Podcast appearances and mentions of alfonso cuar

¡Felipe Flores quien les habla!

Ti hanno insegnato a non giudicare un libro dalla copertina. Ma non ti hanno detto cosa fare se il libro parla di te. Disclaimer - La vita perfetta, disponibile su Apple TV+.

Trent Kusters chats with Gregory Louden, Creative Director behind Housemarque's latest dark sci-fi bullet-ballet, Saros. Together they discuss his early work in film with directors such as Alfonso Cuarón and Ridley Scott; transitioning into games and his path from VFX, to narrative, and ultimately direction; creating a spiritual successor to Returnal while developing a brand new IP; focusing on challenging but rewarding gameplay; and building a narrative around the roguelike gameplay.  This episode is supported by Xsolla iam8bit Episode Host: Trent Kusters Producers: Claudio Tapia and Josh Chu, The Academy of Interactive Arts & Sciences If you enjoyed this episode, please consider subscribing and leaving us a rating and review. Support the show and get all of our episodes early/ad-free: https://bit.ly/4kU34Lt Follow us: linktr.ee/AIAS Please consider supporting game dev students with: AIAS Foundation

*This a preview of our newest episode of our Patreon show, Film's Cool* This week we're discussing, Children of Men. A 2006 dystopian action thriller film directed and co-written by Alfonso Cuarón. The screenplay, based on P. D. James' 1992 novel The Children of Men, was credited to five writers, with Clive Owen making uncredited contributions. When infertility threatens mankind with extinction and the last child born has perished, a disillusioned bureaucrat (Clive Owen) must face down his own demons and protect the planet's last remaining hope from danger. Join our Patreon and get access to our Patreon exclusive show "Films Cool!" for as little as $3 a month!https://www.patreon.com/twodustyboysEmail us at twodustyboys@gmail.comDon't forget to rate, review, and leave a comment for us on the platform of your choice. Thanks! We love you!Content warning: Not Safe for work or children... unless they're coolSupport the show

### 本期内容概览这一期 Bear 聊了很多关于生活选择与内在状态的话题——从离开大公司之后的真实感受，到 AI 工具的冷静期，再到一部让人久久回味的老电影，以及一本表面讲徒步、实则讲人生的书。---### 主要话题**

Para celebrar o sucesso de "Roma" e os prêmios conquistados por seu realizador, convidamos o crítico de cinema Matheus Fiore que escreve para o site Plano Aberto e para o B9 para falarmos sobre o diretor mexicano, Alfonso Cuarón.  Portanto, pegue seu fone de ouvido, prepara uma boa xícara de café e nos acompanhe nesta jornada, pois, a partir de agora, você está em um plano-sequência!  Ficha Técnica: Neste programa, Fernando Machado, Leandro Luz, e Pedro Tobias recebem o crítico de cinema Matheus Fiore para falar sobre o cinema de Alfonso Cuarón | Duração: 02h46min. | Pauta: Fernando Machado | Arte da Capa: Fernando Machado | Edição e Mixagem de Som: Pedro Tobias. Caso você queira ouvir os comentários apenas sobre um dos filmes, confira a minutagem em que cada um entra:   00:13:55 - A Princesinha 00:26:02 - E Sua Mãe Também 00:48:28 - Harry Potter e o Prisioneiro de Azkaban 01:06:15 - Filhos da Esperança 01:29:29 - Gravidade 01:52:55 - Roma 02: 28:59 - Top 3 e considerações finais   Dúvidas, sugestões, críticas ou feedbacks podem ser enviados para o e-mail contato@plano-sequencia.com ou através de nossas redes sociais. Estamos no Twitter @planoseqcast, no Instagram @planoseqcast e no Facebook/planosequenciapodcast. Não deixe de avaliar o podcast no iTunes para que possamos ter mais visibilidade dentro da plataforma. HyperlinksVídeo: Festival de Cannes 2017- Masterclass with Alfonso CuarónVídeo: Harry Potter & The Prisoner of Azkaban: Why It's The Best (Nerdwriter)Vídeo: ‘Gravity' Behind-the-Scenes Featurette Takes Audiences From Script to ScreenVídeo: Reportero cree que grabaron Gravity en el espacio.Texto: Repórter pergunta a diretor de ‘Gravidade' como foi filmar no espaçoTexto:  ‘Roma' e a perversidade colonial (Plano Aberto)  Texto:  10 personal musings about ROMA. (por Guillermo del Toro) 

