Podcasts about dh lawrence

Lasting from the ninth century BC right up until Roman conquest in the first century BC, the Etruscans were a powerful ancient civilisation who inhabited Etruria in ancient Italy, and rubbed shoulders with the other iconic ancient cultures of their day. Often painted as a mysterious people whose culture has now largely vanished from view, researcher Lucy Shipley instead presents us with a very different picture. Speaking to Emily Briffett, she delves into the archaeological and written records to bring us closer to this fascinating civilisation – and uncover why it captivated the likes of the Medici, DH Lawrence and the Roman emperor Claudius. (Ad) Lucy Shipley is the author of The Etruscans: Lost Civilizations (Reaktion Books, 2017). Buy it now from Amazon: https://www.amazon.co.uk/Etruscans-Lost-civilizations-Lucy-Shipley/dp/1780238320/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hoy escucharemos varios temas del grupo inglés EYELES IN GAZA. Martyn Bates y Pete Becker crecen en la escena musical inglesa de los años 70, con influencias folk y pop, con lecturas de Huxley y Milton, de DH Lawrence y Dylan Thomas. Más tarde, de Rilke. Se trata de una propuesta de Ignacio Castro Rey, con quien compartimos hoy nuestros micrófonos. Filósofo, Crítico de arte, música y cine, creador en encuentros y debates, Ignacio Castro es autor de libros artículos y volúmenes colectivos entre los que destacamos Antropofobia. Inteligencia artificial y crueldad calculada (Pre-Textos, 2024). Ignacio Castro desarrolla su labor filosófica en dos vertientes indisociables. Castro parte de una afirmación filosófica de la inmediatez terrenal, una existencia común que apenas posee hoy representación política. Desde ahí realiza una crítica constante de la violencia contemporánea del nihilismo. Más información en el email lacasadelsonido@rtve.esy en el sitio web  www.ignaciocastrorey.comEscuchar audio

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Read by Juliet Prew Production and Sound Design by Kevin Seaman

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 29, 2024. www.poets.org

durée : 00:42:46 - Signes des temps - par : Marc Weitzmann - Alors que paraît dans la bibliothèque de la Pléiade "L'Amant de lady Chatterley : et autres romans" de David Herbert Lawrence, Marc Weitzmann s'entretient avec les traducteurs Marc Porée et Laurent Bury. - réalisation : Luc-Jean Reynaud - invités : Marc Porée Angliciste, professeur émérite de l'ENS; Laurent Bury Traducteur, critique.

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This is an excerpt from a patrons-only episode. To hear the full thing, and much much more, visit Patreon.com/LoveMessagePod to sign up from just £3 a month. In this patrons episode we thought we'd begin to explore the academic discipline of Cultural Studies. Tim and Jeremy (both Cultural Studies professors themselves remember) explain the ways in which academic study of popular cultural was developing in the mid-70s, including the political motivations informing academics developing the discipline, in the wake of sociology and social anthropology. They talk about analysis of subculture, Raymond Williams, Stuart Hall, Mods, Rockers, nostalgia, Cool Jazz, with a healthy dash of DH Lawrence thrown in for good measure.  In our next episode we'll discuss in detail the seminal book Resistance Through Rituals: Youth Subcultures in Post-War Britain. Books: William Foote White - Street Corner Society: The Social Structure of an Italian SlumC. Wright Mills - The Power ElitesRaymond Williams - Culture and SocietyRichard Hoggart - The Uses of Literacy DH Lawrence - Lady's Chatterly's LoverStan Cohen - Folk Devils and Moral Panics Paul Willis - Profane Culture Tracklist:Lennie Tristano - CrosscurrentsEwan McColl & Peggy Seeger - The Black Velvet BandThe Who - The Kids are AlrightBuddy Holly - Not Fade Away

Amanda Holmes reads D. H. Lawrence's “Snake.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman. This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

Jackie and Greg bear witness to the decadence and raging sexuality of a small English mining town for Ken Russell's WOMEN IN LOVE from 1969. Topics of discussion include the film's origins as an adaptation of D. H. Lawrence's classic novel, the quartet of characters at the center of the film, how it was cutting edge for its time, and why it resonates with Greg so much.The continuation of our "Personal Prints" series where Jackie and Greg venture off the Sight & Sound list to explore films that are special and/or formative to them.Check us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Here we narrate D.H. Lawrence's "The Man Who Loved Islands," where isolation becomes both a refuge and a prison. This gripping audiobook tells the story of Mr. Carthcart, a man who seeks solitude by purchasing a series of increasingly remote islands, each retreat further distancing him from the human connections he undervalues. But as he delves deeper into his self-imposed exile, Carthcart finds that nature's overpowering presence grows ever more formidable, threatening to erase any trace of his existence. Well-known literary critic Margaret Drabble hails this narrative as one of the finest examples of English short stories, masterfully weaving allegory and literal narrative into a profound exploration of human isolation. This story delves deeply into the psyche of a man who is fundamentally incapable of forming real human connections or adapting to a shared existence. With each island retreat, Carthcart's disconnect grows, turning each new haven into a more desolate and isolating place than the last. Perfect for those who are captivated by the complexities of solitude and the human condition, this audiobook offers a compelling narrative that captures the tragic consequences of a life lived at the margins of society. Listen and uncover the depth of Lawrence's insight into the inevitable downfall that comes from fleeing the very essence of humanity: our need for each other. Learn more about your ad choices. Visit megaphone.fm/adchoices

