Podcasts about Ghazal

Tasleem Fazli's ghazal for Mehdi Hassan, sher by sher — a poem built entirely on three-step escalations, from jaan-e-jaanaan to the aap/tum/tū of its final couplet. Plus the true story of Fazli and his brother Nida Fazli, split across the India-Pakistan border.

In this episode, Maria Ghazal, President and CEO of the Healthcare Leadership Council (HLC), discusses the policy trends shaping healthcare, including affordability, AI, and workforce challenges, and explains why collaboration and active engagement with policymakers are essential to driving meaningful change.

Dans cette entrevue avec notre analyste Anthony Lessard-Smith, la porte-parole de Québec solidaire revient sur son parcours, ses convictions et sa vision du Québec. De son enfance à son engagement politique, elle aborde sans détour les grands enjeux qui touchent les Québécois aujourd'hui: - Crise du logement, - Pouvoir d'achat - Environnement - Immigration - Éducation - Souveraineté Une discussion nuancée pour comprendre les idées, les défis et les ambitions d'un parti qui cherche à redéfinir le paysage politique québécois. Que vous soyez en accord ou non, cette discussion vous permet d'aller au-delà des slogans et de comprendre les idées en profondeur. Si vous aimez ce format d'entrevue, abonnez-vous à la chaîne pour ne rien manquer des prochaines entrevues des différents chefs de partis provinciaux dans le studio de Chaque jour sur Terre Si la politique et la géopolitique vous passionnent autant que nous, rejoignez les membres exclusifs de 7 Jours sur Terre pour accéder à du contenu exclusif, non scripté et encore plus approfondi chaque semaine. Dites-nous en commentaire: Qui aimeriez-vous voir comme prochain invité? CHAPITRES 0:00 Présentation 3:03 L'enfance 5:23 Le déclic identitaire québécois 15:15 L'articulation de la gauche solidaire 19:44 Les défis de Québec solidaire 26:12 La crise du logement et les solutions 32:33 Améliorer le pouvoir d'achat des québecois 36:05 Compenser des pertes de revenus 40:04 Le système d'éducation à trois vitesses 44:34 Réforme du système d'immigration 50:28 Le nationalisme chez Québec solidaire 53:30 Une souveraineté participative 56:47 Mesurer le succès d'un premier mandat Devenez membre exclusif de 7 Jours sur Terre et profitez de nombreux avantages, dont notre revue de presse : une émission hebdomadaire de plus d'une heure dans laquelle nous revenons sur les dernières nouvelles géopolitiques à travers le monde, avec des analyses approfondies : https://www.youtube.com/channel/UCRDafCFB27KOBXvgc6kgS0A/join

A ghazal so loved that people now think of it as Begum Akhtar's, not Shakeel Badayuni's.Begum Akhtar made "Ae Mohabbat Tere Anjaam Pe Rona Aaya" hers — so completely that audiences would demand she sing it again, once five times in a single sitting. Kshitij and Burair trace its journey from her raga Bhairavi rendition to Osman Mir singing it at Morari Bapu's Ramkatha gatherings, then take a detour into how poets' pen names end up outliving them as their sons' surnames — Jan Nisar Akhtar's "Akhtar," carried forward by Javed and Salman; Harivansh Rai Bachchan's "Bachchan," carried forward by Amitabh.Then back to the ghazal itself, sher by sher — ending on the couplet where Shakeel loops the whole poem back to the very word he opened on.

Introducing Letterbitched!!! The Girl Historians spin-off movie podcast where we invite fan fave Ghazal onto the mic as our third host to talk all things movies

मिरे हम-नफ़स मिरे हम-नवा, मुझे दोस्त बन के दग़ा न दे — Shakeel Badayuni's "Mere Humnafas Mere Humnawa" is one of Urdu poetry's quietest, most devastating ghazals. Begum Akhtar refused to sing Shakeel's ghazals for almost 20 years after a falling-out — until his death in 1970, when she broke that silence for this one.No Urdu script required — every sher gets translated and unpacked in English as we go.Kshitij Kawatra and Burair Ashary sit with the ghazal sher by sher — the plea to a "hum-nafas" not to be saved, the fear of a healer's "brief kindness," and the maqta where the poet calls out to himself by name. In this episode:

Rasm E Ulfat Sikha Gaya KoiHum Ke Thehre AjnabiAaj Jaane Ki Zid Na KaroSupport the show

In this rare and intimate episode of Rekhta Rubaru, legendary Urdu poet Munawwar Rana sits down with Moid Rasheedi for a deeply personal conversation about identity, Partition, poetry, rebellion and the memories that shaped his voice.Rana reflects on being Munawwar Ali before fame, his childhood as the son of a truck driver, and his father's decision to stay in India after 1947 to protect the 500-year-old graves of their ancestors. He shares moving stories of failure, labour, loss and dignity, including the day his father sent him to work after he failed 6th grade.The conversation also explores his years in Kolkata during the Naxalite era, his rebellious phase, his return to family responsibilities, and the emotional force behind his most defining literary contribution. Bringing Maa to the centre of the Urdu ghazal.A powerful episode on memory, language, belonging and the poet who changed the emotional vocabulary of Urdu poetry.

A YouTube comment about 2 AM, open windows, and this ghazal on speaker becomes the unlikely anchor for this episode. Kshitij and Burair go couplet by couplet through one of Ghalib's most quoted ghazals — predestination, insomnia, silence, and a death-wish that never resolves — with a detour through Gulzar teasing Javed Akhtar about "Ek Ladki Ko Dekha Toh Aisa Laga" along the way.

Aah ko ChahiyeUmar Jalvon Main Basar HoSupport the show

Mirza Ghalib's Har Ek Baat Pe Kahte Ho Tum Ki Tu Kya Hai is one of the most quoted, most performed, and most misunderstood ghazals in the Urdu canon. Burair and Kshitij go sher by sher through one of Ghalib's most layered and defiant ghazals — wounded pride, jealousy, blood and ash, wine and paradise, and a final, bitter jab at the Mughal court.Burair wrestles honestly with Ghalib's density — the philosophical leaps and unusual word choices that make this poet famously difficult even for native Urdu speakers. Kshitij offers his own reading of the khum sher, suggesting the wine vat represents something larger and all-encompassing, with the smaller vessels standing in as different paths — each holding a part of the whole, but not all of it. The two also unpack the cultural and religious context behind Ghalib's most provocative sher on paradise and wine, drawing on Burair's own upbringing in an Islamic household.The episode also touches on Gulzar's 1988 Doordarshan series Mirza Ghalib, starring Naseeruddin Shah, and how lines from this very ghazal were used in that series to dramatize the poet's struggles with court patronage and personal isolation.

Imaad WasifTake a walk with me down Fascination Street as I get to know Imaad Wasif. Imaad is a musician, singer, and songwriter from the California Desert. In this episode, we chat about how his family wound up living in the desert, and what it was like growing up as 'The Weird Indian Kid' in that fairly tightknit community. We do discuss his parents and their influences on his musicality as well as his overall worldview. While his family comes from India, his parents thought it might be a good idea to make a hasty retreat from their home country due to one of his folks being Muslim, while the other is Hindu. After a stint in Canda, then London, the family moved to Palm Desert. Imaad's influences know no bounds. His father was a Ghazal singer, the family spoke Urdu at home, and Imaad grew up attending 'generator parties' in the desolate lands that are now famous for Coachella! Imaad generously lets me play my favorite song from his very first solo album from twenty years ago. The we do a deep dive into 'The Devine', the 'Super Consciousness', and what it means to have an 'awareness of self'. Naturally I ask how he came to be basically the fourth member of The Yeah Yeah Yeahs; with whom he has play for twenty years as well. Finally, we dig into Imaad's newest record. This is his SEVENTH solo album, and it is called 'Superconsciousness', and it was released in mid-March of this year. All of the songs are avail in all of the usual places, but YOU SHOULD PURCHASE the new album on Bandcamp. He is eve selling it on vinyl and includes several demo versions of some of the tracks. Speaking of which, Imaad is such a rad gut, that he lets me play my favorite track from the new record. The making of this record was severely hampered by the catastrophic wildfires in Altadena, California. Imaad lost some stuff but was very lucky overall, thank goodness. Follow Imaad Wasif on Instagram to see where he will be playing live next!***LIVE AT PERMANENT RECORDS IN LOS ANGELES JULY 3RD***