Movie of the Year: 2006A New Season Begins The Movies of 2006 Podcast Begins: 128 Films Enter the BracketThe movies of 2006 podcast is officially underway, and the Taste Buds are ready to take on one of the richest film years of the 21st century. Ryan, Mike, and Greg kick off the 2006 season on PopFilter by introducing the year, explaining the bracket structure, and beginning the first round of eliminations. Furthermore, Part 1 of the intro sets the tone for a season packed with genuine heavyweights, unlikely contenders, and some of the most debated films of the decade.2006 delivered a field that refuses to cooperate with easy rankings. The Departed sits alongside Pan's Labyrinth, Children of Men, and Little Miss Sunshine in the same calendar year. Additionally, Casino Royale, The Prestige, Babel, Borat, and Idiocracy all arrived in 2006, representing wildly different visions of what cinema can accomplish. The Taste Buds have their work cut out for them.About the 2006 Film Year2006 stands as one of the most celebrated film years of the decade. Martin Scorsese's The Departed swept the Academy Awards, winning Best Picture and earning Scorsese his first Oscar for Best Director. Meanwhile, Guillermo del Toro delivered Pan's Labyrinth, a Spanish-language dark fantasy that works equally as a fairy tale and a historical horror. Alfonso Cuarón's Children of Men earned near-universal acclaim for its singular, one-take-heavy vision of a dying civilization.The box office reflected 2006's breadth. Pirates of the Caribbean: Dead Man's Chest topped the global charts. Casino Royale relaunched the Bond franchise with Daniel Craig in his debut as 007. Cars kept Pixar's winning streak intact. Moreover, the comedies were just as crowded: Borat, Talladega Nights, Idiocracy, and Clerks II each built devoted audiences. Consequently, building a bracket from this year means making choices that will draw genuine disagreement from all directions.International cinema contributed heavily to 2006's depth. Alejandro González Iñárritu's Babel earned seven Academy Award nominations after competing at Cannes. Pedro Almodóvar's Volver brought Penélope Cruz one of her most celebrated screen performances. The year also produced major releases from Darren Aronofsky (The Fountain), Sofia Coppola (Marie Antoinette), Christopher Nolan (The Prestige), and Mel Gibson (Apocalypto). In practice, few years in recent memory offer this density of debate-worthy titles across this many genres. The movies of 2006 represent a year when every corner of the industry produced something worth arguing about.How the Movie of the Year Bracket WorksMovie of the Year uses a bracket format borrowed from sports tournaments. The Taste Buds seed 128 films from a given year and match them head-to-head across multiple rounds until one earns the title of best of the year. The movies of 2006 provide an especially deep pool to draw from. Each round cuts the field in half: 128 to 64, 64 to 32, 32 to the Sweet 16, and on through the Elite Eight, Final Four, and championship. Notably, the bracket covers the full range of the year — prestige titles, genre pictures, comedies, blockbusters, and deep cuts all compete on equal footing.The seeding and matchups drive the conversation. A high-seeded favorite facing a scrappy underdog often produces the most spirited debates, because the Taste Buds evaluate every film on its own terms. No film earns an automatic pass based on reputation alone. A beloved blockbuster can fall in round one. A smaller film can advance much further than anyone expects. Therefore, the bracket functions as a pressure test for every assumption the hosts carry into the season.The format also distinguishes Movie of the Year from a standard best-of list. The hosts cannot simply rank their favorites and close the debate. Instead, they defend each pick against a direct opponent, round after round. Above all, the bracket produces arguments that a list never could, because every vote carries immediate consequences. To see what this process looks like across a full season, the Movie of the Year archive includes complete coverage of every year the Taste Buds have tackled, including the recently completed 1971 season.The 2006 First Round: Inside the Movies of 2006 Podcast BracketThe first round of the 2006 season pits 64 matchups against one another and cuts the field in half. Part 1 of the intro covers the opening set of battles, with Part 2 completing the round. Even the quickest first-round decisions carry weight, because an early upset can remove a major contender long before the serious rounds begin.2006 gives the hosts no shortage of compelling first-round scenarios. High-profile releases like Superman Returns, X-Men: The Last Stand, and Blood Diamond arrive as recognizable titles but face real scrutiny on merit. Films like Half Nelson, Brick, and Thank You for Smoking represent the indie side of the year with strong critical backing. Moreover, the international titles — Pan's Labyrinth, Volver, Perfume: The Story of a Murderer — introduce a different set of criteria into the matchups entirely.The documentary field adds another dimension. An Inconvenient Truth became one of 2006's most discussed releases and earned Al Gore an Academy Award. Jesus Camp generated controversy and critical notice in equal measure. Additionally, the horror entries, the prestige dramas like United 93 and The Good Shepherd, and the awards-season crowding all create pressure across the bracket from the opening round. Roger Ebert's four-star review of The Departed captures the critical consensus around 2006's most decorated film. Nevertheless, the first round is only the beginning.Why 2006 Still Matters2006 represents a pivotal moment in 21st-century cinema. The year demonstrated that prestige filmmaking and mass entertainment could share a single calendar without one displacing the other. The Departed and Pan's Labyrinth both belong to 2006. Borat and Children of Men arrived the same year. That range matters because the best film years do not produce one kind of great film — they produce many kinds simultaneously.Moreover, 2006 produced titles that have only grown in cultural stature since their release. Idiocracy arrived with little fanfare and now functions as a widely cited cultural reference point. Children of Men drew modest theatrical audiences and currently ranks among the most admired films of the decade in retrospective criticism. The Prestige built a devoted following that continues to generate debate about its structure and its final image. Additionally, Casino Royale remains the gold standard for modern Bond films nearly two decades later.The movies of 2006 podcast gives these films a structured arena to compete. That structure reveals something a ranked list cannot: which films hold up under sustained comparison, which reputations survive direct opposition, and which consensus picks turn out to be more fragile than they appear. 2006 deserves this treatment. The Taste Buds are the right crew to find out which film earns the crown.Related Episodes from Movie of the YearMovie of the Year — Full Episode ArchiveThe Last Picture Show — Movie of the Year: 1971A Clockwork Orange — Movie of the Year: 1971More 2006 episode pages will be linked here as the season progresses.FAQ: Movies of 2006 Podcast and Film YearWhat is the movies of 2006 podcast intro episode about? This episode launches the 2006 season of Movie of the Year on PopFilter. Ryan, Mike, and Greg introduce the 2006 film year, explain the bracket format, and work through Part 1 of the first round, taking the field from 128 films down toward 64.How does the Movie of the Year bracket format work? Movie of the Year seeds 128 films from a given year into a tournament-style bracket. Films compete head-to-head across multiple rounds — from 128 to 64, then 32, the Sweet 16, Elite Eight, Final Four, and championship — until one film earns the title of best of the year. The format produces arguments that a simple ranked list cannot, because every vote has immediate consequences.What films are in the 2006 Movie of the Year bracket? The 2006 bracket includes 128 films from across the year: prestige dramas like The Departed, Babel, and Letters from Iwo Jima; international titles like Pan's Labyrinth and Volver; genre films like Children of Men and The Prestige; comedies like Borat, Idiocracy, and Little Miss Sunshine; and blockbusters like Casino Royale and Pirates of the Caribbean: Dead Man's Chest.What won Best Picture for the 2006 film year? The Departed, directed by Martin Scorsese, won the Academy Award for Best Picture at the 79th Academy Awards in 2007. The film also earned Scorsese his first Best Director Oscar. However, Oscar history and the Movie of the Year bracket determine their...