"It is most damnable! It is written by a man with a diseased mind and a soul so black that he would obscure even the darkness of hell!"When British author D.H. Lawrence first published one of his last novels, Lady Chatterley's Lover, in 1928, he knew it was going to stir up controversy. Some might even say he wrote it that way on purpose, a result of career-long persecution and harassment from the British government for not adhering to their standards of living. In 1960, thirty years after the author died, Penguin Books was about to publish an unabridged version of Lady Chatterley in the form of an affordable paperback. The government was not having it, which led to one of the best known literary obscenity trials of the 20th century.Theme music is credited to Wendy Marcini, Elvin Vanguard, and Jules Gaia.Instagram: @literaryscandalsSelected bibliography:• The book that changed Britain: Why the Lady Chatterley's Lover trial still matters 60 years later, Penguin Books• Inside the Game-Changing Trial of Lady Chatterley's Lover, Esquire

Here we narrate D.H. Lawrence's "The Man Who Loved Islands," where isolation becomes both a refuge and a prison. This gripping audiobook tells the story of Mr. Carthcart, a man who seeks solitude by purchasing a series of increasingly remote islands, each retreat further distancing him from the human connections he undervalues. But as he delves deeper into his self-imposed exile, Carthcart finds that nature's overpowering presence grows ever more formidable, threatening to erase any trace of his existence. Well-known literary critic Margaret Drabble hails this narrative as one of the finest examples of English short stories, masterfully weaving allegory and literal narrative into a profound exploration of human isolation. This story delves deeply into the psyche of a man who is fundamentally incapable of forming real human connections or adapting to a shared existence. With each island retreat, Carthcart's disconnect grows, turning each new haven into a more desolate and isolating place than the last. Perfect for those who are captivated by the complexities of solitude and the human condition, this audiobook offers a compelling narrative that captures the tragic consequences of a life lived at the margins of society. Listen and uncover the depth of Lawrence's insight into the inevitable downfall that comes from fleeing the very essence of humanity: our need for each other.

In the spotlight is D.H. Lawrence, the great and controversial novelist, and Richard Kaye, professor of literature in the English department at Hunter College, part of the city university system in Manhattan. Since 2017, Mr. Kaye has been the editor of The D. H. Lawrence Review, the 50-year-old journal dealing with the life and work of the British writer. We discuss: >> The censorship of Lawrence's novels>> Lady Chatterly's Lover>> D.H. Lawrence's status as one of the greatest writers of his century>> His modernist works>> His take on social alienation and industrialization>> His championing of sexuality, vitality and instinct>> Etc. Learn more about D.H. Lawrence here: https://www.dhlawrencesociety.com Learn more about Richard Kaye here: https://www.hunter.cuny.edu/english/richard-kaye/richard-kaye Novelist Spotlight is produced and hosted by Mike Consol, author of “Lolita Firestone: A Supernatural Novel,” “Family Recipes: A Novel About Italian Culture, Catholic Guilt and the Culinary Crime of the Century” and “Hardwood: A Novel About College Basketball and Other Games Young Men Play.” Buy them on any major bookselling site. Write to Mike Consol at novelistspotlight@gmail.com. We hope you will subscribe and share the link with any family, friends or colleagues who might benefit from this program. 

Why does the Prussian officer pick on his orderly so much? Seriously, what's eating the guy? D.H. Lawrence, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “Ali Baba and the Forty Thieves”, from the Arabian Nights. Be sure to check it out on Tuesday.  If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories.  Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content.  Go to http://classictalesaudiobooks.com and become a supporter today. I've been having fun designing the specials for our Kickstarter for the next Arsène Lupin book – The Golden Triangle. Boxed sets, special editions, enamel pins – I've got a lot to do, and I want to get it all ready so we can hit the ground running. Keep an ear open for when we pull the trigger!   Today's story is about two soldiers – an officer and his orderly. The officer is a little older, comes from a wealthy family, has squandered his inheritance and must make a living in the military. He's angry and ornery all the time.  This orderly is the opposite – he's young and sensitive. His name is Schöner, which means “more beautiful” in German. I hope you like it.   And now, The Prussian Officer, by D.H. Lawrence. Follow this link to become a monthly supporter: Follow this link to subscribe to our newsletter and join us on Zoom for the Classic Tales Book Club:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:    Follow this link to follow us on TikTok:  

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This intimate portrait of a coal-miner's family fastens on each member in turn: Walter Morel, the collier; Gertrude, his wife; and the children: William, Annie, Arthur, and Paul. When Mrs. Morel begins to be estranged from her husband because of his poor financial sense and his drinking habits, she comes to inhabit the lives of her children - most particularly, her sons. She is determined that they will grow to be something more than men that come home blackened with coal dust every day and roaring with drink every night. As each grows up and moves away, she must release him. But Paul, she holds; they have a bond that defies time and the attractions of young women.Lawrence originally intended the book's title to be "Paul Morel" and it is on this son - and his lovers - that he spends the bulk of his tale. The strong mother can make a success of her son, but if he cannot learn to leave his mother's apron strings, will he really be a better man than his father?Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week Amanda and Victoria discuss Lady Chatterley's Lover, sex politics, and what DH Lawrence means by a "crisis." --- Support this podcast: https://podcasters.spotify.com/pod/show/unfortunately-required/support

Today's show is a recording of a live reading by beloved poet, legendary convenor and photographer Michael Reynolds. In this recording, he is performing at the Cherry Poets in Cremorne on the 13th of January 2024. This recording includes a reading of "Snake" by DH Lawrence

Superguest Mike Palindrome joins Jacke for a reading and discussion of D.H. Lawrence's short story "Tickets, Please" (1918), a "war of the sexes" modernist story in which some innocent flirtation turns to revenge and violence. PLUS literature aficionado Myron Tuman returns to the podcast to discuss his selection for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Banned in many countries until the 1960s, David Herbert Lawrence's 1928 novel is both racier and tamer than you might imagine. What more would you expect from a book that uses both "the love experience" and [BLEEP] to describe, well, adult behavior? Caveat lictor: this episode features discussions of Adult Situations.Our theme music was composed by Nick Lerangis.Advertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A new year marks a new trove of material entering the public domain. This year's entries include works from 1928 like Bertolt Brecht's "The Threepenny Opera," music from Cole Porter, and literature from Virginia Woolf, DH Lawrence, and Agatha Christie. But the real star of show is Mickey Mouse, whose very first appearance in "Steamboat Willie" is now without copyright. Jennifer Jenkins, director of Duke University's Center for the Study of the Public Domain, joins us to explain what that means. It's also been one year since we launched WNYC's Public Song Project, and we have plans for that in store. Keep your eyes peeled and ears open for more info to come soon.

Three news stories summarized & contextualized by analytic journalist Colin Wright.Disney's earliest Mickey and Minnie Mouse enter public domain as US copyright expiresSummary: A short animated film released in 1928 that features non-speaking versions of Mickey and Minnie Mouse has entered the public domain, which means anyone can now use their copyright-less image however they choose, ending a long period in which all variations of these characters were assiduously protected by Disney lawyers.Context: US copyright law gives the creators of characters like Mickey Mouse 95 years of protection before they're no longer exclusive and can be repurposed, remixed, and appropriated by anyone for any use or reason; earlier US copyright law only protected such works for 55 years, but Congress recently upped that by 20 years and then by another 20 years, keeping Mickey Mouse from entering the public domain first in 1984, then in 2004—efforts that were lobbied for by Disney and which have caused the relevant law to be nicknamed “the Mickey Mouse Protection Act” in some corners of the legal profession; a new swathe of works lose their copyright every year, and 2024 also brings Winnie the Pooh's friend Tigger, a silent film called The Circus starring Charlie Chaplin, and DH Lawrence's novel Lady Chatterley's Lover into the public domain.—BBC NewsOne Sentence News is a reader-supported publication. To support my work, consider becoming a free or paid subscriber.Powerful earthquake slams Japan, residents flee some coastal areasSummary: An earthquake with a preliminary magnitude of 7.6 destroyed dozens of buildings and knocked out power to tens of thousands of homes in central Japan; the government issued a major tsunami warning for coastal residents, the first since early 2011, but that warning was later downgraded.Context: Residents in and around afflicted areas have been warned to prepare for more quakes and potential tsunamis, readying themselves for a quick evacuation if necessary, and transportation has been disrupted by the closing of train lines, highways, and at least one airport due to damage or concerns about potential damage to their infrastructure; Russia and North Korea also issued tsunami warnings following the quake, but those warnings have also now been downgraded.—ReutersArgentina formally announces it won't join the BRICS alliance in Milei's latest policy shiftSummary: The Argentine government has formally announced that it won't be joining the BRICS bloc of developing countries, marking a promise kept by recently elected Argentine President Milei.Context: The BRICS bloc—an acronym for Brazil, Russia, India, China, and South Africa—is in the process of opening up to more countries as part of a larger ambition to challenge the geopolitical and economic dominance of the world's currently wealthiest nations, and Argentina was one of the six initial invitees; Argentina is in the midst of a staggering economic crisis, which is part of why Milei, who says he wants to blow the whole thing up and rebuild it from scratch, basically, was elected, but his opposition to joining the group is seemingly more ideological than practical, as he says he wants to align Argentina with countries like the US and Israel, not countries like China.—The Associated PressThe number of unhoused people in the United States has reached a new post-2007 high (which is when the Department of Housing and Urban Development started tracking homelessness in the country); 653,104 Americans were tallied as experiencing homelessness in 2023, which is up by about 12% from 2022—that increase ostensibly the result of a reduction in social safety net programs following the truncation of pandemic-era programs and sharp rent increases.—Chartr>112,000Number of deaths attributed to overdoses of the synthetic opioid fentanyl in the United States in 2023—a new, grim milestone.Many such deaths result from opioid addictions sparked by injuries or the escalatory use of less powerful drugs like heroin, while others are accidentally exposed when it's erroneously sold to them as some other type of black-market drug, like ADHD or depression medication.—NPR NewsTrust Click Get full access to One Sentence News at onesentencenews.substack.com/subscribe

Hello Creatives, As we wind down for Christmas I thought I would keep it nice and simple, 10 poems about snow from authors Walter De La Mare, Robert Lee Frost, DH Lawrence, Charles Bertram Johnson, James Russell Lowell, Hannah Flagg Gould, James Thomson, Emily Dickinson and Francis Thompson. Need more? Follow us on Instagram, Twitter and Facebook www.instagram.com/sleeplesscreativespodcast www.twitter.com/createsleepless www.facebook.com/sleeplesscreatives You can also listen and learn about the show on our official website www.sleeplesscreativespodcast.co.uk  Merry Christmas, Happy Holidays, and Happiest New Year! Florence x The Music in this episode is Deck The Halls by Solitude. Sleepless Creatives is produced, hosted and edited by Florence St Leger. Opening theme is Reflection by Birds of Norway.

Denton Loving is the author of Crimes Against Birds (Main Street Rag) and Tamp (Mercer University Press). He is also the editor of Seeking Its Own Level: an anthology of writings about water (MotesBooks). He holds a Master of Fine Arts in Writing and Literature from Bennington College. His work has appeared in Iron Horse Literary Review, The Kenyon Review, Tupelo Quarterly, Harvard Divinity Bulletin, The Threepenny Review, and Ecotone. He is a co-founder and editor at EastOver Press and its literary journal Cutleaf. D.H. Lawrence was born in 1885 in Eastwood, Nottinghamshire in England, and he died in 1930 at Vence in the south of France. Though Lawrence is best known for his novels—he's the author of Lady Chatterley's Lover and nearly a dozen others—he also published short stories, plays, essays, criticism, and more than a dozen collections of poetry. Links:Read "Copperhead," "Foundation," and "Hurtling"Read "Humming-Bird"Denton LovingDenton Loving's website"Five Poems by Denton Loving" at Salvation South"Three Poems by Denton Loving" at Harvard Divinity Bulletin"Under the Chestnut Tree" at EcotoneVideo: WANA (Writers Association of Northern Appalachia) Live! Reading Series featuring Denton LovingReview of Tamp at Southern Review of BooksD.H. LawrenceBio, Poems, and Prose at The Poetry FoundationBio and Poems at Poetry.orgMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Denton Loving is the author of Crimes Against Birds (Main Street Rag) and Tamp (Mercer University Press). He is also the editor of Seeking Its Own Level: an anthology of writings about water (MotesBooks). He holds a Master of Fine Arts in Writing and Literature from Bennington College. His work has appeared in Iron Horse Literary Review, The Kenyon Review, Tupelo Quarterly, Harvard Divinity Bulletin, The Threepenny Review, and Ecotone. He is a co-founder and editor at EastOver Press and its literary journal Cutleaf. D.H. Lawrence was born in 1885 in Eastwood, Nottinghamshire in England, and he died in 1930 at Vence in the south of France. Though Lawrence is best known for his novels—he's the author of Lady Chatterley's Lover and nearly a dozen others—he also published short stories, plays, essays, criticism, and more than a dozen collections of poetry. Links:Read "Copperhead," "Foundation," and "Hurtling"Read "Humming-Bird"Denton LovingDenton Loving's website"Five Poems by Denton Loving" at Salvation South"Three Poems by Denton Loving" at Harvard Divinity Bulletin"Under the Chestnut Tree" at EcotoneVideo: WANA (Writers Association of Northern Appalachia) Live! Reading Series featuring Denton LovingReview of Tamp at Southern Review of BooksD.H. LawrenceBio, Poems, and Prose at The Poetry FoundationBio and Poems at Poetry.orgMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

A little teaser for what's coming in Abridgd...Too Far! Next on our list is D H :Lawrence's lurid tale of sex, life, sex, culture, sex, politics, sex, social justice and SEX: Lady Chatterley's Lover This trailer will get the juices flowing in expectation. And if you haven't heard our first three episodes - "The Great Gatsby", "Jane Eyre" and "The War of the Worlds", then now is your time to catch up! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jacke reads "Odour of Chrysanthemums," D.H. Lawrence's story about a woman waiting for her husband, a coal miner, to come home. Then Mike Palindrome, the President of the Literature Supporters Club, stops by to discuss his trip to the Proust Conference and his thoughts on Lawrence's classic short story. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

A group of young people are out and about one snowy night in Hampstead, Northwest London, when strange laughter and mysterious voices seem to be changing both themselves and the world around them. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “The Last Laugh” by D. H. Lawrence (1925). You can hear me discuss this story by joining as a YouTube channel member or becoming a Patreon patron and listening to The EnCrypted Postmortem.

