Podcasts about auteurism

In this very special episode, Dhruv and Srilekha celebrate the thoroughly depressing and despairing films of Austrian filmmaker Michael Haneke, who turned 82 a week ago on March 23rd. We first discuss his exacting style that has inspired several high-profile European filmmakers (Ruben Östlund and Yorgos Lanthimos, the most famously known amongst them) to address themes of colonial guilt, fascism, racism, and class inequality in a similarly discomforting way. We then choose three films from his filmography that most overtly (but still mysteriously) engage with these themes — “Code Unknown,” “Caché,” and "The White Ribbon." Listen to the full episode for our spoiler-filled thoughts on these three movies and brief discussions of “Funny Games” and “The Piano Teacher," which we use to introduce listeners to the director's chillingly unnerving worlds. TIME CODES Michael Haneke's Auteurism - [00:00 - 14:15] "Funny Games" (1997) - [14:16 - 24:42] "The Piano Teacher" (2001) - [24:42 - 33:44] "Code Unknown" (2000) - [33:44 - 01:00:52] "Caché" (2005) - [01:00:52 - 01:19:52] "The White Ribbon" (2009) - [01:19:52 - 01:45:54] Haneke & the Lineage of European Art Cinema - [01:45:54 - 01:53:56] Do hit 'Follow' on Spotify and rate us if you haven't already to help the podcast reach more people Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can also follow us on Instagram at: Dhruv: https://www.instagram.com/terminalcinema/ Srilekha: https://www.instagram.com/mitra__srilekha_ Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow us on Letterboxd at: Dhruv: https://letterboxd.com/aterminalcinema/ Srilekha: https://letterboxd.com/srilekha__mitra/

In this episode, Dhruv, Amartya, Shashwat, and a special new guest -- Srilekha Mitra (writer for High on Films, Youth Ki Awaaz, The Red Sparrow, and other publications) -- talk all about the delightfully artifice-laden worlds of Wes Anderson. First, we discuss Anderson's auteurism, discussing its value (or lack thereof) in today's filmmaking world for audiences and critics alike. Then, we go beyond praising the infinite layers of surface beauty that cover his 2023 output to talk about their softly beating hearts. This includes a spoiler-filled discussion of both his divisive COVID-themed feature, Asteroid City, and adaptations of 4 Roald Dahl shorts currently playing on Netflix -- "The Wonderful Story of Henry Sugar," "The Swan," "The Rat Catcher," & "Poison." Featuring an extended cameo appearance by *drum roll* Lord Sanjeet. TIME CODES ACT I (Wes Anderson's Auteurism) - [00:00 - 26:11] ACT II ("Asteroid City") - [26:11 - 01:03:56] ACT III, SCENE 1 ("Henry Sugar") - [01:03:56 - 01:30:56] ACT III, SCENE 2 ("The Swan") - [01:30:56 - 01:48:11] ACT III, SCENE 3 ("The Rat Catcher") - [01:48:11 - 01:56:23] ACT III, SCENE 4 ("Poison") - [01:56:23 - 02:11:28] EPILOGUE (Unedited) - [02:11:28 - 02:18:23] Do hit 'Follow' on Spotify and rate us if you haven't already to help the podcast reach more people! The article referenced in the ep: "Asteroid City: Wes Anderson's Film is Replete with Bekettian Absurdity" [Srilekha]: https://theredsparrow.in/features/asteroid-city-wes-andersons-film-is-replete-with-beckettian-absurdity/ You can (should!) follow Srilekha on: INSTRAGRAM: https://www.instagram.com/mitra__srilekha_ You can (should!) read her incredible articles here: LINK TREE: https://linktr.ee/sri14 Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can also follow us on Instagram at: Shashwat: https://www.instagram.com/filmahole/ Amartya: https://www.instagram.com/amartya25/ Dhruv: https://www.instagram.com/terminalcinema/ Sanjeet: https://www.instagram.com/pixel_baba/ Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow us on Letterboxd at: Dhruv: https://letterboxd.com/aterminalcinema/ Shashwat: https://letterboxd.com/coffeebag569/ Amartya: https://letterboxd.com/amartya/ Sanjeet: https://letterboxd.com/sanjeet_singh/ --- Support this podcast: https://podcasters.spotify.com/pod/show/queenisdead/support

This is a lively chat about the WGA Strike with Simon Barrett (the screenwriter of You're Next, The Guest and the upcoming Godzillla x Kong: The New Empire, as well as the writer-director of Seance). How are writers treated in the film industry? Should we fear the AI takeover? Auteurism, possessory credits, Indiana Jones. It's all here! 

Adam and Nicole discuss Babylon and the sacrifices they have to make for MtM listeners. The movie is a joyless, scatalogical slog excepting the scenes of film being made. We discuss who deserves to get this level of creative control in a movie and where future auteurs will be developed. Adam recommends Tar. Nicole recommends The Take's The Dragon Lady Trope. Website Store YouTube Facebook Group Page

Stephen Hopkins Auteurism Episode 1 - Dangerous Game/A Nightmare on Elm Street: The Dream Child by 24 hours don't make an ideology

Bill speaks to author and film critic Brad Stevens about his film cultural endeavors, from contributing to publications like The Dark Side, Sight & Sound and Video Watchdog to writing books like MONTE HELLMAN: HIS LIFE AND FILMS and ABEL FERRARA: A MORAL VISION. Topics include: Auteurism, Robin Wood, BBC's “The Great American Picture Show” season, alternate versions of films, Sight & Sound's Greatest Films of All Time poll, SCHINDLER'S LIST, Nicole Brenez, writing the novel THE HUNT, warming up to the films of Steven Soderbergh, physical media versus streaming and Abel Ferrara. Read Brad Stevens' “Bradlands” articles for Sight & Sound:https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/comment/bradlands Visit Brad Stevens' Amazon author page:https://www.amazon.com/Brad-Stevens/e/B001KHCUEQ?ref=sr_ntt_srch_lnk_3&qid=1654470806&sr=1-3 Buy Arrow Video edition of THE DRILLER KILLER, with commentary by Abel Ferrara moderated by Brad Stevenshttps://www.diabolikdvd.com/product/driller-killer-arrow-us-dvd-blu-ray-combo/ Buy MONTE HELLMAN: HIS LIFE AND FILMS: https://mcfarlandbooks.com/product/monte-hellman/

My guest this week is Brooklyn rapper Curly Castro. We spoke about The Harder They Fall, the art of auteurism, Eternals, Dune, Spike Lee, the journey from being a hypeman to becoming a rapper, his work with members of the Wrecking Crew, the creative process behind his latest album Little Robert Hutton, afrofuturism, and all things Marvel Cinematic Universe.Little Robert Hutton is available wherever music is sold, streamed, or stolen. Consider copping it from Castro's Bandcamp page here.Follow Curly Castro on Instagram (@curlycastro) and Twitter (@Curly_Castro) Follow Dylan "CineMasai" Green on Instagram (@cinemasai), Twitter (@CineMasai_), and Letterboxd (@CineMasai)  Support the show (https://cash.app/$CineMasai)

In this episode, hosts Katherine Troyer and Anthony Tresca discuss the 2009 horror-comedy film Jennifer's Body.  Episode Highlights: Starting with a look at how this film is now a cult classic (and the ways that it has been claimed by the LGBTQIA+ community), we explore how criticism on this film and its filmmakers focuses nearly exclusively on whether it is good/bad, feminist/not feminist. But we argue that there is so much more interesting about this film than just these limited debates, so we turn to our own analysis of the film through the lens of camp and the ways that this film manages to offer us complicated and messy constructions of (female) identity.  A Dose of Scholarship: In this episode, we reference Ben Kooyman's 2012 article "Whose Body? Auteurism, Feminism and Horror in Hostel Part II and Jennifer's Body" (in the Australasian Journal of Popular Culture) and Aidatul Chusna and Shofi Mahmudah's 2018 article "Female Monsters: Figuring Female Transgression in Jennifer's Body (2009) and The Witch (2013)" (in Humaniora). We also talked (once again) about camp, which you can learn more about in Susan Sontag's 1964 "Notes on 'Camp'. " This podcast episode first aired on September 27, 2021. Twitter/Instagram: @NightmarePod1; YouTube: Such a Nightmare channel; Email: suchanightmare.pod@gmail.com; ALL LINKS

Today, on the Ghetto Fabulous Podcast, Shane and I sit down to talk about Zack Snyder’s Justice league, comparing it to the Joss Weadon theatrical cut, future implications, previous drafts/ script leaks, and media consumption. Cheers~~~ Talking Points: 0:00 – Let There Be Sound 1:35 – Quick Thoughts on Josstice League 5:42 – Thoughts on Zack Snyder’s Justice League and Auteurism 44:18 – Implications of the ‘Knightmare’ Sequences 59:08 – Studios Giving Up On / Interfering with Creative Visions 1:15:13 – Theory/Spoiler Culture & Skewing Media Consumption 1:27:59 – Ratings & Final Regards RUListening Podcast: https://anchor.fm/rulisteningpodcast Check us out on: Spotify: https://open.spotify.com/show/14Lo73BUFFNkeYnID0rSig Apple Podcast: https://podcasts.apple.com/us/podcast/ghetto-fabulous-podcast/id1482166978?uo=4 Overcast: https://overcast.fm/itunes1482166978/ghetto-fabulous-podcast Breaker: https://www.breaker.audio/ghetto-fabulous-podcast Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lN2VjMTIwL3BvZGNhc3QvcnNz Pocket Casts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lN2VjMTIwL3BvZGNhc3QvcnNz RadioPublic: https://radiopublic.com/ghetto-fabulous-podcast-WlVBrJ Follow me on social media! Facebook: http://fb.me/kirbykwanjr(@kirbykwanjr) Instagram: https://www.instagram.com/kirbykwanjr/ (@kirbykwanjr) Twitter: https://twitter.com/kirbykwanjr (@kirbykwanjr) Sound Cloud: https://soundcloud.com/kirbykwanjr (@kirbykwanjr) And don't forget subscribe to my channel! https://www.youtube.com/user/kirbystarburst?sub_confirmation=1

Neil Denari is an architect interested in the tension and interplay between innovation, preservation, technology, and tradition. He joins Charles Waldheim to discuss his work in Los Angeles.

An in-depth discussion on Todd Philips' shift from comedy to drama while talking about how many cocks you would suck to marry Ana de Armas.

CinePunked explores the 1947 Orson Welles noir The Lady From Shanghai, the screen image of Rita Hayworth and the mythology of Welles.

In this, our fourth episode, Matt and Caitlin discuss François Truffaut's The 400 Blows (1959). They also take some time to further delve into and explain their different tastes in film. Talking points: The 400 Blows, auteurism, genre enthusiasts vs. auteur suckers, sad boys, film bros, "seminal," new wave cinema, The Texas Chain Saw as high art, form vs. content, and more!    To see the review Caitlin wrote for Stephen King's The Institute, go here: https://www.sublimehorror.com/books/the-institute-stephen-king-review/

With special guest, subtitler and horror expert, Amy Drolet. South of Hollywood goes in-depth on the Black experience within the horror genre through the life and work of Jordan Peele. Also: previews of The Case Against Adnan Syed on HBO and remake of The Fresh Prince of Bel-Air; Cannabis Industry Jobs Report of 2018-19; High Times IPO stock option; Oscar 2019 recaps; Operation "Varsity Blues" FBI College Scandal and more!

News about forthcoming Star Wars live-action series ‘The Mandalorian’ has leaked, and it doesn’t bode well for the show (1:42). Netflix is cancelling the Marvel television series ‘Daredevil’ after its third season, and Disney launching its own streaming service may have something to do with it (8:52). ‘The Romanoffs’ feels like bloated, end-stage Peak TV (33:27), and the second half of ‘The Little Drummer Girl’ is mesmerizing (45:50). Hosts: Chris Ryan and Andy Greenwald Read Chris and Alison Herman’s list of best tv shows of 2018 here. Read Miles Surrey and Andrew Gruttadaro’s list of best television episodes of 2018 here.

It is easy to get caught up in the names that have already become known throughout the cinephile world and their accomplishments and great works. But who will carry the torch through the future? One curious fellow worth noting to the is Toronto-based writer and filmmaker Neil Bahaduer. With his iconoclastic ramblings, larky wit, and soft-spoken but all so engrossing enthusiasm, Neil's writing on cinema seems to be pointing toward something different that splices together the past and the future in hope of creating a cinema entirely alien to what we often limit. Peter talks to Neil about his writings on silent films in conversation with more recent art house filmmakers, the role of the marketplace in cinema that hopes to speak politically, and his ambitous first film, From Nine to Nine. They then dive into D.W. Griffith's first feature length film, Judith of Bethulia, and examine how this curious expansion into length allowed the pioneer to bring together questions of aesthetics and politics. Plus, former guest and eating expert Carman Tse joins Peter to discuss the legacy of one of their favorite all time critics, food writer Jonathan Gold. 0:00-4:01  Opening6:02-28:59 Establishing Shots — Remembering Jonathan Gold with Carman Tse29:45-1:26:57 Deep Focus — Neil Bahaduer 1:27:58-1:31:34  Sponsorship Section1:32:34-1:48:10 Double Exposure — Judith of Bethulia (D.W. Griffith)1:48:16-1:50:00 Close / Outtake 

Auteurism beyond control. Kuso’s graphic depictions of graphic something. The artistic merit of creating the most horrible man-made experiences. Vulgar imagery and its place in the arthouse. Sundance movie Kuso and the power of credentials. Putting in the work / … Continue reading →

THE BIZZLECAST PRESENTS Shooting Star Wars 003: Rian Johnson, auteurism, and the future of cinema ft. Papa Bizzle Check out more of the BizzleCast at: 
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@thebizzle81 ALL RIGHTS RESERVED by The BizzleCast (Jesse F. Brenner)

While Peter sometimes has questioned what digital cameras have wrought, there is no question that the digital revolution has changed the ways we can relate to our cinematic experiences (Exhibit A: this podcast). UK film scholar Catherine Grant has always seemed to be on the precipice of these changes. Her blog, Film Studies for Free, brought the idea of Open Access within the field to a whole array of scholars, and her pioneering work in video essays transformed the way that film scholarship can come closer to their objects of study than ever before. In this interview conducted in the heart of the annual SCMS conference, Catherine discusses her discovery of art cinema, her research on world cinema and auteurism in the digital age, and the role that these new visual tools have changed the way she approaches cinema. They top off their conversation by turning to The Headless Woman and how Argentine director Lucrecia Martel creates a hyper-attentive spectator in the most breathtaking drama of recent memory. 0:00-3:26 Opening 4:25-9:14 Establishing Shots — Preview of "This American Life — Jonathan Demme" 9:59-1:00:05 Deep Focus — Catherine Grant 1:00:55-1:03:11 Sponsorship Section 1:04:09-1:1:39 Double Exposure — The Headless Woman (Lucrecia Martel) 1:19:43-1:22:02 Close / Outtake

The Ringer's Chris Ryan and Andy Greenwald discuss Justin Lin's 'Hot Wheels' (6:00), the auteurism of 'Atlanta' (14:00), the soap opera styling of 'Queen Sugar' (39:00), and HBO's new show, 'Westworld' (49:00).

In this episode we discuss director Sanjay Leela Bhansali with an in-depth look at three of his films Show Notes: This episode is late, we’re sorry (but our next episode will be out soon) Matt and Boman Irani are becoming pretty close Shout out to Shah Shahid and the Split Screen Podcast Sanjay Leela Bhansali, director of Devdas and Ram-Leela Vidhu Vinod Chopra, director of Broken Horses Hum Dil De Chuke Sanam Who can tell the difference between Italy and Hungary? Kissing will not get you pregnant  Erin doesn’t watch the songs before seeing the film Oprah lied to us INTERVAL (”Dholi Taro Dhol Baaje” from Hum Dil De Chuke Sanam) Black When Matt was a child he didn’t know the difference between Helen Keller and Anne Frank Rani Mukherjee evokes Chaplin When does SLB set his films? Guzaarish, a about euthanasia or “ethanasia” Hrithik Roshan, without the use of his body He does dance with a giant bubble though and Aishwarya Rai Bachchan claps Don’t replay Action Replayy Auteurism NEXT TIME: we go to the movies to see Dilwale and Bajirao Mastani with our good friend Juliet Franklin  Find us on iTunes!  and Stitcher! Follow us on Twitter! Like us on Facebook!

This week in honor of White House Down hitting theaters, we make Ryan watch Roland Emmerich's 10,000 B.C. Ryan's Score: 3/10 Ryan's Synopsis: "I was bored out of my mind."