Send Kevin a Text MessageMark Johnson, Academy Award-winning producer of Rain Man and Emmy Award-winning executive producer of Breaking Bad, joins host Kevin Goetz for a conversation about a career defined by creative restlessness and uncommon decency. The interview ranges from his transformative partnership with Barry Levinson, which produced Diner, The Natural, and Good Morning Vietnam, to shepherding beloved films like The Notebook, A Little Princess, Donnie Brasco, and Galaxy Quest to championing an unknown writer named Vince Gilligan, Johnson reflects on what it means to serve a director's vision, why he refuses to make the same movie twice, and how audience testing changed the way he thinks about filmmaking.Never the Same Movie Twice (02:14): Johnson explains his resistance to repeating himself across genres. From Galaxy Quest to The Notebook to Breaking Bad, he compares his varied tastes to simply deciding what he wants for breakfast.Meeting Barry Levinson (04:07): Johnson recalls how a chance connection on the Mel Brooks comedy launched one of Hollywood's most fruitful producing partnerships, and what he learned from working alongside a director who always began with character.The Lesson of Good Morning Vietnam (13:12): Johnson describes how audience testing transformed his understanding of filmmaking, including working with the mercurial and brilliant Robin Williams and the pivotal decision to restore a scene with J.T. Walsh.Winning the Oscar for Rain Man (18:29): Johnson reflects on the bittersweet experience of winning Best Picture for a film he credits largely to others, Tom Cruise's underappreciated subtlety in the role, and the one name he forgot to thank from the podium.The Closest Thing to a Perfect Movie (26:08): Johnson singles out Alfonso Cuarón's A Little Princess as the film he holds most dear as a lesson in collaborative craftsmanship.Discovering Vince Gilligan (30:06): In 1988, Johnson read a script by an unknown writer at a Virginia Film Festival jury and knew immediately he was in the presence of singular talent. He details how he championed Gilligan for years before Breaking Bad made the world take notice.The Producer's True Role (38:57): Johnson shares what he hopes listeners take away — that his passion for moviemaking is as alive today as when he started, and that a producer's job is never to claim ownership of a film, but to help a director realize their vision.Host: Kevin GoetzGuest: Mark JohnsonProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Mark Johnson:Wikipedia: https://en.wikipedia.org/wiki/Mark_Johnson_(producer)IMDB: https://www.imdb.com/name/nm0425741/LFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Episode 445: The Crew's lack of oxygen may have something to do with forgetting to breathe while watching Alfonso Cuarón's Gravity. This 2013 box office hit was one of a few 3D movies that audiences ate up. The 3D really added to the story and the suspense. And this film is suspenseful, living up to the clichéd phrase “it's a rollercoaster ride”. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Back in 2021 I proclaimed in my review of The Green Knight that writer-director David Lowery was "the great American director of his generation;" a statement that holds even stronger weight given the rising talent behind the camera in modern filmmaking. With his latest film, Mother Mary, Lowery gives this writer enough ammunition to back up that proclamation as he's created yet another bold, poppy, hypnotic drama that could only come from the mind of a special, singular talent; a master of the artform. Born in Milwaukee, Wisconsin as the eldest of nine children, Lowery and his family moved to Texas in his youth, and where he and his family still reside today. His curiosity for film sprung at a young age, with the director making his first short when he was nineteen years old, and from there on, a slew of independent narrative feature films that included Deadroom, It Was Great, But I Was Ready to Come Home, and St. Nick. His breakthrough came within a two-year span, with his short film Pioneer winning the Competition and Grand Jury Award at the South by Southwest Film Festival, which lead to the release of his 2013 romantic crime drama, Ain't Them Bodies Saints, which was nominated for the Sundance Film Festival Grand Jury Prize and garnered a Best Feature nominated at the Gotham Awards that same year. Those two projects were a springboard for Lowery into the public consciousness, as he was given bigger opportunities to explore his complex themes of humanity that lies at the core of his filmography. In 2016, he delivered the best Disney live-action adaptation yet with version of Pete's Dragon, followed up the next year the smaller, intimate yet profound meditation of the loss of someone and letting go as we enter the afterlife with A Ghost Story, and finishing this incredible three year run in 2018 with The Old Man and the Gun, a warm crime drama based on a true story that not only serves as an entertaining piece of throwback cinema, but an owe to one of the greatest actors of all time and the star of the film, Robert Redford. As we swung into the 2020s, Lowery gave us the aforementioned The Green Knight, a film I hailed as "a medieval masterpiece," and is, in my mind, one of the best films of the decade so far. He returned to Disney with a reimagining of the classic Peter Pan story with Peter Pan and Wendy, a film that may not be as successful as Pete's Dragon but it was a project Lowery found a sense of change within himself, and as he states in this interview for The Film Stage, he discovered the right amount of "courage and conviction" needed to make his latest, Mother Mary. In her review, our own Sophia Ciminello praised Lowery's film as "a beguiling, religious experience that will only get richer with the passage of time," as well as stated that just like Lowery's other standout work, "Mother Mary is about the ephemeral and the eternal, yet in an entirely new package for the filmmaker," it's another standout achievement from this visionary artist.  In a recent in-person conversation, the Mother Mary writer-director and I discussed about his origins to the project, being a massive fan of pop music, crafting this world with the film's production designer Francesca Di Mottola, as well as his work in helping the edit of the film. We also spoke about his collaborations with FKA twigs, Charli XCX, and Jack Antonoff on producing the original music in Mother Mary, molding his lead characters with his lead actresses Anne Hathaway and Michaela Coel, and his thoughts on the state of independent cinema and the role he sees himself in it as the industry is in a constant state of change. This wasn't the first time the director and I met, as we first spoke at the 2024 Telluride Film Festival, where we not only share a geek out moment of being in a three-person conversation with director Alfonso Cuarón, but it was the first weekend where Lowery has seen all of the footage of Mother Mary together as one cut. At the top of the conversation lies our reunion, as well as a look into his influences on the program, ranging from The Red Shoes to Taylor Swift concerts. Only someone as special as Lowery could take the wide ranging scope of this world and make it come to life, thus continuing to be a singular talent in a time where artistic expression and creativity is vastly need.

