Podcasts about dolittle

Met elf bewerkingen van klassieke boeken voor kinderen op haar naam, kun je Tiny Fisscher gerust de koningin van de hertalingen noemen. Ze maakte wereldberoemde verhalen als 'Alleen op de wereld', 'De avonturen van dokter Dolittle' en 'Oliver Twist' toegankelijk voor moderne kinderen. Naar aanleiding van haar nieuwste uitgave, 'Alice tuimelt in Wonderland' (Volt 8+, tekeningen: Jeska Verstegen) praten we met Tiny over haar aanpak bij het bewerken van de klassieker van Lewis Carroll. Waar neem je als bewerker volledige vrijheid, waar moet je dicht bij het oorspronkelijke boek blijven? Hoe ga je om met woordgrappen en ander taalspel? Kun je zomaar een versje van Annie M.G. Schmidt verwerken in een Britse klassieker? En wat te doen met die waterpijp rokende rups? Is dat nog van deze tijd? De keuzes van Tiny Fisscher leverden haar lovende recensies op in onder meer Trouw en NRC Handelsblad. Een overzicht van alle persreacties vind je op Tiny's website. Verwijzingen in deze aflevering Oorspronkelijke tekst Bij Project Gutenberg is de volledige Engelse tekst van 'Alice in Wonderland' te lezen. Jeska Verstegen Met de illustrator van 'Alice tuimelt in Wonderland' spraken we uitgebreid in aflevering 25, over haar schrijfdebuut 'Ik zal je bewaren'. 

Life as a single parent can feel like you're Eddie Murphyin the Dr. Dolittle movie franchise — playing every part.And when you're raising neurodivergent children, the roles only multiply. One moment brings pure joy — watching your child's unique strengths shine. The next brings exhaustion — juggling work, school, therapies, and wondering if you're doing enough.The challenges are real: navigating IEP meetings solo,managing meltdowns without backup, and carving out time to care for your own mental health.But here's the truth: single parents can and do raise thriving neurodivergent kids — with the right strategies, support, and mindset.On this episode, we meet a Maryland mom who's crafted her own winning playbook for parenting solo — turning obstacles into opportunities for her kids who learn and thinkdifferently. Then, our panel of national experts shares practical advice for single parents — from building a support network to balancing self-care with caregiving. And later, we introduce our newest Difference Maker: a young golfer, entrepreneur and autism advocate who's crushing drives on the links — but isn't old enough to drive.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

This week on NAFC, the crew checks in on Izzy's Mewgenics saga—did he finally beat it, or is this just another false ending? Either way, he's already moving on to Slay the Spire 2 early access like nothing happened.They get into some gaming tech talk with DLSS5 and what it could mean for the future of the industry, while Izzy also shares his thoughts on Mercy (2026). Mox breaks down the oddly intriguing setting of Pokopia, and the crew circles back to A Talking Cat!?! after Izzy fumbled the last episode recording (classic).Gibbs brings more bizarre gym encounters to the table, which somehow transitions into a discussion on March Madness and its… unexpected correlation with vasectomies. Science? Maybe.Finally, they dive into Dolittle (2020)—a chaotic, expensive mess where Robert Downey Jr. talks to animals and somehow makes it everyone's problem.Support us on Patreon!

Richard Fleischer ist ein Regisseur, der nie wirklich berühmt wurde – im Gegensatz zu einigen seiner Filme wie zum Beispiel 20.000 MEILEN UNTER DEM MEER oder SOYLENT GREEN. Thomas und Gast Patrick Torma von journalistenfilme.de haben sich THE BOSTON STRANGLER ausgesucht. Die Verfilmung einer wahren Kriminalgeschichte. 13 Frauen wurden im Raum Boston in den 1960er Jahren vom „Boston Strangler“ ermordet. Bereits 1966 erschien ein Buch von Gerold Frank und schon 1968 der darauf basierende Film von Fleischer. Ein kurzer zeitlicher Abstand – mit Folgen. Der Mörder schien gefunden, aber vieles war noch nicht geklärt.Und so ist THE BOSTON STRANGLER mehr eine Interpretation als eine möglichst akkurate Wiedergabe eines echten Falls (wie zum Beispiel Finchers ZODIAC). Albert DeSalvo (Tony Curtis) wird gezeigt als ein Mörder mit Persönlichkeitsstörung, der erst in den Vernehmungen der Polizei ahnt, dass in ihm der Mörder steckt.Erst einmal nimmt sich der Film die Zeit, die mühsame und wenig erfolgreiche Ermittlungsarbeit zu zeigen – gerade hier wird sichtbar, dass der Film aus einer Zwischenzeit stammt: Die 1950er mit ihrem klaren Weltbild sind vorbei, es ist zu spüren, dass die Welt sich ändern wird, aber die „Revolutionen“ kommen erst noch. Die Polizisten (stark: Henry Fonda und George Kennedy) sind die Soldatengeneration des Zweiten Weltkriegs. Jetzt ist der Feind viel schwerer zu erkennen und zu finden.Im Podcast diskutieren wir die Stärken und Schwächen des Films, besprechen die Aufteilung des Films in zwei doch sehr unterschiedliche Hälften und Patrick erklärt en detail die beeindruckenden Split Screens.Über den Regisseur: Richard Fleischer gehört zu den Regisseuren, deren Filme berühmter sind als sie selbst. Vier Jahrzehnte hat er in Hollywood gearbeitet und dabei sehr verschiedene Genres bedient. Zu seinen Werken gehören unter anderem DIE WIKINGER mit Kirk Douglas, CONAN DER ZERSTÖRER und RED SONJA, der aufwändige Abenteuerfilm 20.000 MEILEN UNTER DEM MEER, DOCTOR DOLITTLE, der Kriegsfilm TORA! TORA! TORA! und der dystopische und erschreckend aktuelle Science-Fiction-Film SOYLENT GREEN. Unter dem Titel „Soylent Screen“ widmen wir uns in unregelmäßigem Abständen diesem SF-Meilenstein. Richard Fleischer starb im Alter von 89 Jahren vor 20 Jahren – am 25. März 2006 – in Los Angeles.

7:05 - Jerks of the Week 9:40 - Ninja II: Shadow of a Tear 11:23 - Ninja 12:24 - Magnolia & There Will Be Blood 25:53 - Dr. Dolittle 2 27:48 - The Adventures of Pluto Nash 32:34 - Norbit 40:05 - xXx 42:34 - The Transporter 44:16 - Crank 46:43 - Seabiscuit 49:05 - Honey 53:07 - Love Don't Cost a Thing 53:15 - The Notebook 53:48 - The Chronicles of Riddick 54:56 - Garfield 56:34 - Hustle & Flow 57:59 - Hitch 1:00:32 - Good Luck, Have Fun, Don't Die 1:09:13 - Herbie: Fully Loaded 1:09:24 - Fun with Dick and Jane 1:10:21 - The Shaggy Dog 1:10:30 - Failure Launch 1:14:19 - The Da Vinci Code 1:17:55 - The Last King of Scotland 1:19:41 - Paprika 1:19:47 - The Prestige 1:19:55 - 300 1:29:11 - Stomp the Yard 1:34:50 - Hot Fuzz 1:38:00 - Sunshine 1:44:50 - Surf's Up 1:48:34 - Planet Terror 1:56:28 - Fred Claus 1:58:18 - Sweeney Todd: The Demon Barber of Fleet Street 2:01:22 - Man on Wire 2:02:57 - Rambo 2:05:04 - Let the Right One In

DOES THE SEQUEL DELIVER?! Next Friday Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order FRIDAY (1995) Movie Reaction:    • FRIDAY (1995) MOVIE REACTION - NO WONDER T...   Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 The Jo(h)n Squad RETURNS to the Friday universe for the chaotic 2000 sequel, giving their Next Friday reaction, recap, commentary, analysis, breakdown, & full movie spoiler review!! John Humphrey and Jon Maturan react to Next Friday (2000), the cult-favorite comedy sequel to Friday that takes the chaos out of South Central and drops Craig into the suburbs. Written and produced by Ice Cube (Boyz n the Hood, Barbershop) and directed by Steve Carr (Dr. Dolittle 2, Ride Along), the film expands the Friday universe with bigger set pieces, wilder characters, and even more over-the-top neighborhood drama. Follow Jon Maturan: https://www.instagram.com/jonmaturan/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Impact-driven leaders know how to maximize what they have in service of others and for the glory of God. In this episode, Alex and Ben open up a new conversation about resourcefulness: what it means, why it matters, and how it might look in our rapidly changing world. They explain why it's so important to broaden your perspective and see new possibilities inside the constraints you're operating within. They also discuss the role of resourcefulness in a world that gets more reliant on AI every day and talk about the importance of setting boundaries and thinking critically about these tools.  Information isn't the gap between failure and success—action is. Path for Growth's 1-on-1 coaching helps you create a plan and execute on what matters most for your business. Apply today at pathforgrowth.com/coaching.Episode Recap:What can we learn from the failures of the movie “Dolittle?” Great leaders do what they can with what they have Resourcefulness has more to do with perspective than skill  Common blockers to resourcefulness How do you help lead others into greater resourcefulness?  Resourcefulness in the age of AI Seeing possibility and establishing constraints will make you more resourceful If you're ready to move beyond just gathering information and start executing on what truly matters, Path for Growth's 1-on-1 coaching can help. Apply now at pathforgrowth.com/coaching.Resources:Follow the podcast on Apple or SpotifySchedule a call to learn more about Path for Growth Coaching and CommunityDownload the Free Reading GuideMIT study on AI and cognitive engagementConnect with our Founder Alex Judd on LinkedIn and Instagram

Episode Description: What would you do if a hundred raccoons surrounded you—just for a handful of marshmallows?

Comedy and radio legend Phil Proctor talks about the origin of the Firesign Theater, his love of radio, his many careers as an actor, reporter, writer, comedian, author, and how he made the New York, San Francisco, and LA scenes when there were scenes to make!  He also talks about his biography “Where's My Fortune Cookie” and how he almost died three times.  Let's see if he survives our podcast. Bio: Proctor is a founding member of the thrice-Grammy-nominated Firesign Theatre, one of Rolling Stone's “Thirty Greatest Acts of All Time” and whose archives were purchased by the Library of Congress. He's appeared on-and-off Broadway, toured the USSR with the Yale Russian Chorus and the US and Canada with Proctor & Bergman and the L.A. Guitar Quartet in Don Quixote. He has appeared in scores of commercials, audiobooks, video games, films and TV shows, receiving Theatre World, LA Weekly, LA Free Press and Drama Critics' awards, and the Norman Corwin Excellence in Audio trophy as well as a recent Emmy for the PBS-aired documentary Feast Your Ears: The Story of WHFS Radio. His voice credits include memorable characters in Academy Award-winning films for Pixar and Disney from A Bug's Life to Inside Out, the Drunken French Monkey in Dr. Dolittle, Dr. Vidic in Assassin's Creed, Simon Stagg in Batman: Arkham Knight, and Howard in the multi-Emmy-winning Rugrats, including a star on the Hollywood Walk of Fame. He has also added scores of voices to the Golden Age of Pulp Fiction series and appeared on Irish radio and live on stage with his late wife, Melinda Peterson, at the 77th Science Fiction Convention in Dublin. He was the announcer for 3 seasons of Big Brother and has a recurring role as Detective Polehaus on the long-running Adventures in Odyssey and can be seen in many old--time radio recreations at the Online Radio Theatre on YouTube. He is a 15-year member of the Antaeus Theater and to accompany his autobiography and audiobook, Where's My Fortune Cookie? co-authored by Brad Schreiber, he co-wrote What to Say to Your Crazy Right-Wing Uncle, with Samuel Joseph and God Help Us! a political comedy which toured the U.S. and Canada starring the late Ed Asner. He currently co-hosts Phil & Ted's Sexy Boomer Show, every Tuesday afternoon on KPFK with Ted Bonnitt, featuring conversations with friends like John Goodman, Penn Jillette, Weird Al,  Laraine Newman and Harry Shearer among others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seventh time's the charm right? We discuss the commercial hit, but critical punching bag Jurassic World: Rebirth, the movie that presents a society that's bored of dinosaurs, and then makes a pretty good argument in favor of that boredom.We're coming back to San Francisco Sketchfest on January 25! Get tickets now! We'll be discussing THE MASTER OF DISGUISE!OR, if you prefer to watch us from the comfort of your own home! TONIGHT on the day of release, 1/3, we'll be doing a new episode of Flop TV (tix here)! Tonight episode is on the 1967 mega-bomb DOCTOR DOLITTLE!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Paste https://feeds.simplecast.com/EOAFriME into iTunes (or your favorite podcatching software) to have new episodes of The Flop House delivered to you directly, as they're released.Wikipedia page for Jurassic World: RebirthRecommended in this episode:Dan: Wake Up Dead Man (2025)Stu: Now You See Me: Now You Don't (2025)Elliott: Being There (1979)

Episode Title: "Santa's 3D Printer & The Killer Snowman" - Fantasy Takes Over & The Mechanoids Attack! - Patreon Exclusive Sample CHRISTMAS EVE GIFT TO OUR LISTENERS: The Doctor's Beard Podcast delivers a festive Patreon Exclusive perfect for the holiday! Join John (as Santa Claus) and Jim (as the Evil/Demon Magician) as they unwrap a mixed Santa's bag - three Doctor Who strips from the 12-week Dalek Master Plan era, plus an emotionally satisfying Dalek comic featuring the Mechanoids' first appearance! THE SEA CHANGE: Jim identifies a major shift in the Doctor Who strip: "The stories have really become little fantasies than science fiction." What began as simplistic but genuine sci-fi has transformed into Oz-esque fantasy adventures with frog people, ancient mariners, and yes - Santa Claus himself. DOCTOR WHO STRIPS: "SHARK BAIT" (November 22 - December 13, 1965) Writer/Artist: Bill Mevin The Doctor helps frog people with their shark problem before the story pivots to an ancient mariner trying to claim the TARDIS as his home. Meandering plot reminiscent of Dalek Master Plan's mid-story shifts. "A CHRISTMAS STORY" (December 20, 1965 - January 10, 1966) Writer/Artist: Bill Mevin John's bold claim: "Actually better than the TV episode [Feast of Steven]!" Santa Claus appears as a character (Jim loves this trope from comics), falling behind on toy TARDIS production due to overwhelming demand. The Doctor saves Christmas by providing Santa with... a 3D printer! "Maybe the Doctor gave us 3D printing. Whoever thinks they invented it needs to read this story." The B-Plot: A creepy demon magician hampers Santa's efforts. But the REAL terror? The Killer Snowman who literally tries to choke John to death!  John recognizes similarities to Matt Smith's "The Snowman" Christmas special, theorizing Russell T. Davies and Steven Moffat were subconsciously influenced by childhood comic memories. "Bill Mevin's family needs a few ducats... or grubsits." "THE DYTUS EXPEDITION" (January 22 - February 12, 1966) Writer/Artist: Bill Mevin The long-extinct Dytus bird escapes a space zoo. The Doctor offers to recapture it, leading to jungle adventures with unfortunate native stereotypes (echoing the recent Monstrons issue). Jim gets "a real Doctor Dolittle vibe" from the giant creature quest on an island. Both hosts confess: "I like stories about space zoos" (with John teasing an upcoming episode will satisfy this). THE DALEKS: "EVE OF WAR" (December 11, 1965 - January 8, 1966) Writer: David Whitaker (from Terry Nation's concepts) Artists: Richard Jennings (Parts 1-5), Ron Turner (Parts 6-7) Artist Change Alert: Ron Turner takes over for the final two installments, redesigning Daleks to resemble the movie versions. He continues as the strip's artist going forward. The Story: After rebuilding Skaro in "just a few months" (!) with intricate surveillance to prevent future invasions, the Daleks plan to mine nearby planet Auric. That's when the Mechanoids attack. This is the "first meeting" between Daleks and Mechanoids in strip continuity - different from TV universe. The Mechanoids are presented as equally conquering, totally machine entities (unlike the Daleks with organic components inside). Key moment: The strip explicitly clarifies Mechanoids are "totally machine" while Daleks are not - important distinction! True Cliffhanger: The story literally ends mid-narrative with "TO BE CONTINUED" - not just teasing the next adventure but stopping in the middle of this one! THE BIG QUESTION: John asks Jim: "Do you find yourself enjoying reading these more than watching some of the Dalek stories on TV?" Only one Dalek strip disappointed them across the entire run - and the end approaches! Time to buy the collection. MERRY CHRISTMAS FROM THE DOCTOR'S BEARD PODCAST! Support year-round comic discussions, novel reviews, live watch parties and more for just $3/month at patreon.com/thedoctorsbeardpodcast Subscribe to The Doctor's Beard Podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, and all major platforms. Email thedoctorsbeardpodcast@gmail.com or join our Facebook community. Hashtags: #DoctorWho #DoctorWhoComics #PatreonSample #ChristmasEve #HolidayEpisode #TVComic #TVCentury21 #FirstDoctor #BillMevin #SharkBait #AChristmasStory #DytusExpedition #SantaClaus #3DPrinter #KillerSnowman #FantasyWho #SpaceZoo #Daleks #DalekChronicles #EveOfWar #Mechanoids #DavidWhitaker #RichardJennings #RonTurner #ArtistChange #FirstMeeting #Skaro #ToBeContinued #VillainProtagonists #RootingForDaleks #DalekMasterPlan #1965Comics #1966Comics #VintageComics #RetroComics #BritishComics #ComicReview #ChristmasComics #DoctorWhoPodcast #TheDoctorsBeardPodcast #PatreonExclusive #FreeEpisode #ChristmasGift #MerryChristmas #Whovian #SupportThePodcast #CollectorsEdition

We're taking a short holiday break, but that doesn't mean YOU have to survive without a new episode! It means that we're giving you this live show, recorded at the lovely Sleeping Village in Chicago, IL, where we discuss the Jim Belushi-and-a-dog cop comedy(?) K-9! Everyone wins!We're coming back to San Francisco Sketchfest on January 25! Get tickets now! We'll be discussing THE MASTER OF DISGUISE! Or if you prefer to watch us from the comfort of your own home: Flop TV Season 3 tix are ON SALE! The next episode is on DOCTOR DOLITTLE!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for K-9

INTRODUCING THE CHIPETTES!! Alvin and the Chipmunks 2: The Squeakquel Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Save & Invest In Your Future Today, visit: ⁠https://www.acorns.com/rejects⁠ Alvin and the Chipmunks (2007) Movie REACTION: ⁠   • ALVIN AND THE CHIPMUNKS (2007) IS PURE INS...  ⁠ Gift Someone (Or Yourself) A Stranger Things RR Tee! ⁠https://shorturl.at/hekk2⁠ Vecna: The Mind Slayer tee by @G9DESIGN & Dr. Stranger Things tee by @SASAMIIKU — perfect for hardcore fans & collectors alike! Andrew & Johnald RETURN to the Chip-a-Verse to give their Alvin and the Chipmunks 2: The Squeakquel Reaction, Recap, Analysis, Breakdown, & Spoiler Review!! Andrew Gordon (cinepals & John Humphrey (owning a used copy of the Chipmunks Christmas Album) dive into the musical mayhem, sibling chaos, and high-energy antics of the hit sequel that introduced an all-new trio of furry superstars. They give their first time watch of Betty Thomas's (Dr. Dolittle, Private Parts) fun-filled family comedy, starring Justin Long (Accepted, Dodgeball) as Alvin, Matthew Gray Gubler (Criminal Minds) as Simon, and Jesse McCartney (Fear the Walking Dead) as Theodore — returning as the world's most famous chipmunk boy band. After a chaotic stage accident benches Dave Seville (Jason Lee — My Name Is Earl, Almost Famous), the boys are shipped off to high school, where they must navigate bullies, homework, responsibility… and the pressures of fame. But everything changes when they meet The Chipettes: Brittany (Christina Applegate — Anchorman, Dead to Me), Jeanette (Anna Faris — Scary Movie, The House Bunny), and Eleanor (Amy Poehler — Parks and Recreation, Inside Out) — three fierce, talented, and hilarious newcomers manipulated by the slimy music exec Ian Hawke (David Cross — Arrested Development), who's desperate to regain control of the industry's cutest stars. Follow Andrew Gordon on Socials:  YouTube: ⁠https://www.youtube.com/@MovieSource⁠ Instagram:⁠ ⁠ ⁠https://www.instagram.com/agor711/?hl=en⁠ Twitter:  ⁠https://twitter.com/Agor711⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

INTRODUCING THE CHIPETTES!! Alvin and the Chipmunks 2: The Squeakquel Full Movie Reaction Watch Along:   / thereelrejects   Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Alvin and the Chipmunks (2007) Movie REACTION:    • ALVIN AND THE CHIPMUNKS (2007) IS PURE INS...   Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 Vecna: The Mind Slayer tee by @G9DESIGN & Dr. Stranger Things tee by @SASAMIIKU — perfect for hardcore fans & collectors alike! Andrew & Johnald RETURN to the Chip-a-Verse to give their Alvin and the Chipmunks 2: The Squeakquel Reaction, Recap, Analysis, Breakdown, & Spoiler Review!! Andrew Gordon (cinepals & John Humphrey (owning a used copy of the Chipmunks Christmas Album) dive into the musical mayhem, sibling chaos, and high-energy antics of the hit sequel that introduced an all-new trio of furry superstars. They give their first time watch of Betty Thomas's (Dr. Dolittle, Private Parts) fun-filled family comedy, starring Justin Long (Accepted, Dodgeball) as Alvin, Matthew Gray Gubler (Criminal Minds) as Simon, and Jesse McCartney (Fear the Walking Dead) as Theodore — returning as the world's most famous chipmunk boy band. After a chaotic stage accident benches Dave Seville (Jason Lee — My Name Is Earl, Almost Famous), the boys are shipped off to high school, where they must navigate bullies, homework, responsibility… and the pressures of fame. But everything changes when they meet The Chipettes: Brittany (Christina Applegate — Anchorman, Dead to Me), Jeanette (Anna Faris — Scary Movie, The House Bunny), and Eleanor (Amy Poehler — Parks and Recreation, Inside Out) — three fierce, talented, and hilarious newcomers manipulated by the slimy music exec Ian Hawke (David Cross — Arrested Development), who's desperate to regain control of the industry's cutest stars. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

“What's the first thing you think of when you hear the name Eddie Murphy?” For Krystina Ray, it's Donkey from Shrek. For Kevin “KT” Turner, it's Nutty Professor and Dr. Dolittle. But for Jeff “Skin” Wade, Eddie Murphy was nothing short of a cultural revolution—a rock star who changed comedy, movies, and pop culture forever.In this episode of The Ben and Skin Show, the crew explores Eddie Murphy's meteoric rise, from saving Saturday Night Live at just 18 years old to becoming the biggest movie star of the early '80s. Skin shares vivid memories of seeing 48 Hours in theaters and why the iconic redneck bar scene remains one of the greatest moments in film history. The conversation dives into Eddie's genius, his clean lifestyle in an era of excess, and why legends like Dave Chappelle and Jerry Seinfeld still hail him as one of the greatest of all time.

Have you ever wondered why your dog takes such a long time to sniff a patch of grass? Or why flies buzz around so sporadically? It’s because most of what a creature actually senses is invisible to us. They perceive their world as differently as we perceive our own. Pulitzer Prize winning science writer Ed Yong wrote a book about this called An Immense World: How Animal Senses Reveal the Hidden Realms Around Us. Join me for a fun conversation with Ed about the astonishing ways animals sense the world around us. From birds that navigate the open ocean by smell, to penguins that sense vibrations underground. By learning how animals perceive their world, it just might change the way we perceive them, and make us look at our own world a little differently. Check out our episode about AI and Animal Communication: Digital Dr. Dolittle: decoding animal conversations with artificial intelligence. Enjoy BONUS CONTENT and help us continue to create this special immersive storytelling by joining THE WILD Patreon community at www.patreon.com/chrismorganwildlife and you can donate to KUOW at kuow.org/donate/thewild. Thank you. Follow us on Instagram @chrismorganwildlife and @thewildpod for more adventures and behind the scenes action! THE WILD is a production of KUOW in Seattle in partnership with Chris Morgan Wildlife and Wildlife Media. It is produced by Matt Martin and Lucy Soucek, and edited by Jim Gates. It is hosted, produced and written by Chris Morgan. Fact checking by Apryle Craig. Our theme music is by Michael Parker.See omnystudio.com/listener for privacy information.

This episode of In Stride is sponsored by The Equestrian College Advisor. Navigate the college search with confidence and find the right fit for both academics and riding. Visit equestriancollegeadvisor.com to learn more and book a consultation.  In this episode of “In Stride,” Sinead is joined by Olympic event rider Stephen Bradley.  Stephen Bradley is a highly respected American eventer who, in 1993, won the Land Rover Burghley Horse Trials, becoming one of only two Americans ever to do so. He also won Canada's Checkmate International CCI3* three years in a row. He is a two-time Pan American Games team gold medalist and in 1993 was named Equestrian Athlete of the Year by the U.S. Olympic Committee. Stephen also won the Rolex Kentucky Three-Day Event in 1996 with Dr. Dolittle. He was named to the 1992 U.S. Olympic team and has been short-listed for four additional Olympic teams as well as three U.S. World Equestrian Games teams, making him a consistent presence at the top level of the sport for more than three decades.Stephen shares his perspective on how eventing has evolved and reflects on the highlights of his successful career, including: • The most significant changes he's witnessed in the sport over the past decade  • The lessons he learned from competing at the highest level and from his various experiences along the way  • How he managed nerves and pressure in high-level competition  • His thoughts on the public perception of eventing today  Join Stephen and Sinead for an engaging conversation about the sport of eventing and the journey of a world-class competitor. 

Don't watch this movie! Don't make this movie! Don't even think about it! But please do listen to this podcast as we discuss the high-budget talking animal film during the dreaded covid-year in Hollywood. What scene caused Brandon to turn the film off then and there and nearly not finish the movie? What are our thoughts on Lil' Wayne's song "How to Love"? And what is a hatchet bidet? Tune in this week to find out all this and more, but only on "The Good, The Bad, & The Movies"!P.S. Check out these links to stay connected with TGTBTMDiscord: https://discord.gg/rKuMYcKvYoutube: https://youtu.be/gH8iCuoU8Hw

Doctor Dolittle, the fictional doctor who converses with animals, has delighted fans through books, movies, and plays. However, few people know that author Hugh Lofting first wrote the Dolittle tales to his children from the ghastly trenches of World War I. He later said that the war was too awful to recount in his letters—so he wrote and illustrated stories instead. These whimsical, joy-filled tales were Lofting’s way of pushing back against the war’s horror. It’s inspiring to see a person moving against the menacing, degrading forces that seem too powerful to thwart. We admire this resilient courage because we fear that injustice, violence, and greed will triumph. Sometimes we fear that the whole world will be “overcome by evil” (Romans 12:21). And these fears are well-founded if we’re left to ourselves. However, God has not left us to ourselves. He fills us with His divine strength, places us in the action, and calls us to “overcome evil with good” (v. 21). We each overcome evil with good in whatever ways God has put into our hearts. Some of us write beautiful stories. Some of us care for the poor. Some of us make our homes places of welcome. Some of us share God’s story through melody, poetry, or conversation. In a myriad of ways, we carry His goodness and peace into the world (v. 18), overcoming evil as we go.

Join host Jason Rugaard for episode 6 in a new podcast series presented by the Movie Mavericks. Each week I will be hosting a retrospective on the films that shaped one of the most influential summers in cinema history. This week's episode looks back at the weekends of June 26th & July 3rd 1998. Topics included: Dr. Dolittle -  Eddie Murphy Out of Sight - George Clooney/Jennifer Lopez Armageddon- DIR. Michael Bay

“The Story of Dr. Dolittle” is a magical adventure about a kind doctor who learns to talk to animals and sails the world to help them.

From dolphin whistles to parrot mimicry, and even AIprojects decoding whale song, science is beginning to explore what once seemed pure fantasy: the ability to truly communicate with animals. In this episode, I delve into the biology of language, the cognitive abilities of non-humanspecies, and the cutting-edge technologies bringing us closer to cross-species conversation. Could Dr. Dolittle's dream really become reality, or are our brains, and theirs, simply too different?

In this episode, host Josephine Green Zhang talks with The Naked Gun screenwriters Dan Gregor & Doug Mand (Chip 'N' Dales: Rescue Rangers, Dolittle, How I Met Your Mother) & co-screenwriter-director Akiva Schaffer( Saturday Night Live, Popstar: Never Stop Never Stopping) about their comic collaboration, the creative challenges of crafting movie reboots, and much more.

Dan and Brian discuss review notorious Best Picture nominee Doctor Dolittle from 1967, one of Brian's nostalgic favorites. And, for good measure, they discuss just about every other Dr. Dolittle adaptation in cinema join. Join as they ponder what makes the Dr. Dolittle story something that Hollywood comes back to over and over, the coverage of the catastrophic 1960s production in the book Pictures at a Revolution, the case for vegetarianism, the endless 2000s Dr. Dolittle sequels, and the much-maligned Robert Downey Jr. post-MCU film. The less you do, the more you do. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/  

On this cold-blooded episode of Earthling Entertainment, Joe & Ryan are covering The Lizard Man of Lee County! Is it some kind of mutation? A prehistoric species? An extraterrestrial? Let the speculation commence! Then, Kentucky's Dr. Dolittle strikes again! This time with a Trash Panda accomplice.What “Ninja Turtle” rip off is about to get a new comic book revival? what can we expect from “Spaceballs 2?” What are Paramount+‘s plans for “Star Trek: Strange New Worlds?” All this and a whole lot more on this week's Earthling Entertainment! 

Charles Pellerin, Doc Denis Boucher et SOS Miss Dolittle avec Jennifer Tremblay | Charles Pellerin nous parle de la qualité des pneus à travers le temps, des modes de consommation, des GPS et des téléphones payants, ainsi que de l'électrification des transports. Devrait-on encourager l'achat local ou acheter en Chine pour payer moins cher? On... The post 5 juin 2025 Charles Pellerin, Doc Denis Boucher et SOS Miss Dolittle avec Jennifer Tremblay appeared first on Truck Stop Québec.

In this Live Ask Andrew Anything episode, Andrew Pudewa and Julie Walker answer questions submitted by listeners. Listen as they discuss how to find the literature suggestions in IEW’s courses, how to decide what courses to use first with younger students, why the levels of some of the theme-based books have changed, what books Andrew is reading now, and more! Referenced Materials Structure and Style® for Students: Year 1 Level C Structure and Style for Students: Year 2 Level B The Story of Doctor Dolittle by Hugh Lofting Investigations in Writing Structure and Style for Students: Year 1 Level A Fix It!® Grammar Wonders of Science Writing Lessons Ancient History-Based Writing Lessons The Betrothed by Alessandro Manzoni The Plague by Albert Camus 1984 by George Orwell Silence by Shūsaku Endō Frankenstein by Mary Wollstonecraft Shelley The End of the World Is Just the Beginning by Peter Zeihan We Who Wrestle with God by Jordan B. Peterson IEW Online Classes Structure and Style for Students: Year 3 Level B Writing Contests Magnum Opus Magazine Structure and Style for Students: Year 2 Level C Paper and Pen – What the Research Says audio talk by Andrew Pudewa Link to Episode 480 video Transcript of Podcast Episode 480 If you have questions for Andrew, send them to podcast@IEW.comPerhaps your question will be answered at the next Ask Andrew Anything (AAA). If you have questions about IEW products or classes, contact customer service at 800.856.5815 or info@IEW.com

HDTGM all-star Jessica St. Clair helps the gang discuss the 2025 Spider-Man adjacent movie Kraven the Hunter starring Aaron Taylor-Johnson, Ariana DeBose, and the king of vague accents himself, Russell Crowe. LIVE from The Moody Theater in Austin, they go off on the Rhino's backpack, how Kraven is basically Dr. Dolittle with abs, Calypso's hot leather outfit, and if Russell Crowe gave off John Goodman vibes. Plus, June expresses her feelings on men in bathrobes and an audience member wonders if Tony Bennett was in this movie. Get tix for our May 9th Toronto show at hdtgm.comHave a correction or omission for Last Looks? Call 619-PAULASK to leave us a voicemail!Buy HDTGM merch at howdidthisgetmade.dashery.com/Order Paul's book about his childhood: Joyful Recollections of TraumaJoin the HDTGM conversation on Discord: discord.gg/hdtgmShop our new hat collection at podswag.comPaul's Discord: discord.gg/paulscheerPaul's YouTube page: youtube.com/paulscheerFollow Paul on Letterboxd: letterboxd.com/paulscheerSubscribe to Enter The Dark Web w/ Paul and Rob Huebel: youtube.com/@enterthedarkwebListen to Unspooled with Paul and Amy Nicholson: unspooledpodcast.comListen to The Deep Dive with Jessica St. Clair and June Diane Raphael: thedeepdiveacademy.com/podcastInstagram: @hdtgm, @paulscheer, & @junedianeTwitter: @hdtgm, @paulscheer, & msjunediane Jason is not on social mediaEpisode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm

Podcast for a deep examination into the career and life choices of Eddie Murphy & Jim Carrey. A battle of Dolittles pits the hosts against each other. Lev becomes a bookie to make a little green off the action. But a newer, WILDer contestant soon throws the battle off its axis. What berry does this third wheel taste like? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in April 2025. References may feel confusing and/or dated unusually quickly. 'Dr. Dolittle 2' is available on DVD & VHS (special edition?!!): https://www.amazon.com/Dr-Dolittle-Widescreen-Eddie-Murphy/dp/B00026ZDYA/ Music from "Too Bad" by Doug and the Slugs Artwork from BJ West   quixotic, united, skeyhill, vekeman, murphy, carrey, versus, vs, doctor, dr, dolittle, macdonald, rappaport, minecraft, carey, animals, symon, pollack, thornberries

Get ready for the wildest movie rankings battle

“When I was a little girl, I used to dream as a man, because I wanted to do things that women didn't do back then such as traveling to Africa, living with wild animals and writing books," said Dr. Jane Goodall. "I didn't have any female explorers or scientists to look up to but I was inspired by Dr. Dolittle, Tarzan and Mowgli in The Jungle Book — all male characters. It was only my mother who supported my dream: 'You'll have to work hard, take advantage of opportunities and never give up,' she'd tell me. I've shared that message with young people around the world, and so many have thanked me, and said, 'You taught me that because you did it, I can do it too.'" (Jane's quote is excerpted from a 2018 op-ed with Time magazine.) March - It's a lot of things really. It's another Mixed Bag, a Mid March Mixed Bag, along with it being a St. Patrick's Day Monday special when we aired live and we on Outlook are also still celebrating Women's History Month. We're looking back and reflecting on what was the five year anniversary of the start of the “stay at home” orders and lockdown and the start of Covid. Speaking of medical things, and spring, sister/co-host Kerry shares facts about the lotus flower and its symbolism of rebirth in nature and science, which leads to celebrating March being Kidney Health Month as she and her dad recall the rebirth and fresh start of the kidney transplant Kerry received from him, a rebirth of sorts. Kerry shares a health update with her kidney and levels being as stable as ever. Kerry in blue and our International Women's Day edition guest Jane Piper in red, like the Radio Western sign in the background, brother/ally/co-host Brian starts the second half of the show reading the Be My AI image of the two ladies posing in the lobby of the studio after, as we like to take photos with our live and in-studio guests when we are lucky enough to get them, as we look back on the previous week's episode and the discussion with restorative justice activist Jane. We've managed to post the actual photos even with the accessibility issues that come along with social media these days. The second half is dedicated to what's going on in politics, both provincially and nationally as we share concerns about our premier receiving a third win last month, even with his silence and lack of action on matters concerning the disability community. Last week's guest Jane spoke a lot about accountability and the lack of it in our society, these actions or lack of that politicians often are modelling and still being voted in by those who don't consider marginalized populations. Also, we finish up talking about the Canadian Disability Benefit set to come into effect this summer and a federal election on the horizon, we share more about the CDB and provinces like Ontario which has not yet promised not to put in clawbacks and Alberta which has put in the barrier of clawbacks to the already set provincial benefits. Organisation Disability Without Poverty is working to pressure politicians to live up to the promises to combat disability plus poverty across the country. “Green alligators, long neck geese, chimpanzees.. We begin the show with a song about these animals, including the ones Jane Goodall worked with, the featured woman in history for the month of March and finish off talking the spring promise of an upcoming baseball season. Today though, we're unfortunately celebrating St. Patrick's Day without our Irish co-host Barry and Oyster the guide dog with us live, but they'll be back, but so we've started off the show with a silly song from our childhood - The Unicorn Song, The Irish Rovers version proving that spring is on it's way to green things up in honour of our Irish connection. We love all things Ireland, but we at Outlook are Canadian and proud to be so. https://www.disabilitywithoutpoverty.ca

Send us a textMost people know me as an SEO guy.I still run a search marketing agency today and my world has changed in ways I never imagined.It started when I ate a psychedelic cactus for the first time in 2017. That experience let the proverbial genie out of the lamp, and it wasn't going back.I started to explore energy and meditation with a personal development and spiritual coach who has become a dear friend and colleague.I learned first-hand the meaning of clairvoyance and clairaudience (psychically seeing and hearing messages, respectively). Things got wonderfully weird. And that was before the animals started talking to me.During a 15-minute reading at a psychic fair in Carlsbad, CA a psychic medium told me, “They're showing me Dr. Dolittle. They're saying you can talk to animals, and it's going to be easy for you.” She was right. After a few false starts, it turned out that communicating with animals was easy for me.I started communicating with my cat, Chucky. Soon enough, I was having conversations with coyotes, dolphins, and horses. Even snakes.I learned that if you can tune into an animal's consciousness you can communicate and learn from them. I'd love to talk to your animal and let you know what they're here to teach you.www.NickMusica.comResources:www.claudiumurgan.comclaudiu@claudiumurgan.comgnostictv.com/programs/claudiu-murganhttps://spirituallyinspired.buzzsprout.comSubscribe for more videos! youtube.com/channel/UC6RlLkzUK_LdyRSV7DE6obQSupport the show

We close off Jon's Picks with a long and weird musical movie starring Rex Harrison, so naturally Jon picked bestie Colden to talk about this movie (which Jon assumed Colden has seen already). The two get into this movie as much as the props designer did with the Great Pink Sea Snail.Thank you to Gary Kochey for suggesting this one.Colden's Social -Instagram: @coldenlambWebsite: www.coldenlamb.comYouTube: https://www.youtube.com/@ColdenLambA Marc Blitzstein Archive YouTube: https://www.youtube.com/@BlitzsteinArchivePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongoidTikTok: @butasongpodTwitter: @butasongpodNext episode: Get the Duchess!

There is one specific reason why Jon picked Sierra to do this one and it's to make up for the last Jon's Picks episode that she was on! But the two also discuss this movie in length, or as much as they can because the film has a fast runtime.Sierra's Instagram: @sierrareinMarquee Five: @marqueefivePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Doctor Dolittle (1967)!

Podcast for a deep examination into the career and life choices of Eddie Murphy & Jim Carrey. The hosts pay tribute to a fallen hero. Plus, ring in the New Year (belatedly) with another round of "Letterboxd Year in Reviews!" Will Jim or Eddie be their most watched actor of the year? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in January 2025. References may feel confusing and/or dated unusually quickly. 'Dr. Dolittle' is available on Blu-ray, DVD, & VHS (for you hipsters out there): https://www.amazon.com/Dr-Dolittle-Blu-ray-Eddie-Murphy/dp/B004K00NIK/ Music from "The Black Dog Runs at Night" and "A Real Indication" by Thought Gang   Artwork from BJ West   quixotic, united, skeyhill, vekeman, murphy, carrey, versus, vs, doctor, dr, dolittle, raven, lynch, harrington, letterboxd, oscars, fennessey, macdonald,

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz interviews David Friendly, whose remarkable career transition from journalism to film production led to an Academy Award nomination for Best Picture with Little Miss Sunshine. David worked with industry giants like Ron Howard and Brian Grazer before establishing himself as a successful producer. His producing credits include Courage Under Fire, Dr. Dolittle, Big Momma's House, Laws of Attraction, and the hit USA Network series Queen of the South. In this conversation, Friendly shares candid stories about his career transition, the making of Little Miss Sunshine, lessons learned from his mentors, and his perspective on an ever-changing industry.From Journalism to Hollywood: A Bold Career Change (06:12)David Friendly reflects on his nine-year journalism career at Newsweek and the LA Times, where his coverage of the entertainment industry sparked his desire to make movies.Backdraft and the Imagine Years (13:41)Friendly talks about discovering Backdraft, which became his first major success. This marked the beginning of a successful tenure that included projects like My Girl and Kindergarten Cop.Learning from Hollywood's Best (24:12)Friendly shares how Ron Howard and Brian Grazer's mentorship continues to influence his producing decisions years later, with their voices still guiding him through difficult situations.The Making of Little Miss Sunshine and an Oscar Nomination (32:02)Friendly discusses Little Miss Sunshine, assembling an outstanding ensemble cast including Steve Carell, and the thrill of receiving an Academy Award nomination for Best Picture.The Joy and Anxiety of Test Screenings (41:30)Friendly offers unique insight into a producer's perspective on audience test screenings, describing the intense anxiety of waiting for audience reactions.Producing in a Rapidly Changing Environment (45:24)Friendly emphasizes the importance of adapting to changing markets, as demonstrated by his successful venture into television with Queen of the South.Friendly's guiding philosophy of acceptance and gratitude offers wisdom for navigating a career in an ever-evolving business. Through all its iterations, from journalism to blockbuster films to streaming television, Friendly's career shows that success in Hollywood requires not just talent, but also the ability to learn from mentors, trust one's instincts, and the ability to adapt.If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: David FriendlyProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about David Friendly:Wikipedia: https://en.wikipedia.org/wiki/David_T._FriendlyInstagram: https://www.instagram.com/davidtfriendly/IMDB: https://www.imdb.com/name/nm0295560/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin Goetz

Is there an artist lurking inside the quintessential Hollywood journeyman? Will welcomes special guest Ethan Vestby (of Bleeding Edge) to discuss Richard Fleischer, including such films as CHILD OF DIVORCE (1946), THE NARROW MARGIN (1952), DOCTOR DOLITTLE (1967), THE BOSTON STRANGLER (1968), and MANDINGO (1975). Check out Ethan's screening series Bleeding Edge - https://www.instagram.com/bleeding.edge.movies/ Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us).

Failure can be fascinating and when Hollywood produces a box office flop, it can often happen in spectacular fashion. Tm Robey is a film critic for the Daily Telegraph and tells the stories of 26 film flops who he says often come from out-of-control white male genius who were often given budgets to match their egos. He offers the lessons flops like Rex Harrison's Dr Dolittle and the star studded musical Cats in his new book, Box Office Poison: Hollywood's Story in a Century of Flops.

John is joined by Pixies, Charles Thompson (aka Black Francis), and producer Tom Dalgety, to talk about how they wrote, recorded and produced the band's latest album ‘The Night The Zombies Came'. The Pixies are an American alternative rock band widely acclaimed as one of the pioneers of the late 1980s rock movement. Their first three albums - Surfer Rosa (1988), Dolittle (1989) and Bossanova (1990) - defined an era as well as earning the band much critical success. The Pixies have influenced numerous prominent artists including Nirvana, Pearl Jam, Radiohead, The Strokes and Weezer. Since re-forming in 2004, they have maintained a steady creative output, working closely with producer Tom Dalgety. Catching up at Strongroom Studios, Charles and Tom share stories from their album writing process, including the last minute track that Tom snuck onto the record, the inspiration that came from trips around the English countryside, and the creative results of Charles's temper tantrums (which included his songwriting notebook ending up on the studio roof!). Tracks discussed: The Vegas Suite, I Hear You Mary, Jane (The Night the Zombies Came) TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘The Night The Zombies Came' here. Pixies Recordings, BMG Rights Management Limited LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS Eventide H9 Max Shure SM7B MXC Carbon Copy TC Electronic Bucket Brigade Fender Reverb Tank Vox Practice Amp AC30 Amp Takamine Guitars Martin Guitars Avid ProTools OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis

On this Friday Rewind, we jump back to when Noah and Steffany interviewed the real doctor dolittle! In this captivating episode, Noah and guest co-host Steffany Strange interview Nikki Vasconez about her extraordinary experiences as a pet psychic. Nikki shares several heartwarming and thought-provoking stories that reveal the deep connections between humans and their pets. This is one episode you won't want to miss! Follow Steffany Strange on Instagram and TikTok @Steffany_Strange, and follow Nikki @NikkiVasconez for more fascinating insights. You can support us on Patreon at patreon.com/RealHauntings, email us at RealHauntingsPodcast@gmail.com, or message us on TikTok and Instagram @RealHauntingsPodcast. We'd love to hear your thoughts! Please rate and review the podcast on iTunes. And don't forget—a new episode releases every Monday! Learn more about your ad choices. Visit megaphone.fm/adchoices

Artificial Intelligence is making the stuff of science fiction a science reality, changing how humans interact with the world. It could also change the way we interact with wildlife, giving us the ability to talk to animals...but are we ready? On this episode Chris talks to Aza Raskin, co-founder of Earth Species Project and Karen Bakker, a professor at the University of British Columbia, about animal communication and the pros and cons of the latest AI technology.   This show would not be possible without listener support. You can help us continue to create this special immersive storytelling by donating at kuow.org/donate/thewild. Thank you. THE WILD is a production of KUOW, Chris Morgan Wildlife, and the NPR Network. It is produced by Lucy Soucek and Matt Martin, and edited by Jim Gates. It is hosted, produced and written by Chris Morgan. Fact checking by Apryle Craig. Our theme music is by Michael Parker.See omnystudio.com/listener for privacy information.

From the childhood joys of Babe and Homeward Bound to the existential horrors of Dolittle (2020) and the boredom of Garfield (2024), there have been many talking animals in movies. Thanks to Hyperdudeman, one of our VIPs, we're discussing them on this episode! Patreon: https://www.patreon.com/sequelisers Website: www.sequelisers.com/  Discord: www.sequelisers.com/discord  Shop: www.sequelisers.com/shop  Twitter: twitter.com/sequelisers Instagram: instagram.com/sequelisers TikTok: tiktok.com/@sequelisers Music by Daniel Williams Learn more about your ad choices. Visit megaphone.fm/adchoices

Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys; cold-blooded killers like Benny Blanco in Carlito's Way; a heroic Army Green Beret, stopping aerial terrorists in Executive Decision; and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar.Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man had a youthful Latino personality had such a powerful impact on critics and fans alike. John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo.He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away.The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice. His first film appearance was a small part in Mixed Blood, and he had minor roles in Casualties of War and Die Hard 2 before playing a liquor store thief who shoots Harrison Ford in Regarding Henry.His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth, in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award.He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama. It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards. In 1995 he created and starred in the short-lived TV series House of Buggin', an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines.The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros., Romeo + Juliet and Spawn. In 1998 he made his Broadway debut in John Leguizamo: Freak, a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle before appearing in the dynamic Spike Lee-directed Summer of Sam as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge!.He also voiced Sid in the animated Ice Age, co-starred alongside Arnold Schwarzenegger in Collateral Damage and directed and starred in the boxing film Undefeated. Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead.There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s.Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage.Please enjoy my conversation with John Leguizamo.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Christian McGuigan is an Emmy-nominated producer and founder and CEO of Sycamore Studios – a premium film studio that develops and produces good, true, and beautiful family entertainment for audiences everywhere.   Sycamore’s upcoming animated feature film releases include: Doctor Dolittle, Sherlock & Son, and Born Free. Before founding Sycamore Studios, Christian served as the […]

Christian McGuigan is an Emmy-nominated producer and founder and CEO of Sycamore Studios - a premium film studio that develops and produces good, true, and beautiful family entertainment for audiences everywhere. Sycamore's upcoming animated feature film releases include: Doctor Dolittle, Sherlock & Son, and Born Free. Before founding Sycamore Studios, Christian served as the Vice President of Global Content Strategy for Omnicom's Porter Novelli. During this time, he oversaw accounts ranging from LEGO to CVS. Prior to his work at Omnicom, Christian was Vice President at Participant Media, the leading Hollywood film studio dedicated to entertainment that inspires and compels social change. Christian began his career at Participant developing digital strategy and leading creative for Participant's integrated, impact-driven film marketing campaigns. He later helped lead Participant's in-house agency division. Christian earned his B.A. in English Literature from the University of Dallas and his J.D. from Chapman University School of Law. He is an adjunct professor at Pepperdine University's Graduate School of Public Policy and a member of the Pacific Council on International Policy. Christian currently resides in Austin, Texas, with his wife and four children. Hosted on Acast. See acast.com/privacy for more information.

In tonight's specially selected rewind story, we're looking back on the time little Daisy Doolittle met Houdini the Hamster, who would go on to become her very best friend. Relax, get sleepy, and let's begin!  Upgrade to Koko Club Today!

 "Resilience Unmasked: The Journey of Serving First Responders"Join us for a deeply insightful and inspiring episode of Mindset Mastery Moments featuring Ty and Karen Doolittle, the founders of Serving First Responders. With backgrounds in law enforcement and education, Ty and Karen bring a wealth of experience and a profound commitment to supporting those who dedicate their lives to serving others.  In this episode, Ty and Karen open up about their personal journey, sharing how they met and married over 20 years ago while balancing demanding careers and raising a family. They discuss the challenges they've faced, including a pivotal crisis moment that led them to prioritize faith and family over work, and how they navigated through it together with communication and flexibility.  The heart of the episode revolves around Serving First Responders, the organization founded by Ty and Karen. They share their mission to empower retirees through career, financial, and wellness seminars, providing hope and community to ease anxiety around retirement. With a vision for nationwide reach, they invite volunteers, sponsors, and donors to join them in their mission.  Through candid conversations and shared experiences, Ty, Karen, and host Dr. Alisa Schultz Whyte explore the importance of supporting first responders' transitions and the power of collaboration in continuously improving support services.  Stay Connected:  To learn more about Serving First Responders and how you can get involved, visit their website and upcoming events at https://www.servingfirstresponders.com/). Connect with Ty and Karen Doolittle on social media to stay updated on their mission to support those who selflessly serve our communities.  Thank you for tuning in to Mindset Mastery Moments. Remember, your mindset has the power to transform lives. Stay resilient and keep mastering your mindset.Need Support? Connect with Dr. Alisa Whyte for Mindset Mastery Coaching or just a session to disrupt the limitations that are holding you back in your life, your, business or career. Subscribe Now: Join the transformative journey of Mindset Mastery Moments. Rewrite your mindset with purpose and disruption alongside Dr. Alisa Whyte! Your journey to a positive and empowered life continues. Thank you for tuning in to Mindset Mastery Moments! Let's Keep the Conversation Going Connect with Dr Alisa and request and invitation to her exclusive premium communityFACEBOOK LINKEDININSTAGRAM YOUTUBEWEBSITE EMAIL www.mindsetmastermoments.comSupport Mindset Mastery Moments Become a supporter of this podcast: https://www.spreaker.com/podcast/mindset-mastery-moments--4488172/support.