Podcasts about Furiosa

In this amazing prequel to Fury Road, we follow the story of young Furiosa as she is snatched from the Green Place by the tyrant Dementus.  As Dementus finds himself in a fight  for power with Immortan Joe, Furiosa learns to survive, adapt, and  put together a means to find her way home.  We discuss Furiosa: A Mad Max Saga this week! We also talk some pop culture news as always, discuss some things we watched such as The Mandalorian & Grogu, and much more.  Next week: Labyrinth.

Hécate Brimo é um epíteto (um título ou qualidade) da deusa grega Hécate. A palavra Brimo (Βριμώ, em grego antigo) significa "A Terrível", "A Furiosa" ou "A Colérica".​Quando Hécate é referenciada ou invocada sob este nome, o foco está em sua face mais sombria, implacável e temível, profundamente ligada ao Submundo (Inframundo) e à feitiçaria.​A Origem do Termo​O nome deriva do verbo grego brimaomai, que remete a rugir, estalar (como o som das chamas) ou espumar de raiva. Por isso, Hécate Brimo é frequentemente associada ao fogo crepitante de suas tochas, à ira divina e à punição inexorável.​Nos textos antigos e rituais mágicos:​Rainha dos Mortos: Brimo era usada para descrever a deusa enquanto caminhante noturna do submundo, acompanhada por cães espectrais e liderando as almas inquietas.​Magia e Necromancia: No épico Os Argonautas, a feiticeira Medeia invoca especificamente Hécate Brimo durante a noite ao colher raízes mortais e praticar ritos sombrios, clamando por seu poder absoluto sobre a vida e a morte.​Um detalhe histórico: Brimo não era um título exclusivo de Hécate. Na religião grega antiga, esse epíteto também era aplicado a outras deusas quando assumiam posturas vingativas ou ligadas à terra dos mortos — como Perséfone (Rainha do Submundo), Deméter (quando enfurecida e de luto pela perda da filha) e Cibele.​O Papel da Face "Brimo"​Enquanto Hécate possui facetas de guia amorosa (Phosphoros, a que traz a luz) ou de guardiã das portas e lares (Propylaia), a face Brimo representa:​Força Destrutiva e Purificadora: O poder de destruir a negatividade, afastar o mal e punir aqueles que quebram juramentos.​Proteção Feroz: É a fúria implacável de uma guardiã protegendo os seus. É a ira justificada que não recua diante de uma ameaça.​O Terror do Desconhecido: O medo natural e reverencial que os antigos gregos sentiam em relação à morte, aos espíritos e às forças invisíveis da noite.

Justin and Cameron are heading back to the wasteland one last time but in the past with the so far last mad max movie with the prequel Furiosa. Will this finally be a great send off to the series or will it turn into a sad final car wreck to end us on a sour note? Find out tonight on Cinema Roulette!Art by: https://tellersplace.tumblr.com/ Cinema Roulette Intro Song: "Rain Keeps Falling (Part 2)" by J.J. Vicars. Check him out! https://jjvicars.com/Follow us on BlueSky: Cinema Roulette: https://bsky.app/profile/cinemaroulette.bsky.socialJustin's Bsky: https://bsky.app/profile/jkpancake.bsky.social Cameron's Bsky: https://bsky.app/profile/camcammackert.bsky.socialFind all the other places you can stream or follow us here: https://linktr.ee/CinemaRoulette

Chcete vedieť, ako postaviť polmiliardový biznis z obyčajného e-shopu s akčnými kamerami? Jiří Zima odkrýva zákulisie drsného sveta elektroniky a vysvetľuje, prečo vás nízke ceny môžu poslať ku dnu rýchlejšie, než agresívna konkurencia. Dozviete sa aj to ako prežiť miliónové straty, keď trh po pandémii náhle zamrzne a prečo môže byť jedna vtieravá rádiová reklama cennejšia, než tisíc náhodných bannerov. Prečo by ste teda mali investovať do reklamy ešte pred reálnym ziskom? Viac informácií nám poskytol Jiří Zima, founder NICEBOY® & FURIOSA®

Morphing from racer to coach and why his personality was perfect for the role. The constant thirst for information on how to be a better athlete which gave his academy international acclaim. Branching out and tackling desert enduros as well as memories of Finke in a milestone year for the race. A podium in the Castrol 6-hour - a late circuit racing bloom. Childhood memories of the Sydney Showground Speedway a making the move into Midgets (Speedcars). A 4-wheel title win and a Sprintcar crash which took its toll. Plus the little known Supercars test and the juggle of trying to coach Matt Mladin and James Stewart Stateside. In the midst of a ripper conversation we don’t get to every yarn….like his stunt coordination role on the recent Mad Max Movies - Fury Road and Furiosa for example - but if you find yourself wanting more check out his excellent new book ‘The Stephen Gall Story: No Easy Way’ available for order at www.noeasyway.com.au Head to Rusty's Facebook, Twitter or Instagram and give us your feedback and let us know who you want to hear from on Rusty's Garage.See omnystudio.com/listener for privacy information.

