Podcast appearances and mentions of Rita Hayworth

Historiquement Vôtre réunit 3 personnages qui ont commencé au cabaret : l'auteur dramatique et poète Maurice Donnay qui a commencé sur la scène enfumée du cabaret du Chat Noir à Montmartre, et fini sur le fauteuil en velours de l'Académie Française. Puis la danseuse et chanteuse de cabaret Rita Hayworth devenue comédienne de légende avec la sensuelle Gilda qui évoluait dans un cabaret elle aussi… Et la plus célèbre des meneuses de revue qui a passé une grande partie de sa vie au cabaret, celui de son mari, Le Crazy Horse Saloon : Lova Moor.

Stéphane Bern, entouré de ses chroniqueurs historiquement drôles et parfaitement informés, s'amuse avec l'Histoire – la grande, la petite, la moyenne… - et retrace les destins extraordinaires de personnalités qui n'auraient jamais pu se croiser, pour deux heures où le savoir et l'humour avancent main dans la main. Aujourd'hui, Rita Hayworth. 

This week we tackle our final Best Picture nominee with the based on a Stephen King short story epic, The Shawshank Redemption. Journey with us as we discuss the road to this film along with all the many memorable moments. Is this a worthy Best Picture winner or did they Academy get it right with Gump? Our Flight and Nightcap are pitching which Stephen King films need a do-over and which filmmaker should tackle them. So pour some bourbon, grab your Rita Hayworth poster, and get ready to believe in hope. Cheers! Click Here for Rye Smile Films Merchandise. Please rate, review, and subscribe on all your favorite podcast apps.

Join Caroline Wilson and Corrie Perkin for Ep 254 - From Bunnings to BAFTAS. This podcast is proudly supported by Red Energy Awarded Australia's Most Trusted Energy Provider by Canstar twice! Head to www.redenergy.com.au to sign up. Show Notes This week Caro back in the studio with post-Amsterdam tips on how to pack for a European winter. Last week's news of Raquel Welch's death prompts a fascinating discussion about the Hollywood Sex Symbol, the allure of actresses such as Welch, Marilyn Monroe and Rita Hayworth, the impact of the 1970s women's movement, and how the genre has been re-considered in this post #metoo era. BSF for Red Energy; Caro has read the new William Boyd novel The Romantic  Corrie wonders: can a great cast save a bad script? After viewing Your Place Or Mine and The Love Punch, she doubts it.  Caro shares a delicious recipe for Harissa Roast Chicken with Flatbreads and Preserved Lemon Yogurt (see recipe HERE.) In the Cocktail Cabinet for Prince Wine Store - producer Jane catches up with Myles Thompson who has a couple of highlights from the Summer Mixed Dozen. Use the promo code MESS online or instore Bank Street South Melbourne for your 10% listener discount (mixed dozens are already discounted). Prince Wine Store delivery Australia wide via www.princewinestore.com.au Caro is grumpy about Tiger Woods and the on-course joke that fell horribly flat.  In Six Quick Questions for Red Energy - Chttps://www.princewinestore.com.au/orrie tells us why she wishes she'd been at the funeral of Dame Vivienne Westwood. Caro, meanwhile, is asking questions of AFL Chairman Richard Goyder. Back from Amsterdam, The First Lady of Football is getting ready for Season 2023.  We love reading out your emails and messages so don't forget to contact us via feedback@dontshootpod.com.au or via direct message on Instagram or Facebook via @dontshootpod. Don't Shoot the Messenger is produced by Caroline Wilson, Corrie Perkin and produced, engineered and edited by Jane Nield for SEN. Learn more about your ad choices. Visit megaphone.fm/adchoices

WE DID IT! Jon and Sierra are a little punch drunk while talking about Rita Hayworth and Gene Kelly this episode. Jon has some wild theories to connect this mini-series, while Sierra talks about some sneaky war propaganda that is in this movie. Also, men are terrible.Sierra's Instagram: @sierrareinMarquee Five: @marqueefivePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Little Shop of Horrors (SCT #4)!

On this episode of Made in Hollywood Mark and William geek out about old Hollywood. You may also hear irrelevant things in this episode about Movie Pass, AMC Theaters, Regal Theaters, Judy Garland, Marilyn Monroe, MGM, Rita Hayworth, Adam Sandler, Gene Kelly, Columbia Pictures, Miriam Nelson, Bette Davis, SAG, Full Service, Scotty Bauers, Tom Cruise, Nicole Kidman, Scientology, Charles Laughton, Walter Pigeon, James Dean, Katherine Hepburn, Spencer Tracy, Nicole Byer, The Fabelmans, Steven Spielberg, Universal Studios, Avatar 2, Everything Everywhere All At Once, Top Gun: Maverick, Woman King, Banshees of Inisherin, Elvis, All Quiet on the Western Front, Tár, Cate Blanchett, Triangle of Sadness, Wes Anderson, Women Talking, Frances McDormand, NomadLand, Amazon, and Oscars.

Jon has invited Sierra to have a three episode arc on the pod to talk about three different movies that may or may not be intertwined. Well, two are technically...and Sierra will be able to talk about Gene Kelly, but not in this one. The two talk about Mr. Jordan, how much of a goddess Rita Hayworth is, and Sierra brings up a weird costume choice.Sierra's Instagram: @sierrareinMarquee Five: @marqueefivePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Xanadu (SCT #3)!

Cuando todo fluye...Y con Chema Marin todo fluye...Chema es bailarín y coreógrafo y además de mi "por y para siempre" profesor de claqué.Chema y yo nos conocimos como maestro-alumnna hace unos años y desde el primer dia que nos conocimos, surgió una mágica amistad … bueno, no sólo amistad, sino que una carrera como pareja de claqué y como tal, hemos bailado ya unas cuantas coreografías rindiendo tributo a grandes como Fred Astaire, Judy Garland, Rita Hayworth y Olivia Newton John.En enero 2023, cuando grabamos esta entrevista, acabamos de bailar un nuevo número en la gala de premios Dias de Cine, en Madrid, rindiendo homenaje a Olivia Newton John en una coreografía de la película Xanadu, junto a Gene Kelly. Si queréis ver de que hablamos en este episodio, teneis el link de la coreografia aquí en las notas del podcast.Y hay muchos más links, como los enlaces de contacto de Chema Marín y otras menciones que hacemos en este capítulo, como el programa que co-presenta junto a la gran Silvia Tortosa “En Casa Contigo”. Las conversaciones con Chema siempre son animadas, llenas de vida, de ilusión, de ganas de seguir mirando hacia arriba, y también muchos truquitos de vida… porque Chema no sólo es coreógrafo en el estudio o sobre el escenario, sino también tiene el arte en las venas a la hora de marcarte pasos elegantes para caminar por la vida… así es Chema y lo descubriréis a conntinuación.Prepararos para unas risas en una conversación muy informal y animada.Gracias por suscribirte y darle al like!Mucho amor y disfruta de esta charla!Menciones en el podcast:Video de nuestra actuación tributo a Olivia Newton John en la gala de premios Dias de Cine:https://youtu.be/igezjD-yJJwPrograma "En Casa Contigo"https://www.youtube.com/@EnCasaContigoFirst Team de Assumpta Serna y Scott Cleverdon:https://www.youtube.com/@EscuelaAssumptaSernahttps://www.escuelaassumptaserna.com/quienes-somos/Urko Arozena:http://tecnicasdeentrenamientomental.blogspot.com/Pelicula Xanadu (Trailer):https://www.youtube.com/watch?v=f3nuh0Oul0U40 Aniversario de "Grease":https://www.youtube.com/watch?v=nNhAowhZxv4***CONECTA CON CHEMA MARIN*** Instagram:https://www.instagram.com/fer_roxyspiders/ https://www.instagram.com/astro_terapeuta/Facebook: https://www.facebook.com/chema.marin.5COMPRA TU CAMISETA CONSCIENTE EXISTO 100% ORGANICA, VEGANA, SOSTENIBLE:https://onstage.es/exi-s-to/1266-5696-camiseta-existo.html#/3-color-beige/84-talla-xs******CONECTA CONMIGO, TU HOST DEL PODCAST, ALEX PIÑEIRO***********:Escucha todos los episodios aquí: https://www.existoradio.com/podcastexistoradioInstagram: https://www.instagram.com/exi_s_to/Twitter: https://twitter.com/exi_s_toFacebook: https://www.facebook.com/existoenexitoPinterest: https://www.pinterest.es/pin/712624341033391213/Web: existoradio.comWorkshops Magnéticos, Talleres, sesiones privadas de Coaching Creativo, Pranayama y Meditación en: https://www.existoradio.com/eventosCURSO ONLINE: Nuevo curso online sobre MENTE, MINIMALISMO, IDENTIDAD, ESTILO Y ÉXITO - (MMIEE).https://hotmart.com/product/mmiee-mente-minimalismo-identidad-estilo-exito/I45979838XCódigo descuento: MEUNOAMMIEE20COMPRA TU CAMISETA CONSCIENTE EXISTO 100% ORGANICA, VEGANA, SOSTENIBLE:https://onstage.es/exi-s-to/1266-5696-camiseta-existo.html#/3-color-beige/84-talla-xs¡GRACIAS POR COMPARTIR ESTO POR DONDE QUIERAS!

Mail Call was an American radio program that entertained American soldiers from 1942 until 1945, during World War II. Lt. Col. Thomas A.H. Lewis (commander of the Armed Forces Radio Service) wrote in 1944, "The initial production of the Armed Forces Radio Service was 'Mail Call,' a morale-building half hour which brought famed performers to the microphone to sing and gag in the best American manner." The program featured popular entertainers of that day, such as Bob Hope, Bing Crosby, Judy Garland, and Dinah Shore, performing musical numbers and comedy skits to boost the morale of soldiers stationed far from their homes. Lewis added, "To a fellow who has spent months guarding an outpost in the South Seas, Iceland or Africa a cheery greeting from a favorite comedian, a song hit direct from Broadway, or the beating rhythm of a hot band, mean a tie with the home to which he hopes soon to return Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

Michael and Dave watched the first and last 15 minutes of the so-called greatest movie of all time, The Shawshank Redemption. Comedian Rob Stant joins the guys to quiz them on the middle. Michael has some interesting theories about Rita Hayworth, Dave is obsessed with Andy's crappy boat, and Rob just can't stop referencing Family Guy. Brooks was here. Thanks for listening! Follow Rob Stant on: Tik Tok / Youtube / Instagram Join The Center Cult Patreon for bonus content and more! Nothing Pacific Podcast Send us an audio message! Send your feedback and new episode ideas to: thecentercutcast@gmail.com Follow us on Tik Tok|Instagram|Twitter Podcast Logo by Cindy Ingeme Intro/Outro music by Bryan Valeri

paypal.me/LibroTobias Tras las lecturas de "El último peldaño de la escalera", "Popsy", "Nona", "El asesino", "La primavera de fresa", “Los chicos del maíz”, "Basta S.A", “El mendigo y el diamante”, ”Rita Hayworth y la redención de Shawshank”, “Marejada nocturna” , “El hombre que no quería estrechar manos”, “El camión del tío Otto”, “Ese autobús es otro mundo”, “El hombre del traje negro”, “Materia gris”, “Camiones”, “La imagen de la muerte”, “Campo de batalla”, “El coco”, “El duende”, “El gato del infierno”, “El sueño de Harvey” , “Parto en casa”, "El experto en turbulencias”, “El último turno”, “El quinto fragmento”, “La balsa”, “Todo lo que amas se te arrebatará”, “En la habitación de la muerte”, “Soy la puerta”, “El brazo”, “Tommy”, “La moneda de la suerte”, “Un trago de despedida”, “Premium Harmony” y “Trueno de verano” os leo ahora “Batman y Robin tienen una altercado” incluido en la antología “El bazar de los malos sueños”. Con este son ya 37 los relatos que os he leído de Stephen King. Temas: • “(Don't Fear) The Reaper” - Blue Öyster Cult • “No more Mr Nice Guy” – Alice Cooper Narración, edición y montaje: Asier Menéndez Marín Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The movie: Gilda (1946) Joshua and Ian watch Rita Hayworth not give a damn as they ponder what a prison in Maine has to do with it. Will they have to tunnel their way out of this one? Just how stupid are men when it comes to love?

1943 – La infartante Rita Hayworth se casa con el incansable y genial Orson Welles. La había visto antes en una foto de la revista Time y había anunciado que algún día se casaría con ella. Se rieron de él. Pero él siempre se salía con la suya. En la voz, Bárbara Espejo.

JEROME CHARYN chats to Maxim Jakubowski (writer, editor, publisher, bookshop owner & critic) & Paul Burke about his new novel BIG RED, Hollywood the real capital of America, Rita Hayworth, Orson Welles, graphic novels, the essence of noir and the female Samson. BIG RED: NARRATED BY A STARRY-EYED LESBIAN, BIG RED REIMAGINES THE TRAGIC CAREER OF RITA HAYWORTH AND HER INDOMITABLE HUSBAND, ORSON WELLES.Set amidst the noir glamour of Hollywood's Golden Age, Big Red re-envisions the life of one of America's most enduring icons: Gilda herself, Rita Hayworth, whose fiery red hair and hypnotic dancing helped make her the quintessential movie star of the 1940s.With narrator Rusty Redburn - a feisty second-string gossip columnist from Kalamazoo tasked with spying on Hayworth by Columbia movie mogul Harry 'The Janitor' Cohn - as our guide, we follow the meteoric rise and heartrending demise of the actress, encountering her exploitative father, Eduardo; her controlling husband, 'boy genius' Orson Welles; and notorious journalist Louella Parsons, among many others. Mixing his trademark screwball comedy and unerring tragedy, Jerome Charyn, with his 'polymorphous imagination' (Jonathan Lethem) reanimates film classics such as Cover Girl, Gilda, and The Lady from Shanghai.An insightful, tender portrait of a seemingly halcyon age before blockbusters and film franchises, Big Red promises to consume both Hollywood cinephiles and neophytes alike.Jerome Charyn is the author of more than fifty works of fiction and nonfiction. Among other honors, he has received the Rosenthal Family Foundation Award for Fiction from the American Academy of Arts and Letters and his novels have been selected as finalists for the Firecracker Award and PEN/Faulkner Award for Fiction. Charyn lives in New York.Recommendations (Film): Chinatown, The Lady From Shanghai, Duel In The Sun, Chimes At Midnight, Citizen Kane, Touch Of Evil, The Magnificent Ambersons, Double Indemnity, The Third Man, Decision To Leave, Gold Diggers of 1933, On The Waterfront, The Stranger, Vertigo.Books: James Ellroy, No Country for Old Men Cormac McCarthy, City of Nets Otto Friedrich.Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimePaul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2022 .

Steve speaks at length with retired talent agent, author and film packager Budd Burton Moss who relates stories of working with a constellation of actors in the 1950s and 1960s, including Rita Hayworth, his long time friendship with Sidney Poitier, his marriage to actress Ruth Roman (Strangers on a Train), her harrowing tale of survival on the sinking Andrea Doria luxury liner, and much more. A very rich interview. 

Se souvenir de « Black-out » Bookmakers #21 - L'autrice du mois : Loo Hui Phang Née en 1974 au Laos, Loo Hui Phang est l'une des scénaristes les plus respectées de la bande dessinée franco-belge. Ses histoires dessinées par Frederik Peeters (« L'Odeur des garçons affamés ») ou Philippe Dupuy (« Les enfants pâles », « Nuages et pluie ») sont hantées par les thèmes de l'identité, du désir et de l'étrangeté. Lauréate en 2021 du prix Goscinny du scénario pour « Black-out » (dessiné par Hughes Micol, sur un acteur métis de l'âge d'or hollywoodien), elle a imaginé et coordonné en janvier 2022 une exposition exceptionnelle au festival international de la BD d'Angoulême : « Écrire est un métier », sur la profession de scénariste de BD. Également metteuse en scène, dramaturge et romancière, Loo Hui Phang vit et travaille à Bruxelles. Se souvenir de « Black-out » (3/3)En 1986, un an avant sa mort, l'icône hollywoodienne Rita Hayworth se souvient avec mélancolie d'un homme qu'elle aima follement. Seule dans son appartement, la star immortelle de « Gilda » estime que cet acteur charismatique en diable était, par la richesse unique de ses origines ethniques, « les Américains » à lui tout seul. Mais d'où vient Maximus Ohanzee Wildhorse, alias Maximus Wyld, héros maudit de la BD « Black-out » publiée en 2020 aux éditions Futuropolis, dessinée par Hugues Micol, dont l'histoire – dense, vénéneuse, mythologique – vaudra à Loo Hui Phang le prix Goscinny du scénario au festival d'Angoulême ? Quelle est la part de hasard dans une architecture narrative si rigoureusement boulonnée ? Comment s'organise économiquement la vie de l'autrice quand on sait qu'un album de cette qualité ne s'est vendu, malgré les honneurs, qu'à 5300 exemplaires ? Parmi ces honneurs, citons cette joie : suite au prix, Loo Hui Phang se vit confier la charge d'organiser une exposition au festival d'Angoulême 2022. Cela devint « Écrire est un métier », qui lui permit d'interroger trente-deux scénaristes internationaux sur leurs conditions de travail ; une sorte de « Bookmakers » géant, didactique, pour sensibiliser le public à ce job de l'ombre, si précieux, le plus précisément possible. Au sein des invités de cette exposition, se trouvait Pierre Christin, cocréateur cosmico-politique de la saga S.-F. « Valérian et Laureline », avec qui Loo écrit en ce moment une histoire surréaliste – par échange de notes vocales. Ce qui mérite de faire décoller notre vaisseau spécial vers la planète Christin, jusqu'à l'atelier du maître, en guise d'épilogue de ce troisième épisode. Enregistrement : octobre 22 - Texte, voix, entretien, découpage : Richard Gaitet - Prise de son, montage : Sara Monimart - Réalisation, mixage, musiques originales : Samuel Hirsch - Lectures : Emma Bouvier, Stella Defeyder, Samuel Hirsch, Charlie Marcelet - Illustration : Sylvain Cabot - Remerciements : Pierre Christin, Clarisse Le Gardien - Production : ARTE Radio - Samuel Hirsch

The quarantine movie that time forgot.Shop the Store: http://tee.pub/lic/bvHvK3HNFhkTheme Music "A Movie I'd Like to See" by Al Harley. Show Art: Cecily Brown Follow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com

On this episode of the Capital Games Movie Club, Wiz talks about the movie that made Rita Hayworth a bombshell in film: "Gilda" costarring Glenn Ford and George Macready.

Welcome back to our Fine Podcast Establishment™! It's another doozy of an episode, in which Laurel get carried away, Heather gets very Rita Hayworth, Brittany's a book Smaug, and Matt's looking grizzled. This month Shrek and Cider Sluts Unite, there's a fun (lesbian) twist, and we beg Guillermo DelToro to remake Brigadoon. This note could go on forever, so maybe just listen and laugh and act like we wrote it all down? kthxbye. Book Mentions: Heather: I'm Glad My Mom Died by Jennette McCurdy The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid Laurel: Lapvona by Ottessa Moshfegh The Hotel: a Series of Ghost Stories with a Feminist Twist by Daisy Johnson Elsewhere: a Novel by Alexis Schaitkin The Family Fang: a Novel by Kevin Wilson Just Like Home by Sarah Gailey Little Eve by Catriona Ward Matt: Hip Hop Family Tree Book 3: 1983-1984 by Ed Piskor Mi Cocina: Recipes and Rapture from My Kitchen in Mexico by Rick Martinez Brittany: The Story of the Hundred Promises by Neil Cochrane Women of the Frontier: 16 Tales of Trailblazing Homesteaders, Entrepreneurs, and Rabble-Rousers by Brandon Marie Miller Where the Deer and the Antelope Play: The Pastoral Observations of One Ignorant American Who Loves to Walk Outside by Nick Offerman As ever, thank you to Shane Ivers of Silvermansound.com for the use of VHS Dreams as our intro and outro music.

https://instagram.com/tinadeliasf TINA D'ELIA (She/Her) is a Bay Area lesbian/queer, mixed-race Mexican artist and small business owner, teacher, and coach and an award-winning solo performer, actor, co-screenwriter, and casting director. D'Elia is also the program director of the LezWritesBTQ program with 3Girls Theatre. Tina is honored to be performing her 4th solo show Overlooked Latina, directed by Mary Guzmán and developed with David Ford, at The Marsh (San Francisco) this month. Her next shows are October 27th and 29th. D'Elia's solo show: The Rita Hayworth of this Generation, won “Best of Fringe” (2015) and won “Best of Sold-Out Shows” at the San Francisco Fringe Festival (2015). She is currently developing her fifth solo show, The Break-Up! A Queer Latina Torch Song, directed by Mary Guzmán. D'Elia has presented her solo shows in a variety of venues including: The National Queer Arts Festival, The Theater Offensive (Boston), The Marsh (SF/Berkeley), The Marsh Rising Star, Stage Werx, Highways Performance Space (LA), Crazy Nannies (NY), LezWrites, Women on the Way Festival, and more. D'Elia was recognized in Go Magazine 100 Women We Love (2019) and in the leading national lesbian Curve magazine Power List of 2017. D'Elia is the recipient of the Best Actress Award and the Diversity Casting Award (2017) from the Equality International Film Festival. D'Elia received the: The Audience Award at Frameline33 (2009), as a co-screenwriter of the short film Lucha, also nominated for the prestigious Iris Prize (2009). Her feature film/television/webseries credits include: The Pursuit of Happyness, Knife Fight, Guitar Man, Earth Mama, Trauma (NBC), Sense8 (Netflix), Dyke Central (Amazon), Transfinite, and Assigned Female at Birth (YouTube). Follower her on Instagram/Twitter: tinadeliasf, Tina D'Elia on FaceBook. Her websites: tinadelia.com and tinadeliaconsulting.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/bravemaker/message Support this podcast: https://anchor.fm/bravemaker/support

There is still plenty of spookiness left in the season! To celebrate, this week we are bringing you Stephen King's The Body from his 1982 collection Different Seasons, also containing Rita Hayworth and the Shawshank Redemption and Apt Pupil. We talk about poverty and violence in rural America, masculinity, class, epic, and the classic Philadelphia tradition Wing Bowl. We get into the 1986 film adaptation Stand By Me, starring Wil Wheaton, who is also the star of Star Trek: The Next Generation. It's not that bald guy, it's the kid. We read the Signet edition. Check out King's On Writing: A Memoir of the Craft (2000) or one of his 65 other novels (seriously) or hundreds of short stories (also seriously) if you are interested in haunted cars, scary sewer clowns, or the various terrors of New England. *Note to listeners: Megan is off this week. She'll be back with us next time for The Monk! Find us on Twitter, Instagram, and Facebook @betterreadpod, and email us nice things at betterreadpodcast@gmail.com. Find Tristan on Twitter @tjschweiger, Katie @katiekrywo, and Megan @tuslersaurus.

For our Warner Bros. 1941 episode we watched two Raoul Walsh love triangle movies: Manpower, in which Edward G. Robinson pines for Marlene Dietrich, who pines for George Raft; and one of Dave's all-time faves, The Strawberry Blonde, in which Olivia de Havilland pines for James Cagney, who pines for Rita Hayworth. We discuss Walsh's treatment of women as desiring subjects; the productive tension between acteur and studi-auteur in the pairing of Dietrich and Warner Bros.; Walsh's unHawksian take on male dynamics in dangerous workplaces, and more. But what makes these uniquely Warner Bros. pictures? You'll have to listen to the episode to find out.  Time Codes: 0h 01m 00s:      THE STRAWBERRY BLONDE [dir. Raoul Walsh] 0h 44m 26s:      MANPOWER [dir. Raoul Walsh]   Studio Film Capsules provided by The Warner Brothers Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

El director de Buried nos presenta su Verbolario, Borja Cobeaga, a quién no le gusta conducir, evalúa a nuestros oyentes y vuelve el gran Joaquín Reyes hablando del primo de Rita Hayworth.

Fred discusses the life and career of American dancer, pin-up girl and actress, Rita Hayworth, who was born on this day in 1918. www.rockysealemusic.com https://rockysealemusic.com/wow-i-didn-t-know-that-or-maybe-i-just-forgot https://www.facebook.com/150wordspodcast --- Send in a voice message: https://anchor.fm/rocky-seale7/message

Pop Culture 1946. The London beer flood of 1814, priceless painting hung upside down, Al Capone sentenced. Todays birthdays- Irene Ryan, George Wendt, Alan Jackson, Eminem, Rita Hayworth, Tom Poston, Gary Puckett, Margo Kidder, Michael McKeon, Earl Thomas Conley, Norm McDonald. Tennessee Ernie Ford died.

durée : 00:25:00 - Les Nuits de France Culture - L'émission "Retro" proposait en 1991 "Hollywood Comes to Paris" avec les voix mythiques de célèbres acteurs, s'exprimant souvent "in french", Audrey Hepburn, John Wayne, Clark Gable, Marlene Dietrich, Joan Crawford, etc. Des stars à Paris qui disaient tout le bien qu'elles pensaient de la capitale. L'émission "Rétro" du 21 juillet 1991 proposait un montage d'archives d'entretiens donnés par des stars de cinéma étrangères de passage à Paris. Elle commençait par l'archive d'une interview faite à Paris en juin 1956 avec Audrey Hepburn. L'actrice prenait une pause sur le tournage de Funny Face, elle s'exprimait parfaitement en français pour dire en termes élogieux toute l'admiration qu'elle portait à son partenaire dans le film, Fred Astaire... Puis c'était au tour de Fred Astaire dont le français était un peu moins bon... " je ne le parle pas beaucoup, seulement quand je suis à Paris..." Joan Crawford répondait "not even a little bit..." sur sa capacité à parler le français, lors d'un passage en France. Humphrey Bogart, quant à lui, ne s'exprimait qu'en anglais, il était à Paris juste avant le tournage du film African Queen de John Huston avec Katharine Hepburn, l'acteur faisait une escale en France avant de partir en Afrique. Gregory Peck, en tournage à Paris évoquait son dernier film, Captain Horatio Hornblower de Raoul Walsh. James Stewart parlait de son rôle du musicien Glenn Miller, il venait de tourner Fenêtre sur cour avec Hitchcock. John Wayne, quant à lui, évoquait John Ford, "son idole, un ami très cher..." Marlene Dietrich, de passage à Londres en 1951, évoquait dans un français parfait, son rôle dans No Highway avec James Stewart. Puis à la question "Vous aimez Paris ?" elle répondait "Quelle question ! J'aime Paris pour la ville, pour les Français, les petits cafés, les avenues..." Gary Cooper, à Paris depuis quelques semaines, séjournait à l'hôtel, c'était la première fois qu'il voyait Paris au début de l'été et trouvait la ville "beautiful". Enfin l'émission permettait d'entendre quelques mots de Grace Kelly, puis de Clark Gable qui s'exprimait dans un français très laborieux... Rita Hayworth, Gene Kelly, terminaient cette fabuleuse série d'archives hollywoodiennes. Par Yves Builly - Avec les voix mythiques de célèbres acteurs, s'exprimant souvent "in french" Retro - Hollywood Comes to Paris... avec les voix mythiques de célèbres acteurs, s'exprimant souvent "in french", Audrey Hepburn, Fred Astaire, (1ère diffusion : 21/07/1991) Indexation web : Sandrine England, Documentation sonore de Radio France Archive Ina - Radio France

Paulina and Jez had a terrifying good time chatting with Pierce and Raquel Horvath of Dead Scared Entertainment, a Romani-run horror media company. Detroit born and living in Chicago, Pierce and Raquel Horvath are Hungarian Slovak Bashalde Romungre raised within Roma tradition with a modern twist.Growing up, Pierce was a passionate bat biologist-to-be, but as he fostered his love for Roma music, mid-century modern art, and classic horror films while studying animation at DePaul University he found he'd be fusing these elements into the nostalgic, spooky, Roma production company that is never short of his favorite nocturnal animal. When it came to Raquel, where there was music, she was dancing. Throughout her formative years, she would go on to learn many styles of dance while performing and competing. During her time at DePaul University as well, she decided to learn business and entrepreneurship, making her ready to tackle everything necessary to concoct the perfect monster that became Dead Scared Entertainment.You can follow Dead Scared Entertainment at https://www.deadscaredentertainment.com/ and listen to their podcast O Verda Darano (The Wagon of Fear) wherever you find podcasts. Follow them on Instagram, TikTok, YouTube, and Twitter. The crushes this episode are Rita Hayworth and Fairuza Balk. Thank you for listening to Romanistan podcast.You can find us on Instagram @romanistanpodcast, and on Facebook under the same name, and on Twitter @romanistanpodWe started a Ko-fi fundraiser to help us expand. Our goal is to continue releasing 2 episodes a month, including our advice column, and we would eventually like to expand so we can produce content by other Romani & Sinti creators. We are hoping to cover production costs, like paying for our hosting site, website, editing and producing, and all the rest. We would love it if you could contribute and spread the word. The link, Ko-fi.com/romanistan, is in our bio on Instagram, and will be in the show notesPlease rate, review, and subscribe. It helps us so much. If you would like to advertise with us, email us at romanistanpodcast@gmail.com. We offer sliding-scale for Romani, Sinti & related businesses, so reach out!You can find Jess on Instagram @jezmina.vonthiele, and you can find Jess' vintage and curiosities shop Evil Eye Edit on Instagram @evileyeedit & Etsy.You can find Paulina Verminski on Instagram @_paulina_v_ and at https://romaniholistic.com/. Follow Paulina's store, Romani Holistic, in Corona Del Mar, CA, on Instagram @romaniholistic Romanistan is hosted by Jessica Reidy and Paulina VerminskiConceived of by Paulina VerminskiEdited by CherubWith Music by Viktor PachasAnd Artwork by Elijah Vardo

Frances and Marge have a lot to say about Mad Men Season 2, episode 11, The Jet Set.  Don meets a mysterious group in California, Roger wants to marry Jane. Woman of Note- Rita Hayworth inasnitpodcast@gmail.com patreon.com/inasnit

Lost in Eros, Book II: The Forest – Part 8Nicole & Amy Seek To Seduce The WizardBy BradentonLarry - Listen to the Podcast at Steamy Stories.Shelonda leaned in over Don's lap and immediately lowered her mouth all the way down his cock, letting his fat head slip into her throat. She accompanied this with a loud, very satisfied, “Um!”When she came up for air, Shelonda smiled at Amy and Nicole and said, “That's what you were saying you could do.”“Oh, yes, I remember now. Let me see if I've got this right,” Amy laughed. Straight away, she took hold of Don's cock and lowered her mouth and throat on him. Don took advantage of the situation by gently grabbing Amy's head and holding her there on him so that he could flex himself in and out of her throat a bit. Following Shelonda's lead, Amy gurgled and moaned her approval of this maneuver loudly enough for everyone to hear. Always happy to oblige, Don fucked her throat a bit longer before letting her go.As soon as Amy was up again, Nicole jumped in with, “Let me give that a try!”Crowding in front of Amy, Nicole inhaled Don's shaft in one eager motion. Once he was in all the way, she bobbed her head up and down on him, murmuring her pleasure while he moved in and out of her throat. When she backed up off him, she gave the slippery head of his cock a kiss and flashed a grin around the room.“Is that all you'd do to thank the Wizard?” Shelonda asked.“Don't you think that's enough?” Amy asked.“Not nearly,” Don said with a smile.“Oh, well, I might be able to come up with something else,” Amy said thoughtfully.“Like what?” Shelonda asked as she reached over to stroke Don's wet cock, which was twitching in anticipation.Amy shrugged out of her sheer robe, said, “Well, I could do this,” and, using her chair as a step up, climbed up on the table with Don and Shelonda. Amy planted her feet on either side of Don's thighs, and pulled up her silk negligee to expose her bare pussy and ass to view.“Now that looks delicious!” Don grinned. He leaned forward to kiss Amy's nether lips, reaching up between her legs to get his hands on her ass. Holding her in place, Don reached out with his tongue to lightly lick over the soft curve of her lips. Pushing up between them, he tasted her juices and slipped his long tongue up inside her. Amy moaned and pushed forward a bit, encouraging him to do more. He proceeded to fuck his tongue in and out of her, and then began to lick at her clit.Shelonda was still stroking Don's cock, or was until Nicole took Amy's chair and got into position in front of Don and began to suck on his cock with great enthusiasm. Shelonda leaned back for a moment, admiring the sight of Amy standing on the table while Don buried his face between her legs. Then she decided to get back into the fun. Pulling her sundress up over her head and casting it aside, but leaving her heels on, she got up to stand behind Don. She reached forward and took Amy's head in her hands and pulled her forward into a long, slow passionate kiss.Amy, who had been holding on to Don's head, both for a little support and to keep him there where he was giving her so much pleasure, reached up to get her hands on Shelonda's full tits. She moaned into Shelonda's mouth while squeezing and caressing those beautiful breasts. She moaned again when she felt Don pushing several fingers up inside her grasping pussy. When she felt Shelonda tugging at her negligee, Amy took a few seconds to quickly pull that garment up and over her head. She wasn't sure where it fell; it was out of her mind as Shelonda began to kiss and suckle on her tits. Then Don's tongue was making her come. Amy remembered Nicole's advice and cried out enthusiastically as the explosion of delight erupted in her clit and pussy and then spread through her body, making her shake and sob.“Oh fuck yes!” Amy gasped loudly. “That's so good! Don, you've got the best tongue. Damn!”Shelonda embraced Amy, whose legs were suddenly unsteady, and helped her to lie down with her on the table behind Don.Don took advantage of the momentary break to push Nicole back enough so that he could get off his knees. Instead, he sat on the edge of the table with his feet dangling. Nicole wasted no time, though, and climbed up on the table with the others. Pushing Don back so that he was leaning on his arms, she pulled up her short black dress and straddled Don's lap. She rose up as high as she could, to give anyone watching a clear view, and lifted Don's cock straight up. Pushing the head into her, Nicole slowly slid down its length, moaning happily as it filled her. Don grinned up at her and took her narrow waist in his hands. As soon as she was all the way down on him, Nicole pushed herself back up, almost all the way off, and paused there so anyone could see his thick pole disappearing into her tight pink sleeve as well as the shiny wetness she left on him. Then, finally she let herself down on him again, until his head was pressed against her cervix. Up again and pause, then down, harder this time. Don's strong hands and arms helped to raise and lower her, sparing her thighs some work. With each descent on his shaft, Nicole let out a happy, lustful moan. Soon she was grunting and crying out as she rode up and down on him with almost violent abandon. She began to throw herself into the performance aspect of the evening.“Fuck yes! God yes! That feels so good! Fuck me, Professor! Fuck me!” Nicole cried out.Don was pushing up into Nicole each time she came down on him. He was quietly amazed at how hard a fucking the tiny girl was taking and enjoying. As she bounced on his cock, he watched as she clawed at her dress to pull it aside and get her hands on her little breasts and hard nipples. Then she was coming on top of him, still bouncing as she screamed and shook.“Yes! Yes! Fuck yes!” she called. Then abruptly, she stopped and slumped forward on Don, gasping for air. “Damn!” she whispered, “I guess I like having an audience.”“Well, it suits you,” Don whispered back, kissing her ear.When Nicole pushed herself up a bit, they noticed that Shelonda and Amy had worked themselves into a 69. They lay on their sides, with Amy's feet and back toward Don and Nicole's side of the table. They could see the top of Shelonda's head as she worked her tongue over Amy's slick lips and sensitive clit. Both girls were moaning enthusiastically while they kept their mouths busy.Nicole pushed herself the rest of the way up, and struggled to get out of her dress. Don finally got around to unbuttoning his shirt, and when Nicole climbed off him to walk down the table, naked but for her heels, Don took the opportunity to get out of his clothes. By the time he got back on the table, Nicole was down by Amy's head, reaching around to get her fingers on and probably in Shelonda. Don decided he would make himself useful at this end of things.Lying down behind Amy, he scooted in and guided his cock between her legs. He felt Shelonda's breath and then tongue on the head of his cock just as he felt the wetness of Amy's waiting pussy. He didn't pause, but just went ahead and pushed himself in. Amy let out a particularly loud moan as he filled her in one sure motion. Steadily he began to fuck her, enjoying the sensation of her slippery cunt squeezing and pulling at him as well as Shelonda's tongue brushing against him.What Amy and Nicole were doing to Shelonda had the desired effect, because she was the next one to come, crying out loudly in ecstasy. This precipitated some rearrangement on the table, as Shelonda disentangled herself. Amy turned her head and said over her shoulder, “Get on your back, Don.”Don quickly rolled back, reluctantly pulling out of Amy in the process. She wasn't done with him yet, though. Without turning around to face him, she got up over him. She took his cock and lifted it up and pushed the broad head of it up into her ass. Don said, “Oh, god that feels so good – so hot and tight!”“That's right, baby,” Amy grinned back at him. Then she pushed herself down on him, taking his thick cock deep into her bowels. She leaned back then, and Nicole came around and knelt in front of her, pushing several fingers up into her pussy and attacking Amy's clit with her tongue. Meanwhile, Shelonda straddled Don's face, so that she could have her pussy licked while she reached around to play with Amy's tits.Don reached up to adjust Shelonda's position a little and began to lap at her very wet pussy and clit. His nose slipped into her vagina and then teased her ass as he moved back and forth over her. All the while, he could feel Amy moving up and down on him and Nicole's fingers inside her pussy. He couldn't see what was going on, but he could definitely tell when Amy began to come again. Not only did her ass clench and relax on him as she came, but she cried out in a dramatic and heartfelt wail.As the girls climbed off him, Don realized that he still had not come. He also knew that there was one woman he had not yet fucked that evening. He caught hold of Shelonda's narrow waist and quickly coaxed her into position on her hands and knees. As the other two girls focused their attention on Shelonda's pretty face and swinging breasts, Don drove his cock into her waiting vagina. Once he was good and slick again, though, he pulled back and then pushed himself firmly into Shelonda's tight ass. He remembered the night in the disco when he had first been welcomed into that sweet embrace. He smiled down at her dark, muscular back and fucked her with passionate abandon. She pushed back at him eagerly.“Come inside my ass, Don!” Shelonda called out. “Fill me with your cum!”He felt Amy's fingertips moving on Shelonda's pussy lips and clit, and tried to hold off until Shelonda was coming, but it was too late for that. Everything up until that moment had brought him to the brink and he was too far gone to hold back. He threw his head back and groaned, shoving himself deep into Shelonda as his cock spasmed and filled her ass with hot cum. This helped carried Shelonda over the edge too, and she cried out as her own orgasm swept through her leaving her and Don lying collapsed on the table in a quivering, laughing pile.The other two girls lay down with them, caressing and kissing their hair and sweaty skin.The next day Don was allowed to find his way out into the garden. Since the Wizard had let him know beforehand that this would happen, he was wearing clothing that would allow him to practice his kung fu in the open center of the garden – loose pants, shoes that were almost moccasins, and a light vest. After taking the time to stretch thoroughly, Don began to put himself through a full routine. He was very happy to notice that he was not only maintaining his conditioning but seemed to be in quite a bit better shape than he had been when had arrived in Eros. He was able to hold his stances longer and lower, had more stamina and endurance, and was able to kick and jump higher and more nimbly.He was enjoying the workout so much that he had almost forgotten that he was supposed to have an ulterior motive. Upon finishing a particularly long and demanding open-hand form, he was a little surprised to hear a woman's voice saying, “That was very graceful, sir.”Don smiled, turned and bowed, “Thank you…” He was about to add, “milady,” because it sounded like the appropriate way to address the Wizard's wife, but he was suddenly caught off guard. He had expected a woman who more or less resembled the Wizard. Not necessarily so tall, or quite so old, perhaps, but certainly older and not particularly attractive. Instead he beheld a beautiful young woman with long auburn hair falling over her bare shoulders in loose curls. She wore a white gown with flowing skirts and a cinched bodice that accentuated her very thin waist and full, medium-sized breasts. Her smiling lips were red, and her emerald green eyes were framed by long lashes. Don thought she bore a striking resemblance to Rita Hayworth, and found himself wondering if she had gorgeous dancer's legs.Still smiling, Don said, “My name is Don, are you the lady of the house?”She inclined her head and said, “I am. My name is Madeleine.”“It is an honor to meet you, milady. My friends and I are your very grateful guests.”“Ah, yes,” she murmured. “And where are your three enthusiastic friends?”“I believe they are swimming in the pool. Would you like me to go fetch them?”She laughed a little. “No, that's quite alright. I am only taking my daily walk through the garden. Would you care to accompany me?”“It would be my pleasure,” Don bowed again. He approached her and offered her his arm. Without hesitation, she slipped her arm through his and laid her warm hand on his sweaty wrist. “Do you have a customary path, milady?”“I do,” she nodded, “but perhaps it is a good day to try something new.”This certainly seems to be going well, Don thought.“My husband tells me that you seek a friend of yours who is lost in the forest.”“Yes, he has graciously offered to help us find her.”“How generous of him,” she smiled.“He strikes me as a particularly generous man,” Don nodded, thinking of things quite different than the offer of assistance.“Yes, I'm sure. And you are determined to find this friend of yours?”“Certainly.”“She is perhaps more than just a friend?”“Much more, milady.”“And yet you have three other friends, with whom you are apparently on rather intimate terms.”Don decided to play coy, “Milady?”She paused a moment, then said, “So my husband has informed me.”“Yes, well, my three companions are my friend's friends as well.”“Interesting,” Madeleine smiled, “and does this include intimacy as well.”“It certainly does, milady,” Don chuckled, “and quite a bit of it at that.”“And neither you nor your friends are jealous of each other?”“No. We want each other to be happy, and to experience as much joy as possible.”“How open minded and generous of you, Don. Let us sit there by that fountain.”He led her to the indicated fountain and sat next to her on a stone bench.“Now we can speak directly,” she said with a smile that was almost a grin. “My husband can't hear us here, though he is no doubt still watching.”“Milady?”“I know what my husband is up to,” she laughed. “I've known all along. The horny bugger wants you to seduce me so that I'll let him sleep around, or so we can both sleep around.”“Um, the latter,” Don nodded.“And I'll bet he's holding out the promise of helping you find your friend to get you to play along.”“Yes,” Don smiled, “but that was before I met you. If he had just let me meet you first I would have been quite happy to help him in this regard.”She smiled and patted his knee, “You're sweet. However, things aren't quite as he would have you believe.”“No?”“He wants to believe I'm terribly jealous, but the real problem is that he's quite insecure. I know my husband, and if I agree to an open marriage too easily he'll be plagued with doubts and utterly baseless worries. I know the difference between love and sex, Don. Moreover, I know the difference between sex and fucking amazing sex – and what you four showed off last night was fucking amazing sex!”Don was a bit taken aback to hear her saying “fucking” so freely.“I love my husband more than any other man or woman, and I knew plenty of both before I met him, let me tell you! And, I know my husband loves me. It doesn't bother me that he wants to screw the occasional hottie, or three. I certainly want to let you fuck me till I can't walk straight.”Don smiled broadly, and said, “I'm glad to hear that, because…”“Hold on there, stud,” she laughed. “We've got to play this just right. It's important that my husband thinks it was his plan that did the trick. That way he won't think I just let the first guy with a nice dick and a talented tongue, fuck me.”“I don't suppose the two of you would consider just talking to each other,” Don offered, hoping she would reject the idea. He was quite taken with the idea of seeming to seduce this gorgeous woman.“Oh, certainly,” Madeleine smiled. “We've talked. He knows that I found the show you put on last night very titillating. I practically attacked him as soon as you were done. He's mentioned the open attitude of most of the people in Eros frequently enough that I know what's on his mind. But, as I said, I know my husband, and I know what it will take to make this work.”“OK then,” Don nodded, “what's next then?”“I will play hard to get, but intrigued, until tomorrow,” she said. “I suspect he'll want you to put on another show this evening. Would you mind going down on the other two girls?”“No, not at all!”“Wonderful! That looked divine,” she sighed. “Then, after he drops a few more hints, I'll suggest something like… Oh, I know. I'll tell him that if someone like you were to slip into my bedroom without warning I wouldn't mind being ravished, or something to that effect.”“That does sound a little awkward,” Don admitted.She waved that off, “I'll work it out. Maybe I'll just wait until he's got his cock in me. He'll get the gist then without paying attention to the way I phrase it.”“Um, yes, I can see that.”“Then, all you have to do is follow through,” she smiled. “Think you can do that?”Don chuckled, “Yes, I'm quite sure.”“Wonderful.” Then she lowered her voice, though she had said they couldn't be overheard, “I really am looking forward to letting you have your way with me.”“The feeling is quite mutual, milady!”“It's a date, then,” she laughed. “Now, would you be so kind as to escort me back to the house?”Just as Madeleine had said, the Wizard came to them before dinner time and said that, although she found Don charming, she still wasn't quite sold on the idea of doing anything intimate with anyone. He suggested that they put on yet another show with dinner, and our four heroes were quite happy to oblige. This time, Don made a point of making each of the three women come with his lips, tongue and – here and there – his teeth.Don repeated his kung fu routine in the garden. Again, the Wizard's wife met him, and again they walked back to the fountain. She confirmed that she had dropped the appropriate hint to her husband, and then said, “Now, grab me and kiss me.”Don had been thinking how much he wanted to kiss those ruby red lips since the day before, so he didn't need to be told twice. He quickly slipped his arm around her slim waist, and pulled her to him. Holding the side of her face gently in his hand so she couldn't turn away, he pressed his ardent lips against hers. He thrilled to feel her arms slip around him and hold him for a moment. She began to return his kiss, but then pushed him away. She slapped him then, but not too hard, and he was able to catch her wrist. Holding her hand to his face, he turned and kissed her palm.Yanking her hand away and scowling angrily, Madeleine said, “That was perfect, I can't wait to do more of that!” Then she made a show of storming off to the house.Don shook his head, and then made his way back inside.He was relaxing with the girls in the shallow end of the pool when the Wizard came to see them. Though he was obviously a bit distracted by the naked women, he was intent on his plans in regard to his wife. The Wizard paced back and forth by the pool as he enthused, “Everything is going perfectly!”“Are you sure?” Don asked, though he was pretty confident on that particular score.“Yes, she insists that she is angry with you for kissing her, and perhaps she is, but she is much more excited than angry.”“How can you tell?” Shelonda wanted to know.“The ardor she displayed during our lovemaking just after her walk in the garden was exceptional!” the Wizard explained. “I know just how to proceed tonight. She said she was afraid you might steal into her bedroom and ravish her. I could tell this thought excited her very much, though.”“Well, alright,” Don said, “but how will this help convince her to try an open relationship?” This was a point of the plan that remained sincerely murky to him, and the wife's complicity hadn't helped clarify matters.“Ah,” the Wizard smiled, “that will depend upon me getting her to admit that she had a good time.”“Assuming she has a good time, eh, Professor?” Amy winked at Don.“Well, I'll do my best,” Don grinned.That evening, while the girls were as frisky in the dining room as before, Don remained aloof. He had no doubt that he could perform more than adequately later even if he did play with the girls, but he frankly wanted to concentrate his attention on the Wizard's lovely wife at least for tonight. For himself, the Wizard had said that, though he would be sure she was again watching the dining room, he would find some reason to be unable to satisfy any resulting “urges” his wife might develop that evening.Later, after the girls had given a good warm-up show and after the door out of the bedroom opened of its own accord, Don left his three companions and followed the opening doors into a part of the house he had not yet seen. He was wearing only a soft, dark dressing robe he had found in the closet. He eventually found himself climbing a staircase up to at least the fourth floor of the large building. As the stairs stopped at this level, Don supposed this was the top floor of the house. There were only two doors available to him in the short corridor, and he had been told to go to the left one, which he now did. The door did not swing open as he approached, so he put his hand on the lever and slowly pushed it down. Madeleine was expecting him, but he was sure the Wizard would be watching and he wanted to make things look convincing. In the back of his mind, Don was worried that if the Wizard caught on to his wife's subterfuge he might withhold his assistance in finding Toshia.Don opened the door just enough to slip through into the candlelit bedroom. This chamber was even larger than the rather large bedroom Don had been sharing with his companions. Across the room, near the large, canopied bed, Madeleine sat in front of a gilded table and mirror brushing her long auburn hair. She was wearing a sheer robe of pink.She was turned three-quarters away from him, and the mirror was facing the wrong way to reflect Don as he crept into the room. Apparently sensing his entrance anyway, she said, “Ah, couldn't carry on with me after all, eh?”Don waited until he was almost to her before he said, “What man could?”Madeleine twisted and rose in a single lightning motion, raising her hairbrush as a weapon against him. “You!” she gasped. “What are you doing here?”Don paused a moment to admire the feminine form only barely obscured by her see-through robe. He had been right to imagine that she had long, dancer's legs. Her waist was narrow, her belly flat, and her breasts full, but not too big. She was glaring at him with a good semblance of shock, fear and anger.“I have followed where my desire led,” Don said taking a step forward. “It brought me here.”“Well, it had better lead you back the way you came.”He slowly reached up and took hold of the hand holding the brush, saying, “I don't believe you want me to leave.”“But I tell you that I do,” Madeleine insisted.“Your eyes tell me that you lie,” Don smiled. He moved a bit closer, and took the brush from her hand.“My eyes?”“They dwell too long on my bare flesh, and on my lips, and when you look me in the eye I see that you want more of what I started in the garden.” He slipped up close enough to her that he could set the brush on the table behind her.Madeleine leaned back away from him, and said, “I look at your bare flesh because I'm shocked that you would come into the bedroom of another man's wife wearing only that robe. I look at your lips because I remember the liberty you so rudely took. As for what you think you see in my eyes, well, you see what you want to see.”Don moved his hand – the one that had put the brush down – to her lower back, lightly touching her. Very slowly he raised his right hand up to brush his fingers along her jaw. “I do see what I want,” he smiled.She kept her hands at her sides, hands now grasping the edge of her dressing table, “I will scream for my husband.”“Scream then,” Don leaned in closer, so that his nose was next to hers. They were both whispering now. “Do you think I could be here now if he didn't permit it?”“How dare you!” she hissed.He held her soft cheek in the palm of his hand and said, “If you tell me to leave, I will leave.”“I have said it,” she murmured.“But you don't say it,” Don smiled. His lips brushed against hers. “If I do anything that displeases you, say so and I'll go.”“And if what you don't do…”Don kissed her then, not quickly like in the garden but slowly and sensuously. She returned the kiss, tentatively at first but with increasing passion. He felt her hands on his sides, holding him in place.To be continued.By BradentonLarry for Literotica

I talk to Jerome Charyn, about his Book Big Red. Its fiction, but so much in non fiction. Our narrator is Rusty, a lesbian that just loves her some corduroy pants.  Harry Cohn Asks Rusty to become Rita's private secretary, but really to spy on Orson and Rita. True talk about their marriage, the making of The Lady From Shanghai, renting Errol Flynn's boat, his feelings about Orson and Rita, and her unhappy marriage to her second husband. We  also talk about Rita's early onset Alzheimers. So much good stuff. Book is fun and sad. Poor Rita.  We talked about Jeromes favorite movie..Citizen Kane, I don't agree that its the best, (I had to put up my dukes) but I don't know which movie is, its all relative..I personally HATE Gone With The Wind, and for a long time critics thought it was the best flick of all time.    Lots of Hollywood info and we never really got all the info on why Jerome does not think Classic Hollywood was "The Golden Age".     Thanks so much to Jerome. He was a delight. His author page https://www.amazon.com/Jerome-Charyn/e/B001H6WJVO?ref=sr_ntt_srch_lnk_1&qid=1662568948&sr=1-1   Thanks mostly to the listeners! You Rule!!! Love, Grace   Contact me at              truestoriesoftinseltown@gmail.com   you can listen to podcast  www.truestoriesoftinseltown.com https://podcasts.apple.com/us/podcast/true-stories-of-tinseltown/id136374488 https://open.spotify.com/show/6iTSF8pIrVTbZ8QqNidVUy?  You can also listen on google play, YouTube, Amazon, I heart radio and anywhere podcasts are played.    

Author, critic and film scholar Jerome Charyn rejoins the show to celebrate his new book, BIG RED: A Novel Starring Rita Hayworth & Orson Welles (Liveright Books). We get into how Hollywood created Jerome's childhood & youth, his fascination with the tragic life of Rita Hayworth and her triumph of Gilda, his love of Orson Welles and Citizen Kane, and why he couldn't write this novel in either of their voices. We talk about genius in many guises, from Welles to Melville to Dickinson to Shakespeare to Robert Caro to LeBron, and what it means when genius dissipates. We also discuss Jerome's years teaching film criticism and why it was his favorite job (hint: it's about learning to look deeply), what the mirror scene in The Lady from Shanghai is really telling us, why Hank Quinlan in Touch of Evil may be Welles' greatest role, how Hemingway was the best writer in the world when he was in Paris and the worst writer in the world when he left Paris, whether his book editor (past guest Robert Weil) was touchy about how a film editor is one of Big Red's antagonists, why Kane was really about Welles himself & not William Randolph Hearst, why LeBron should have left Hollywood this offseason, the revelation of interviewing Paul Newman, and more! Follow Jerome on Twitter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

Since he first appeared on the American literary scene, Jerome Charyn has dazzled readers with his “blunt, brilliantly crafted prose” With Big Red, Charyn reimagines the life of one of America's most enduring icons, “Gilda” herself, Rita Hayworth, whose fiery red tresses and hypnotic dancing graced the silver screen over sixty times in her nearly forty-year career. The quintessential movie star of the 1940s, Hayworth has long been objectified as a sex symbol, pin-up girl, and so-called Love Goddess. Reanimating such classic films as Gilda and The Lady from Shanghai, Big Red is a bittersweet paean to Hollywood's Golden Age, a tender yet honest portrait of a time before blockbusters and film franchises―one that promises to consume both Hollywood cinephiles and neophytes alike. Lauded for his “polymorphous imagination” (Jonathan Lethem), Charyn once again has created one of the most inventive novels in recent American literature.

Best Pick with John Dorney, Jessica Regan, Tom Salinsky and special guest Nat Luurtsema Episode 225: The Shawshank Redemption Released 10 August 2022 For this episode, we were joined by writer, actor and comedian Nat Luurtsema who has brought us the 1994 film The Shawshank Redemption, written and directed by Frank Darabont who adapted it from the Stephen King novella Rita Hayworth and the Shawshank Redemption. The stars are Tim Robbins and Morgan Freeman and despite seven Oscar nominations it was somewhat of a box office disappointment, but it developed a second lease of life on VHS and subsequently on DVD, and it has a permanent position at the top of the IMDb top 250. https://twitter.com/natluurtsema https://www.amazon.co.uk/Books-Nat-Luurtsema/s?rh=n%3A266239%2Cp_27%3ANat+Luurtsema https://www.avclub.com/read-this-a-darkly-comedic-seinfeld-spec-script-set-da-1798250195 BEST PICK – the book is out now from all the usual places, including… From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alison Sandy, Amanda Grey, Andrew Jex, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Joerschke, Annmarie Gray, Anthea Murray, Ben Squires, Carlos Cajilig, Caroline Moyes Matheou, Cathal McGuire, Catherine Jewkes, Charlotte, Charlotte M, Craig Boutlis, Daina Aspin, Dave Kloc, David Gillespie, Della, Drew Milloy, Drogo Danderfluff, Elis Bebb, Elizabeth McClees, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Gavin Brown, Helen Cousins, Helle Rasmussen, Henry Bushell, Jane Coulson, Joel Aarons, Jonquil Coy, Joy Wilkinson, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katy Espie, Kurt Scillitoe, Lawson Howling, Lewis Owen, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Mary Traynor, Matheus Mocelin Carvalho, Matt Price, Michael Walker, Mike Evans, Pat O'Shea, Peter, Rebecca O'Dwyer, Richard Ewart, Robert Heath, Robert Orzalli, Sally Grant, Sam Elliott, Sharon Colley, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox, Zarah Daniel.

paypal.me/LibroTobias Tras las lecturas de "El último peldaño de la escalera", "Popsy", "Nona", "El asesino", "La primavera de fresa", “Los chicos del maíz”, "Basta S.A", “El mendigo y el diamante”, ”Rita Hayworth y la redención de Shawshank”, “Marejada nocturna” , “El hombre que no quería estrechar manos”, “El camión del tío Otto”, “Ese autobús es otro mundo”, “El hombre del traje negro”, “Materia gris”, “Camiones”, “La imagen de la muerte”, “Campo de batalla”, “El coco”, “El duende”, “El gato del infierno”, “El sueño de Harvey” , “Parto en casa”, "El experto en turbulencias”, “El último turno”, “El quinto fragmento”, “La balsa”, “Todo lo que amas se te arrebatará”, “En la habitación de la muerte”, “Soy la puerta”, “El brazo”, “Tommy”, “La moneda de la suerte”, “Un trago de despedida” y “Premium Harmony” os leo ahora “Trueno de verano” incluido en la antología “El bazar de los malos sueños”. Con este son ya 36 los relatos que os he leído de Stephen King. Temas: • “Thunderstruck” - AC/DC • “Thunder & Lightning” - Motörhead Narración, edición y montaje: Asier Menéndez Marín Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Two interviews in one post. First is his interview discussing the premiere of Citizen Kane at the Geary Theater in San Francisco. Dorothy Comingore is also interviewed, she played 'Susan Alexander Kane' in the film. The interview aired May 28, 1941. Second interview took place in Hollywood for the Mercury Wonder Show on KMTR. The Wonder Show was a magic, variety, and comedy performance stage production that Orson created for the military and the general public. Military soldiers and crowd participants are interviewed before talking to Marlene Dietrich, Joseph Cotten, and Rita Hayworth and Orson, just after their marriage. I enjoy the interviewer rushing people on and off the mic, funny to me. This interview aired September 7, 1943. : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES. Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)

paypal.me/LibroTobias Tras las lecturas de "El último peldaño de la escalera", "Popsy", "Nona", "El asesino", "La primavera de fresa", “Los chicos del maíz”, "Basta S.A", “El mendigo y el diamante”, ”Rita Hayworth y la redención de Shawshank”, “Marejada nocturna” , “El hombre que no quería estrechar manos”, “El camión del tío Otto”, “Ese autobús es otro mundo”, “El hombre del traje negro”, “Materia gris”, “Camiones”, “La imagen de la muerte”, “Campo de batalla”, “El coco”, “El duende”, “El gato del infierno”, “El sueño de Harvey” , “Parto en casa”, "El experto en turbulencias”, “El último turno”, “El quinto fragmento”, “La balsa”, “Todo lo que amas se te arrebatará”, “En la habitación de la muerte”, “Soy la puerta”, “El brazo”, “Tommy”, “La moneda de la suerte”, “Un trago de despedida” y “Premium Harmony” os leo ahora “Trueno de verano” incluido en la antología “El bazar de los malos sueños”. Con este son ya 36 los relatos que os he leído de Stephen King. Temas: • “Thunderstruck” - AC/DC • “Thunder & Lightning” - Motörhead Narración, edición y montaje: Asier Menéndez Marín

Hello my friends, and welcome to a very specially-extended episode of Divulgence, I am your host, your friend, Jordan Vezeau. I am so excited to welcome back the fringe of the fringe, author, researcher, and former Hong Kong movie star, Troy D. MacLachlan! If he melted your mind last time he was here, we will be melting your face and jaw with this one! We talk, with some great details, about numerous topics surrounding Stanley Kubrick and his movies (especially ‘The Shining', ‘Lolita', and ‘Eyes Wide Shut'), including: Kubrick and music (and my new love for classical), Kubrick and alchemy, Scientology and Tom Cruise/Nicole Kidman/Vivian Kubrick, Doctor Sleep connections, Rita Hayworth's troubled past, dirty Kirk Douglas, the rape and murder/disappearance of Natalie Wood, Ryan O'Neal, and (other) greasy dirt bag evils that Kubrick has had to work with, and I share my very first Kubrick experience. We also get deep into my/our enjoyment of decoding his masterpieces, and the importance of inventorying and analyzing all the clues and archives of materials possible that we have been left with to use to decode and understand his works - We also go over the decoding of Kubrick's movies, and the many themes, both controversial and mind-opening, such as deep-state elites, technology and transhumanism, child abuse and sexual abuse, corruption in Hollywood, politics, and within the royal families/systems, mind-control/MK-Ultra/manipulation, and, plain and simple, death. We also discuss the importance of knowing your friends/teammates and sticking together in this battle of the futures, this was to awaken, and this struggle to understand and come together both as one combined and separately, together collected. Troy shares stories of his history working as an actor in Hong Kong, and we cover so much more great stuff, including gatekeepers, David McGowan, Charlie Manson, organized serial killers, the esoteric and the occult, Timothy Carey, Sydney Greenstreet, and other scene stealers, and much, much, much more in this extra-long episode of Divulgence! It is a wonderful mixture of movies, culture, warfare, and other esoteric and occultic topics that make for a wonderful discussion to be a part of, enjoy! ** ALL support is much appreciated, in any shape or form. PLEASE subscribe and ‘thumbs up/like' my content on any platforms where Divulgence is available. Please also 5-star rate me on Spotify, Apple and anywhere else audio podcasts are found! It is hard having certain platforms mess with your statistics and logistics when you are lesser known! Thank you all and please enjoy what I want to share with you! Rock on! **Resources: DIVULGENCE BITCHUTE - https://www.bitchute.com/channel/8QsxZf1nxO0C/ ODYSEE - https://odysee.com/@Divulgencepod:0YT - https://www.youtube.com/channel/UCStiGMkq3vDyOU6AW6DyvMgRUMBLE - https://rumble.com/user/DivulgenceTWITTER - @divulgencepodPodcast available on YouTube, Spotify, Apple, Amazon Music, Stitcher, Pandora. PLEASE provide a 5 star review! For bookings or promotions, please message on Twitter. TROY MCLACHLANhttp://saturndeathcult.com    

Michael picks a classic that he and Pax have never seen. It's swift justice versus sure justice in William A Wellman's The Ox-Bow Incident, starring Henry Fonda, Harry Morgan, Dana Andrews, and Anthony Quinn. Pax also reads Dead West by Rick Spears and Rob G, while Michael watches The Renegade Ranger (1938) starring Rita Hayworth and Tim Holt.

Hace 25 años y con tan solo unas horas de diferencia nos dejaban dos grandes leyendas del cine como fueron Robert Mitchum y James Stewart. Dos actores que tuvieron vidas y carreras muy diferentes que vamos a comparar en este episodio. También le dedicaremos tiempo a Tom Cruise que este 3 de julio cumple 60 años. Vamos a recordar sus comienzos en el cine y el camino que recorrió hasta convertirse en la sonrisa más cara de Hollywood. Charlamos con una de las actrices revelación de este año, Almudena Amor, la protagonista de ‘La abuela' de Paco Plaza y nominada al Goya por su papel en ‘El buen patrón' de Fernando León de Aranoa. Y en nuestra sección de musicales Jack Bourbon nos trae esta semana ‘Pal Joey', una película protagonizada por Frank Sinatra en la que le acompañan dos de las actrices más bellas que ha conocido el cine: Rita Hayworth y Kim Novak.

A Reel Page Turner welcomes guest, Amye Archer for our final episode of Season 2! Amye shares her passion and insight into the Stephen King novella, “Rita Hayworth and the Shawshank Redemption” that was adapted into the classic movie “The Shawshank Redemption” starring Tim Robbins and Morgan Freeman.A Reel Page Turner is on vacation for the month of July, and will be back in August with new episodes!More about Amye Archer:Amye Archer is the co-editor of If I Don't Make It, I Love You, and the memoir, Fat Girl, Skinny. Her writing has appeared in Creative Nonfiction Magazine, Brevity, Longreads, and Scary Mommy. Find her at www.amyearcher.comFollow A Reel Page Turner on Social Mediahttps://www.areelpageturner.com/https://www.facebook.com/groups/352221223264794Twitter: @AReelPageTurnerInstagram: @AReelPageTurnerTikTok:@areelpageturner 

Space, the final frontier for Mel Brooks to mock. But how well does he do it? The boys take a look.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Space Cabin Fever https://www.washingtonpost.com/archive/lifestyle/wellness/1987/08/04/cabin-fever-in-space/907bf343-ff75-4829-801d-b53215ec75dc/  Pizza Hut https://www.nytimes.com/1987/11/19/business/talking-deals-joint-ventures-in-soviet-union.html Rita Hayworth https://www.nytimes.com/1987/05/16/obituaries/rita-hayworth-movie-legend-dies.html

This week's Stephen King discussion intersects with our love of true crime. And because our special guest, Kate Jenkins, happens to be a lawyer, we wasted no opportunity to discuss one of our favorite novellas and movies in the realm of an actual murder case. Would Andy Dufresne have actually been convicted of the double murder that sent him to Shawshank State Prison? Could he have ever had his conviction overturned on appeal?Not only that, but we also use this amazing novella and film to discuss how it forces us to reflect on aspects of criminal justice, prisoner rehabilitation and institutionalization, compassion, and what it says about the Judeo-Christian values that shape our society.Okay, also we pick which of our celebrity crushes would be on the poster that covers the tunnel we'd be digging out of our prison cells. Really, we run the full gamut here.Additional Information:Chris's Podcast, 80s High: https://the80shigh.podbean.com/Ear Hustle Podcast -- Stories of prison life: https://www.earhustlesq.com/Shawshank Redemption Movie Wiki: https://en.wikipedia.org/wiki/The_Shawshank_RedemptionRita Hayworth and Shawshank Redemption Novella Wiki: https://en.wikipedia.org/wiki/Rita_Hayworth_and_Shawshank_RedemptionShow Credits:Artwork: Nathaniel Dickson http://ndickson.comMusic: Spencer Morelock

Put the blame on mame, boys. And also on George McCreedy and Glenn Ford. It’s a love triangle and an erotic noir. But many people just focus on Rita Hayworth’s song and the dress she sang it in. Gilda also features plenty of gay subtext, which we’ll discuss at length, as well as why some films of this era “got away” with gay themes, while others did not. I also believe we’re setting a record for references to past LTS episodes. I’m not mad at that. Shelly Brisbin with Philip Michaels, Micheline Maynard and Randy Dotinga.

Put the blame on mame, boys. And also on George McCreedy and Glenn Ford. It’s a love triangle and an erotic noir. But many people just focus on Rita Hayworth’s song and the dress she sang it in. Gilda also features plenty of gay subtext, which we’ll discuss at length, as well as why some films of this era “got away” with gay themes, while others did not. I also believe we’re setting a record for references to past LTS episodes. I’m not mad at that. Host Shelly Brisbin with Philip Michaels, Micheline Maynard and Randy Dotinga.

In 1994, producer Frank Darabont teamed up with author Stephen King to create their first prison movie, The Shawshank Redemption. It was based on King's short story, "Rita Hayworth and the Shawshank Redemption," from his book, Different Seasons: Four Novellas. Despite disappointing sales during its time in theaters, the film would become a cult classic. Nearly 30 years later, it's still frequently rerun on TV. In this episode I unpack the links between what we see on TV and what we come to believe about the world. In the case of prison, when we see images of dark spaces with violent characters willing to victimize one another for minimal gains, we naturally come to believe that those scenes are based on something real. We might not believe that prison is that bad, but we still come to believe that it is bad. And the characters themselves also teach us things about prison which cause us to become more supportive of harsh punishments, including the death penalty. Mike Nellis's work, “The Aesthetics of Redemption: Released Prisoners in American Film and Literature,” is available in Theoretical Criminology.

Welcome to It's A Wonderful Podcast!! A wholesome reason behind this week's main show movie as Morgan is joined by Jeannine who wanted to celebrate U.S. Mother's Day appropriately and dedicate this episode to Mama Machine as the movie is set in her country of birth!! This week, they delve back into Noir to talk the reuniting of Rita Hayworth and Glenn Ford in Vincent Sherman's AFFAIR IN TRINIDAD (1952) also starring Alexander Scourby, Torin Thatcher and Juanita Moore!! The It's A Wonderful Podcast Theme by David B. Music. Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST SHIRTS: https://www.teepublic.com/user/g9design Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

TVC 574.1: Part 1 of a two-part conversation with Budd Burton Moss, the legendary Hollywood agent, talent manager, and showbiz raconteur who has not only represented many of the brightest stars in film, television and sports over the past six decades, but had a hand in casting in some of the most iconic comedy and dramatic series in TV history (including Bewitched, I Dream of Jeannie, and Happy Days, just to name a few). Budd Moss is also the namesake of The Burton Moss Hollywood Golden Era Award, an award that honors legendary actors and actresses from the Golden Age of Hollywood (1919 through 1963). Previous recipients of the Burton Moss Hollywood Golden Era Award include Robert Wagner and the late Rita Hayworth. The next Burton Moss Hollywood Golden Era Award will be awarded posthumously to Oscar winner William Holden during the first week of May as part of the Gold Coast International Film Festival in Great Neck, New York. Actress Stefanie Powers will accept the award that night on Holden's behalf. For reservations and more, call (516) 829-2570 or visit GoldCoastArts.org. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are talking about the 1939 Howard Hawks film Only Angels Have Wings staring Cary Grant, Jean Carter and Rita Hayworth.  Geoff Carter: “Tell you what, I'll toss a coin, heads you stay, tails you go.” Special thanks to our editor Geoff Vrijmoet for this episode and Melissa Villagrana for helping out with our social media posts. Next week's film will be: Get Shorty (1995) available  Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Don't forget to visit our website, connect with us on Instagram, Facebook,   LinkedIn, and share your favorite episodes across social media. Give us a call at 971-245-4148 or email at christi@dodgemediaproductions.com

What do Rita Hayworth, a rock hammer, the Bible, a record player, and a harmonica all have in common? They're all found within the walls of Shawshank prison. Listen as Chris and Zach breakdown IMDb's top rated movie of all time, The Shawshank Redemption. Be on the lookout for next weeks "baseball themed" movie selection from one of your beloved hosts! Please be sure to subscribe, leave a review, and share with a friend!

March 14, 1943 - Orson Welles fills in for Jack Benny and Phil Harris returns to the program after three months in the merchant marines. References include the actress Rita Hayworth, and singer John Charles Thomas.