Podcast appearances and mentions of Rita Hayworth

Catholics trace their cemetery history all the way back to the first disciple being buried. They chose to bury their lost close to their churches in anticipation of the resurrection of believers. These early churchyards were referred to as "dormitories" of rest. Catholic cemeteries were open for burial to only Catholics and since they were considered consecrated ground, Catholics who didn't meet the mark couldn't be buried in them, like criminals. Holy ​Cross ​Cemetery ​is located ​in ​Culver ​City, ​California and there are many celebrities who made this their final place of rest from Bing Crosby to Rita Hayworth to Bela Lugosi to John Candy and Catherine O'Hara. Join us for the stones and bones here. Intro and Outro music "Stones and Bones" was written and produced by History Goes Bump and any use is strictly prohibited. Check us out at: https://historygoesbump.com

Celebramos el Día Internacional del Cine, una fecha creada por la Academia de Hollywood con un propósito muy claro: invitar a los cinéfilos de todo el mundo a rendir homenaje a sus películas favoritas. A lo largo del programa escuchamos algunas de las frases más icónicas de títulos inolvidables como La vida es bella, La princesa prometida, Forrest Gump, E.T., Casablanca o Lo que el viento se llevó.Además, esta semana, del 12 al 18 de febrero, se celebra el Carnaval, así que aprovechamos para recordar cómo el cine también se ha llenado de disfraces, máscaras y personajes memorables. Repasamos películas como Domingo de Carnaval de Edgar Neville (1945), Orfeo Negro de Marcel Camus (1959), Al margen de la vida de Julien Duvivier (1943) o Martes de Carnaval, de Fernando Bauluz y Pedro Carvajal (1991). También hablamos de disfraces de carnaval inspirados en el cine como el disfraz de Gilda, inspirado en Rita Hayworth. Todo ello en compañía de José Luis Garci, Andrés Aberasturi y Miguel Rellán.Escuchar audio

Tänään Cityn aamussa keskustellaan Jeren nenäkorusta ja Samuelin säästövinkeistä. Puhutaan työpaikkojen kerhoista ja siitä, kuinka Samuel on suivaantunut työpaikan kulttuurikerhosta ja avainpakosta. Pohditaan myös leffoista, jotka kaikkien pitäisi tietää, kuten elokuva Rita Hayworth. Lisäksi käydään läpi suomalaisten menestystä talviolympialaisissa. Kuuntele aamun jutut tästä!

Gilda, de Charles Widor, sorti en 1946, propulse Rita Hayworth dans les mythes du Septième art, qui va lʹinscrire comme Sex-Symbol, et la rendre éternelle. Rita Hayworth y interprète une femme fatale, tiraillée entre deux hommes. Une scène en particulier la fera entrer dans la légende : lʹactrice, dans un fourreau noir, qui fait le striptease dʹun gant sur un chanson entraînante. Inoubliable. Gilda est avant tout et surtout un film de star : Rita Hayworth est alors au sommet de sa gloire éphémère, de sa carrière foudroyante. Cʹest son producteur de la Columbia, Harry Cohn qui la propulse sur le devant de la scène. Alors mariée à Orson Welles, le Wonder boy dʹHollywood, mais lʹenfant terrible des studios, elle est une pure incarnation du fantasme. Mal compris en Europe au sortir de la sortir de la guerre, le film remporte un joli succès aux Etats-Unis. En 2013, il est inscrit sur la liste du National Film Registry comme film patrimonial. Il ne nous reste plus quʹà admirer la plastique spectaculaire de Gilda et dʹapprécier comme il se doit cette pépite cinématographique dʹaprès-guerre. REFERENCES LEAMING, Barbara, Rita Hayworth, Presses de la Renaissance (1998)

Hoy recordaremos la vida de la única artista española de la que nadie ha dicho ná malo. Divertida, profesional y bética hoy hablaremos de Encarnación Polo Oliva. Encarnita nació en Sevilla el 22 de enero de 1939. Su padre era maestro confitero y cada vez que se acercaba a la madre, le ponía un poquito de crema pastelera en la nariz, por eso Encarnita tenía más hermanos que una cofradía. Nuestra protagonista se interesó desde muy chiquitita por la música y el cine. Tanto es así que para conseguir el dinero de la entrada del cine de verano, la niña cantaba frente a una casa de “putitas” decía ella, digo yo que porque a lo mejor no lo eran del tó, estaban haciendo allí la especialidad, y entonces las mujeres le tiraban las monedas y se iba ella a ve La Lola se va a los puertos. A los 10 años ganó un concurso radiofónico y a los 12 se mudó a Barcelona para comenzar su carrera profesional. 12 años. Con 12 años no tenía yo ni la regla. Ese mismo año su padre murió y Encarnita dijo que nunca olvidaría el sabor de sus pestiños; Su madre, que tenía 8 hijos, dijo que ella tampoco iba a olvidarse del pestiño. Al llegar a la década de los 60, Encarnita, con 21 años y más experiencia que Rita Hayworth quitándose los guantes, consiguió consolidar su proyección artística gracias a su debut en TVE con Baladas del amor y a que se fue a Italia a hacer cine y cantar con la nariz congestioná, que allí gusta mucho. En 1967 se fue de gira por Hispanoamérica con un CD de Los Romeros de la Puebla y una botella de manzanilla porque ella no se perdía una feria ni aunque estuviera en Oklahoma. A su vuelta a España en 1969 se casó con un argentino, el compositor Adolfo Waitzman, con quien tuvo a su hija Raquel y que la primera vez que el hombre cogió aire pa seguí hablando a los 9 años, Encarnita aprovechó pa decirle que se divorciaba. En la navidad de 1970 jugó un partido de fútbol benéfico. Su equipo, el de las Finolis, se enfrentaba a las Folclóricas, capitaneado por Lola Flores y que quedó 1-1. Y con una peseta que pusiera cada asistente se recaudó dinero para una guardería y para pagar las 20.000 pesetas que cobró cada una, que era benéfico pero no gratis. También en 1970 participó en el programa de TVE Pasaporte a Dublín donde se elegiría al representante español para Eurovisión, pero que ganó Karina. Y si 1970 hubiera tenido 3 días más acaba con las guerras en el mundo, porque ese año le cundió más un bote de colorante pa el arroz. Ya en esta época tenía más pelucas que el Millonario en Carnavales, más dientes que Steve Buscemi y un éxito que se convertiría en la banda sonora del pop-flamenco: “Paco, Paco, que mi Paco…” Durante las décadas posteriores su presencia mediática fue disminuyendo progresivamente hasta que se convirtieron en apariciones esporádicas como su participación en marzo de 2017 con 78 años en First Dates, que digo yo que se creería la mujé que iba a la primera consulta del reumatólogo. Desgraciadamente el 14 de noviembre de 2025, con 86 años, un compañero de la residencia la abrazó demasiado fuerte aquí arriba en el cuello y Encarnita se fue sin que Bankia le devolviera el dinero que le estafó con las preferentes, aunque ustedes siempre podrán recordarla cuando se coman un pestiño o le echen al arroz una pizquita de colorante.

