Notes + Poems
An Irish Airman Foresees His Death by William Butler Yeats I know that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate Those that I guard I do not love; My country is Kiltartan Cross, My countrymen Kiltartan’s poor, No likely end could bring them loss Or leave them happier than before. Nor law, nor duty bade me fight, Nor public man, nor cheering crowds, A lonely impulse of delight Drove to this tumult in the clouds; I balanced all, brought all to mind, The years to come seemed waste of breath, A waste of breath the years behind In balance with this life, this death. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
Submarine Mountains by Cale Young Rice Under the sea, which is their sky, they rise To watery altitudes as vast as those Of far Himalayan peaks impent in snows And veils of cloud and sacred deep repose. Under the sea, their flowing firmament, More dark than any ray of sun can pierce, The earthquake thrust them up with mighty tierce And left them to be seen but by the eyes Of awed imagination inward bent. Their vegetation is the viscid ooze, Whose mysteries are past belief or thought. Creation seems around them devil-wrought, Or by some cosmic urgence gone distraught. Adown their precipices chill and dense With the dank midnight creep or crawl or climb Such tentacled and eyeless things of slime, Such monster shapes as tempt us to accuse Life of a miscreative impotence. About their peaks the shark, their eagle, floats, In the thick azure far beneath the air, Or downward sweeps upon what prey may dare Set forth from any silent weedy lair. But one desire on all their slopes is found, Desire of food, the awful hunger strife, Yet here, it may be, was begun our life, Here all the dreams on which our vision dotes In unevolved obscurity were bound. Too strange it is, too terrible! And yet It matters not how we were wrought or whence Life came to us with all its throb intense, If in it is a Godly Immanence. It matters not,—if haply we are more Than creatures half-conceived by a blind force That sweeps the universe in a chance course: For only in Unmeaning Might is met The intolerable thought none can ignore. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
Passers-By by Carl Sandburg Passers-by, Out of your many faces Flash memories to me Now at the day end Away from the sidewalks Where your shoe soles traveled And your voices rose and blent To form the city’s afternoon roar Hindering an old silence. Passers-by, I remember lean ones among you, Throats in the clutch of a hope, Lips written over with strivings, Mouths that kiss only for love, Records of great wishes slept with, Held long And prayed and toiled for: Yes, Written on Your mouths And your throats I read them When you passed by. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
Serenity by Edward Rowland Sill Brook, Be still,—be still! Midnight’s arch is broken In thy ceaseless ripples. Dark and cold below them Runs the troubled water,— Only on its bosom, Shimmering and trembling, Doth the glinted star-shine Sparkle and cease. Life, Be still,—be still! Boundless truth is shattered On thy hurrying current. Rest, with face uplifted, Calm, serenely quiet; Drink the deathless beauty— Thrills of love and wonder Sinking, shining, star-like; Till the mirrored heaven Hollow down within thee Holy deeps unfathomed, Where far thoughts go floating, And low voices wander Whispering peace. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
The Wild Common by D.H. Lawrence The quick sparks on the gorse bushes are leaping, Little jets of sunlight-texture imitating flame; Above them, exultant, the pee-wits are sweeping: They are lords of the desolate wastes of sadness their screamings proclaim. Rabbits, handfuls of brown earth, lie Low-rounded on the mournful grass they have bitten down to the quick. Are they asleep?—Are they alive?