Conviértete en miembro de este canal para disfrutar de podcast exclusivos: https://www.youtube.com/channel/UCrr-82T0bOWW3ZoHjSS9YTA/join¡No olvides seguirnos en Instagram y Tik Tok! -https://www.instagram.com/cineparatod...-https://www.tiktok.com/@cineparatodos...¡Síguenos en nuestros espacios para hablar de cine!:-CINE PARA TODOS: https://youtube.com/@Cineparatodos?si=elZlVc_voLupkUtH-ZOOMF7: http://bit.ly/ZoomF7_YT-KICK: https://kick.com/zoomf7-PATREON: https://www.patreon.com/zoomf7-SPOTIFY: https://open.spotify.com/show/5YbySnX...-APPLE: http://ow.ly/V7dX30q7yAqRedes personales:•Gerry:-Twitter: https://x.com/el_lyndon?s=2-Instagram: https://www.instagram.com/el_lyndon?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==-Letterboxd: https://boxd.it/12ZBh-Lyndon YouTube: https://youtube.com/@Jerrylyndon?si=w...•Miguel: -Twitter: https://x.com/portalmike?s=21-Instagram: https://www.instagram.com/maps_2208?i...-Letterboxd: https://boxd.it/198Zf•Pamela: -Podcast:https://www.youtube.com/@UC91B5Xno5YmfWWekbQ_GUmQ -Instagram:https://www.instagram.com/lachicaalmodovar/ •Axel: -Twitter: https://x.com/axldario21?s=21-Instagram: https://www.instagram.com/axlchalico2...-Letterboxd: https://boxd.it/3Q9cn•Tocayo:-Twitter: https://x.com/gerry_movie?s=21-Instagram: https://www.instagram.com/gerry021?igsh=Z3JzMDE2djhoc2Y0&utm_source=qr-Letterboxd: https://boxd.it/GLUZDiana: Youtube: @DimeDianaLauTwitter: https://x.com/DimeDianaLau(00:00): Bienvenida(02:07): Harry Potter: Serie(21:55): Ahora si las pelis(22:18): Chris Columbus(30:45): Alfonso Cuarón(35:41): Micke Newell(42:50): David Yates01:09:29): Conclusiones(01:13:44): Despedida#CineParaTodos #ZoomF7

Our final KS for the first quarter of 2026 brings you more adventures in traumatizing Joe in his Film Aesthetics class (this week's movie was Alfonso Cuarón's Children of Men), talk about Round Two of Natalie Lander's show Earth to Squiggy, teased a bit of our maiden voyage of Fresh Flicks with Johannes Roberts' Primate (out this Wednesday for Early Access here on Patreon), and some sad tales of missing one of our favorite movie theaters: Arclight Cinema. You can find Natalie Lander on IG here and Alex Ellis here! BLU-RAY TITLES for 3/31/2026! GO SEE MOVIES! ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

We're in 2027 with Alfonso Cuarón to talk a dystopian classic. John, Westy, and Matt dive into the story of how Cuarón created one of cinema's most visually stunning achievements - a film that turned a difficult-to-adapt novel into a breathtaking technical marvel. From those legendary long takes (yes, including that car scene) to Clive Owen's career-best performance (YMMV), we explore how Cuarón and cinematographer Emmanuel Lubezki revolutionised action filmmaking. How did they pull off shots that shouldn't be possible? Why does the world-building feel so unnervingly real? And can humanity ever truly find hope in hopelessness?Telling the story of Hollywood, one film at a time.Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠⁠

Niños del Hombre, la impactante película de 2006 dirigida por Alfonso Cuarón. Hablamos de su visión distópica, sus inolvidables planos secuencia y por qué, casi 20 años después, su mensaje sobre esperanza en medio del colapso sigue siendo más vigente que nunca.

Legutóbb a Hollywoodban foglalkoztatott latin-amerikai akciófilmrendezőkről beszélgettünk, ezúttal az álomgyárban befutott mexikói művészfilmes amigókkal folytattuk: Guillermo del Toro, Alfonso Cuarón és Alejandro González Iñárritu pályáját tekintettük át.A beszélgetés résztvevői:Balázsy IstvánLaska PálA Régen minden jobb volt a Tilos Rádió történelmi-popkulturális műsora:https://www.facebook.com/regen.minden.jobb.volt

A mere week into the New Year and we already have a new release that'll likely wind up being one of the best horror movies of 2026.Johnny Sequoyah leads Johannes Roberts' Primate as Lucy. While visiting her father (Troy Kotsur) and sister (Gia Hunter) back home in Hawaii, another family member of Lucy's takes a turn — their chimp, Ben. Ben is bitten by a rabid mongoose. While Lucy and her friends enjoy the family pool and dream-like views, Ben loses himself to the sickness and becomes, as Roberts put it, “the Freddy Krueger of chimps,” and brutally starts picking them off one by one.With Primate playing in theaters nationwide, Sequoyah swung by the Collider Ladies Night studio to dig into her journey, including highs like working with a legend like Alfonso Cuarón, and also the lows of being recast in a show. On top of that, Sequoyah offered up a behind-the-scenes look at the staggeringly impressive movie magic required to create her Primate scene partner, Ben the killer chimp. Hosted on Acast. See acast.com/privacy for more information.

Trastienda 129: Cine y Rol (parte 2), con Marc Mateu Abrimos la Trastienda de Shadowlands para recibir a Marc Mateu, rolero y director de arte en rodajes cinematográficos. Esta semana hablamos de recursos como los montajes, romper la cuarta pared, cortes a, valores de plano y transiciones pueden inspirar tus narraciones roleras. Y ponemos en valor en trabajo que los jugadores pueden hacer para reforzar la ambientación. La semana que viene, más. Comentamos unas cuantas partidas de la ShadowCon 2025. Si quieres probar la experiencia por tu cuenta, aún nos quedan plazas para 2026. Shadowcon Esta es la segunda parte de una charla que empezamos en el capítulo anterior. La entenderás mejor si la escuchas desde el principio. Primer programa aquí. En este programa hablamos de…— La mejor explicación sobre el racord nunca vista. — Todas nuestras partidas del Dracula Dossier en Rol NL empiezan con un opening.— Ejemplo de plano secuencia: Hijos de los hombres” (Alfonso Cuarón, 2006). Otras trastiendas que van bien con esta…— Diarios de juego, notas y coherencia, con Ramón Nogueras. — Transiciones, con David Roleroviejo. Music from #Uppbeat: The horseman by nigth drift License code: XGUNKD5PG9ROKUS6 Music from #Uppbeat (free for Creators!): Lets good times roll by RALicense code: YUHJBIKTMVWNODBV

En entrevista para MVS Noticias con Ana Francisca Vega, el especialista en cine Arturo Magaña habló sobre dos eventos que han conmocionado a la industria del entretenimiento y a la opinión pública: el estreno de la desgarradora cinta La voz de Hind Rajab y el fallecimiento del actor James Van Der Beek, rostro emblemático de la serie Dawson’s Creek.See omnystudio.com/listener for privacy information.