Are you living authentically, or hiding behind a mask? Master neuroplastician Robert Paris shares his powerful journey from deep personal pain to true liberation. By rewiring his own brain, Robert uncovered self-love, meaningful connection and a renewed sense of purpose — and now he's dedicated to helping others do the same. Through compelling storytelling, reflections on childhood experiences and practical coaching insights, Robert explores the power of understanding your why, overcoming limiting beliefs and nurturing genuine relationships at home and at work. Robert's work is changing the world, one brain at a time. Rediscover love, connection and purpose as you begin your own journey home reclaiming your identity. KEY TAKEAWAY "Take off the mask. Take off the armour. Show courage, address whatever inner fear or pain that you might feel, because when you do that, it's the most liberating thing you can do in your life. I can guarantee that 100%."   BOOK RECOMMENDATIONS* 1.        You Versus Your Brain: Reclaiming Your Identity by Robert Paris - https://amzn.eu/d/1MqW0qu  2.        The Count of Monte Cristo by Alexandre Dumas - https://amzn.eu/d/948JNCB  3.        Rita Hayworth and Shawshank Redemption by Stephen King - https://amzn.eu/d/8BSSHSS  4.        The Wizard of Oz by L. Frank Baum - https://amzn.eu/d/gqDPyke  ABOUT THE GUEST – ROBERT PARIS Robert Paris is the President of Myelin Leadership International and one of fewer than 100 certified Master Neuroplasticians worldwide, having been internationally recognised in 2024 for pioneering the application of neuroscience in leadership and personal transformation.    Through his innovative RENEW process, he has guided dozens of clients over the past few years to become more self-aware, confident and effective leaders—achieving results far beyond traditional coaching. Robert designs and facilitates leadership programs and team-building initiatives grounded in emerging knowledge of the brain, helping organisations and individuals understand how the brain often works against their best interests—and how to rewire it for resilience and growth   CONNECT WITH  ROBERT PARIS https://ww.myelinleadership.com  https://www.linkedin.com/in/robert-paris/    ABOUT THE HOST - AMY ROWLINSON Amy is a purpose and fulfilment coach, author, podcast strategist and mastermind host who empowers purpose-driven leaders to boost productivity, engagement and meaning in life and work. Through transformational conversations, Amy helps individuals overcome overwhelm and live with clarity, building living legacies along the way.   WORK WITH AMY If you're interested in how purpose can help you and your business, please book a free 30 min call via https://calendly.com/amyrowlinson/call    KEEP IN TOUCH WITH AMY Sign up for the weekly Friday Focus - https://www.amyrowlinson.com/subscribe-to-weekly-newsletter    CONNECT WITH AMY https://linktr.ee/AmyRowlinson    BUY AMY'S BOOK (Shortlisted in the 2025 Business Book Awards) * Focus on Why by Amy Rowlinson with George F. Kerr – https://amzn.eu/d/6W02HWu    HOSTED BY AMY ROWLINSON   DISCLAIMER The views, thoughts and opinions expressed in this podcast belong solely to the host and guest speakers. Please conduct your own due diligence.  *As an Amazon Associate, Amy earns from qualifying purchases.

"Als die verführerische Elsa Bannister eines Nachts überfallen wird, rettet sie der Seemann Michael. Im Gegenzug heuert ihr Mann, ein reicher Anwalt, Michael als Skipper für einen Segeltörn an. Während des Trips verliebt sich Michael in die geheimnisvolle Elsa und lässt sich auf ein krummes Geschäft mit Bannisters Kompagnon Grisby ein. Doch als kurz darauf dessen Leiche gefunden wird, fällt der Verdacht auf Michael. Sein Anwalt ist ausgerechnet Elsas Mann, der von der Affäre mit seiner Frau weiß."

In Episode 3 we take a shoddy look at "The Lady from Shanghai". Do we remember Rita Hayworth's Characters name? No. Do we mention how weird it is that Bannister refers to her as "Lover"? No. What do we talk about? Find out on this episode of Double Identity. Next week we discuss "The Lady in the Lake" You can always contact us at theshoemakerbrothers@gmail.com or Shodcast@gmail.com for that sweet audience interaction you are craving. If we remember to check, we'll respond. Go to patreon.com/TheShoemakerBrothers to support the show.

Step into one of the most fascinating reincarnation cases ever recorded: a four-year-old boy in Oklahoma who vividly remembers life as an Old Hollywood tap dancer turned talent agent. Dozens of his memories later proved uncannily accurate — Broadway and film performances, a Beverly Hills home, glamorous nights with Rita Hayworth — and together they raise striking questions about memory, identity, and the paranormal in a way that even skeptics struggle to dismiss. Plus, Sabrina shares her own unsettling experience after tempting the spirits of Greyfriars Kirkyard. Watch the video version here. Have ghost stories of your own? E-mail them to us at twogirlsoneghostpodcast@gmail.com New Episodes are released every Thursday and Sunday at 12am PST/3am EST (the witching hour, of course). Corinne and Sabrina hand select a couple of paranormal encounters from our inbox to read in each episode, from demons, to cryptids, to aliens, to creepy kids... the list goes on and on. If you have a story of your own that you'd like us to share on an upcoming episode, we invite you to email them to us!  If you enjoy our show, please consider joining our Patreon, rating and reviewing on iTunes & Spotify and following us on social media! Youtube, Instagram, TikTok, Facebook, and Discord. Edited by Jaimi Ryan and produced by Emma Leventer and Jaimi Ryan, original music by Arms Akimbo! Disclaimer: the use of white sage and smudging is a closed practice. If you're looking to cleanse your space, here are some great alternatives! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rita Hayworth, Robin Williams, Adele — these are just a few of the huge stars that have graced the stage of Bimbo's 365 Club over its 94 years in San Francisco. But the act the club is most famous for is Dolphina — or the “Girl in the Fishbowl.”  Dolphina isn't a person, though; she's a character who's been played by many different women since 1931. When Dolphina performs, it looks like there is a real, live woman, shrunk down to 6 inches, swimming in a fish tank at the bar. How did this quirky act come to be? Additional Resources: The Girl in the Fishbowl: The Secret Behind San Francisco's Quirkiest Nightclub Act Read the transcript for this episode Sign up for our newsletter Enter our Sierra Nevada Brewing Company monthly trivia contest Got a question you want answered? Ask! Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts This story was reported by Bianca Taylor. Bay Curious is made by Katrina Schwartz, Olivia Allen-Price, Gabriela Glueck and Christopher Beale. Additional support from Jen Chien, Katie Sprenger, Maha Sanad, Ethan Toven-Lindsey and everyone on Team KQED.

Commençons par la pin-up. Le mot apparaît aux États-Unis dans les années 1940, pendant la Seconde Guerre mondiale. Il vient du verbe anglais to pin up, littéralement « épingler au mur ». Les soldats américains collaient dans leurs casiers ou leurs chambrées des photos de femmes séduisantes, souvent des actrices ou des mannequins, pour se donner du courage loin de chez eux. Ces images, issues de magazines ou de calendriers, étaient appelées pin-up girls. Leur beauté n'était pas provocante au sens moderne, mais incarnait un idéal féminin à la fois sensuel et joyeux — sourires éclatants, poses suggestives, maillots de bain rétro et courbes assumées.Des icônes comme Betty Grable, Rita Hayworth ou plus tard Marilyn Monroe deviennent de véritables symboles culturels : la pin-up, c'est la femme libre, confiante, qui affirme sa féminité avec humour et glamour. Le terme traversera ensuite l'Atlantique et entrera dans la langue française dès les années 1950. Aujourd'hui, il évoque tout un style vintage mêlant élégance, humour et sensualité, loin des représentations plus explicites de la culture contemporaine.À l'inverse, l'expression « béni-oui-oui » vient du registre populaire français et a une connotation moqueuse. Apparue au XIXᵉ siècle, elle désigne une personne docile, servile ou incapable de dire non. Le mot « béni » fait ici référence à quelqu'un d'un peu simple ou trop pieux — « béni » au sens ironique de « benêt ». Quant au redoublement de « oui », il renforce cette idée d'adhésion automatique : le « béni-oui-oui » est celui qui approuve tout sans réfléchir, par conformisme ou par peur du conflit.L'expression s'est popularisée dans les milieux politiques et journalistiques pour dénoncer les courtisans ou les collaborateurs sans esprit critique. Sous la IIIᵉ République, on l'utilisait déjà pour qualifier les partisans dociles d'un régime ou d'un chef. Elle est restée dans le langage courant comme une étiquette mordante pour désigner ceux qui manquent de personnalité.Ainsi, la pin-up célèbre l'affirmation de soi, tandis que le béni-oui-oui incarne la soumission. Deux expressions venues d'univers opposés — l'une de la culture populaire américaine, l'autre de la satire française — mais qui, chacune à leur manière, parlent du rapport entre liberté et conformisme. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

It's October, which means it's time for scary books and scary movies. There's one person who is well known for both: Stephen King. Since his first novel, "Carrie," was published in 1974 and adapted into a hit film two years later, his novels and short stories have been a reliable source of material for film and TV adaptations. And while he's known as a master of horror, some of the more popular films based on his work are drawn from non-horror material. On this week's episode, Sean Fennessey, co-host of the Ringer podcast "The Big Picture," joins Gilbert Cruz to talk about "Stand By Me," "The Shawshank Redemption" and more.Books and movies discussed in this episode:"Stand by Me," based on the novella "The Body" from 1982's "Different Seasons""The Running Man," based on the 1982 novel of the same name published under the pseudonym Richard Bachman"The Shawshank Redemption," based on the novella "Rita Hayworth and Shawshank Redemption" from "Different Seasons""Dolores Claiborne," based on the 1992 novel of the same name"The Green Mile," based on the 1996 serial novel of the same name"The Life of Chuck," based on the novella from 2020's "If It Bleeds""The Long Walk," based on the 1979 novel of the same name published under the pseudonym Richard Bachman Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Il 17 ottobre 1918 nasceva Rita Hayworth! Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio, Mario Mengoni nos invita a viajar por la fascinante historia entre RITA HAYWORTH y el PRÍNCIPE ALY KHAN, un relato de amor, locura y brillo, musicalizado por la exquisita orquesta de PINK MARTINI. Además, el programa incluye grandes novedades con FLIGHT FACILITIES & DRAMA, BAXTER DURY, GALDIVE by POLO & PAN, RAWKEY, DON WEST —el alma soul de Australia— y un “discollage” con 2FAIS, MARK PICCHIOTTI y TODD TERRY. IMPORTANTE: La música en este programa es propiedad de sus respectivos artistas y sellos. Se utiliza solo con fines de difusión y sin intención de lucro. Apoyá a los músicos en sus plataformas oficiales. Conducción, musicalización y producción general: Mario Mengoni. Asistente de Producción: Diego Hidalgo. Locutores: Leandro Brumatti y Raúl Proenza. Operador Técnico: Carlos Rodríguez Sitio oficial: www.discorama.net Seguinos en nuestras redes y dejanos tu comentario: https://www.instagram.com/discoramabymario https://www.facebook.com/discoramabymario https://x.com/DiscoramaAR

EPISODE 108 -  “HOLLYWOOD ROYALTY: GLENN FORD & ELEANOR POWELL, REMEMBERED BY SON PETER FORD” - 10/06/25 PETER FORD was born into Hollywood royalty. As the son of MGM dancing sensation ELEANOR POWELL, and rugged leading man GLENN FORD, he was born into a world stat few can imagine. He lived in a mansion in Beverly Hills with a staff of 8. He called RITA HAYWORTH “Aunt Rita,” was babysat by JAMES MASON, had his first martini (at 10!) thanks to FRITZ LANG, and often had luminaries like HENRY FONDA, BARBARA STANWYCK, and CLARK GABLE at his dining room table. Peter once wrote, “I was sent by Central Casting to play the role of the perfect Hollywood son in this idyllic world of make-believe. I was great and performed flawlessly. It was hard work but I was underpaid!” Join us as Peter offers a fascinating, honest, and informative discussion of his loving, but complicated relationship with his parents, and what it was like to grow up surrounded by icons.  SHOW NOTES:  Sources: Glenn Ford: A Life (2011), by Peter Ford; “Peter Ford, A Star's Son: The Hardest Job in the World,” April 2011, by Charles Ziarko, Classic Images;  www.PeterFord.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Gilda (1946), starring Glenn Ford & RitaHayworth; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; Heaven With The Barbed Wire Fence (1939), starring Glenn Ford, Jean Rogers & Richard Conte; So Ends the Night (1941), starring Fredric March, Glenn Ford & Margaret Sullavan; The Loves of Carmen (1948), starring Glenn Ford & Rita Hayworth; The Man From Colorado (1948), starring Glen Ford, William Holden & Ellen Drew; The Blackboard Jungle (1955), starring Glenn Ford, Sidney Poitier & Anne Francis; Interrupted Melody (1955), starring Glenn Ford & Eleanor Parker; 3:10 to Yuma (1957), starring Glenn Ford & Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

She was Hollywood's “most agreeable” girl, he was cinema's golden boy genius. Rita Hayworth and Orson Welles looked like the dream couple – but behind the glamour it was all drama, long distance, and the inability to separate work from pleasure. This love story from the golden age of Hollywood even features brilliant cameos from Hedda Hopper, Gloria Vanderbilt, and Judy Garland herself.Gráinne and Chantal take a trip to 1940s Hollywood with the fabulous ⁠Kevin Bennett⁠, host of ⁠The Big Smoke Variety Show⁠, in this very special episode of The Way They Were – as requested by our brilliant patron Lady K! Plus, we take a closer look at Charli XCX's star-studded wedding and the Dawson's Creek reunion.For early, ad-free episodes, bonus content, and access to our exclusive gossip chat room, join us on Patreon: patreon.com/TheWayTheyWereSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

She was Hollywood's “most agreeable” girl, he was cinema's golden boy genius. Rita Hayworth and Orson Welles looked like the dream couple – but behind the glamour it was all drama, long distance, and the inability to separate work from pleasure. This love story from the golden age of Hollywood even features brilliant cameos from Hedda Hopper, Gloria Vanderbilt, and Judy Garland herself. Gráinne and Chantal take a trip to 1940s Hollywood with the fabulous ⁠Kevin Bennett⁠, host of ⁠The Big Smoke Variety Show⁠, in this very special episode of The Way They Were – as requested by our brilliant patron Lady K! Plus, we take a closer look at Charli XCX's star-studded wedding and the Dawson's Creek reunion. For early, ad-free episodes, bonus content, and access to our exclusive gossip chat room, join us on Patreon: patreon.com/TheWayTheyWere Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 107 -  “SUSAN PETERS: A CLASSIC HOLLYWOOD TRAGEDY” - 9/29/25 SUSAN PETERS was a rising star in Hollywood's Golden Age, a gifted actress whose poise, talent, and beauty quickly earned her critical acclaim and an Academy Award nomination. With a promising career ahead of her, she seemed destined for lasting stardom—until a devastating accident abruptly changed everything, marking the beginning of a long, painful decline. Her story is one of both brilliance and heartbreak, a portrait of a woman whose strength and grace were ultimately no match for the crushing weight of physical and emotional suffering. Today, we'll be discussing the tragic arc of Susan Peters' life and career, examining how a promising future was shattered in an instant.  SHOW NOTES:  Sources: Fallen Angels: The Tragic Untimely Deaths of 14 Hollywood Beauties (1991), by Kirk Crivello; “The Tragic Death of Susan Peters,” May 10, 2022, by Karen Corday, Grunge.com; “The Many Acts of Susan Peters,” June 25, 2018, by Christina Newland, Hazlitt.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Susan and God (1940), starring Joan Crawford & Fredric March; Santa Fe Trail (1940), starring Errol Flynn & Olivia de Havilland; The Strawberry Blonde (1941), starring James Cagney, Olivia de Havilland, & Rita Hayworth; Meet John Doe (1941), starring Barbara Stanwyck & Gary Cooper; Scattergood Pulls The Strings (1941), starring Guy Kibbee; The Big Shot (1942), starring Humphrey Bogart; Tish (1942), starring Marjorie Main & Lee Bowman; Dr. Gillespie's New Assistant (1942), starring Lionel Barrymore & Van Johnson; Andy Hardy's Double Life (1942), starring Mickey Rooney; Random Harvest (1942), starring Greer Garson & Ronald Colman; Assignment in Brittany (1943), starring Jean-Pierre Aumont; Young Ideas (1943), staring Herbert Marshall & Mary Astor; Song of Russia (1944), starring Robert Taylor & Susan Peters; Keep Your Powder Dry (1945), Starring Lana Turner, Laraine Day, & Susan Peters' The Sign of the Ram (1948), starring Susan Peters & Alexander Knox; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode we're Bewitched, Bothered and Bewildered as we discuss the 1957 film adaptation of the 1940 stage musical ‘Pal Joey'. Starting Frank Sinatra finds himself in a love triangle with Rita Hayworth and Kim Novak whilst pursuing his dream of owning his own club. Tune in to find out who becomes his Funny Valentine

SUCH A POWERFUL FILM!! The Shawshank Redemption Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Visit ⁠https://huel.com/rejects⁠ to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ With the latest Stephen King Adaptation "The Long Walk" out in theatres now, Coy & Johnald fill in a crucial gap in their Cinema viewing history giving their The Shawshank Redemption Reaction, Recap, Analysis, & Spoiler Review! Coy Jandreau & John Humphrey take on their first-time watch Reaction & Review of Frank Darabont's The Shawshank Redemption (1994), the acclaimed adaptation of Stephen King's novella Rita Hayworth and Shawshank Redemption. This beloved drama follows Andy Dufresne, played by Tim Robbins (Mystic River, Jacob's Ladder), a banker wrongly convicted of murder who must endure the brutal realities of prison life. Along the way, Andy befriends Ellis “Red” Redding, brought to life by Morgan Freeman (Se7en, Driving Miss Daisy), whose legendary narration frames the story of resilience and hope. The supporting cast includes Bob Gunton (Demolition Man, Argo) as the corrupt Warden Norton, Clancy Brown (Highlander, Starship Troopers) as the ruthless Captain Hadley, William Sadler (Die Hard 2, The Mist) as Heywood, and James Whitmore (Planet of the Apes, Give 'em Hell, Harry!) as Brooks, whose tragic arc with “Brooks was here” remains one of the film's most unforgettable sequences. Packed with some of cinema's most highly searched and talked-about moments—Andy's daring escape through the sewage tunnel in the thunderstorm, Red's emotional parole hearings, and the moving beach reunion in Zihuatanejo—The Shawshank Redemption continues to top lists of the greatest films ever made, resonating across generations with its themes of perseverance, friendship, and freedom. Follow Coy Jandreau:  Tik Tok:⁠ https://www.tiktok.com/@coyjandreau?l...⁠ Instagram:⁠ https://www.instagram.com/coyjandreau/?hl=en⁠ Twitter:  ⁠https://twitter.com/CoyJandreau⁠ YouTube: ⁠https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Get busy livin' or get busy dyin' as NostalgiaCast kicks off our four-part 1994 retrospective with a captivating look back at THE SHAWSHANK REDEMPTION, directed by Frank Darabont and starring Tim Robbins and Morgan Freeman. Hold tight to your rock chisels and Rita Hayworth posters as Jonny and Darin relive the movie's most memorable lines and performances, compare Darabont's adaptation to other Stephen King adaptations, and dig dig dig to the bottom of how the film has secured the #1 spot on the IMDb's Top 100 list for 17 years now. Salvation lies within!

The film noir classic featuring the stunning Rita Hayworth as the title character and Glenn Ford as the small-time gambler who can't resist her. Co-starring George Macready and Joseph Calleia.

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing next Thursday August 14th at 7PM eastern time. It's the final part of a 3-part mini series on Orson Welles' life and career. "Orson Welles' Career, Part 3: Welles In Europe (1948 - 1956)," is on an often-forgotten and underrated part of Orson Welles' career during his years living and working in Europe. It will focus on the radio, screen, and stage work he was involved in during this time, complete with visuals and audio clips. Here's a link to register — https://www.eventbrite.com/e/orson-welles-career-part-3-welles-in-europe-1948-1956-webinar-tickets-1445320836529?aff=oddtdtcreator If you can't make, don't worry, I'll be emailing all who register a video of the webinar once its done so you can watch it later. And if you missed the first two parts of this webinar series (Part 1 was on his early career and Part 2 focused on late 1941 through 1948), I'll email you a video link to watch the first two presentations (for free) when you register for the Part 3 event. Here's an overview of the webinar: Throughout the last one-hundred years of American entertainment, few people have gotten as strong a reaction as Orson Welles. A rare quadruple threat: writer, director, actor, producer, Welles found immense success on stage, in films, on television, and in radio. In fact, he took center stage in the United States on more than one occasion… and not always to a positive reaction, but always with pushing the creative envelope in mind. Welles managed to alienate the newspaper industry, the Hollywood studio system, and occasionally even the broadcasting networks, but he rarely had a door closed in his face. Welles was known to work himself to the bone, and party even harder. He had romances with some of the most famous and attractive women in the country, including Virginia Nicholson, Dolores del Rio, and Rita Hayworth. He was hailed as a genius, a charlatan, a magician, an incredible friend, an a***hole, a hard-driver, a steady worker, and a man who drank too much. Welles liked to joke that he began his career on top and spent the rest of his life working his way down. Such a strong-willed, creative person deserves an in-depth look. Join James Scully — Radio historian and producer/host of Breaking Walls, the docu-podcast on the history of U.S. network radio broadcasting for the last of a three-part webinar that deeply explores the life and career of Orson Welles, with a strong focus on his two decades working in American and British radio. In Part 3: Orson Welles In Europe (1948 - 1956) we'll explore Welles' time in Europe from the late 1940s through the mid 1950s, with audio clips and highlights including: • HUAC and Leaving the U.S • Harry Alan Towers, and Harry Lime • Othello and The Black Museum • Song of Myself and Theatre Royal • The Adventures of Sherlock Holmes and Moriarity • The BBC Sketchbook and Moby Dick • Mr Lincoln and Mr Arkadin • Returning to the U.S. • Tomorrow and Yesterday Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged! Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

Hey everyone, James Scully here, producer and host of Breaking Walls, the docu-podcast on the history of US Network Radio Broadcasting. I wanted to let you know about a new webinar I'm doing this Thursday July 17th, at 7PM on Orson Welles' early career of Orson Welles through the end of 1941. If you can't make it live this Thursday July 17th at 7PM, don't worry, I'll be emailing every person who registers a video of the webinar once it's over. Here's a link to register: https://www.eventbrite.com/e/orson-welles-career-part-1-from-boy-wonder-to-trouble-maker-webinar-tickets-1445315741289?aff=oddtdtcreator Some more information: Throughout the last one-hundred years of American entertainment, few people have gotten as strong a reaction as Orson Welles. A rare quadruple threat: writer, director, actor, producer, Welles found immense success on stage, in films, on television, and in radio. In fact, he took center stage in the United States on more than one occasion… and not always to a positive reaction, but always with pushing the creative envelope in mind. Welles managed to alienate the newspaper industry, the Hollywood studio system, and occasionally even the broadcasting networks, but he rarely had a door closed in his face. Welles was known to work himself to the bone, and party even harder. He had romances with some of the most famous and attractive women in the country, including Virginia Nicholson, Dolores del Rio, and Rita Hayworth. He was hailed as a genius, a charlatan, a magician, an incredible friend, an a***hole, a hard-driver, a steady worker, and a man who drank too much. Welles liked to joke that he began his career on top and spent the rest of his life working his way down. Such a strong-willed, creative person deserves an in-depth look. In Part 1: From Boy Wonder To Trouble Maker (1931-1941) we'll explore Welles' early life, through his explosion of success in the 1930s all the way to the end of 1941, complete with audio clips and highlights including: • Beginnings in Illinois and China — How they helped shape Orson • The Todd Seminary School — His first exposure to theater and Radio • Connections and Early Breaks — How his mentor Roger Hill, Thornton Wilder, Alexander Woollcott, and Katharine Cornell helped Orson get to Broadway • Orson meets John Houseman and Archibald MacLeish, and first appears on the March of Time • 1935-1937 — From the March of Time to the Columbia Workshop, and how Irvin Reis taught Orson how to create for radio • How the US Government shaped the opportunity for Orson to write, direct, and star in Les Misérables on the Mutual Broadcasting System in 1937 • The Shadow Knows! — Agnes Moorehead and Orson Welles' one season on The Shadow • The birth of the Mercury Theater on the Air as First Person singular. How its success led to the most infamous night in radio in October of 1938 • Mainstream success with Campbell's Soups • Orson goes to Hollywood, and signs the greatest autonomous film contract in history at 24 • Citizen Kane — How William Randolph Hearst and RKO shaped the film • Lady Esther Presents — Orson comes back to radio in the autumn of 1941 • Pearl Harbor Day and collaborating with Norman Corwin • How Joseph Cotton introduced Orson to Rita Hayworth Afterward, I'll do a Q&A — any and all questions are welcomed and encouraged! Can't attend live? Not to worry! I'll be recording the event and sending the video out to all guests who register so you can watch it later. See you (virtually) there!

In this episode of Some Like It Classic, Tami Goveia and Annika Noelle review two timeless classics, "Gilda" starring Rita Hayworth and "Baby Face" starring Barbara Stanwyck. Actress Annika Noelle shares her passion for the iconic 1946 film Gilda, which features a bold, complex, and groundbreaking female lead played by Rita Hayworth. Annika discusses how Gilda's confident, mysterious, and seductive portrayal challenged traditional Hollywood stereotypes and became a symbol of female independence and power. Tami Goveia highlights "Baby Face", a groundbreaking pre-code film starring Barbara Stanwyck. She explains why Stanwyck's bold, fearless, and complex portrayal continues to resonate today, and how pre-code films like Baby Face remain relevant, exploring themes of empowerment, ambition, and social critique that are just as meaningful almost a century later. Instagram @annikanoelle

"Que si, que es verdad. Gonzalo es sobrino-nieto de Rita Hayworth..."

Andrew needs backup that gum sucks. Johnny needs backup that claw machines should be illegal. They talk about Father's Day plans and just how Andy Dufrane got that hiding spot in the Bible for his rock hammer cut so perfectly. Enjoy! Remember to sign up for the Patreon for Post-Show Banter! https://patreon.com/thecavalrypodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

Join us for an engaging episode of Parsha & Prose with Rabbi Shlomo Gemara as we explore the Torah portion of Bamidbar through the lens of the iconic 1994 film The Shawshank Redemption, directed by Frank Darabont and adapted from Stephen King's novella Rita Hayworth and Shawshank Redemption. In Bamidbar, God instructs Moses to conduct a census of the Jewish people, assessing their numbers and strength as they prepare to enter Canaan. Rabbi Gemara masterfully connects this parsha to The Shawshank Redemption, drawing parallels between the structured organization of the Israelite camp and the enduring hope of the film's protagonist, Andy Dufresne, who clings to hope in the face of an oppressive prison environment. Through lively discussions, heartfelt stories, and moments of laughter and reflection, Rabbi Gemara and I (Avrum) uncover the profound themes of hope and purpose that resonate in both the parsha and the film. Tune in for an inspiring and thought-provoking conversation! Am Yisrael Chai.

Join us for an engaging episode of Parsha & Prose with Rabbi Shlomo Gemara as we explore the Torah portion of Bamidbar through the lens of the iconic 1994 film The Shawshank Redemption, directed by Frank Darabont and adapted from Stephen King's novella Rita Hayworth and Shawshank Redemption. In Bamidbar, God instructs Moses to conduct a census of the Jewish people, assessing their numbers and strength as they prepare to enter Canaan. Rabbi Gemara masterfully connects this parsha to The Shawshank Redemption, drawing parallels between the structured organization of the Israelite camp and the enduring hope of the film's protagonist, Andy Dufresne, who clings to hope in the face of an oppressive prison environment. Through lively discussions, heartfelt stories, and moments of laughter and reflection, Rabbi Gemara and I (Avrum) uncover the profound themes of hope and purpose that resonate in both the parsha and the film. Tune in for an inspiring and thought-provoking conversation! Am Yisrael Chai.

Drama on a SundayFirst,  a look at this day in History.Then Suspense, originally broadcast May 25, 1944, 81 years ago, Donovan's Brain Part 2 starring Orson Welles.   A determined scientist plans to keep Mr. Donovan's brain alive in a jar...not such a good idea! The conclusion of the story begun the week before and Welles last appearance on the show.Followed by Yours Truly Johnny Dollar starring Bob Bailey, originally broadcast May 25, 1958, 67 years ago, The Midnight Sun Matter. Johnny's flying in a cargo plane over Alaska with a load of dynamite...when the pilot gets appendicitis!Then The Lux Radio Theater, originally broadcast May 25, 1942, 83 years ago, Test Pilot starring Robert Taylor, Robert Preston,  and Rita Hayworth. The adaptation of a 1938 motion picture about a a daredevil test pilot, his wife, and his best friend.Finally, Lum and Abner, originally broadcast May 25, 1942, 83 years ago, Property Deal Goes Sour.   Squire Skimp buys the property back after Cedric finds buried silver dollars. Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Lana Turner, l'une des bombes fatales du Hollywood des années cinquante, aussi convoitée que Rita Hayworth et Ava Gardner. Un sex symbol de 37 ans dont la vie sentimentale et les mariages successifs font depuis longtemps le bonheur des journaux à scandales. Jusqu'à ce qu'au printemps 1958, l'actrice soit la vedette du film le plus noir de son histoire : un meurtre dans sa villa de Beverly Hills. Celui de son amant. Un crime tout aussi étrange que controversé. Car ce n'est pas elle qui va être accusée de ces coups de couteau. Mais sa propre fille, Cheryl Crame, quatorze ans.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:22:23 - "La blonde et la rousse" ("Pal Joey") (1957) - Inspiré par "Pal Joey", la comédie musicale de Rodgers et Hart qui a notamment révélé Gene Kelly, le film "La blonde et la rousse" réunit en 1957 rien moins que Frank Sinatra, Kim Novak et Rita Hayworth.

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

سلام این فایل مقدمه اپیزود ریتا هیورثهدر این قسمت براتون از خانواده فوق جذاب پرنس علی خان همسر سوم ریتا گفتمامیدوارم دوست داشته باشین

"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter;  Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage;  Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fue una de las pelirrojas míticas del cine clásico, como Katharine Hepburn, Maureen O'Hara o Rita Hayworth. Una gran actriz que era especialista en melodramas aunque cultivó casi todos los géneros. Nos referimos a Susan Hayward. Este 14 de marzo se han cumplido 50 años de su muerte y en este episodio recordamos su vida y su carrera. También vamos a repasar todas las adaptaciones al cine que se han hecho del personaje de Blancanieves, ya que dentro de unos días se estrena una nueva versión del cuento de la princesa, su madrastra y los siete enanitos. Charlamos con Luisa Ezquerra una veterana actriz de doblaje que acaba de estrenar su primera película como protagonista. Y en la sección dedicada al western tenemos esta semana “Hasta que llegó su hora” de Sergio Leone, la película que convirtió a Henry Fonda en un canalla sin escrúpulos.

Fue una de las pelirrojas míticas del cine clásico, como Katharine Hepburn, Maureen O'Hara o Rita Hayworth. Una gran actriz que era especialista en melodramas aunque cultivó casi todos los géneros. Nos referimos a Susan Hayward. Este 14 de marzo se han cumplido 50 años de su muerte y en este episodio recordamos su vida y su carrera. También vamos a repasar todas las adaptaciones al cine que se han hecho del personaje de Blancanieves, ya que dentro de unos días se estrena una nueva versión del cuento de la princesa, su madrastra y los siete enanitos. Charlamos con Luisa Ezquerra una veterana actriz de doblaje que acaba de estrenar su primera película como protagonista. Y en la sección dedicada al western tenemos esta semana “Hasta que llegó su hora” de Sergio Leone, la película que convirtió a Henry Fonda en un canalla sin escrúpulos.

EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir!  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey listeners! Jeff here. We're taking a little break so Dan can deal with some personal family matters. We'll be back soon—but in the meantime, we thought you might enjoy a flashback.  This month's offering is a replay of our first episode from way back in November 2017.  The Last Jedi topped the box office, Wonder by R.J. Palacio was the best-selling book of the year, and “Shape of You” by Ed Sheeran dominated the Billboard Charts. It was a simpler time, listeners.  Allow Dan and I to take you to the way-back-when, if only for an hour. It's time. Barter for a rock hammer, pin up your poster of Rita Hayworth, and prepare to inspire hope in your fellow inmates. This is a replay of The Hero's Journey of The Shawshank Redemption. The Hero's Journey℠ Podcast is a fun, insightful look at stories through the lens of Joseph Campbell's world-renowned mythological framework, hosted by writers/BFFs Jeff Garvin and Dan Zarzana. Please follow us on Facebook and Instagram. For access to an ad-free podcast feed, exclusive bonus content, and the ability to vote on the subject of our next episode, visit our Patreon page. The trademark Hero's Journey℠ is used under license from the Joseph Campbell Foundation (www.jcf.org). Learn more about your ad choices. Visit megaphone.fm/adchoices

Rick selected a Dolcetto to go with The Shawshank Redemption.Erin and Rick enjoyed Dolcetto d'Alba from Elio Altare.https://www.elioaltare.com/en/wines/dolcetto-dalba-doc/19Maureen also enjoyed a Dolcetto d'Alba by Carlo Revello & Figli.https://www.totalwine.com/wine/red-wine/dolcetto/carlo-revello-figli-dolcetto-dalba/p/233853750

1:51:48 – Frank in New Jersey, plus the Other Side. Topics include: Dirt malls, the holiday season, Phish at MSG, Paul Rand, In-In, Pop Culture–Food–Tech–Occult, buy ice, synchronicities (Jerrold box, Brach’s, Ali Baba’a Camel, Flat Duo Jets), After Hours (1985)), A Serious Man (2009), Gilda (1946) starring Rita Hayworth, A Hard Day’s Night (1964), Doctor Who – […]

REDIFF - Lana Turner, l'une des bombes fatales du Hollywood des années cinquante, aussi convoitée que Rita Hayworth et Ava Gardner. Un sex symbol de 37 ans dont la vie sentimentale et les mariages successifs font depuis longtemps le bonheur des journaux à scandales. Jusqu'à ce qu'au printemps 1958, l'actrice soit la vedette du film le plus noir de son histoire : un meurtre dans sa villa de Beverly Hills. Celui de son amant. Un crime tout aussi étrange que controversé. Car ce n'est pas elle qui va être accusée de ces coups de couteau. Mais sa propre fille, Cheryl Crame, quatorze ans. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 24 décembre 2024.

REDIFF - Lana Turner, l'une des bombes fatales du Hollywood des années cinquante, aussi convoitée que Rita Hayworth et Ava Gardner. Un sex symbol de 37 ans dont la vie sentimentale et les mariages successifs font depuis longtemps le bonheur des journaux à scandales. Jusqu'à ce qu'au printemps 1958, l'actrice soit la vedette du film le plus noir de son histoire : un meurtre dans sa villa de Beverly Hills. Celui de son amant. Un crime tout aussi étrange que controversé. Car ce n'est pas elle qui va être accusée de ces coups de couteau. Mais sa propre fille, Cheryl Crame, quatorze ans. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.

Gilda; how Rita Hayworth might have inspired the original anchovy-on-a-toothpick

#Noirvember 24, 2024 Rita Hayworth - The Femme Fatales of Film Noir. Thirty days of some of the greatest ladies in Film Noir as they take on deadly roles.  #Noirvember 30 Day Challange Playlist - https://www.youtube.com/playlist?list=PLIHtsqDG5NERiQK1ZCMVb85MpeFp_mRSW **Reviews Mentioned** The Big Heat (1953) - https://youtu.be/EI6fCEf9QqI Scarlet Street (1945) - https://youtu.be/UofVa2dg97U Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI High Sierra (1941) - https://youtu.be/mjtFlh5QlO0 Road House (1948) - https://youtu.be/KZlRIxH5Oi8 The Maltese Falcon (1941) - https://youtu.be/iDqjuPCKUVc Fallen Angel (1945) - https://youtu.be/BlTQSdNVuQM Mark of Zorro (1940) - Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Impact (1949) - https://youtu.be/NRtZlXsyhLA Brute Force (1947) - https://youtu.be/FtIPD17M2zQ Lady in the Lake (1946) - https://youtu.be/0d7LQiF3dQw The Set-Up (1949) - https://youtu.be/kt8JjYqJRF0 Out of the Past (1947) - https://youtu.be/D1veAGe12AM Against All Odds (1984) - https://youtu.be/bieva2Ed7xI Detective Story (1951) - https://youtu.be/brBIs0hUd_s Murder, My Sweet (1944) - https://youtu.be/tSNHdJu3mRg Key Largo (1948) - https://youtu.be/I_TZZju26KY The High and the Mighty (1954) - https://youtu.be/nrQFWhOR7uQ Born to Kill (1947) - https://youtu.be/E03XjuH7KEY The Narrow Margin (1952) - https://youtu.be/G42vOUwzL1s The Killing (1956) - https://youtu.be/laP1Iye5LA8 McLintock! (1963) - https://youtu.be/6jh8eCDoOcQ Double Indemnity (1944) - https://youtu.be/3KFf4vhmYxI The Strange Love of Martha Ivers (1946) - https://youtu.be/TjcpbvB3JaQ Leave Her to Heaven (1945) - https://youtu.be/hlJI1HudLAc Laura (1944) - https://youtu.be/C9hSo2NTyC8 **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Metricool Social Media Management - https://i.mtr.cool/OXYUDU Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf  GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”

Step into the shadows with Orson Welles' The Lady from Shanghai, a 1947 noir classic dripping with mystery, betrayal, and one of cinema's most iconic climaxes. In this video, we explore the film's dazzling visual style, Welles' intricate storytelling, and Rita Hayworth's unforgettable performance. From the legendary hall of mirrors sequence to the behind-the-scenes drama that shaped its creation, discover why this film remains a cornerstone of noir history. Don't miss this deep dive into one of Welles' most daring projects! --- Support this podcast: https://podcasters.spotify.com/pod/show/thecleanslatepodcast/support

Based on King's novella Rita Hayworth and the Shawshank Redemption, Frank Darabont's adaptation is commonly thought of as one of the all-time great movies. It focuses on a wrongfully imprisoned man and his decades long bid for freedom and all the folks he impacts along the way.

Based on the novella Rita Hayworth and The Shawshank Redemption, Frank Darabont's adaptation has become one of the most beloved films ever made, thanks in no small part to the villainous performance of today's guest. 

Ken Aedy was a teenager when WW2 broke out. He joins the RAF and his life is changed forever. His son Mark joins me to discuss his father's many adventures during and after the war. This is a delightful story of a young man who does his duty and stays in the RAF and travels the world, meeting Douglas MacArthur and dancing with Rita Hayworth. Learn more about your ad choices. Visit podcastchoices.com/adchoices