An Analysis of Fahmīdah Riyāẓ's Urdu Poetry (de Gruyter, 2023) examines the connection between progressivism and feminist movements in the Indian subcontinent, scrutinizing shifting portrayals of women in Fahmīdah Riyāẓ's poetry at the time of her writing from a historical perspective, and the historical, political, social and personal influences reflected in her work and life. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Réka Máté's Portrayals of Women in Pakistan: An Analysis of Fahmīdah Riyāẓ's Urdu Poetry (de Gruyter, 2023) examines the connection between progressivism and feminist movements in the Indian subcontinent, scrutinizing shifting portrayals of women in Fahmīdah Riyāẓ's poetry at the time of her writing from a historical perspective, and the historical, political, social and personal influences reflected in her work and life. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Réka Máté's Portrayals of Women in Pakistan: An Analysis of Fahmīdah Riyāẓ's Urdu Poetry (de Gruyter, 2023) examines the connection between progressivism and feminist movements in the Indian subcontinent, scrutinizing shifting portrayals of women in Fahmīdah Riyāẓ's poetry at the time of her writing from a historical perspective, and the historical, political, social and personal influences reflected in her work and life. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Réka Máté's Portrayals of Women in Pakistan: An Analysis of Fahmīdah Riyāẓ's Urdu Poetry (de Gruyter, 2023) examines the connection between progressivism and feminist movements in the Indian subcontinent, scrutinizing shifting portrayals of women in Fahmīdah Riyāẓ's poetry at the time of her writing from a historical perspective, and the historical, political, social and personal influences reflected in her work and life. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Réka Máté's Portrayals of Women in Pakistan: An Analysis of Fahmīdah Riyāẓ's Urdu Poetry (de Gruyter, 2023) examines the connection between progressivism and feminist movements in the Indian subcontinent, scrutinizing shifting portrayals of women in Fahmīdah Riyāẓ's poetry at the time of her writing from a historical perspective, and the historical, political, social and personal influences reflected in her work and life. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Réka Máté's Portrayals of Women in Pakistan: An Analysis of Fahmīdah Riyāẓ's Urdu Poetry (de Gruyter, 2023) examines the connection between progressivism and feminist movements in the Indian subcontinent, scrutinizing shifting portrayals of women in Fahmīdah Riyāẓ's poetry at the time of her writing from a historical perspective, and the historical, political, social and personal influences reflected in her work and life. Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

In today's Urdunama, Fabeha explores the Urdu word 'saaya,' meaning 'shadow.' Saaya is a complex and evocative word, with many different meanings and nuances. It can refer to the literal shadow of a person or object, but it can also be used to describe more abstract concepts such as protection, support, or even melancholy. Fabeha digs deep into her personal life and talks about motherhood, and parental love as she reads poetry by Kaifi Azmi, Azad Gulati, and Ahmad Mushtaq.

Your beloved show has been away for a few weeks because of a new addition to the Urdunama family. This week marks the debut of Fabeha's son Musa on the show, as she joins back to talk about a fundamental concept of 'shak', or doubt. The episode starts with "I think, therefore I am", a quote by French philosopher René Descartes, and how the fact that we can doubt and question things around us makes us human. Listen till the end as Fabeha reads poetry by Zubair Ali Tabish, Gulzar, and Javed Akhtar. 

In this episode of Urdunama, Fabeha Syed explores the meaning of the Urdu word 'aitbaar', which means faith or trust. She discusses how important it is to have trust in others, and how this can lead to stronger relationships, communities, and societies. Fabeha reads out poems by Urdu poets like Gulzar, who have beautifully captured the essence of trust. She also shares her experiences of how trust has helped her in her life. This episode is a reminder of the power of trust, and how it can enrich our lives in many ways. If you're looking for a podcast that will inspire you to be more trusting, then this is the episode for you.

Join Fabeha Syed on this episode of Urdunama as we delve deep into the concept of "tamasha" or spectacle. From Imtiaz Ali's storytelling to the nuances of human behavior, Fabeha guides us through the many meanings of "tamasha". It's not just about entertainment; it's about the myriad ways we perform for the world and even for ourselves, often forgetting our true essence.Tune in! 

Whether you're a die-hard fan or just curious about the magic of Urdu poetry, this episode of Urdunama is your golden ticket. Fabeha Syed and Dr. Saba Mahmood Bashir are here to blow your mind, ignite your passion for words, and leave you with that warm, fuzzy feeling only poetry can deliver. From poetry challenging social norms to children's poetry about flowers blooming in 'chaddis', we're covering it all. Expect laughter, introspection, and maybe even a tear or two as we unravel the layers of Gulzar's genius. Grab your favorite cup of chai, get comfy, and let the poetic symphony begin!

On this episode of Urdunama, we explore the poetry around badam, meaning the body and it's connection with attraction, intimacy and sensuality. Featuring nazms, songs and shayari by Nida Fazli, Rahat Indori, Jan Nisar Akhtar and more; tune into this special episode of Urdunama.

The Urdu word dilchasp is derived from the Persian roots dil (heart) and chasp (to please). The word literally means "heart-pleasing" or "heart-warming." Dilchasp can be used to describe anything that is pleasing or enjoyable, such as a beautiful sight, a delicious meal, or a kind gesture. The word can also be used to describe a person who is charming or witty. In Urdu poetry, dilchasp is often used to describe the beauty of a beloved. In this episode of Urdunama, host Fabeha Syed explains the meaning of the word, and how it is used in everyday conversation. Syed also discusses how dilchasp can be used in poetry and literature by greats like Kaifi Azmi and Javed Akhtar.

In this episode of Urdunama, Fabeha Syed explores the intricacies of the Urdu word Fanaa. Fanaa is a complex idea with a rich history. It can mean to be annihilated, to be destroyed, or to be consumed by something else. But it can also mean to be transformed, to be liberated, or to be at peace. Fabeha discusses how the word has been used in literature, poetry, and music. Listen till the end! 

Welcome the monsoon season this year with a cup of chai or coffee, a plate of steaming hot pakoras and this episode of Urdunama on 'abr' meaning 'clouds'. Fabeha reads out some poetry, nazms and shayari by Faiz, Gulzar, Mirza Ghalib and others. 

'Anjaam' meaning consequences or results; is a word that you might spot in a lot of iconic shayaris, nazms and ghazals. Tune into this episode of Urdunama, where I talk about all kinds of endings- good, bad, and the unsaid.P.S. This episode also has an interesting anecdote from Sahir Ludhianvi's love life. 

All the artform is the expression of the artist behind it. And it's the way of izhaare-e-khayal or the expression of thought that paves the way to that art's success. The art that we focus on in this series is poetry. From Mirza Ghalib to Shakeel Badayuni, here is how to express when in love or distress.Tune in!

'Masla' is used to refer to a problem, an issue, or a matter that requires attention or resolution. It embodies the notion of a challenge or complication that demands careful consideration, analysis, and often, deliberation among individuals or groups. 'Masla' can encompass various aspects of life, including personal, social, political, or even spiritual matters. Tune in to this episode of Urdunama as Fabeha reads Sahir, Ahmad Faraz, Abbas Tabish, and others.  

Gustaakhi meaning audacity, bluntness, 'bebaaki', is a virtue that allows us to set personal boundaries. How far we must go to maintain them is a matter of personal choice. But in Urdu poetry the word 'gustaakhi' comes with its own weight.  Tune in as Fabeha Syed reads some of the gems of Urdu poetry. 

They say that variety is the spice of life, but how often do we find variety to help us get rid of the monotony? Hardly.  'Zaaiqa' means taste. So, to find some respite in mundane day-to-day activities, and to add some 'taste' to an otherwise boring life, it is advised to be as innovative as one can be. Tune in and learn a tip or two from poets who tell us what 'zaiqa' stands for them. 

Fools do rush in but that's what most of us do when hopelessly in love.  But in this episode we don't essentially look at the fools or 'ahmaqs' who fall in love, but what it is that one does to be qualified as a fool. Tune in as we read Saghar Khayyami's nazm, 'Alauddin ka Tarbooz' and Ahmad Hatib Siddiqui's nazm, 'Kaen Kaen Kawwa Ten Ten Mitthu'. 

In this episode, we explore the significance of the Urdu word 'jawani,' meaning 'youth,' in poetry and how poets use it to emphasize the importance of cherishing and celebrating the vitality of life. The concept of jawani is often used as a metaphor for the pursuit of happiness and staying young at heart, with poets highlighting the fleeting nature of youth and how its spirit can help us overcome life's challenges. Through an exploration of the works of great shayars, listeners will gain a deeper understanding of the cultural significance of jawani in Urdu poetry. Tune in!

Haqeeqat means reality, or truth. It is also referred to as something's or someone's state or current condition. However, the theme of reality can be explored through the poems that lay emphasis on making peace with the displeasure that comes with knowing the haqeeqat of a beloved's heart, their eyes, or even the poet's life, itself.   Tune in as Fabeha Syed reads Ghalib among other poets like Muneer Niyazi, Mohsin Naqvi, and Javed Akhtar.

Our dreams shape our reality. But it takes a hell lot of hard work, courage, and persistence for our dreams to become reality.  Tune in as Fabeha Syed explores through the works of Nida Fazli, Qateel Shifai, and Parveen Shakir, among others. 

Get ready to wake up early, switch off Instagram, and stock up on extra coffee packets, because exam season is approaching. While writing this episode, memories of my student life came back to haunt me. I'm glad I don't have to write any exams this year. But you know what, the 'imtihaan' of life is never-ending. In this episode of Urdunama, I talk about the preparation tactics of great professors like Jaun Elia, Allama Iqbal, and Javed Akhtar. Tune in!

If you have followed Urdunama so far, you must have figured by now the reasons for the shayar's angst and joy. It is usually the masla-e-hijr-o-visaal-e-yaar meaning the problems of separation and union with the beloved, that keeps the poet up at night and worries about his future with the one he feels to be in love with.  This desire of meeting the beloved sometimes gives him hope, but more often that not, it also takes that away from him.  Tune in as Fabeha Syed reads some gems by Mirza Ghalib, Amjad Islam Amjad, Faiz Ahmad Faiz, and others, and explores the different emotions these poets go through while writing about 'visaal'.

'Hijr' meaning separation, distance, judaai , is an ultimate nightmare for the shayar in Urdu poetry. In the four part series on the stages of love, Fabeha Syed explores the sufferings and pains induced by the separation-anxiety that the poet goes through. Tune in and find out why '...doori sahi jaaye na..'