Podcasts about mewling

In this podcast, we're discussing old age and when, exactly, it befalls us. Do we simply wake up one day absent of youth? Or can we estimate its proximity by certain metrics, such as daily medication or number of grandchildren? We take a look at how old age has been historically codified, and reason why it might not be just a number. A few things we mentioned in this podcast: - The Sorites Paradox https://en.wikipedia.org/wiki/Sorites_paradox - Mortality in England and Wales: past and projected trends in average lifespan https://www.ons.gov.uk/peoplepopulationandcommunity/birthsdeathsandmarriages/lifeexpectancies/articles/mortalityinenglandandwales/pastandprojectedtrendsinaveragelifespan - Perception of when old age starts has increased over time https://www.theguardian.com/science/2024/apr/22/when-old-age-starts-perception-study - Cognitive Engineering: Seven Ages: First Puking and Mewling https://soundcloud.com/aleph-insights/seven-ages-first-puking-and-mewling For more information on Aleph Insights visit our website https://alephinsights.com or to get in touch about our podcast email podcast@alephinsights.com

Enter the Extremely Above Ground Bunker of the mind, gather 'round the hearth, warm your hands by its digitized fireplace, and settle in for:Journalist Jeremy Loffredo being freed from the tyrannical grip of the Most Moral Police State in the World.An in-depth examination of one of the most mindboggling interviews in recent memory, with some Great Male Narcissist novelist.Israeli "Settlers" line up at the Gazan border for a celebratory summit, all eagerly awaiting their chance to colonize the land and cleanse it of the "infection" of Palestinians.Netanyahu's stolen/"settled" vacation home nearly takes a direct hit from a Hezbollah drone.I go through a few of the virtually endless instances in both Palestine and Lebanon that make up this week's portion of what I'm now calling "The Atrocity Loop."The IDF doing wild antisemitic tropes on themselves involving the wanton destruction (or not) of Lebanese financial institutions.Crying While Shooting is no longer merely a masturbation style: The IDF keeps innovating in the realm of self-pitying sef-obsession.The vultures are swooping into Gaza to create "Uber for Concentration Camps."Assange speaks for the first time in too long.Yo, AIPAC, don't worry, Kamala's still gotchyer back.Israel cements its status as Veruca Salt, stamping its feet and demanding the universe on a silver platter with a silver spoon jammed down its spoiled brat throat.Matthew "In the Mouth of Madness" Miller declares boldly and unequivocally that, "Israel has a right to try and target civilians."Cuba's been without electricity for going on or now exceeding five days. Why?88% of South Koreans think their society isn't fit for raising children.China may have accessed US wire taps on US citizens. BUT AT WHAT COST?!Special thanks to KNOWER for the vocal sample in the intro music.Commiserate on Discord: discord.gg/aDf4Yv9PrYSupport: patreon / buzzsproutNever Forget: standwithdanielhale.orgFurther Reading, Viewing, ListeningShow notes + Full list of links, sources, etcLocationless Locationsheatdeathpod.comEvery show-related link is corralled and available here.Twitter: @heatdeathpodPlease send all Letters of Derision, Indifference, Inquiry, Mild Elation, et cetera to: heatdeathodtheuniversepodcast@gmail.comSend us a textSupport the show

Welcome back. Toby Hadoke's Time Travels has been on holiday. Thanks for bearing with its much needed rest and recuperation. But now... it has returned with something brand new. Indefinable Magic, whimsical essays based on some aspect of the show, has decided to turn its attention to the new Doctor Who episodes as they are broadcast. There will be so many podcasts doing brillinat work reviewing and reacting to the new episodes, so we thought we'd do something a little different. Your host Toby Hadoke has reacted to his first viewing and written down his thoughts on a particular aspect of it, and how it affects his love of Doctor Who and all sorts of other related stuff. So rather than being a blow-by-blow account of each episode, it is his reaction to the instalment in question, but in a more circumspect and all-encompassing manner than a straightforward review. Something different then, but hopefully enjoyable, interesteing an good humoured. This episode, after Space Babies, considers the nature of 'new" in a long running show with a vast old past, and muses on how tricky it is to keep a show fresh without bending it so out of shape that it is unrecogniseable.    Please support these podcasts on Patreon, where you will get advance releases, exclusive content (including a patron-only podcast - Far Too Much Information), regular AMAs and more. Tiers start from as little as £3 per month.  patreon.com/tobyhadoke    Or there is Ko-fi for the occasional donation with no commitments: ko-fi.com/tobyhadoke   Follow Toby on Twitter @tobyhadoke And these podcasts @HadokePodcasts And his comedy club @xsmalarkey   www.tobyhadoke.com for news, blog, mailing list and more.            

Southern Demonology is back after a family emergency in Tennessee, and this time JJ shares not only a at once funny albeit heartbreaking story that really puts the "Southern" in Southern Demonology, but he also goes over what can happen when a horror lover gets what one truly wants and finds something that's truly scary.Southern Demonology was listed as one of the top 10 paranormal-related podcasts by American Paranormal Press! Check out the full list at https://www.paranormalzine.com/post/10-compelling-paranormal-podcasts-you-can-t-missAlso check out JJ's own feature article in the magazine at https://www.paranormalzine.com/jj-johnson-southern-demonology-podcastListen to Southern Demonology on Podurama. The direct link to this podcast is at https://podurama.com/podcast/southern-demonology-i1225440374Link to the TikTok video referenced: https://www.tiktok.com/t/ZT8doC5SM/Check out SD's own TikTok channel at https://www.tiktok.com/@southerndemonology Get bonus content on PatreonSupport this show http://supporter.acast.com/southerndemonology. Hosted on Acast. See acast.com/privacy for more information.

Bowing, Mewling, and Arching, oh my!  The Gods have arrived and they are ready to fight for your vaginas…but only after global warming. Do you taste sounds, command shadows, and have a burning sensation in your fingers? Well sounds like you have…hemorrhoids. Please consult your doctor before sacrificing yourself in a universal war that makes no sense but leads to a sex scene so we're rolling with it. This is gibberish. This is nonsensical. This is… fantasy. You're welcome.   Oh yeah…and the book is Shadow and Ice by Gena Showalter (aka Christine Feehan's BFF).

We have reached 200! That's 200 episodes of Something Rhymes with Purple consisting of topics such as Drinking, Theatre, Death, Hair, Biscuits, School, Sex, Board Games, Fish, Cricket, Water Vessels.. The list is 200 items long!  To celebrate our 200th birthday, Susie and Gyles will dedicate it to the Purple People and spend the episode riffling through the dictionary as they seek to find the perfect word for those moments in life when the Purple People exclaim ‘there must be a word for that!?'. We'll be finding the perfect word to describe the frustration of a sneeze that doesn't come to fruition, the experience of music moving you to tears, that pre-departure anxiety that renders you incapable of doing anything in the interim period and that disconcerting feeling when you occupy a seat on public transport that is still warm from its previous occupant…  Thank you so much to all the Purple People who sent in their brilliant suggestions - we try to answer as many of them as possible in this episode, but we will be doing a part 2 shortly as there were too many brilliant suggestions to get through in one episode.. We love hearing from you, find us @SomethingRhymes on Twitter and Facebook, @SomethingRhymesWith on Instagram or you can email us here: purple@somethinelse.com We currently have 20% off at the SRwP official merchandise store, just head to: https://kontraband.shop/collections/something-rhymes-with-purple Want even more purple, people? Join the Purple Plus Club by clicking the banner in Apple podcasts or head to purpleplusclub.com to listen on other platforms' Don't forget that you can join us in person at our upcoming tour, tap the link to find tickets: www.somethingrhymeswithpurple.com  Gyles' poem this week was 'As You Like It, Act II, Scene VII [All the world's a stage]' by 'William Shakespeare' All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. A Somethin' Else & Sony Music Entertainment production.   Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts     To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"All the world's a stage, And all the men and women merely players..." Our next poem in the Poetry That Inspires Series has been written by William Shakespeare, describing the seven ages of a man as the seven acts of a play and speaks of the transience of human life. We thank Kunal Agarwal from Sonic Studio for bringing this video to life. Regards, TeamSJS All the World's a Stage: All the world's a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms; And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloons, With spectacles on nose and pouch on side; His youthful hose, well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything. Watch it on YouTube: https://youtu.be/97RWJCAd6g8 #PoetryThatInspires #Shakespeare #SimerjeetSingh #WilliamShakespeare #AllTheWorldsAStage #Poetry #PoetryLovers Follow us on: https://linktr.ee/SimerjeetSingh

The Stories Men Tell, my Conversation with Dr. Robin Hadley Shakespeare's 'Ages of Man' : All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms;   And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow.  Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.  https://www.thefreshreads.com/the-seven-ages-of-man-summary-and-analysis/ Hello, and welcome to episode 143 of the Childless not by Choice Podcast. My name is Civilla Morgan. My mission is to recognize and speak to childless not by choice women and men around the world, reminding you, us, that we can live joyful, relevant, fulfilled, childless not by choice, lives.   Whether you have children or not, thank you for tuning in!     What is today's show about? The stories men tell!   Thank you Patreon contributors: I would like to take a moment to thank the people who make a financial contribution to the platform on a monthly basis, my Patreon Contributors.    Your contributions help pay my podcast producer, my podcast host, Zoom, where I interview most of my guests, etc. So thank you very much!        If you are not yet a Patron, visit patreon.com/childlessnotbychoice to set up your monthly contribution. No matter your giving level, I have a gift for you!   If you prefer to give via PayPal, you can find me there at booksbycivillamorgan@gmail.com.  Your contributions to the platform are greatly appreciated! Thank you!  https://www.patreon.com/Childlessnotbychoice Jordan Morgan The Knights Your Name Herehttps://www.patreon.com/Childlessnotbychoice Questions or comments? Contact me at:   Email: Info@civillamorgan.com                                                  Or   Visit the website at www.childlessnotbychoice.net, look to the left on the home screen and click on the link below the telephone to leave me an up to 90-second voicemail. Body of episode: I went back to search for our first ever interview and it was 2017! Time flies doesn't it? (link in the show notes).  In that story, you told a story about an interaction at a sports field. I've thought about that story because it just tugged at my heart. Can you tell us more stories of men dealing with childlessness in the real world? (five stories?)   Discuss the book–It's more educational, four chapters on men's stories, background to aging, childlessness, a reference book with the human stories, including Robin's, why don't men talk.   Tell us a little bit about AWOC–Aging Without Children, of which you are a member. ‘If you're not counted you don't count.'--Horace Sheffield.     Articles/links of interest:   All The World's a Stage, William Shakespeare, read by Morgan Freeman   https://www.youtube.com/watch?v=x5hcaYEcAp0     https://childlessnotbychoice.net/episode-72-male-and-childless-not-by-choice-my-interview-with-dr-robin-hadley/   Cynthia Daniels—Exposing Men–The Science and Politics of Male Reproduction    Blogs: 'Coping with Father's Day as a childless man': http://bit.ly/2HRekoC 'Negative perceptions of older childless men': http://bit.ly/2LnGZnQ 'The un-held hand': http://bit.ly/2n2sn2H ‘Non-fatherhood on ‘Fathers Day': http://bit.ly/2MvBpQm 'The case of the invisible older childless men': bit.ly/1SFNsrJ       News media: Daily Telegraph: 'Men 'just as broody as women': http://bit.ly/179NLSD   'HOW IS A MAN SUPPOSED TO BE A MAN? Male Childlessness –  a Life Course Disrupted': https://bit.ly/3aa3TfO 25% discount CCPOD discount code   Latest work: Hadley, R. A. (2020). "Male broodiness...": https://bit.ly/36pOvLz Hadley, RA. 'Men and Me(n)' researching men: https://bit.ly/3c3EKTJ Marston, Musselwhite & Hadley. COVID-19 vs Social Isolation: https://bit.ly/2xYSUGC Academic papers 2019: 'Anxious childhood attachment predicts childlessness in later life': http://bit.ly/2RcGXEM 2019: ‘Social networks of older childless men: http://bit.ly/2LHvJWr 2019: The impact of male involuntary childlessness: http://bit.ly/2INE9rX 2018: The lived experience of older involuntarily childless men: http://bit.ly/2CXeJGQ 2018:The lived experience of older involuntarily childless men: http://bit.ly/2KgP5gt 2011: Involuntarily childless men & the desire for fatherhood:http://bit.ly/2iMN4RB Book chapters 2019: Deconstructing Dad. Palgrave Handbook of Male Psychology: http://bit.ly/2VHuJTU 2018: Ageing without Children, gender and social justice: http://bit.ly/2twhV6s 2018: I Only Wanted to be a Dad': https://amzn.to/2z7q9I6   Special thank you to: Dr. Robin Hadley  Dr. Hadley's Contact/Social Media:  Website: https://www.robinhadley.co.uk/ Orcid: https://orcid.org/0000-0003-4254-7648 Twitter: @robinhadley1 LinkedIn: https://www.linkedin.com/in/robin-hadley-47282471/ Amazon page: https://www.amazon.com/author/robinhadleybook My contact information:Website: www.childlessnotbychoice.net and www.civillamorgan.comFacebook: booksbycivillamorganTwitter: @civilla1Instagram: @joyandrelevancePinterest: Civilla M. Morgan, MSMLinkedIn: Civilla Morgan, MSMhttps://www.teepublic.com/stores/childless-not-by-choice Attached are the reviews of the book that have come out so far. The article titled 'Book review 2022 HRM' is one I wrote on behalf of an academic who wanted to help promote the book but didn't have time to read it!   Episode quotes:  ‘Why are you on the church school board if you don't have kids?' ‘The church is my family.' ‘If you're not counted, you don't count.--Horace Sheffield. ‘Men, including fathers, have a fear of being seen as pedophiles when they are single and or childless.' ‘Society doesn't want to know its men are not virile.'   25% discount CCPOD discount code  

This week on Slash and Burn, it's another noncanonical episode that the producers did not have time to edit! Join us as hosts Kera, the fanfiction veteran, and Steve, the lovable noob, talk about life shit! Like Steve is a dad now! And Kera's lungs are super shitty! And I don't know what else! We apologize that it's been forever. slashandburnpod.tumblr.com twitter.com/slashandburnpod tiny.cc/sbdiscord slashandburnpod@gmail.com / slashandburnpud@gmail.com

My NEW interview with Dr. Fauci ▲ Why Jimmy Kimmel thinks you're stupid ▲ The doctor who's still paying student loans at age 53 - and thinks you're stupid ▲ Why historians will call this age The Whimpering, Mewling, Sh*t Your Pants Terrified 20s ▲ How US geography determines your IQ ▲ If you've had a belly full of idiots telling you what to do, this is your episode!

It could have been mistaken for a graduation ceremony.Proud parents, welcome hugs, long embraces. Small groups standing around chatting, laughing. Mewling infants hoisted onto shoulders.But take a closer look. The bursts of laughter are cut off short. Sudden tears wiped away.Many people hobbling on crutches, bandages over recent surgeries, latest rounds of treatment. Deep shrapnel setting off the security wands, overseen by troops of armed police.Holding a March 15, 2019 Christchurch terror attacks anniversary memorial event was not a consensus decision.Many families, gunshot victims, survivors recoiled at reliving the tragedy which, two years on, haunts them every day.Some preferred to mark it silently during Friday prayer at Al Noor and Linwood mosques – the scenes of New Zealand's worst mass shooting.Others, like New Zealand's most prominent Muslim Sonny Bill Williams, say they remember the fallen every day. As Muslims, they pray five times a day and the fallen are always in their thoughts.But for those who attended yesterday's "We are one" national remembrance service in Christchurch – about 700 victims and families, dignitaries including Prime Minister Jacinda Ardern, and about 150 members of the public, it felt like the right thing to do."Two years have passed by, we gather here to remember the 51 beautiful souls," said Kiran Munir whose husband Haroon Mahmood was killed in the attack.The grief and pain filled the cavernous Christchurch Arena."The ripples of sorrow and grief we endure may never subside - but we have faith," said a stoic Maha Elmadani whose beloved "baba" Ali Elmadani was also murdered two years ago tomorrow.Those who died in the attacks had their names read aloud while their photographs filled a big screen.They were wearing All Blacks jerseys and caps, posing for happy holiday snaps and described as loving fathers, mothers, sons, daughters. Children. Filial. Pious. Humble. Loving. Loved.Tears flowed.Survivor Temel Atacocugu - who was shot nine times on the day – broke down recalling the bloody aftermath of the massacre at Al Noor.He described how a man sat beside him cradling his small son."The paramedics told him that his son was dead … there was nothing they could do for him," Atacocugu said, breaking down in tears."Suddenly my own pain felt insignificant, my heart wept for them."I still go to Al Noor each week for prayers and I see that father with a big smile on his face - he is a remarkable man."Members of the public also wept as he spoke, offering tissues and cuddles of comfort."We grieve for you all, we cry," said Governor-General Dame Patsy Reddy who also acknowledged the survivors, the wounded, those who bore witness, first responders and the two police officers who prevented the gunman taking any more lives when they arrested him."There can be no us and them, there can only be we - together we shine a light into the darkness, together our children learn that kindness and decency ... are not the monopoly of any ethnicity."After the 90-minute service, they walked out holding hands, colourful headscarves fluttering in the blustery easterly, which brought sounds from the neighbouring Crusaders rugby home stadium.With heads high, they felt better, at least momentarily, for having shared their painful memories and grief with others who know exactly how tough the past two years have been, and how tough the future is going to be.text by Kurt Bayer, NZ Herald

The Seven Ages of Man(from As You Like It, II, vii)By William Shakespeare 朱生豪 译All the world's a stage,全世界是一个舞台，And all the men and women merely players;所有的男男女女不过是一些演员；They have their exits and their entrances;他们都有下场的时候，也都有上场的时候。And one man in his time plays many parts,一个人的一生中扮演着好几个角色，His acts being seven ages. At first the infant,他的表演可以分为七个时期。最初是婴孩，Mewling and puking in the nurse's arms;在保姆的怀中啼哭呕吐。Then the whining school-boy, with his satchel然后是背着书包、满脸红光的学童，And shining morning face, creeping like snail像蜗牛一样慢腾腾地拖着脚步，Unwillingly to school. And then the lover,不情愿地呜咽着上学堂。然后是情人，Sighing like furnace, with a woeful ballad像炉灶一样叹着气，写了一首悲哀的诗歌咏着Made to his mistress' eyebrow. Then a soldier,他恋人的眉毛。然后是一个军人，Full of strange oaths, and bearded like the pard,满口发着古怪的誓，胡须长得像豹子一样，Jealous in honour, sudden and quick in quarrel,爱惜着名誉，动不动就要打架，Seeking the bubble reputationEven in the cannon's mouth. 在炮口上寻求着泡沫一样的荣名。And then the justice,然后是法官，In fair round belly with good capon lin'd,胖胖圆圆的肚子塞满了阉鸡，With eyes severe and beard of formal cut,凛然的眼光，整洁的胡须，Full of wise saws and modern instances;满嘴都是格言和老生常谈；And so he plays his part.他这样扮了他的一个角色。The sixth age shiftsInto the lean and slipper'd pantaloon,第六个时期变成了精瘦的趿着拖鞋的龙钟老叟，With spectacles on nose and pouch on side；鼻子上架着眼镜，腰边悬着钱袋；His youthful hose, well sav'd, a world too wide他那年轻时候节省下来的长袜子，For his shrunk shank; and his big manly voice,套在他皱瘪的小腿上显得宽大异常；他那朗朗的男子的口音Turning again toward childish treble, pipes又变成了孩子似的尖声，And whistles in his sound. Last scene of all,像是吹着风笛和哨子。That ends this strange eventful history,终结着这段古怪的多事的历史的最后一场，Is second childishness and mere oblivion;是孩提时代的再现，全然的遗忘，Sans teeth, sans eyes, sans taste, sans everything.没有牙齿，没有眼睛，没有口味，没有一切。

The Seven Ages of Man(from As You Like It, II, vii)By William Shakespeare 朱生豪 译All the world's a stage,全世界是一个舞台，And all the men and women merely players;所有的男男女女不过是一些演员；They have their exits and their entrances;他们都有下场的时候，也都有上场的时候。And one man in his time plays many parts,一个人的一生中扮演着好几个角色，His acts being seven ages. At first the infant,他的表演可以分为七个时期。最初是婴孩，Mewling and puking in the nurse's arms;在保姆的怀中啼哭呕吐。Then the whining school-boy, with his satchel然后是背着书包、满脸红光的学童，And shining morning face, creeping like snail像蜗牛一样慢腾腾地拖着脚步，Unwillingly to school. And then the lover,不情愿地呜咽着上学堂。然后是情人，Sighing like furnace, with a woeful ballad像炉灶一样叹着气，写了一首悲哀的诗歌咏着Made to his mistress' eyebrow. Then a soldier,他恋人的眉毛。然后是一个军人，Full of strange oaths, and bearded like the pard,满口发着古怪的誓，胡须长得像豹子一样，Jealous in honour, sudden and quick in quarrel,爱惜着名誉，动不动就要打架，Seeking the bubble reputationEven in the cannon's mouth. 在炮口上寻求着泡沫一样的荣名。And then the justice,然后是法官，In fair round belly with good capon lin'd,胖胖圆圆的肚子塞满了阉鸡，With eyes severe and beard of formal cut,凛然的眼光，整洁的胡须，Full of wise saws and modern instances;满嘴都是格言和老生常谈；And so he plays his part.他这样扮了他的一个角色。The sixth age shiftsInto the lean and slipper'd pantaloon,第六个时期变成了精瘦的趿着拖鞋的龙钟老叟，With spectacles on nose and pouch on side；鼻子上架着眼镜，腰边悬着钱袋；His youthful hose, well sav'd, a world too wide他那年轻时候节省下来的长袜子，For his shrunk shank; and his big manly voice,套在他皱瘪的小腿上显得宽大异常；他那朗朗的男子的口音Turning again toward childish treble, pipes又变成了孩子似的尖声，And whistles in his sound. Last scene of all,像是吹着风笛和哨子。That ends this strange eventful history,终结着这段古怪的多事的历史的最后一场，Is second childishness and mere oblivion;是孩提时代的再现，全然的遗忘，Sans teeth, sans eyes, sans taste, sans everything.没有牙齿，没有眼睛，没有口味，没有一切。

All the world's a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms; And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything.

Welcome to the second part of our discussion of Euripides’ The Trojan Women here on The Literary Life podcast. This week Angelina, Cindy and Thomas really get into the meat of the play. If you missed last week’s introduction episode, you will want to go back and listen to that first to set the stage, so to speak. Cindy and Angelina talk about how much emotion is evoked by Euripides’ portrayal of these women and their situation. Thomas brings in some of the surrounding myths that connect to the characters in this play, as well. Angelina and Cindy highlight the characteristics of Hecuba and Andromache amidst such trying circumstances. In discussing Helen’s role in the play, Cindy mentions a short story C. S. Lewis wrote about Helen of Troy called “After Ten Years.” It can be found in The Dark Tower: and Other Stories and Of Other Worlds: Essays and Stories. Our hosts share their emotional responses to the utter heartbreak of the mothers on top of the demise of Troy itself. (Amazon affiliate links are used in this content.) Commonplace Quotes: There are decades where nothing happens, and weeks where decades happen. Vladimir Lenin While affording some secrets of ‘the way of the will’ to young people, we should perhaps beware of presenting the ideas of ‘self-knowledge, self-reverence, and self-control.’ All adequate education must be outward bound, and the mind which is concentrated upon self-emolument, even though it be the emolument of all the virtues, misses the higher and the simpler secrets of life. Duty and service are the sufficient motives for the arduous training of the will that a child goes through with little consciousness. Charlotte Mason Perhaps the surest measure of O’Connor’s sense of calling was her willingness to be misunderstood. Jonathan Rogers All the World’s a Stage by William Shakespeare All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lin’d, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper’d pantaloon, With spectacles on nose and pouch on side; His youthful hose, well sav’d, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything. Book List: The Trojan Women by Euripides Towards a Philosophy of Education by Charlotte Mason The Terrible Speed of Mercy by Jonathan Rogers As You Like It by William Shakespeare Agamemnon by Aeschylus Iphigenia in Aulis by Euripedes The Illiad by Home The Aeneid by Virgil The Trojan Women (film) starring Katharine Hepburn The Dark Tower: and Other Stories by C. S. Lewis Of Other Worlds: Essays and Stories by C. S. Lewis Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at https://cindyrollins.net, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

This week, we welcome The Pierce Brothers, Brett and Drew, to the show! They have a new movie from IFC Midnight debuting on May 1st, 2020 on VOD and at Drive-Ins. We discuss their fun and gnarly witch movie that Terry calls "Wytches by way of Disturbia" before diving into how Evil Dead 2 terrified them as kids. As a bonus, you'll get to hear a bit of behind-the-scenes info on the making of Evil Dead as Brett and Drew's father worked on the original! Bruce Campbell! Mewling hands! Laughing lamps! All of this are more are torn into like a chainsaw. Follow Brett and Drew: Instagram: jackstargrundy and Drewdraws Twitter: @PierceBrett The Wretched on Twitter: WRETCHEDmovie Follow Us @ScarredPodcast @mbmcandrews @GaylyDreadful

Forrest and Joe sit down with the SCENARIO PICKER and also have a discussion of the current spate of video game remakes and OH YEAH THERES A KITTEN

Can you be forever young or wise beyond your years? Is age a justifiable way of categorising people? Image: William Mulready RA via Wikipedia Things mentioned in this podcast: - Shakespeare’s ‘Seven Ages of Man’ https://www.thoughtco.com/shakespeares-seven-ages-of-man-2831433 - Peak age in different sports https://www.thestatszone.com/archive/olympic-sports-how-does-peak-age-vary-13812 - Cognitive changes with age https://www.canyonranch.com/blog/health/how-your-brain-changes-with-age/ - When people get married https://www.ons.gov.uk/peoplepopulationandcommunity/birthsdeathsandmarriages/marriagecohabitationandcivilpartnerships/bulletins/marriagesinenglandandwalesprovisional/2016 - When people have children https://www.ons.gov.uk/peoplepopulationandcommunity/birthsdeathsandmarriages/livebirths/bulletins/birthcharacteristicsinenglandandwales/2017 - Do we become more conservative as we age? https://www.theguardian.com/commentisfree/2015/nov/03/do-we-become-more-conservative-with-age-young-old-politics - Average age of first-time buyers https://www.bbc.co.uk/news/business-47070020 - WaPo on how happiness changes with age https://www.washingtonpost.com/news/wonk/wp/2017/08/24/under-50-you-still-havent-hit-rock-bottom-happiness-wise/ For more Cognitive Engineering episodes find us on iTunes, Google Play or wherever you get your podcasts, or add this RSS feed to your preferred player: feeds.soundcloud.com/users/soundcloud:users:219479129/sounds.rss

6/1/18 Interview with Michigan Public Radio's Zoe Clark from lobby of Mackinac Island's Grand Hotel at Detroit Regional Chamber of Commerce's annual bash for political chattering class. Shri Thanedar's extraordinary memoir of his rise from poverty in rural India to multi-millionaire status strikes chords among readers, but don't expect it to explain his political mind-set. Gretchen Whitmer’s model for her gubernatorial campaign is like Debbie Stabenow's race for the U.S. Senate in 2000. Sponsored by www.DeadlineDetroit.com.

从本期开始，我们会来深度扒一扒那些英国文坛巨匠们的经典之作， 它们到底美在哪，又因何流传至今还被文豪们争相追捧？打开你三年前的假期阅读书单，总能看到这些人的名字和他们的作品。什么？到现在你连第一本昆虫记都没读完？！好吧，其实。。我也是。。。咱们来一起慢慢补上吧～说到英国，有这么一位是总也绕不过去的，全世界的小学生都知道他的名字，“威廉莎士比亚”。那么第一期我们就从他来聊起吧！All the world's a stageBY WILLIAM SHAKESPEARE(from As You Like It, spoken by Jaques)All the world's a stage,And all the men and women merely players;They have their exits and their entrances;And one man in his time plays many parts,His acts being seven ages. At first the infant,Mewling and puking in the nurse's arms;And then the whining school-boy, with his satchelAnd shining morning face, creeping like snailUnwillingly to school. And then the lover,Sighing like furnace, with a woeful balladMade to his mistress' eyebrow. Then a soldier,Full of strange oaths, and bearded like the pard,Jealous in honour, sudden and quick in quarrel,Seeking the bubble reputationEven in the cannon's mouth. And then the justice,In fair round belly with good capon lin'd,With eyes severe and beard of formal cut,Full of wise saws and modern instances;And so he plays his part. The sixth age shiftsInto the lean and slipper'd pantaloon,With spectacles on nose and pouch on side;His youthful hose, well sav'd, a world too wideFor his shrunk shank; and his big manly voice,Turning again toward childish treble, pipesAnd whistles in his sound. Last scene of all,That ends this strange eventful history,Is second childishness and mere oblivion;Sans teeth, sans eyes, sans taste, sans everything.

从本期开始，我们会来深度扒一扒那些英国文坛巨匠们的经典之作， 它们到底美在哪，又因何流传至今还被文豪们争相追捧？打开你三年前的假期阅读书单，总能看到这些人的名字和他们的作品。什么？到现在你连第一本昆虫记都没读完？！好吧，其实。。我也是。。。咱们来一起慢慢补上吧～说到英国，有这么一位是总也绕不过去的，全世界的小学生都知道他的名字，“威廉莎士比亚”。那么第一期我们就从他来聊起吧！All the world’s a stageBY WILLIAM SHAKESPEARE(from As You Like It, spoken by Jaques)All the world’s a stage,And all the men and women merely players;They have their exits and their entrances;And one man in his time plays many parts,His acts being seven ages. At first the infant,Mewling and puking in the nurse’s arms;And then the whining school-boy, with his satchelAnd shining morning face, creeping like snailUnwillingly to school. And then the lover,Sighing like furnace, with a woeful balladMade to his mistress’ eyebrow. Then a soldier,Full of strange oaths, and bearded like the pard,Jealous in honour, sudden and quick in quarrel,Seeking the bubble reputationEven in the cannon’s mouth. And then the justice,In fair round belly with good capon lin’d,With eyes severe and beard of formal cut,Full of wise saws and modern instances;And so he plays his part. The sixth age shiftsInto the lean and slipper’d pantaloon,With spectacles on nose and pouch on side;His youthful hose, well sav’d, a world too wideFor his shrunk shank; and his big manly voice,Turning again toward childish treble, pipesAnd whistles in his sound. Last scene of all,That ends this strange eventful history,Is second childishness and mere oblivion;Sans teeth, sans eyes, sans taste, sans everything.

As You Like It, Act II - Scene VII by William Shakespeare All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse’s arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. ----- Prosodia is a daily podcast dedicated to historical notes and poems, hosted by Karim El Azhari. Welcome! All show notes are heavily recycled from old The Writer’s Almanac archives. May that podcast rest in peace (it was Karim’s favorite). All poems are public domain or submitted by the author for use on the show. Intro and outro music by Chillhop Records. They are amazing! And remember, tell beauty you think so.

一诗一信系列 | 莎士比亚：全世界是个舞台 AllThe World's A Stage主播：Wilson（英），小明（中）All The World's A Stage全世界是个舞台作者：莎士比亚，译者：朱生豪 All the world's a stage,全世界是个舞台，And all the men and women merely players;所有的男男女女不过是一些演员；They have their exits and their entrances,他们都有下场的时候，也都有上场的时候。And one man in his time plays many parts,一个人的一生中扮演着好几个角色，His acts being seven ages.他的表演可以分为七个时期。At first the infant,最初是婴孩，Mewling and puking in the nurse's arms.在保姆的怀中啼哭呕吐。 Then the whining school-boy, with hissatchel然后是背着书包、满脸红光的学童And shining morning face, creeping likesnail像蜗牛一样慢腾腾地拖着脚步，Unwillingly to school.情愿地呜咽着上学堂。And then the lover,然后是情人，Sighing like furnace, with a woeful ballad像炉灶一样叹着气，写了一首悲哀的诗歌咏着Made to his mistress' eyebrow.他恋人的眉毛。 Then a soldier,然后是一个军人，Full of strange oaths, and bearded like thepard,满口发着古怪的誓，胡须长得像豹子一样，Jealous in honour, sudden and quick inquarrel,爱惜着名誉，动不动就要打架，Seeking the bubble reputation, even in thecannon's mouth.在炮口上寻求着泡沫一样的荣名。And then the justice,然后是法官，In fair round belly with a good caponlined,胖胖圆圆的肚子塞满了阉鸡，With eyes severe and beard of formal cut,凛然的眼光，整洁的胡须，Full of wise saws, and modern instances;满嘴都是格言和老生常谈；And so he plays his part.他这样扮了他的一个角色。The sixth age shifts第六个时期变成了Into the lean and slippered pantaloon,精瘦的趿着拖鞋的龙钟老叟，With spectacles on nose and pouch on side,鼻子上架着眼镜，腰边悬着钱袋；His youthful hose, well saved, a world toowide他那年轻时候节省下来的长袜子，For his shrunk shank,套在他皱瘪的小腿上显得宽大异常；And his big manly voice,他那朗朗的男子的口音Turning again toward childish treble, pipes，又变成了孩子似的尖叫，And whistles in his sound.像是吹着风笛和哨子。Last scene of all, that ends this strangeeventful history,终结着这段古怪多事的历史的最后一场，Is second childishness, and mere oblivion,是孩提时代的再现，全然的遗忘，Sans teeth, sans eyes, sans taste, sans everything.没有牙齿，没有眼睛，没有口味，没有一切。 一诗一信为你读英语美文和陌声人广播携手打造的双语读诗节目 文字，音乐，图片非商业用途，版权归作者或版权方所有  ▎节目首发，背景音乐，图文资料，更多推送敬请关注微信公众号：为你读英语美文，ID：readenglishforyou 

一诗一信系列 | 莎士比亚：全世界是个舞台 AllThe World's A Stage主播：Wilson（英），小明（中）All The World's A Stage全世界是个舞台作者：莎士比亚，译者：朱生豪 All the world's a stage,全世界是个舞台，And all the men and women merely players;所有的男男女女不过是一些演员；They have their exits and their entrances,他们都有下场的时候，也都有上场的时候。And one man in his time plays many parts,一个人的一生中扮演着好几个角色，His acts being seven ages.他的表演可以分为七个时期。At first the infant,最初是婴孩，Mewling and puking in the nurse's arms.在保姆的怀中啼哭呕吐。 Then the whining school-boy, with hissatchel然后是背着书包、满脸红光的学童And shining morning face, creeping likesnail像蜗牛一样慢腾腾地拖着脚步，Unwillingly to school.情愿地呜咽着上学堂。And then the lover,然后是情人，Sighing like furnace, with a woeful ballad像炉灶一样叹着气，写了一首悲哀的诗歌咏着Made to his mistress' eyebrow.他恋人的眉毛。 Then a soldier,然后是一个军人，Full of strange oaths, and bearded like thepard,满口发着古怪的誓，胡须长得像豹子一样，Jealous in honour, sudden and quick inquarrel,爱惜着名誉，动不动就要打架，Seeking the bubble reputation, even in thecannon's mouth.在炮口上寻求着泡沫一样的荣名。And then the justice,然后是法官，In fair round belly with a good caponlined,胖胖圆圆的肚子塞满了阉鸡，With eyes severe and beard of formal cut,凛然的眼光，整洁的胡须，Full of wise saws, and modern instances;满嘴都是格言和老生常谈；And so he plays his part.他这样扮了他的一个角色。The sixth age shifts第六个时期变成了Into the lean and slippered pantaloon,精瘦的趿着拖鞋的龙钟老叟，With spectacles on nose and pouch on side,鼻子上架着眼镜，腰边悬着钱袋；His youthful hose, well saved, a world toowide他那年轻时候节省下来的长袜子，For his shrunk shank,套在他皱瘪的小腿上显得宽大异常；And his big manly voice,他那朗朗的男子的口音Turning again toward childish treble, pipes，又变成了孩子似的尖叫，And whistles in his sound.像是吹着风笛和哨子。Last scene of all, that ends this strangeeventful history,终结着这段古怪多事的历史的最后一场，Is second childishness, and mere oblivion,是孩提时代的再现，全然的遗忘，Sans teeth, sans eyes, sans taste, sans everything.没有牙齿，没有眼睛，没有口味，没有一切。 一诗一信为你读英语美文和陌声人广播携手打造的双语读诗节目 文字，音乐，图片非商业用途，版权归作者或版权方所有  ▎节目首发，背景音乐，图文资料，更多推送敬请关注微信公众号：为你读英语美文，ID：readenglishforyou 

All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse’s arms. Then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.

Here's Radio Destructoid Episode 051 - Mewling Cabbage Children! In this episode we're joined by our new hosts Bill and Occam!  Andy gets his wish of Netflix achievements and is good at Titanfall, Occams and Conor almost start a comic book podcast, Kyle was a bad customer, and Bill describes the success metric for malls. Also, Conor edits for the first time!  There's no intro, and he forgot to put in the segment breaks, so feel free to tell him he's awful and lazy.  While we're talking about things we messed up, we forgot to pick a listener question winner!  Usually we'd make you listen but instead, just this once, will go ahead and tell you: Justin D Coats wins!  Email Andy to get your game!

4月23日是一代文坛巨匠莎士比亚诞辰450周年的纪念日。让我们在卷福富有磁性的声线中一起重温莎翁的经典诗篇《人生七阶》的片段吧！ The Seven Ages of Man 人生七阶 All the world's a stage, 大千世界是个舞台, And all the men and women merely players; 所有男男女女不外是戏子; They have their exits and their entrances; 各有登场和退场, And one man in his time plays many parts, 一生扮演着那么些角色, At first the infant, 首先是婴儿, Mewling and puking in the nurse's arms; 在奶妈怀中啼哭着,呕吐着。 Then the whining school-boy, with his satchel and shining morning face, 接着是怨天尤人的小学生,背着书包, 挂着洁亮晨光的面孔 And then the lover, 跟着是情人, Sighing like furnace, with a woeful ballad 叹息得象锅炉,专为情妇的 Then a soldier, 随后是士兵, Full of strange oaths, and bearded like the leopard, 胡子象豹的, 满是新奇的骂人话, Seeking the bubble reputation even in the cannon's mouth. 追求那泡沫般的名声,连火炮口也不怕 And then the justice, 然后是法官, In fair round belly with good capon lined, 那好圆的肚子用上等的阉鸡填满, Full of wise saws and modern instances； 多的是智慧的格言,日常的事例 —— The sixth age shifts into the lean and slippered pantaloon, 第六样年龄,化作瘦削的,穿拖鞋的傻老头, With spectacles on nose and pouch on side, 鼻子戴眼镜, 身边挂钱袋; His youthful hose, well saved, a world so wide 好好储存的年少时代的裤子,已太宽松

Show notes: Nerdist Live from SDCC https://www.nerdist.com/2013/07/nerdist-podcast-live-from-sdcc-2013/ CH and Tom Cruise sing together http://comicbook.com/blog/2013/07/23/comic-con-2013-chris-hardwick-sings-with-tom-cruise/ Doctor Who pages from San Diego Comic Con program: http://imgur.com/a/hVSjK Chronicles of Syntax, Liam Drydan (Aka little radge aka David Tennant's brother/son) http://www.youtube.com/playlist?list=PLDmSnqbQcsmlWzJGoKt5cRKndoIdeijkJ Nate Silver moves from NYTimes to ESPN. Opening Theme: Lock You Up Closing Theme: Louie Louie Both performed by the University of Rhode Island Ram Marching Band under the direction of Brian Cardany.

Cyriac - "Meow Mix" - youtube video [http://www.youtube.com/watch?v=GSMCRD35ch4] La Societe Des Timides a la Parade des Oiseaux - "[...]" - a la Parade des Oiseaux X-Legged Sally - "Fuck and Coffee" - Slow Up The Centimeters - "I Want a Dead One" - Facts of Destiny Fabi Frizzi - "Zombie" - OST Bernard Parmegiani - "La Roue Ferris" - Chronos [Bernard Parmegiani on Ubu] Dimossioypalliliko Retire - "The Night" - Romantische Strasse [Dimossioypalliliko Retire on Continuo's blog] Tio Gamboin - "Los Gatitos" - Easy Melodias John Schnall - "My Way" - Midnight Matinee [John Schnall's Midnight Matinee on BotB] Dylan Nyoukis - "Damp Hallway and Counting" - Inside Wino Lodge [more Dylan Nyoukis material on Ubu] Christian Bok - "Seahorses and Flying Fish" - Live @ SUNY, Buffalo [Christian Bok on Ubu] Calvin Taylor - "Outburst of Joy (Messiaen's Ascension Suite)" - Organ Extraordinaire Synthetic Sounds - "Theme From A Clockwork Orange" - Moog at the Movies Jed Hershon - "Ceremony" - A Bad Trip [Jed Hershon at WFMU's Free Music Archive] Drakar - "Demon Uchvatitel" - Let Draka Sigurd Berge - "Eg Beisla min Stovel" - VA - Eh bien, la Norvège Jack Goldstein - "German Shepard, Wrestling Cats, Lost Ocean" - 7" Records [Jack Goldstein on Ubu] Hans Grusel's Krankenkabinet - "Sechzig-Sechs" - Ein Haunted Sommerplatz Zzap69 - "Fettot" - Commodore 64 Music Maximum Cloud - "One Eyed Jack" - Strange Dreamer [Max Cloud blog] Gil J. Wolman - "TRITS" - L'Anticoncept [Gil J. Wolman on Ubu] https://www.wfmu.org/playlists/shows/33379

Shakespeare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------- The Seven Ages of Man from As You Like It by William Shakespeare (1564 – 1616) All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.