Podcasts about Who Goes There

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

I studion sitter Martin, Ludvig, Theo och Alexander Wagenius. Medis Radio har fått in en helt ny gäst! Denna vecka har vi mediaproducenten Alexander Wagenius med oss, och han bjuder på en djupdykning i kristen indiemedia riktat till barn. Detta blir otroligt spännande. Dessutom har Ludvig kollat på den romantiska komedin Fly Me to the Moon och blir något av en konspirationsteoretiker kring månlandningen. Theo är tillbaka från sin resa i Sydafrika och ägnar avsnittet åt att tillsammans med Martin prata om Resident Evil Revelations 2. Slutligen har Martin backat tillbaka till The Thing återigen och har läst boken som inspirerat alla adaptioner: Who Goes There? från 1938. Det blir en salig blandning av ämnen, och det får ni verkligen inte missa! 8:53 - Intro 18:36 - Who Goes There? 29:04 - Fly Me To the Moon 45:11 - Religion i barnmedia 1:31:59 - Resident Evil Revelations 2 Har DU något att säga till oss? Tips på något att prata om, åsikter om något vi sagt eller vill kanske bara säga hej? Skriv till oss på Facebook, följ oss på Instagram och TikTok @medisradio och mejla till oss på medisradio@gmail.com. Kolla även in vår coola YouTube-kanal, Medis Radio TV, där vi lägger ut allt från stora recensioner till klipp där vi spelar spel och pratar film. Musik: Intro: Get Hyped - Moose With a Scarf Outro: Back to You - Moose With a Scarf feat. Lauren Richards

Today's special guest is someone we've been hoping to chat with since we first launched our show at the start of 2020, as we've been fans of his work ever since our local bookseller Greg Schauer sang the praises of GHOST ROAD BLUES many years ago. With the latest release in his NECROTEK novel series from Blackstone Publishing recently released (as part of the Weird Tales Presents series), we're thrilled to welcome special guest Jonathan Maberry to the pod! Following his debut Pine Deep trilogy, Jonathan has written over fifty novels (including his long-running Joe Ledger thriller series), comics, had his series V-WARS adapted into a Netflix series, become a 5-time Bram Stoker Award-winner, 4-time Scribe Award winner and won an Inkpot Award. We're so delighted to chat a bit with Jonathan today about John Campbell's short story "Who Goes There?" (and its many cinematic adaptations), and the elements that inspired portions of his latest novel NECROTEK: COLD WAR. With this episode releasing around November 10th of 2025, we'd like to mention that Jonathan has an online masterclass WRITING AND SELLING SHORT STORIES coming up on November 22nd. Tickets for the three-hour class are $50, with all proceeds benefiting no-kill animal shelters and providing meals for school children. You can find more details on Jonathan's social media accounts, which are all listed on his Linktree account here: https://linktr.ee/jonathan_maberry If you'd like to follow us on social media, you can visit our Linktree page (linked below) but we've also listed some of our social media handles: Linktree: linktr.ee/scarystuff Official site: scarystuffpodcast.com Twitter: @scarystuffpod Instagram: @scarystuffpodcast Letterboxd: @scarystuffpod Incredibly Niche Merch: teepublic.com/user/scary-stuff-podcast You can find a list of all the previous movies we've reviewed and their corresponding episodes (via the "Read Notes" option) here: http://www.letterboxd.com/scarystuffpod/list/all-reviews-scary-stuff-podcast/ And as always, thanks so much for listening!

Roma İmparatorluğu'nun Gerileyiş ve Çöküş Tarihi'den (Gibbon) esinlenen genç bir yazar, daha önce kimsenin cesaret edemediği kadar büyük ölçekte bir hikaye hayal etti. Onbinlerce yıla ve milyonlarca gezegene yayılan bir imparatorluğun çöküşünü ve ardından gelecek karanlık çağları önceden görebilseydiniz, ne yapardınız? Bilimkurgu tarihinin en önemli eserlerinden biri hakkında, o bahaneyle de bilimkurgu tarihi ve felsefesi hakkında atıp tutacağımız bir mini-seri. Konular: (00:00) Romayı düşünüyorum, gözlerim kapalı (03:30) Arrival ve bilimkurgunun derinliği (04:19) HG Wells ve Mary Shelley (07:20) Pulp Dönemi (09:46) Asimov'un Robot Yasaları (12:16) Vakıf fikrinin doğuşu (13:36) Psikotarih (16:56) Spengler ve Batının Çöküşü (18:46) Son Soru ve Nightfall (21:17) Ansiklopediciler (22:12) Gelecek bölüm ve Patreon Kaynaklar: Foundation / Vakıf (1951) War of the Worlds (1898) Frankenstein (1818) Roma İmparatorluğu'nun Gerileyiş ve Çöküş Tarihi (1776) Arrival (2016) Nightfall (1941) ve roman versiyonu (1990) Who Goes There (1938) ve The Thing (1982) Batı'nın Çöküşü (1918) --- Bu bölüm reklam içermektedir

We're wrapping up our series Heaven, Who Goes There? by looking at the role of rules.Over the past two weeks, we've asked whether good people go to heaven and discovered that Jesus' standard of “good” is actually perfect. So why are there so many rules in the Bible anyway? And why do Christians assume they have the right ones?

It's a wrap!On the thirty-first night of our #31DaysToHalloween the Mister joins me in reviewing THE THING (1982), from the master, director John Carpenter, the film has a screenplay by Bill Lancaster , from a short story "Who Goes There?" from the author, John W. Campbell Jr.  A team of American researchers at a remote Antarctic outpost encounters a sled dog fleeing a Norwegian helicopter, only to discover a terrifying, shape-shifting alien entity.  After the entity infiltrates their camp and begins absorbing and perfectly imitating the men, extreme paranoia takes hold, as no one can be sure who is still human and who is the "Thing."  The remaining men desperately fight to expose the alien before it can escape the base and assimilate all life on Earth, leading to a desperate final confrontation in the frozen isolation.  The film clocks in at 1 h and 31 m, is rated R and we caught it on DVD but you can find it on AMC+, Peacock and on Prime Video to buy/rent. Please note there are SPOILERS in this review.#TheThing #JohnCarpenter #BillLancaster #JohnWCampbellJr #KurtRussell #MacReady #WilfordBrimley #Blair #TKCarter #Nauls #DavidClennon #Palmer #KeithDavid #Childs #RichardDysart #DrCopper #CharlesHallahan #Norris #PeterMaloney #Bennings #RichardMasur #Clark #DonaldMoffat #Garry #JoelPolis #Fuchs #ThomasGWaites #Windows #NorbertWeisser #Norwegian #LarryFranco #NorwegianWithRifle #AlienInvasion #BodyHorror #MonsterHorror #PsychologicalHorror #SupernaturalHorror #SuspenseMystery #Tragedy #Mystery #SciFi #Horror  @PrimeVideo  @Peacock  @amcplus  #31DaysToHalloween #SpookySeason #Day31 #FridayFamilyFilmNight And in #SpookySeason don't forget to use your powers for good - support our friend KT as she raises funds for the good folks at St. Jude's - any little bit helps and is whole heartedly appreciated by the families who rely on St. Jude's @stjudehttps://fundraising.stjude.org/goto/thewolfmansOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Shawn Pryor, author of Kaiju Unleashed, returns to talk about the first adaptation of Who Goes There by John W. Campbell Jr.

The question of the day - "Who is The Thing?" Join us as we try to unravel the mystery. Directed by John CarpenterScreenplay byBill LancasterBased on Who Goes There? by John W. Campbell Jr.Produced by David Foster, Lawrence TurmanStarring Kurt RussellCinematography by Dean CundeyEdited by Todd RamsayMusic by Ennio MorriconeProduction companies Universal Pictures, The Turman-Foster CompanyDistributed byUniversal PicturesRelease date June 25, 1982Running time109 minutesBudget $15,000,000 (estimated)Gross US & Canada $20,063,820Opening weekend US & Canada$3,107,897Jun 27, 1982Gross worldwide $20,847,529

Join Marie and Steve as they review and chat about the 1982 classic horror / sci-fi movie - The Thing.The Thing is a 1982 American science fiction horror film directed by John Carpenterfrom a screenplay by Bill Lancaster. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, it tells the story of a group of American researchers in Antarcticawho encounter the eponymous "Thing", an extraterrestrial life-form that assimilates, then imitates, other organisms. The group is overcome by paranoia and conflict as they learn that they can no longer trust each other and that any of them could be the Thing. The film stars Kurt Russell as the team's helicopter pilot R. J. MacReady, with A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles.Become a supporter of this podcast: https://www.spreaker.com/podcast/haunted-uk-podcast--6759967/support.

BEST OF TST: The Antarctica Effect is a series of stories from lost ecosystems and strange radio signals to pyramids that have been published as just happening, when a quick online search will prove that these same stories have appeared over and over and over and over and over and over and over again. In some instances going back over a decade in the case of the Antarctica pyramid. Due to its remoteness and extreme environment, few ever venture there with few exceptions for science or military projects. Several countries have territorial claims in the ice; others have research stations. It is the perfect location to set a science fiction story, a tale of desolation and horror, or a theory of UFOs and lost civilization. In 1936 H.P. Lovecraft published “At he Mountains of Madness”; two years later in 1938 a book called “Who Goes There?” was published; that same year Neuschwabenland was explored by Germany; in 1951 “The Thing from Another World” was released, based on the 1938 book, which lead to the 1982 movie “The Thing”; In 1998 The X Files movie released; and in 2008 a mocking documentary was published online with images that became source material for Antarctica conspiracy theories. Those theories expanded after Lake Vostok produced evidence of 3,500 different species, resulting in leading authorities visiting the icy world; this story was later substituted with authorities traveling to see the UFO in ice, the same one from that mocking documentary. Then whistleblowers surfaced talking about weapons and technology that were already public knowledge, leading to a thought that perhaps there is something there and people, for the wrong reasons, were getting close, thus requiring the presence of disinformation and misinformation agents, just as the pentagon used UFOs to cover up development of the F-117.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITEBuyMe-CoffeePaypal: rdgable1991@gmail.comCashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

BEST OF TST: The Antarctica Effect is a series of stories from lost ecosystems and strange radio signals to pyramids that have been published as just happening, when a quick online search will prove that these same stories have appeared over and over and over and over and over and over and over again. In some instances going back over a decade in the case of the Antarctica pyramid. Due to its remoteness and extreme environment, few ever venture there with few exceptions for science or military projects. Several countries have territorial claims in the ice; others have research stations. It is the perfect location to set a science fiction story, a tale of desolation and horror, or a theory of UFOs and lost civilization. In 1936 H.P. Lovecraft published “At he Mountains of Madness”; two years later in 1938 a book called “Who Goes There?” was published; that same year Neuschwabenland was explored by Germany; in 1951 “The Thing from Another World” was released, based on the 1938 book, which lead to the 1982 movie “The Thing”; In 1998 The X Files movie released; and in 2008 a mocking documentary was published online with images that became source material for Antarctica conspiracy theories. Those theories expanded after Lake Vostok produced evidence of 3,500 different species, resulting in leading authorities visiting the icy world; this story was later substituted with authorities traveling to see the UFO in ice, the same one from that mocking documentary. Then whistleblowers surfaced talking about weapons and technology that were already public knowledge, leading to a thought that perhaps there is something there and people, for the wrong reasons, were getting close, thus requiring the presence of disinformation and misinformation agents, just as the pentagon used UFOs to cover up development of the F-117.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITEBuyMe-CoffeePaypal: rdgable1991@gmail.comCashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

You're gonna have to pod sometime, MacReady   The Becks lead off October with an expedition to Antarctica to cover John W Campbell's 1938 novella Who Goes There, most memorably adapted into film by John Carpenter in 1982 as The Thing. In this episode, the Becks discuss the three versions of the text, the three film adaptations, their thoughts on who is and isn't a Thing, and much more. Enjoy!   ko-fi.com/soonmajorpod   linktr.ee/soonmajorpod   Next episode's homework: Hellraiser

On the first night of our #CountdownToHalloween the Mister joins me in reviewing THE THING FROM ANOTHER WORLD (1951), from John W Campbell Jr's novella "Who Goes There?", the film was directed by Christian Nyby and Howard Hawks (uncredited).  The screenplay is credited to Charles Lederer; although production records and later sources note rewrites and contributions (uncredited) from Howard Hawks and Ben Hecht.  The film tells the story of a U.S. Air Force crew and a team of scientists at a remote Arctic research outpost discover a crashed alien flying saucer and a large, humanoid creature frozen in a block of ice.  When a careless mistake thaws the eight-foot-tall, plant-like alien, the group must fend off the murderous "Thing" that feeds on blood and exhibits frightening intelligence.  As the military personnel and the lead scientist clash over whether to destroy or attempt to communicate with the creature, the survivors must devise a plan to electrocute the alien menace before it can breed and escape the isolated base.  The film clocks in at 1 h and 27 m, is rated Approved.  We caught the film on Internet Archives but it is streaming on Tubi, Roku Channel, Fawesome but also to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#TheThingFromAnotherWorld #JohnWCampbellJr #ChristianNyby #CharlesLederer #BenHecht #HowardHawks #KennethTobey #CaptainPatrickHendry #MargaretSheridan #Nikki #RobertCornthwaite #DrCarrington #DouglasSpence #Scotty #JamesYoung #LtEddieDykes #DeweyMartin #CrewChief #RobertNichols #LtKenErickson #WilliamSelf #CorporalBarnes #EduardFranz #DrStern #SallyCreighton #MrsChapman #JamesArness #TheThing #AlienInvasion #MonsterHorror #SupernaturalHorror #Horror #SciFi   @internetarchive_  ⁠@PrimeVideo ⁠ ⁠@Tubi  @TheRokuChannel  @Fawesome⁠TV  #31DaysToHalloween #SpookySeason #Day1  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

SILKSONG OF SILENCE: The highly anticipated follow-up to the 2D Metroidvania, Hollow Knight, released on Thursday, September 4, and was so popular that all major digital storefronts collapsed under the demand for the game. RETCON WHERE NO ONE HAS RETCONNED BEFORE: With Star Trek: Strange New Worlds dipping into the continuity of the original series, D. Bethel went even deeper and watched first-season episode of the original series, "The Menagerie, Part 1 & 2," to see the original (or second original appearance?) of Captain Pike and finds a lot to like and even more to admire. THE THING ABOUT THE THING: D. Bethel rounds out the episode talking about his experience reading the novella, Who Goes There?, by John W. Campbell, which served as the basis for one of his favorite films, John Carpenter's The Thing, and was surprised at how faithful that adaptation was. TOPICS: (0:00:00) Intro - Silksong breaks barriers (0:05:02) Star Trek, "The Menagerie, Parts 1 and 2," and its long-reaching implications (0:54:41) Outro - D. Bethel reads Who Goes There?, the inspiration for John Carpenter's The Thing. (1:01:37) No outtakes?! How can this be?! RELEVANT LINKS: Robinson, Andy. "Hollow Knight: Silksong Launch Hammers Steam, Xbox, PlayStation, and Nintendo Stores." Video Games Chronicle, 1981 Media, 4 September 2025. RELEVANT EPISODES: "It's Always a Game" (08 February 2019): Where D. Bethel talks about playing Hollow Knight. INFO: Visit our website at forallintents.net and leave your thoughts as comments on the page for this episode. Join our Facebook page Social: Andrew - Mastodon, D. Bethel - Instagram & BlueSky Subscribe to our YouTube channel. FEATURED MUSIC: "Disco Medusae" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3652-disco-medusae "District Four" by Kevin McLeod Link: https://incompetech.filmmusic.io/song/3662-district-four Tracks are licensed under Creative Commons BY Attribution 4.0 License (http://creativecommons.org/licenses/by/4.0/

Hi there, friends! It's the third and final part of our "The Thing" series. And we're finally going back to 1982 to talk about the classic, John Carpenter's "The Thing", starring Kurt Russell. This one is a daunting movie to discuss, as we know there are a lot of huge fans of it, plus it's been talked about a ton on other podcasts. So we did our best to talk about it in the fun and loving way we try to talk about all the movies we watch. We also talk about a new horror store that recently opened in Burbank, Killer Fitness. And of course, stay tuned until the end to hear what Andrew chose for our next movie!"The Thing" is the second adaptation of John W. Campbell's novella, "Who Goes There?" It's a closer adaptation than the 1951 movie, retaining the alien's ability to imitate any living thing it comes in contact with, and how the men at Outpost 51 deal with it.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

The Antarctica Effect is a series of stories from lost ecosystems and strange radio signals to pyramids that have been published as just happening, when a quick online search will prove that these same stories have appeared over and over and over and over and over and over and over again. In some instances going back over a decade in the case of the Antarctica pyramid. Due to its remoteness and extreme environment, few ever venture there with few exceptions for science or military projects. Several countries have territorial claims in the ice; others have research stations. It is the perfect location to set a science fiction story, a tale of desolation and horror, or a theory of UFOs and lost civilization. In 1936 H.P. Lovecraft published “At he Mountains of Madness”; two years later in 1938 a book called “Who Goes There?” was published; that same year Neuschwabenland was explored by Germany; in 1951 “The Thing from Another World” was released, based on the 1938 book, which lead to the 1982 movie “The Thing”; In 1998 The X Files movie released; and in 2008 a mocking documentary was published online with images that became source material for Antarctica conspiracy theories. Those theories expanded after Lake Vostok produced evidence of 3,500 different species, resulting in leading authorities visiting the icy world; this story was later substituted with authorities traveling to see the UFO in ice, the same one from that mocking documentary. Then whistleblowers surfaced talking about weapons and technology that were already public knowledge, leading to a thought that perhaps there is something there and people, for the wrong reasons, were getting close, thus requiring the presence of disinformation and misinformation agents, just as the pentagon used UFOs to cover up development of the F-117.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKYOUTUBEMAIN WEBSITECashApp: $rdgable Paypal email rdgable1991@gmail.comEMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

What's up, you Thingamajigs? This week on the podcast, Maryland Phil and I, dive deep into two iconic interpretations of John W. Campbell Jr.'s novella Who Goes There?—The Thing from Another World (1951) and John Carpenter's The Thing (1982). We explore how these two films, separated by three decades, offer drastically different takes on the same terrifying concept.We start with the 1951 classic, a Cold War-era sci-fi thriller set in an Arctic outpost, where a plant-based alien menace triggers panic and cooperation among a tight-knit military-scientific crew. Then, we descend into the paranoia-soaked landscape of Carpenter's 1982 remake, where an Antarctic research team is torn apart by a shape-shifting parasite that could be hiding in any one of them.From Cold War optimism to post-Watergate cynicism, from offscreen menace to grotesque practical effects, we break down:Thematic differences: unity vs. paranoia, trust vs. suspicionVisual styles and creature design: implied horror vs. unforgettable body horrorLegacy and influence on modern media: The X-Files, Stranger Things, Among Us, and moreWhether you're a fan of pulp sci-fi or slow-burning existential dread, this episode is for you. Tune in and decide for yourself.Thank you, everyone, for your support. If you have any questions or concerns, feel free to reach out on Instagram at ⁠⁠⁠@so_you_like_horror⁠⁠⁠ or email us directly at soyoulikehorror@gmail.com. We're open to all conversations, suggestions, topics, and criticisms.#GothBeautiful #SevenPages

This week, by listener request, we go back to the 1950s with one of the genre classics. Based on the John P. Campbell story, "Who Goes There?" and would later inspire John Carpenter's 1982 masterpiece The Thing. We get into the comparisons of the film and discuss the context of the looming Red Scare and McCarthyism. We also spend a lot of time talking about dog wrestling. So, something for everyone.    Plus we announce our guests for the April Showdown   Find Us Online-   Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

To unlock the full episode go to ⁠⁠⁠⁠Patreon⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show. This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong. This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

To unlock the full episode go to ⁠⁠⁠Patreon⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show. This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong. This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

This week host David returns with Suspense! from the Suspense Radio Show with John Alsedek as the producer. Our feature tonight is "Who Goes There". An Antarctic research expedition finds something frozen deep in the ice cap...something that is still alive... Learn more about your ad choices. Visit megaphone.fm/adchoices

The boys dive into WORLDS BEYOND NUMBER: The Wizard the Witch and the Wild One Episode 37: Who Goes There. Join us on this journey and all nerdy things over on https://www.youtube.com/@pixelists

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's November, so that means it's time for our “Xenovember” series, where we cover movies involving otherworldly creatures! In this week's episode, Alex, Tim, and Matt discuss John Carpenter's 1982 Lovecraftian nightmare on ice, The Thing!An iconic opening title sequence! Frozen bloodcicles! A cast of actors that seem like real people! Locations, sound, and lighting that actually make you feel colder while you watch! Norwegian characters giving away the plot! A surprising nose piercing! Very gross body horror mixed with suspense and mystery! A high watermark for practical creature FX thanks to the legendary Rob Bottin! The first movie in Carpenter's “Apocalypse Trilogy!” One of the great remakes of the 80s, alongside The Fly and The Blob! A frequently-debating ending that's fun to theorize about, or enjoy as it is! A claustrophobic sense of dread, paranoia, and fear, brought to horrible life by a classic score by Ennio Morricone and John Carpenter himself! You'll never look at blood tests and defibrillators the same way again!In addition, Tim shares his spoiler-free thoughts on another adaptation of the novella “Who Goes There?,” 1972's Horror Express! While Alex does the same for Juror #2, Heretic, Anora, and Steven Kostanski's newest film, Frankie Freako!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.

This week, Travis is joined by Steve (HewhoisSteve) of the Botched Podcast to talk about the 1951 film, The Thing from Another World. A huge inspiration to John Carpenter, who later went on to remake it as The Thing in 1982. But is that really a remake? It's more like a retelling of the novella Who Goes There? from 1938. Steve and Travis talk about adaptation in media, and how different eras can produce a very different film, but with similar stories. So, is it fair to call this movie an "unfaithful" adaptation? Let's find out...Check out Steve on Botched at https://www.botchedpodcast.com or anywhere you get your podcasts, and find him anywhere else as hewhoissteveThanks go out to Audie Norman (@TheAudieNorman) for the album art. Outro music In Pursuit provided by Purple-Planet.comSupport the show by going to patreon.com/wyhsVisit tvstravis.com for more shows and projects from TVsTravis Hosted on Acast. See acast.com/privacy for more information.

Night 12 of 13 Nights of Halloween brings us to the classic sci-fi horror, The Thing From Another World (1951)!

¡Vótame en los Premios iVoox 2024! Comienza la sexta temporada de La órbita de Endor con un monográfico espectacular sobre una de las ficciones más inquietantes del último siglo: LA COSA. Desde el libro de John W. Campbell ¿QUIÉN HAY AHÍ? (Who Goes There?), hasta la versión de 1951 producida por Howard Hawks: EL ENIGMA DE OTRO MUNDO (The Thing From Another World), pasando por la precuela de 2011, sin olvidar relatos como “Las Cosas” (The Things) que pretendían ofrecer un punto de vista insólito de la historia, el videojuego o los cómics de Dark Horse. Pero donde sin duda nos detendremos a realizar un extenso análisis es con la película de 1982 dirigida por John Carpenter y protagonizada por Kurt Russell: LA COSA. Un monográfico donde se contará con los envases corporales del Coronel Nathan Kurtz, Raúl Martín, Jaime Angulo y Antonio Runa. Es el fin de todo, o el comienzo. De cualquier forma, arranca otra temporada de LODE, la mejor arma para impedir conquistas planetarias. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

As always there are spoilers ahead! For the full show notes with no character limits you can click the episode on the website watch page here. Description:We are finally in the 1950s! The Golden Era of science fiction cinema. Although the 1950s are known for may B Movies The Thing from Another World was produced (and possibly directed) but the very famous Howard Hawks and came from RKO which was a big name studio at this time. This film capitalised on the growing appetite for science fiction in the USA which was up until this recently largely in print but also a little on television although studios were still wary of the science fiction label. Based on the John W Campbell novella Who Goes There? from 1938 there were a few significant changes made to the story. The ExpertsJay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including the 2023 Selling Science Fiction Cinema. Marc Longenecker is an Associate Professor of the Practice of Film Studies at Wesleyan University.Chapters00:00 Introduction to the show and guests02:40 The 1950s sci-fi explosion06:34 The studio aversion to science fiction and the paramount decree09:55 Howard Hawks, Howard Hughes and who really directed this film?16:20 If it walks like a Hawk: Hallmarks and the Hawksian woman21:52 The Cold War, flying saucers and “the group”34:05 Jay's comparison to The Day the Earth Stood Still (1951)36:26 The influence on John Carpenter and The Thing (1982)44:21 The legacy of the film48:56 Recommendations for listenersNEXT EPISODE!Next episode we will be taking a closer look at The Day the Earth Stood Still (1951). You can check Just Watch to find out where it can be found in your region and is available to buy or rent at many outlets including Apple TV. 

This week on The ALTER Tapes, Jamie and Nicole discuss Astrid Thorvaldsen's short ‘Who Goes There?' (2020). What would you do to heal your sister? Is trusting a stranger worth the risk? The only way to find out is to invite him in.Premise: Minnesota 1880: The trust of three Norwegian sisters is tested when a stranger appears on their prairie. When the eldest invites him in to heal her dying sister, she doesn't realize that a supernatural force is crossing her threshold.Connect with your co-hosts:> Jamie: @glitterburrito / @bloodybroadpod> Nichole: @bodiesofhorror Hosted on Acast. See acast.com/privacy for more information.

Ring the bells and rush to your stadium seats, beloved listeners, because it's time for another Remake Rumble! This time, it's one that's been a long time coming - a three-way fight between The Thing from Another World (1951) vs The Thing (1982) vs The Thing (2011)! After a speedrun of What We Sneep, the Sneople dive into the rumble by discussing The Thing from Another World and its spot as the first film adaptation of the 1938 novella “Who Goes There?” by John W. Campbell. From there we skip right over to the 2011 movie, a prequel to the 1982 film, which really made us more sad than anything else. From there we kind of lose track of discussing them as separate films and do whatever we want. Losing track of what's going on and doing whatever we want, as a concept, may not surprise long time listeners. The result of this Rumble may not surprise you, as it certainly did not surprise us. But who knows? After all……….maybe we got be-thinged and we are not who we seem to be……………

BBC Chillers | (01) Who Goes There [by John W Campbell] | Broadcast date: January 24, 2002: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES .Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Snobbies! We're back with Cody's pick for REMAKES and this one is a stone cold classic. Kurt Russell has never been hotter?? Questions mark?? This remake is from a 1951 original called, “The Thing From Another World,” adapted from the 1938 novel, Who Goes There? WE WATCHED Director John Carpenter's,  “The Thing.” THIS. FILM. RULES!!! We had an absolute blast watching this film. Every once and a while, the Snobs watch a film that just makes us react. The Thing was more psychological than we thought and we loved talking through what makes us human? Who can we trust? What even was this film trying to say? One thing was for sure, this film had EPIC visual effects. Ooey, Gooey, gutsy, visual effects.  Enjoy this legendary film Film Discussed: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Thing (1982) Letterboxd: Eric Peterson: ⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠ Jared Klopfenstein: ⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠ Ethan Jasso: ⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠ Caleb Zehr: ⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠ Ricky Wickham: ⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠ Five star reviews left on the pod get read out loud!

Join David, Michael, and Jesse as they try and schedule board games in their lives, David brags about his daughter playing board games, and David reviews Ecosystem: Savanna from Genius Games. Games discussed in this episode: Pollen, Who Goes There?, Ecosystem: Savanna Join our Discord Server at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THIS LINK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Instagram with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THIS LINK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joystock

Detectives Blanchard & Blanchard Are Back On The Case! After 5 Long Years TRUEsDays w/ Noah & Gav Has Returned! We are super pumped to be back in the world of True Detective and to dive into our instant thoughts on Night Country Part III; WHO IS SHE? WHERE IS THAT TUNNEL? WHAT ACTUALLY WENT DOWN WITH WHEELER?. Stay Tuned for the next 3 weeks to catch our thoughts on the most recent episode every Tuesday here on The ARK of E Podcast. Music : "slugrv" & "Who Goes There" by nARK Produced By Noah Blanchard Released By The ARK of E Network Send Feedback : thearkofe@gmail.com Support / Exclusive BONUS Content : www.patreon.com/thearkofe

On this episode of the Would You Die? Podcast, I'm joined by my friend, musician and geologist, John Owens. Join us as we discuss all iterations of THE THING, from the original book Who Goes There to the 2011 prequel. Enjoy!   Follow John at the links below! Instagram Motor City Brass Band   Would You Die is hosted by Austin Torres and can be found @WouldYouDieShow on Twitter, Facebook, and Instagram.   Visit the FANGORIA store: shop.fangoria.com/wouldyoudieshow Use Promo Code: WOULDYOUDIESHOW   The Would You Die? Podcast can also be found on TikTok @wouldyoudiepodcast. Follow Austin on Letterboxd @torresau. Music is composed by Josie Palmer.   Watch my short film, Best Day Ever, here: https://youtu.be/WDJbfRl2Qh4 Find Three Y's Men Media here! ThreeYsMenMedia.com   Find Three Y's Men Media merch (including Would You Die?) HERE! https://www.belowthecollar.com/tshirt-stores/3ymm.html

Prestige-ish Media Season 1 Episode 4 review of the True Detective episode Who Goes There. Join us as Craig Lake, Jessica Z, and Dan McNair inject cayenne pepper into their veins and give their reactions to the HBO show. Part 1 - Jessisode. Part 2 - Danisode. In this episode we discuss prison photos, Lisa and Marty fall out, ole Reggie Ledoux, biker gangs, and this episode of Breaking Bad …errrr… True Detective. Join us as we review all the previous episodes on the way to True Detective Night Country / True Detective Season 4.

This week we're discussing THE THING FROM ANOTHER WORLD, a film (based on the novella WHO GOES THERE?) that inspired one of our personal favorite movies John Carpenter's THE THING. We here at Kill Streak openly admit that we don't watch a ton of pre-1960s horror films, so this one is a little out of our "comfort zone". How did it play for us? Listen and find out! --- Send in a voice message: https://podcasters.spotify.com/pod/show/killstreakpod/message

The Thing from Another World, sometimes referred to as just The Thing, is a 1951 American black-and-white science fiction-horror film, directed by Christian Nyby, produced by Edward Lasker for Howard Hawks' Winchester Pictures Corporation, and released by RKO Radio Pictures. The film stars Margaret Sheridan, Kenneth Tobey, Robert Cornthwaite, and Douglas Spencer. James Arness plays The Thing, though he is difficult to recognize in costume and makeup due to both low lighting and other effects used to obscure his features. The Thing from Another World is based on the 1938 novella "Who Goes There?" by John W. Campbell (writing under the pseudonym of Don A. Stuart). FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 1000 STICKERS FOR $79  RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Ive been waiting for this one!!! The “Who Goes There” crew jumps in to talk movies… “scary” movies.  We review & rank their Top 5 list. Talk some shiet.  And I think we actually became friends!!! This one was a banger… Enjoy!     Don't forget to join our Emo Brown Social Club by signing up for our Patreon (link in bio) Subscribe to our YouTube page!!! (Link In Bio) Listen/Watch Now!!! (Links in Bio)   #EmoBrownEmpire  #EmoBrown #TheePodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/emobrown/message

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! The film we are discussing in this Season 2 Episode is "The Thing" The Thing is a 1982 American science fiction horror film directed by John Carpenter from a screenplay by Bill Lancaster. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, it tells the story of a group of American researchers in Antarctica who encounter the eponymous "Thing", an extraterrestrial life-form that assimilates, then imitates, other organisms. The group is overcome by paranoia and conflict as they learn that they can no longer trust each other and that any of them could be the Thing. The film stars Kurt Russell as the team's helicopter pilot R.J. MacReady, with A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles. Now in the Famous words of that Pig from Shrek "Play the movie.. Yeah PLAY" Austin Hernandez Socials: https://instagram.com/darkofeden?igshid=MzRlODBiNWFlZA== Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y= ALSO Follow the homie Dylan on his fantastic Podcast "The Hernandez Variety Show" https://open.spotify.com/show/58pVAOZ5sSK4ti563o5fWn?si=BjR3hTyjR9mjfKIh6itDuw

Wherein we talk about not one, but two John Carpenter movies - The Thing and They Live, based on Who Goes There by John Campbell Jr and Eight o'Clock in the Morning by Ray Nelson, respectively and we also discuss: if Impossible Burgers are Kosher, selling out your species for money, the best fight scene in cinema history, dunking on 2001 yet again, box office success via scheduling, hating on aliens for being ugly, and some other movies to check out if you liked these. An automated transcript is available at this link

We close out this October with a horror classic, The Thing, directed by John Carpenter in 1982, and based on the novella, Who Goes There? by John W. Campbell. We're talking big hats, dog Oscars, confusing blood tests, monsters that are committed performers, and of course, our thoughts on that ending!

The Thing is a 1982 American science fiction horror film directed by John Carpenter from a screenplay by Bill Lancaster. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, it tells the story of a group of American researchers in Antarctica who encounter the eponymous "Thing," an extraterrestrial life-form that assimilates, then imitates, other organisms. The group is overcome by paranoia and conflict as they learn that they can no longer trust each other and that any of them could be the Thing. The film stars Kurt Russell as the team's helicopter pilot R.J. MacReady, with A. Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles.

Could I have picked something a little less obscure this week? Possibly. However, if you're a fan of John Carpenter films, then the story behind this book will definitely be familiar, for Who Goes There? written in 1938 went on to become the 1982 Kurt Russell film, The Thing! As part of a special crossover event, I am joined by Lorraine from Once Upon a Nightmare to talk about the book that inspired the film. As always, there will be no spoilers here! Give this episode a listen to discover if we were surprised by this 70-page science fiction novella. Does it truly stand the test of time?

This week host David returns with Suspense! from the Suspense Radio Show with John Alsedek as the producer. Our feature tonight is "Who Goes There". An Antarctic research expedition finds something frozen deep in the ice cap...something that is still alive... Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil ventured over to another podcast these past few weeks! That podcast is Oops All Monsters, which talks about, well, monsters! Phil guested on a pair of episodes in which he and Hess discussed all things The Thing, specifically, Who Goes There, The Thing from Another World, and John Carpenter's The Thing. And when you're done listening here, go check out Oops All Monsters on Apple, Spotify, or wherever you get your podcasts for more Monstery goodness. OAM's Links Apple Podcasts Spotify Google Pods

The Thing is a 1982 American science fiction horror film directed by John Carpenter with a screenplay written by Bill Lancaster based on the 1938 novella Who Goes There?. The film stars Kurt Russell, with Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites in supporting roles.  The film's score was composed by the late Ennio Morricone.   If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch The Thing: https://amzn.to/3GmY5zP         Out this Month: Week 1: Shooting the Flames Week 2: The Thing From Another World (1951) Week 3: The Thing (1982) Week 4: Break! Week 5: Up In Flames: 2022 in Review Patreon: The Thing (2011)     Coming in February 2023: Heathers The Craft      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons: #ExiledTexan Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter Brandon Anderson CenobiteBetty Christopher N Dan Alvarez daveisruff Erica Huff Gia-Ranita Pitt Gillian Murtagh GlazedDonut GWilliamNYC James Aumann Jessica E Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Mimi Hunter Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Nelson Quel Parish random dude Richard Pringle Robert B. Robert E Sean Homrig Senor Sombra Walstrich   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

The Thing From Another World (sometimes referred to as just The Thing) is a 1951 American science fiction horror film directed by Christian Nyby and produced by Edward Lasker for Howard Hawk's Winchester Pictures and released by RKO. The film stars Margaret Sheridan, Kenneth Tobey, Robert Cornthwaite, and Douglas Spencer. James Arness plays The Thing, although he is difficult to recognize in costume and makeup due to both low lighting and other effects used to obscure his features. The film is based on the 1938 novella Who Goes There? written by John W. Campbell. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch The Thing From Another World: https://amzn.to/3GCdUUI         Out this Month: Week 1: Shooting the Flames Week 2: The Thing From Another World (1951) Week 3: The Thing (1982) Week 4: Break! Week 5: Up In Flames: 2022 in Review Patreon: The Thing (2011)     Coming in February 2023: Heathers The Craft      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons: #ExiledTexan Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter Brandon Anderson CenobiteBetty Christopher N Dan Alvarez daveisruff Erica Huff Gia-Ranita Pitt GlazedDonut GWilliamNYC Jessica E Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Mimi Hunter Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Nelson Quel Parish random dude Richard Pringle Robert B. Robert E Sean Homrig Senor Sombra Walstrich   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Bonjour, morceau de toilette! Here at the Who Goes There we have quite the voracious appetite. Over the passed 10 years we've invited each other, and our listeners, to dine on: a dick, a bag of dicks, deez nuts, my entire ass, and in tonight's episode, magic cookie bars. Hell, there's even some Youtubers out there that "eat the menu". Tonight, we discuss 2022's The Menu. That's right, bucko! This week we're serving up heaping portions of analysis, cynicism and normalized, heterosexual butt-fucking all over this new Anya Taylor-Joy piece. Is it a take down of the rich? Is it an in-depth look at creation vs consumption? Or is merely an excuse to watch Anya Taylor eat, while you tenderize your meat? We're smothered, covered, and sleeping with your mother. A 20% gratuity will be automatically added to the end of this episode to ensure the continued jackassery of our staff. If you would like to tip further please do so at Patreon. Artwork was once again done by the incredible Cal Gee. Go follow him on instagram. If you enjoy the show, please consider joining our Patreon subscribers. That means for less than the cost of a beer, you get bonus content, exclusive merchandise, and special giveaways! Most importantly, you get to help us continue doing what we love. The Who Goes There Podcast is available to subscribe to on iTunes and Spotify.  Can't get enough? We also do that social media shit. You'll find us on Instagram.

We talk. We drink. We movie! About The Thing: The Thing is a 1982 American science fiction horror film directed by John Carpenter from a screenplay by Bill Lancaster. Based on the 1938 John W. Campbell Jr. novella Who Goes There?, it tells the story of a group of American researchers in Antarctica who encounter the eponymous "Thing", a parasitic extraterrestrial life-form that assimilates, then imitates, other organisms About Matt: Guitarist and Hat Man at The Masters of Unlocking About Masters of Unlocking: We are a band out of Austin, Texas that plays video game music from whatever games we want to play m Get at us: IG - @TalkingDuringMovies Twitter - @talkduringmovie Email - talkingduringmoviespodcast@gmail.com Facebook - facebook.com/talkingduringmovies