Podcasts about Tinker Tailor Soldier Spy

Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen's novel, The Spy Coast, and Sarina reassured KJ she'd enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I'd heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I'm not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen's spies and the world they inhabit. There's a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader. Book two, The Summer Guests, is even more rooted in Maine, on its history and the social dynamics of its natives and its summer people. Once I tore through those first two books, I went back to Gerritsen's first book, The Surgeon, one of Time Magazine's top 100 thriller/mystery books of all time and the first in the Rizzoli & Isles series, consequently made into a long-running television series. Gerritsen has a fascinating career trajectory, lots to talk about regarding pantsing and plotting, where the ideas come from, and lots of other geeky details about the writing life. I hope you enjoy it as much as we did. Find Tess at Tessgerritsen.com, or on Bluesky, @TessGerritsen Transcript below!EPISODE 462 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional, and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out the free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning, and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, this is Jess Lahey, and this is the Hashtag AmWriting Podcast. This is the podcast about writing all the things—short things, long things, poetry, prose, narrative nonfiction, fiction, creative nonfiction, queries, proposals. This is the podcast about writing all the things. More than anything else, this is the podcast about the writing life and about getting the work done. I am Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The Atlantic and The Washington Post, and my bi-weekly (formerly bi-weekly) column at The New York Times, The Parent-Teacher Conference, ran for about three years I am joined today by Sarina Bowen, who has written 50-odd books. She has written lots and lots of romance, and her most recent addition to the world of publishing has been her thrillers, Dying to Meet You and The Five Year Lie. And she has a book coming out this fall called Thrown for a Loop. The reason I am recording this intro on my own—which, as you may know if you've been listening, is highly unusual for us—is because I know myself. And I know when I'm really excited to talk to someone on the podcast; I'm going to flub the intro. I'm going to forget something. I'm going to forget to introduce them altogether. So today, I'm doing that first, so I don't mess it up. A while ago on the podcast, you may have heard Sarina and KJ read some books by an author named Tess Gerritsen. I had heard of Tess Gerritsen, but I had never read any of her books. I just hadn't yet. I haven't read Nora Roberts yet. I haven't read—there are lots of authors I haven't read yet. And sometimes you don't even know where to start. So when Sarina and KJ recommended Tess Gerritsen's new series set in Maine—the first one being The Spy Coast and the second one being The Summer Guests—I figured I had a good place to start. And you know, as a New Englander, I love a good book about New England, and that was the start of my interest in Tess Gerritsen's work. I have gone back to the beginning and started with her book The Surgeon, which was her first book in the series that became the Rizzoli and Isles Series, as well as a television show. Tess Gerritsen has a—she's written through 33 books at this point. And as I now know, she has also directed a documentary called Magnificent Beast about pigs, which I listened to this morning while I was vacuuming the house. I loved it. She also—she has a lot to say about genre, about publishing, about second careers, about a writing place, and about process. So let's just jump right into it. I am so excited to introduce to you today, Tess Gerritsen. So from the perspective of what our listeners love—this podcast, the Hashtag AmWriting Podcast —is super geek. People who love the nuts and bolts and the dorky details of the writing life. Sarina has a past life in finance, and so she tends to be, like, our “no, but let's talk about the numbers” kind of person. I'm just the research super dork, which is why I spent my morning watching your documentary about pigs.Tess GerritsenOh my god! (Laughing)Jess LaheyMagnificent Beast. I—I've joked in the past that if I could, I would probably just research things in—in, you know, maybe there'll be a book out there, maybe there won't, but I would research things and—and just learn as much as I could. And so I loved—loved—your Magnificent Beast documentary. I thought it was fantastic. But one of the reasons that we wanted to talk to you, just from the very beginning, is that we feel like you do some pretty incredible world-building and relationship-building with your places and your characters. And so I just—I would love to start there, mainly with the idea of starting with the real nuts and bolts stuff, which is, like, what does an average writing day look like for you? And how do you, sort of—how do you set that up? What does it look like, if you have an average writing day? Maybe you don't.Tess GerritsenWell, it's hard to describe an average writing day, because every day is—there are days when you sit at your desk and you just, you know, pull your hair. And there are days when you get distracted by the news. And there are many days when I just do not want to write. But when I'm writing, the good days are when my characters are alive and talking to me. And it's—it's—you talked about world-building and character-building. That is really key to me. What are they saying to me? Can I hear their voices? And it sounds a little—a little crazy, because I am hearing voices. But it's those voices that really make characters come alive.Jess LaheyI—You have said in other interviews that you are very much—sorry to those of you who hate the terms—that you are very much a pantser. And you are sitting on this interview with a consummate plotter. Sarina is our consummate plotter. So could you talk a little bit about how those character—how those voices—influence, you know, the pantsing of the—of the book, and—and how that works for you?Tess GerritsenWell, I mean, it is weird that I am a pantser. And it's funny—I think that people who are plotters tend to be people who are in finance or in law, because they're used to having their ducks lined up, you know. They—they want everything set up ahead of time, and it makes them feel comfortable. And I think a large part of becoming a pantser is learning to be comfortable with unpredictability. Learning to just let things happen, and know you're going to take wrong turns, know you're going to end up in blind alleys—and yet just keep on forging ahead and change direction. So I suppose that what helps me become a pantser, as I said, is hearing a character's voice. If, for instance, when I wrote The Spy Coast, the first thing I heard about that book was Maggie Bird's voice. And she just said, “I'm not the woman I used to be.” And that's an opening there, right? Because you want to find out, Maggie, who did you used to be? And why do you sound so sad? So a lot of it was just—just getting into her head and letting her talk about what a day-to-day life is, which is, you know, raising chickens and collecting eggs and becoming—and being—a farmer. And then she does something surprising in that very first chapter. There's a fox that's killing her chickens, so she grabs her rifle and kills it with one shot. And that opens up another thing, like—how are you, a 62-year-old woman, able to take out a rifle and kill a fox with one shot? So it's—it's those things. It's those revelations of character. When they come out and they tell you something, or they show you they—they have a skill that you weren't aware of, you want to dig deeper and find out, you know, where did they get that skill?Sarina BowenAnd that is a really fun way to show it. I mean, you're talking today with two people who have also kept chickens.Multiple Speakers(All laughing)Jess LaheyAnd had foxes take their chickens, actually.Sarina BowenOh yes, because the two go together.Tess GerritsenYes.Sarina BowenBut yes, I admit I have never shot a fox, and maybe wouldn't.Jess LaheyI have yelled very loudly at a fox, and he actually—I have to say—really mad respect for the fox, because he took one look at me—he did drop the chicken that I was yelling at him for grabbing—and then he went across the street, around the neighbor's house, around the back of the other neighbor's house, and came at the exact same chicken from the other side of the house, where I couldn't see him out the window.Tess GerritsenOh, they are so smart. They are so smart.Jess LaheySo smart. Sarina, it sounded like you had something— you had something you wanted to add, and I interrupted you when we were talking about pantsing and we were talking about world-building and characters speaking to you.Sarina BowenWell, I just had thought that it was a lovely moment to explain why I was so excited to read this book after I heard Tess speak at Thriller Fest 2024, in a packed room where there was nowhere to sit except on the floor. You told the audience a little bit of a story from your real life that—that made you want to write that book. And I wonder if you could tell us what that was, because for me—I mean, we were only five minutes into your talk, and I'm like, oh, I'm—I'm going to download that tonight.Tess GerritsenWell, yes, it was. A lot of my books come from ideas that I've been stewing over for years. I have a folder called the ideas folder. It's an actual physical manila folder. And if I see something in an article or a newspaper or a magazine, I'll just rip it out and stick it in there, and it sometimes takes a long time before I know how to turn this into a book. So the idea for The Spy Coast is a little bit of obscure knowledge that I learned 35 years ago, when I first moved to Maine. My husband is a medical doctor. He opened up a practice, and when he would bring in new patients, he would always get an occupational history. And he used to get this answer—this very strange answer—from his new patients. They would say, “I used to work for the government, but I can't talk about it.” And after he heard that three times, he thought, what town did we land in? And who are these people? And we later found out that on our very short street, on one side of us was a retired OSS person, and on the other side was retired CIA. A realtor told us that our town was full of CIA retirees. So, I mean, of course you want to ask, why did they get here? What are they doing here? What are their lives like? I knew there was a book in there, but I didn't know what that book was. I needed 35 years to come up with the idea. And what I really needed to do was become old and—and realize that as you get older, especially women, we become invisible. People don't pay attention to us. We are over the hill. You know, everybody looks at the young, pretty chicks, but once you start getting gray hair, you fade into the background. And with that experience myself; I began to think more and more about what it's like to be retired. What is it like to be retired from a job that was maybe dangerous, or exciting, or something that you really risked your life to—to achieve? So that was—that was the beginning of The Spy Coast. What happens to CIA retirees—especially women—who are now invisible? But that makes them the best spies of all.Jess LaheyYeah, and we have—we did this really cool thing, this really fun thing for us on the Hashtag AmWriting Podcast. It's like a supporter-only thing, where we call First Pages, where very brave authors—very brave writers—submit their first page to us, and we talk about it and decide whether or not we'd want to turn the page. And you have an incredible skill on your first pages. You're very, very good at first pages. And I was thinking about The Summer Guests, that you had this wonderful line that I'm going to read now:Purity, Maine, 1972. On the last day of his life, Purity police officer Randy Pelletier ordered a blueberry muffin and a cup of coffee at the Marigold Café,Which immediately reminded me of my very, very favorite line from all of literature—my very favorite first line—which is Irving's first line from A Prayer for Owen Meany, in which he ruins the story for you right there in the first line:I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God.There is this incredible power to first lines. And I'm sort of wondering where—how first lines happen for you. Do they happen first? Do they happen last? Do they happen along the way?Tess GerritsenFirst lines usually happen last. I—it's—I will write the whole book, and I'll think, something's missing in that first chapter. How do I open this up? And, you know, there are things that make lines immediately hypnotic, and one of those things is an inherent contradiction—something that makes you think, wait, okay, you start off this way, but then all of a sudden, the meaning of that line switches. So, yeah, it starts off with, you know, this guy's going to die. But on that last day of his life, he does something very ordinary. He just orders coffee at the local café. So I think it's that contradiction that makes us want to read more. It's also a way to end chapters. I think that—that if you leave your reader with a sense of unease—something is about to go wrong, but they don't know what it is yet—or leave them with an unanswered question, or leave them with, as I said, a contradiction—that is what's page-turning. I think that a lot of thriller writers in particular mistake action for—for being—for being interesting. A car chase on the page is really very boring. But what's interesting is something that—you could feel that tension building, but you don't know why.Sarina BowenI have joked sometimes that when I get stuck on a plot, sometimes I will talk at my husband and—and say, “you know, I'm stuck here.” And he always says, “And then a giant squid attacked.” And it—of course I don't write books that take place where this is possible, so—but it never fails to remind me that, like, external action can sometimes be just, you know, totally pointless. And that if you're stuck, it's because one of your dominoes isn't leaning, you know, in the right spot. So...Tess GerritsenYeah, it's—it's not as much fun seeing that domino fall as seeing it go slowly tilting over. You know, I really learned this when I was watching a James Bond movie. And it starts off—you know, the usual James Bonds have their cold open to those action and chasing and death-defying acts. I found that—I find that really, in that movie anyway—I was like, Ho hum. Can we get to the story? And I found the time when I was leaning forward in my theater seat, watching every moment, was really a very quiet conversation aboard a train between him and this woman who was going to become his lover. That was fascinating to me. So I think that that transfers to book writing as well. Action is boring.Jess LaheyYou and Sarina do something that I feel, as a writer; I would probably not be very good at, which is creating that unease. I—Sarina in particular does this thing... I've read every one of Sarina's books, as a good friend is supposed to do. And I text her, and I say, Why don't they just talk about it and just deal? Get it out in the open! And she's like, you know, we just got to make these people uncomfortable. And you both have this incredible talent for helping—keeping the reader, uh, along with you, simply because there is this sense of unease. We're slightly off-kilter the whole time. And yet in me, as a people pleaser, that makes me very uncomfortable. I want people to be happy with each other. So how do you—if you get to a place where you feel like maybe things aren't off-kilter enough, or things aren't off-balance enough—how do you introduce a little bit of unease into your—into your story?Tess GerritsenWell, I think it comes down to very small points of conflict—little bits of tension. Like, we call it micro-tension. And I think those occur in everyday life all the time. For instance, you know, things that happen that really don't have any big consequence, but are still irritating. We will stew about those for—for a while. And, you know, I used to write romance as well, so I understand entirely what Sarina is doing, because romance is really about courtship and conflict. And it's the conflict that makes us keep reading. We just—we know this is the courtship. So there's always that sense of it's not quite there, because once the characters are happy, the story is over, right?Sarina BowenYeah.Multiple Speakers(All laughing)Sarina BowenAlso, writing the ends of romance novels is the least interesting part. Like, what...? Once the conflict is resolved, like, I cannot wait to get out of there.Tess GerritsenRight, exactly. You know, I—I pay attention to my feelings when I'm reading a book, and I've noticed that the books that I remember are not the books with happy endings, because happiness is so fleeting. You know, you can be happy one second, and then something terrible will happen. You'll be unhappy. What lasts for us is sadness, or the sense of bittersweet. So when I read a book that ends with a bittersweet ending—such as, you know, Larry McMurtry Lonesome Dove—I ended up crying at the end of that book, and I have never forgotten that ending. Now, if everybody had been happy and there had been nobody to drag all those miles at the end, I would have forgotten that book very quickly. So I think—I try—I always try to leave the end of the book either bittersweet—I mean, you want to resolve all the major plot points—but also leave that sense of unease, because people remember that. And it also helps you, if you have a sequel.Sarina BowenThat's so interesting you've just brought up a couple of really interesting points, because there is a thriller—I actually write suspense now—and one of the books that so captured my attention about five years ago was killing it on the charts. And I thought it was actually a terrible book, but it nailed the bittersweet ending. Like, the premise was solid, and then the bittersweet ending was perfect, and the everything between the first chapter and the last chapter was a hot mess, but—but—um, that ending really stuck with me. And I remember carrying it around with me, like, Wow, they really nailed that ending. You know, and—and maybe that has, like, legs in terms of, like, talking about it. And, you know, if it—if—if it's irritating enough, like, the tension is still there—enough to, like, make people talk about it—it could actually affect the performance of that book. But also, um, one thing that I really love about this series—you have—what is the series title for the...?Tess GerritsenMartini—The Martini Club.Sarina BowenThe Martini Club, right? So The Martini Club is two books now. I inhaled the first one last summer, and I inhaled the second one this summer. And The Martini Club refers to this group of friends—these retired spies. And of course, there are two completely different mysteries in book one and book two. And I noticed a couple of things about the difference between those mysteries that was really fun. So in the first case—or in one of the two cases, let's see—in one of them, the thing that happens in their town is actually, like, related to them. And in the other one, it's kind of not. So to me, that felt like a boundary expansion of your world and your system. But also, I just love the way you leaned into the relationship of these people and their town in such a way. And how did you know to do that? Like, how—what does your toolbox say about how to get that expansiveness in your character set? Like, you know, to—to find all the limits of it?Tess GerritsenThat—you know, so much is like—it's like asking a pole-vaulter how they do it. They just—they have just—I guess its muscle memory. You don't really know how you're doing it, but what I did know was—with age, and because I love these characters so much—it really became about them and about what is going to deepen their friendship? What kind of a challenge is going to make them lean into each other—lean on each other? That's really what I was writing about, I think, was this circle of friends, and—and what you will do, how much you will sacrifice, to make sure your friends are safe. No, you're right—the second book is much more of a classic mystery. Yeah—a girl disappears. I mean, there was—there were—there were CIA undertones in that, because that becomes an important part of the book. But I think that what people are—when people say they love this book—they really talk about the characters and that friendship. And we all want friends like this, where we can go and—and—and have martinis together, and then if we—one of us needs to—we'll go help them bury a body.Multiple Speakers(All laughing)Tess GerritsenThat's—they all have shovels, and they're willing to do it. That's the kind of friendship—friends—we want.Jess LaheyWell, and that's funny you mention that—I had an entire question—it wasn't even a question, it was a statement—in here about friendships and being grateful to you for the reminder about the importance of relationships. And this entire podcast was born out of the fact that we were talking writing all the time, and we just wanted an official way to sit down once a week and actually talk about the work. And your work is suffused with just these incredible relationships—whether that's the Rizzoli and Isles—you know, in your first—in the one of your other series—and I'm just—I'm very grateful for that, because we—especially—I think I re—I really crave books about female relationships, especially about older female relationships. And I have been loving your books, and I've—like, as I may have mentioned to you in my initial email—I had—I'm so sorry—never read your books before. And I admitted in the introduction that there are lots of very, very famous authors whose books I have never read. And it's always so exciting to me to dive into someone's series and realize, oh, this person really touches on themes that mean a lot to me, and I can already tell that I'm going to be enjoying a lot of their books to come forward. So thank you for all of the great descriptions of relationships and how we do rely on each other for various aspects of just how we get through all of this stuff.Tess GerritsenYeah—get through life. But you know what's funny about it is that it didn't start that way. For instance, let's go back to Rizzoli and Isles. The very first time they both appear in a book is in The Apprentice. And they don't start off being friends. They start off being—they're so different. As the TV producer once said, “you've really written about Captain Kirk and Mr. Spock.” That's okay—they are—in the books. They are not natural friends. But like real-life friendships, sometimes—just kind of develop slowly, and—and they have their ups and downs. So there are times when—when Jane and Maura are barely speaking to each other because of conflicts they have. But by the time book twelve comes around—or maybe book seven comes around—you know that they would risk their lives for each other. So I think that if you're writing a series like Rizzoli and Isles, or like The Martini Club, it really helps to develop the friendship on the fly and see how they react to certain stresses. The next book, which I just turned in, called The Shadow Friends—it even put—pushes them even further, and it really—it really strains a marriage, because it's—it's more about Ingrid, and an old lover comes back into her life. She used to—they were both spies—and he is, like, hot, hot, hot—Antonio Banderas kind of guy. And here's Ingrid, married to Lloyd, you know, who's just a sweet analyst who cooks dinner for her every night. And I—when I was coming up with that story, I thought, I want to write a book about their marriage. So it wasn't—the plot wasn't about, oh, you know, international assassinations, even though that does occur in the book. It's really about the story of a marriage.Jess LaheyAnd it gives you, it gives you added unease. You know, if you have your two characters not speaking to each other, and you know your readers love those characters and crave those characters to be getting along at some point, then that's just another reason that we're following along. I was just thinking about, uh, Michael Connelly, uh, book the other day, because I really, really like the series he did with Renée Ballard and her relationship with the Bosch character, and how that series is totally about crime, but yet it's also very much about the relationship. And I think I follow—I continue to read those because of the relationship between those two human beings, and less so because of the murder mystery sort of stuff.Tess GerritsenI think it really becomes important if you're dealing also with Hollywood television series. I still remember what the producer first said when he called me up about Rizzoli and Isles. He said, "I love your girls, and I think they belong on TV.” He didn't say, I love your plots. He didn't say, I love your mysteries, you know, all your intricate ups and downs. It was really about the girls. So if you hope to sell to a television series, really, it's about characters again.Jess LaheyAbsolutely.Sarina BowenI was going to ask about longevity, because you have so many books, and you're so obviously still invigorated by the process, or there wouldn't be a book three that you just turned in. So how have you been able to avoid just being sick to death of—of writing suspense novel after suspense novel?Tess GerritsenI refused. That's what it is. You know, I—I don't—I guess I could say that I have a little bit of ADHD when it comes to—to the books I write. I cannot—after 13 books of Rizzoli and Isles, I just had a different idea. And it takes—it takes a certain amount of backbone to say no to your publisher, to your editor, to people who are going, well, when's the next one in this series coming out? And to be able to say, I need a break. I need to do something completely different. So over—how many years I've been a writer—almost 40 now—I've written science fiction and historicals and a ghost story and romantic suspense and spy novels and medical thrillers and crime novels. I've been all over the place, but each one of those books that took me out of what I was expected to do was so invigorating. It was a book that I needed to write. As an example, I wrote a book called Playing with Fire. Nobody wanted that book. Nobody expected that book. It was a historical about World War II, and about music—about the power of music—and having to do with the death camps. I remember my publisher going, "What are you doing?" And, you know, it's—it's true—they're—they—they are marketers, and they understood that that book would not sell as well, and it didn't. But it still remains one of my favorite books. And when you want to write a book, you need to write that book. That's all—even—even if nobody wants it.Jess LaheyI actually was—I'm so pleased that this came up, because that was actually going to be my question, because both you and Sarina have done this—done, you know, 90 degrees—whether it's out of, you know, one genre into another—and that, to me, requires an enormous amount of courage. Because you know you have people expecting things from you. And you in particular, Tess, have people saying, "No, I want the next one. I love this relationship. I want the next one." And—and dealing—you're not just dealing with the disappointment of whether it's an agent or an editor, but the disappointment of fans. And that's a pressure as well. So when I used to do journalism, I remember a question I asked of another journalist was, "How do you continue to write without fear of the comment section?" And essentially, for us, that's our—you know, those are our readers. So how do you find that thing within yourself to say, no, this really is the thing that I need to be writing now?Tess GerritsenWell, that is a really—it's a really tough decision to buck the trend or buck what everybody's expecting, because there's a thing in publishing called the death spiral. And if your book does not sell well, they will print fewer copies for the next one. And then that won't sell well. So you start—your career starts to go down the drain. And that is a danger every time you step out of your tried and true series and do something out of—you know, completely out of the ordinary. I think the reason I did it was that I really didn't give a damn. It was—it was like, Okay, maybe this will kill my career, but I've got to write this book. And it was always with the idea that if my publisher did not want that, I would just self-publish. I would just, you know, find another way to get it out there. And I—I was warned, rightly so, that your sales will not be good for this book, and that will—it will hurt the next contract. And I understood that. But it was the only way I could keep my career going. Once you get bored, and you're—you're trapped in a drawer, I think it shows up in your writing.Jess LaheyI had this very conversation with my agent. The—my first book did well. And so then, you know, the expectation is, I'll write like part two of that, or I'll write something for that exact same audience again. And when I told my agent—I said, "You know, this book on substance use prevention and kids—I—it's—I have to write it. And I'm going to write it even, you know, if I have to go out there and sell it out of the trunk of my car." And she said, "Okay, then I guess we're doing this." And yes...Tess Gerritsen(Laughing) They had their best wishes at heart.Jess LaheyAnd honestly, I love—I loved my book that did well. But The Addiction Inoculation is the book I'm most proud of. And, you know, that's—yeah, that's been very important to me.Tess GerritsenI often hear from writers that the book that sold the fewest copies was one that was—were their favorites. Those are the ones that they took a risk on, that they—I mean, they put their heart and soul into it. And maybe those hurt their careers, but those are the ones that we end up being proud of.Jess LaheyI like to remind Sarina of that, because I do remember we text each other constantly. We have a little group, the three of us, a little group text all day long. And there was—I remember when she first wrote a male-male romance, she was scared. She was really scared that this was going to be too different for her readers. And it ended up being, I think, my favorite book that she's ever written, and also a very important book for her in terms of her career development and growth, and what she loves about the work that she does. And so I like to remind her every once in a while, remember when you said that really scared you and you weren't sure how your readers were going to handle it?Sarina BowenRight? Well, I also did that in the middle of a series, and I went looking for confirmation that that is a thing that people did sometimes, and it was not findable. You know, that was...Jess LaheyWhat? Change things up in terms of—change things up in the middle of a series?Sarina BowenIn the middle of a series. And anyway, that book still sells.Tess GerritsenThat is a great act of courage, but it's also an act of confidence in yourself as a writer. There are ways to do it. I think some writers will just adopt a different pen name for something that's way out there.Jess LaheyIt's funny you should say... it's funny you should say that.Sarina BowenWell, no, and I never have done that, but, um—but anyway, yeah, that's hard. I, uh...Jess LaheyYeah.Sarina BowenIt's hard to know. Sometimes...Jess LaheyWe entertain it all the time. We do talk about that as an option all the time. Shouldn't we just pick up and do something completely different? One of the things that I also—I mentioned at the top of the podcast about, you know, you went off—not only have you done lots of different things in terms of your writing—but you went off and you did an entire documentary about pigs. I have—I have to ask you where on earth that came from and why. And it is a total delight, as I mentioned, and I have already recommended it to two people that I know also love the topic. But, you know, to go off—and especially when you usually, as some of us have experienced—our agents saying, so when am I going to see more pages? or when am I going to see the next book? And you say, I'm really sorry, but I have to go off and film this documentary about pigs.Tess GerritsenYes. Well, you know, I was an anthropology major in college, and I've always been interested in the pig taboo. You know, back then, everybody just assumed it was because, yeah, it was disease or they're dirty animals—that's why they're forbidden food. It never quite convinced me, because I'm Chinese-American. Asia—you know, Asia loves pork. Why aren't they worried about all that? So I was in Istanbul for a book tour once, and I remember I really wanted bacon, and, you know, I couldn't get bacon. And then I thought, okay, I really need to find out why pork is forbidden. This is a—this is a cultural and historical mystery that never made sense to me. The explanations just never made sense to me. It cannot be trichinosis. So I told my son that—my son is—he does—he's a filmmaker as well. And he just said, "Well, let's do it. Let's—we will pose it as a mystery," because it is a mystery. So it took us probably two years to go and—you know, we interviewed anthropologists and pet pig owners and archaeologists, actually, just to find out, what do they say? What is the answer to this? And to us, the answer really just came down to this cultural desire for every—every tribe—to define us versus them. You know, they eat pigs. They're not us, so therefore they're the enemy. And it was fascinating because we—we ended up finding out more about pigs than I was expecting, and also finding out that people who have pet pigs can sometimes be a little unusual.Jess LaheyAnd the people who purchase the clothes for the pigs are also crazy.Tess GerritsenYes. Sew outfits for their pigs and sleep with their pigs. And there was—there was one woman who had—she slept on the second floor of her house, so she had an elevator for her pig who couldn't make it up the stairs, and, you know, ramps to get up onto the bed because they've gotten so fat—they've been overfed. But it was—for me, at the heart of it was a mystery.Jess LaheyAs a nonfiction author whose whole entire reason for being is, "I don't know—let's find out," I think that's just the most delightful thing. And I loved your framing as, "I don't know, we have this question, let's go out there and just ask people about it and find the experts." And that's—oh, I could just live on that stuff. So...Tess GerritsenSo could I. You know, research is so enticing. It's enticing. It is—it can get you into trouble because you never write your book. Some of us just love to do the research.Jess LaheySarina actually has taken skating lessons, done glass blowing—what else have you done? Yoga classes and all—all kinds of things in the pursuit of knowledge for her characters. And I think that's a delight.Sarina BowenYes. If you can sign up for a class as part of your research, like, that is just the best day. Like, you know, oh, I must take these ice skating lessons twice a day for five months, because—yeah—or twice a week, but still.Tess GerritsenYou must be a good ice skater then.Sarina BowenI'm getting better.Tess GerritsenSo you never gave them up, I see.Jess LaheyWell, it's fun because she usually writes about hockey, but she has a figure skater coming up in this book that's coming out this fall. And she's like, "Well, I guess I'm just going to have to learn how to figure skate."Tess GerritsenYeah.Sarina BowenI also—one time I went to see Rebecca Skloot speak about her big nonfiction The Immortal Life of Henrietta Lacks.Tess GerritsenOh, okay.Sarina BowenAnd she said that all her best ideas had come from moments in her life when she went, "Wait, what?!"Tess GerritsenYes. Yep.Sarina BowenIncluding for The Immortal Life of Henrietta Lacks. Like, she learned about the cells in high school—she was in high school biology class—and the teacher said, like, "This woman died in the '60s, but we're still using her cells," and she said, "Wait, what?!" And that's—that's what you made me think of with the pigs. Like, I think...Jess LaheyWell, and also your folder of ideas. I mean, I immediately texted Sarina after listening to a podcast where I heard an ad, and the ad made me go, "Oh that could be creepy." And then I'm like, "Okay, this is—this is a plot. This is going in the folder somewhere." And so you have to just think about how those things could unfold over time. And I love the idea of—and even in journalism—there are articles that I've written where I said, this just isn't their time. And then, like, five years later, I'll hear something out there, and I'm like, okay, finally, it's the time for this thing. And there's a reason you put that article in your idea—in your paper—manila folder of ideas.Tess GerritsenWell, I think writers are—we have to be curious. We have to be engaged in what's going on around us, because the ideas are everywhere. And I have this—I like to say I have a formula. It's called "two plus two equals five." And what that means is, sometimes you'll have a—you'll have a piece of information that, you know, there's a book here, but you haven't figured out what to do with it. And you wait for another piece of information from some completely different source, and you put them together, and they end up being like nuclear fusion—bigger than the…Sarina BowenYes!Jess LaheyYes!Tess GerritsenSome of the parts.Sarina BowenMost every book I've ever written works like that. Like, I have one idea that I drag around for, like, five years, and then I have this other idea, and one day I'm like, oh, those two things go together.Tess GerritsenYep.Jess LaheyYeah, absolutely. I think Stephen King mentioned that about Carrie. I think it was like, telekinesis, and that usually starts about the time of menstruation, and it was like, boom, there was Carrie. You know, those two things came together. I love that so much. So you mentioned that you have just handed in your next book, and we don't—we do not, as a rule, ask about what's next for an author, because I find that to be an incredibly intimidating and horrifying question to be asked. But I would love to hear; you know, is this—is this series one that you hope to continue working on? The main series, mainly because we have quite fallen in love with your little town in Maine—in Purity, Maine. Fantastic name for your town, by the way. It's really lovely. It creates such a nice dichotomy for these people who have seen and heard things during their careers that maybe are quite dark, and then they retire to a place called Purity. Is this a place where we can hopefully spend a little bit of time?Tess GerritsenWell, I am thinking about book number four now. I have an idea. You know, it always starts with—it starts with an idea and doodling around and trying to figure out what—you know, you start with this horrible situation, and then you have to explain it. So that's where I am now. I have this horrible situation, I have to explain it. So, yeah, I'm thinking about book four. I don't know how—you never know how long a series is going to go. It's a little tough because I have my characters who are internationally based—I mean, they've been around the world—but then I can't leave behind my local cop who is also a part of this group as well. So I have to keep an eye out on Maine being the center of most of the action.Sarina BowenRight, because how many international plots can you give Purity, Maine?Tess GerritsenThat's right, exactly. Well, luckily…Jess LaheyLook, Murder, She Wrote—how many things happened to that woman in that small town?Tess GerritsenExactly, exactly. Well, luckily, because I have so many CIA retirees up here, the international world comes to us. Like the next book, The Shadow Friends, is about a global security conference where one of the speakers gets murdered. And it turns out we have a global security conference right here in our town that was started by CIA 40 years ago. So I'm just—I'm just piggybacking on reality here. And—not that the spies up here think that's very amusing.Sarina BowenThat is fantastic, because, you know, the essential problem of writing a suspense novel is that you have to ground it in a reality that everyone is super familiar with, and you have to bring in this explosive bit of action that is unlikely to happen near any of us. And those two things have to fit together correctly. So by, um, by putting your retired spies in this tiny town, you have sort of, like, gifted yourself with that, you know, precise problem solver.Tess GerritsenYeah, reminding us.Sarina BowenYeah.Tess GerritsenBut there's only so far I can take that. I'm not sure what the limits... I think book four is going to take them all overseas, because my local cop, Jo, she's never been out of the country—except for Canada—and it's time for her dad to drag her over to Italy and say, "Your dead mom wanted to come to Italy, so I'm taking you." And, of course, things go wrong in Italy for Jo.Jess LaheyOf course, of course. Well, we're going to keep just banging on about how much we love these books. I think we've already mentioned it in three podcast episodes so far in our “What have you been reading lately that you've really loved?” So we're—we're big fans. And thank you so much for sitting down to talk with us and to—you know, one of the whole points of our podcast is to flatten the learning curve for other authors, so we hope that that's done a little bit of that for our listeners. And again, thank you so much. Where can people find you and your work if they want to learn a little bit more about Tess Gerritsen—her work?Tess GerritsenYou can go to TessGerritsen.com, and I try to post as much information there as I can. But I'm also at Bluesky, @TessGerritsen, and what is now called “X”—a legacy person on X—@TessGerritsen, yes.Jess LaheyThank you so, so much again. And for everyone out there listening, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music—aptly titled Unemployed Monday—was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

THE SHAZAMILY JOINS THE DCEU!! Shazam! Full Movie Reaction Watch Along:   / thereelrejects   With Superman & the DCU soaring at the Global Boxoffice + Peacemaker Season 2 on the horizon, Andrew & Tara RETURN to their DCEU Marathon giving their Shazam! Reaction, Recap, Commentary, Analysis & Spoiler Review!! Andrew Gordon & Tara Erickson react to the electrifying 2018 DC Extended Universe film Shazam!, directed by David F. Sandberg (Lights Out, Annabelle: Creation). A refreshing blend of superhero action and heartfelt comedy, Shazam! follows 14-year-old Billy Batson (Asher Angel – Andi Mack, High School Musical: The Musical: The Series), a foster kid who is granted the ability to transform into an adult superhero (Zachary Levi – Chuck, Tangled) by the ancient wizard Shazam (Djimon Hounsou – Gladiator, Guardians of the Galaxy). With the help of his foster brother Freddy Freeman (Jack Dylan Grazer – It, Luca), Billy must learn to harness his newfound powers while navigating teenage life in a grown-up's body. The film's main villain, Dr. Thaddeus Sivana, is played by Mark Strong (Kingsman, Tinker Tailor Soldier Spy), a man corrupted by the Seven Deadly Sins and bent on stealing Shazam's powers. As Billy embraces his heroic destiny, he discovers the importance of family and teamwork, especially when his foster siblings—played by Grace Caroline Curry, Meagan Good, Michelle Borth, Ross Butler, Adam Brody, and D.J. Cotrona—transform into a team of adult superheroes in one of the film's most crowd-pleasing, highly searched moments: the Shazam Family reveal. Packed with hilarious training montages, heartfelt family dynamics, and high-stakes action—especially the final battle at a winter carnival—Shazam! stands out as one of the most joyful entries in the DCEU. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

THAT BRAIN DINNER SCENE!! Hannibal Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Now that they've seen The Silence of the Lambs, Roxy & Andrew RETURN for the sequel to give their Hannibal Reaction, Recap, Commentary, Analysis & Full Movie Spoiler Review!! Roxy Striar & Andrew Gordon sink their teeth into Hannibal (2001), the intense horror thriller and sequel to The Silence of the Lambs, directed by Ridley Scott (Gladiator, Alien) and based on the novel by Thomas Harris. Anthony Hopkins reprises his Oscar-winning role as the brilliant yet monstrous Dr. Hannibal Lecter, while Julianne Moore (Boogie Nights, Still Alice) steps into the shoes of FBI Agent Clarice Starling, now hardened and disgraced after a botched drug raid. The story picks up a decade after Lecter's escape, as Clarice is drawn back into his orbit when a disfigured, vengeful billionaire named Mason Verger—played hauntingly by Gary Oldman (The Dark Knight, Tinker Tailor Soldier Spy)—plots to lure and kill Lecter as revenge for a past encounter. Ray Liotta (Goodfellas, Narc) appears as Justice Department official Paul Krendler, whose grotesque fate in one of the film's most infamous and highly searched scenes—the brain dinner sequence—remains a shocking highlight. Set across Florence, Italy, and the U.S., the film explores dark themes of obsession, power, and retribution, backed by a haunting score from Hans Zimmer and lush, eerie cinematography. With its stylish violence, operatic tone, and controversial finale, Hannibal pushed the boundaries of the franchise and left audiences divided and disturbed. Roxy & Andrew dive into its most iconic moments, character dynamics, and legacy as one of the most polarizing sequels in horror history. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Your handlers Ian, Daniel and Jordan have a mission for you: to listen to the new Spy Movie episode of Cinema in Seconds.  So stay low, pay attention and give it a listen.Tinker Tailor Soldier Spy – 4:00Goldfinger – 21:30Notorious – 32:30Mission Impossible Dead Reckoning – 44:00Bourne Identity – 54:00The Spy Who Came in from the Cold – 1:05:30Mailbag – 1:28:30

Tom's work as Production Designer has included the feature films: Green Street Hooligans, First They Killed My Father, and Bloodshot, and the television series, Whitechapel and Luther. Tom's work as Supervising Art Director includes the films: Tinker Tailor Soldier Spy, A Good Day To Die Hard, Spy, By The Sea, Tomb Raider, Venom: Let There Be Carnage, Wonka, Dune, and Maria.

THE TOM CRUISE AIRPLANE STUNT!!! Mission: Impossible - Rogue Nation Full Reaction Watch Along:   / thereelrejects   With Tom Cruise & the gang returning for Mission: Impossibe - The Final Reckoning this summer, Tara & Aaron return for their Mission: Impossible – Rogue Nation Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. Download the PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Join Tara Erickson & Aaron Alexander as they dive into Christopher McQuarrie's adrenaline-fueled 2015 installment, Mission: Impossible – Rogue Nation. When the IMF is shut down by a covert syndicate known only as “The Syndicate,” Ethan Hunt (Tom Cruise, Top Gun: Maverick, Jack Reacher) goes off-book to stop a global conspiracy that threatens world order. Hunt is joined by the enigmatic double-agent Ilsa Faust (Rebecca Ferguson, The Girl on the Train, The White Queen), whose loyalties keep you guessing at every turn. Backing him up (and providing much-needed tech support) is Benji Dunn (Simon Pegg, Shaun of the Dead, Star Trek), while William Brandt (Jeremy Renner, The Hurt Locker, The Avengers) brings battlefield savvy to the team. The sinister mastermind Solomon Lane (Sean Harris, Prometheus, Macbeth) orchestrates chaos from the shadows, opposed by steadfast ally Luther Stickell (Ving Rhames, Pulp Fiction, The Transporter). Rounding out the ensemble are Atlee (Simon McBurney, Tinker Tailor Soldier Spy), the Syndicate's cold-hearted handler, and CIA Director Alan Hunley (Alec Baldwin, 30 Rock, The Departed), whose orders drive Hunt to desperate measures. Tara & Aaron break down every iconic sequence—from the opera-house break-in under the Vienna chandelier and the daring underwater vault heist, to the high-speed motorcycle chase through the narrow streets of Morocco and the gravity-defying cargo-plane finale. Don't miss their take on the film's jaw-dropping stunts, intricate espionage, and the moral tightrope Ethan walks between duty and trust. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In the shadowy depths of the Cold War, retired British intelligence officer George Smiley is called back to uncover a Soviet mole buried deep within the highest ranks of MI6. Smiley must outwit an enemy hiding in plain sight as he navigates a treacherous world of half-truths, betrayal, and old loyalties. Tinker Tailor Soldier Spy is a subtle, cerebral, and utterly gripping masterclass in espionage fiction.   Let's get LIT!   Links & Resources: Grab your Digital Reading Journal here: ETSY or Patreon Want more bookish fun? Check out our archive of episodes! (www.LITSocietyPod.com) Shop Kari's collection of luxury literary-themed candles at www.lovelitotes.com. Find Alexis and Kari online:  Instagram — www.instagram.com/litsocietypod Bluesky — https://bsky.app/profile/litsocietypod.bsky.social Our website — www.LitSocietyPod.com. Subscribe to emails and get free stuff: http://eepurl.com/gDtWCr.

Director Steven Soderbergh's latest is a classy Tinker Tailor Soldier Spy variant, expertly made and with an impeccable cast, exceptionally led by Cate Blanchett and Michael Fassbender. The odd improbabilities aside.

LOOK OUT! It’s only Films To Be Buried With! Join your host Brett Goldstein as he talks life, death, love and the universe with the award winning screenwriter, playwright and author PETER STRAUGHAN! Fresh off Peter's Oscar win (and multi nominations) for Conclave, here's a rare chance to catch him in non-promo mode and in post-win glow mode. It's a really great one, a free and easy, breezy and fun catch up with these two, as you get to hear about all sorts of cinematic rocket fuel for Peter as well as a ton of awesome behind the scenes goodies. Expect gems involving his gravitation towards certain stories and themes, awards season chaos, to be on set or not to be, how the subconscious escapes through writing, wallpaper secrets and muddy elves. And of course so much more. Upper tier Patreon members get a chance to stare at this particular G.O.A.T. too in the video version so consider that option if it takes your fancy. I just wanted to crowbar that pun in. That's on me. Enjoy! Video and extra audio available on Brett's Patreon! CONCLAVE OSCARS WIN CONCLAVE THE MEN WHO STARE AT GOATS IMDB –––––––––– BRETT • X BRETT • INSTAGRAM TED LASSO SHRINKING ALL OF YOU SOULMATES SUPERBOB (Brett's 2015 feature film)See omnystudio.com/listener for privacy information.

Join Dan and Tom as they give you their no-spoiler review of the just-released spy movie: BLACK BAG.  Our goal is to give you the information you need to see if watching BLACK BAG is worth your time and money. Listen to find out what they think. BLACK BAG is a spy movie, not an action movie.  What does that mean?  Well, think of TINKER TAILOR SOLDIER SPY or THE SPY WHO CAME IN FROM THE COLD.   Those were spy movies, not action movies. BLACK BAG is not reminiscent of a James Bond or Ethan Hunt spy movie. The cast is excellent with Michael Fassbender, Cate Blanchett, Tom Burke, Marisa Abela, Regé-Jean Page, Naomie Harris, and Pierce Brosnan. Some of the topics we discuss include in this review are: ·         How this is a different type of spy movie ·         The Cast and their roles ·         What movies may have influenced some of the scenes? ·         The direction, cinematography, and production design ·         What sets looked best ·         Our favorite scenes (while not spoiling anything) ·         The pacing of the movie ·         And More … We've also included some comments from other people who watched this movie when we did.  They don't all have the same opinion of this movie.  Listen to find out what they say. Tell us what you think about our review of BLACK BAG So, take a listen and let us know what you think.  Have you previously heard of this movie or even watched it?  If not, did this episode entice you to watch it? If you have seen it, do you agree with Dan and Tom's opinions?  Dan and Tom disagree a little about this movie.  Who do you agree with? Let us know your thoughts, ideas for future episodes, and what you thought of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://bit.ly/3R8tSKx

In this episode we are celebrating 50 years of Tinker Tailor Soldier Spy by counting up to 50 interesting things about the book. For numbers one to ten I’m welcoming Matthew Bradford back to the podcast. We talk that iconic cover, opening line and dig into the mystery of who the novel was dedicated to. […]

The screenwriter Peter Straughan has become adept at taking well known — and beloved — books and adapting them for the big and small screens. He was first nominated for an Oscar for his screenplay of the 2011 film “Tinker Tailor Soldier Spy,” based on the classic John le Carré spy novel, and then adapted Hilary Mantel's “Wolf Hall” trilogy into an award-winning season of television, with an adaptation of the third novel coming out soon. Now he has been nominated for a second Oscar: for his screenplay for “Conclave,” based on Robert Harris's political thriller set in the secret world of a papal election.“It's almost like mosaic work,” Straughan tells Gilbert Cruz, the editor of The New York Times Book Review, about adapting books. “You have all these pieces; sometimes they're going to be laid out in a very similar order to the book, sometimes a completely different order. Sometimes you're going to deconstruct and rebuild completely.”In the third episode of our special series devoted to Oscar-nominated films adapted from books, Cruz talks with Straughan about his process of translating a book to the screen, and about the moments in ‘‘Conclave” that he found most exciting to adapt.Produced by Tina Antolini and Alex BarronEdited by Wendy DorrEngineered by Daniel RamirezOriginal Music by Elisheba IttoopHosted by Gilbert Cruz Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

On this episode, I spoke to composer Volker Bertelmann about his work on Conclave. Bertelmann was nominated this year at the 2025 Academy Awards. CONCLAVE follows one of the world's most secretive and ancient events – selecting the new Pope. Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church's most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope's wake, secrets which could shake the foundations of the Church.CONCLAVE is based on bestselling author Robert Harris' 2016 thriller of the same name. Optioned for the screen by House Productions, it is scripted by Peter Straughan, the Oscar® - nominated writer of Tinker Tailor Soldier Spy, and directed by Oscar®-winning filmmaker Edward Berger (All Quiet on the Western Front).

THE POD MATT WAS BORN TO POD.With Gourley And Rust bonus content on PATREON and merchandise on REDBUBBLE.With Gourley and Rust theme song by Matt's band, TOWNLAND.And also check out Paul's band, DON'T STOP OR WE'LL DIE. Hosted on Acast. See acast.com/privacy for more information.

On this episode, I spoke to costume designer Lisy Christl about her work on Conclave.  Christl was nominated this year at the 2025 Academy Awards.  CONCLAVE follows one of the world's most secretive and ancient events – selecting the new Pope. Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church's most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope's wake, secrets which could shake the foundations of the Church. CONCLAVE is based on bestselling author Robert Harris' 2016 thriller of the same name. Optioned for the screen by House Productions, it is scripted by Peter Straughan, the Oscar® - nominated writer of Tinker Tailor Soldier Spy, and directed by Oscar® -winning filmmaker Edward Berger (All Quiet on the Western Front).

Before he was the co-host of Pod Save the World,Ben Rhodes was the Deputy National Security Advisor for President Barack Obama. In that role, he was a consumer of Top Secret intelligence collected by the intelligence services. This gives him a very unique perspective as we finally tackle the 2011 adaptation of the John Le Carré spy masterpiece, Tinker Tailor Soldier Spy. A phenomenal political and cinematic conversation. Not to be missed. Chapters Introduction (00:00:00) Hatch News (00:15:22) Tinker Tailor Soldier Spy Roundtable (00:20:23) Your Letters (01:49:48) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

This underrated gem focuses on the psychological cost of living in a world built on lies This show is atmospheric, stylish, and packed with razor-sharp dialogue that keeps you hanging on to every word The espionage genre has always been a playground for tension, deception, and moral ambiguity, capturing audiences with its shadowy corridors of secrecy. From Cold War classics like Tinker Tailor Soldier Spy to modern thrillers like The Americans, spy narratives often blur the lines between loyalty and betrayal. In today's episode of Lost and Found, we're diving into an underrated masterpiece that's equal parts espionage thriller and emotional drama. If you're into betrayal, intrigue, and complicated friendships, this one's for you. Yep, we're talking about the gripping series A Spy Among Friends, streaming now on SonyLIV with OTTplay Premium.

Today, we're heading in our proverbial Popemobile to Rome, with the BAFTA Award-winning writer of Tinker Tailor Soldier Spy, The Men Who Stare At Goats and more. Peter Straughan's latest film, Conclave, directed by Edward Berger, is essentially Succession at the Vatican – a masterful, muted thriller about the election of a new head of the Roman Catholic Church. It tells the story of Cardinal Lawrence, played by Ralph Fiennes, who's been tasked by the late Pope with overseeing the selection of his replacement. Surrounded by powerful religious leaders in the halls of the Vatican, he soon uncovers a trail of deep secrets that could shake the very foundation of the Roman Catholic Church. There are more twists and turns in this film than the ruthless Cardinal Tedesco could shake a vape pen at – and in the spoiler conversation, we get to the bottom of each and every one of them, including the shocking revelation at Conclave's conclusion – an ending that Peter says is both radical and at its core, deeply Christian.Get ready to discover how the writer's own background as a lapsed Catholic helped guide his writing process. Discover whether or not Donald Trump and Joe Biden served as inspirations for certain members of this warring clergy. And find out what's really happening as bombs explode outside the Vatican's walls – a plot thread that we as an audience, sequestered with these cardinals, never quite see the full truth of. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Screenwriters Peter Straughan (Conclave) and Zack Baylin (The Order) discuss their latest projects and previous work, their process, and much more. Peter Straughan is a writer and playwright. His most recent screenplay is the 2024 film Conclave. Before Conclave, Peter's screenwriting credits have include The Goldfinch, Our Brand is Crisis, Frank and Tinker Tailor Soldier Spy, the latter of which received several accolades including a 2011 Academy Award nomination for Best Original Screenplay. In addition, he wrote the 2015 television adaptation of Wolf Hall, which earned him a nomination for the Primetime Emmy Award for Outstanding Writing for a Miniseries, Movie or a Dramatic Special. Zach Baylin is a writer whose 2024 credits include The Order and Bob Marley: One Love. His other credits include Gran Turismo, Creed III and King Richard, the last of which earned him an Academy Award nomination for Best Original Screenplay. --- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast  

Agents Scott and Cam, along with guest operative Jeff Quest of The le Carré Cast and Spy Write website, cut loose at the British Secret Intelligence Service Christmas party while decoding the 2011 adaptation of John le Carré's Tinker Tailor Soldier Spy.  Directed by Tomas Alfredson. Starring Gary Oldman, Colin Firth, Tom Hardy, Mark Strong, Ciarán Hinds, Benedict Cumberbatch, David Dencik, Stephen Graham, Simon McBurney, Toby Jones, Kathy Burke and John Hurt. Check out Jeff's writing over at Spy Write. You can also listen to him on The le Carré Cast and Barbican Station - A Slough House Podcast, available everywhere. Make sure to check out Jeff's interview with Gary Oldman. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Jordan and Brooke are joined by editor Emma Logsdon for 2011's tense, understated, elegant spy drama that may or may not be a big hit with the Inception (2010) fandom?! We talk if we would be bad at spycraft (talkative, cries too much) or very good at spycraft (gay), the actual intelligence team this was based on, the intimacy of killing, our main squeeze Tom Hardy, and why this movie made the CIA so angry (not clickbait!). Follow us on Twitter and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)Follow Emma on Twitter and support D20 Artists For Palestine!

This week Craig and Alex review Tinker Tailor Soldier Spy and Man From Uncle for their spy microtheme! Next week we're watching Just In Time For Christmas!

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the review of Back to the Future here: https://www.podomatic.com/podcasts/maverick51411/episodes/2024-08-08T15_26_59-07_00In this episode of A Lost Plot, hosts Maverick and Sean delve into the intricacies of the film 'Tinker Tailor Soldier Spy.' They explore the film's plot, character dynamics, and thematic elements, particularly focusing on loyalty and betrayal within the context of Cold War espionage. The discussion highlights the effectiveness of the film's narrative structure, character development, and the role of the enigmatic villain, Karla. Through a detailed analysis, they examine how the film engages the audience and the various ways it presents its mystery. In this conversation, they explore its narrative structure, character motivations, and the lasting impact of its themes. They discuss the confusion created by the film's time cuts and flashbacks, the significance of character relationships, and the broader implications of loyalty and betrayal in the context of espionage. The conversation highlights the film's ability to engage audiences through its intricate storytelling and the relevance of its themes in today's world.----------Highlights:0:00 ‘Tinker Tailor Soldier Spy' Introduction5:23 Opening Scene9:17 George Smiley as the Protagonist16:15 Themes of Loyalty21:31 The Villains36:46 Time Cuts and Flashbacks45:36 Revelations and the Finale55:19 Lasting Impact#tinkertailorsoldierspy #spy #garyoldman #alostplot #filmreview #podcasting #spymovie #spyfilm #coldwar #russian #british #spyagency #infiltration #mole #distrust #catandmouse #games #spygames #benedictCumberbatch 

We are honored this week as we are joined by Bafta Winning screenwriter Peter Straughn to talk about his latest film Conclave which stars Ralph Fiennes and is out NOW! Peter who is known for writing the feature films Tinker Tailor Soldier Spy, Mrs Radcliffs Revolution, Sixty Six, How to Lose Friends and Alienate People, The Men Who Stare at Goats, Frank, The Snowman and The Goldfinch chats with Pope 'Dom' Francis III and Cardinal 'Giles' Archibald ii about his rather excellent feature Conclave based on the book of the same name. They talk themes and plot, story structure and tone. His humble beginnings to indie film darling to Academy Award nominee. Writing an Oscar level drama contender with comedy and drama thrown into the heady mix. Conclave is in cinemas now. SHORT FILM SHOWCASE Center Frame https://www.centerframe.com/industry-showcase. WATCH our interview with Elizabeth Olsen and Carrie Coon on YouTube here https://www.youtube.com/watch?v=V-TU39BmwLI&t=167s. PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, produced and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Karla's Choice sees the return of John le Carré's George Smiley. Today we're joined by his son, the author Nick Harkaway, along with John le Carré fans Steve Ritterman and Matthew Bradford, Our host Shane Whaley hosts this fascinating discussion about Harkaway's foray into his father John le Carré's iconic universe, particularly his latest novel Karla's Choice. Nick Harkaway shares his unique journey of bridging the narrative gaps between familiar stories like The Spy Who Came In From The Cold and Tinker Tailor Soldier Spy, highlighting his creative freedom and the challenges of inheriting such a revered literary legacy. He explains the pleasure and pressure of developing beloved characters like George Smiley and delving into lesser-explored figures of the Circus and its enemies. Listeners will enjoy insights into the intricate balancing act of character development.. We also explore the complex relationships within the espionage world, emphasising the human element and emotional depth that drive these spy narratives. Harkaway's admiration for his father's work is palpable, and his thoughtful approach to writing Karlas Choice within the established George Smiley universe will resonate with both seasoned fans and new readers alike. Don't miss this episode packed with literary reflections, historical intrigue, and the timeless allure of spy fiction. Nick also shares more about life growing up with John le Carrè, the Circus and reveals his favourite John le Carré novels. Tune in and join the conversation on the latest chapter in the Smiley saga! Join the free Spybrary Community today and share your opinion on the return of George Smiley.

‘David at his worst was a liar but John le Carré at his best was a truth teller.' These were the intriguing words with which his biographer Adam Sisman concluded the conversation when he joined the Slightly Foxed Podcast team at the kitchen table to discuss the life and work of the writer who was born David Cornwell but who is better known to the world as John le Carré. Graham Greene, whom le Carré greatly admired, once said that ‘an unhappy childhood is an asset for a writer', and this young David had in spades. He was only 5 when he and his older brother were abandoned by their mother, to be brought up by their father, a domineering, larger-than-life conman, wife-beater and sexual tyrant, whose overwhelming personality would haunt David for the rest of his life and was the inspiration for his novel A Perfect Spy. These ‘hugless' childhood years, as David called them, were ones of stark contrasts. At one moment the family would be living like princes, the next bailiffs were in the house and their father might even be in jail. The boys were taught early on to lie convincingly in order to bail their father out, so the scene was set for the kind of double life that David would later lead when he worked for the secret service, and for the shadowy worlds of violence and betrayal that he created in his novels. It also produced a man who sought out danger, both in doing his meticulous research, and in his multiple affairs with women, a subject Adam explored in a second biography, The Secret Life of John Le Carré, published after le Carré's death. Adam speaks fascinatingly about his often tense relationship with this complex, brilliant and seductively charming man whose great Cold War novels such as The Spy Who Came in from the Cold and Tinker Tailor Soldier Spy, with their brilliant dialogue and scene-setting and their unforgettable central character George Smiley, are felt by many to far transcend the genre of spy fiction. To finish, there's the usual round-up of reading recommendations including a personal and passionate account of Putin's Russia through the eyes of a BBC journalist, Goodbye to Russia by Sarah Rainsford, and A Voyage around the Queen by Craig Brown, an exceptionally researched and hilarious biography of sorts of our late Queen Elizabeth II. For episode show notes, please see the Slightly Foxed website. Opening music: Preludio from Violin Partita No. 3 in E Major by Bach Hosted by Rosie Goldsmith Produced by Philippa Goodrich

In this captivating episode of the Spybrary Spy Podcast, join host Shane Whaley as he sits down briefly with the legendary actor Gary Oldman, who portrays the enigmatic Jackson Lamb in the hit TV adaptation of Mick Heron's "Slow Horses." Gary Oldman reveals how Jackson Lamb first appeared on his radar and the differences working with spy authors Mick Herron and John le Carré on Slow Horses and Tinker Tailor Soldier Spy. A big thank you to Catherine Spillane and Gary 'The Fixer' Dexter for arranging this short but sweet chat with Gary Oldman. Join 4000 other spy fans talking spy books, spy movies, spy history and spy tv shows in our free online community

THIS IS FROM MATHILDA! Léon: The Professional Movie Reaction Watch Along:  https://www.patreon.com/thereelrejects   Follow Us On Socials: https://www.instagram.com/reelrejects/  https://www.tiktok.com/@thereelrejects?lang=en Kicking off another Drama Tuesday, Roxy Striar & Andrew Gordon give their FIRST TIME Reaction, Commentary, Analysis, Breakdown, & Full Movie Spoiler Review for one of the most beloved Hitman Stories in Cinema! From Writer / Director Luc Besson (The Fifth Element, La Femme Nikita) comes the story of 12-year-old Mathilda (Portman), reluctantly taken in by Léon (Reno), a professional assassin, after her family suffers a terrible fate at the hands of a corrupt DEA Agent (Oldman). Léon stars Jean Reno (Ronin, Mission: Impossible, Godzilla), Natalie Portman (Black Swan, V for Vendetta, Jackie), Gary Oldman (The Dark Knight, Tinker Tailor Soldier Spy, True Romance), Danny Aiello (Moonstruck, Do the Right Thing), Michael Badalucco (O Brother Where Art Thou?), and MORE! Roxy & Andrew REACT to all the Best Scenes & Most Tense Moments including From Mathilda, One Minute Past, Everyone!, Bodyguard Takedown, Sniper Lessons, Hostage Exchange, I Love You, and Beyond! Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The le Carré Cast, I interview acclaimed playwright and screenwriter Shaun McKenna. Sean discusses his journey into writing, his collaboration process for bringing le Carré’s complex characters to life on BBC Radio 4, and the challenges of adapting intricate novels for audio. about his adaptation of Tinker Tailor Soldier Spy and […]

"Do you think a woman can love two men?" BLOCKBUSTED ends with HEAVEN'S GATE. We talked about the heatwave currently pounding the East Coast, announcing the theme for July and our picks, SHIN GODZILLA free for everyone for the next few weeks, Proto seeing INSIDE OUT 2 and HONEY I SHRUNK THE KIDS, and Danny watching TINKER TAILOR SOLDIER SPY. Don't forget we're also screening a movie with the Philadelphia Film Society! Buy tickets NOW and also fill out our Google Form so we can get a good headcount for after the screening, pls. In the uncut episode just available to Patrons we also Riverside's frightening Generate Voice AI feature, Protolexus Radio, and potentially covering the Alien franchise in December. Chapters: (00:00:00) Introductions + NEXT THEME(00:09:30) What we watched(00:21:01) HEAVEN'S GATE(01:11:30) Next week's pick Support the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault like the 1990s Batman movies, Harry Potter, The Matrix, SHIN Godzilla, and over 50 others. Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes! Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more. 70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER,  The Letterboxd Show, Escape Hatch, Will Run For..., Lost Light, and Twin Vipers. (Gone but not forgotten; Cinenauts + FILM HAGS.)

In this episode of the Le Carré Cast, Jeff interviews British historian Dominic Sandbrook. They delve into Sandbrook's introduction to John le Carré’s works, particularly Tinker Tailor Soldier Spy, and discuss the author’s literary impact and historical context. The conversation covers le Carré's influence during Britain’s 1970s cultural and political landscape, along with Sandbrook’s personal […]

We conclude our series of spy films with another pair of movies based on the novels of John LeCarre. In Episode 72 we had a strictly Cold War vibe going on; this time it's more of a mixed bag. So we'll start with a Cold War story with Tinker Tailor Soldier Spy, the 2011 film directed by Tomas Alfredson and featuring an amazing ensemble cast including Gary Oldman, Colin Firth, Tom Hardy, Benedict Cumberbatch and many more. It's a tense story that deals with a potential mole in MI-6 who may have been operating for many years. In Part 2, we'll look at the Islamic terrorist threat to the UK in A Most Wanted Man. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

Tom's work as Production Designer has included the feature films: Green Street Hooligans, First They Killed My Father, and Bloodshot, as well as the television series, Whitechapel and Luther. Tom's work as Supervising Art Director includes the films: Tinker Tailor Soldier Spy, A Good Day To Die Hard, Spy, By The Sea, Tomb Raider, Venom: Let There Be Carnage, Wonka, and Dune Part 1 & 2.

In Part 2 of our episode, we look at 1990s The Russia House, starring Sean Connery and Michelle Pfeiffer. This film, directed by Fred Schepisi, features Connery as a British Intelligence agent (wait...what?) who's looking for the author of a sensitive Soviet manuscript whose contents, if true, could mean a great deal to the Intelligence Community. COMING ATTRACTIONS: Next time, we stick with LeCarre novels rendered on film, with Tinker Tailor Soldier Spy (2011), and A Most Wanted Man (2014), Join us, won't you? --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

Robert MacNeil, who had a long career as a TV journalist, also hosted PBS's presentation of Tinker Tailor Soldier Spy.

Following a chance encounter with the CBRN crew at a SHOT show party, Alex, founder of Grayman and Company, joins Nathan and B.R to share his journey from private Intelligence work overseas in Asia, Africa, Europe and beyond to founding Grayman, a bespoke tailor for truly low-vis armed professionals. Alex shares his story from working human intelligence jobs against counterfeiters of luxury and pharmaceutical brands in China to globe trotting for work out of London and his behind the scenes interactions with the children of powerful Oligarchs, politicians and other colorful characters. The lads also talk about the stark differences the British military and their Officer Corps have to their North American counterparts in terms of class, culture and prestige, the risk volunteers being overt in Ukraine could encounter from hostile intel officers, how Alex fell for his true passion of tailoring and much, much more! Links mentioned in this episode:  Check out our guest on Instagram: https://www.instagram.com/grayman.company/ https://grayman.co/ Check out our Photographer/Videographer Phil for freelance work: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://philmphotographs.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out upcoming project PP.TF: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/pp.taskforce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our Patreon here to support what we do and get insider perks! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠                                                    ⁠⁠⁠⁠⁠ https://www.patreon.com/CBRNArt⁠⁠⁠⁠⁠ Check out our sponsors:       Attorneys for Freedom - Attorneys on Retainer Program, sign up via this link to support the show: ⁠⁠⁠⁠https://attorneysonretainer.us/artandwar              ⁠⁠⁠⁠         ⁠⁠⁠⁠⁠⁠ Use code: ARTANDWAR10 for $10 off an SMU Belt at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AWSin.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our link tree for the rest of our stuff!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow the lads on IG:     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Nathan / Main Page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/cbrnart/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  B.R: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/br.the.anarch/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lucas: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heartl1ne/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠

It's a long episode this week because there's a whole lot to talk about in this excellent adaptation of John le Carre's bestselling novel. Melanie gives her top tips for writing mysteries and Valerie discusses the type of protagonist we usually find in left-brained stories. One question lingered for them both: When did George Smiley discover who the mole was?"Your opinion of George Smiley will change if you read THE SPY WHO CAME IN FROM THE COLD, because there his morality is laid bare. His duality, or his willingness to sacrifice innocence, is more laid bare." - Melanie HillRELATED STORY NERD EPISODESThe Dry (Season 9, Episode 2) For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinarsFor access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircleTo learn to read like a writer, visit Melanie's website: www.melaniehill.com.auFollow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

SERIES 2 EPISODE 128: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: I think this fraudulent FBI 'whistleblower' who was arrested after confessing to making up the Hunter Biden story - Alexander Smirnov - the one who admitted the story was being spread by people connected to Russian intelligence?  I think he's flipping. I think there is one thin reed of evidence supporting what I admit is a hunch. Maybe a second one. More importantly, maybe, I think this man David Weiss who was - until Smirnov's story collapsed - the Special Counsel PROSECUTING Hunter Biden, has also flipped, and now intends to prosecute everybody who turned him into a Russian stooge, two steps removed. And I think he and Smirnov are going to take down at least the scum on the lower levels of the Russian Ring in this country (more likely the Russian operatives themselves, maybe James Comer, but just possibly running up the ladder to Jordan and Sean Hannity and, please God, Trump). But we're going to need a new Special Prosecutor to round all of the big names up. And a Senate Judiciary investigation on how this sack of crap was turned into the prosecution of the president's son, and the attempted impeachment of the sitting president. In an election year. At the direction of Vladimir Putin. We've been invaded again. And the Russians didn't need to shoot or bomb their way in here. Because all the Comers and Greenes and Jordans and Grassleys and Hannitys and Trumps just opened the doors for them. And may they burn in hell for doing so. Because I think Smirnov is flipping. B-Block (26:25) THE WORST PERSONS IN THE WORLD: The Republicans select a California banker as their Wisconsin Senate candidate who's so non-Wisconsinian that in his introductory commercial he never SAYS which state he's running in. Jon Stewart is going to bothsides us into prison camps - and how DARE he attack Mary Trump. And how dare a Biden National Security Council spokesperson blame the betrayal of Ukraine on CONGRESS. It is the REPUBLICANS who did this. You are paid to say the truth - do your damn job. C-Block (33:25) THINGS I PROMISED NOT TO TELL: I've played this before. I needed the laugh again. It's the most joyous soccer story of all time: the ESPN Soccer Breakdown Tape.See omnystudio.com/listener for privacy information.

On this episode, I spoke to Oscar-nominated production designer Maria Djurkovic about her work on Ferrari. She was also nominate for three BAFTAs (Tinker Tailor Soldier Spy, The Imitation Game and The Dig), a BIFA winner for Tinker Tailor Soldier Spy, an Emmy nominee for RKO 281, an EFA Award winner for Tinker Tailor Soldier Spy, a 4x ADG Award nominee and a BAFTA Television Craft Award nominee. 

SERIES 2 EPISODE 87: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: Dictator-On-Day-One Trump continues to measure the windows for the new curtains in his White House, and I don't know if that has been PROCESSED on the fascist side or if we have properly done so on the, you know, Non-Dictatorship Side but it is increasingly obvious that Trump is increasingly confident that he will seize power next year. That is the ONLY possible explanation for what he has now done: leaking, to the gullible and willing stenographers from Axios Mike Allen and Jim Vandehei for publication yesterday, a set of choices for his administration that would make Jair Bolsonaro blush: Vice President Tucker Carlson, Chief of Staff Steve Bannon, CIA Director Kash Patel, Attorney General Stephen Miller, or Attorney General Mike Davis, or Attorney General J.D. Vance, Secretary of Defense Tom Cotton, Secretary of Denial Kari Lake, Secretaries-of-to-be-announced Kristi Noem, Byron Donalds, Johnny McEntee, and of course Secretary of Lecterns Sarah Huckabee.  We will never fully now, not even after the autopsy, what PRECISELY is wrong with Trump's brain but it seems clear that whatever it is one of its symptoms is that he must convince himself that he IS winning, WILL win, will ALWAYS win. Jack Smith is right and he IS a serial election denier but it's deeper than that: at his advanced age and with his advanced diseases, if he ever believed he was defeated, he would die – figuratively or maybe literally. So the greatest relief he could possibly have would be to believe, 334 days before it happens, that he has already won the 2024 election and that is how he is behaving and I'm not sure WHAT to do with that but it HAS to make him sloppy and vulnerable and better minds than ours can problem figure out which soft spot on his head to PUSH. What VALUE is there in saying “here's Tucker Carlson: psychopathic white supremacist whose career stability makes Keith Olbermann's look like that of Bob Cratchit – I'm going to put him in government. Along with Kari Lake, whose highest elected office was weekend weather-girl in Rock Island.” It's the kind of things you do NOT to rally your base and NOT to scare your opponents but because you really can't STOP yourself from doing them, and suddenly you are more convinced than ever than you can get away with them. And if that isn't a motto for the entire Trump Nazi Party I don't know what is. PLUS: Matt Gaetz is about to get Robespierred, J.D. Vance wants to get a head start on prosecutor writers. And competing January 6 Truthers fight it out over whose bullshit is true. (17:35) THE WORST PERSONS IN THE WORLD: MAGA Congresswoman McClain makes a fool of herself but not as much as would-be MAGA Congressman Philip Sean Grillo does. The NFL coach who really doesn't have to "hand it to" the 9/11 plotters. Poor Nick Fuentes and Vivek Ramaswamy pushing white supremacy without realizing that if the Trumpers run out of brown immigrants, the next people they'll purge will be... Fuentes and Ramaswamy. B-Block (33:31) FRIDAYS WITH THURBER: Mr. Preble Gets Rid Of His Wife C-Block (43:32) FRIDAYS WITH THURBER: A Box To Hide InSee omnystudio.com/listener for privacy information.

Christmas at the Holly Day Inn.On this episode we are joined by Philip Martin BrownPhilip Martin Brown was born on 9 July 1956 in Manchester, England, UK. He is an actor, known for Tinker Tailor Soldier Spy (2011), The Bounty (1984),Eye of the Needle (1981) and many more. Mark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme or you can even treat yourself to a badge or sticker over at my store here: https://www.etsy.com/uk/shop/MarkandMeStoreThe Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.The Mark and Me podcast is also sponsored by The Folio Society, publisher of beautiful, illustrated, hardback books. Discover stunning editions of your favourite books here https://shorturl.at/tHIM4

This episode I return with Phil Tinline and Bernard Hughes. We continue discussing Phil’s article in the New Statesman on the London of Tinker Tailor Soldier Spy by John le Carré and how it’s different from the London of today. Topics include the le Carré and conspiracies, a discussion of Adam Sisman’s latest book, and […]

This episode I’m excited to welcome Phil Tinline and Bernard Hughes to the show. We discuss Phil’s article in the New Statesman on the London of Tinker Tailor Soldier Spy by John le Carré and how it’s different from the London of today. Topics include the political background of Tinker, whether Tinker was a case […]

We bespreken veel verschillende onderwerpen uit het tech-nieuws. Waaronder een verrassend extra event van Apple, commentaar op het groeiende aantal slimme camera's en een grote uitbreiding van smart home-standaard Matter. Verder: de plotselinge heropleving van de klassieke iPod, een opschudding van de chipmarkt en onze review van de vouwtelefoon OnePlus One.Tips uit deze aflevering:Film: The Pigeon Tunnel op Apple TV+. Het laatste interview met schrijver David Cornwell, wereldberoemd onder zijn pseudoniem John Le Carré. Hij was eerst zelf spion en schreef daarna spannende boeken zoals Tinker Tailor Soldier Spy. Vaak tijdens de Koude Oorlog, met ouderwets spionagewerk waarbij niemand elkaar kon vertrouwen. En dat wantrouwen zit nog steeds in de schrijver, die in 2020 overleed. In de film vertelt de schrijver over zijn werk en dat is eigenzinnig vastgelegd door de regisseur, Oscar-winnaar Errol Morris.Serie: Bodies op Netflix. Vier verhaallijnen door elkaar over vier rechercheurs die hetzelfde lijk in Londen onderzoeken, in 1890, 1941, 2023 en 2053. Hoe minder je weet hoe beter.Korting: Een tip speciaal voor studenten: als je Apple Music via Unidays neemt, krijg je er gratis Apple TV+ bij. Bespaar je toch weer wat geld en krijg je toegang tot veel mooie series, zoals – extra tip – Invasion.Mis geen belangrijk tech-nieuws: volg ons nieuwe WhatsApp-kanaal.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

In 1963, a British spy writing under the pen name John le Carré published a novel that shot to the top of best-seller lists worldwide. After the success of “The Spy Who Came in from the Cold,” le Carré became known as the king of the modern spy thriller, and his gritty, political books helped define the genre until his death, in 2020. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz dive deep into the le Carré œuvre, delighting in the “glorious confusion” of works like “Tinker Tailor Soldier Spy,” “The Constant Gardener,” and “A Perfect Spy.” They also discuss le Carré's life in light of two retrospectives out this month: “The Pigeon Tunnel,” an Errol Morris documentary on Apple TV+; and “The Secret Life of John le Carré,” an addendum to Adam Sisman's definitive biography that exposes decades of affairs in which the novelist ran women like agents. With these details as a jumping-off point, the hosts explore the themes of intimacy and romance across the spy genre, including the Martini-soaked romps of Ian Fleming's James Bond and the FX show “The Americans,” where romance functions as a metaphor for spycraft. “One question I'm asking is, Why are sex and love so much part of the archetype of the spy?” Schwartz says. “When you're pretending and playing at being so many different things, love is usually one place where the truth must out.” New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lights, camera, intrigue! Join the Spybrary Spies and Books Podcast panel as we shine a spotlight on "The Deadly Affair." Uncover the hidden gems, character nuances, and unexpected twists in this underrated film adaptation of John le Carre's work based on his debut novel Call for the Dead.  Following our full debriefing of Tinker Tailor Soldier Spy we are tackling The Deadly Affair starring James Mason. We are joined by Jeff Quest of the Le Carre Cast, Double O Section's Matthew Bradford, and Spybrary commentator Martin Reynolds. That and more in this episode of the Spybrary Spy Podcast. Join the Spybrary Community today!

Hosts I-Hsien and Shane rank all the 5e DnD fighter subclasses. In the Gates of Mourning campaign, the party gets unexpected aid, and Tinker Tailor Soldier Spy puts the trade in tradecraft in the Character Creation Forge. (62m) Editing: Aram Vartian Important Links: Total Party Thrill Discord server: Come hang out with us and other fans of the show. https://discord.gg/GvFXnSv TPT Character Creation Forge Codex: It's finally here! A huge thanks to all our Patreon supporters who made it possible. Teepublic: Home of the TPT-shirt! Support the show on Patreon: https://www.patreon.com/totalpartythrill Contact us: Twitter: @TPTcast Email: totalpartythrill@gmail.com Web: www.totalpartythrill.com Facebook: https://www.facebook.com/totalpartythrill Instagram: https://www.instagram.com/totalpartythrill YouTube: https://www.youtube.com/TotalPartyThrill

During the Cold War, espionage veteran George Smiley is forced out of retirement to uncover a Soviet agent within MI6.  Directed by Tomas Alfredson. The screenplay by Bridget O'Connor and Peter Straughan is based on the novel of the same name by John le Carré. Starring Gary Oldman, Colin Firth, Tom Hardy, Mark Strong, Toby Jones, Ciarán Hinds, Benedict Cumberbatch, Stephen Graham and John Hurt.  Listener request courtesy of Brian FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: Call Me By Your Name (Netflix) What We Do in the Shadows (FX/Hulu)

Max and Tyler discuss the 2011 film adaptation of Tinker Tailor Soldier Spy.

We are concluding our Graham Greene series with an obscure spy drama from director Otto Preminger, the 1979 film "The Human Factor." It is of a piece with "Tinker Tailor Soldier Spy" and to that point, Jamelle and John spend this episode discussing the connections between the two works and the similarities (and differences) between how Le Carre and Greene view betrayal and deception."The Human Factor" is pretty good — Preminger was a master — so we both recommend that you check it out. It's available to view for rent on iTunes and Amazon Prime.To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well a monthly entry into a movie raffle, and whatever else we can think of.Connor Lynch produced this episode. Artwork by Rachel Eck.