Podcasts about As You Like It

00:43 Jess and Sarah Weekly Recap06:46 Fandom News08:32 Interview with Gloria Obianyo (Mercy Woodcock on Outlander) Happy Early World Outlander Day from Jess and Sarah! We hope you celebrate with a dram and a fellow Sassenach! Jess and Sarah are back with an extended episode and we can't wait for you to hear this one. We kickoff with our recaps for the week, fandom news and then get to sit down with Gloria Obianyo who you'll know as Mercy Woodcock on Outlander. Gloria joins us to talk about her journey from a High School Musical fan to starring in Outlander. We dive into her theater and screen experiences, upcoming role in As You Like It  directed by Ralph Fiennes and her creative outlets like music and photography. She reflects on the audition process for Outlander, the research she undertook for her role and the complexities of the relationships her character navigates. We hope you enjoy this interview as much as we did! Follow Gloria on IGFollow Gloria's Photography page on IG

Charlie is a native Pittsburgher and a proud graduate of Carnegie Mellon University, where he studied Acting. As an actor, select stage credits include the NY Public Theatre's “Shakespeare in the Park” (All's Well That Ends Well, Measure for Measure), the Pearl Theatre Company (Richard II), the Hudson Valley Shakespeare Festival (King Lear, The Three Musketeers, Romeo and Juliet, Love's Labour's Lost), The Shakespeare Theatre of DC (Richard II, Henry V, As You Like It, Mrs. Warren's Profession), Middlebury Actor's Workshop (Cat on a Hot Tin Roof), The Arts Center of Coastal Carolina (The Unexpected Guest), and Chautauqua Theatre Company (Much Ado About Nothing, Vaidehi, Ah, Wilderness!).  In 2015, Charlie co-founded Esperance Theater Company — a company that produced classical-based work here in NYC. With Esperance, Charlie produced and performed in 12th Night, Macbeth, Romeo and Juliet, and Breitwisch Farm. As a teacher, Charlie has been working with MTCA (Musical Theater College Auditions) for over 20 years, where he is now a Director of the company alongside Leo Ash Evens. Charlie has also taught for Texas State University, PACE University, The Performing Arts Project (TPAP), Broadway Dreams, the City University of New York, Carnegie Mellon's Pre-College program, and the Hudson Valley Shakespeare Festival. As a Teacher and Director, he is able to do two of his favorite things in life: help students to find their authentic selves as artists, and help them find their best fit in their collegiate journey. Charlie also hosts the “Mapping The College Audition” podcast, where he continues that work, and helps demystify this daunting audition process for listeners around the world. Charlie is also the proud father to a precocious toddler, partner to an amazing Tony-nominated + Grammy-winning Actress, and a humble Broadway Show League Softball MVP. Want to try our Broadway fitness program for free? ⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

I am so excited that today we are joined by a true trailblazer, Rose Ayling-Ellis who I have wanted to have on the podcast for ages and trust me this conversation was worth the wait!  Rose has achieved so many firsts: she is the first deaf person to win ‘Strictly Come Dancing' which even won her a BAFTA, the first deaf person to host live sports coverage on British TV as a presenter for the 2024 Paralympics, and the first deaf actor to be nominated for an Olivier Award for her performance in ‘As You Like It'.  And now after acting for 13 years she has landed her first lead role in ITV's gripping new TV drama, ‘Code of Silence' which follows her character Alison who is plucked from working in the police station canteen and recrutied to lip read for the police on a dangerous case. Plot spoiler: it's INCREDIBLE!  In this episode we talk about the hurdles and prejudice Rose has had to overcome to pursue the career she's dreamed of, the lessons she's learned from resilience and the pressure that comes from being a trailblazer.  We also chat about the mental health problems in the deaf community which we all need to pay more attention to and how we can all make space for oneanother to become a truly inclusive society.  If you love this conversation as much as I do, get in touch with me across socials @joshsmithhosts as I always love hearing from you. I'll see you next week for another episode of ‘Reign'. Love, Josh x P.S The power of conversation is so important and asking for help instead of trying to face stuff alone can be SO empowering. Empowerment is what we're all about on ‘Reign' so I am so pleased this episode is brought to you in partnership with online therapy platform, BetterHelp. With over 5,000 therapists who have a diverse variety of expertise in mental health in the UK already, BetterHelp can provide you with access to the best mental health professional for you. With BetterHelp you can have online therapy on your schedule, wherever you are and build your support system,  If you need support now you can get 10% off your first month at BetterHelp by visiting betterhelp.com/reign. P.P.S. If all this self-love chat has left you wanting to improve your relationships and build new ones check out my self help book, ‘Great Chat: Seven Lessons for Better Conversation, Deeper Connections and Improved Wellbeing' which is out now! The book gives you so much advice on how to have incredible conversations with everyone, and how you can turn everyday conversations into a self development practice so you can improve your relationships and mental health in the process. You can get your copy here https://geni.us/GreatChat and I really hope you love it!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Orlando, from the play As You Like It, talks about church bells knolling, and later in that same play, the Duke talks about how we “have with holy bell been knoll'd to church.” There's a conversation in Act II of Pericles where two fishermen discuss a parish getting swallowed by a whale, and they refer to the parish as “The whole parish, church, steeple, bells, and all.” These references demonstrate the important cultural place of bells in England for Shakespeare's lifetime. While Moses is credited with introducing bells to Jewish religion, Italian monks are given credit for introducing bells to Europe, with Saint Bede bringing them specifically to England when he introduced their use in funerals around 700 AD. By the time of William Shakespeare, metallurgy and construction had experienced a metamorphosis, with churches in Europe adopting not only intricate design, but seeking to increase both the size and the sound of their church bells. Here this week to tell us about the history, size, shape, sound, and technical process of building a church bell in Shakespeare's lifetime, is our guest Guthrie Stewart  Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Send us a textShortly after finishing her final show at Guildhall School of Music and Drama, Imogen Elliott delivered a Stage Debut Award nominated performance as Sally Middleton in The Voice of the Turtle at Jermyn Street Theatre. She is now on tour with Belinda Lang and Honeysuckle Weeks in Anne Marie Casey's adaptation of Little Women. In the short time since she graduated, Imogen Elliott has garnered glowing reviews for her strong stage presence and continues to impress audiences with her remarkable charm and talent. Later this summer, she'll also be playing Phoebe in As You Like It at Theatre Royal,as part of Ralph Fiennes' season at Theatre Royal, Bath.In this exclusive interview with Imogen Elliott, we talked about her experience training alongside a dazzling year group of actors at Guildhall to making her professional debut last year. Indeed, many of her classmates have since made their professional debuts in acclaimed productions at the likes of the National Theatre, Shakespeare's Globe, Menier Chocolate Factory. For Imogen, she feels humbled and grateful to have been able to work with so many brilliant talents and says she still feels inspired by the people she's gotten to be surrounded by. In our interview, we hear how she's connected with characters like Amy March and Sally Middleton, and share her love for Shakespeare as she gets ready for As You Like It. There's an incredible sense of wisdom and humility in the way she talks about her experiences so far and we look forward to seeing what she does next.Support the show

Episode Topic: Utopia and SustainabilityUncover the connection between Shakespeare and the messy realities of building sustainable communities, utopias, and environmental futures. Listen in to a pre-show event from the August 31, 2024 performance of As You Like It, featuring Westin Smith, Ph.D. candidate in the Department of Romance Languages and Literatures at Notre Dame, and Mackenzie Pittman ‘24, graduate student in Notre Dame's School of Architecture, and moderated by Jennifer Thorup Birkett ‘23 Ph.D., postdoctoral fellow with Shakespeare at Notre Dame.Featured Speakers:Jennifer Thorup Birkett '23 Ph.D., University of Notre DameMackenzie Pittman '24, University of Notre DameWestin Smith, University of Notre DameRead this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: https://go.nd.edu/ee0bc2.This podcast is a part of the ThinkND Series titled Shakespeare & Possibility.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Witty actor and singer Jacob Keith Watson is making waves on the Broadway stages. He appeared as Enoch Snow in the Tony-nominated Broadway revival of Carousel. Jacob has also been seen on Broadway in Hello, Dolly!, Brian Crawley's Violet, Craig Lucas' Amélie as Joseph Buquet, Monsieur Reyer in The Phantom of the Opera, Robert Livingston in the acclaimed Encores! revival of 1776, as well as Amos Hart in the National/International tour of Chicago the Musical. Regional and Opera credits include the title role in Shrek with the Sacramento Music Circus and roles in Benny & Joon at the Papermill Playhouse, La bohème, Pagliacci, Pirates of Penzance, Rigoletto, HMS Pinafore, Chicago, Bye Bye Birdie, Seussical, Six Characters in Search of an Author, As You Like It, Twelfth Night, Othello, and The Doctor in Spite of Himself. Symphony engagements includes Kurt Weill on Broadway and New York, New York both with Maestro James Holmes and the Kurt Weill foundation and the tenor soloist in Elijah, Messiah, and Carmina Burana. Jacob is an Arkansas native and proud past winner of the prestigious Lotte Lenya Competition, the NATS National Music Theatre Competition and a regional finalist in the Metropolitan Opera National Council Auditions.

Merriam-Webster's Word of the Day for April 17, 2025 is: uncouth • un-KOOTH • adjective Uncouth describes things, such as language or behavior, that are impolite or socially unacceptable. A person may also be described as uncouth if they are behaving in a rude way. // Stacy realized it would be uncouth to show up to the party without a gift, so she picked up a bottle of wine on the way. See the entry > Examples: “Perhaps people deride those who buy books solely for how they look because it reminds them that despite their primary love of literature, they still appreciate a beautiful cover. It's not of primary importance but liking how something looks in your home matters to some extent, even if it feels uncouth to acknowledge.” — Chiara Dello Joio, LitHub.com, 24 Jan. 2023 Did you know? Old English speakers used the word cūth to describe things that were familiar to them, and uncūth for the strange and mysterious. These words passed through Middle English into modern English with different spellings but the same meanings. While couth eventually dropped out of use, uncouth soldiered on. In Captain Singleton by English novelist Daniel Defoe, for example, the author refers to “a strange noise more uncouth than any they had ever heard,” while Shakespeare wrote of an “uncouth forest” in As You Like It. This “unfamiliar” sense of uncouth, however, joined couth in becoming, well, unfamiliar to most English users, giving way to the now-common meanings, “rude” and “lacking polish or grace.” The adjective couth in use today, meaning “sophisticated” or “polished,” arose at the turn of the 20th century, not from the earlier couth, but as a back-formation of uncouth, joining the ranks of other “uncommon opposites” such as kempt and gruntled.

A week before the High Holidays, three rabbis find themselves in a room fighting to save a family by building a bridge between orthodoxy and modernity. One of these rabbis is Chava, the child of a dynastic Hasidic rabbinical family and destined to become a leader of the next generation before the revelation of her trans identity clashed explosively with the strictly gendered world in which she was raised. As we jump through memory—and wrestle with theology—truths and secrets emerge that ensure no one will read the old stories the same way again. Sarah chats with playwright, Emil Weinstein about this exciting new play, Becoming Eve. EMIL WEINSTEIN (Playwright) is a writer and director whose work spans theater, television, and filmmaking. He graduated from the David Geffen School of Drama at Yale, where he directed the first workshop production of Slave Play by Jeremy O. Harris. His productions as a theater director include Twelfth Night and Romeo & Juliet at Two River Theater, Comedy of Errors and As You Like It (upcoming) at the Old Globe, and developmental work with EnGarde Arts, Rattlestick Theater, Shakespeare and Company, and New York Theatre Workshop. For television, Emil worked as a staff writer on Amazon's “A League of Their Own,” and directed four episodes for the final season of “The L Word Generation Q” for Showtime. His short films “Candace” and “In France Michelle is a Man's Name” played at festivals around the world, winning multiple awards including two Academy Award Qualifying Grand Jury Prizes. Becoming Eve is Emil's Off-Broadway playwriting debut. Emil is a transgender man and uses he/him pronouns. Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Weiler GraysonPam's musical, Urban Momfare (composer/lyricist/co-book writer), won a Best Musical award, at the New York International Fringe Festival, garnered four stars and a Critics Pick from Time Out, and also played at the Fringe Encore Series. Pam's award-winning plays and musicals have been seen on stages throughout New York and nationally, including Primary Stages, Naked Angels, Theatre Now New York, The Group Rep/Lonny Chapman Theatre (North Hollywood, CA), Southwest Theatre Productions (Austin, TX - Blue Ribbon Winner of their Rising Artists Series), Arts on the Lake (Kent Lakes, NY), Cincinnati Lab Theatre, Emerging Artists Theatre (NYC - multiple works), and The Chain Theatre (NYC). Her play Observant was the recipient of a 2024 grant from The New York State Council on the Arts and a SemiFinalist in the Jewish Plays Project's 12th National Jewish Playwriting Contest. Her play The Club was one of three prize-winning plays of the Word Wave Lake Tahoe One Act Play Competition. She is the co-writer, with Alice Jankell, of Cicadas, The Musical, featured on Season 2 of the top-rated Amazon streaming series, The Other F Word. Pam's songs have been performed at The Metropolitan Room, The Laurie Beechman Theatre, The Duplex, and Don't Tell Mama. She has written for The New York Times and The New York Observer, among others. Pam is a member of Kate Moira Ryan's advanced playwriting workshop and a board member of Emerging Artists Theatre. She was a writer-in-residence at Kervigo Ensemble Theatre (NY), for the 2020–2021 season and is an inaugural member of Theatre Now New York's International Musical Writers Lab. Dramatists Guild member. Education: Brown University, Fordham Law School, New York Theatre Workshop, and The BMI Musical Theatre Workshop. Pam is on the New Play Exchange. See her page at newplayexchange.org/user.Alice JankellAlice is a director, writer actress as well as the Artistic Director of The Philipstown Depot Theatre.​For Disney, Alice helped to create and develop new Broadway musicals.  As Associate Artistic Director of The Williamstown Theatre Festival, her directing work included AS YOU LIKE IT,  DINAH WAS, and ENOUGH ROPE, the special event on Dorothy Parker starring Elaine Stritch.  Alice has worked and learned in venues as varied as the Mark Taper, the L.A. Opera, The Public Theatre, New York Theatre Workshop, La Mama, and City Theater, among many others, as well as in film and TV.  Alice was the Creative Director of F.A.B. Women (For, About, and By Women) under The Barrow Group's Off-Broadway umbrella, helming the company of 125 professional female writers, actors and directors.  During her tenure, F.A.B. Women generated and produced 48 new plays.With Putnam Theatre Alliance, Alice co-created Freedom Project, directed and filmed MORE BEAUTIFUL, a brand new play by Craig Lucas, and co-created and directed DIRT.  Alice is currently preparing to direct Martha Pichey's new play, ASHES & INK, Off-Broadway this fall.Alice's own scripts have appeared across the country, and a collection of her plays has been published by Leicester Bay Theatricals.  Her play, THE SWEET SPOT, opened at Off-Broadway's 59E59 Theaters last winter, and her musical (with Pam Weiler Grayson) about urban motherhood (Director/Co-Writer), won a Best Musical Award from the NY International Fringe Festival, was a Critic's Choice, and garnered 4 stars from Time Out. Her many favorite acting roles include a solo performance, backed by the L.A. Philharmonic at the Hollywood Bowl, and a lead in the Off-Broadway premier of Arlene Hutton's LETTERS TO SALA.   Alice has taught acting at Carnegie Mellon.Alice is a founding member of Putnam Theatre Alliance, a New York Theatre Workshop Usual Suspect, member of The Actors Studio PDW and PDU, and The National Musical Theatre Workshop, founding member Putnam Theatre Alliance.

Aaron Davis, the visionary behind Acid Camp, tells the tale of an inspiring journey that spans from the streets of Brooklyn to the sunny vibes of Los Angeles. His adventure began in Brooklyn in 2008, where he landed on the scene by producing events for groups like Discovery and the Brooklyn Electronic Music Festival. In 2012, he brought his love of promoting events to LA, co-founding an all-vinyl radio show that serendipitously led to the creation of Acid Camp during a trip to Joshua Tree. In a short amount of time, Acid Camp quickly became a beloved staple of the underground scene, due to the collective energy of passionate friends and a community-driven spirit, as well as iconic merch and branding that added to the underground allure and helped build a dedicated following. Despite the challenges of organizing underground events, Davis's unwavering passion for hosting parties and sharing music has always seen him through, and his dedication to music curation and collaboration with talented artists and engineers has been key to crafting the unique and joyful vibe of Acid Camp events. Ever one to keep it real, Davis sees himself as a raver with a passion for the music rather than a veteran DJ and promoter, and he continues to relish the journey of creating unforgettable experiences with friends and music lovers every event. Here he shares his story with us ahead of his latest mix for As You Like It, let's press play and dive in.

This week on the LU Moment, we sit down with Alan Brincks to learn about what's coming up with Lamar University Department of Theatre & Dance, including an upcoming outdoor production of Shakespeare's "As You Like It." For the full transcription of this episode, visit https://lamaru.us/lumomenttranscript.For updates on the latest news and events at Lamar University, visit lamar.edu/news.

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin  

In As You Like It, Orlando says “Which I take to be either a fool or a cipher.” that's one of a dozen references to ciphers in Shakespeare's plays, which reflects the place of ciphers as a common way to keep secrets, particularly among the elite, for Shakespeare's lifetime. One of the most famous ciphers for Shakespeare's lifetime was written between 1578 and 1584, while Shakespeare was just getting his career started in London as a playwright, when they were written by none other than Mary, Queen of Scots. For 19 years prior to her execution, Mary Queen of Scots was imprisoned in England, and during that time, she wrote extensively, including letters in code. It was known that between 1578 and 1584, just 3 years before her death, Mary wrote a series of letters in code to the French ambassador, but those letters were considered to have been lost. Surprisingly, the letters survived, but because they consist of unreadable encoded text, no one knew what they were about, and they were stored away in unrelated collections in the National Library of France, where they went unexplored, until 400 years later. In 2023, an international team of codebreakers happened to stumble upon the documents when they were looking for historical ciphers in order to crack them. They not only found Mary's lost letters, but managed to decode them, and present the contents to the world for the first time in almost half a millennia. Lead author and Israeli computer scientist, George Lasry, is here today to tell us about the team's efforts, the decoding process, what Mary wrote, and why it was so important for the letters to be in cipher in the first place.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Tricia Collins is a versatile and acclaimed actress, director, and writer from Vancouver, Canada. As a filmmaker, Tricia's work has earned significant recognition. Her short film Clinch premiered at the Richard Harris International Film Festival in Ireland, where it was nominated for Best Cinematography, and won her the Best Actress award at the Vancouver International Women in Film Festival. Her directorial debut, REACH, inspired by her late father's receding memories, screened at numerous festivals, including the Vancouver Asian Film Festival, the WIFTI Showcase, and the Female Eye Film Festival. Tricia also directed the dystopian short film Infect Me Not and the web series Occupy My Life. Showcasing her range as a filmmaker, she has developed TV pilots, web series' and feature film scripts. As an actress, Tricia has delivered powerful performances on stage in productions such as As You Like It, Smart People, News of the World, and The Unnatural & Accidental Women. Her voice has also been featured in numerous CBC Radio plays, including Swimming to China and Red Pole Rising. On screen, she has appeared in Supergirl, The 100, The Good Mistress, Luna: Spirit of the Whale, and more. Tricia is also the owner of Perseverance Pictures, a film production company.   Want to watch: YouTube Meisterkhan Pod (Please subscribe)

Delve into the historical practice of cross-dressing in Shakespeare's theater, the narrative trope of cross-dressing heroines, as well as the contemporary practices of cross-casting in modern Shakespeare productions. Moderated by Jennifer Birkett '23 Ph.D., postdoctoral research associate at Shakespeare at Notre Dame, the conversation features Peter Holland, McMeel Family Chair in Shakespeare Studies and Associate Dean for the Arts at Notre Dame, and Hannah Hicks, Notre Dame Ph.D. student, in a pre-show appearance from the 2024 Notre Dame Shakespeare Festival production of As You Like It.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

“She speaks her mind.” Korean-American actor and lead singer of the rock group Kiss the Tiger, Meghan Kreidler opens up about her experiences playing Rosalind in “As You Like It”, being a woman in the world of rock 'n' roll, her tumultuous relationship with Shakespeare and her love of lyricism.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Support Breaking Walls at https://www.patreon.com/thewallbreakers As Broadway Is My Beat was taking to the air on February 3rd, 1950, snow was on the ground. Three inches had fallen on the 1st. That Friday, nuclear physicist Klaus Fuchs was arrested by agents of Scotland Yard. He was charged with providing American atomic bomb secrets to the Soviet Union. The next day, U.S. Army Lieutenant General Leslie R. Groves testified before a joint congressional committee that, as a result of the secrets Fuchs gave the U.S.S.R., the Soviets had begun development of both atomic and hydrogen bombs. At the Cort Theatre In New York, Katharine Hepburn was starring in a production of Shakespeare's comedy, As You Like It. Located at 138 West 48th Street, The Cort was renamed the James Earl Jones theatre in 2022. Meanwhile The New York Daily News cover showed Ingrid Bergman, who'd just given birth to her son Robin Rossellini. The child was born out of wedlock. She filed for divorce from husband Dr. Peter Lindstrom, and shortly thereafter Stromboli premiered in American theaters. It was accompanied by a great deal of controversy from the affair between Bergman and director Roberto Rossellini. The pair would marry on May 24th, 1950. The biggest international news was coming out of England where a general election was to be held on January 23rd. With that in mind, Elmo Roper took to the air on CBS' The People Speak with more information.

In Episode 21, Mark-Eugene and David celebrate both their milestone 21st episode and the brilliance of Shaina Taub's As You Like It and Twelfth Night. They welcome an incredible lineup of guests, including Obie Award-winning, Emmy-nominated songwriter, and two-time Tony winner Shaina Taub, alongside Tony-nominated moderator Ato Blankson-Wood. The conversation explores Twelfth Night, a rousing contemporary musical adaptation of Shakespeare's classic comedy of mistaken identity and self-discovery, as well as As You Like It, a folk-pop, immersive dream-like tale of faithful friends, feuding families, and lovers in disguise. Later, Mark-Eugene and David dive into David's viral moment at Cabaret after his open letter to Adam Lambert. Join the celebration of theatre and the magic it creates! Learn more about your ad choices. Visit megaphone.fm/adchoices

“What does it mean to be a free spirit?” Director Kim Martin Cotten and Radio Play Writer Catherine Eaton discuss the vision and meaning behind the Play On Podcast series adaptation of “As You Like It”. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ever wonder what it's like to direct a Shakespeare play? The rules of romance are upended in As You Like It, a gloriously entertaining romantic comedy that gleefully interrogates traditional notions of gender, politics, and love. Listen in to a pre-show discussion between Sara Holdren, director of As You Like It at the 2024 Notre Dame Shakespeare Festival and theatre critic for New York Magazine, and Jennifer Thorup Birkett '23 PhD, Shakespeare at Notre Dame postdoctoral research associate.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.

Forbes Masson is playing Caliban in Jamie Lloyd's production of The Tempest.The show is the first of two Shakespeare plays presented by The Jamie Lloyd Company at Theatre Royal Drury Lane, marking the first Shakespeare plays at the venue since Peter Brook's production of The Tempest starring John Gielgud in 1957.Forbes has worked with Jamie previously, performing in his productions of Macbeth, Richard III and The Ruling Class at Trafalgar Studios and Dr Faustus at the Duke of York's. Forbes' other theatre credits include: Farm Hall (Theatre Royal Haymarket), Laughing Boy (Jermyn Street), Jekyll and Hyde (Lyceum), The Magician's Elephant, Boy in the Dress, Macbeth, Hamlet, Comedy of Errors, Twelfth Night, The Histories, As You Like It, Romeo & Juliet and Taming of the Shrew (Royal Shakespeare Company), Summer and Smoke (Almeida), Travesties (Menier Chocolate Factory) and King Lear (Liverpool Everyman).His screen credits include The Crown (Netflix), As You Like It (CBeebies), The Road Dance, Only Child, Crime, EastEnders, Red Dwarf and The High Life (BBC), Catastrophe (Avalon Television) and Young Person's Guide to Becoming a Rock Star (Channel 4).Forbes is an Associate Artist with the Royal Shakespeare Company and National Theatre Scotland, and co-writer of Victor and Barry's Kelvinside Compendium alongside Alan Cumming (404ink).The Tempest runs at the Theatre Royal Drury Lane 7th December 2024 - 1st February 2025. Visit www.thejamielloydcompany.com for info and tickets. This podcast is hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

The Picture of Dorian Gray by Oscar Wilde chapter 6, narrated by Isaac Birchall Subscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D https://ko-fi.com/theessentialreads https://www.patreon.com/theessentialreads https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join SUMMARY: That evening at Dinner Lord Henry announces Dorian's engagement to Sibyl. Basil is shocked and concerned that Dorian is rushing into a marriage so beneath him. Lord Henry states that he cannot judge the boy, as he is just observing Dorian and his experiences. Basil doubts that Lord Henry would be so willy-nilly with Dorian's life, Lord Henry however states that Dorian's life could only be ruined if its growth was stoppedWhen Dorian enters, he tells the story of his engagement with Sibyl, which happened after he saw her performance as Rosalind in As You Like It. Dorian declares his love for Sibyl, and shares that his love for her has shown him all the falsehood of Lord Henry's theories on love. Lord Henry encourages Dorian, but defends his stance on love, claiming that it is nature, not he who dictates the pursuit of pleasure. The three men them make their way to the theatre.

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi are joined by Andy Paris. Join us as Andy talks through the process of creation of 'The Laramie Project', to his personal practice. Andy Paris is a director, writer, actor, teacher, and entrepreneur. As an original member of Tectonic Theater Project, he co-wrote and directed Uncommon Sense, developed and acted in Gross Indecency and The Laramie Cycle (Emmy nomination for writing) and co-wrote the book, Moment Work: Tectonic Theater Project's Process of Devising Theatre (Vintage 2018). Other favorite directing projects include Goldstar, Ohio (A Times Newspaper's Theatre Tribute for Outstanding Direction), The American Family, and at UNCSA: Inheritance and the Taub/Woolery musical adaptation of As You Like It. Other favorite acting credits include Or,, The Quiet Room, Innocents, The Necklace, and Love's Labours Lost. Regional: La Jolla, Berkely Rep, Huntington, Cincinnati Playhouse, et al. TV: L&O SVU. Andy is a 3-time AUDIE Award winner for his audiobook narrations. www.andyparis.net www.voiceworksaudio.comSupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Check out this podcast replay of the SDCF Panel: Art of Collaboration with Shana Carroll, Jesse Robb, and Jessica Stone that we hosted at the Museum of Broadway. They discuss the ins and outs of their creative processes as they collaborated on Water for Elephants, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. This was a moderated panel with dedicated time for a Q & A. We hosted this panel in August 2024. This video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Shana Carroll is Co-Founding Artistic Director of the Montreal based circus company The 7 Fingers. Since its founding in 2002, Carroll has written, directed and choreographed 12 of their touring and/or resident shows, 3 of which (Passengers, Duel Reality, Dear San Francisco) are currently running, and which also includes Sequence 8 at NY City Center and Traces off- Broadway run at Union Square Theatre. Carroll received a Drama Desk Nomination for Choreography and Best Theatrical Experience for their show Traces. Outside The 7 Fingers, Carroll directed Cirque du Soleil's first- ever ice show Crystal, in addition to their performance at the Academy Awards in 2012. Also, for Cirque du Soleil, Carroll was circus choreographer and designer for their shows Iris (Los Angeles) and Paramour (Broadway). Other credits include: Queen of the Night (Drama Desk Recipient); Soul of the Ocean (Moment Factory); Cité Mémoire (Lemieux-Pilon); and the Sochi Winter Olympics Opening Ceremonies (medieval segment). Prior to directing and choreography, Carroll was herself a trapeze artist, performing for over 20 years in the air with circuses and dance companies around the world, most notably as the original solo trapeze artist for Cirque du Soleil's Saltimbanco. She also appeared in Cirque du Soleil produced television and film. Now based in Montreal, where she relocated in 1991 to attend l'École Nationale de Cirque, Carroll is originally from Berkeley, California. In 2023, Carroll was inducted into the Ordre of Arts and Letters of Quebec, a distinction honoring those who have contributed to artistic and cultural development in the province of Quebec. Most recently, Carroll was Circus Designer and Co-choreographer of the musical Water For Elephants, first at the Alliance Theatre in Atlanta and now in its Broadway run at the Imperial Theatre, for which she received a Suzi Bass Award and the Chita Rivera Award for Best Choreography, as well as Tony, Drama Desk and Outer Critics' Circle nominations in the same category. Jesse Robb's work spans Broadway, Cirque Du Soleil, Momix, Les Ballet Jazz de Montréal, Mirvish Productions, Disney, Cameron Mackintosh, Prime Video, Opera Philadelphia, and more. He is the co-choreographer (alongside Shana Carroll) for the Broadway production of Water For Elephants, which was nominated for seven Tony Awards including Best Musical. Jesse and Shana were nominated for Tony, Drama Desk, and OCC Awards and received the 2024 Chita Rivera award for Outstanding Choreography. Jesse is the Movement Director for the North American Touring, South Korean, and Japanese productions of the international hit Les Misérables. He was also the Associate Choreographer for the Broadway, North American Touring, and Austrian companies of the 2017 Revival of Miss Saigon. Regionally, Jesse has choreographed at The MUNY, The Alliance Theater (Suzi Bass Award for Outstanding Choreography), The Stratford Festival of Canada, Theatre Calgary, and Ogunquit Playhouse among others. Jessica Stone: Most recently, Stone was nominated for a Tony Award for directing the original Broadway musical Kimberly Akimbo, which won 5 Tony Awards including Best Musical. Stone worked as an actress on and off-Broadway, in television and in film for decades before transitioning to directing. Broadway credits included Anything Goes, Butley, The Odd Couple, The Smell of the Kill, Design for Living, How to Succeed in Business Without Really Trying and Grease. Her directing career began in earnest with her all-male 2010 production of A Funny Thing Happened on the Way to the Forum for the Williamstown Theatre Festival. She has since been directing all over the country at such theaters as The Old Globe, A.C.T, Shakespeare Theatre Company, Huntington Theatre Company,  Two River Theatre Company, and the Williamstown Theatre Festival among others. Productions include As You Like It, Kate Hamill's Vanity Fair, Barefoot in the Park, Dancing at Lughnasa, Bad Dates, Ken Ludwig's Robin Hood! (World premiere), Ripcord, Bad Jews, Arms and the Man, Vanya and Sonia and Masha and Spike, Charlotte's Web, June Moon, Last of the Red Hot Lovers, The 25th Annual Putnam County Spelling Bee, Absurd Person Singular, and Kimberly Akimbo (off-Broadway premiere at the Atlantic). She currently lives in Brooklyn with her husband and two sons.

Step into the world of Kelsey Glasser, the visionary behind Portland's renowned Arden PDX, where wine, food, and art seamlessly blend in one unforgettable dining experience. In this episode of the Weinnotes Podcast, Kelsey shares her journey from growing up with a passion for Shakespeare to becoming one of Portland's most respected restaurateurs. Discover how her deep love for storytelling and the arts, combined with a dedication to locally-sourced Pacific Northwest ingredients, led to the creation of Arden—a sanctuary for food and wine enthusiasts.Kelsey opens up about the inspiration behind Arden's name, drawn from Shakespeare's As You Like It, and how the philosophy of escape, rejuvenation, and empowerment plays a pivotal role in her restaurant's ethos. We explore her early days as a theater major, the challenges of running a restaurant through the pandemic, and the joys of collaborating with some of Oregon's top winemakers. From blind tastings of rare vintages to her love for experimenting with new projects like house-made wines, Kelsey is always pushing boundaries in the culinary world.In this engaging conversation, you'll hear stories about the magic of winemaker dinners, the resilience of her team, and how Arden has become a place where Portland's vibrant food and wine scene thrives. Whether you're a wine lover, food enthusiast, or just curious about what it takes to create an iconic dining spot, this episode is packed with insights, inspiration, and a lot of heart. Tune in to discover how Kelsey Glasser is shaping the future of Portland's culinary landscape, one glass of wine at a time.

Next Chapter Podcasts presents the complete Play On Podcast series, AS YOU LIKE IT, in its entirety. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phebe confronts Rosalind (“Johnnyseed”) for being rude, leading Sylvius, Phebe, Orlando and Rosalind to expound on the meaning of love as a thunderstorm descends. Rosalind ends their railing by telling them to meet again tomorrow for a wedding where they will all be married to the one they love. Touchstone and Audrey celebrate as two musicians from Duke Senior's camp pass by. Touchstone asks them to sing a song, which they do to great fanfare, but he gets jealous and mocks their music when they express interest in Audrey. The next day, Duke Senior arrives at the wedding site and asks Orlando if he thinks “Johnnyseed” is really capable of doing everything he promises. Rosalind shows up as Johnnyseed and checks with Duke Senior to be sure she'll allow her daughter to marry Orlando. S/he also checks to be sure Phebe will marry Silvius if Johnnyseed isn't available. Duke Senior tells Orlando that she sees some similarities between Johnnyseed and her daughter, Rosalind. When Touchstone and Audrey arrive, Jacques excitedly introduces Touchstone to the Duke. Touchstone entertains the Duke with a witty explanation of how to win an argument. Everything changes when Hymen envelops them all in a magical song, revealing Johnnyseed's true identity as Rosalind. Upon realizing that Johnnyseed is actually a woman who is in love with Orlando, Phebe agrees to marry Silvius. Hymen marries all four couples: Rosalind and Orlando, Celia and Oliver, Audrey and Touchstone and Phebe and Silvius. They dance together until Jakes DeBoys, the second son of Sir Roland, takes the stage to announce that Duke Frederick, who had entered the forest to kill his brother,  was converted by an old religious man and decided to bequeath his crown to Duke Senior. Hearing this news, Jacques announces tells everyone he's going back to the Court and bids them all farewell. Rosalind ends the series with a speech of appreciation. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jacques returns to Duke Senior's camp to discover that someone killed a deer. He suggests they present it to Duke Senior as an offering and asks Amiens to sing a song to mark the occasion. Back at the farm, Silivius delivers Phebe's letter to “Johnnyseed”. Seeing it's full of praise for Johnnyseed, Rosalind scolds Silvius for loving a woman who treats him so badly. S/he sends him back to Phebe with the message that Phebe should love Silvius. As Silvius is leaving, Orlando's brother Oliver enters, transformed. He tells Rosalind and Celia that Orlando defended him from an attack by a lioness and presents a bloody handkerchief that had bandaged Orlando's wounded arm. Rosalind faints at the sight of the blood and scrambles to resume her disguise when Oliver questions her manliness,. Back at Filippini Pond, Touchstone and Audrey are skinny dipping with throngs of other concertgoers when Audrey's suitor, a local farmhand  named William, shows up. Touchstone chases him out of the water with a barrage of questions to challenge his wit before Corin arrives to tell Touchstone that Johnnyseed and Anne Emma Grant would like to see him. Later, Oliver confesses to his brother that he's fallen in love with Anne Emma Grant. He gives Orlando his inheritance and vows to live and die in the country as a shepherd. When Rosalind (“Johnnyseed”) enters, Oliver leaves. Orlando spills his heart out to Johnnyseed, saying that Oliver and Anne's love has made him yearn even more for Rosalind and he can no longer keep on pretending. Johnnyseed comforts Orlando by saying that he has magical powers and that Orlando will marry Rosalind when Oliver marries Anne. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

More podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books.Please consider supporting ARB's Patreon!Credits:Host: Jake Casella BrookinsGuest: Dan HartlandTitle: The Passion by Jeanette WintersonMusic by Giselle Gabrielle GarciaArtwork by Rob PattersonOpening poem by Bhartṛhari, translated by John BroughReferences:This blog has a round-up of articles and commentary on the Gaiman allegations.Dan's Snap! Criticism series at AncillaryHandheld PressVonda McInty're The Exile Waiting & DreamsnakeThe 2024 Academic Conference on Canadian Science Fiction and FantasyAnnie Luong on Margaret Atwood's The Heart Goes LastNeal Stephenson's Cryptonomicon and the Baroque CycleLaura van den Berg's State of Paradise & Casella's reviewDon DeLillo's White NoiseWinterson's Written on the Body, Oranges Are Not The Only Fruit, Why Be Happy When You Can Be Normal, and FrankissteinBernard Cornwell's Sharpe novelsWilliam Shakespeare's As You Like It and The Winter's TaleChina Miéville's The City & The City (though I don't think we actually name it)Salman Rushdie, Martin AmisJulian Barnes' A History of the World in 10½ ChaptersThe 1980s: A Decade of Contemporary British Fiction edited by Emily Horton, Philip Tew, and Leigh WilsonNeil Gaiman, Jeff Noon, Steph Swainston“The Love Song of J. Alfred Prufrock” by T.S. EliotFrank Herbert's DuneMary Shelley's FrankensteinWendy Roy on Cherie DimalineWilliam Gibson's Pattern Recognition and othersDan's piece in LARB on Christopher Priest and his last novel, Airside

Does your life make for great theater? “All the world's a stage” according to Jaques in Shakespeare's As You Like It. Regardless of whether or not you consider yourself a “performer,” you don't have to put on “an act” to earn the applause of Christ. No matter what “stage” of life you are in, Jesus wants to be your secret “Audience of One.” Join us this Sunday for part 3 in our series on the Sermon on the Mount entitled “Inside Out” as we discover how diving into greater intimacy with our Lord and Savior will reap relational rewards with God and everybody else!

Celia tries to comfort Rosalind when Orlando doesn't show up at the cottage for his first coaching. Corin arrives to invite them to spy on Silvius courting the reluctant Phoebe. Rosalind, still dressed as Ganymede, follows and confronts Phoebe when she sees how poorly she treats Silvius, but it backfires when Phoebe falls for her instead. Rosalind beats a hasty retreat with Celia. Phoebe tells Silvius she's going to write “Ganymede” a love letter for him to deliver. Back in the forest, Rosalind teases Jacques about his melancholy until Orlando finally arrives. Jacques leaves and Rosalind (Ganymede) berates Orlando for being late to his tutoring session. Ganymede (Rosalind) convinces Celia to stage a fake wedding between Ganymede and Orlando in order to make Rosalind jealous. Orlando isn't sure about this and leaves to have dinner with Duke Senior. Celia scolds Rosalind for misrepresenting women, but Rosalind can only respond that she's fallen deeply in love. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Celia tells Rosalind that Orlando is the poet whose writing has so delighted them. When they hear Orlando approaching in argument with Jacques about love, they hide to eavesdrop. Once Jacques leaves, Rosalind steps out and introduces herself as “Johnnyseed”. She promises to cure Orlando of his lovesickness provided he agrees to pretend that she's Rosalind and comes every day to practice wooing him. Orlando happily agrees. Back at the concert, Touchstone and Audrey make their way through the crowd with her goats, trailed by Jacques. Audrey tries to keep up with Touchstone's wit until they come across Sir Oliver Martext, who Touchstone asks to marry them. Sir Oliver says he can't marry Audrey to Touchstone until she's “given away”. Jacques emerges and offers to give Audrey away, but not until he has a word in private with Touchstone. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sooooooo..... not only is Emma Thompson a brilliant actor and wonderful human being, but she is the one who told Leda (Owen's wife) and Lisa Ann, in a bathroom in London after having seen that stunning As You Like It that we've talked so much about..."Theatre is supposed to reduce you to rubble!"Heaven knows this fabulous woman has done that SOOOOO many times in her career.  We love her!!!!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!

Sara Holdren is not just one of the best theatre critics out there, she's a director as well whose production of As You Like It opens this week at Shakespeare at Notre Dame and plays through Labor Day. Sara reveals how she connected Shakespeare's 400-year-old play to the current moment; how we craft community; how she drew inspiration from Vermont's Bread and Puppet Theatre; the challenge of being both textually and texturally surprising; how As You Like It requires an ensemble of clowns and the challenge of figuring out the comedy math; how “criticism is directing backwards;” the value of doing table work while standing up and moving around; formative memories of "butt-love;" and most importantly, what the world would look like if we really could express ourselves, love who we want, and build the spaces around us “as we like it”. (Length 28:50) The post Director Sara Holdren appeared first on Reduced Shakespeare Company.

Jacques is enraptured by Amiens' music and begs for more. Meanwhile, Orlando leaves the elderly and exhausted Adam to find food for them to eat. Later in the day, Duke Senior comes upon Jacques, who is elated by his conversation with a fool he met in the forest (Touchstone). As they sit down to eat with their entourage, Orlando enters, sword drawn, and orders them to give him food. Duke Senior soothes him and welcomes him to their feast. Orlando apologizes for his rude behavior and goes to get Adam. Jacques describes how all the world's a stage. Orlando re-enters with Adam and they all dine together. As Amiens sings another song, Orlando describes his saga to Duke Senior, who replies that she knew and loved Orlando's father, and wants to hear more. Back at the Court, Duke Frederick berates Oliver for failing to kill Orlando. He seizes Oliver's land and property, ordering him to find his brother and bring him back within a week or be banished from the realm forever. Back in the forest of Arden (or Woodstock), Orlando hangs poems to Rosalind on the trees and gives them to everyone he sees. Meanwhile, Corin and Touchstone debate the attributes of courtly and country life. They hear Rosalind (or “Johnnyseed”) reading Orlando's bad poetry. Touchstone steps forward to mock the poetry and is joined by Celia. They all laugh together. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

At dinner after the wrestling match, Celia marvels at how quickly Rosalind has fallen in love. They're interrupted by the angry Duke Frederick, who threatens his niece Rosalind with death for treason if she doesn't leave his court immediately. Celia defends Rosalind and vows to stay with her wherever she goes. Together, they plan to leave the city disguised as men. Rosalind will be known as “Johnnyseed" and Celia as “Anne Emma Grant”.  They decide to bring the court jester, Touchstone, with them. Meanwhile, Duke Senior holds court in the forest with Woodstock concertgoers, philosophizing on the virtues of living in nature. When she hears that Jacques, another courtier-turned-philosopher, is in the forest mourning the killing of deer, she asks to be taken to him. Back at his Court, Duke Frederick berates his assistants for losing track of Celia and Rosallind and letting them escape. He demands that they bring Oliver and Charles the Wrestler to him. Back at Orlando's quarters, Adam tells him he must flee or die. He offers him all his savings and urges him to leave immediately. Orlando convinces Adam to accompany him in flight. Elsewhere, Rosalind, Celia and Touchstone trudge through the rain into the forest of Arden. There, they come upon two farmhands, Silvius and Corin, and overhear Silvius asking for advice as he pines away for a young shepherdess named Phebe. Rosalind sympathizes with his plight as she pines for Orlando. Touchstone gets their attention to find out where they might be able to get food and lodging. When Corin tells them he can't help because his boss is selling his farm, Rosalind offers to buy the farm and all its property in exchange for his services. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the first couple of years of the 1600s, several new Shakespeare plays appeared. ‘Much Ado About Nothing' and ‘As You Like It' were recorded in the Stationer's Register, and a third play called ‘The Tragedy of Hamlet, Prince of … Continue reading →

Orlando tells his trusted old servant, Adam, how much it grieves him that his brother Oliver keeps him from their father's inheritance. Oliver enters and provokes Orlando into attacking him, then relents and agrees to give Orlando part of what's due to him. After Orlando and Adam depart, Oliver meets privately with the champion wrestler, Charles, and encourages him to break his brother's neck at their upcoming match. On the day of the match, Duke Frederick's daughter, Celia, arrives at Madison Square Garden with her cousin, the banished Duke Senior's daughter, Rosalind. They're joined by Touchstone, the jester. Once inside, the cousins are taken by the sight of Orlando, who they try to dissuade from wrestling with Charles. Orlando persists on his mission and beats all odds by defeating Charles. Duke Frederick is enraged and leaves the arena when he finds out the victor is the son of Sir Roland du Bois. Rosalind approaches Orlando and gives him a necklace. Orlando is smitten but can't bring himself to speak. When Duke Frederick's servant, Le Beau, tells him that Rosalind is the daughter of the banished Duke Senior, he vows to find her again. The PLAY ON PODCAST SERIES, “AS YOU LIKE IT”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by DAVID IVERS. All episodes were directed by KIM MARTIN-COTTEN. Radio play by CATHERINE EATON.   The cast is as follows:   MEGHAN KREIDLER as ROSALIND JULIAN CIHI as ORLANDO ADELIN PHELPS as CELIA JAMES UDOM as OLIVER and SIR OLIVER MARTEXT FRANCELLE STEWART DORN as DUKE SENIOR DAVID IVERS as JACQUES ANDY GROTELUESCHEN as TOUCHSTONE LARRY BULL as DUKE FREDERICK and ADAM KAYLI CARTER as PHEBE NOAH KEYISHIAN as SILVIUS ANNA SUNDBERG as AUDREY, LeBEAU MATT MACNELLY as AMIENS and JACQUES DU BOYS JANE LUI as HYMEN and VOCALS SCOTT CORDES as CORIN H. ADAM HARRIS as CHARLES THE WRESTLER and WILLIAM Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Music Direction and Vocals by JANE LUI. Additional vocals by MATT MacNELLY. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “AS YOU LIKE IT” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “All the world's a stage!” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Set in Woodstock during the sixties' “Summer of Love,” David Ivers' translation of Shakespeare's “As You Like It” upends the rules of romance, gender, nature and politics in a tale of life's joy and confusion. Directed by Kim Martin Cotten with original songs and music by Lindsay Jones. Learn more about your ad choices. Visit podcastchoices.com/adchoices

William Shakespeare's mother, Mary, was Mary Arden before she married her husband, John Shakespeare. Mary's possible connection to the gentry Arden family has fascinated scholars and Shakespeare fans for many years. The Arden family was an established English gentry family in Warwickshire, and 1 of a handful of Tudor families in England who could trace their lineage back to the Anglo-Saxons. The family took their name from the Forest of Arden, used as a setting in Shakespeare's play, As You Like It. In 1583, when William Shakespeare was 19, the head of the family, Edward Arden was executed, having been convicted of treason. Here today to share with us more history about the Arden family and Edward in particular is our guest, Cathryn Enis.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

We look into the potential consequences for California falling behind on its mandatory financial health report - again. A first-of-its-kind zero emission commuter rail debuts in San Bernardino County. This summer's free Shakespeare show at Griffith Park is an immersive, outdoor production of As You Like It at the old LA Zoo. Plus, more.Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com.  Support the show: https://laist.com

Shakespeare talks about unbuttoning your sleeve in As You Like It, King Lear undoes a button in Act V of that play, and Moth talks about making a buttonhole lower in Love's Labour's Lost. We've talked about clothes here on the show previously, but what about the buttons that hold things like sleeves together, and various buttonholes. What were buttons like for Shakespeare's lifetime, who was making them, and what material was used? How are 16th century buttons different from the ones we have today, and would we find buttons in the expected places, or were there unusual ways to use buttons in Shakespeare's lifetime? To find out the answers to these questions, we are talking with the Renaissance Tailor, who specializes in recreating 16-17th century clothing, Tammie Dupuis.  Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

These days, everyone seems to be talking about polyamory-- the practice of engaging simultaneously in more than one romantic and/or sexual relationship, with the full consent of everyone involved. According to a recent study, 1 in 9 Americans has tried polyamory, and 1 in 6 would like to try it. This got us wondering: Could people in Shakespeare's day have known about and experienced anything resembling what we now identify as polyamorous desires and lifestyles? In this episode, we take a deep dive into two of Shakespeare's cross-dressing comedies, As You Like It and Twelfth Night, to explore some potential polyamory prototypes.

St. Louis Shakespeare Festival will launch the 2024 season with their production of “As You Like It” for Shakespeare in the Park. Along with homegrown talent, this year's production features original music from singer-songwriter Beth Bombara who added her sound and lyrics to Shakespeare's sonnets. She previews the show alongside Tom Ridgely, producing artistic director of St. Louis Shakespeare Festival.

Richard Sennett, leading cultural and social thinker and Emeritus Professor of Sociology at the London School of Economics, talks to Laurie Taylor. Growing up in a housing project in Chicago, he originally trained in music. An accident put paid to his cello playing and he turned to sociology. Over five decades he's documented the social life of cities, work in modern society and the sociology of culture. His latest study explores the relations between performing in art (particularly music), politics and everyday experience. It draws personally on Sennett's early career as a professional cellist and explores the dangerous and ambiguous nature of performance, from the French theorist, Michel Foucault's hypnotic lectures to the demagoguery of contemporary politicians. He describes the tragic performances of unemployed dockworkers in New York City in the 1960s, as they competed for a dwindling number of jobs, and Aids patients in a Catholic hospital doing a reading of As You Like It and displaying defiance in the face of death and religious disapproval. Producer: Jayne Egerton

This month we're just wild about Siobhan Fallon Hogan. You Might Know Her From Men In Black, Forrest Gump, Dancer in the Dark, Dogville, The House That Jack Built, Shelter in Solitude, Rushed, Holes, Seinfeld, and Saturday Night Live.  Siobhan gave us all the goods: from iconic dialect work in your favorite movies to her years-long collaborations with Lars von Trier. Siobhan spilled on doing bits while performing in Shakespeare in the Park, having fart competitions with Ben Gazzara on the set of Dogville, and getting horrifically killed by Matt Dillon in The House That Jack Built. We also got to talk about her turn as a screenwriter of two indie films: Rushed and Shelter in Solitude (both avail to stream now), and how her Catholic values inform all her work. A true delight from start to finish! Just feel better knowing that Lauren Bacall once asked, “Will we ever work again?” and know you are not alone! Love you mean it!  Also, please note we recorded this before we both texted each other “O.J. Simpson is dead!” so yeah, O.J. Simpson is dead and maybe we conjured it by talking about his acting and prison work.  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Earthquake in NYC Anne loves disaster films: The Poseidon Adventure, The Towering Inferno, Earthquake, Airport The Day After Tomorrow, Deep Impact, Daylight  Should we do a disaster movie watch on Patreon? Vote here Howard Stern is ALIVE (one of his guests, Crazy Cabbie died and Ralph misreported it) Ralph told me Kelsey Grammar was a statutory rapist and Liam Neeson racist Is Kate Middleton alive? Siobhan's famous scene in Men in Black Was Phoebe in Shakespeare in the Park's As You Like It with Nancy Hower and Viola Davis. Directed by Adrian Hall Appears in 3 of Lars von Trier's movies: Dancer in the Dark, Dogville, and The House That Jack Built He created a style of filmmaking called Dogme 95, where no director is credited, handheld, 35mm, etc. Wrote and directed two movies, Rushed and Shelter in Solitude  Appeared in Michael Haneke's Funny Games, which fucked Anne up Became friends with Lauren Bacall on the set of Dogville Matt Dillon kills her horrifically in The House That Jack Built Siobhan is a very serious Irish Catholic, and that informs all of her film choices.  She got a rubber suit made of her body so it could be dragged behind a truck Wrote solo shows for herself to get more work Went to Le Moyne College in Syracuse, NY Siobhan was on SNL the 1991-92 season. Delta Delta Delta SNL sketch w/ former guest of this show, Melanie Hutsell Siobhan good friends with former SNLers, Chris Farley and Ellen Cleghorne Roseanne Arnold and Tom Arnold were decent SNL hosts, Jason Priestley sweet, Sharon Stone didn't get it Siobhan on 3 classic episodes of Seinfeld as Elaine's roommate How did Siobhan not get cast as Mark Wahlberg's sister in The Fighter? Bernie Mac put on fake teeth to go into hiding during filming of What's the Worst That Could Happen? Plays Henry Winkler's husband in Holes Played secretary in The Paper, Golden Girls, The Bounty Hunter, New in Town Appeared in a film from the genre Anne calls, “Men's Coming of Death.” This one was titled Going in Style, directed by Zach Braff Would cast Lily Tomlin, Diane Keaton, Shirley MacLaine in her own Women's Coming of Death  

In the 18th installment of our Great Quotes series, we delve into Shakespeare's "As You Like It," the play that inspired our company's name. David explores five compelling quotes from the Bard's beloved comedy, explaining how they can make us smarter, happier, and richer. Join us as we uncover centuries-old wisdom the play holds for investors. Host: David Gardner Producer: Desiree Jones

America Emboldened with Greg Boulden – In "As You Like It," Shakespeare famously declares, "All the world's a stage." This monologue echoes today as global events unfold, resembling a scripted drama. The Biden administration's predictions about Iran's movements stir narratives of imminent conflict, while media outlets shape public perception. Witness the theater of war and media, and question the narratives fed to us...

Melvyn Bragg and guests discuss one of Shakespeare's great comedies, which plays in the space between marriage, love and desire. By convention a wedding means a happy ending and here there are three, but neither Orsino nor Viola, Olivia nor Sebastian know much of each other's true character and even the identities of the twins Viola and Sebastian have only just been revealed to their spouses to be. These twins gain some financial security but it is unclear what precisely the older Orsino and Olivia find enduringly attractive in the adolescent objects of their love. Meanwhile their hopes and illusions are framed by the fury of Malvolio, tricked into trusting his mistress Olivia loved him and who swears an undefined revenge on all those who mocked him.With Pascale Aebischer Professor of Shakespeare and Early Modern Performance Studies at the University of ExeterMichael Dobson Professor of Shakespeare Studies and Director of the Shakespeare Institute at the University of BirminghamAnd Emma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordProduced by Simon Tillotson, Victoria Brignell and Luke MulhallReading list:C.L. Barber, Shakespeare's Festive Comedies: A Study of Dramatic Form and Its Relation to Social Custom (first published 1959; Princeton University Press, 2011)Simone Chess, ‘Queer Residue: Boy Actors' Adult Careers in Early Modern England' (Journal for Early Modern Cultural Studies 19.4, 2020)Callan Davies, What is a Playhouse? England at Play, 1520-1620 (Routledge, 2023)Frances E. Dolan, Twelfth Night: Language and Writing (Bloomsbury, 2014)John Drakakis (ed.), Alternative Shakespeares (Psychology Press, 2002), especially ‘Disrupting Sexual Difference: Meaning and Gender in the Comedies' by Catherine BelseyBart van Es, Shakespeare's Comedies: A Very Short Introduction (Oxford University Press, 2016) Sonya Freeman Loftis, Mardy Philippian and Justin P. Shaw (eds.), Inclusive Shakespeares: Identity, Pedagogy, Performance (Palgrave Macmillan, 2023), especially ‘”I am all the daughters of my father's house, and all the brothers too”: Genderfluid Potentiality in As You Like It and Twelfth Night' by Eric Brinkman Ezra Horbury, ‘Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man's Fortune' (Shakespeare Quarterly 73, 2022) Jean Howard, ‘Crossdressing, the theatre, and gender struggle in early modern England' (Shakespeare Quarterly 39, 1988)Harry McCarthy, Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre (Cambridge University Press, 2022)Stephen Orgel, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge University Press, 1996)William Shakespeare (eds. Michael Dobson and Molly Mahood), Twelfth Night (Penguin, 2005)William Shakespeare (ed. Keir Elam), Twelfth Night (Arden Shakespeare, 2008)Emma Smith, This is Shakespeare: How to Read the World's Greatest Playwright (Pelican, 2019)Victoria Sparey, Shakespeare's Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture (Manchester University Press, 2024)