Devin & James are back in the Den, and we're ready to hit the road with special guest CASEY O'CONNOR! This time we're deep diving into one of the most unique movie series ever created, THE MAD MAX SAGA!From the grimy exploitation charm of MAD MAX, through the high-octane thrills of THE ROAD WARRIOR and BEYOND THUNDERDOME, to the violent elegance of FURY ROAD and FURIOSA, there is really no other series that compares with George Miller's apocalyptic vision of the future.Along the way we discuss Australian biker films, Mel Gibson, Vernon Well's ass-less chaps (aren't they all?), bone-crunching stunts, Tina Turner in a car chase (!), the series' Oscar-winning return 30 years later on the shoulders of Charlize Theron & Tom Hardy, and how Chris Hemsworth fits into one of the greatest lineups of villains to ever rule a wasteland. We even take a moment to acknowledge the massive pop culture footprint the films have, leading to a million imitators from 1990: The Bronx Warriors to Waterworld. Join us as we ride eternal, shiny and chrome, into Valhalla!

Altra polemica per presunto rigore non fischiato all'Inter e 5 cose che non hai visto di Lazio-Inter 0-3

América regresó de entre los muertos y consiguió un frenético empate en el Azteca ante UNAM luego de ir 1-3 abajo. Jardine volvió a planear a la perfección, pero los muchachos no ayudaron demasiado. El castigo era importante, pero la entrada de Henry cambió todo. Al final, todo queda para la vuelta, pero los muchachos grabaron un capitulazo. ¡No te lo pierdas!

Diese Frauen haben das Kino geprägt – oder zumindest uns! Anlässlich des Kinostarts von DER TEUFEL TRÄGT PRADA 2 hat sich Antje mit Johanna und Chris (Devils & Demons) zwei Top-Gäste ins Haus geholt, um mit den beiden über prägende weibliche Filmerlebnisse zu sprechen. Die Ausgangsfrage: Welche Frauenfiguren haben uns im Kino nachhaltig beeindruckt? Von frühen Perspektiven wie LA FÈE AUX CHOUX bis hin zu modernen Ikonen wie FURIOSA spannt sich in diesem Kino+-Talk der Bogen um über ein Jahrhundert Filmgeschichte. Dabei geht es nicht nur um die Performances selbst, sondern auch darum, wie sich ihre Darstellung verändert hat. Und um die Frage: Was macht eigentlich eine gute weibliche Filmfigur aus? Natürlich dürfen dabei einige prägende Beispiele nicht fehlen: Mit ALIEN wurde Sigourney Weavers Ripley zur Blaupause einer neuen Art von Heldin, während THELMA & LOUISE bis heute als feministischer Meilenstein gilt. Und mit BARBIE zeigt sich, wie aktuell und vielschichtig das Thema auch heute noch verhandelt wird. Zwischen persönlichen Favoriten (oder besser: Favoritinnen), popkultureller Einordnung und der Frage, welche Figuren uns selbst geprägt haben, laden wir euch zu einem Gespräch über Repräsentation, Rollenbilder und die Entwicklung weiblicher Charaktere im Kino. Viel Spaß mit diesem Talk. Und sagt uns gern: Welche Frauenfigur hat euch im Kino am meisten beeindruckt? Learn more about your ad choices. Visit megaphone.fm/adchoices

Perex: Čo stojí za rastom na pol miliardy? Prečo to nie je o „geniálnych nápadoch“, ale o každodenných rozhodnutiach? Hosťom epizódy je Jiří Zima, founder značiek Niceboy a FURIOSA, ktorý otvorene hovorí o tom, ako bootstrapoval biznis od nuly bez investorov, prečo je zisk často len ilúzia a kde firmy robia zásadné chyby pri škálovaní. Rozoberáme aj silu brandu vs. výkonu, význam distribúcie mimo e-commerce či to, prečo by ste mali prestať pozerať na cieľovku cez vek a začať cez mindset. Ak máte pocit, že robíte „všetko správne“, ale výsledky tomu nezodpovedajú – možno je čas prestať blbnúť. Moderátor Tomáš Török je spoluzakladateľ firmy BizBuilders, kde s tímom skúsených ľudí z marketingu tvorí biznis-marketingové stratégie vychádzajúc z dát a trendov, orientované na ambíciu, konkrétne ciele a výsledky.

Conoce la historia de la viejita más rápida y furiosa de todo el mundo, maneja como los pilotos de Fórmula 1, aunque no es tán rápida como para escaparse de una multa de tránsito. Mantente al día con los últimos de 'El Bueno, la Mala y el Feo'. ¡Suscríbete para no perderte ningún episodio!Ayúdanos a crecer dejándonos un review ¡Tu opinión es muy importante para nosotros!¿Conoces a alguien que amaría este episodio? ¡Compárteselo por WhatsApp, por texto, por Facebook, y ayúdanos a correr la voz!Escúchanos en Uforia App, Apple Podcasts, Spotify, y el canal de YouTube de Uforia Podcasts, o donde sea que escuchas tus podcasts.'El Bueno, la Mala y el Feo' es un podcast de Uforia Podcasts, la plataforma de audio de TelevisaUnivision.

Peter watches Mad Max: Fury Road for the first time in decades, and Eden — who has seen it at least a dozen times — watches the black-and-chrome edition alongside him. Peter finds the opening act almost too uncomfortable to watch, given its uncomfortable parallels to the current political moment, but gets fully on board the moment the sandstorm hits. They dig into what makes the film a masterpiece of practical filmmaking, why Furiosa holds up better than the prequel, and what it means that George Miller also made Babe: Pig in the City and Happy Feet.SHOW NOTESCheck-in / What we've been up to — Eden is riding their cargo bike in 35mph Iowa wind gusts; Peter is heading to Austin for an Intuitive Surgical robotics event. Eden vents about 18 months of accessibility compliance work being ignored by faculty who don't read their emails.Peter's picks — Finishing Dungeon Crawler Carl Book 6 (fun but disposable, and the online fandom's intensity baffles him); finished Season 2 of A Man on the Inside (Ted Danson and his real-life wife Mary Steenburgen falling for each other on screen — highly recommended); Taskmaster Series 21 has started, featuring Kumail Nanjiani. Big metal week — Peter covers a stack of new releases: Slave Machine by Nervosa (vicious all-female death-thrash from Brazil); Too Fast to Die by ArchSpire (potential album of the year if not for Neurosis); new Inferi album featuring departing drummer Spencer Moore; Descent by Immolation; and Master Boot Record's first live album Realtime Execution. Eden's picks — Eden is scrobbling again on Last.fm and shares a chaotic top-four week: Portishead, Rebecca Black (Salvation EP praised as a stone-cold classic), Neurosis, and new discovery Javiera Mena, a Chilean electro-pop artist. Also watched two bad movies with the bad movie crew: Firecracker (notable for a truly unhinged sex scene) and American Cyborg: Steel Warrior ("Children of Men with a $13 budget"). Currently reading a 3,500-page Chinese web novel called Long Awaited Feelings / My Feelings Can Wait.Why Peter struggled with the opening act — Peter found Immortan Joe's cult of worship uncomfortably familiar, given current events, describing it as George Miller predicting how "stupid and gullible people can be." He warmed to the film as it progressed, with the sandstorm sequence being the turning point."A perfect action film" — Eden's framing: not their favorite action film, but possibly a perfect one — no wasted frame, no wasted scene. They've seen it at least a dozen times, and this watch was the black-and-chrome edition, which Miller originally intended before the studio overruled him.Practical effects deep dive — 80–90% of the stunts were practical, shot on location in Namibia under miserable conditions. They highlight the pole-cat war boys actually swinging on moving vehicles, and the real flamethrower guitarist who was instructed not to hold the guitar too high.On the cast — Charlize Theron gets full credit for owning the film as Furiosa. Tom Hardy's near-silent, physically understated performance is praised. Nicholas Hoult's arc as Nux — going from zealot to sacrifice — is called out as the emotional hinge of the film.Frame rate trivia — Eden flags that 50–60% of the film was shot below 24fps, with Miller manipulating frame rates shot-by-shot to control tension and legibility.Furiosa comparison — Eden recommends the prequel but notes its heavy CGI and green screen make it feel cheaper and less embodied than Fury Road. Peter says he's now interested to watch it.The Babe 2 revelation — The episode ends on Eden's genuine disbelief that the director of Fury Road also made Babe: Pig in the City and Happy Feet, and a fun piece of trivia: Immortan Joe's actor, Hugh Keays-Byrne, also played Toecutter, the villain of the original Mad Max.

Filmspezial Michael und Michael reden mal wieder über einen Film, der diesmal aus Australien und nicht aus Japan kommt. War ja schon seit Erscheinen des Films geplant, darüber zu reden, doch nie geschah es. Doch heute geht es um den Max, der hier nur entspannt rumsteht und gar nicht mal so mad ist. Erzürnt sind hier eher andere Menschen, Die sind dann aber auch gleich furios, denn es geht um Furiosa und ihre Rachegelüste. Spaß! Podcast herunterladen

In this episode of Franchise Addicts, Luke, Chris, and special guest Peter dive into the high-octane prequel Furiosa: A Mad Max Saga. We're concluding our journey through the Wasteland by breaking down George Miller's latest epic and its place in the legendary franchise.We explore the fascinating production history of the film, including the "lost" Studio Ghibli-style anime script known as The Peach, and how the visual language of the series shifted with a new cinematographer and the move back to the Australian basin. From the "Sega" energy of the title to the Waterworld comparisons, we're covering every detail before the road and before the fury.In this episode, we discuss:The Anime Origin: The surprising story of how this movie was almost a hand-drawn feature.Visual Evolution: Comparing the look of Fury Road to the digital landscapes of Furiosa.The "Vibe" Factor: Is the plot secondary to the atmosphere of the Wasteland?The Tree Cutter: Peter's application to join the War Rig (and his questionable work history).Timestamps:00:00 — Introduction & The "Saga vs. Sega" Debate03:44 — The Tree Cutter: Character Deep Dive09:31 — The Peach: The Studio Ghibli Script That Almost Was13:24 — Is Furiosa a Waterworld Rip-off?15:43 — Final Thoughts: "Mad Max is just vibes."Join the Conversation:What did you think of Anya Taylor-Joy's take on the character? Does it live up to the legacy of Fury Road? Let us know in the comments!Subscribe to Franchise Addicts for more deep dives into cinematic history.

Four hosts. One War Rig. Luke, Chris, returning guest Peter, and special guest Dominic from Talkin TV take on the greatest action movie of the century. Mad Max: Fury Road is George Miller's masterpiece, made 30 years after Thunderdome by a 70-year-old director who embarrassed every action filmmaker half his age. Is this Furiosa's movie more than Max's? Is Nux the real hero? How did Miller make Happy Feet and then come back and make this? And is Fury Road the best action movie of the 21st century?Part of the PodNation Media Network. Available on Roku.

No longer the damsels in distress waiting in the castle to be rescued, women and girls in geek culture have grown strong, independent, and, frankly, bad-ass over the years, and we love them all the more for it.Whether Princess Peach is powerhousing through koopas, Donna Noble is sparring brilliantly with both Doctor and Dalek, or Molly Weasley is making Chuck Norris eat his vegetables, each has uniquely feminine traits stronger than any man!Today's root beer is Slice.Intro and Outro music by Stockmusic331 on Pond5Send a text

Welcome back to Lez Hang Out, the podcast that wants the dykes on bikes to bring us to The Green Place.  This week, Leigh (@lshfoster) and Ellie (@elliebrigida) are rewinding the clock back to our discussion about why the 2015 movie Mad Max: Fury Road Should've Been Gay. Honestly, nothing could have prepared us for how gay and campy this movie is. It's basically leather daddies vs. dykes on bikes in a post-apocalyptic desert. Furiosa, played by Charlize Theron, is from The Green Place, a lesbian mecca inhabited entirely by women known as the Vuvalini. She wants nothing more than to escape Immortan Joe's leather daddy war boy desert land and get back to her girls, but won't leave without taking all the hottest women from Joe's harem of breeders with her. When Joe realizes that Furiosa has straight up stolen all his hot ladies, he sends his war boys to track her down in a series of action-packed, explosion-filled car chases through the deserted post-apocalyptic wastelands. When she does finally get back to lesbian mecca, everyone is so excited to see her. But things are no longer going well for them in The Green Place, so Furiosa adds a bunch of the dykes on bikes to her pack and heads back to challenge and overthrow Immortan Joe.  Between the intense sapphic energy of the Vuvalini, Furiosa's whole shaved head, protector of hot women aesthetic, and the absolute camp that is Immortan Joe and his pack of shiny boy toys, we cannot see this movie as anything other than a gay masterpiece.  We know one thing for sure, Mad Max: Fury Road Should've Been Gay.  Join us on Facebook.com/lezhangoutpod and Instagram (@lezhangoutpod). Find us individually: Leigh (@lshfoster) and Ellie (@elliebrigida). You can support Lez Hang Out while unlocking a bunch of awesome perks like access to our exclusive Discord, full length bonus episodes, weekly ad free episodes, and more by joining us on Patreon at bit.ly/lezpatreon. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're looking at a very irritating but, in one way, one of the most crucial of characters in Furiosa. Have a listen to why we think that, and what we make of the fella.

We’re looking at a very irritating but, in one way, one of the most crucial of characters in Furiosa. Have a listen to why we think that, and what we... The post Mad Max In Character – Smeg first appeared on NEOZAZ.

Shane Baxley is the man behind aesthetics, look and designs of blockbuster movies such as Furiosa, Lilo and Stitch, GOTG 3 and many other. During our enjoyable talk, Shane talked about the job of concept artist, his interactions with James Gunn, scraped vehicle design idea for Loki and similar. Enjoy!

Steve & Izzy continue 2025 the Year of the Apocalypse celebrating movies after the fall of man as they are joined by Nathan from What Were They Thinking? Podcast to discuss 2024's "Furiosa: A Mad Max Saga" starring Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Nathan Jones & more!!! Are eyes the window to the soul, or the mirror to the soul? How does this movie compare to the 2015 Mad Max video game? What upcoming movies are we awaiting? Is the Great Bump-It Migration not a well-known thing?!? Let's find out!!! So kick back, grab a few brews, make it epic, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠UntidyVenus.Etsy.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.twitter.com/eilfmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/eilfmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Etsy - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.untidyvenus.etsy.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TeePublic - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Halloween plans, getting rid of mice, a cat is here on the camera, doing Furiosa for halloween AGAIN, Jim Lee says no to AI, how to get that ice cream out of the thing, figuring out who Jessie is, finally watching a Zombie movie, and way more. Hosted on Acast. See acast.com/privacy for more information.

Octubre 13, 2025 - Los cristianos, es decir, quienes siguen a Jesucristo, deberian reflejar naturalmente virtudes como el gozo, la paz, la amabilidad y el dominio propio. Sin embargo, a veces, mientras mas nos esforzamos por demostrar estas cualidades, menos parecen fluir de nuestra vida. Hoy, en Vision Para Vivir, el pastor Carlos A. Zazueta nos recuerda que esforzarnos mas no es la solucion. Para manifestar el fruto del Espiritu, debemos permitir que el Espiritu obre en nosotros y a traves de nosotros.

Halloween plans, getting rid of mice, a cat is here on the camera, doing Furiosa for halloween AGAIN, Jim Lee says no to AI, how to get that ice cream out of the thing, figuring out who Jessie is, finally watching a Zombie movie, and way more. Hosted on Acast. See acast.com/privacy for more information.

This week on Cinemapodgrapher, new host Josh Calder sits down with one of Australia's most respected dolly grips, Dave Shaw. With over 30 years in the industry and credits on War Machine, Thor: Ragnarok, The Hobbit, Avatar, Eat Pray Love, San Andreas, Furiosa, Nim's Island, and Pete's Dragon, Dave has seen it all from behind the camera. They unpack what it truly means to be a dolly grip, the craft, the instinct, and the trust required to move the camera in harmony with story and emotion. Dave shares how he got his start, the lessons that shaped his career, and the subtle art of reading an actor's performance to match the rhythm of a scene. From collaborating with operators and DPs to working alongside filmmakers like James Cameron and Peter Jackson, this episode dives deep into the communication and collaboration that define great gripping. Dave talks about staying engaged on set, embracing new technology, and why the right attitude, waking up excited to make movies, is everything. And of course, we revisit some of the golden lessons he has passed on to Josh over the years. A masterclass in precision, intuition, and passion for storytelling, this one is a must-listen for anyone serious about the craft of filmmaking.

Octubre 10, 2025 - En el capitulo 5 de Galatas, el apostol Pablo describe "el fruto del Espiritu". El dijo que quienes caminan con Dios reflejan virtudes personales como el amor, el gozo, la paz, la paciencia, la amabilidad, la bondad, la fidelidad, la humildad y el dominio propio. Hoy, el pastor Carlos A. Zazueta presenta una nueva serie de ensenanzas en la que exploraremos cada una de estas virtudes, una por una. Y en el mensaje de apertura, descubriremos la gran fuerza que se opone a ellas: nuestra naturaleza pecaminosa.

Enquêtrice de la fabrique des images Murielle Joudet le répète à l'envi : « Il faut prendre les actrices au sérieux, restituer avec justice et justesse leur importance dans nos vies, prendre en compte comment certaines ont su manœuvrer pour continuer d'apparaître telles qu'en elles-mêmes, y compris dans des films où le regard masculin est apparemment tout-puissant. Sans pour autant tomber dans l'illusion de leur liberté absolue car, bien sûr, l'industrie est là, souveraine. » Dans son troisième livre plein d'esprit, La seconde femme, elle dresse huit portraits de comédiennes qu'elle observe « jusqu'à plus soif » pour comprendre ce que Nicole Kidman, Meryl Streep, Brigitte Bardot ou son idole Bette Davis réussirent à imposer au système dans le deuxième acte de leur carrière – à force de travail, de bâtons de dynamite ou de simple désertion.Ces derniers temps, Murielle Joudet a aimé Monte-Cristo version Pierre Niney, Max Mad : Furiosa, Joker 2, Bridget Jones 4, France de Bruno Dumont, The Substance de Coralie Fargeat, Anora de Sean Baker ou Spring breakers d'Harmony Korine. Des coups de cœur éclectiques, qui se comptent chaque année sur les doigts d'une main. « Habituellement, confie-t-elle, on peut écrire le texte dans sa tête pendant la projo, on sait exactement ce qu'on pense du film à la sortie et la plupart des œuvres font de moi une critique snob et blasée. Mais une ou deux fois par an, un film me désarme complètement. »En conséquence, cette spectatrice exigeante préférera toujours « voir cinquante fois un chef-d'œuvre plutôt qu'une fois une œuvre plaisante », selon la formule de la cinéaste et écrivaine Catherine Breillat, femme « scandale » à laquelle Joudet consacre en 2023 un recueil d'entretiens, Je ne crois qu'en moi, sacré meilleur ouvrage français sur le cinéma par le Syndicat de la critique.Dans ce troisième et dernier épisode, Murielle Joudet réaffirme ses envies d'enquêtes sur la fabrique des images, en « calmant ses envies de style, sans chercher l'éclat à tout prix ». Tout en rappelant l'existence d'un collectif qui ne manquera pas de fédérer des vocations : « Pigistes en pyjama ».L'autrice du mois : Murielle JoudetNée en 1991 à Paris, Murielle Joudet est critique de cinéma dans la presse (Le Monde), à la radio (sur France Inter pour Le masque et la plume), en ligne (dans le podcast Sortie de secours ou via l'émission Dans le film sur le site Hors-Série) ou pour la Cinémathèque française. Elle a publié quatre ouvrages qui documentent avec rigueur des façons de défier les conventions, en tant que femme, dans l'industrie du 7e art : Isabelle Huppert – vivre ne nous regarde pas (Capricci, 2018), Gena Rowlands – on aurait dû dormir (Capricci, 2021), La seconde femme – ce que les actrices font à la vieillesse (Premier Parallèle, 2022) et un recueil d'entretiens avec la cinéaste Catherine Breillat, Je ne crois qu'en moi (Capricci, 2023). Elle vit et travaille à Paris. Enregistrement juillet 2025 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Étienne Bottini Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Harpe, flûte, clarinette, cor, basson, xylophone, timbales et gong Xavier Thiry Illustration Sylvain Cabot

We recap and rank the final movie in the Mad Max saga. Furiosa

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This time, we're looking at Furiosa's mother, and trying to understand what the deal is with the Green Place.

This time, we’re looking at Furiosa’s mother, and trying to understand what the deal is with the Green Place. The post Mad Max In Character – Mary Jabbasa first appeared on NEOZAZ.

The Church of Jesus Christ of Latter-day Saints released 3 new Gospel Topics Essays in July. We go through each of them, discuss the information that's missing, chat about the propaganda woven into every line, and speculate as to the impetus behind the new essays. For ease of listening, the Book of Mormon Translation starts at 13:31, the Plural Marriage starts at 1:01:24, and Joseph Smith's Character starts at 1:53:15. After that we chat Furiosa: A Mad Max Saga, a post-apocalyptic wasteland movie about two warring cult leaders. Then we wrap with happy news about metalheads fighting bullying in schools! Show Notes:  https://www.churchofjesuschrist.org/study/manual/gospel-topics/book-of-mormon-translation?lang=eng https://www.churchofjesuschrist.org/study/manual/gospel-topics/plural-marriage?lang=eng https://www.churchofjesuschrist.org/study/manual/gospel-topics/joseph-smiths-character?lang=eng https://www.fairlatterdaysaints.org/answers/Question:_Why_were_the_gold_plates_needed_at_all_if_they_weren%27t_used_directly_during_the_translation_process%3F https://www.analyzingmormonism.com/changes-to-the-book-of-mormon/ https://www.josephsmithpapers.org/paper-summary/introduction-to-state-of-illinois-v-js-for-assault-and-battery/1 https://www.thechurchnews.com/2012/5/26/23225539/kirtland-safety-society/ https://www.josephsmithpapers.org/paper-summary/kirtland-safety-society-notes-4-january-9-march-1837/1 https://www.josephsmithpapers.org/paper-summary/council-of-fifty-minutes-march-1844-january-1846-volume-1-10-march-1844-1-march-1845/99#full-transcript   MOGP: Furiosa: A Mad Max Saga: https://www.imdb.com/title/tt12037194/?ref_=hm_rvi_i_12  Where it's streaming: https://www.justwatch.com/us/movie/furiosa    Happy News: https://www.bbc.com/news/articles/c99mdjp97m0o   Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. He has had MANY different fascinating people on so go take a look! Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g    Most recent episode: The secret history of the Mormon church: https://www.youtube.com/watch?v=6SJkzxy6Qsg    Email: glassboxpodcast@gmail.com  Patreon: https://www.patreon.com/GlassBoxPod  Patreon page for documentary: https://www.patreon.com/SeerStonedProductions Facebook page: https://www.facebook.com/glassboxpodcast BlueSky: @glassboxpodcast.bsky.social  Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social  Instagram: https://www.instagram.com/glassboxpodcast/  Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on “Store” here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com  Venmo: @Shannon-Grover-10  

After being snatched from the Green Place of Many Mothers, while the tyrants Dementus and Immortan Joe fight for power and control, the young Furiosa must survive many trials as she puts together the means to find her way home. George Miller. 2024.

Interview with Hollwood's most Metal concept designer, Dane Hallett (Alien: Romulus, Predator: Badlands, Mad Max: Fury Road)In this episode, we sit down with director and concept designer, Dane Hallett. We discuss his filmography and many of the blockbuster films he worked on including Alien: Romulus, Msd Max: Fury Road, Furiosa, Marvel's Shang-Chi and the Legend of the Ten Rings, and his upcoming projects such as Mortal Kombat 2. Dane is also a big metalhead and here stories about seeing Slayer's last farewell tour, following DevilDriver around Australia in 2005, his introduction to Metal.This episode is about how different forms of art influence each other and in this instance, how Dane's love of Metal influences his concept designs for some of today's biggest cinematic hits. Follow Dane Hallett on Instagram here: https://www.instagram.com/dane...Watch Rancour, directed by Dane Hallett, here on YouTube: https://youtu.be/6YZEzATMDQU?s...#danehallett #alienromulus #xenomorph #predator

Esta semana en Café para Tres: La no-renuncia de Chaves, la sí-renuncia de Pilar y Laura Fernández sacudiéndose las pulgas mientras el PLN sigue atentando contra sí mismo. Además: Una cadena hotelera embargó las cuentas de un activista ambiental y Diego no esconde su indignación mientras Furiosa sí logra mantener la calma.

We finish our long detour from the Official M's with a stop at the guzzoline station once again with Nick, Elise, Anthony, Manny, and Dan.  It's a thunderous ride through Furiosa: A Mad Max Saga — and it's safe to say, George Miller still knows how to throw a punch (and then chase it down with a monster truck). This time, the Wasteland's most metal myth gets the prequel treatment, and we're all aboard for the full operatic fury of it. From Hemsworth's scene-chewing Dementus to Anya Taylor-Joy's thousand-yard stare, we debate just how much Furiosa earns its epic runtime and whether it hits the same mythic highs as Fury Road. Is it better as a five-part saga than a traditional three-act film? Does it matter when the action rips this hard? Opinions fly as fast as buzzsaws, and no one escapes unscathed — especially not Dan, who's doing some serious soul-searching over his Fury Road loyalty. Naturally, the crew takes a few exits off Fury Road to explore long-distance hauls, “Oscar bait for people who like explosions,” and whether or not Dementus would've thrived on Tumblr. Elise breaks down the emotional calculus of biker gang vengeance, Anthony stans for gasoline-based morality plays, and Manny lurks in the audio shadows, sharing a mic with Nick and dropping chrome-dusted commentary when it counts. If you're still chasing that War Boy high or wondering how many bananas it would take to build an oil refinery, this one's for you. Come for the dissection of Miller's lore-building — stay for the fight about Fury Road vs Furiosa that will absolutely tear your soul in half. https://www.imdb.com/title/tt12037194

Tess' feature film productions include: Gettin' Square, Charlotte's Web, Predestination, Winchester, Danger Close, Mad Max Fury Road and Furiosa, Elvis, The Gorge, and Spit. Tess has worked in television projects including: Wentworth, Bloom, Underbelly, Rush, Rain Shadow, Cybergirl, and Round The Twist.

Chrome and chaos at full throttle, his week we hit the dusty, diesel-soaked highway to rewatch Mad Max: Fury Road, and it's war-boy wild. Nick, Anthony, Elise, and our special guest Adele rev their engines for an unrelenting breakdown of George Miller's masterwork, from Furiosa's defiance to Immortan Joe's drippingly gross dental situation. Along the way, we celebrate cinematic mayhem, overanalyze flame-throwing guitars, and somehow wind up debating the mechanics of milk harvesting. (Sorry in advance.) We talk trauma, share Adele's hype for feminist vengeance, and Anthony… well, Anthony has a helicopter situation. Whether you ride eternal, shiny and chrome, or you're still trying to figure out what a half-life war pup even is, this one's a furious good time. Witness us. https://www.imdb.com/title/tt1392190

As a follow-up to the masterful Mad Max: Fury Road, Furiosa had a tough road to hoe. It mostly lives up to those lofty expectations, but it also suffers from the same ills that plague most prequels. We essentially knew the titular Furiosa's story. It was told brilliantly through the performance of Charlize Theron. Seeing it fully realized onscreen, as beautiful as it can be, doesn't feel entirely necessary. This only ends one way; we've been privy to that. In the end, your left to wonder whether it would've served this universe better to see what comes next. Why drudge up the past? Critics and audiences, those that actually saw it, loved what Furiosa had to offer. But that aforementioned question must have weighed on the general audience's mind. Grossing more than $200 million less than its predecessor, Furiosa lost a lot of money for WB. It may not have felt necessary, but it certainly deserved a better fate than that. Now, sit back, trade some guzzoline for a Sabre-Toothed Squirrel from Smog City Brewing, and top off your blood bag! The Thunderous Wizard, Chumpzilla, and Bling Blake are all shiny and chrome! Witness us! This Week's Segments: Introduction/Plot Breakdown – Fury is born! Lingering Questions – Where does this rank in the Mad Max saga? (33:32) The "We Have Become Half-Life" Trivia Challenge – The Thunderous Wizard challenges the field to trivia about the movie. (1:00:49) Recommendations – We offer our picks for the week and next up: We continue Flopbusters with the slick spy flick, The Man from UNCLE! (1:13:25) And, as always, hit us up on Threads, X, Facebook, Bluesky, or Instagram to check out all the interesting factoids from this week's episode!

In this episode, Vinny and Grayson catch up on the emotional toll of helping friends move, surviving birthday party season, and trying not to get recruited into an art gallery staff. Along the way, they fight wasps, question architectural decisions in Cambridge, and reflect on movie culture, gardening, and the concept of value—both artistic and personal. In This Episode: U-Hauls, moving chaos, and poolside upgrades Parenting fatigue and kid birthday party PTSD Gallery cheese etiquette and cookie hoarding Wasp battles with dual spray cans and a hose Cape Cod updates, weird home design, and no-yard housing Gardening wins, tomato overproduction, and Martian dirt Reviews of Furiosa, Pee-wee Herman, Westworld, and Outer Range Book rec: Titan by Stephen Baxter Pride Month shout-outs, parenting tangents, and bee trauma Recorded June 2025. Follow us on Twitter and Instagram @slightlybiased_ Visit our podcast home: slightlybiasedpodcast.com Chapters 00:00 Introduction and Personal Updates 02:48 Moving Adventures and Challenges 05:44 Reflections on Parenting and Birthday Parties 11:32 Art Gallery Experience and Social Interactions 17:20 Conversations on Art and Relationships 20:46 The Value of Verification 21:06 Architectural Oddities and Real Estate Trends 22:05 Cape Cod Updates and Gardening Insights 23:10 The Science of Plant Growth 24:06 Indoor Gardening and Home Gardening Techniques 26:03 Mars and Gardening: A Sci-Fi Connection 27:48 Furniture and Home Decor Discussions 29:46 Movie Reviews: Mad Max and Pee Wee Herman 31:37 Cultural Reflections and Acceptance 32:40 TV Shows and Recommendations 35:31 Book Recommendations and Closing Thoughts Find out more at https://slightly-biased.pinecast.co This podcast is powered by Pinecast.

There was a time when Hasbro envisioned a cinematic universe. Battleship was a cog in that misguided wheel, an expensive one at that. Unfortunately, or perhaps fortunately for all us movie goers, Battleship sank before it even hit the seas. Critics and audiences alike found little joy or interest in a $200 million dollar blockbuster based on a slow-paced board game. To be fair, they were all correct. Battleship is a slog of a movie; and its nonsensical plot cannot be saved by the bombastic effects and action. Odds are that within minutes, you'll be sending an SOS to your TV to find something more entertaining. Now, sit back, arm your tastebuds with a Blind Pirate Blood Orange IPA from Monday Night Brewing, and don't promise any late night snacks if you can't deliver! The Thunderous Wizard, Chumpzilla, and Bling Blake are sinking alien ships and dropping super cool one-liners — mahalo mother f%$&er! This Week's Segments: Introduction/Plot Breakdown – The battle for earth begins at sea! Lingering Questions – Did their silly attempts at incorporating the game work? (25:20) The "Chicken Burrito" Trivia Challenge – Chumpzilla challenges the field to trivia about the movie. (49:58) Recommendations – We offer our picks for the week and next up: We continue Flopbusters with the long-awaited prequel to one of the greatest movies ever made, Furiosa! (59:42) And, as always, hit us up on Threads, X, Facebook, Bluesky, or Instagram to check out all the interesting factoids from this week's episode!

This week, we talk about possibly the last Mad Max movie ever.Find Here Come the Sequels on Spotify and Apple Podcasts; we're also online at herecomethesequels.blogspot.com, available through email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠herecomethesequels@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Bluesky under Here Come the Sequels, and on ... X? @HCTSequels.

Featuring: Michael “Boston” Hannon Paul “Moonpir” Smith Running Time: 1:09:08 Video Version: YouTube For this episode of TVGP's Critical Misses, we finish our journey across the wasteland with Furiosa! Join us as we chat about what this movie could be, whether or not we needed it, what the heck Chris Hemsworth is doing here, the largest eyes in showbiz, a bold choice for the credits, and much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!

Kelsi and Trey count down and critically discuss our picks for the 30 best movies of 2024—an unpredictable, wildly entertaining, and emotionally resonant year for cinema. From studio epics like Dune: Part Two and Furiosa, to international gems like La Chimera and I'm Still Here, to genre-benders like Challengers, The Substance, and Red Rooms, we break down what made these films stand out—formally, politically, emotionally, and narratively. We talk auteur swings, star turns, and cinematic risks, and reflect on what these movies reveal about our current moment. Some spoilers involved, but you can enjoy a mostly non-major spoiler discussion!The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

On this week's episode, I'm plesaed to be rejoined by Brandon Struessnig to discuss one of my favorite packages of the year, Vulture's annual stunt awards. Who were the big winners? What were some of the surprises? Just how long did it take George Miller to shoot that war rig sequence in Furiosa anyway? All that and more on this week's episode. Make sure to check out the winners before listening to us discuss them. And if you enjoyed this episode, please share it with a friend!

On today's all new episode of Struggle Session Leslie is joined by Aaron Casias & Carlee Gomes, the hosts of the hit podcast Hit Factory. We discussed the best and worst films of the year including Furiosa, Nickel Boys, Gladiator II, The Substance, Do Not Expect to Much From the End of the World and more. We also shared our favorite performances last year, the most surprisingly good films, and the worst trends in Hollywood.Fill out your own ballot. We'll discuss the results on an upcoming show: https://forms.gle/iAFTDFsbv4HtcVBi9Guest Links: https://www.patreon.com/hitfactorypodVisit our website at http://sesh.showSupport the show by subscribing: http://patreon.com/strugglesession | https://strugglesession.supercast.com/Please leave us a 5 star review at Apple podcasts: https://podcasts.apple.com/us/podcast/struggle-session/id1265384284Follow us on Instagram: https://instagram.com/thestrugglesessionCheck out our YouTube channel: https://www.youtube.com/@StruggleSessionpodcastSend an email or voicemail to thestrugglesession@gmail.com Keep up with and contact Leslie : https://msha.ke/lleeiiiStruggle Session Theme by Brendan James: https://thegreatvorelli.bandcamp.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/struggle-session--5842028/support.

“I think I could get into LIGHT cannibalism…” - Steve On the first We ❤️ Movies episode of 2025, we're chatting about the under-seen and under-appreciated action adventure, Furiosa: A Mad Max Saga! How fantastic is Chris Hemsworth's performance here? Can we get more wild-ass action sequences like the siege on the War Rig? Can more sequel and prequel makers take a note from this film and not be afraid to—hey there! This episode is for subscribers and Roobillies only! To access the full show, head over to our Patreon and subscribe today. Instantly unlock this entire podcast, along with hours and hours of exclusive shows and commentaries you can't get anywhere else! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

SEASON 2 - EPISODE 122 - Jo Plaete - VFX Supervisor VFX supervisor Jo Plaete (HERE; ALIEN: ROMULUS; FURIOSA) joins us on this episode of the Team Deakins Podcast. Jo is also the Chief Innovation Officer at Metaphysic, and we spend much of the episode discussing the company's AI technology and its use in several recently-released films. Having come up through the VFX world, Jo compares the techniques of more traditional VFX artists to what he does today using artificial intelligence, and he likens the recently spotlighted technology to “proceduralism on steroids”. We get a deep dive into the tech behind the de-aging AI used on HERE, and Jo shares how the technology integrated itself into the production process to let the crew see what the final effect would look like in real-time. Jo also reflects on some of the troubleshooting that occurred between departments during production, and we discuss whether the filmmakers were working around the AI or if the AI was working with them. Jo also shares how data is fed into the technology to build out the model's understanding of a person's face, and Jo shares what they do with all that data once the show wraps. - This episode is sponsored by Aputure