Podcast appearances and mentions of Anne Frank

Casi todos conocemos de forma general la historia de Anne Frank, pero pocos la recuerdan en detalle. Esa niña nacida en el seno de una familia judía alemana llevó una vida normal hasta que el ascenso del nacionalsocialismo obligó a su familia a emigrar a Ámsterdam. Allí, junto a sus padres, su hermana y cuatro refugiados más, se ocultó en una buhardilla que se convertiría en símbolo universal de la memoria del Holocausto. El final de la historia es conocido, pero lo esencial está en el camino, en el testimonio escrito que la convirtió en una voz inmortal. Ese trayecto vuelve a la actualidad gracias a la ilustradora María Hesse, que ha reinterpretado 'El diario de Anne Frank' en una nueva edición publicada por Lumen. En la segunda parte del programa, Miguel Ángel Delgado nos acompaña en el paseo semanal por los ensayos y libros de divulgación científica, una sección que conecta el pensamiento con la actualidad de la investigación.La danza de raíz tradicional es protagonista en Les Preses, en Girona, donde comienza el festival Esdansa. Con una veintena de espectáculos de compañías nacionales e internacionales, la cita reivindica la fuerza de lo popular y lo ancestral en diálogo con la creación contemporánea. La cobertura corre a cargo de Marta Orquín.El programa se cierra en el Museo Arqueológico Nacional. El MAN, cuya colección permanente recibió un impulso tras su reforma hace una década, mantiene un ritmo constante de renovación gracias a sus exposiciones temporales. Tras haber repasado la muestra 'Alas para la guerra', dedicada a los cascos celtíberos, hoy nos centramos en otras dos propuestas muy distintas que explica Ángela Núñez, subrayando la diversidad de miradas que ofrece el museo.Escuchar audio

In this episode of his Summer Reading History Book Club, Charlie Higson discusses his favourite book about possibly the most famous person who has ever lived. Queen Elizabeth II. Virginia Woolf compared her to a caterpillar; Anne Frank kept pictures of her on the wall of her annex and Donald Trump offended her; E.M. Forster confessed he would have married her, if only she had been a boy.The book that uncovers these fascinating insights is A Voyage Around the Queen by the very clever and very funny Craig Brown and in this episode, Charlie and Craig talk about this and his other works. Hosted on Acast. See acast.com/privacy for more information.

One of life's biggest mysteries is what happens to us when we die—but the answer might lie in the early memories of small children. Some kids seem to remember specific and very detailed moments of a past life—leading many top researchers to wonder if this is evidence of reincarnation.For a full list of sources, please visit: sosupernaturalpodcast.com/the-unknown-reincarnationSo Supernatural is an audiochuck and Crime House production. Find us on social!Instagram: @sosupernatualpodTwitter: @_sosupernaturalFacebook: /sosupernaturalpod

UNEXPLAINED: The Reincarnation StoriesJoin Josh as he explores one of the strangest mysteries of the human experience: reincarnation. From a boy who recalled vivid details of being a WWII pilot, to a girl convinced she was Anne Frank, to a woman who believed she once walked among pharaohs in ancient Egypt—these are stories that blur the line between life, death, and something beyond.Alongside famous cases, Josh dives into lesser-known tales and the groundbreaking work of Dr. Ian Stevenson, who spent decades collecting thousands of eerily specific memories from children around the world. Could these accounts be proof that our souls don't just vanish—but return, again and again?Follow us on Instagram @outtherecryptids and support the show on Patreon @outtherecryptids.

I sometimes wonder what it must be like at bedtime for the New York Times' Peter Baker and his wife, The New Yorker's Susan Glasser. Do they worry that the Gestapo will kick down their door and haul them off to Alligator Alcatraz for writing negatively about Trump?Do they watch out their window for the bright light of a circling Black Ops helicopter? Do they cling to each other in the dark and whisper like they're Anne Frank's family hiding from the Nazis?For them and millions just like them enjoying their lives at the top of the food chain, every day is the end of democracy, the end of America, the end of the world. They are afflicted with the disease of hyperbole, and they can't seem to find their way out of it.Once you use up threats to democracy, Hitler, fascist, dictator, Nazi, racist, rapist, pedophile - you have nowhere left to go. You've hit the wall. You can't get any more extreme than the most extreme.Because they can no longer distinguish between fantasy and reality, they are too crazy to lead this country, and Americans know it. Nothing they do now can fix the problem because the problem is everything - it's the empire. Americans rightly chose the less crazy side in 2024. They chose the real America, not America online.I got online 30 years ago. I helped build the empire. I fought like a good soldier for the Democrats until I could not stand living inside of what became a Doomsday cult anymore, and in 2020, I left.Since then, I've been sifting through the wreckage of the last ten years, trying to make sense of it. Was this just the unintended consequences of a movement rooted largely online? Is that how we became so disconnected from the truth and reality? Or was there more?As the Russiagate hoax unravels, and hungry reporters like Matt Taibbi excavate just how deep the rabbit hole goes, I have to wonder, was any of it real? Were we just tools of the establishment to prevent a populist uprising? Have they destroyed the collective mental health of millions of Americans just as a power grab?When a real revolution hit the streets in the Summer of 2020, a generation believed they were fighting the system because they were told that Trump was the system. They didn't realize they were the unwitting puppets of a much bigger system. A “hearts and minds” campaign that destroyed their sense of reality, this country's unity, and any hope of coming out of it.What the last ten years are starting to look like to me is that our government orchestrated the same kind of “color revolution” they've used to manipulate the elections in other countries. Only this time they did it here. They had the motive, the means, and the opportunity.Motive - to destroy the man who threatened our king, Barack Obama. Means - they controlled everything from the legacy media to Hollywood to social media. Opportunity — create an ongoing crisis that would require a “whole of society” approach to combat, such as communism or COVID-19.The same people who manufactured protests in other countries likely did the same thing here, at least to some degree. Why wouldn't they? All they had to do was sell Trump as an existential threat who only won because Putin meddled in our elections. And just like that, he's illegitimate.The press wasn't going to challenge them. They'd spend ten years going after Trump. No one in the #resistance would either because they couldn't be seen as “normalizing” a fascist. All institutions, corporations, and celebrities were all in on the war effort.And yet, they failed. Trump beat them at their own game. How did he do that? Because Trump was someone who didn't just build his platform online, as the Democrats have done. He also invested his time in America, the place. He built his house of bricks, and the Democrats did not.A New America OnlineIt all sounded good when Barack Obama built his coalition and his army of devoted followers on Twitter. I was one of them. The first record of an Obama Twitter account was in March of 2007. He signed up for it but hadn't used it and had just 23 followers.By May 5th of 2007, Obama was using Twitter to speak directly to his now 1,475 followers.On November 3, 2007, Obama was building a much bigger coalition, laying out his plans and appearances, and now had 5,000+ followers.Heading into the election, the last capture is on November 1, 2008.I got on Twitter around that time, too, because Obama was the new thing, and so was Twitter. They grew up together and, in doing so, birthed a new America online —a new empire, a new utopia. As of today, Barack Obama is followed by 130 million people, second only to Elon Musk.This might explain, at least in part, why all of us perceived Donald Trump as such an existential threat. Trump used Twitter, and he had been using the app himself since around 2010.Politicians speaking directly to the people, as though all of us could reach out and touch them, is without precedent in American history, at least in the modern age.It might have seemed like all of us were ahead of the game back then. We had complete control of the media narrative. If we wanted to spread the lie that Mitt Romney was a sexist because he said he had binders full of women, we could.But Trump had a platform and a voice equal to that of Obama's. That meant there was only so much we could do to shape the narrative. Trump did it all on his own as his Tweets began to drive the news cycle, especially after he won in 2016. And how could they not?It must have driven Hillary Clinton and the Democrats insane that Trump had access to Twitter and could say whatever he wanted to say, and they could do nothing about it.By the time the 2016 election rolled around, Trump had 13 million followers and Hillary Clinton had just 10 million. The differences between the two campaigns were stark. Hillary's side was all about identity-making history and centering on women and people of color.Trump's was about delivering for the people. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

“What makes someone unforgettable?”In this lively and nostalgic episode of The Sandy Show, Sandy and Tricia dive into the life and legacy of TV icon Lonnie Anderson, whose passing just before her 80th birthday sparks a heartfelt tribute and a look back at her groundbreaking role on WKRP in Cincinnati. Did you know she rewrote her character to be the smartest person in the room? That's just one of the many surprising facts revealed. The show also takes a hilarious detour into National Underwear Day, where Sandy and Tricia react to some truly “disgusting” habits people have with their undies. Plus, they revisit pop culture moments from 10 years ago, including Jennifer Aniston's secret wedding, the Fantastic Four flop, and the bizarre rumor that Leonardo DiCaprio had fleas—yes, fleas! Tricia's reaction to the infamous Richard Gere rumor is priceless, and the duo wraps up with a fascinating “Care or Don't Care” segment featuring Anne Frank, beer taxes, and the truth behind Greenland's misleading name.  

August 4, 1944. Jewish teen Anne Frank and her family are discovered by the Gestapo after two years in hiding in a “secret annex” behind her father's business in Amsterdam. This episode originally aired in 2022.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Along with the stories of Merryl Eaton who now lives near Hartford Connecticut, you will meet a woman of great energy and love and commitment. Enjoy!Also the Historical Marker of the week includes Hitler, Anne Frank, the Harlem Riot of 1943 with the shooting death of a black man Robert Bandy and also an Abolition Act in Britain in 1833.Support the showThanks for listening. Please share the pod with your mates, and feel free to comment right here! Write to Bob on his email -- bobmendo@AOL.comLink to https://www.facebook.com/profile.php?id=100078996765315 on Facebook. Bobs Your Uncle features the opinions of Bob Mendelsohn and any of his guests.To financially support the podcast, go to the Patreon site and choose Gold, Silver or Bronze levels. Thanks for that! https://www.patreon.com/BobsYourUncle To read Bob's 1999 autobiography, click this link https://bit.ly/StoryBob To see photos of any of Bob's guests, they are all on an album on his Flickr site click here: https://www.flickr.com/photos/bobmendo/albums/72177720296857670

In Serendipity (Reaktion) Carol Mavor uses Anne Frank's journal, discovered in the Secret Annex after the Second World War, Emily Dickinson's poems, scribbled on salvaged envelopes hidden in a drawer, Lolita, rescued from incineration by Nabokov's wife Véra and her own memory of eating a frozen hot chocolate in New York's Serendipity 3, a dessert café favoured by Andy Warhol, to muse upon the serendipitous afterlives of objects. Mavor, Professor of Art History and Visual Culture at the University of Manchester and prolific author of books and articles about art and culture, was in conversation about fragments, remnants and what remains with novelist, essayist and translator Lauren Elkin.

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Der 7. Oktober 2023 markiert auch an Hoch­schulen und Schulen eine Zäsur. Infolge des Terrorangriffs der Hamas in Israel kam es zu einer Zunahme offenen Anti­semi­tis­mus auch an Bildungs­ein­rich­tun­gen, infolge derer sich jüdische Studierende nicht mehr sicher fühlen. In Zeiten, in denen sich im gesell­schaft­lichen Diskurs die Fronten verhärteten, hatte der Verband der Historiker und Histo­ri­ke­rin­nen Deutschlands (VHD) am Donnerstag, den 10. Juli 2025, unter dem Titel „Anti­semi­tis­mus an Hoch­schulen und Schulen“ zum Gespräch über Erfahrungen und wirk­same Inter­ven­tio­nen eingeladen. Im Frankfurter Haus am Dom disku­tier­ten der Beauftragte der Bundes­re­gie­rung im Kampf gegen Anti­semi­tis­mus Felix Klein, Meron Mendel, Leiter der Bildungs­stätte Anne Frank, sowie die Publizist:innen Thomas Thiel (FAZ) und Saba-Nur Cheema. Daniel Navon brachte die Pers­pek­tive jüdischer Studierender ein, während Frank Schweppenstette, Geschichts­lehrer an einem Kölner Gym­na­sium und stell­ver­tre­ten­der Vorsitzender des Verbands der Geschichts­lehrer­innen und –lehrer Deutschlands, die Runde um den Bereich Schule ergänzte. Für den VHD saß Lutz Raphael auf dem Podium. Die Co-Vorsitzende des VHD, Dorothea Weltecke, moderierte den Abend. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/vhd_antisemitismus_an_hochschulen_und_schulen

Anne Frank was a young Jewish girl who hid from the Nazis in Amsterdam during World War II. While in hiding, she wrote a diary that became one of the most famous books of the 20th century. Her words capture the fear, hope, and strength of someone growing up in the darkest of times. This episode explores Anne's life, her legacy, and the lessons her story still teaches today.

In der Berichterstattung über Gaza beklagt Hörer Maximilian Hampel Parteilichkeit und befürchtet einen Glaubwürdigkeitsverlust. Das diskutiert er mit Meron Mendel (Bildungsstätte Anne Frank) und Luise Sammann (DLF). Beuting, Stephan; Sammann, Luise, Mendel, Meronm; Hampel, Maximilian

Dive into a captivating journey through history with this week's episode, covering significant events from July 6th to 12th. Explore the 250th anniversary of the American Revolution, the establishment of the U.S. dollar, and the first Major League Baseball All-Star Game. Learn about pivotal moments like Anne Frank's family going into hiding, the first open heart surgery by Dr. Daniel Hale Williams, and the Scopes Monkey Trial. From the Battle of Britain to the duel between Aaron Burr and Alexander Hamilton, this episode uncovers fascinating stories that shaped the world.

Gewaltherrschaft tun unschuldigen Menschen Gewalt an. Marcus Friedrich hört nicht auf, mit Maria zu hoffen, dass die Niedrigen erhöht werden.

On the Thursday June 26, 2025 edition of The Armstrong & Getty One More Thing Podcast... Joe brings us the details of a stunning new musical about Anne Frank, called Slam Frank. See omnystudio.com/listener for privacy information.

On this episode Scott and Katherine chat about some song recommendations from our audience including the new band The Favors comprising of Ashe and Finneas and Slam Frank, a new Anne Frank hip hop musical. Then we discuss the passing of music icon Brian Wilson and the new album 'Addison' by Addison Rae!   @gr8songpod on instagram @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence

We know who Anne Frank is and what happens in her diary, but what about before and after the diary. We delve into what preceded her writing and into the question of why didn't they try to leave Europe. The we talk about what happens to each one of the eight that were in the annex after they were discovered and arrested.

Justin and William witness the No Kings protests, Deloitte's Lego perk, and a publication's discussion of Anne Frank's sexuality. Justin also reviews the live action How to Train Your Dragon.

The Ryan Express was rolling along in June of 1975 as Nolan Ryan had just thrown the 4th no-hitter of his career while pitching for the California Angels. The flame throwing righty was doing things nobody had ever seen before, and would continue to do until his bionic arm finally gave out while with the Rangers in 1993. 27 seasons, 5,714 strikeouts, and 7 no-hitters later, Ryan finally was put out to pasture where he continued to be a success in whatever he did… and people noticed. One such person was Leo Ullman who two years after Ryan threw the final pitch of his Hall-of-Fame career purchased 11 Nolan Ryan baseball cards at a $1 a piece… and so began the largest collection of Nolan Ryan memorabilia that has been assembled. Saddles, cleats, bats, balls, if it had Nolan Ryan's name attached to it, Ullman purchased it, eventually amassing close to 15,000 different items in a collection that now resides at Stockton University in New Jersey. Ullman wanted the entire collection to stay input, so instead of it going to the Hall of Fame where they might have picked over the items in the collection, he kept it intact at the campus in Galloway Township. A lawyer by trade, Ullman is also an author, having written a book about his collection titled, ‘Nolan Ryan, The Largest And Most Unique Collection Of All Things Nolan Ryan, The Greatest Power Pitcher Of All Time.” But that's not the only book Mr. Ullman wrote. ‘796 Days: Hiding as a child in occupied Amsterdam during WWII and then coming to America' is the story of Leo as a 3-year old when he was taken in by a couple and hidden in their attic for over 2 1/2 years during the Nazi occupation of Amsterdam. The Dutch resistance put his parents in a different house and it wasn't until the war was over that young Leo was reunited with his birthparents… who survived without knowing if their little Leo had as well. Leo comes on the Past Our Prime podcast and tells us the similarities between his life's story and that of Anne Frank's. He would later go on to become a Director and Chairman of the Anne Frank Center USA  and tells us that his war-parents brought him to stay with them knowing they could be executed if the Jewish boy was found for one reason… “It was the right thing to do.”  His parents would emigrate to the States and settle in Brooklyn and 8-year old Leo would fall in love with Jackie Robinson and the Dodgers. A few years later the team would break Leo's heart and leave for Los Angeles, but Leo's love for baseball never waned. At some point, his allegiance turned to the Mets and years later, when Mets owner Steve Cohen heard of Leo's story, he invited him to throw out the first pitch at a game…  Leo recalls how, much like a former Mets pitcher by the name of Nolan Ryan, he bounced the pitch in the dirt much to his chagrin. But he refused to let his time in that attic define him. Instead, he joyfully tells us how he spent time with the Mets in a fantasy camp years ago and still keeps in touch with his fellow Mets buddies… At age 86, Leo has gone from the nightmare of the Holocaust to a Mets Dream Week… and in between, put together the largest collection of Nolan Ryan collectibles of all-time. It's been quite the life for Leo and he tells us all about it on the Past Our Prime podcast… Give us a listen and drop us a review wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

All The Drama is hosted by Jan Simpson. It is a series of deep dives into the plays that have won The Pulitzer Prize for Drama. The Pulitzer Prize for Drama: “The Diary of Anne Frank“1956 Pulitzer winner “The Diary of Anne Frank”, by Frances Goodrich and Albert Hackett The read more The post All the Drama: “The Diary of Anne Frank”, 1956 Winner, Pulitzer Prize for Drama appeared first on BroadwayRadio.

I recently visited a first-of-its-kind exhibit in New York City: a full-scale replica of Anne Frank's hiding place during World War II. I had the opportunity to speak to Michael Glickman, who was key to this exhibit coming to the United States. And what you're about to listen to is the behind-the-scenes interview I conducted with Michael. I wasn't planning on sharing the full conversation! But as I listened to our conversation while preparing for our first piece on "Anne Frank The Exhibition," I felt like you would really enjoy it "as is" and learn a lot, like I did.  SUPPORT OUR MISSION: Love nonpartisan news? Want a bigger serving of the serious headlines?  Here's how you can become a SCOOP insider: https://www.scoop.smarthernews.com/get-the-inside-scoop/    Shop our gear!  Instagram: https://www.instagram.com/smarthernews/  Website: https://smarthernews.com/  YouTube Channel: https://www.youtube.com/smarthernews 

On this day, June 12, 1929, a young girl is born in Germany. Her story would change the world.  "A Full-Scale Recreation of Anne Frank's hiding place ..." reads the description of a first-of-its-kind exhibit you'll only see in New York City. I had no idea what to expect when I arrived that Thursday morning in Manhattan. Like so many others, I can clearly see the image of Anne Frank in my mind – her diary, detailing the inner world of a Jewish teenager hiding from the Nazis during World War II, helped form my own thoughts and understanding of that moment in history. During this "reporter's notebook," I take you inside the exhibit – where cameras are prohibited – and share a personal reflection on time spent learning about a story I thought I knew ... but really had so much more to learn. More on "Anne Frank The Exhibition

Anne Frank received a special birthday gift on this day in 1942. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is the noon All Local for Thursday, June 12, 2025

On today's program, The Fellowship's C.J. Burroughs shares the story of the woman who helped save and preserve Anne Frank's diaries for future generations.

Access your inner Anne Frank today!: Thursday, June 12, 2025Subscribe to get my message delivered daily: https://www.michaelallosso.com/goodmorning.html——————May your morning begin shattering expectations right out of the gate. I hope my message brings a smile to your face. May you gain knowledge, become inspired, or collect a trivial fact that you might use in a contest someday.-------For the past 30 years, I've changed my phone message EVERY SINGLE DAY! It's a daily activity, as automatic as brushing my teeth.​ I actually do 2 unique messages daily: one on my cell phone and one on my landline. The time has come to share them. (Perhaps the time has come to get rid of my landline?

Flashback to April 2023 when Jann had the pleasure of speaking with none other than Melissa Gilbert; the Emmy-winning, Golden Globe-nominated actor, director, producer, and New York Times Best-Selling author we know best as Laura Ingalls from Little House on the Prairie! Melissa's career began at the age of 2 appearing in commercials and guest spots. Melissa achieved iconic status by the age of 19 after a 10-year run on the television classic Little House On The Prairie. She has starred in over fifty television movies and feature films including The Miracle Worker, The Diary of Anne Frank and Splendor in the Grass. As an author, Melissa has penned four best-selling books; ⁠Prairie Tale: A Memoir⁠ (New York Times Best Seller) ⁠Daisy and Josephine⁠, ⁠My Prairie Cookbook⁠ and ⁠Back To the Prairie: A Home Remade, A Life Rediscovered⁠.  Keep up with Melissa and listen to her podcast, The Knitty Gritty Podcast, on her website: ⁠https://www.modernprairie.com/⁠. Until June 14th, get up to 20% off select tires thanks to our friends at Fountain Tire! PLUS, up to $120 off a set of select Goodyear tires with a mail in rebate. Plus, $50 off any service when you spend at least $150 when you purchase select tires. Find a location near you: ⁠⁠⁠⁠https://www.fountaintire.com/⁠⁠⁠⁠ Leave us a voicenote! ⁠⁠⁠⁠https://jannardenpod.com/voicemail/⁠⁠⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠https://patreon.com/JannArdenPod⁠⁠⁠⁠ Order ONLYJANNS Merch: ⁠⁠⁠⁠https://cutloosemerch.ca/collections/jann-arden⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠ ⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠ ⁠⁠⁠⁠www.facebook.com/jannardenpod⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIn today's episode, our stack of books is tied together with the common theme of being Anne Frank Adjacent.  Some of the books are about Anne Frank or her friends, and others are set in the same time period and share similar themes.  We encourage you to begin with The Diary of a Young Girl by Anne Frank...read it for the first time or reread it.  Featured Books:All But My Life by Gerda Weissmann Klein (LH)When We Flew Away: A Novel of Anne Frank Before the Diary by Alice Hoffman (LH)My Friend Anne Frank:The Inspiring and Heartbreaking True Story of Best Friends Torn Apart and Reunited Against All Odds by Hannah Pick Goslar (LP)Margot by Jillian CantorBook In Hand:We Solve Murders by Richard OsmanBooks Mentioned in This Episode:The Diary of a Young Girl by Anne Frank The Thursday Murder Club Series by Richard OsmanAdditional Books That Go Along With Our Stack:The Diary of a Young Girl by Anne FrankThe Last Seven Months of Anne Frank by Willy LindwerThe Many Lives of Anne Frank by Ruth FranklinThe Silent Sister: The Diary of Margot Frank by  Mazal Alouf-MizrahiTales from the Secret Annex by Anne FrankOutside It's War: Anne Frank and Her World by Janny van der MolenBluebird by Sharon CameronThe Red House by Mary MorrisDutch Girl: Audrey Hepburn and World War II by Robert MatzenWays to contact us:Follow us on Instagram - @thebookbumbleFacebook:  Book BumbleOur website:  https://thebookbumble.buzzsprout.comEmail:  bookbumblepodcast@gmail.comHey Friends, please rate and review us!

In Orkater's ‘De revolutie van de Rinsema's' zingt en speelt Rosa da Silva een dubbelrol in een muzikaal locatietheaterstuk over de kracht van kunst. Ze vertolkt virtuoos onder meer dadaïst Kurt Schwitters. Da Silva werd eerder bekend door haar hoofdrol in ‘Anne Frank' en haar bekroonde solovoorstellingen. Presentatie: Frénk van der Linden

Once allies, now adversaries: Ray and Lucie dig into the digital flame war between Donald Trump and Elon Musk—from EV mandates and Epstein tweets to passive-aggressive truths about sperm, submarines, and shadow bans.Also in this episode:– David Portnoy snaps on a Boston MC– Cannibal meal prep and serial killer lakes– Rand Paul's MAGA savings account– ChatGPT bans and federal AI meltdowns– Guestbooks at Anne Frank's houseFull weekly bonus episodes at: www.patreon.com/raykump

In moments of polarization, the wisdom of Tehora Hee — the recognition of inviolable goodness in all people—can be a revolutionary tool. In this episode, R' Jericho talks about seventy faces, checking Biblical assumptions, Tehora he (It is pure), pre-prayer tests, two villains from one of my own spiritual wildernesses, Anne Frank, and a practice for bringing Miriam's living Torah into our own lives.-------------------------------------We are proud to introduce the 3rd podcast in the Judaism Unbound family of podcasts: Survival Guide for a Spiritual Wilderness, hosted by Jericho Vincent. "We are the ancestors of the future." This new podcast offers a spiritual home for listeners seeking to connect Jewish ancestral, feminist wisdom with their own svara: moral intuition. Each episode of this limited series delves into a different story of our ancestor Miriam, illuminating her mystical teachings and offering practical tools for navigating and flourishing in personal or political spiritual wildernesses. We're thrilled to periodically feature episodes of Survival Guide for a Spiritual Wilderness here on Judaism Unbound. But we don't only feature those episodes alone. Lex Rofeberg and Rena Yehuda Newman, two members of Judaism Unbound's team, supplement each episode with some gemara (commentary) as well. We hope that our ideas will help spur you to form your own gemara, and channel your unique teachings -- about this podcast and beyond -- into the world. Subscribe to Survival Guide for a Spiritual Wilderness anywhere that podcasts are found!

Op 5 juni gaat de NPO documentaire ‘Ruigoord: een kosmisch lek' in première, waarin regisseur Peter Wingender het kunstenaarsdorp Ruigoord volgt dat al 50 jaar strijdt tegen de oprukkende industrie. De film toont hoe deze culturele vrijplaats blijft vechten voor haar voortbestaan als symbool van creatieve vrijheid en verzet. Peter Wingender maakte eerder bekroonde documentaires zoals ‘Puck & Hans: Made in Holland' en ‘Klasgenoten van Anne Frank'.  Presentatie: Willemijn Veenhoven

Anne Frank is one of the world's most famous writers, yet she didn't live long enough to see her work published. At the age of thirteen, Anne was a normal teenager, who poured her heart into a diary. But what made her diary different, was that she created within its pages a snapshot of the darkest events of World War Two, detailing the Nazi occupation of the Netherlands that forced her family to hide in a secret annex. But what do we know about the real life of this bubbly young girl? How did her precious diary survive the war? And what about the people who protected - and betrayed her? This is a Short History Of Anne Frank.  A Noiser Production, written by Jo Furniss. With thanks to Karen Bartlett, a journalist and author of The Diary That Changed the World. Get every episode of Short History Of a week early with Noiser+. You'll also get ad-free listening, bonus material and early access to shows across the Noiser podcast network. Click the subscription banner at the top of the feed to get started. Or go to noiser.com/subscriptions Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shanon and Nolan dive into our recent Homesteading obsession and chat with the very funny (with the best laugh) writer and actor Mitra Jouhari about her journey from The Daily Show to Big Mouth – plus her very questionable, very intense Anne Frank phase.Books and Authors mentioned in this episode:Lonesome Dove - Larry McMurtryThe Buffalo Hunter Hunter - Stephen Graham JonesStag Dance - Torrey PetersThe Antidote - Karen RussellOpen, Heaven - Seán HewittThe Crossing - Cormac McCarthyOcean Vuong - The Emperor of GladnessThe Virgin Suicides - Jeffrey EugenidesThe Marriage Plot - Jeffrey EugenidesIntersex - Jeffrey EugenidesFresh Complaint - Jeffrey EugenidesBeautiful World, Where Are You - Sally RooneyThe Crying of Lot 49 - Thomas PynchonThe Lying Game - Ruth WareThe Coin - Yasmin ZaherThe Safekeep - Yael Van Der WoudenStay True - Hua HsuThe Diary of Anne Frank - Anne FrankNight - Elie WieselAtonement - Ian McEwen Atlas Shrugged - Ayn RandThe Fountainhead - Ayn RandOn Writing - Steven King

For today's show: the news; remains of Olomouc's Přemyslid rulers identified and laid to rest; researchers examine stains in medieval medical manuscripts to uncover ancient remedies; the Czech Anne Frank: Diary of Věrka Kohnová. 

In this important episode, David sits down with recipients of the 2024 Shine A Light on Antisemitism Civic Courage Award, Dr. Devin Randolph and Rabbi Dr. Meir Muller. Together, they discuss ways to combat prejudice, racism, and antisemitism by searching for the commonalities in Black and Jewish fights for freedom and liberation.  Dr. Randolph and Rabbi Dr. Muller encourage us to move away from black and white thinking and, instead, be vulnerable with each other, so that our human experiences may educate each other. Particularly in a post-October 7th landscape, the tension that may accompany Jewish education can create space for curiosity, support, and solidarity. Through historical and personal examples, this conversation explores the goal of promoting justice and understanding different perspectives.  This episode was produced by Dina Nusnbaum and Miranda Lapides. The show's executive producers are David Bryfman, Karen Cummins, and Nessa Liben. This episode was engineered and edited by Nathan J. Vaughan of NJV Media. If you enjoyed the show, please leave us a 5-star rating and review, or even better, share it with a friend. Be sure to subscribe wherever you listen to podcasts and be the first to know when new episodes are released. To learn more about The Jewish Education Project visit jewishedproject.org where you can find links to our Jewish Educator Portal and learn more about our mission, history, and staff. We are a proud partner of UJA-Federation of New York. 

During our coverage of Miep Gies, we presented the story of the events that were happening in the world at large during WW2, closer in within the city of Amsterdam, and then to a smaller scale within the lives, offices and homes of the helpers. Susan has in fact taken a pilgrimage to Amsterdam to visit the attic where Anne lived and Miep worked so hard to keep her safe. But, since we cannot all be there in person, here is our Anne Frank episode from 2018, the story of what was happening inside the secret annex, and in the hearts of the people who lived there. As Anne once wrote in her diary: "What is done cannot be undone, but one can prevent it from happening again." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sara Franklin shares the life story of Judith Jones, the legendary editor behind some of the greatest cookbooks of the 20th century. We hear how she discovered Julia Child, why Edna Lewis sent her a box of squirrels and what happened when she was told to reject the diary of Anne Frank. Plus, historian Stephen Puleo recounts the sticky disaster that was Boston's Great Molasses Flood of 1919, and we head to Paris for the world's greatest ham and cheese sandwich. (Originally aired May 16, 2024.)Get the recipe for Oven-Baked Three-Layer Croque Monsieur Sandwiches here.Listen to Milk Street Radio on: Apple Podcasts | Spotify

Hour 3: A Crowded WR Room for the Cowboys; Helen Keller v Anne Frank; What Did We Learn Today? full 2270 Wed, 07 May 2025 04:51:00 +0000 29VipCYakPgYX6v9TDJUqJavFewkdVAA sports The Fan After Dark sports Hour 3: A Crowded WR Room for the Cowboys; Helen Keller v Anne Frank; What Did We Learn Today? The Fan After Dark includes a rotation of hosts offering a truth-telling sports entertainment experience that gets listeners right on the biggest sports topics in and around DFW, across the country, and around the world. Focusing on the Cowboys, Rangers, Mavericks, etc., The Fan After Dark airs M-F from 7-11 PM and is the only live and local sports radio show in the MetroplexCome 'Get Right' with Reg on The Fan, and be prepared for sports talk on a whole new level. You can follow Reg on Twitter @regadetula © 2024 Audacy, Inc. Sports False

As a follow up to our recent podcast regarding the life and times of Anne Frank, we asked author Alexandra Ritchie to tell us more about the horrors of World War II and Poland. Ritchie, a citizen of Canada, now lives in the city which is the title of her book, Warsaw. Her focus is on 1944 and what was called the Warsaw Uprising. In her introduction, she writes, "Himmler and Hitler had decided that the entire population remaining in one of Europe's great capital cities was to be murdered in cold blood. Himmler referred to Warsaw as the great abscess, which was to be completely destroyed." Learn more about your ad choices. Visit megaphone.fm/adchoices

While Bill is on a research and writing sabbatical for the next 3 weeks we decided it's important to revisit the horrors we laid out in our Project 2025 podcast series, Trump's Project 2025: Up Close and Personal – and tie them to what's actually happened so far. Project 2025 proposed to eliminate the Department of Education and divert federal education funding into universal school voucher programs, allowing public money to be used for private and for-profit schools. This would result in cuts to critical services and programs at public schools, including mental health counseling, school resource officers, after-school programs, reading/writing specialists, and services for students with disabilities. Classroom sizes at public schools would increase substantially due to the funding cuts, hampering the ability to provide a quality education. The plan also calls for the censorship of curriculum and book banning related to topics like racial equity, LGBTQ issues, and reproductive health. Private for-profit schools receiving voucher funds have been found to use substandard or misleading curriculum, including teaching that dinosaurs and humans co-existed and that slavery was not as bad as portrayed. Overall, the goal of Project 2025 is to end public education in the United States in favor of a privatized, deregulated school system, with devastating consequences for students, especially those from lower-income families and communities.Based on the actual proposals and likely consequences above, the fictional based stories begin as Martha Sheakley, the principal of Southeast Middle School, faces the challenges of new controversial book-banning laws that require the removal of numerous classics from the library. As she meets with librarian Paige Parker, they express their frustration over the vague standards forcing them to censor popular titles, including works by Toni Morrison and Anne Frank. Martha is frustrated with the political landscape affecting education and the consequences of enforcing these new laws. Martha then attends a distressing meeting about school funding. Due to the government's shift to vouchers for private schools, public schools face severe funding cuts. She learns they must eliminate wrap-around services and support staff, including mental health counselors, after-care programs, and special education resources. These cuts threaten the well-being of students and the overall educational environment. The meeting exposes the deepening crisis in public education as more responsibilities are pushed onto families with lower income and fewer resources. After a day filled with painful decisions and meetings, Martha encounters law enforcement taking away censored books from the library, further highlighting the absurdity and tragedy of censorship in education. As the day ends, Martha reflects on the privilege of parents benefitting from the new policies while her own students and staff suffer the consequences.In parallel, Marcus and other parents share their concerns about Blue Ribbon Academy, a new school that seemed promising but delivered a disappointing reality. They discover misleading curriculum materials that trivialize serious historical issues and provide an inadequate education. As they navigate their experiences trying to advocate for better education options for their children, they are met with resistance from the Blue Ribbon administration, which has no accountability to the public.Despite their efforts, the parents ultimately face the grim reality that shifts in educational policy have sidelined their children, particularly those with special needs like Marcus's son, Jamal, who is deemed "not a good fit" for Blue Ribbon due to his ADHD. This reflects a larger trend of public schools becoming underfunded and unable to meet the needs of diverse learners as more families are funneled into less supportive educational environments.We'd like to thank all the artists who volunteered their time to make this episode: Ever Carradine and Don Cheadle who read the chapters and others who contributed character voices. Sound design by Johnathan Moser.Trump's Project 2025: Up Close and Personal is written by David Pepper and produced by Pepper, Melissa Jo Peltier and Jay Feldman and is a production of Ovington Avenue Productions and The Bill Press Pod. Today's Bill Press Pod is supported by The Laborers' International Union of North America. More information at LIUNA.orgSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Julie Brill joins Let's Talk Memoir for a conversation about growing up the daughter of a Holocaust survivor and her journey to understand the unexamined childhood stories she grew up with, being a reluctant memoirist and leaning into telling the story of an ordinary person figuring things out, the Holocaust and the history of the Jews of Serbia, inherited memories, making ourselves the central character, when our parents'  foundational stories become ours, finding our place, permission to tell a story if you didn't live through it, and her new memoir HIdden in Plain Sight: A Family Memoir and the Untold Story of the Holocaust in Serbia.   Also in this episode: -the missing missing -the unthought known -making research readable   Books mentioned in this episode: Three Minutes in Poland by Glenn Kertz Paper Love by Sarah Wildman Plunder by Menachem Kaiser Big Magic by Liz Gilbert The Creative Process by Twyla Tharp   As a child, Julie Brill held two conflicting beliefs. She knew Germans had murdered her Jewish grandfather in occupied Yugoslavia, yet she somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes her father passed down, a blend of his early memories and what his mother told him, didn't match what Julie had heard about Germany, Poland, and Anne Frank in Holland during World War II. Even frequent readers of Holocaust history likely do not understand the Serbian story. Destruction there came early and fast. Without cattle cars, gas chambers, or distant camps, the Nazis murdered almost the entire Jewish population before the plan for the Final Solution was even set. With so few Jewish survivors and descendants from Serbia, the story of the Shoah there has gone untold. Julie's quest to understand and share what she learned led to Hidden in Plain Sight: A Family Memoir and the Untold Story of the Holocaust in Serbia. Julie has written for Haaretz, the Forward, Kveller, The Times of Israel, Balkan Insight, and elsewhere. She shares her family's experiences in the Holocaust in middle and high school classrooms through Living Links.  Additionally, Julie is a lactation consultant, doula, childbirth educator, and the author of the anthology Round the Circle: Doulas Share Their Experiences. She began attending births and teaching childbirth classes in 1992 and has supported thousands of families in the childbearing year. She graduated from Tufts University with a degree in Sociology and Gender Studies and completed the Massachusetts Midwifery Alliance Apprenticeship Course. She is the mother of two adult daughters.   Connect with Julie: Website: https://juliebrill.com/ Instagram: https://www.instagram.com/juliesbrill/ Bluesky: https://bsky.app/profile/juliebrill.bsky.social Facebook: https://www.facebook.com/julie.brill1 X: https://www.Twitter.com/juliebrill8 Get her book: https://mybook.to/irl0   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Alan's Soaps https://www.AlansArtisanSoaps.comUse coupon code TODD to save an additional 10% off the bundle price.Bioptimizers https://Bioptimizers.com/toddEnter promo code TODD to get 10% off your order of MassZymes today.Bizable https://GoBizable.comUntie your business exposure from your personal exposure with BiZABLE.  Schedule your FREE consultation at GoBizAble.com today.  Bonefrog https://BonefrogCoffee.com/toddThe new GOLDEN AGE is here!  Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.Bulwark Capital Bulwark Capital Management (bulwarkcapitalmgmt.com)Get a second opinion on the health of your retirement portfolio today. Schedule your free Know Your Risk Portfolio review. go to KnowYourRiskRadio.com today.Renue Healthcare https://Renue.Healthcare/ToddYour journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/ToddThe Todd Herman Show - Podcast - Apple PodcastsThe Todd Herman Show | Podcast on SpotifyTodd Herman - The Todd Herman Show - YouTubeEveryone is Anne Frank // The Media Admits “Mistakes Were Made” So, Now We Can Trust Them // BOMBSHELL REPORT! EXPERTS found the body of Jesus! EXPERTS, you guys!! Super-duper experts.Episode Links:Rep Ryan Clancy: “What Judge Dugan apparently did was what all of us should be doing."At White House Correspondents' Assn dinner, @WHCA President/MSNBC liberal show host @EugeneDaniels2 got long applause for: “We care deeply about accuracy and take seriously the heavy responsibility of being stewards of the public's trust. What we are not is the opposition. What we are not is the enemy of the people. And what we are not is the enemy of the state.”“We bear some responsibility for faith in the media being at such lows. I say this because acknowledging errors builds trust, and being defensive about them further erodes it. We should have done better.” My thoughts at the WHCA dinner on covering Biden.Ancient Egypt bombshell as 'Jesus Christ's body found' in hidden chamber, claims “expert”; British anthropologist Dr Paul Warner claims to have found the body of Jesus Christ and the Ark of the Covenant in a hidden double-cave under the Great Pyramid of Egypt

Miep Gies risked her life in order to help her Jewish friends hide from the Nazis during World War 2. In Part 2 of her story, we'll take you through the years of struggle and subterfuge, the dark day when the Secret Annex was raided, and how Miep saved Anne Frank's writings from destruction. Anne's diary is one of the most significant historical documents of the 20th century, providing a deeply personal account of life during the Holocaust. Said Miep of her work during the war: "My story is a story of very ordinary people during extraordinary times, times the like of which I hope with all my heart will never come again. It is for all of us ordinary people all over the world to see to it that they do not." MIxtiles (Use code CHICKS) OSEA (Use code CHICKS) Blissy (Use code HISTORYCHICKS) Honeylove Learn more about your ad choices. Visit podcastchoices.com/adchoices

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3105: Vicki Cook and Amy Blacklock outline powerful strategies to shift from a scarcity mindset to one of abundance, unlocking financial clarity and emotional well-being. Their guidance encourages gratitude, generosity, and mindful living, helping you break free from limiting beliefs and align your lifestyle with your deepest values. Read along with the original article(s) here: https://womenwhomoney.com/adopting-abundance-mindset-important/ Quotes to ponder: “No one has ever become poor by giving.” “Reducing the time you spend connected to the TV or social media will boost your happiness and decrease your desire to waste money.” “When you get caught up competing with them, you end up with everything they wanted and not what you want.” Episode references: Anne Frank quote reference: https://www.goodreads.com/quotes/1905-no-one-has-ever-become-poor-by-giving Gratitude research - Greater Good Science Center: https://greatergood.berkeley.edu/topic/gratitude/definition Shoshin (Beginner's Mind): https://en.wikipedia.org/wiki/Shoshin Learn more about your ad choices. Visit megaphone.fm/adchoices

In a land fraught with turbulence and oppression, Miep Gies helped to shelter and supply Anne Frank's family (and others) while they were in hiding from the Nazis; an act of civil disobedience that was, though illegal, the most moral of human endeavors. This episode is sponsored in part by: Show off your excellent taste in podcasts by grabbing your History Chicks merch at our Dashery Store, visit The History Chicks Shop Smalls Cat Food: Get 35% off plus an additional 50% off your first order when you head to SMALLS.COM and use code CHICKS Rocket Money: Cancel your unwanted subscriptions and reach your financial goals at ROCKETMONEY.COM/HISTORYCHICKS Quince: Give yourself a luxe upgrade, 365-day returns, and free shipping at QUINCE.COM/CHICKS Learn more about your ad choices. Visit podcastchoices.com/adchoices

SEASON 3 EPISODE 114: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: NO, NBC NEWS AND KRISTEN WELKER - YOU IDIOTS - TRUMP HAS NEVER BEEN 'JOKING' ABOUT A 3RD TERM: Only to dimwitted media types who have been lying to themselves and their audience was it a shock when Welker insisted yesterday to Trump that he’s “joking” about stealing an unconstitutional and illegal third term and the Dictator replying “No I’m not joking, I’m not joking" and he alluded to several ways to game the 22nd Amendment Term Limits. Trump has been serious about this since at least 2023 and the first time I reported on that fact on this podcast was on Wednesday, November 8th… 2023. This has been the plan (like all the other plans) take something unconstitutional and illegal and do it anyway and dare you to sue and get his Concierge Supreme Court to invent a new law and a new country to LET him do it anyway AND insist THIS is the law and if you oppose him, YOU’RE breaking it. That’s the way they papered over Trump’s violation of the Insurrection Clause in the 14th Amendment. Worse yet, the man who has best encapsulated the evil inside Trump, Yale History professor Timothy Snyder, is leaving the country. Literally. Moving to the University of Toronto. If that doesn't tell you all you need to know about how much Trump is NOT kidding. IF ANYBODY STOPS TRUMP it'll be the corporations and Wall Street types who suddenly realize that when he said he'd cook the economy to give all the money to the rich guys he meant just him and Musk. Or maybe it'll be Trump's Intel Community. Somebody is leaking career-ending stories about Pete Hegseth and Bring-Your-Wife-To-Secret-Meetings-Work-Day and Bring-Your-Brother-Into-A-Nepo-Job-Day and I wonder who it could be. Perhaps the National Security Advisor who needs Hegseth to take the fall for SignalGate and just happens to have the number of the editor of The Atlantic programmed into his phone? If we're lucky maybe Hegseth and Mike Waltz will accomplish the rare simultaneous double knockout! B-Block (33:06) THE WORST PERSONS IN THE WORLD: Anna Paulina Luna thinks NBC is hiding a videotape with time code proving Oswald wasn't at the JFK Assassination (three years before time code was invented). A would-be GOP Nominee for Governor of Virginia thinks Anne Frank appeared in a classroom in California 20 years ago to tell gang bangers about the holocaust. And Bill Maher has self-destructed again. Now he thinks he's going to meet Trump because they respect him, because he was the first to predict Trump wouldn't leave office, and to heal the country. And Chris Cuomo and Gavin Newsom are there to reinforce Bill's gullibility! C-Block (49:00) POSTSCRIPTS TO THE NEWS: So I've resumed my TV sports career! I am back on the air this week in pre-season specials on nine regional baseball networks that carry nine major league clubs. This kinda conflicts with my complaints about the same guys doing sports and politics at this time. I'll explain my rationale.See omnystudio.com/listener for privacy information.