Discussing SONS AND LOVERS by DH Lawrence + the inescapable ancestral doom of human desire + the effulgent glow of hope in the distance of life on Earth. Find Vyl on Twitter: twitter.com/vylpill And on the Patreon exclusive SIRENS, Zach and Vyl review Otessa Moshfegh: patreon.com/imsopopular (ISP S4.E09)

DH Lawrence described outcasts living by the Thames, Mina Loy made art from trash, calling her pieces “refusées", Wyndham Lewis moved from England to America in search of stability after burning many bridges in Britain. In this conversation about new research, Jade Munslow Ong discusses the way widening the canon of writers traditionally labelled as “modernist” might allow a greater understanding of attitudes towards homelessness and poverty in the early decades of the twentieth century. Dr Laura Ryan has a Postdoctoral Fellowship at the University of Galway where she is researching modernism and homelessness investigating the work of writers who were literally homeless, including D. H. Lawrence, Claude McKay, Jean Rhys and Tom Kromer, and also looking at depictions of homelessness in modernist texts by George Orwell, Mina Loy and Samuel Beckett. Dr Nathan Waddell is Associate Professor in Twentieth-Century Literature at the University of Birmingham. He is writing new books about Wyndham Lewis and about George Orwell. He has also edited collections of essays on Lewis, who featured in books already published by Nathan called Modernist Nowheres and Moonlighting. Nathan is also editing The Oxford Handbook of George Orwell. You can hear Nathan in a Free Thinking episode exploring futurism in a collection of discussions about modernism on the website of the Radio 3 Arts and Ideas programme Dr Jade Munslow Ong is a Reader in English Literature at the University of Salford where she is working on a project entitled South African Modernism 1880-2020. You can hear about some of the authors featured in her Essay for Radio 3 called The South African Bloomsberries. She is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to turn research into radio This podcast is made in partnership with the AHRC, part of UKRI. You can sign up for more episodes of the Arts and Ideas podcast wherever you find your podcasts or look at the collection of discussions focused on New Research available via the Free Thinking programme website.

Author, poet and performer Michael Rosen is one of Britain's best loved and most prolific children's writers, having published hundreds of books over nearly fifty years, including his much-loved We're Going On Bear Hunt, the story of an exciting family outing, illustrated by Helen Oxenbury. As a broadcaster he is well known to Radio 4 listeners as the host of Word of Mouth. He was appointed as Children's Laureate in 2007 and was awarded the PEN Pinter Prize in 2023, the citation noting his “ability to address the most serious matters of life in a spirit of joy, humour and hope”. In conversation with John Wilson, Michael recalls the early influence of his parents, who were both active members of the British Communist Party, and the many books that lined the walls of the Rosen family home. He chooses, as a key cultural inspiration, a reproduction of a 16th century painting by Pieter Bruegel the Elder called Netherlandish Proverbs. Depicting ordinary people in various comic situations which represented well-known proverbs of the day, it captured the imagination of young Michael and his friends. He reveals how he started writing his own poetry in response to works by Gerard Manley Hopkins and D H Lawrence whilst at school, and remembers how We're Going On A Bear Hunt was inspired by various folk tales from around the world. Michael also discusses the impact on his work of the death of his son Eddie at the age of 18 in 1999, and in discovering more about the fate of Jewish family members during the Holocaust. Producer: Edwina Pitman

D. H. Lawrence’s “The Rocking Horse Winner” is no liar. It’s got a rocking horse. It’s got a winner. It’s all there on the tin!

Is a young man's philandering ever really a victimless crime? D.H. Lawrence, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  We are proudly supported by our listeners. We couldn't do this without you. Your monthly donation helps in so many ways, and it also gives you access to more classic titles.  Go to http://classictalesaudiobooks.com and become a financial supporter today. A $5 dollar monthly donation gets you an $8 monthly coupon code for any audiobook order. Thank you so much.  App users can watch a short video of me talking about another thing I love about the classics, if that's your idea of a good time.  If you're in the mood for a good contemporary thriller, check out Immortal Red, by Keith Hummel on Audible. The link is in the show notes. When a biologist discovers a jellyfish that holds the secret to immortality, things start to spin out of control. Tapping into his years of medical experience, Hummel's convincing thriller spans the globe as governments and mercenaries conspire to acquire the real essence of eternal life. I had a great time recording it. That's Immortal Red, by Keith Hummel. Don't miss it!  David Herbert Lawrence was a novelist, poet, short story writer and essayist. His best known novels, including “Sons and Lovers”, “The Rainbow”, and “Lady Chatterley's Lover”, were subjects of censorship trials for their radical use of strong language and sexuality. Lawrence was largely maligned and estranged during his career. However, E.M. Forster in an obituary notice challenged this view, dubbing Lawrence, “the greatest imaginative novelist of our generation”.  Today's story isn't particularly racy at all, please don't worry about that. But it's elegantly written, and very powerful in it's message. It's from a collection of short stories written from 1913 – 1922, and takes place during World War I. Written a hundred years before the “Me Too” movement, this is one of the issues we're still struggling with as a species. See if the punishment fits the crime. Then ask yourself why you came to that conclusion.  And now, Tickets, Please, by D.H. Lawrence.  Follow this link to pick up Immortal Red, by Keith Hummel on Audible.com    Follow this link to become a monthly supporter:    Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to subscribe to our YouTube Channel:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:    Follow this link to follow us on TikTok:    

249 - Daughter Mabel was unconcerned about her future; she clearly had unexpected plans in mind. Tuck in and decide which assessment rings true: D.H. Lawrence truly was “the greatest imaginative novelist” or “a tasteless p____grapher.”

Controversial, compulsive, and overwhelmingly charismatic, D.H. Lawrence continues to exert an undeniable magnetism through his novels and poetry. But, as Mark argues in this episode, the quintessential Lawrence lies in his shorter fiction. Focusing on five stories that span Lawrence's career, Mark and Seamus discuss the strange mix of uninhibitedness and meticulous detail that make Lawrence's work essential reading.This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts here: https://apple.co/3pJoFPqIn other podcast apps here: lrb.me/closereadingsSeamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London. Hosted on Acast. See acast.com/privacy for more information.

"Why do we write?" Sally asks herself this week, as she reads a novella by the 20th century writer DH Lawrence, a story of longing, dreams, desire and self-liberation. Sally is interrupted by the arrival of a gang of noisy pheasants, who annoy the local cat, the aloof and enigmatic Plucky. Sally reflects on the unknowable interiority of everyone - not just cats; and while spring cleaning, she finds a talismanic object - a faded cover of a much-loved, much-read book. Returning to Lawrence, she discusses how the bright shining physically grounded objects of the story generate a fairytale world, a place of enchantment and spells. DH  Lawrence was born in 1885; the initials stand for David Herbert. He achieved as much infamy as fame in his lifetime for writings which promoted sexuality, vitality and the power of instinct; they were seen as scandalous and shocking to the sensibilities of the time. It wasn't until after his death in 1930 that Lawrence gained a favourable critical reputation; Philip Larkin said Lawrence “had more genius .. than any man could be expected to handle", while EM Forster called him "the greatest imaginative novelist of our generation". Lawrence's critical reputation dipped again in the 1970s and he remains controversial today; in this episode, Sally highlights his desire to restore to literature an apprehension of the intimacy of the body and the physical presence of things. The producer of the podcast is Andrew Smith: https://www.fleetingyearfilms.com The extra voice in this episode is Emma Fielding. Thanks to everyone who has supported us so far. Special thanks go to Violet Henderson, Kris Dyer, and Maeve Magnus.  

Five writers go on five reflective, restorative and often playful journeys in search of the final resting places of their literary heroes. In this final essay of the series, Geoff Dyer retraces a pilgrimage to New Mexico, where DH Lawrence's ashes were supposedly built into a concrete shrine near Taos at the request of his estranged wife Frieda. But were they actually his ashes? Dyer is a multi-award winning novelist and non-fiction writer. His many books include Out of Sheer Rage: In the Shadow of D.H. Lawrence, and his latest The Last Days of Roger Federer: And Other Endings, which was published in 2022. Producer: Ciaran Bermingham

About Mark Cousins Mark is a Northern Irish-Scottish filmmaker and writer. His themes are the inspiring power of cinema, cities, walking, childhood, archives and recovery. At the start of his career he made TV documentaries on childhood, neo-Nazism and Mikhael Gorbachev. In the mid 90s he and the Edinburgh International Film Festival showed films in Sarajevo to support its besieged citizens. His first book was Imagining Reality: The Faber Book of Documentary (“Indispensible” - Times Literary Supplement). His 2004 book The Story of Film was published around the world. The Times called it “by some distance the best book we have read on cinema.” Its latest edition was published in October 2020. His 930 minute film, The Story of Film: An Odyssey (“The place from which all future film revisionism should begin” - New York Times), played in the major film festivals and cinemas, and has had an influence on film education. Michael Moore gave it the Stanley Kubrick Award, it won the Peabody Award, was BAFTA Scotland nominated, and received other prizes. In 2021 he added a sequel film, The Story of Film: A New Generation. It premiered as the launch film of Cannes, was called “poetry in motion” by the Hollywood Reporter, and “the soul of the festival” by Cannes director Thierry Frémaux. Empire magazine called it “a poetic opus” and it was nominated for Grierson award. Cousins' first feature documentary, The First Movie, about kids in Kurdish Iraq, won the Prix Italia. It was inspired by growing up in the Troubles in Northern Ireland and his passionate interest in the role cinema can play in kids' lives. In 2012 he was nominated for the London Awards for Art and Performance and the Screen International award. He was guest curator at the Eye Cinematheque in Amsterdam. His next feature film, What is this Film called Love?, played in 20 countries, at the ICA in London, and was nominated for Best Director by BAFTA Scotland. PJ Harvey called it “revelatory and inspiring”. The rock band Maximo Park wrote a song inspired by it. In 2013 he completed Here be Dragons, a film about the vital role of film archives, especially one in Albania. It won the main prize in the Romania Film Festival. In the same year he made A Story of Children and Film, which was in the official selection in Cannes. He curated Cinema of Childhood, a series of 17 films which toured the UK and Ireland for a year and was supported by the BFI. He received the Visionary Award in Traverse City and the Saltzgeber Prize at the Berlin Film Festival. Then he made Life May Be, co-directed with Iranian filmmaker Mania Akbari, and 6 Desires, an adaptation of DH Lawrence's book Sea and Sardinia. Life May Be was noted for its feminism and innovation and was called “transcendent and extraordinarily delicate”. It won the Don Quixote prize. 6 Desires: DH Lawrence and Sardinia, in which Jarvis Cocker plays the voice of DH Lawrence, had its world premiere at the London Film Festival and its international premiere at Sundance. Cousins had his first retrospective at the Wroclaw film festival. Others have followed in London, Thessaloniki, Finland and Geneva. Cousins' The Oar and the Winnowing Fan was a takeover of the DazedDigital website. His I am Belfast was his first full feature about Northern Ireland. It was released by the BFI. Variety compared it to the great director Dziga Vertov. His BBC/BFI film Atomic, a collaboration with the band Mogwai, played in Hiroshima, near Chernobyl and Coventry Cathedral and at the Edinburgh International Festival. He curated a season of films for the Romanian Cultural Institute and made a fiction film, Stockholm My Love, (starring Neneh Cherry, released by BFI). He completed Bigger than The Shining, a secret project, showable only in underground circumstances, and wrote The Story of Looking (“Like a wise man looking at the stars”, the Guardian; “Brilliant” the New York Times). It was nominated for the Saltire Award for best non-fiction book. Cousins' The Eyes of Orson Welles world premiered in Cannes and received rave reviews. His 2 hour, four-screen Storm in My Heart is about Hollywood sexism and racism. His 14 hour film Women Make Film premiered at the Venice, Toronto and Telluride film festivals, is narrated by Jane Fonda, Sharmila Tagore, Debra Winger, Adjoa Andoh, Kerry Fox and Tilda Swinton, and is showing in many countries. The Times called it “Exquisite, emotionally resonant and intellectually unassailable. Pure poetry.” It won the European Film Academy's inaugural Innovative Storytelling award, and has led to the restoration of a series of films directed by women. Two more recent films are The Storms of Jeremy Thomas, about the legendary film producer – which premiered in Cannes 2021 and won the best documentary in Spain's Dias De Cine - and The Story of Looking, in which he filters the history of looking through his own eye operation. Time Out called it “A rich cinematic journey into the art of seeing and how it connects us with culture, ourselves and each other.”  It won the Best Non-Fiction Film award at the Seville Film Festival. Cousins recently completed My Name is Alfred Hitchcock and The March on Rome, an Italian Palomar production about Mussolini and Fascism, part-shot in Cinecitta in Rome and starring Alba Rohrwacher. The latter premiered at the Venice film festival, was called “entirely arresting” by the Guardian, won the audience award for Best International Documentary in Brazil, and was nominated for a European Film Academy Award. The former premiered at the Telluride film festival. In 2022, his films were the subject of a multi screen film installation, Passé Présent Futur, at the huge Plaza cinema in Geneva, and had a retrospective at the Biograf film festival in Bologna. He premiered his first art installation, Like a Huge Scotland, at teh Fruitmarket gallery, Edinburgh, and – along with Cate Blanchette and Sarah Polley - was given the Outstanding Contribution to Cinema medal at the Telluride Film Festival. Cousins has honorary doctorates from the Universities of Edinburgh and Stirling, is Honorary Professor of film at Queen's University, was co-artistic director of Cinema China and did The Ballerina Ballroom Cinema of Dreams and A Pilgrimage, with Tilda Swinton. He and Swinton also ran The 8 ½ Foundation, a two year event which created a movie birthday for children. It was nominated for the Human Rights Award. He was chair of the Belfast Film Festival and Docs Ireland. He was recently given Portugal's Aurelio de Paz dos Reis international award for Outstanding Contribution to Cinema (2019), and the British Association of Film, Television and Screen Studies Outstanding Achievement Award for his work in screen education (2020). Mark's roles in filmmaking, education and advocacy have widened and deepened with the years. He was an early adopter of small cameras and new technology to evolve a business model for filmmaking which was sustainable, international and creatively free. He has walked across Los Angeles, Belfast, Moscow, Beijing, London, Paris, Berlin, Dakar and Mexico City. He drove from Edinburgh to Mumbai, and loves night swimming.     Mark's Info https://twitter.com/markcousinsfilm https://www.womenmakefilm.net/  

Producer Andrew Smith wonders why the banned erotic novelist Henry Miller hated Hamlet's speech so much that he wrote an entire book about it - one of the oddest books ever written about Shakespeare. This is a strange and murky tale, involving TS Eliot, James Joyce, DH Lawrence, George Orwell, a confused pub crawl, and a constipated drinking partner called Bill Dyker. The readings of Hamlet's speech are by Emma Fielding If you like the podcast, please leave a review on Apple Podcasts or spread the word on social media. Thank you!!l

Louise and Virginia do a deep dive into the very contentious topic of Cancel Culture and the trend of cancelling books and authors. They also touch on the subject of banning books (and indeed burning books), which always have the opposite effect of that sought. Virginia and Lou both have very strong opinions on the subject and it's such an interesting conversation. They also discuss a few great non-bookish things they've been diving into of late.BooksThe Boy in the Striped Pyjamas by John Boyne, 2006, DoubledayAll the Bright Places by John Boyne, 2022, DoubledaySlaughterhouse Five by Kurt Vonnegut, 1969Lady Chatterley's Lover by D H Lawrence, 1928.The Trial of Lady Chatterley's Lover, Edited by CH RolpheTV ShowsVardy v Rooney-BingeMurder on the Homefront – NetflixSignificant Others – ABC iViewNolly – FoxtelPodcastThe Banned Books Podcast

Insecurity, sexuality and bliss are amongst the topics explored in the short stories of Katherine Mansfield (14 October 1888 – 9 January 1923). Having left a New Zealand suburb she came to England aged 19 and made friends with the Bloomsbury set, meeting writers like Virginia Woolf and DH Lawrence. A new biography by Claire Harman uses ten stories to tell the story of Mansfield's life and writing. One of her admirers was the Canadian author Mavis Gallant (11 August 1922 – 18 February 2014) who spent much of her writing life in France. Laurence Scott and Kirsty Gunn join Claire Harman and Shahidha Bari to explore what these authors have to tell us about the art of short story writing. Claire Harman's biography is called All Sorts of Lives: Katherine Mansfield and the art of risking everything Kirsty Gunn is the author of My Katherine Mansfield project a long essay. Her own writing includes a collection of stories Infidelities and her latest novel Caroline's Bikini Laurence Scott is the author of Picnic, Comma, Lightning. Producer: Ruth Watts On the Free Thinking programme website you can find a collection of discussions about Prose, Poetry and Drama https://www.bbc.co.uk/programmes/p047v6vh and a collection exploring Modernism around the World https://www.bbc.co.uk/programmes/p07p3nxh

Santa Fe has consistently lured free thinkers and intellectuals of different stripes. People like Georgia O'Keefe. DH Lawrence. And Robert Henri who in 1917 said, “Here painters are treated with that welcome and appreciation that is supposed to exist only in certain places in Europe.” It was around then, on a hill about a mile past the main plaza, a colony of artists began to spring up on Canyon Road. Their imprint remains in the fact that six of its blocks today house over 100 galleries. These spaces are supported by visitors from Aspen and Scottsdale who gladly drop thousands on landscapes before sampling the tasting menus at Geronimo. But on the district's eastern fringe sits a low slung building of stucco and cedar beams whose walls house an establishment that bridges this district's well heeled present to its Bohemian past. Its name, as announced by its wooden sign is El Farol. Officially recognized as New Mexico's oldest continuously operating restaurant, we'll learn of its history, but most crucially, through stories, music and an evening of flamenco, get a taste of the place's bewitching atmosphere, or as singer Vicente Griego calls it, "embrujo." El Farol Primo Cigar Shop Subtitle --- Send in a voice message: https://anchor.fm/evan-stern1/message

On today's episode, I whisper some classic poems by some of poetry's greatest writers. Enjoy! --- SHOW PARTNERS: Jupiter Organic CBD Get 10% off your order of Jupiter CBD by visiting GetJupiter.com and using code ASMR at checkout https://www.getjupiter.com/share/asmr BetterHelp https://TryBetterHelp.com/Relax 10% off exclusive offer to Sleep and Relax ASMR listeners. BetterHelp is the largest online counseling platform worldwide. They offer convenient, discreet and affordable access to a licensed therapist. Available worldwide. Magic Mind Get 20% off your first Magic Mind order at www.MagicMind.co/ASMR --- Buy us a coffee! buymeacoff.ee/sI5ZB4N --- DOWNLOAD: Apple Podcasts: https://podcasts.apple.com/us/podcast/sleep-and-relax-asmr/id1133320064 Anchor: https://anchor.fm/sleepandrelaxasmr Radio Public: https://radiopublic.com/sleep-and-relax-asmr-6pAPm8 Spotify: https://open.spotify.com/show/4VvI482AIUgKZGfOWqjuyw Stitcher: http://www.stitcher.com/podcast/sleep-and-relax-asmr Castbox: https://castbox.fm/channel/id356618 TuneIn Radio: http://tunein.com/radio/Sleep-and-Relax-ASMR-p899136/ Pobean: https://www.podbean.com/podcast-detail/tvjti-4fcb7/Sleep-and-Relax-ASMR-Podcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sleepandrelaxasmr/message Support this podcast: https://anchor.fm/sleepandrelaxasmr/support