Alfonso Cuarón "Cuarteto para el Fin del Tiempo" (1983)

This week, Laura and Hugo dive into films chosen by you. Drawing from our LAB Suggestions programme, where audiences select their favourite films to be shown on the big screen in Amsterdam, they share their standout picks. From the chilling plausibility of Children of Men to a friendly (but pointed) debate over whether Christopher Nolan's Inception owes more than a little to Satoshi Kon's Paprika.Along the way, they share tidbits from conversations with Colin Farrell and Alfonso Cuarón, plus a voice note from one of our listeners whose pick, The NeverEnding Story, is heading to the big screen.Get tickets to LAB Suggestions @ LAB111Get tickets to Hamnet @ LAB111Get tickets to The Actor's Archive: Jane Fonda @ LAB111Get tickets to Fight The Power: Goodbye Julia @ LAB111

We zijn inmiddels aanbeland bij Harry Potter en de Gevangene van Azkaban, het eerste Harry Potterdeel dat echt een duistere kant op gaat. Joost vond het te eng en ligt in foetushouding in de ballenbak, dus Charlotte en Ellen nemen het in deze aflevering van hem over. Door een magisch ongelukje in de vakantie komt Harry ’s avonds laat opeens op straat te staan. Sirius Zwarts, een beruchte volgeling van Voldemort, blijkt uit Azkaban ontsnapt. Heeft hij het wellicht op Harry gemunt? Hermelien beleeft een transformerend moment in dit boek. Wat gebeurt er en hoe verandert het haar functie in het verhaal? Ook gaat elk Harry Potterboek over de hiërarchie van macht. Wat kunnen we zeggen over de verdeling van macht in de tovenaarswereld? We spreken weer over de films en het verschil van de derde film die geregisseerd werd door de nieuwe, Spaanse regisseur Alfonso Cuarón ten opzichte van de eerste twee delen gemaakt door Chris Columbus. En trouwens, wat heeft Harry Potter te maken met de plotlijn van The Devil Wears Prada? See omnystudio.com/listener for privacy information.

Gravity (2013) on The Atomic Cinema Experiment. This is a sci fi movie podcast. Gravity is directed by Alfonso Cuarón and stars Sandra Bullock, George Clooney patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.com

Alfonso Cuarón's 2013 thriller Gravity follows Dr. Ryan Stone, a first-time astronaut who becomes stranded in orbit after a devastating cascade of satellite debris destroys her shuttle. Blending stunning visual effects, groundbreaking sound design and a career-defining performance from Sandra Bullock, Gravity transforms a simple premise into an immersive, edge-of-your-seat cinematic experience.In this episode, Nathan revisits Gravity more than a decade after its release to explore Cuarón's visionary direction, why the film became a technical benchmark of the 2010s, and how its blend of tension, metaphor and spectacle earned it a spot among the essential films of the century.Up next: Ryan Coogler's Black Panther (2018).Read Nathan's thoughts on ‘Gravity'.

Esta semana tenemos de regreso con nosotros a Ramiro Lale para platicar de cine, esta vez nos enfocamos en la filmografía de “Alfonso Cuaron” que ha hecho películas de diferentes temáticas desde una comedia romántica en sus inicios (Solo con tu pareja), a un drama de una niña en un orfanato (la princesita), a hacer una adaptación de un libro de Dickens (grandes esperanzas), a un recopilatorio de viaje en (Y tu mama tambien), a una entrega de (harry potter), a un drama de una humanidad sin  niños (los niños del hombre) a viajar por el espacio en (gravity), a hacer el recuento de todos y cada uno de los recuerdos que lo marcaron en su infancia en la película (roma), como ves el ha creado diferentes entregas para que el mundo las disfrute, esas ganas de expresión y su arduo trabajo lo han llevado a ganar 10 Oscares 2 de ellos por mejor director.Con este episodio terminamos los episodios de los tres compadres como muchos se refieren a Iñarritu, Cuaron y Del toro.Esperamos que nos dejen un comentario si estos episodios les están gustando y tal vez nos recomienden algún tema que les gustaría escuchar o de algún tema del que no hemos platicado. Nota: estos episodios sólo reflejan nuestra opinión sobre las películas y no significa que todos opinemos lo mismo (todos tenemos diferentes gustos y lo entendemos)No se les olvide darse una vuelta por el perfil de Ramiro y checar su trabajo.A el lo encuentras en Instagram:@ramirolalebackground music credit to : Space Age Hustle - Squadda B#latinopodcasters #latinopodcast #chingona #chingon #podcastenespañol #podcastenespanol #creandojuntospodcast #sisepuede #mentecreativa #creadordecontenido  #talentolatino  #siguesoñando #siguecreando  #cinefilos #cine  #peliculas #cuaron

Diane and Sean discuss 90 minutes of space with Alfonso Cuarón's, Gravity. Episode music is, "Gravity", by Steven Price from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

¡Arranca el #BuenFin amiguitos! Samuelón de NL anuncia inversión histórica en tecnología... y salen a desmentirlo. ¡Qué Nvidia amigos! La Presidenta dice que ni a chavorrucos llegan los que organizan la marcha de la GenZ. Lily Tellez salva a Noroña de caer a un precipicio. Y exigimos al 'Negro' González, a Alfonso Cuarón, a Guillermo del Toro y a todos los grandes directores de México, que le den un papel protagonista al 'Burro' Van Ranking.

Recorded live at our exclusive Directors UK member event, Academy Award-winning director Guillermo del Toro sits down with friend and fellow Oscar-winning director Alfonso Cuarón for a fascinating deep dive into his creative process, and the making of his haunting new film, Frankenstein.

Welcome,It's Episode 4 of Season 2 of this little side thingy and we are so happy to welcome back amazing artist, podcast host and all round wonderful person Sophie Green as she attempts to countdown her greatest movies of all time!This is a jam packed episode with more questions than answers like...Who is Brian?How many movies can Sophie squeeze into her Top 10?Who is her Mosquito friend?And what exactly does Alfonso Cuarón do?All this and much more will be discussed and revealed on this episode.You can check out Sophie's amazing art here - https://linktr.ee/sophiegreenfineart?utm_source=linktree_profile_share<sid=4504645f-6c11-4fde-be43-4f58951c8b8bAnd her pod with the equally wonderful Giles Paley-Phillips here - https://podcasts.apple.com/gb/podcast/unquestionable/id1694266358Here's all our Gubbins - SOCIAL MEDIAwww.twitter.com/toptenpodswww.instagram.com/toptenpodswww.facebook.com/toptenpodsEMAILGet in touch with us right here:toptenpods@hotmail.comPATREONCome and support the podcast at Patreon for some great rewards including -BE A GUEST ON YOUR OWN EPISODES VIDEO PLAYLISTS FOR EVERY EPISODEEXCLUSIVE TTTOAP BADGEEPISODES 5 DAYS EARLY AND AD FREE!www.patreon.com/toptenpodsEPISODE LINKSApple: apple.co/3ica0FySpotify: spoti.fi/3BRhkypYouTube: https://bit.ly/3jQETisLETTERBOXD : https://boxd.it/fQNLbMERCH https://www.podcastmerch.co.uk/170026-top-10-of-anythingLINKTREEhttps://linktr.ee/toptenpodsBUY US A COFFEEhttps://ko-fi.com/toptenpodsFinally, I'm taking a break from the pod for a while. There is no time limit to my return. It'll bet when it'll be but I'd like to thank every singe person who has listened, downloaded, contacted us, watched, guested on all the pods over the last 12 years or so.I have made so many dear friends form this thing called podcasting and if this happens to be my very last podcast episode ever then I'm so glad I started doing it with Neil waaaay way back.Thanks all and, maybe, see you soonPav xSupport this show http://supporter.acast.com/the-top-ten-of-anything-podcast. Hosted on Acast. See acast.com/privacy for more information.

And…we're back! Did you miss us? You can say so—it's OK. Yes, it's the return of Vintage Sand, your film history podcast, with our first episode since May. It was a frantic and wonderful summer, but now the leaves are falling and it's time for us to get back to what we love to do, with a double episode no less than 25 years in the making. That's right, fellow film fanatics; it's Vintage Sand's Top Ten Films of the 21st Century (So Far). And once again, a major cultural institution has stolen our ideas! When last we three met in May, we had decided to do these episodes. But fate intervened and delayed us, and, sure enough, when we opened up the “New York Times” in mid-July, there was their best of the century list so far. This has happened to us far too often to be coincidence—anyone know any good intellectual property lawyers out there? And that “Times” list was truly interesting in several ways. First of all, we much preferred the fan's list of the Top 100 (to my great pleasure it included “La La Land”, “Blade Runner 2049”, “Sinners” and “Midsommar”). But, in what was perhaps a bit of quiet backlash to the 2022 “Sight & Sound” Poll, there were only a handful of directors of color, and fewer female directors than one might have expected. On the other hand, the clear “winner” of the Times poll was Christopher Nolan, the only director with five films on the list (the Coens, PTA, Alfonso Cuarón each had four). Nolan is the Hitchcock of our times, in the sense that he is one of those rare directors who both receives critical acclaim and puts asses in the seats. Now if he would only put those blaring soundtracks a little lower in the audio mix so that older, cranky audience members such as us have a shot at hearing the dialogue… Ultimately, the work we put into creating these lists revealed a surprising and heartening result. From long before the time we started Vintage Sand back in 2018, all we've heard is doom and gloom about the state of cinema this century. “Film is dead” because folks are watching on their phones, or because of the algorithm, or because of streaming, or because of the emphasis on the global film marketplace over the domestic, or because our attention spans have vaporized, and on and on. Not that those are not real issues, but the death of film has been continuously reported since sound arrived roughly a century ago. And let me tell you, dear and faithful listeners: we had an incredibly difficult time narrowing down our respective lists to 25, let alone 10. We were overwhelmed with the number of creative, innovative, and moving films we had to choose from, films that will stand the test of time as well as any you could mention from the imagined “Golden Ages” of film. So our message, in the end, is one of optimism. Film is still a vital and glorious art form, and while you may have to dig around a bit more than you used to to find the greatness, it is clearly there. Enjoy these two episodes, and join us in facing the future of film with anticipation, excitement and joy.

Werner Herzog's 2005 documentary Grizzly Man tells the true story of Timothy Treadwell, the self-styled protector who spent 13 summers living among Alaskan grizzly bears before his tragic death. Using Treadwell's own footage, Herzog transforms what could have been a simple wilderness chronicle into a haunting meditation on obsession, mortality and the fragile boundary between humans and nature.In this episode, Nathan revisits Grizzly Man nearly twenty years later to explore Herzog's perspective, the lasting impact of Treadwell's footage and why this film remains one of the most thought-provoking documentaries of the 21st century.Up next: Alfonso Cuarón's Gravity (2013).Read Nathan's thoughts on ‘Grizzly Man'.Support the podcast: https://www.buymeacoffee.com/moviesarelife