—Now see, when I Move my arms the hill bursts and heaves under their spurting kick. The common flaunts bravely: but below, from the rushes Crowds of glittering king-cups surge to challenge the blossoming bushes; There the lazy streamlet pushes Its curious course mildly; here it wakes again, leaps, laughs, and gushes. Into a deep pond, an old sheep-dip, Dark, overgrown with willows, cool, with the brook ebbing through so slow, Naked on the steep, soft lip Of the bank I stand watching my own white shadow quivering to and fro. What if the gorse flowers shriveled and kissing were lost? Without the pulsing waters, where were the marigolds and the songs of the brook? If my veins and my breasts with love embossed Withered, my insolent soul would be gone like flowers that the hot wind took. So my soul like a passionate woman turns, Filled with remorseful terror to the man she scorned, and her love For myself in my own eyes’ laughter burns, Runs ecstatic over the pliant folds rippling down to my belly from the breast-lights above. Over my sunlit skin the warm, clinging air, Rich with the songs of seven larks singing at once, goes kissing me glad. And the soul of the wind and my blood compare Their wandering happiness, and the wind, wasted in liberty, drifts on and is sad. Oh but the water loves me and folds me, Plays with me, sways me, lifts me and sinks me as though it were living blood, Blood of a heaving woman who holds me, Owning my supple body a rare glad thing, supremely good. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
The Grass Beneath My Head by FS Flint The grass is beneath my head; and I gaze at the thronging stars in the night. They fall… they fall… I am overwhelmed, and afraid. Each leaf of the aspen is caressed by the wind, and each is crying. And the perfume of invisible roses deepens the anguish. Let a strong mesh of roots feed the crimson of roses upon my heart; and then fold over the hollow where all the pain was. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
Be Still, My Soul by A.E. Housman Be still, my soul, be still; the arms you bear are brittle, Earth and high heaven are fixt of old and founded strong. Think rather,—call to thought, if now you grieve a little, The days when we had rest, O soul, for they were long. Men loved unkindness then, but lightless in the quarry I slept and saw not; tears fell down, I did not mourn; Sweat ran and blood sprang out and I was never sorry: Then it was well with me, in days ere I was born. Now, and I muse for why and never find the reason, I pace the earth, and drink the air, and feel the sun. Be still, be still, my soul; it is but for a season: Let us endure an hour and see injustice done. Ay, look: high heaven and earth ail from the prime foundation; All thoughts to rive the heart are here, and all are vain: Horror and scorn and hate and fear and indignation— Oh why did I awake? when shall I sleep again? ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
As You Like It, Act II - Scene VII by William Shakespeare All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse’s arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
Such an Arduosly Long Joyous Occasion by Amira Ram Graffar “Ha-nifrah beek” is an Arabic phrase meaning, loosely, “To rejoice for you.” Muttered most often by aunties And uncles presiding over your cousins’ weddings. Though, it often tends to mean much more as, teary-eyed, The line is directed at the yet to graduate, The unmarried, and the consummately childless. It really means “Hurry up, already! We are all Waiting to disapprove and cast new judgments.” So, you smile, weakly, give a big hug, and sputter, With a broken accent, “God-willing—Inshallah.” All kind of charming, until about the thirty-fourth time. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
Wonder and Joy by Robinson Jeffers The things that one grows tired of—O, be sure They are only foolish artificial things! Can a bird ever tire of having wings? And I, so long as life and sense endure, (Or brief be they!) shall nevermore inure My heart to the recurrence of the springs, Of gray dawns, the gracious evenings, The infinite wheeling stars. A wonder pure Must ever well within me to behold Venus decline; or great Orion, whose belt Is studded with three nails of burning gold, Ascend the winter heaven. Who never felt This wondering joy may yet be good or great: But envy him not: he is not fortunate. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
Deep in the Quiet Wood by James Weldon Johnson Are you bowed down in heart? Do you but hear the clashing discords and the din of life? Then come away, come to the peaceful wood, Here bathe your soul in silence. Listen! Now, From out the palpitating solitude Do you not catch, yet faint, elusive strains? They are above, around, within you, everywhere. Silently listen! Clear, and still more clear, they come. They bubble up in rippling notes, and swell in singing tones. Now let your soul run the whole gamut of the wondrous scale Until, responsive to the tonic chord, It touches the diapason of God’s grand cathedral organ, Filling earth for you with heavenly peace And holy harmonies. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.
If by Rudyard Kipling If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or, being lied about, don’t deal in lies, Or, being hated, don’t give way to hating, And yet don’t look too good, nor talk too wise; If you can dream—and not make dreams your master; If you can think—and not make thoughts your aim; If you can meet with triumph and disaster And treat those two impostors just the same; If you can bear to hear the truth you’ve spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to broken, And stoop and build ‘em up with wornout tools; If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: “Hold on”; If you can talk with crowds and keep your virtue, Or walk with kings—nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds’ worth of distance run— Yours is the Earth and everything that’s in it, And—which is more—you’ll be a Man, my son! ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Ode on the Death of a Favorite Cat by Thomas Gray Twas on a lofty vase’s side, Where China’s gayest art had dyed The azure flowers that blow; Demurest of the tabby kind, The pensive Selima, reclined, Gazed on the lake below. Her conscious tail her joy declared; The fair round face, the snowy beard, The velvet of her paws, Her coat, that with the tortoise vies, Her ears of jet, and emerald eyes, She saw; and purred applause. Still had she gazed; but ‘midst the tide Two angel forms were seen to glide, The genii of the stream: Their scaly armor’s Tyrian hue Through richest purple to the view Betrayed a golden gleam. The hapless nymph with wonder saw: A whisker first and then a claw, With many an ardent wish, She stretched in vain to reach the prize. What female heart can gold despise? What cat’s averse to fish? Presumptuous maid! with looks intent Again she stretched, again she bent, Nor knew the gulf between. (Malignant Fate sat by and smiled) The slippery verge her feet beguiled, She tumbled headlong in. Eight times emerging from the flood She mewed to every watery god, Some speedy aid to send. No dolphin came, no Nereid stirred; Nor cruel Tom, nor Susan heard; A favorite has no friend! From hence, ye beauties, undeceived, Know, one false step is ne’er retrieved, And be with caution bold. Not all that tempts your wandering eyes And heedless hearts, is lawful prize; Nor all that glisters, gold. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
The Soul Selects Her Own Society by Emily Dickinson The Soul selects her own Society — Then — shuts the Door — To her divine Majority — Present no more — Unmoved — she notes the Chariots — pausing — At her low Gate — Unmoved — an Emperor be kneeling Upon her Mat — I’ve known her — from an ample nation — Choose One — Then — close the Valves of her attention — Like Stone — ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Old Houses by Lizette Woodworth Reese Old loveliness, set in the country wind, Or down some vain town road the careless tread, Like hush of candles lighted for the dead, That look of yours, half seeing and half blind. Still do you strain at door, but we come not, The little maids, the lads, bone of your bone; In some sad wise, you keep the dusk alone, Old loveliness, a many a day forgot. But no; behind each weather do you pass, The garnered poignancies of all the springs: At some girl’s belt in Lent the jonquils start;— But, oh, their like in your old windy grass! Then are we quick with tears, rememberings; Once more, once more, are gathered to your heart! ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Where They Lived by Thomas Hardy Dishevelled leaves creep down Upon that bank to-day, Some green, some yellow, and some pale brown; The wet bents bob and sway; The once warm slippery turf is sodden Where we laughingly sat or lay. The summerhouse is gone, Leaving a weedy space; The bushes that veiled it once have grown Gaunt trees that interlace, Through whose lank limbs I see too clearly The nakedness of the place. And where were hills of blue, Blind drifts of vapour blow, And the names of former dwellers few, If any, people know, And instead of a voice that called, “Come in, Dears,” Time calls, “Pass below!” ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Paris by Willa Cather Behind the arch of glory sets the day; The river lies in curves of silver light, The Fields Elysian glitter in a spray Of golden dust; the gilded dome is bright, The towers of Notre Dame cut clean and gray The evening sky, and pale from left to right A hundred bridges leap from either quay. Pillared with pride, the city of delight Sits like an empress by her silver Seine, Heavy with jewels, all her splendid dower Flashing upon her, won from shore and main By shock of combat, sacked from town and tower. Wherever men have builded hall or fane Red war hath gleaned for her and men have slain To deck her loveliness. I feel again That joy which brings her art to faultless flower, That passion of her kings, who, reign on reign, Arrayed her star by star with pride and power. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Swallows by Leonora Speyer They dip their wings in the sunset, They dash against the air As if to break themselves upon its stillness: In every movement, too swift to count, Is a revelry of indecision, A furtive delight in trees they do not desire And in grasses that shall not know their weight. They hover and lean toward the meadow With little edged cries; And then, As if frightened at the earth’s nearness, They seek the high austerity of evening sky And swirl into its depth. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Reflections Irregular by John Rollin Ridge I cast a backward look—how changed The scenes of other days! I walk, a wearied man, estranged From youth’s delightful ways. There in the distance rolleth yet That stream whose waves my Boyish bosom oft has met, When pleasure lit mine eye. It rolleth yet, as clear, as bold, As pure as it did then; But I have grown in youth-time old, And, mixing now with men, My sobered eye must not attend To that sweet stream, my early friend! The music of its waters clear Must now but seldom reach my ear, But murmur still now carelessly To every heedless passer-by. How often o’er its rugged cliffs I’ve strayed, And gaily listened, as its billows played Such deep, low music at their base— And then such brightening thoughts would trace Upon the tablet of my mind! Alas, those days have run their race, Their joys I nowhere now can find. I have no time to think Of climbing Glory’s sunny mount I have no time to drink At Learning’s bubbling fount! Now corn and potatoes call me From scenes were wont to enthrall me— A weary wight, Both day and night My brain is full of business matters, Reality has snatched the light, From fancy’s head, that shone so bright, And tore the dreams she wove, to tatters! ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Evening by Hilda Dolittle The light passes from ridge to ridge, from flower to flower— the hepaticas, wide-spread under the light grow faint— the petals reach inward, the blue tips bend toward the bluer heart and the flowers are lost. The cornel-buds are still white, but shadows dart from the cornel-roots— black creeps from root to root, each leaf cuts another leaf on the grass, shadow seeks shadow, then both leaf and leaf-shadow are lost. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
With Music by Helen Hay Whitney Dear, did we meet in some dim yesterday? I half remember how the birds were mute Among green leaves and tulip-tinted fruit, And on the grass, beside a stream, we lay In early twilight; faintly, far away, Came lovely sounds adrift from silver lute, With answered echoes of an airy flute, While Twilight waited tiptoe, fain to stay. Her violet eyes were sweet with mystery. You looked in mine, the music rose and fell Like little, lisping laughter of the sea; Our souls were barks, wind-wafted from the shore— Gold cup, a rose, a ruby, who can tell? Soft—music ceases—I recall no more. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
The Passing of the Hours by Ella Higginson The hours steal by with still, unasking lips— So lightly that I cannot hear their tread; And softly touch me with their finger-tips To find if I be dreaming, or be dead. And yet however still their flight may be, Their ceaseless going weights my heart with tears; These touches will have wrought deep scars on me— When the light hours have worn to heavy years. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Spirits of the Dead by Edgar Allan Poe Thy soul shall find itself alone ‘Mid dark thoughts of the grey tomb-stone; Not one, of all the crowd, to pry Into thine hour of secrecy. Be silent in that solitude, Which is not loneliness — for then The spirits of the dead, who stood In life before thee, are again In death around thee, and their will Shall overshadow thee; be still. The night, though clear, shall frown, And the stars shall not look down From their high thrones in the Heaven With light like hope to mortals given, But their red orbs, without beam, To thy weariness shall seem As a burning and a fever Which would cling to thee for ever. Now are thoughts thou shalt not banish, Now are visions ne’er to vanish; From thy spirit shall they pass No more, like dew-drop from the grass. The breeze, the breath of God, is still, And the mist upon the hill Shadowy, shadowy, yet unbroken, Is a symbol and a token. How it hangs upon the trees, A mystery of mysteries! ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Rates of Change by Quinn Elliot Dresdahl It's all relative. Let me summarize. The scientists all agree, It's so imperative That you realize Your frame of reference is key. And the vectors, Take their summations. Note directions and the size. And the origins' Coordinate transformations Allow for mathematic compromise. But then distances will lengthen. Observe that seconds dilate. You're either moving at twice the speed, Or standing still... Wait... The whole thing makes a paradox! Heartache takes eons. Joys pass like a blur. If you're not who you were supposed to be, When they become whoever they were. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Moonrise by Gerard Manly Hopkins I awoke in the Midsummer not to call night, in the white and the walk of the morning: The moon, dwindled and thinned to the fringe of a finger-nail held to the candle, Or paring of paradisaïcal fruit, lovely in waning but lustreless, Stepped from the stool, drew back from the barrow, of dark Maenefa the mountain; A cusp still clasped him, a fluke yet fanged him, entangled him, not quit utterly. This was the prized, the desirable sight, unsought, presented so easily, Parted me leaf and leaf, divided me, eyelid and eyelid of slumber. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Night Fell by Florence Ripley Mastin Night fell one year ago, like this. He had been writing steadily. Among these dusky walls of books, How bright he looked, intense as flame! Suddenly he paused, The firelight in his hair, And said, “The time has come to go.” I took his hand; We watched the logs burn out; The apple boughs fingered the window; Down the cool, spring night A slim, white moon leaned to the hill. To-night the trees are budded white, And the same pale moon slips through the dusk. O little buds, tap-tapping on the pane, O white moon, I wonder if he sleeps in woods Where there are leaves? Or if he lies in some black trench, His hands, his kind hands, kindling flame that kills? Or if, or if... He is here now, to bid me last good-night? ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
When You Are Old by W.B. Yeats When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
A January Dandelion by George Marion McClellan All Nashville is a chill. And everywhere Like desert sand, when the winds blow, There is each moment sifted through the air, A powdered blast of January snow. O! thoughtless Dandelion, to be misled By a few warm days to leave thy natural bed, Was folly growth and blooming over soon. And yet, thou blasted yellow-coated gem, Full many a heart has but a common boon With thee, now freezing on thy slender stem. When the heart has bloomed by the touch of love’s warm breath Then left and chilling snow is sifted in, It still may beat but there is blast and death To all that blooming life that might have been. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Sonnet to Winter by Emily Chubbuck Judson Thy brow is girt, thy robe with gems inwove; And palaces of frost-work, on the eye, Flash out, and gleam in every gorgeous dye, The pencil, dipped in glorious things above, Can bring to earth. Oh, thou art passing fair! But cold and cheerless as the heart of death, Without one warm, free pulse, one softening breath, One soothing whisper for the ear of Care. Fortune too has her Winter. In the Spring, We watch the bud of promise; and the flower Looks out upon us at the Summer hour; And Autumn days the blessed harvest bring; Then comes the reign of jewels rare, and gold, When brows flash light, but hearts grow strangely cold. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer's Almanac archives. May that podcast rest in peace (it was Karim's favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Dawn by John Gould Fletcher Above the east horizon, The great red flower of the dawn Opens slowly, petal by petal; The trees emerge from darkness With ghostly silver leaves, Dew powdered. Now consciousness emerges Reluctantly out of tides of sleep; Finding with cold surprise No strange new thing to match its dreams, But merely the familiar shapes Of bedpost, window-pane, and wall. Within the city, The streets which were the last to fall to sleep, Hold yet stale fragments of the night. Sleep oozes out of stagnant ash-barrels, Sleep drowses over litter in the streets. Sleep nods upon the milkcans by back doors. And, in shut rooms, Behind the lowered window-blinds, Drawn white faces unwittingly flout the day. But, at the edges of the city, Sleep is already washed away; Light filters through the moist green leaves, It runs into the cups of flowers, It leaps in sparks through drops of dew, It whirls against the window-panes With waking birds; Blinds are rolled up and chimneys smoke, Feet clatter past in silent paths, And down white vanishing ways of steel, A dozen railway trains converge Upon night’s stronghold. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer's Almanac archives. May that podcast rest in peace (it was Karim's favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Winter Branches by Margaret Widdemer When winter-time grows weary, I lift my eyes on high And see the black trees standing, stripped clear against the sky; They stand there very silent, with the cold flushed sky behind, The little twigs flare beautiful and restful and kind; Clear-cut and certain they rise, with summer past, For all that trees can ever learn they know now, at last; Slim and black and wonderful, with all unrest gone by, The stripped tree-boughs comfort me, drawn clear against the sky. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer's Almanac archives. May that podcast rest in peace (it was Karim's favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
Beauty and Beauty by Rupert Brooke When Beauty and Beauty meet All naked, fair to fair, The earth is crying-sweet, And scattering-bright the air, Eddying, dizzying, closing round, With soft and drunken laughter; Veiling all that may befall After—after— Where Beauty and Beauty met, Earth’s still a-tremble there, And winds are scented yet, And memory-soft the air, Bosoming, folding glints of light, And shreds of shadowy laughter; Not the tears that fill the years After—after— ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer's Almanac archives. May that podcast rest in peace (it was Karim's favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
2018-01-09 - Dawns by Amy Lowell by Karim El Azhari
The Giver of Stars by Amy Lowell Hold your soul open for my welcoming. Let the quiet of your spirit bathe me With its clear and rippled coolness, That, loose-limbed and weary, I find rest, Outstretched upon your peace, as on a bed of ivory. Let the flickering flame of your soul play all about me, That into my limbs may come the keenness of fire, The life and joy of tongues of flame, And, going out from you, tightly strung and in tune, I may rouse the blear-eyed world, And pour into it the beauty which you have begotten. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer's Almanac archives. May that podcast rest in peace (it was Karim's favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
That Money I Ain't Got by Amira Ram Graffar Once, and ever since, A wince, quite tense, At the expense of intense Scents of incense, I fled. With no pretense of affluence, Returning whence made sense. Hence, in essence, This dense verbal fence Well read. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer's Almanac archives. May that podcast rest in peace (it was Karim's favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!
The Penitent by Edna St Vincent Millay I had a little Sorrow, Born of a little Sin, I found a room all damp with gloom And shut us all within; And, “Little Sorrow, weep," said I, “And, Little Sin, pray God to die, And I upon the floor will lie And think how bad I’ve been!” Alas for pious planning— It mattered not a whit! As far as gloom went in that room, The lamp might have been lit! My Little Sorrow would not weep, My little Sin would go to sleep— To save my soul I could not keep My graceless mind on it! So up I got in anger, And took a book I had, And put a ribbon on my hair To please a passing lad, And, “One thing there’s no getting by— I’ve been a wicked girl," said I; “But if I can’t be sorry, why, I might as well be glad!” ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer's Almanac archives. May that podcast rest in peace (it was Karim's favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing!