Podcasts about contact sheet

Unleash the full potential of macOS's Preview app as Mikah explores how to combine, rearrange, and edit PDFs without needing third-party tools. From duplicating files to protect originals, deleting unnecessary pages, and mastering the Contact Sheet view for seamless page reordering, this episode is packed with practical tips. Mikah also demonstrates merging PDFs, helping you compile crucial information into a single document with just a few clicks. Perfect for anyone looking to streamline their workflow with Preview's often-overlooked PDF management features. Combine PDFs in Preview on Mac - Apple Support - https://support.apple.com/guide/preview/combine-pdfs-prvw43696/11.0/mac/15.0.1 Add, delete, or move PDF pages in Preview on Mac - Apple Support - https://support.apple.com/guide/preview/add-delete-or-move-pdf-pages-prvw11793/11.0/mac/15.0 Host: Mikah Sargent Want access to the video version and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Unleash the full potential of macOS's Preview app as Mikah explores how to combine, rearrange, and edit PDFs without needing third-party tools. From duplicating files to protect originals, deleting unnecessary pages, and mastering the Contact Sheet view for seamless page reordering, this episode is packed with practical tips. Mikah also demonstrates merging PDFs, helping you compile crucial information into a single document with just a few clicks. Perfect for anyone looking to streamline their workflow with Preview's often-overlooked PDF management features. Combine PDFs in Preview on Mac - Apple Support - https://support.apple.com/guide/preview/combine-pdfs-prvw43696/11.0/mac/15.0.1 Add, delete, or move PDF pages in Preview on Mac - Apple Support - https://support.apple.com/guide/preview/add-delete-or-move-pdf-pages-prvw11793/11.0/mac/15.0 Host: Mikah Sargent Want access to the video version and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

Unleash the full potential of macOS's Preview app as Mikah explores how to combine, rearrange, and edit PDFs without needing third-party tools. From duplicating files to protect originals, deleting unnecessary pages, and mastering the Contact Sheet view for seamless page reordering, this episode is packed with practical tips. Mikah also demonstrates merging PDFs, helping you compile crucial information into a single document with just a few clicks. Perfect for anyone looking to streamline their workflow with Preview's often-overlooked PDF management features. Combine PDFs in Preview on Mac - Apple Support - https://support.apple.com/guide/preview/combine-pdfs-prvw43696/11.0/mac/15.0.1 Add, delete, or move PDF pages in Preview on Mac - Apple Support - https://support.apple.com/guide/preview/add-delete-or-move-pdf-pages-prvw11793/11.0/mac/15.0 Host: Mikah Sargent Want access to the video version and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

En este episodio platicamos con Kyle McDougall, gran fotógrafo y gran aliado para la comunidad de fotografía análoga. Si tienen alguna duda vean su canal de YouTube antes de tomar una decisión. Kyle es un fotógrafo de paisaje contemporáneo originario de Ontario, Canadá. Su trabajo actual se basa en una fascinación por la sociedad, el tiempo y los entornos siempre cambiantes que nos rodean. Es un entusiasta de la fotografía análoga, crea sus imágenes usando una amplia gama de formatos; desde 35mm hasta gran formato 4x5. Con el objetivo de ayudar a otros fotógrafos a aprender acerca del medio, en 2018 creo "Analogue" un canal de YouTube que está dedicado a la creación y técnicas de fotografía análoga. Su objetivo es brindar recursos e información a los entusiastas de la fotografía análoga a todos los niveles, el contenido está diseñado para educar y entretener. Kyle también esa el conductor y productor del podcast dedicado a la fotografía análoga llamado "The Contact Sheet". ——————————————— Kyle McDougall is a contemporary landscape photographer from Ontario, Canada. His current work is driven by a fascination with society, time, and the ever-changing environments that surround us. He is an advocate of film and creates his images using a wide range of formats—from 35mm to 4x5 large format. With a desire to help others learn more about the medium, at the start of 2018 Kyle created Analogue—a YouTube video series that focuses on both the craft and technique of film photography. His goal is to provide a resource for enthusiasts of all skill levels that both educates and entertains. Kyle is also the host and producer of the film photography podcast 'The Contact Sheet'. Kyle McDougall links Instagram: https://www.instagram.com/kyle__mcdougall/ Website: https://www.kylemcdougallphoto.com/ Podcast: https://www.contactsheetpodcast.com/ Our Links Comete el Film: https://www.instagram.com/comete_elfilm/ David García https://www.instagram.com/davgarci/ Beto Vázquez https://www.instagram.com/betovazquez/ Alquimica Film Lab: https://www.instagram.com/alquimicafilmlab/

Sama Alshaibi’s practice examines the mechanisms displacement and fragmentation in the aftermath of war and exile. Her photographs, videos and immersive installations features the body, often her own, as either a gendered site or a geographic device, resisting oppressive political and social conditions. Alshaibi’s monograph, Sama Alshaibi: Sand Rushes In (New York: Aperture, 2015) presents her Silsila series, which probes the human dimensions of migration, borders, and environmental demise.Alshaibi has been featured in several prominent biennials including the Maldives Pavilion at the 55th Venice Biennale (Italy), the 13th Cairo International Biennale (Egypt, 2019), the 2017 Honolulu Biennial (Hawaii), the 2016 Qalandia International Biennial (Haifa), and FotoFest Biennial, Houston (2014). Alshaibi's recently held solo exhibitions at Ayyam Gallery (Dubai, 2019) and at Artpace, where she was participated as the National Artist in Residence (San Antonio, 2019). Alshaibi received the 2019 Project Development Award from the Center (Santa Fe), 2018 Artist Grant from the Arizona Commission on The Arts, and the 2017 Visual Arts Grant from the Arab Fund for Arts and Culture (Beirut). Alshaibi was awarded the prestigious Fulbright Scholar Fellowship in 2014-2015 as part of a year long residency at the Palestine Museum in Ramallah, where she developed an education program while conducting independent research.Alshaibi has exhibited her work in over 20 national and international solo exhibitions including Artpace, Texas (2019), Ayyam Gallery (2019), NYU Abu Dhabi (2019), the Johnson Museum of Art at Cornell University, NY (2017), Scottsdale Museum of Contemporary Art, Arizona (2016); Ayyam Gallery, Dubai (2015); Ayyam Gallery, London (2015); Lawrie Shabibi, Dubai (2011) and Selma Feriani Gallery, London (2010). Her over 150 group exhibitions include Pen + Brush Gallery (NYC, 2019), American University Museum (Washington D.C., 2018), 2018 Breda Photo Festival (Netherlands), Tucson Museum of Art, Arizona (2017); Marta Herford Museum of Art, Germany (2017), CCS Bard Hessel Museum and Galleries, New York (2017); Museum De Wieger, The Netherlands (2017); Palais De La Culture Constantine, Algeria (2015); Pirineos Sur Festival, Spain (2015); Arab American National Museum, Michigan (2015); Abu Dhabi Festival (2015); Photo Shanghai (2014); Venice Art Gallery, Los Angeles (2013); University of Southampton (2013); Edge of Arabia, London (2012); HilgerBROTKunsthalle, Vienna (2012); Institut Du Monde Arabe, Paris (2012); Maraya Art Centre, Sharjah (2012); and Headlands Center for the Arts, California (2011). She has also exhibited at the Bronx Museum in NYC, and the Museum of Contemporary Art in Denver, CO. Her over 40 time-based works (video art and films) have screened in numerous film festivals internationally, including Mapping Subjectivity, MoMA (NYC), 24th Instants Video Festival (Mexico and France), Madrid Palestine Film Festival, Thessaloniki International Film Festival (Greece) and DOKUFEST (Kosovo). Her art residencies include Artpace International Artist Residency (San Antonio), Darat al Funun (Amman), A.M. Qattan Foundation (Ramallah) and Lightwork (NY).Alshaibi's works have been collected by public institutions internationally, including the Center for Creative Photography (Tuscon), the Johnson Museum of Art at Cornell (NY), The Houston Museum of Art (Texas), Nadour (Germany), the Barjeel Collection (Sharjah), En Foco (NYC), and the Museum of Modern and Contemporary Art in Tunis (Tunisia). She has been featured in Photo District News, L’Oile de la Photographie, The Washington Post, Lensculture, NY Times, Ibraaz, Bluin Artinfo, Contact Sheet, Contemporary Practices, Harpar’s Bazaar, The Guardian, CNN, Huffington Post and Hysteria.Born in Basra to an Iraqi father and Palestinian mother, Sama Alshaibi is based in the United States where she is Professor of Photography, Video and Imaging at the University of Arizona, Tucson. Alshaibi holds a BA in Photography from Columbia College and an MFA in Photography, Video, and Media Arts from the University of Colorado at Boulder. Alshaibi is represented by Ayyam Gallery. http://www.samaalshaibi.com/http://www.ayyamgallery.com/artists/sama-alshaibihttps://crystalbridges.org/exhibitions/state-of-the-art-2/https://www.artsy.net/artwork/sama-alshaibi-the-cessationhttps://www.artpace.org/works/iair/iair_spring_2019/until-total-liberationhttps://www.photographersofcolor.org/https://twitter.com/photogsofcolorhttps://www.instagram.com/photogsofcolor/https://fulbright.uark.edu/departments/art/

BIO: Rachelle Mozman Solano grew up in New York City of parents who shared the experience of immigration. She works between New York and Panama the country of her maternal family. Starting often from her biography and family history Mozman Solano explores how culture shapes individuals, how environment conditions behavior. Her work is concerned with the intersection of mythology, history, economics, and the psyche through photographs and films that confound fact and fictional narrative. In her work narrative is explored as inherent to our humanity and shaped by perception. Mozman Solano’s art is deeply informed by her clinical work in psychoanalysis. In 2019 Mozman Solano will exhibit Metamorphosis of Failure at Smack Mellon, Brooklyn, NY, and in 2018 she exhibited El espejo opaco de Gauguin in Arteconsult, Panamá, Panamá. In 2017 she exhibited in A New Region of the World at Bunkier Sztuki, Kraków, Poland and LARA (Latin American Roaming Art), Panamá, Panamá. In 2016 Mozman Solano exhibited in the X Bienal Centroaméricana and in 2015 she exhibited in Do/Tell at the Institute of Contemporary Art at the University of Pennsylvania, and Portraiture Now: Staging the Self at Americas Society. Mozman Solano has been awarded residencies at LMCC workspace, Smack Mellon, The Camera Club of New York, and Light Work. Her work has been published in the Light Work annual Contact Sheet, Presumed Innocence, Exit magazine and numerous other publications. Mozman is a Fulbright Fellow, and has exhibited at the National Portrait Gallery at Smithsonian Institution, Washington D.C, the Americas Society, New York, New York, National Hispanic Cultural Center, Albuquerque, New Mexico, The Studio Museum in Harlem, New York, New York, the Chelsea Museum, New York, New York, The DeCordova Sculpture Park and Museum, Lincoln, Massachusetts, the Museum of Latin American Art, Long Beach, California, the Shore Institute of Contemporary Art, Long Branch, New Jersey, Festival de la luz at the Centro Cultural Recoleta, Buenos Aires, Argentina the Instituto Cultural Itau, São Paulo, Brazil, the Friese Museum, Berlin, Germany, the Museo Nacional de Bellas Artes, Santiago, Chile, Museo Nacional de Artes Visuales, Montevideo, Uruguay, Centro Cultural de España, Mexico City, Mexico, Festival Biarritz, Biarritz, France, as well as the IX Bienal de Cuenca, Ecuador. This podcast is made possible by the University of Arkansas School of Art endowment. http://www.rachellemozman.com/ https://www.instagram.com/rachellemozman/?hl=en https://twitter.com/photogsofcolor?lang=en https://www.instagram.com/photogsofcolor/

Black is the Day, Black is the Night by Amy Elkins is self-published (2016), with an essay by Gregory J. Harris and C.F., unpaged, 80 color and black-and-white illustrations. Black is the Day, Black is the Night started as an exploration into, what author and photographer has called, “extreme manifestations of masculinity,” but over time it evolved into a meditation on time and memory through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of whom had served between 13-26 years at point of contact in 2009 when the project started. “Out of our letters a collaboration unfolded. I constructed images using formulas specific to each of their stories, age and years incarcerated. Through these formulas their portraits became more unrecognizable and their memories became more muddled, regurgitated and fictional with the endless passing years of their sentence. Stripped of personal context and placed in solitary cells, their sense of identity, memory and time couldn’t help but mutate. I sent these images to them, they would critique them. This went on for years. Of the seven men I originally wrote, I remain in touch with one who has been in solitary confinement since 1995 for a crime committed at 16. One was released in 2010 at the age of 30 (after 15 years in prison), three eventually opted out, one was executed in 2009, another executed in 2012.” – Amy Elkins via LensCulture The title of the book comes from poem excerpts written by a man who has been in prison since the age of 13. He was retried as an adult at 16 for attempting escape and was sentenced to life in solitary without the possibility of parole at a super-max prison. He taught himself to write poetry over this time. Amy received her BFA in photography from the School of Visual Arts, New York. Elkins has been exhibited both nationally and internationally, including at Kunsthalle Wien, Vienna; Carnegie Art Museum, Oxnard, California; Minneapolis Institute of Arts; North Carolina Museum of Art; Light Work Gallery, Syracuse, New York; and Yancey Richardson Gallery, New York, among many others. Her work has been published in the New York Times Magazine, Eyemazing, PDN, Harpers, NY Arts, Conveyor, and Contact Sheet, among others. Elkins has also been included in exhibition catalogues such as The Portrait. Elkins was an artist-in-residence at Light Work in 2011, and at Villa Waldberta, Munich, in 2012. In 2008, Elkins and Cara Phillips cofounded wipnyc.org, a platform for showcasing both established and emerging women in photography. Elkins is represented by Yancey Richardson Gallery, New York. Amy Elkins is currently based near Los Angeles. Black is the Day, Black is the Night is available through her website: http://www.amyelkins.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black is the Day, Black is the Night by Amy Elkins is self-published (2016), with an essay by Gregory J. Harris and C.F., unpaged, 80 color and black-and-white illustrations. Black is the Day, Black is the Night started as an exploration into, what author and photographer has called, “extreme manifestations of masculinity,” but over time it evolved into a meditation on time and memory through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of whom had served between 13-26 years at point of contact in 2009 when the project started. “Out of our letters a collaboration unfolded. I constructed images using formulas specific to each of their stories, age and years incarcerated. Through these formulas their portraits became more unrecognizable and their memories became more muddled, regurgitated and fictional with the endless passing years of their sentence. Stripped of personal context and placed in solitary cells, their sense of identity, memory and time couldn’t help but mutate. I sent these images to them, they would critique them. This went on for years. Of the seven men I originally wrote, I remain in touch with one who has been in solitary confinement since 1995 for a crime committed at 16. One was released in 2010 at the age of 30 (after 15 years in prison), three eventually opted out, one was executed in 2009, another executed in 2012.” – Amy Elkins via LensCulture The title of the book comes from poem excerpts written by a man who has been in prison since the age of 13. He was retried as an adult at 16 for attempting escape and was sentenced to life in solitary without the possibility of parole at a super-max prison. He taught himself to write poetry over this time. Amy received her BFA in photography from the School of Visual Arts, New York. Elkins has been exhibited both nationally and internationally, including at Kunsthalle Wien, Vienna; Carnegie Art Museum, Oxnard, California; Minneapolis Institute of Arts; North Carolina Museum of Art; Light Work Gallery, Syracuse, New York; and Yancey Richardson Gallery, New York, among many others. Her work has been published in the New York Times Magazine, Eyemazing, PDN, Harpers, NY Arts, Conveyor, and Contact Sheet, among others. Elkins has also been included in exhibition catalogues such as The Portrait. Elkins was an artist-in-residence at Light Work in 2011, and at Villa Waldberta, Munich, in 2012. In 2008, Elkins and Cara Phillips cofounded wipnyc.org, a platform for showcasing both established and emerging women in photography. Elkins is represented by Yancey Richardson Gallery, New York. Amy Elkins is currently based near Los Angeles. Black is the Day, Black is the Night is available through her website: http://www.amyelkins.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black is the Day, Black is the Night by Amy Elkins is self-published (2016), with an essay by Gregory J. Harris and C.F., unpaged, 80 color and black-and-white illustrations. Black is the Day, Black is the Night started as an exploration into, what author and photographer has called, “extreme manifestations of masculinity,” but over time it evolved into a meditation on time and memory through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of whom had served between 13-26 years at point of contact in 2009 when the project started. “Out of our letters a collaboration unfolded. I constructed images using formulas specific to each of their stories, age and years incarcerated. Through these formulas their portraits became more unrecognizable and their memories became more muddled, regurgitated and fictional with the endless passing years of their sentence. Stripped of personal context and placed in solitary cells, their sense of identity, memory and time couldn’t help but mutate. I sent these images to them, they would critique them. This went on for years. Of the seven men I originally wrote, I remain in touch with one who has been in solitary confinement since 1995 for a crime committed at 16. One was released in 2010 at the age of 30 (after 15 years in prison), three eventually opted out, one was executed in 2009, another executed in 2012.” – Amy Elkins via LensCulture The title of the book comes from poem excerpts written by a man who has been in prison since the age of 13. He was retried as an adult at 16 for attempting escape and was sentenced to life in solitary without the possibility of parole at a super-max prison. He taught himself to write poetry over this time. Amy received her BFA in photography from the School of Visual Arts, New York. Elkins has been exhibited both nationally and internationally, including at Kunsthalle Wien, Vienna; Carnegie Art Museum, Oxnard, California; Minneapolis Institute of Arts; North Carolina Museum of Art; Light Work Gallery, Syracuse, New York; and Yancey Richardson Gallery, New York, among many others. Her work has been published in the New York Times Magazine, Eyemazing, PDN, Harpers, NY Arts, Conveyor, and Contact Sheet, among others. Elkins has also been included in exhibition catalogues such as The Portrait. Elkins was an artist-in-residence at Light Work in 2011, and at Villa Waldberta, Munich, in 2012. In 2008, Elkins and Cara Phillips cofounded wipnyc.org, a platform for showcasing both established and emerging women in photography. Elkins is represented by Yancey Richardson Gallery, New York. Amy Elkins is currently based near Los Angeles. Black is the Day, Black is the Night is available through her website: http://www.amyelkins.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black is the Day, Black is the Night by Amy Elkins is self-published (2016), with an essay by Gregory J. Harris and C.F., unpaged, 80 color and black-and-white illustrations. Black is the Day, Black is the Night started as an exploration into, what author and photographer has called, “extreme manifestations of masculinity,” but over time it evolved into a meditation on time and memory through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of whom had served between 13-26 years at point of contact in 2009 when the project started. “Out of our letters a collaboration unfolded. I constructed images using formulas specific to each of their stories, age and years incarcerated. Through these formulas their portraits became more unrecognizable and their memories became more muddled, regurgitated and fictional with the endless passing years of their sentence. Stripped of personal context and placed in solitary cells, their sense of identity, memory and time couldn’t help but mutate. I sent these images to them, they would critique them. This went on for years. Of the seven men I originally wrote, I remain in touch with one who has been in solitary confinement since 1995 for a crime committed at 16. One was released in 2010 at the age of 30 (after 15 years in prison), three eventually opted out, one was executed in 2009, another executed in 2012.” – Amy Elkins via LensCulture The title of the book comes from poem excerpts written by a man who has been in prison since the age of 13. He was retried as an adult at 16 for attempting escape and was sentenced to life in solitary without the possibility of parole at a super-max prison. He taught himself to write poetry over this time. Amy received her BFA in photography from the School of Visual Arts, New York. Elkins has been exhibited both nationally and internationally, including at Kunsthalle Wien, Vienna; Carnegie Art Museum, Oxnard, California; Minneapolis Institute of Arts; North Carolina Museum of Art; Light Work Gallery, Syracuse, New York; and Yancey Richardson Gallery, New York, among many others. Her work has been published in the New York Times Magazine, Eyemazing, PDN, Harpers, NY Arts, Conveyor, and Contact Sheet, among others. Elkins has also been included in exhibition catalogues such as The Portrait. Elkins was an artist-in-residence at Light Work in 2011, and at Villa Waldberta, Munich, in 2012. In 2008, Elkins and Cara Phillips cofounded wipnyc.org, a platform for showcasing both established and emerging women in photography. Elkins is represented by Yancey Richardson Gallery, New York. Amy Elkins is currently based near Los Angeles. Black is the Day, Black is the Night is available through her website: http://www.amyelkins.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paper white; Printing screen captures; Downsave snippets; Callout lines; Contact Sheet Placing; Poster Giveaway; Obscurity of the Week: Reset Workspace ----- Details below, or go to http://indesignsecrets.com/category/podcasts for Show Notes, links, and to leave a comment! ----- Listen in your browser: InDesignSecrets-096.mp3 (18.9 MB, 36:00 minutes) The transcript of this podcast will be posted soon. Why "Simulate Paper White" usually looks gray Prepping screen captures for commercial printing Blog posts (and discussions) of interest: Downsave snippets Photographic frames Callout lines with white edges Yearbook layouts/Contact Sheet placing in CS4 New Podcast Giveaway: Each episode, an ID Keyboard Shortcuts poster goes to someone we randomly pull from our mailing list or twitter followers. This week's winner is cjmadigan Obscure InDesign Feature of the Week: Reset Workspace -- News from our sponsor: >> In-Tools: Adobe Design Premium CS4 ME is now available! (And Design Standard CS4 ME too, of course.) Or just get InDesign CS4 ME, it's up to you. Order any of these from In-Tools and enjoy free shipping to anywhere other than the Middle East. In-Tools is also the developer of the WorldTools plug-in, which allows InDesign CS4 users to set Right-to-Left text without needing InDesign ME. -- Links mentioned in this podcast: Mike's Downsave Snippets post David's posts on Photographic frames and Callout lines Anne-Marie's post on Yearbook layouts/Contact sheet placing SnapzProX from Ambrosia Software (Mac only) Snag-It from TechSmith (Windows only) Layers from, umm, Layers (Mac only) Subscribe to InDesignSecrets' Twitter feed or Mailing list to be eligible for the poster giveaways