Recorded by Sarah Ghazal Ali for Poem-a-Day, a series produced by the Academy of American Poets. Published on May 29, 2026 www.poets.org⁠

Faiz Ahmad Faiz wrote this ghazal from a prison cell in Hyderabad, Sindh — and somehow made it sound like spring. In this episode, Kshitij and Burair sit with Gulon Mein Rang Bhare and ask the question the poem itself refuses to answer: is this a love poem or a call for revolution? They trace the ghazal through three renditions that each find something different in it — Mehdi Hassan's classical composition that gave the poem its first immortal voice, Ali Sethi's Coke Studio version that cracked it open for a younger diaspora ear, and Vishal Bhardwaj's use of it in Haider, where Faiz's longing and Kashmir's grief become indistinguishable. Along the way, the conversation turns to the bandishein of ghazal — the formal rules that hold the form together — and what it means that a structure this disciplined became home to some of the most quietly subversive poetry of the 20th century.

On parle souvent du plan de naissance, mais beaucoup plus rarement de ce qui arrive lorsque l'accouchement prend une autre direction. Cette semaine, la pharmacienne Marie-Michèle Ghazal (@journaldunepharmacienne) nous raconte son expérience de la césarienne avec une grande transparence. Ensemble, on aborde les attentes, l'annonce de la chirurgie, la récupération physique et émotionnelle, ainsi que les angles morts du système de santé lorsqu'il est question du suivi post-césarienne.Suivez Marie-Michèle sur Instagram : instagram.com/journaldunepharmacienne/Pour suivre le balado : instagram.com/elleslebaladoelleslebalado.comFinis les heures passées à écrire des notes cliniques et à remplir des formulaires. Plume IA, le scribe IA #1 au Québec, transcrit vos consultations et remplit vos documents cliniques automatiquement — essayez gratuitement pendant 1 mois sur plumeai.ca*Aucune carte de crédit requise.Tu es officiellement invitée à la toute première retraite Elles le balado! Oui oui, une retraite, entre femmes, dans le magnifique décor du Manoir Davis, à Sainte-Agathe-Des-Monts. En collaboration avec les filles de Deeper Souls, nous t'offrons un séjour de trois jours où tu peux complètement décrocher : on s'occupe de tout. Ateliers féministes à notre image, conversations enrichissantes, du mouvement chaque jour, de délicieux repas et plus encore! Psst. Il y a un rabais de 15% jusqu'au 31 mai ✨Inscriptions par ici : deepersouls.ca/products/8-au-10-novembre-2026Cette retraite, on l'organise dans un lieu pour lequel j'ai eu un vrai coup de cœur : le Manoir Davis, niché au cœur des Laurentides, à Sainte-Agathe-des-Monts. Le Manoir Davis fait partie de Belvoir, un groupe québécois qui gère aussi deux autres manoirs d'exception. Le Manoir Maplewood, dans les magnifiques Cantons-de-l'Est, et le Manoir Rouville-Campbell, au pied du mont Saint-Hilaire, qui rouvre ses portes dès septembre 2026 pour des événements. Découvrez Belvoir : https://belvoir.ca/N'oubliez pas d'aller faire un tour sur le site internet www.clrphysio.com afin de découvrir les différents programmes en ligne en santé féminine reliés à la rééducation périnéale. Suivez CLR Physio sur les différents réseaux sociaux via @clr.physio Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Five shers. No resolution. Just a loneliness so precise it feels like it was written about you.Javed Akhtar's ghazal moves from a quiet, devastating opening — two people, two separate gods, two separate worlds — through indifference, exhaustion, and the slow death of even grievance, until it lands on an image that stays with you: a scream that rose, echoed, and sank, while everyone listened and no one moved.Kshitij and Burair sit with what makes this ghazal hit so hard — not ornate imagery or classical weight, but the opposite. Plain words. Enormous ache. And a radif, bhi nahin, that closes door after door until there's nothing left.

Entre l’idée d’implanter des épiceries publiques pour lutter contre la hausse du coût de la vie et celle de taxer davantage les ultra-riches, Québec solidaire multiplie les sorties qui polarisent le débat. Entrevue avec Ruba Ghazal, députée de Mercier, porte-parole de Québec solidaire. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radio Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Cette semaine sur le podcast, on reçoit Ruba Ghazal pour une discussion franche sur la politique québécoise, l'économie et les grands enjeux de société. Elle revient sur son nouveau rôle comme co-porte-parole de Québec solidaire et partage sa vision pour le Québec. Entre inquiétudes économiques, montée de la droite et crise du logement, la conversation explore des sujets complexes sans détour.  Au programme:  - Le rôle de Ruba Ghazal comme aspirante première ministre et ce que ça change concrètement  - Pourquoi le discours de droite gagne du terrain et comment expliquer cette tendance  - La crise du logement et les choix politiques derrière l'accessibilité à la propriété  - Taxer les ultra-riches: mythe, perception et propositions concrètes  - Le projet de société du Québec: vision, économie et transition écologique 

Keywords: Solidarity, Syria, Social Movements, Political Rhetoric, Cultural Studies. Dr. Noor Ghazal Aswad is an Assistant Professor in the Department of Communication Studies at the University of Alabama. Her research bridges political communication, cultural studies, decolonial studies, and transnational liberation movements, with a focus on grassroots activism in the Middle East. Her research has appeared in Quarterly Journal of Speech, Rhetoric and Public Affairs, Critical Studies in Media Communication, Environmental Communication, and Presidential Studies Quarterly. Her book, Searching for Solidarity: Revolutionary Dreams and Radical Social Movements, is available now from The Ohio State University Press. For more information visit thebigrhetoricalpodast.weebly.com and follow @thebigrhet.

In this striking Jashn-e-Rekhta segment, Zehra Nigah is introduced as the presiding voice of the mushaira and delivers a reading that feels both lyrical and razor-sharp. She begins with her nazm “Jungle Ka Qanoon”, a poem that builds with quiet control before landing its political force. She then moves into a ghazal marked by images of greed, trees, and the fear of dawn. This episode brings together the authority of Zehra Nigah's voice, the depth of Urdu poetry, and the unsettling beauty of verse that still speaks directly to our times.

#Literoma Audio Book || Mehfil-E-Ghazal - Volume 1

Haroun Bouazzi peut-il rester à Québec solidaire? | Avortement: Simon Jolin-Barrette recule | Le narcotrafiquant Ryan Wedding aurait tenté d’échanger des informations contre… des chirurgies esthétiques | PEQ : le bordel fait mal à notre Belle Province, affirme Bruno Marchand | Ludovick Bourgeois ne veut pas oublier d'où il vient | Accès au système de santé : les gens n’ont pas beaucoup d’espoir… Dans cet épisode intégral du 20 février, en entrevue : Jess Legault, coordonnatrice de la Fédération du Québec pour le planning des naissances (FQPN). Éric Thibault, journaliste pour le Bureau d’Enquête. Bruno Marchand, maire de Québec. Ludovick Bourgeois, auteur-compositeur-interprète. Une production QUB Février 2026Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Ghazal, an Iranian woman in London speaks about the recent destabilisation operation in Iran. This was a prelude to a regime-change war, she says. The chaos on the streets of Iran was no grass-roots revolution. The riots were aimed AGAINST the mass of the Iranian people, and were orchestrated by outside forces, led and funded by the US and the Israeli Zionists, and using the dregs of the reactionary deposed monarchists who are nurtured in the west, in the vein hope they can again be reinstalled in a sick re-run of the 1953 operation “Ajax”, which overthrew President Mosaddegh. That was a CIA plot led by Kermit (Kim) Roosvelt, Allen and John Foster Dulles, under Eisenhower's newly minted CIA regime change machine. It is the monopoly capitalists, facing immanent financial collapse, who are driving to crush the Iranian people to lay hands on again in their mineral wealth and grow rich from their super-exploitation and wage slavery. Iran stands at the centre of the axis of resistance. Women in Iran enjoy freedom, dignity, literacy, education and empowerment, the like of which they do not have in the west. It is for them to decide and form their future - not the financiers and wage lords of western capital. Long live the people of Iran! Death to the genocidal Anglo-American imperialists and their Zionist proxies! Long live the axis of resistance! Subscribe! Donate! Join us in building a bright future for humanity! www.thecommunists.org www.lalkar.org www.redyouth.org Telegram: t.me/thecommunists Twitter: twitter.com/cpgbml Soundcloud: @proletarianradio Rumble: rumble.com/c/theCommunists Odysee: odysee.com/@proletariantv:2 Facebook: www.facebook.com/cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: https://thecommunists.org/education-programme/ Each one teach one! www.londonworker.org/education-programme/ Join the struggle www.thecommunists.org/join/ Donate: www.thecommunists.org/donate/

Host Jimmy Blais discusses CRASH with playwright Pamela Mala Sinha and actress Ghazal Azarbad.CRASH is having it's Montreal premier with Imago Theatre in Montreal in February, 2026.****CRASH is the fractured unraveling of memory.A tour de force narrative about family, faith and love set in Montreal, CRASH is a story of The Girl, who undergoes the haunting memories of a past assault as she navigates the loss of a loved one.CRASH, Pamela Mala Sinha's debut solo play premiered at Theatre Passé Muraille, garnering 6 Dora Mavor Moore Award nominations and winning 4, including Outstanding New Play and Outstanding Performance by a Lead Actress for Pamela. With Necessary Angel Theatre, CRASH had two more Toronto runs, toured to Vancouver and Edmonton and had its New York City premiere at the Signature Theatre as part of Soulpepper Theatre's 2017 tour.This new production will bring this critically acclaimed play to Montreal for the first time, with a new actress playing The Girl, taking over the role from Pamela.****This episode features music by Debashis Sinha, was produced and edited by Danna-Rae Evasiuk with Assistant Producer Tanelle Milton. For more information, visit www.imagotheatre.ca

Ghazal Mizrahi, International Singer & Vocal Artist, makes her debut on the morning show with Sid live in-studio to talk about her music and her advocacy for Israel and the Jewish homeland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Olivier souligne les contradictions entre le chef et le directeur général du Parti populaire du Québec. Ruba Ghazal explique ce que le gouvernement devrait faire pour diminuer les féminicides. Julien Morrissette s'intéresse aux intriguants titres d'article. Et Dominic Tardif est en deuil des critiques littéraires de François Legault.

Why Yagana Changezi?Because his poetry just feels fresh. And when I read about his life, something clicked for me. He was sharp, abrasive, and completely fearless - reshaping 20th-century Urdu poetry, questioning sacred icons, even taking shots at Ghalib when no one else would. He lived a tough life and spoke in a tough voice. Honestly, all the signs of a great poet.You should really read him.also, if you like the episode, let me know. I'm aamir@urdudaan.inyou could also DM me on instagram @urdu.daanHave a great time

Send us a textRichard Ghazal, the executive director of In Defense of Christians, joined Liz Collin on her podcast.Ghazal said the United States has largely failed to acknowledge “anti-Christian sentiment” that has “a direct causation with the decay in society that we witness.”He spoke about the atrocities of Christian persecution abroad and the significant concerns at home in America.Support the show

Happy Halloween girls!! Today we welcome on comedy icon and fellow member of our improv troupe, Mrs Beast, Ghazal Ghiami!!!We talk about the myth of poisoned halloween candy, nerds gummy clusters, and all sorts of other things because we are addicted to the GAB!GIRL HISTORIANS MERCH

How can AI transform education without compromising learning? In this podcast hosted by Boston New Technology CPO Shweta Agrawal, Cengage Group SVP of Product Ghazal Badiozamani will be speaking on ethical AI and value-driven product development in EdTech. Ghazal shares her innovative approach to creating AI tools that enhance student learning by focusing on critical thinking and pedagogical outcomes, rather than simply providing answers.

Recorded by Dujie Tahat for Poem-a-Day, a series produced by the Academy of American Poets. Published on October 23, 2025. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Stop falling for the 'Jaana' trap! This episode decodes the emotional manipulation behind sweet words and broken promises. We analyze Ahmad Faraz's wisdom on betrayal, explain the difference between a Ghazal and a Nazm, and give you the courage to use the one-word solution: BAS! End the toxic 'Sorry Dance' cycle today.

Ranbir Kumar, a renowned Indian ghazal singer of the new generation, is bringing the magic of ghazal to Australia. A devoted disciple of Jagjit Singh and admirer of Mehdi Hassan, Ranbir believes that Australian audiences deeply appreciate the art of ghazal. Learn more in this detailed podcast. - رنبیر کمار نئی نسل کے معروف غزل گائیک ہیں جو آسٹریلیا میں غزل کا جادو جگانے آرہے ہیں۔ وہ سادہ مگر معنی خیز شاعری کو دلکش موسیقی میں ڈھال کر سامعین کے دلوں تک پہنچاتے ہیں۔ جگجیت سنگھ کو اپنا گرو ماننے والے رنبیرکمار مہدی حسن کے بھی پرستار ہیں۔ رنبیر کمارکا ماننا ہے کہ آسٹریلیا کے شائقین غزل کے فن کو خاص طور پر سراہتے ہیں۔تفصیل جانئے اس پود کاسٹ میں۔

Roshanak Keyghobadi interviews Iranian California-based graphic designer and illustrator Ghazal Foroutan. They discuss Ghazal's journey as a designer, her educational stages, and her impactful first professional experience at Studio Shizaru in Tehran. Ghazal discusses her interest in design research and design history that developed during her postgraduate studies in the US. She mentions that her design history education (both in Iran and the U.S.) was male-centric, and expresses her gratitude to contemporary platforms, such as Khatt Chronicles and Women Iranian Designers, for broadening her knowledge and providing information about women role models. As a woman growing up in Iran, she experienced challenges that made her want to work on projects that advocated for (Iranian) women's rights and equality. She discusses her cultural engagement and political activism through her personal design projects. Ghazal discusses her design process and her passion for the risography technique and how she employs it for her "passion projects"—personal prints, editorial work, and publications. She shares her challenges of balancing teaching, personal project, and paid design commissions. The conversation ends with a discussion about the future of design: AI and responsible innovation, and adaptability to the complex media and communications landscape. Ghazal believes that we need to see design not just as a service but rather as a way to shape culture and create a culture of solidarity. Ghazal Foroutan is one the designers featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

In episode 130 of The Prakhar Gupta Xperience, Ghazal Alagh, co-founder of Mamaearth, Shark Tank India judge, and one of India's most inspiring entrepreneurs, joins the conversation to share how she built a brand with purpose from the very beginning. She talks about the challenges women entrepreneurs face, the lessons she learned while growing her business, and her journey of carving her own path in the startup world.Recording Date: August 19, 2025This is what we talked about:00:00 - Intro01:06 - Does Money Bring Satisfaction03:38 - Hard truth about being an Entrepreneur06:21 - “49 Out of 50 Manufacturers Rejected Me”09:15 - Finding Your WHY14:35 - Reality of Skincare Industry17:30 - Solving Skincare for India18:06 - Traits of an Entrepreneur20:57 - Reviving the Artist Within23:42 - How she started Mamaearth27:25 - The Fear of Failure30:33 - Mamaearth's Bestselling Product34:36 - The Mindset of the Indian Consumer38:57 - How Global Brands Cheated Us40:56 - The Rise of Sunscreen44:38 - AI's Impact on Business53:50 - Next Big Business Opportunities in India1:03:31 - How to Build a Global Brand1:09:20 - Challenges in Professional Life1:20:01 - Advice for Young Women Entrepreneurs1:29:39 - The Role of her husband1:38:29 - Ghazal's Artistic Side

46:45 – Handpan Performance (must watch!) ⁨@saffronskiesofficial⁩  In this episode of Kavinaama, we sit down with a special guest — a professional ghazal singer, tabla player, and sound healer based in Los Angeles. A lifelong fan of Munawwar Rana, he shares his deep love for Rana's famous “Maa” poetry, speaks about the emotional power of ghazals, and explores the spiritual side of Nada Yoga and sound healing.Stay tuned until the end of the episode for a soulful handpan (hangpan) performance that blends poetry, rhythm, and healing vibrations — a rare treat you don't want to miss!If you love Urdu poetry, ghazals, music therapy, and Munawwar Rana's verses, this conversation is for you.#munawwarranashayari #maapoetry #ghazalsinger #soundhealing #nadayoga #handpanmusic #urdupoetry #tabla #Podcast #kavinaama

In this episode, we explore Ahmed Faraz's timeless ghazal “Ranjish Hi Sahi, Dil Hi Dukhane Ke Liye Aa.” We dive into its poetic depth, themes of longing and heartache, and the artistry that makes it one of the most celebrated works in Urdu literature.We also discuss two iconic renditions: Ali Sethi's soulful contemporary cover and the legendary Mehdi Hasan's unforgettable classic performance. Join us as we reflect on how each version brings out unique shades of Faraz's poetry and keeps this masterpiece alive for new generations.Perfect for lovers of Urdu poetry, ghazals, and South Asian musical heritage.#AhmedFaraz #RanjishHiSahi #AliSethi #MehdiHasan #UrduPoetry #Ghazal #UrduLiterature #SouthAsianMusic #PodcastOnPoetry #UrduGhazal

Jerry Ghazal is a Lebanese actor, writer, and media personality known for his diverse talents and authentic voice in entertainment and literature. He began his career in television, starring in hit Lebanese dramas like Shatti Ya Beirut and Beirut 303, and later expanded into hosting and music. Beyond the screen, Jerry is also a published author of several popular books that explore themes of love, identity, and self-reflection. With a strong presence on social media, he connects with a wide audience through thoughtful posts, poetry, and lifestyle content. His blend of creativity, emotional depth, and charisma has made him a beloved figure in the Arab world and beyond.#hikmatwehbipodcast #podcast#arabicpodcast #JerryGhazal#wstudiodxbحكمت_وهبي#حكمت_وهبي_بودكاست##

Kiran Ahluwalia (pronounced KIR-un all-oo-WAHL-iya) is making waves with her innovative sound, melding Indian vocal traditions with influences as varied as Malian blues, rock, and jazz. Kiran Ahluwalia joined Wake Up Tri-Counties to talk about her music and upcoming performance at the Levitt Amp Galva Music Festival on June 22, 2025. Raised in Canada, Ahluwalia leads a dynamic six-piece band, consisting of electric guitar, accordion, organ, tabla, bass, and drum kit, that brings her artistic vision to life. Her latest album, titled "Comfort Food," doesn't just explore musical boundaries—it dives into pressing social issues, earning widespread praise from critics. As a two-time Juno Award winner, Ahluwalia continues to expand her global reach, inviting listeners into a rich tapestry of sounds and stories rooted in her diverse musical journey. Ahluwalia and her band will take the stage at 7:15 PM. Kiran Ahluwalia stands as an influential force in the world of contemporary global music. Drawing from Sufi, Qawalli, Ghazal, and Punjabi folk traditions, she crafts a vibrant and boundary-crossing sound, blending Indian classical roots with elements of blues, jazz, and R&B. Her 6-piece ensemble features electric guitar, accordion, tabla, and more, offering a rich, dynamic backdrop to reflective and socially conscious songs. Ahluwalia's latest album, "Comfort Food," includes collaborations with international artists and challenges rising Hindu fundamentalism and nationalism. Her achievements include two Juno Awards and the recent Canadian Folk Music Award for ‘Pushing Boundaries.' “When I was growing up in India, there were concerts that people from all over would crowd into. These concerts featured a repertoire, language and content that was both demanding and beyond the experience of a child. I was, however, entranced by the sound and feel of the music, even from an early age. My father would play tapes of Indian music for me and we would also listen to Bollywood on the radio,” Ahluwalia recalls. “So when a song came on that I wanted to learn, my mother would quickly write down the lyrics for me and I would sing along to learn the melody."

Stay informed about the latest Nepali community events in Australia - अस्ट्रेलियाका विभिन्न ठाउँमा गए हप्ता आयोजना भएका र यो साता हुने नेपाली सामुदायिक कार्यक्रमहरू बारे जान्नुहोस्!

Recorded by Carlos Andrés Gómez for Poem-a-Day, a series produced by the Academy of American Poets. Published on April 4, 2025. www.poets.org

Antique store owner Syphilis Montpellier (Ghazal Ghiami) discovers a corpse in a wardrobe. Brought to you By: The Sonar Network https://thesonarnetwork.com/

Recorded by Moira Egan for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 5, 2025. www.poets.org