And…we're back! Did you miss us? You can say so—it's OK. Yes, it's the return of Vintage Sand, your film history podcast, with our first episode since May. It was a frantic and wonderful summer, but now the leaves are falling and it's time for us to get back to what we love to do, with a double episode no less than 25 years in the making. That's right, fellow film fanatics; it's Vintage Sand's Top Ten Films of the 21st Century (So Far). And once again, a major cultural institution has stolen our ideas! When last we three met in May, we had decided to do these episodes. But fate intervened and delayed us, and, sure enough, when we opened up the “New York Times” in mid-July, there was their best of the century list so far. This has happened to us far too often to be coincidence—anyone know any good intellectual property lawyers out there? And that “Times” list was truly interesting in several ways. First of all, we much preferred the fan's list of the Top 100 (to my great pleasure it included “La La Land”, “Blade Runner 2049”, “Sinners” and “Midsommar”). But, in what was perhaps a bit of quiet backlash to the 2022 “Sight & Sound” Poll, there were only a handful of directors of color, and fewer female directors than one might have expected. On the other hand, the clear “winner” of the Times poll was Christopher Nolan, the only director with five films on the list (the Coens, PTA, Alfonso Cuarón each had four). Nolan is the Hitchcock of our times, in the sense that he is one of those rare directors who both receives critical acclaim and puts asses in the seats. Now if he would only put those blaring soundtracks a little lower in the audio mix so that older, cranky audience members such as us have a shot at hearing the dialogue… Ultimately, the work we put into creating these lists revealed a surprising and heartening result. From long before the time we started Vintage Sand back in 2018, all we've heard is doom and gloom about the state of cinema this century. “Film is dead” because folks are watching on their phones, or because of the algorithm, or because of streaming, or because of the emphasis on the global film marketplace over the domestic, or because our attention spans have vaporized, and on and on. Not that those are not real issues, but the death of film has been continuously reported since sound arrived roughly a century ago. And let me tell you, dear and faithful listeners: we had an incredibly difficult time narrowing down our respective lists to 25, let alone 10. We were overwhelmed with the number of creative, innovative, and moving films we had to choose from, films that will stand the test of time as well as any you could mention from the imagined “Golden Ages” of film. So our message, in the end, is one of optimism. Film is still a vital and glorious art form, and while you may have to dig around a bit more than you used to to find the greatness, it is clearly there. Enjoy these two episodes, and join us in facing the future of film with anticipation, excitement and joy.

(Parte 2 de 2)El Umbral de la Noche (Night Shift en su título original) es un compilado (el primero, de hecho) de Stephen King que fue publicado en el año de 1978.Muchas personas le consideran el mejor libro compilatorio de King; ya que casi todos los relatos han tenido una adaptación audiovisual; cinematográficas en algunos casos.Ahora bien, #ElUmbralDelaNoche fue el primer libro que estuvimos leyendo en #DulcesPesadillas, estos relatos fueron grabados mientras leíamos en vivo; ahora ha sido editado en modalidad de #Audiolibro.#AVecesVuelven de Stephen King, originalmente titulado #SometimesTheyComeBack en inglés, es un relato que fue publicado por primera vez en 1974 en la revista #Cavalier en el 74; y más tarde, en 1978, en la compilación El Umbral de la Noche. Esta historia protagonizada por Jim Norman pinta a ser algo más onírico al iniciar, pero conforme va desarrollándose sabemos que hay algo sobrenatural acechando al maestro de preparatoria. Ha sido adaptado 2 veces. La primera, inicialmente considerada para un segmento de Cat's Eye de Stephen King; pero terminó convirtiéndose en una película para TV, que si bien no consiguió ser una obra clásica del séptimo arte, se ganó un lugarcito en el corazón de los fanáticos del Rey del Terror.Y, la otra adaptación, curiosamente fue llamada "A Veces Regresan", fue un episodio de la gran serie mexicana llamada "LA HORA MARCADA", de la cual llegaron a formar parte Guillermo del Toro o Alfonso Cuarón. Este último fue quien estuvo encargado de escribir y dirigir el episodio que adaptaba el cuento del Rey del Terror (aunque, dicen las malas lenguas, que al principio Cuarón presentó el guión como una idea original y propia, hasta que Del Toro lo "confrontó" y le hizo aceptar que su historia se basaba en el cuento de Stephen King). ¿Ustedes lo han visto?Bueno, en algún momento espero tener la oportunidad de ver ambas adaptaciones y traer los resúmenes para ustedes. Mientras tanto, disfruten de este episodio.

Theme is: 2000s classics. Movies made in the early '00s that have become some of the best films in cinematic history. (And made it in the top 20 of the New York Times best movies of the century list!) Amanda watches the sweaty Mexican road trip movie Y TU MAMÁ TAMBIÉN from Alfonso Cuarón and Zac watches twisty dream thriller MULHOLLAND DRIVE from David Lynch. Follow Blindspotters 'cross plat': On Instagram: @blindspotterspod On Twitter: @blindspotters On Bluesky: @blindspotters On Letterboxd: Zac Pacleb, Amanda Luberto Zac's Substack: Love and Attention

“Is ‘Amélie' really a better love story than ‘Road House'? And did Jonah Hill actually make baseball interesting?”In this delightfully unpredictable episode of The Ben and Skin Show, Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina “K-Ray” Ray—dives headfirst into the New York Times' Top 100 Movies of the 21st Century list, and things get hilariously off the rails.From debating the emotional power of Amélie to questioning the realism of Moneyball, the gang brings their signature mix of insight, irreverence, and movie nerd passion. Skin breaks down the brilliance (and frustration) of The Master, KT confesses his confusion over Oldboy, and Ben can't stop laughing at the idea of Road House being the gold standard for romance.Funniest and Most Memorable Moments:“Is Hopper most known for Easy Rider?” “No. Hoosiers.” “No. Speed.” — A perfectly chaotic filmography debate.

ONE OF THE GREAT SCI-FI FILMS OF OUR TIME!! Children of Men Full Reaction Watch Along:   / thereelrejects   Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Children of Men Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Roxy Striar & John Humphrey as they plunge into Alfonso Cuarón's haunting dystopia Children of Men (2006). In a world where human infertility has led to societal collapse, disillusioned bureaucrat Theo Faron (Clive Owen, Sin City, The Bourne Ultimatum) is roped into escorting Kee (Clare-Hope Ashitey, Africa United, Resident Evil), a miraculously pregnant refugee, to safety. Along the way, they're shadowed by Julian Taylor (Julianne Moore, Boogie Nights, Still Alice), the fierce former activist intent on safeguarding humanity's last hope, and pressured by militant enforcer Luke (Chiwetel Ejiofor, 12 Years a Slave, Doctor Strange). Veteran activist Jasper Palmer (Michael Caine, The Dark Knight, The Cider House Rules) provides crucial refuge—and the film's bleak, immersive vision of 2027 Britain is punctuated by stunning long-take set pieces: the devastating car ambush, the desperate street massacre in the refugee camp, and the epic Bexhill Beach battle shot in one continuous, unbroken shot. Don't miss Roxy & John's breakdown of these iconic scenes, the film's relentless tension, and its powerful themes of hope, redemption, and the fight for humanity's future! Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

After his A Little Princess adaptation earned a duo of Oscar nominations, Mexican director Alfonso Cuarón followed that up with another literary adaptation, a modernization of Charles Dickens' Great Expectations. With hot young stars Ethan Hawke and Gwyneth Paltrow as the central lovers and Oscar winners Anne Bancroft and Robert De Niro in support, the film transplanted Dickens' … Continue reading "345 – Great Expectations"

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

After a month-long hiatus, The Beers swing back into gear with shenanigans that pay tribute to the late Pittsburgh rapper Mac Miller and a homage to AIM chat rooms of the 2000s (0:23). Next, The Beers introduce the Drink of Choice for the episode - The Pursuit IPA from Six Point Brewery (6:23). The Beers peel back the facts, faults, and fallacies of Donald Trump's proposed tariffs on films made outside of the US and also shed light on the active threat to the arts in the theatre realm across the country (8:04). For the rest of the episode, The Beers give an in-depth review of Alfonso Cuarón's breakout movie, the international 2001 classic, Y TU MAMÁ TAMBIÉN, which may just be the best road film of the 2000s (25:17). To wrap it up, Dylan and Rog give their current picks from the Criterion Closet (1:01:15).Got a movie, TV series, or doc we should talk about? Send it! thewrapbeers@gmail.comFollow!https://www.instagram.com/thewrapbeers/https://www.tiktok.com/@thewrapbeerspodDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Subscribe!https://www.youtube.com/@thewrapbeers Letterboxd!https://letterboxd.com/wrapitupb/ Intro & Outro Music by Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D

In the late 1990s and early 2000s, three real-life friends broke into the Mexican and International film scenes and made their mark on the art form. Since then, Alfonso Cuarón, Guillermo Del Toro, and Alejandro González Iñárritu have delivered several masterpieces and won several Academy Awards. In this episode, we highlight three of the filmmaker's finest early works:We start with Alfonso Cuarón's breathtaking coming-of-age story, Y tu mamá también. Second, Guillermo Del Toro delivers a brilliant antifascist ghost story in The Devil's Backbone.Finally, Alejandro González Iñárritu's feature film debut is a breathless, gut-wrenching drama, Amores Perros. Let us know what you think of these outstanding films! ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today, they discuss Alfonso Cuarón's ‘Children of Men,' a deeply upsetting 2006 apocalyptic thriller starring Clive Owen and Julianne Moore, which features some of the most emotionally moving image-making of all time. They explore how this film altered the trajectory of Cuarón's “shapeshifter” filmmaking career, celebrate Owen's amazing physical performance, and revisit the Academy's baffling decision not to honor the film with a single Academy Award. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Leila George stunned audiences as Young Catherine in Alfonso Cuarón's Disclaimer on Apple TV+. Playing Cate Blanchette's younger self is a unique challenge, particularly when they only had one day together. George talks to Zach and Donald about how she and her father, Vincent D'Onofrio, bonded at the most magical place in the world, Disney Land, her love for the secret Club 33, and the best park in Disney World.See omnystudio.com/listener for privacy information.

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast

Greetings earthlings! We're back to discuss Chelsea's latest obsession: the congressional hearings about UAPs. Don't believe in aliens? Check out the terrifying “jellyfish” video that was recently leaked from a military base in Iraq. We also discuss the second installment of Every Outfit Couture, the new Coachella line-up, Ellen and Portia's post-election move to England, Jake Paul vs. Mike Tyson, the tragic fate of John Waters' latest film project, David Lynch's new interview with People, Dave Coulier's cancer diagnosis and THAT photo with John Stamos, the latest installment of Vogue World, and Alfonso Cuarón's baffling new limited series Disclaimer.  Today's episode is brought to you by Nutrafol! Whether you're gifting to yourself or a loved one, give the gift of great hair growth this holiday season! Right now, Nutrafol is offering our listeners ten dollars off any order! Enjoy free shipping when you subscribe. Go to Nutrafol.com and enter the promo code OUTFITGIFT.  Get cozy in Quince's high-quality wardrobe essentials. Go to Quince.com/outfit. Shop Lauren's favs: the Pine and English Rose Candle, the Washable Cashmere Hooded Cardigan, and the very Sofia Coppola Hooded Faux Fur Jacket.

Chris and Andy talk about some of the TV they've been consuming while in London, including Jamie Oliver's cooking show (1:00). Then they discuss the new 'Day of the Jackal' series, a remake of the 1973 film, and why it ends up just feeling like filler for Peacock (9:53). Finally, they talk about the most recent few episodes of 'Disclaimer' and why the show ultimately did not work, even though it has the star power of Alfonso Cuarón and Cate Blanchett behind it (33:11). Hosts: Chris Ryan and Andy Greenwald Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

Five-time Oscar-winning director Alfonso Cuarón believes we live in a time of endlessly contradictory narratives where truth is difficult to discern. Watch Cuarón's latest use of narrative in the new series “Disclaimer,” streaming now on AppleTV+. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the powerful new Apple TV+ drama Disclaimer, Cate Blanchett plays a woman who's terrified after she's sent a novel that's based on a chapter of her past that she's desperate to keep secret. From Oscar-winner Alfonso Cuarón, the series was also stars Kevin Kline, as a man who's also consumed by the events recounted in the book.Subscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhourLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Chris and Andy talk about ‘Rebel Ridge,' a movie that was released recently on Netflix that they both enjoyed (1:00), and ‘Disclaimer,' the new Apple TV+ series from acclaimed director Alfonso Cuarón and starring Cate Blanchett (18:07). Then they are joined by Timothy Simons to talk about his role on ‘Nobody Wants This' (36:15) and the benefits of making such an L.A.-centered show (49:17). Hosts: Chris Ryan and Andy Greenwald Guest: Timothy Simons Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices