Pop & Locke

Coming soon, a brand new podcast from Libertarianism.org... Hosted on Acast. See acast.com/privacy for more information.

We're back baby! After a holiday respite, Pop & Locke has returned to break down all your favorite media with today's brightest minds.Today on the show we're talking National Treasure, and ask, is it a 21st century classic or time wasting conspiracy crock? Is it QAnon for kids? And where could they go with a next installment? Here to answer that and more are my two guests: Deputy Managing Editor at Reason, Natalie Dowzicky and returning guest and now Cato-ite, Research Fellow on Technology Policy, Jennifer Huddleston. Hosted on Acast. See acast.com/privacy for more information.

Fire up your hyperdrives and pack your kyber crystals because we are headed to a long, long time ago in a galaxy far, far away for another edition of Pop & Locke: Star Wars edition.This week, Pat Eddington and Aaron Ross Powell join the show to break down Disney+'s latest offering in the Star Wars saga, Andor. How does the gritty prequel series to the sneaky hit Rogue One hold up? Who is the real evil in the series? And how does the Empire adopt the language of fascism to keep it's boot on the neck of the ever-growing resistance movement? All that--and more! Hosted on Acast. See acast.com/privacy for more information.

“All men must serve,” as the saying goes—but whom must they serve? That's the question posed by the new HBO series from the mind of George R. R. Martin, House of the Dragon. Set almost two centuries prior to the enormously successful Game of Thrones series, House of the Dragon sets up House Targaryen's eventual fall from power, provides context for the fractured, feudal state of Westeros to come, and asks; who should have the right to rule?Reason's Natalie Dowzicky and Robby Soave join the show to point out how the series is an example of the failures of a government absent the constitutional rule of law, elite fears of populism, and crumbling institutions usurped by greed and power. Hosted on Acast. See acast.com/privacy for more information.

“Clueless” as she may be, Cher Horowitz isn't just a naive high school student. She's a pro-immigration, free market friendly, drug decriminalization defender. But what about her tendency to assume what other people want or need?Reason's Katherine Mangu Ward and Natalie Dowzicky join the show to break down whether her well intentioned “helpfulness” is cover for more authoritarian tendencies, the possible decline of a car-centric culture's notions of youthful freedom and agency, and the complicated legacy of the film's depiction of gender roles. Hosted on Acast. See acast.com/privacy for more information.

Should you be allowed custody of nuclear powered weapons? It's questions that's plagued libertarians before, and one that's also raised by the animated cult classic The Iron Giant. Through innovative production means, Brad Bird's box office blunder turned cinematic darling wraps a clear creative vision and Aristotelian characterization of themes up in a seemingly simple story of a boy and a giant robot. Sean Malone and Paul Meany joins us to answer questions it raises like; is Brad Bird an objectivist filmmaker? How much can we change the path we're set upon in life? And is The Lorax a good lesson for kids? Hosted on Acast. See acast.com/privacy for more information.

The Lord of the Rings trilogy is an epic adventure based on the novels written by J.R.R. Tolkien. Set in Middle-earth, the story follows the young Hobbit, Frodo Baggins, as he and the Fellowship embark on a quest to destroy the One Ring, to ensure the destruction of the Dark Lord Sauron. But what is the Lord of the Rings story really about? And, why is it so popular?Whether it's The Ring of Power, The Hobbit, The Silmarillion, or the original trilogy, Tolkien's words are filled with lessons and insight all can learn from. In this classic Pop & Locke episode, guests Jacob Levy, Paul Meany, and Paul Matzko join us to dig into the religious roots of the work, the nature of power, and whether or not the eagles would have actually helped destroy the ring. Hosted on Acast. See acast.com/privacy for more information.

In 1998 the Coen brothers released The Big Lebowski and the theaters were half-​empty. However, the film has since spurred a cult-​like following revolving around its protagonist, The Dude; a dopey but profound conscientious objector to all human conflict with his own special brand of zen. Part slacker manifesto, part sun-drenched noir, the film follows his quest to receive penance for a soiled rug and unravels into a wild goose chase involving all sorts of inherent vice.In this classic episode from the Pop & Locke vault, Julian Sanchez and Akiva Malamet join us to discuss the essence of the Coen Brothers' famous character, the hidden nods to Wagner, and what the film has to say about nihilist philosophy. Hosted on Acast. See acast.com/privacy for more information.

What's more faithful to the facts of the founders—1776 or Hamilton? Why does John Adams get the star treatment while James Wilson gets such short shrift? And what does the musical many of us had to watch in high school get wrong about American Revolutionary history? All that and more are answered this week, with the help of David Boaz, Paul Matzko, and first time guest Tim Sandefur. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

The court of Pop & Locke is now in session! All who have cause to discuss the cult classic comedy of courtroom escapes My Cousin Vinny draw near and you shall be heard. Our honorable guests help us break down the legal fact from fiction as we search for the verdict on Vinny's veracity and verisimilitude. Plus; would you have taken the public defender instead? And how much do they really teach you in law school? Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Revived by the spirit of Stranger Things' Eddie Munson, today we are going to mosh our way through the music of Metallica. From Kill ‘em All to …And Justice for All and beyond, the band has evolved from rebellious, rage-fueled teenage innovators to the flag-bearers of a heavy metal ethos rooted in principles without being didactic. Returning guest and committed metalhead Chris Freiman and William Irwin, author of the new book The Meaning of Metallica: Ride the Lyrics, join the show to pick through the politics and philosophy of the kings of thrash. See acast.com/privacy for privacy and opt-out information.

Today we take a ride into the danger zone with Brandon Valeriano and Paul Musgrave and blow Top Gun wide open. Is Tom Cruise's action 1986 blockbuster a a redemptive reconceptualization of the post-Vietnam American military, or is it just a sports movie? Plus; does the military provide a service or a product? And either way, why are we paying so much for it? See acast.com/privacy for privacy and opt-out information.

Socrates once said the unexamined life is not worth living—and if he were around today I'm sure he'd say that “A Bug's Life” is totally worth examining. Join us as we dive into the 1998 Disney Pixar romp to find what we can take away with us and what we can leave on the offering stone. See acast.com/privacy for privacy and opt-out information.

Drug approvals were not always as rapid as they were for COVID-19. See acast.com/privacy for privacy and opt-out information.

Politics is power, nothing more! See acast.com/privacy for privacy and opt-out information.

This episode ain't right.We are headed down to the home of Tom Landry Middle School, Mega Lo Mart, and Strickland Propane—that's right, Arlen, Texas. Kat Murti and first time guest Nick Gillespie join us to decide whether Hank Hill would have voted for Donald Trump, explain the eccentricities of Texan identity, and reveal the benefits of propane and propane accessories. See acast.com/privacy for privacy and opt-out information.

Vicious vulgarity and criticism of censorship are at the heart of Trey Parker and Matt Stone's groundbreaking animated series. See acast.com/privacy for privacy and opt-out information.

Dive into the depths of American psychopathy as we ask—can we get a table for two at 8 PM at Dorsia? See acast.com/privacy for privacy and opt-out information.

Uncover the mystery of ideology with 2019's best independent video game. See acast.com/privacy for privacy and opt-out information.

It may have been less than a decade since we saw him in theaters last, but The Batman has got a new haircut, a fresh coat of eye shadow, and a lot of emotional baggage to unpack. See acast.com/privacy for privacy and opt-out information.

Jessica Flanigan and Natalie Dowzicky sink their teeth into Stephanie Meyer's tale of teenage temptation and vampiric virtue. See acast.com/privacy for privacy and opt-out information.

Are Christians a persecuted minority in America? The God's Not Dead film series has a clear answer, but Aaron Powell and Paul Matzko are doubtful of the conclusions. We sit down to find what might be causing this division, try to find a way to bridge it, and respect religious liberty for all. See acast.com/privacy for privacy and opt-out information.

Is Snowpiercer a marxist masterpiece or a dystopian documentary? We trace Chris Evans's path from the tail to the head n pursuit of the true meaning behind Bong Joon-ho's 2014 caricature of capitalism. See acast.com/privacy for privacy and opt-out information.

At the Circus, who can trust the ringmaster? Pat Eddington and Mike German join us sort who is who in Joh LeCarre's Tinker Tailor Soldier Spy. See acast.com/privacy for privacy and opt-out information.

Inspired by Al Gore's “An Inconvenient Truth” and in the vein of his financial crisis origin story, “The Big Short”, Adam McKay's 2021 Netflix film, “Don't Look Up” posits a world where the sky is falling, politicians are too self absorbed to do anything, and the media is hellbent on distraction by any means necessary. Trevor Burrus, Matthew Feeney, and Natalie Dowzicky join us to parse the fact from fiction, and explain how successful it is in getting its strident hope across. See acast.com/privacy for privacy and opt-out information.

In the spring of 1997, a teenage girl and her Scoobies started defending the town of Sunnydale and the world from previously unimaginable demons, all while being on time for chemistry class. Buffy the Vampire Slayer, created by Joss Whedon, has never been fully appreciated for putting the teen soap era of television on the map. See acast.com/privacy for privacy and opt-out information.

Kevin McCallister was left home alone when his large family rushed to the airport to fly to their Paris Christmastime vacation. At first he was enjoying himself, staying up late, watching tv, and eating pizza until a duo of burglars, the Wet Bandits, try to ruin his holiday. See acast.com/privacy for privacy and opt-out information.

Netflix's horror series about a small fictional island community, a mysterious visiting priest, and unexplained “miracles” is the latest Mike Flanagan horror hit. Though this show received a wide variety of praise and criticism, it certainly caused people to think about the role religion plays in their lives. See acast.com/privacy for privacy and opt-out information.

In 1953, under the Great Terror's heavy cloak of state paranoia, the ever‐​watchful Soviet leader, Joseph Stalin, collapses. When they discover his body the following morning, a frenetic surge of raw panic starts spreading like a virus amongst the senior members of the Politburo, as they scramble to maintain order, weed out the competition, and take power. See acast.com/privacy for privacy and opt-out information.

Matthew Feeney and Caleb Watney discuss Denis Villeneuve's 2021 film adaption of Frank Herbert's Dune.Frank Herbert's 1965 Dune is a futuristic geopolitical allegory that was anti-corporate and pro-eco-radicalism. Villeneuve's film adaptation of the book stays pretty true to the original story, it's set in the very distant future, in which humanity has evolved in many scientific respects and mutated in a lot of spiritual ones. See acast.com/privacy for privacy and opt-out information.

Jamelle Bouie and Julian Sanchez join the podcast to discuss John Carpenter's 1982 sci-fi cult classic, The Thing, a film that made our skin crawl with paranoia. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, The Thing, tells the story of a group of American scientists in Antarctica who encounter the eponymous "Thing", a parasitic extraterrestrial life-form that assimilates, then imitates other organisms, including humans. See acast.com/privacy for privacy and opt-out information.

The hook-handed son of a slave summoned by the chanting of his name 5 times, Candyman, was originally created by horror legend writer Clive Barker. But the legend has since been adapted for the big screen many times, first in 1992 and most recently in 2021. Peter Suderman and Jesse Walker help us dissect both films as part of a larger discussion about how horror movies tackle social issues. See acast.com/privacy for privacy and opt-out information.

The Simpsons is an American adult animated sitcom created by Matt Groening that follows the Simpson family who live in Springfield. The show parodies American culture, society, and ultimately the human condition. See acast.com/privacy for privacy and opt-out information.

The Hurt Locker was the first narrative feature to make full, unnerving dramatic sense of the war in Iraq, and it does so without polemics or speeches or phony melodrama. In fact, the director, Kathryn Bigelow, has been praised for making a war movie that is apolitical in nature. The film follows an Iraq War Explosive Ordnance Disposal team who are targeted by insurgents and shows their psychological reactions to the stress of combat. See acast.com/privacy for privacy and opt-out information.

In Pulp Fiction, two hit men, Jules Winnfield and Vincent Vega work for the crime boss Marcellus Wallace. The film is really comprised of six different stories that are very loosely connected to one another. And the title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. See acast.com/privacy for privacy and opt-out information.

Pan's Labyrinth is a 2006 Spanish-Mexican dark fantasy war film. The story takes place in Spain during the summer of 1944, five years after the Spanish Civil War, during the early Francoist period. The narrative intertwines this real world with a mythical world centered on an overgrown, abandoned labyrinth and a mysterious faun creature, with whom, Ofelia, interacts. See acast.com/privacy for privacy and opt-out information.

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A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that the couple he is spying on will be murdered. Julian Sanchez, Jake Laperruque, and Richard Theime join us to discuss how Coppola's The Conversation tells a story of a man caught between his own technological power and the nightmares of his personal responsibility. See acast.com/privacy for privacy and opt-out information.

Winston Smith is a minor government employee, living in Oceania, whose job involves the rewriting of history in a manner that casts his fictional country's leaders in a charitable light. And in this closely-monitored society, there is no way to escape from Big Brother. A classic novel written by George Orwell and published in 1949 was adapted for the big screen in 1984. See acast.com/privacy for privacy and opt-out information.

A Linguistics professor Louise Banks leads an elite team of investigators when gigantic spaceships touch down in 12 seemingly random locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind. See acast.com/privacy for privacy and opt-out information.

One of Hollywood's greatest critical and commercial successes, The Godfather, released in 1972, is the quintessential American crime film. Early on in this film we are introduced to the patriarch of the Corleone family and as he ages it's clear that he wants to transfer control of his clandestine empire to his very reluctant son. See acast.com/privacy for privacy and opt-out information.

Alfonso Cuarón's Children of Men is set in the year 2027. No one has had a child in over 18 years. Infertility threatens mankind with extinction and the last child born has perished. The U.K. is one fo the few countries left with a functioning government, but it is deluged by refugees fleeing from chaos in their own countries. See acast.com/privacy for privacy and opt-out information.

Every television series based in the White House inevitably has to grapple with one fundamental question: what motivates politicians? Vice President of the United States, Selina Meyer, finds that her job is nothing like she expected, but everything her largely incompetent staff had feared. How does Veep compare to House of Cards and the West Wing? See acast.com/privacy for privacy and opt-out information.

The narrative of They Live follows the social-democratic political story described by George Monbiot in his book Out of the Wreckage. This story explains how the world fell into disorder as a result of the self-seeking behavior of the unrestrained elite. Julian Sachez & Jesse Walker join the show to discuss how John Carpenter’s underrated sci-fi horror movie, They Live, did more than skewer yuppies — it gave us the last word on the Reagan era. See acast.com/privacy for privacy and opt-out information.

Idiocracy centers an extremely average Army librarian who wakes up from a centuries-long cryogenic sleep to find that America has gone to seed, with all intelligence bred out of society and the most loudmouth and insipid elements ‎now dominating. A former pro wrestler with rage issues and particularly inane tendencies is now the president. Originally released in 2006, this film is perhaps more politically timely today than it was 15 years ago. See acast.com/privacy for privacy and opt-out information.

A sitcom with two Avengers living out their best suburban lives, what could be better? But we all know by now that in the Marvel Cinematic Universe, there's always a catch. We discuss what could be next for Scarlet Witch and whether or not Wanda is redeemable after her mind control run amok throughout Wandavision. See acast.com/privacy for privacy and opt-out information.

In the year 2157, on the outskirts of the system, far from alliance control, nine people look into the blackness of space and see nine different things. Joining us today are three people who see three different things in Joss Whedon’s cult classic series, Firefly, including; Julian Sanchez, Trevor Burrus, & Jennifer Huddleston. See acast.com/privacy for privacy and opt-out information.

Bryan Stevenson was a young lawyer from Harvard when he founded the Equal Justice Initiative, a non‐profit law firm in Alabama, dedicated to defending the poor, the incarcerated, and the wrongly condemned. One of Stevenson’s first clients was Walter McMillian, a Black man who was sentenced to die for the murder of a young white woman that he didn’t commit. With Michael B. Jordan portraying Stevenson and Jamie Foxx as Walter McMillian, our movie in focus today, Just Mercy, tells a heartbreaking story of how the US justice system carries out the death penalty.How has society changed its' views on the death penalty? How has the work of the Equal Justice Initiative helped inmates on death row? How does our criminal justice system treat death penalty cases? See acast.com/privacy for privacy and opt-out information.

In a post‐​apocalyptic wasteland, Furiosa rebels against a tyrannical ruler in search for her lost homeland with the aid of a group of female prisoners, a psychotic worshiper, and a drifter named Max. This movie has been hailed as the ultimate feminist action movie, but does it deserve that accreditation? Kat Murti & Lester Romero help us unpack all of the action we witnessed on the Fury Road. See acast.com/privacy for privacy and opt-out information.

The Lord of the Rings trilogy is an epic adventure based on the novels written by J.R.R. Tolkien. Set in Middle‐​earth, the story follows the young Hobbit, Frodo Baggins, as he and the Fellowship embark on a quest to destroy the One Ring, to ensure the destruction of the Dark Lord Sauron. What is the Lord of the Rings story actually about? And, why is it so popular? See acast.com/privacy for privacy and opt-out information.

After months of delay, Wonder Woman 1984 was finally released on HBO Max in addition to select theaters. There was plenty of anticipation for the sequel, but ultimately it was less than impressive. With a wishing stone, the introduction of the villain Cheetah, and the return of Steve Trevor the movie jumped around leaving the audience confused. With a third movie already approved, we hope director Patty Jenkins can learn from some of her mistakes. See acast.com/privacy for privacy and opt-out information.