Samuel Baker est une figure marquante du XIXe siècle, connu pour ses explorations en Afrique, mais aussi pour son rôle dans la lutte contre l'esclavage au Soudan. Aventurier, cartographe et administrateur colonial britannique, il s'est illustré dans une mission particulièrement audacieuse : la libération de captives réduites en esclavage dans le Soudan égyptien. Un explorateur devenu gouverneur Né en 1821 en Angleterre, Samuel Baker se passionne pour l'exploration et participe à plusieurs expéditions en Afrique. Il est notamment célèbre pour avoir découvert en 1864 le lac Albert, l'un des grands lacs de l'Afrique centrale. Mais son destin prend un tournant en 1869 lorsqu'il est nommé gouverneur du sud du Soudan par le khédive d'Égypte, Ismaïl Pacha. Sa mission : mettre fin à la traite négrière qui ravage la région. À cette époque, le Soudan est un centre important de la traite des esclaves. Des marchands arabes capturent des populations locales, principalement des femmes et des enfants, pour les vendre sur les marchés d'Égypte et du Moyen-Orient. Baker, farouchement opposé à l'esclavage, décide d'agir avec fermeté. Une mission contre l'esclavage Avec une troupe de soldats égyptiens, Samuel Baker mène plusieurs campagnes pour démanteler les réseaux esclavagistes. En 1870, lors d'une expédition dans la région du Bahr el-Ghazal, il découvre un immense camp d'esclaves. Des centaines de femmes et d'enfants, enchaînés et affaiblis, attendent d'être transportés vers les marchés d'esclaves. Baker ordonne immédiatement leur libération et fait arrêter plusieurs marchands d'esclaves. Son intervention marque un tournant dans la lutte contre la traite négrière au Soudan. En plus de libérer des captifs, il établit des avant-postes pour surveiller et contrôler la région, empêchant ainsi la reprise du commerce des esclaves. Une libération aux contours flous Si Samuel Baker est reconnu pour son action abolitionniste, des questions demeurent sur le sort des femmes libérées. Certains récits suggèrent qu'elles auraient été encouragées, voire contraintes, à épouser leurs libérateurs ou à entrer à leur service. Bien que ces pratiques ne soient pas formellement documentées dans les archives officielles, elles reflètent une réalité coloniale où la liberté des esclaves affranchis restait souvent relative. Un exemple célèbre est celui de Florence Baker, née en Transylvanie et réduite en esclavage avant d'être achetée par Samuel Baker lors d'une vente aux enchères dans l'Empire ottoman. Elle devint sa compagne puis son épouse, un récit souvent présenté à l'époque comme une histoire d'amour, mais qui soulève aujourd'hui des interrogations sur le consentement et le pouvoir dans ces relations asymétriques. Un héritage controversé Bien que Baker ait contribué à la lutte contre l'esclavage, son action s'inscrit aussi dans le cadre du colonialisme britannique. Certains historiens voient en lui un héros abolitionniste, tandis que d'autres soulignent que son intervention servait également les intérêts impérialistes de l'Empire britannique en Afrique. Quoi qu'il en soit, Samuel Baker reste une figure clé de l'histoire du Soudan, et son combat contre l'esclavage a marqué une étape importante dans la lutte pour l'abolition dans cette région du monde. Toutefois, les réalités complexes de cette période rappellent que la fin officielle de l'esclavage ne signifiait pas nécessairement l'émancipation totale des personnes libérées. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today's poem is Sorrow Ghazal by Mary Elder Jacobsen. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's poem is a loving exchange that underscores the importance of giving room for what makes those we love different from us, even if we wish to change them.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

By Dorianne Laux

Theophanies by Sarah Ghazal Ali by Poets & Writers

In Pakistan, most women don't ride motorbikes. But with her father Qazi's support, Ghazal Farooqi is changing the way people think about women bikers. Through their adventures, the pair is also changing how people think of their beloved country. This podcast is a production of Rebel Girls. It's based on the book series Good Night Stories for Rebel Girls. This story was produced by Haley Dapkus with sound design and mixing by Mumble Media. It was written by Gina Gotsill and edited by Haley Dapkus and Abby Sher. Fact-checking by Eliza Kirby. Narration by Amna Khan. Original theme music was composed and performed by Elettra Bargiacchi. Our executive producers were Joy Smith and Jes Wolfe. Thank you to the whole Rebel Girls team who make this podcast possible. Stay rebel!

Today's poem is Ghazal for Mothers & Tongues by Sahar Muradi. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's fine poem is gorgeous for many reasons, but one is the way the poet enriches our ears with the sounds of words. Poems that are designed like today's poem turn language into more than just a tool of communication — and into a ceremonial and opulent form of human address.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp