Podcasts about north carolina museum

When Lewis and Clark crossed the United States in the early 1800s, they recorded their wildlife observations along the way. Now, more than 200 years later, an expedition is following the same route and partnering with scientists across the U.S. to catalog animals and track the changes. Expedition leader Roland Kays joins Host Flora Lichtman to share some highlights. Plus, using cell phone data and GPS collars, ecologists were able to see how animals moved (or not) when people were around. Ecologist Ruth Oliver tells us about her findings. Guests: Dr. Roland Kays is research professor at NC State University and director of the Biodiversity & Earth Observation Lab at the North Carolina Museum of Natural Sciences. Dr. Ruth Oliver is an ecologist and assistant professor at UC Santa Barbara. Other episodes you may enjoy: Are Raccoons On The Road To Domestication? Teamwork Between Species Is The Key To Life Itself Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Follow our show on Instagram, TikTok, Facebook, and Bluesky @scifri and sign up for our newsletters. Got a science question that's keeping you up at night? Call us: 877-472-4374 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of "Eye on the Triangle," Evie Dallman and Amanda Levinson discuss the arts' place in exciting civic engagement and ways communities can continue restoration within the individual as well as larger bodies of people. We talk radical rest, laborers' rights and artistic action.In our second story, Evie chats with the North Carolina Museum of Art's Head Librarian, Andrew Wang, about North Carolina book culture, zine culture, DIY movements, the NCMA's library as a source for research and media, grassroots efforts in publication and media representation and the End Paper Book Fair's place in these ideas.Finally, we close out with Evie's interview with Kid Lab creators Shannon Newby and Susan Kelly on their initiatives to give kids access to arts education and principles of making with recycled goods. ★ Support this podcast ★

Breyton Hill attends Brain Night at the North Carolina Museum of Natural Sciences. As she explores, she talks to researchers, volunteers, and community members all attending or tabling for Brain Night. Chris Smith, the museum's Coordinator of Current Science Programs explains more about what Brain Night is. The 2026 keynote speaker was Dr. Christa Baker and her postdoc, Dr. Alexandra Venuto, talks about their research in fruit flies. Attendee Zachary Henderson visited their table and shares what he learned. NC State University researcher Dr. Kurt Marsden shares about his work studying zebrafish and how they are surprisingly genetically similar to humans. Dr. John Meitzen's table always has real human brain specimens for visitors to hold. Julia Janosko shares how humbling it is to hold what was someone's consciousness in the palm of your hand. Emily Philips and Ranganath Gopalraj talk about the Neuroscience Club at NC State and how Brain Night is "their Super Bowl." Once again, Chris Smith leaves us with his favorite part of Brain Night: holding a real human brain and nerding out with experts. ★ Support this podcast ★

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

In Belle Époque Paris, the Eiffel Tower was newly built, France was experiencing remarkable political stability, and American women were painting the town and gathering at a female-only Residence known as The American Girls' Club in Paris. Opened in 1893, The Club was the center of expatriate living and of dedication to a calling in the fine arts, and singularly harbored a generation of independent, talented, and driven American women.Now in The Club: Where American Artists Found Refuge in Belle Epoque Paris (Bloomsbury, 2025), curator, art historian, and podcast host Jennifer Dasal presents the untold story of the Club, the philanthropists who created it, and the artists it housed. These women forged connections in the arts and letters with luminaries like Auguste Rodin and Gertrude Stein or became activists through their relationships with the likes of Emmeline Pankhurst. But just as importantly, these women's lives revealed the power of the Club itself, and the way that having a safe home for single women of ambition allowed them to grow as teachers, artists, suffragists, and people. A Neuroscientist's Guide to a Healthier, Happier Life Our guest is: Jennifer Dasal, who is the creator and host of the ArtCurious podcast, the author of ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History. She holds an MA in art history, and is the former curator of modern and contemporary art at the North Carolina Museum of Art. She lectures frequently on art both locally and nationally Our host is: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast. Playlist for listeners: Artisans and Designers Thanks To Life In The Garden Behind The Moon Jumping Through Hoops Your Art Will Save Your Life The Artists Joy Speaking While Female My What-if Year We Take Our Cities With Us Pursuing Life Abroad Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

I've recently gained a lot of new followers, so for this week's episode of the Fancy Scientist Podcast, I wanted to share with you my vast experience that I've had working as a wildlife biologist for nearly twenty years, so that you can fully understand what this field is like.My career has taken me all over the world, and I've been on all different kinds of adventures: from hiking the deserts of Utah to the top of Mount Kenya, and from flour beetles to forest elephants. I have worked across four different continents and in almost every type of organization that you can think of: the government, zoos, museums, universities, and alongside nonprofits.In this episode, I break down each one of the positions that I have had in the past, telling you what they're like and what I did, but more importantly, how I felt about the position emotionally, mentally, and what it did for my career.This is a comprehensive, yet fun overview of my journey. It's you and me hanging out, sharing the raw reality of these different places, so you can see the truth behind the resume. I do not shy away from discussing real challenges, like navigating toxic work environments and the “sink or swim” nature of graduate research. Chances are, you'll find it refreshing how I don't hold back, but also share how I pulled through.I started my wildlife career officially in 2003 when I graduated with my Bachelor's degree. My first position was an internship with the Bureau of Land Management in St. George, Utah, where I searched for water catchments to help wildlife combat drought and started some preliminary bat research in the Grand Canyon. This got me started in my wildlife career, but this was a challenging internship, and I almost quit!I'm so glad I didn't because that experience led me to a dream internship at Disney's Animal Kingdom, where I worked in a glass-walled lab doing endocrine research on the captive animals there, including African savanna elephants and the critically endangered cotton-top tamarin monkey. This was a total 180 from my experience in the desert! I loved Disney World and spent my days catching tamarin poop and helping to monitor elephant pregnancies. It was a supportive environment that showed me how much I loved combining science with outreach.From there, my journey took me to Kenya as an intern for the School for Field Studies, which was also enriching but challenging. Again, I almost quit! But here I showed that I could work at a field station internationally long-term, which was a major flex for my upcoming Ph.D. research. It also gave me the invaluable experience of publishing.My Kenya internship led me into a six-and-a-half-year Ph.D. program studying African forest elephants in Gabon. I loved my Ph.D., but each step was a mix of incredible highs like observing wild elephants for months on end in Central Africa and the lows of being lonely in a field station or figuring out how to do something that has never been done before! Here, I fully understood what scientific research was really all about.This episode is a must-listen to one if you are interested in going into wildlife fields, want to get to know me better, or are just curious to know what it's like to be a wildlife biologist!Specifically, we go over:How I landed my first “legit” field internship with the Bureau of Land Management in Utah and why it was so hard on meThe inside scoop on working at a world-class zoo and in Disney World, being a Reproductive Biology intern, including what it's like to catch cotton-top tamarin poop and monitor elephant pregnanciesWhat it's like to live in Kenya for a year, and in a remote field stationNavigating toxic work environments and almost quitting more than onceHow I got my first scientific publicationsA brief overview of my research on forest elephants in Gabon, the “sink or swim” reality of graduate school, and why I considered dropping down to a Master'sHow to study “disgust” in raccoons and why I drove around looking for roadkill carcassesMy seven-year postdoc at the North Carolina Museum of Natural Sciences, running global camera trap projects, and the birth of “The Fancy Scientist”How these 17 years of experience led me to leave the traditional research path to start my own business in science communication and career mentoringOther fun experiences, like seeing a tiger in the wild or watching a leatherback turtle lay eggsAnd MORE!Dream of being a wildlife biologist, zoologist, conservation biologist, or ecologist? Ready to turn your love of animals into a thriving career?

Normally when I do an interview for the Fancy Scientist podcast, it's me interviewing a guest. But for this week's episode, I'm flipping the script and the guest is….yours truly: Me!!You see, last year I was interviewed by my friend and fellow podcaster Andrew Lewin, who hosts the How to Protect the Ocean Podcast. Because I had such a great time chatting with him and my audience has grown so much recently, I thought It would be a great opportunity for you to get to know me more so that you can learn about how I got to where I am today and learn from my experiences and path from traditional research scientist to online business owner in content creation for wildlife careers and science, conservation, and nature education.  I have a very unconventional career path with many unexpected twists and turns. For the first 17 years of my career, I went about this career through the traditional research route, but even this choice itself was unexpected. To be honest, I didn't even know wildlife biology was a viable career path until I took a study abroad program in Kenya focused on wildlife management. You'll learn how I stumbled upon this program and why I chose it. From there I participated in multiple internships, got a Ph.D. studying forest elephants, and had multiple postdocs. Andrew and I get real about what it's like to have a lasting career in this field. I talk about the hardships of trying to find a permanent position while working to stay in a place that I loved (Raleigh, North Carolina) and navigating an oversaturated wildlife job market. I truly was shocked by how few permanent jobs I was truly qualified for, how closely job experience needs to match job descriptions, and how competitive the field is, even for people with PhDs. I was told I would not be pigeon-holed, but I was. We spend some time discussing the competitiveness of this career and what I teach students: that finding clarity, being strategic about experience and networking, and improving job applications, are the keys to success through a proven framework that I've now tested with dozens of students. I thought I was going to be a researcher for life, but my journey took me in another direction. The difficulties I had in landing a permanent job after my Ph.D. combined with the science communication experiences from years of postdocing at the North Carolina Museum of Natural Sciences opened my eyes to my true fashion: science communication and career mentoring.I decided to do this through entrepreneurship - something I never thought I would do! As a young girl, I grew up watching my dad run his jewelry business and never wanted that for myself, but over time I realized that I could only have the impact I wanted on conservation and the natural world through opening my own business. Andrew and I have an honest discussion about what it takes to run a business in this field, including the financial pressures and mindset. If you've ever thought about starting your own business or side hustle, which I truly believe is something anyone can do in this field, and to be honest should do, this episode is for you. You'll get my advice on how to get started and earn revenue by teaching your expertise in science and nature fields (or any other area of expertise!). As podcasters, Andrew and I are both passionate about science communication and we take a deep dive into how to effectively communicate science with the public. We talk about how my work at the North Carolina Museum of Natural Sciences, blogging, and public speaking, led me to recognize how much conservation solutions ultimately came down to reaching people and not through studying a species or its habitat (this is important, but not what it going to solve most conservation problems). I realized through studying a critically endangered species that no amount of research on this animal would save this species - rather, the solutions were all economic, political, or related to education. Getting others to care or have behavioral change would have a more profound impact on conservation for most problems and this was a big motivation for my career change.Finally, Andrew and I discussed my work on TV shows, including how I first appeared on Science Channel's What on Earth through a professional connection, and then later joined History Channel's The Proof Is Out There after producers found my YouTube video explaining why “black panthers” aren't present in the U.S. I go over what it's like to prepare for filming a television, how often it happens, and what I've learned about what audiences find fascinating when it comes to wildlife and nature, like bigfoot and other cryptids - a total surprise to me! Whether you are a new friend here to the podcast or a longtime listener, this is a really great episode to get a behind the scenes look at what I do professionally, as well as what it's like to be both a researcher working many different kinds of jobs in the wildlife profession. More specifically, I reveal:How I went from a straight career path of wildlife research to founding and running my own businessWhy a Kenya study abroad was a pivotal moment for me when I realized wildlife biology was a real careerMy Ph.D. research on forest elephant social behavior and using non-invasive genetics from their poop to study social structureHow saturated and competitive wildlife conservation jobs are, even with a Ph.D.Why alignment between your experience and the job posting matters so muchThe biggest reasons people don't get interviews (and what to change in applications)How investing in yourself can affect follow-through and resultsHow I started my own business in 2020 and ways you can generate revenue through an online businessWhat it's like to do science communication on TV and how I landed roles on the Science, History, and Discovery channelsHow being a scientist is similar to being an entrepreneurMy advice for anyone considering a side hustle or online businessAnd MORE!Dream of being a wildlife biologist, zoologist, conservation biologist, or ecologist? Ready to turn your love of animals into a thriving career?

In this science news update, new public affairs content creator Breyton Hill discusses some cool science and research news that has been happening around the triangle. With the weather happening this weekend, Breyton gets into the science of snowflakes, discussing what makes each one unique.[Link to a graph of how snowflake shape changes as temperature and humidity changes. https://www.snowcrystals.com/science/SnowflakeMorphology2.jpg]Next, Breyton talks about how astronomers at Duke University are photographing the cosmos as part of Legacy Survey of Space and Time at the Vera C. Rubin Observatory in Chili.[Link to Duke article about the first images out of this astronomy mission. https://trinity.duke.edu/news/when-picture-worth-billion-worlds-duke-cosmologists-celebrate-rubin-observatorys-first-images]Breyton then gets into updates from the North Carolina Museum of Natural Science's “Dueling Dinosaur” exhibit. Get excited, there has been a new classification. What was originally thought to be a baby Tyrannosaur is actually a Nanotyrannus.[Link to NC Museum of Natural Science Press Release on the Nanotyrannus. https://naturalsciences.org/calendar/news/nanotyrannus-confirmed/]Lastly, Breyton discusses different ways to get involved in science around the triangle with events at the NC Museum of Natural Science and the Durham Life and Science Museum.[Link to NC Museum of Natural Science Website. https://naturalsciences.org/][Link to Durham Life and Science Museum Website. https://www.lifeandscience.org/] ★ Support this podcast ★

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, for our end of the year REPLAY! Episode, we revisit Emily's chat with Pacifica based artist Saif Azouz, discussing his journey in art, inspiration from nature and literature, his current exhibition 'Cost of Living', and his reflections on boundaries and displacement. Saif's experience with art, his use of materials, and his perspectives on creativity and community are highlighted throughout the episode.About Artist Saif Azzuz :Saif Azzuz is a Libyan-Yurok artist who resides in Pacifica, CA. He received a Bachelor's Degree in Painting and Drawing from the California College of the Arts in 2013. Azzuz has a forthcoming solo exhibition at Blaffer Art Museum in Houston, TX in 2025 and has exhibited widely in the bay area including exhibitions at 1599dt Gallery, San Francisco, CA; Adobe Books, San Francisco, CA; Anthony Meier Fine Arts, San Francisco, CA; Galerie Julien Cadet, Paris, FR; ICA SF, San Francisco, CA; Pt.2 Gallery, Oakland, CA; Ever Gold [Projects], San Francisco, CA; NIAD, Oakland, CA;  Rule Gallery, Denver, CO; Nicelle Beauchene Gallery, New York, NY; Jack Barrett, New York, NY and K Art, Buffalo, NY. Azzuz is a 2022 SFMOMA SECA Award finalist and has participated in the Clarion Alley Mural Project and the Facebook Artist in Residence program.Selected public collections include de Young Museum - Fine Arts Museums of San Francisco, San Francisco, CA; Facebook, Menlo Park, CA; Gochman Family Collection, NY; KADIST, San Francisco, CA; North Carolina Museum of Art, Raleigh, NC; Rennie Museum, Vancouver, Canada; Stanford Health Care Art Collection, Menlo Park, CA; UBS Art Collection, New York, NY; and University of St. Thomas, Saint Paul, MN. Learn more about Saif, CLICK HERE. Follow  on Instagram:  @SaifAzzuz--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of the biggest debates in the dinosaur world is what was happening right before they went extinct. Were they already declining, or would they have thrived if not for the asteroid? Two recent studies shed some light on this question: one that analyzes a trove of fossils from New Mexico and suggests there was more diversity in the Americas than previously thought, and another that reanalyzes a long-debated juvenile T. rex fossil and finds it's likely a separate, smaller species.Host Ira Flatow is joined by authors on those separate studies, paleontologists Steve Brusatte and Lindsay Zanno.Guests: Dr. Lindsay Zanno is division head of paleontology at the North Carolina Museum of Natural Sciences in Raleigh, NC.Dr. Steve Brusatte is a paleontologist at the University of Edinburgh in Scotland.Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

When artist Sherrill Roland returned to grad school at University of North Carolina at Greensboro after nearly a year in jail for a crime he didn't commit, he found himself haunted by the invisible weight of his experience. Determined to confront how incarceration had reshaped his body, psyche and place in the world, he — with the encouragement of then-faculty member, artist Sheryl Oring — turned that burden into "The Jumpsuit Project," a performance in which he wore an orange prison uniform on campus every day for a year. The project soon expanded beyond the university to public spaces across the country, where Roland sat inside a 7-by-9-foot square of orange tape, an echo of a prison cell, and invited passersby to step inside and talk with him, transforming uncomfortable encounters into moments of shared reflection and empathy.In the years since, Roland has become one of the most prominent conceptual artists in the South, translating that raw act of endurance into a studio practice that explores the architecture of confinement, the language of data and the humanity hidden within systems of control. His work, which is now in the collections of major museums including the Studio Museum in Harlem and the North Carolina Museum of Art, asks how objects and numbers can embody both memory and freedom.In this interview, Roland speaks about the fear and necessity of donning the orange jumpsuit, the emotional toll of transforming personal pain into public conversation, and how his practice continues to evolve toward accessibility, dialogue and compassion. https://www.sherrillroland.com/Hosted by Ausha. See ausha.co/privacy-policy for more information.

Episode No. 721 of The Modern Art Notes Podcast is a holiday weekend clips episode featuring artist Saif Azzuz. The Blaffer Art Museum, University of Houston, is presenting "Saif Azzuz: Keet Hegehlpa' (the water is rising)," which interrogates the privatization of land, water, and natural resources within settler-colonial systems. Across the exhibition, Azzuz and family members Lulu Thrower, Elizabeth Azzuz, Viola Azzuz, Moya Azzuz, and Colleen Colegrove reference the myths, origin stories, and fabricated tales animating the land now known as Houston. The artists in the exhibition draw upon ecological knowledge to visualize histories of land stewardship and rematriation practices that gesture to Anishinaabe writer Gerald Vizenor's notion of survivance, the fusion of resistance and survival. The exhibition was curated by Erika Mei Chua Holum and will be on view through December 20. Azzuz is a Libyan-Yurok artist based in suburban San Francisco. His work, which often addresses nature, land, and California Native American cultural practices, is in the collections of museums such as the Fine Arts Museums of San Francisco and the North Carolina Museum of Art, Raleigh. This episode was taped on the occasion of ICA San Francisco's presentation of Azzuz' work in 2024. For images, see Episode No. 638. Instagram: Saif Azzuz, Tyler Green.

Beth Lipman is an American artist whose sculptural practice generates from the Still Life genre, symbolically representing the splendor and excess of the Anthropocene and the stratigraphic layer humanity will leave on earth. Assemblages of inanimate objects and domestic interiors, inspired by private spaces and public collections, propose portraits of individuals, institutions, and societies.  Through works in glass, wood, metal, photography, and video, Lipman presents a meditation on our relationship to Deep Time, a monumental time scale based on geologic events that minimizes human lives. Each installation is a reimagining of history, created by placing cycles often separated by millenia in proximity, from the ancient botanical to the cultural. The incorporation of prehistoric flora alludes to the impermanence of the present and the persistence of life. The ephemera of the Anthropocene becomes a symbol of fragility as the human species is placed on a continuum where time eradicates hierarchy. Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall(Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY).  Lipman has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. She has been an Artist in Residence at the Alturas Foundation, the John Michael Kohler Arts Center's Arts/Industry Program, and the Smithsonian Artist Research Fellowship. Recent works include Living History, a large-scale site-specific commission for the Wichita Art Museum (KS) that investigates the nature of time and place and Belonging(s), a sculptural response to the life of Abigail Levy Franks for the Crystal Bridges Museum of American Art (AR). Lipman's work is on view now in three independent installations including: Hive Mind at Iowa State University, Ames, Iowa; ReGift at the Toledo Museum of Art (TMA), Toledo, Ohio; and the permanent installation One's-Self I Sing at theMuskegon Museum of Art (MMA), Muskegon, Michigan. To celebrate the official unveiling of One's-Self I Sing, the MMA is hosting an Artist Talk and Unveiling Reception this Thursday, July 17 at 7 p.m. The event is open to the public and free to attend. Find out more at www.muskegonartmuseum.org Suspended in the museum's central atrium, the sculpture explores the interconnectedness of time, culture, and nature through materials such as glass, wood, metal and gypsum. Measuring approximately 240 x 120 x 60 inches, One's-Self I Sing functions as an “exploded” still life – an expansive, suspended constellation of objects that invites viewers to reflect on humanity's place within Deep Time and the Anthropocene. Says Lipman: “The marriage of transparent and opaque forms alludes to what is seen and known juxtaposed with what is concealed and lost over time.” The sculpture spans both floors of the museum, encouraging viewers to encounter it from multiple vantage points. Braided suspension cables carry the piece vertically through space, suggesting both ascent and descent, growth and entropy. Lipman incorporates subtle visual references to the Muskegon Museum of Art's permanent collection, binding the sculpture to the museum's history while extending its meaning outward across time. “One's Self I Sing is a showstopping first impression when visitors walk into the museum,” says Kirk Hallman, Executive Director of the Muskegon Museum of Art. “It's a powerful and visually stunning complement to the museum's new Bennett Schmidt Pavilion and a bold reflection of the MMA's ongoing commitment to celebrating women artists.” Enjoy this conversation with Lipman about current installations, artistic motivations and the behind the scenes challenges of creating site-specific work that communicates to viewers.    

Join me for my very first in-person interview as I sit down with Dr. Eric Lund, a paleontologist at the North Carolina Museum of Natural Sciences!

It's the end of everything! Welcome back to Part 2 of our season finale featuring Dr. Charles Liu, co-host Allen Liu, and our guest archaeology expert and author, Hannah Liu, MEd. (If you haven't caught up to Part 1, we highly recommend you do before embarking on the next leg of this journey! Listen here or wherever you get your podcasts!) We pick right up where we left off, with the next question from our audience. Daniela asks, “If a black hole hits the Sun, will Earth be destroyed?” Chuck explains a few ways a black hole can mess with our day, including the fact that long before any actual collision took place, the Sun would start shedding material that would destroy us. He compares that unlikely event to the actual example of cosmic destruction we're watching in NGC 4676 – aka “The Mice” – which are two galaxies swirling together in a death spiral playing out over hundreds of millions of years. Naturally, this leads Chuck to ponder what happens when civilizations fall apart here on Earth, and Hannah brings up the collapse of the Roman Empire. As she explains, “the fall of Rome happened a lot of times, and also, no time.” From 44 BCE and the assassination of Julius Caesar, to the 476 invasion and conquest of Rome by the Germanic tribes denoted by Edward Gibbon in The History of the Decline and Fall of the Roman Empire, to the fact ever since nations have claimed to be the descendants or inheritors of Rome. Chuck points out the influence of Gibbon's book on Isaac Asimov's “Foundation” series, followed by a very quick romp through “Decline and Fall of America” literature including The Handmaid's Tale, A Canticle for Liebowitz, Man in the High Castle, and the zombie apocalypse tour de force, World War Z. Then it's time for another question from the audience: Michael says, “I heard that scientists brought back a dire wolf. Could they bring back dinosaurs or animals that could destroy us all?” It turns out, these resurrected animals are just gray wolves that have been engineered to have some characteristics of the extinct predator. It's still a pretty impressive feat, though, and you'll hear how they collected bits and pieces of dire wolf DNA to “resurrect them.” Allen also brings up similar modification experiments they're doing on chickens to make them more dinosaur-like. Allen points out that bioengineered germs are far more likely to cause our destruction than resurrected dinosaurs, regardless of the world envisioned in the Jurassic Park franchise. And speaking of Michael Crichton, Chuck gives us a breakdown of his sci-fi classic, The Andromeda Strain, about bacteria from space that cause a biological outbreak here on Earth. Hannah points out that historically, some of the biggest killers of human beings have been plagues. She gives us a guided tour of the bubonic plagues, from the Black Death, which may have wiped out as much as 60% of the population of Europe, to the Plague of Justinian a thousand years earlier that killed as many as 100 million people, while also name dropping the Antonine Plague and the Spanish Flu!) And that's it Season 4 of The LIUniverse. Stay tuned for Season 5 after the summer. If you want to find out more about what Hannah's impending book, check out the Mixed Identity Project  We hope you enjoy this episode, and this season, of The LIUniverse. If you did, please support us on Patreon Credits for Images Used in this Episode: NGC 4676, aka “the Mice” are two galaxies swirling together.  – Credit: NASA, H. Ford (JHU), G. Illingworth (UCSC/LO), M.Clampin (STScI), G. Hartig (STScI), the ACS Science Team, and ESA; The ACS Science Team: H. Ford, G. Illingworth, M. Clampin, G. Hartig, T. Allen, K. Anderson, F. Bartko, N. Benitez, J. Blakeslee, R. Bouwens, T. Broadhurst, R. Brown, C. Burrows, D. Campbell, E. Cheng, N. Cross, P. Feldman, M. Franx, D. Golimowski, C. Gronwall, R. Kimble, J. Krist, M. Lesser, D. Magee, A. Martel, W. J. McCann, G. Meurer, G. Miley, M. Postman, P. Rosati, M. Sirianni, W. Sparks, P. Sullivan, H. Tran, Z. Tsvetanov, R. White, and R. Woodruff. Plaster replica of Statue of George Washington by Antonio Canova at the North Carolina Museum of History.– Credit: Creative Commons / RadioFan (talk) Dire Wolf Cover of TIME magazine, May 12, 2025. – Credit: TIME magazine Page Museum Display of 404 dire wolf skulls found in the La Brea Tar Pits. – Credit: Creative Commons / Pyry Matikainen The spread of the Black Death in Europe, 1346-1353. – Credit: Creative Commons / Flappiefh - Own work from: Natural Earth ; Cesana, D.; Benedictow O.J., Bianucci R. (2017). Yersinia pestis, the bacterium that causes the Plague. Direct Fluorescent Antibody Stain (DFA), 200x. – Credit: CDC 2057 - US Government public domain image, Courtesy of Larry Stauffer, Oregon State Public Health Laboratory Little Ice Age Temperature Chart. – Credit: Creative Commons / RCraig09 - Own work #liuniverse #charlesliu #allenliu #hannahliu #sciencepodcast #astronomypodcast #hannahliu #apocalypse #armageddon #doomsday #ngc4676 #themice #blackhole #romanempire #direwolf #bubonicplague #blackdeath #yersiniapestis #theandromedastrain #michaelcrichton #jurassicpark #littleiceage

Episode No. 706 features curators Leslie King-Hammond and Edward Saywell, and curator Jared Ledesma. Along with Patrick Murphy and Jennifer Farrell, Hammond and Saywell are the co-curators of "Witnessing Humanity: The Art of John Wilson" at the Museum of Fine Arts, Boston. The exhibition surveys Wilson's 60-year career, spotlighting the ways in which Wilson addressed anti-Black violence, the civil rights movement, labor, family life, and more. "Wilson" is on view in Boston through June 22 before traveling to the Metropolitan Museum of Art, New York in the fall. The richly illustrated exhibition catalogue was published by the MFA. It is available from Amazon and Bookshop for about $50. Ledesma is the curator of "Grace Hartigan: The Gift of Attention" at the North Carolina Museum of Art, Raleigh. The exhibition is a focused examination of how Hartigan's relationships with New York poets, including Barbara Guest, James Merrill, and Frank O'Hara, influenced her paintings and works on paper. It is on view through August 10, 2025 before traveling to the Portland (Me.) Museum of Art and the Sheldon Museum of Art, University of Nebraska, Lincoln. An excellent catalogue was published by the museum. Amazon and Bookshop offer it for around $35. Instagram: Jared Ledesma, Tyler Green.

Subscriber-only episodeSend us a textOne of the last projects recorded by singer/actress Marianne Faithfull (who passed away in January) was a 2021 spoken word album of English Romantic poetry, including a hauntingly beautiful 12-minute recitation of Tennyson's “Lady of Shalott.” After exploring Faithfull's passion for (and family connections to) classic literature, Amy finds new meaning in this poem about an exiled woman fated to forever view life through a mirror's reflection. This episode includes accounts of several other doomed and exiled noblewomen in history — Lucrezia de Medici and Marguerite de la Rocque — and the books their lives inspired.Mentioned in this episode:She Walks in Beauty by Marianne Faithfull“As Tears Go By” by Marianne Faithfull“The Lady of Shalott” by Alfred, Lord TennysonVenus in Furs by Leopold von Sacher-MasochVenus in Furs by The Velvet UndergroundThe Marriage Portrait by Maggie O'FarrellLucrezia de MediciPortrait of Lucrezia de Medici at North Carolina Museum of Art“My Last Duchess” by Robert BrowningIsola by Allegra GoodmanMarguerite de la RocqueThe Heptameron by Marguerite de NavarreFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Ep.231 Lina Iris Viktor is a Liberian- artist who lives and works in Italy. Influenced by architecture, archaeology, West African sculptural traditions, ancient Egyptian iconography, classical astronomy and European portraiture, her paintings, sculptures, performances, photography and water-gilding with 24-carat gold produce a charged materiality that address philosophical ideas of the finite and the infinite, the microcosm and macrocosm, evanescence and eternity. Her use of gold, marble, bronze, wood and volcanic rock establish an intimate and intangible timelessness whilst her focus on black as ‘materia prima' challenges the sociopolitical and historical preconceptions surrounding ‘blackness' and its universal implications. By interweaving disparate materials, methods and visual lexicons associated with contemporary and ancient art forms, Viktor authors an idiosyncratic mythology that threads through deep time, knitting together a diasporic past with an expansive present in order to divine future imaginaries. Viktor received her BA in film at Sarah Lawrence College and studied photography at The School of Visual Arts in New York. Solo exhibitions include Sir John Soane's Museum, London (2024); Fotografiska Museum of Photography, Stockholm & Tallinn(2020); Autograph, London (2019); and New Orleans Museum of Art (2018), among others. Group exhibitions include the Museum of the African Diaspora [MoAD],San Francisco (2024); Hayward Gallery, London (2022); North Carolina Museum of Art, Raleigh (2020); Somerset House, London (2019); Ford Foundation, New York(2019) ); Ford Foundation, New York (2019); Crocker Art Museum, Sacramento (2018); Kentucky Museum of Art and Craft, Louisville (2016); Spelman Museum of Fine Art, Atlanta (2016); and Cooper Gallery, Harvard University, Cambridge (2016). Photo credit ©2024 Courtesy of LVXIX Atelier.   Sir John Soane Museum https://www.soane.org/exhibitions/lina-iris-viktor-mythic-time-tens-thousands-rememberings Museum of the African Diaspora (MoAD https://www.moadsf.org/exhibitions/liberatory-living Pilar Corrias https://www.pilarcorrias.com/exhibitions/419-lina-iris-viktor-solar-angels-lunar-lords/ Hayward Gallery https://www.youtube.com/watch?v=Z1ZHUFirMRM&ab_channel=SouthbankCentre New Orleans Museum of Art https://noma.org/exhibitions/lina-iris-viktor-a-haven-a-hell-a-dream-deferred/ Fotografiska Stockholm https://stockholm.fotografiska.com/en/exhibitions/lina-iris-viktor Autograph https://autograph.org.uk/online-image-galleries/lina-iris-viktor-some-are-born-to-endless-night-dark-matter-exhibition-highlights Elephant https://elephant.art/lina-iris-viktors-distinct-mythology-a-photo-diary-from-the-artists-home-on-the-amalfi-coast/ Apollo Magazine https://www.apollo-magazine.com/lina-iris-viktor-soane-museum-review/ An Other https://www.anothermag.com/art-photography/15758/lina-iris-viktor-interview-mythic-time-sir-john-soane-museum-exhibition Artnet https://news.artnet.com/art-world/lina-iris-viktor-2379189 British Vogue https://www.vogue.co.uk/gallery/lina-iris-viktor-sir-john-soane Something Curated https://somethingcurated.com/2023/03/21/interview-lina-iris-viktor-on-the-libyan-sibyl-beauty-as-a-tool-for-truth/ The Art Newspaper https://www.theartnewspaper.com/2022/08/03/a-brush-with-lina-iris-viktor New York Times https://www.nytimes.com/2022/08/04/arts/design/in-the-black-fantastic-london.html

Artist Shen Wei joins me to talk about his book, A Season Particular (TBW Books). We talk about Shen's mixing of body and flora as representative of his own cultural identity and exploration of desire and intimacy. Shen and I discuss the process of editing and making this book with Paul Schiek as well as what Shen had learned when he worked with Lesley A. Martin on his first monograph, Chinese Sentiment (Charles Lane Press). We also talk about Shen's suggested assignment in The Photographer's Playbook (Aperture) which involves self-portraiture in a hotel room. https://shenwei.studio https://tbwbooks.com/products/a-season-particular This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com @charcoalbookclub Shen Wei is a Chinese-American artist based in New York City. He is known for his intimate self-portraiture and contemplative images of people and nature, highlighting the understated beauty of his surroundings. He also works in painting, sculpture, and video. Shen Wei's work has been exhibited internationally, including at the Museum of the City of New York, the National Portrait Gallery in London, the Philadelphia Museum of Art, the Power Station of Art in Shanghai, China, La Triennale di Milano in Italy, the North Carolina Museum of Art, and the Morgan Library & Museum in New York. His work has been featured in The New York Times, The Guardian, The New Yorker, Aperture, ARTnews, Paris Review, ArtReview, Financial Times, and The Burlington Magazine. Shen Wei's work is included in the permanent collection of the Museum of Modern Art in New York, the Philadelphia Museum of Art, the Getty Museum, the Museum of Contemporary Photography, the Library of Congress, the Carnegie Museum of Art, the Morgan Library & Museum, the CAFA Art Museum, and the Ringling Museum of Art, among others. He holds an MFA from the School of Visual Arts, New York, and a BFA from Minneapolis College of Art and Design.

Hello everyone and welcome to the show!  Mike Pingleton here, and I am your host for these proceedings.  And here we go with Episode One Hundred and Seven, and our guest for this episode is Dr. Skylar Hopkins, Assistant Professor in the Department of Applied Ecology at North Carolina State University. Some sad news to talk about first. This show is dedicated to the memory of Hans Breuer, who passed away just a few weeks ago. You may remember my conversation with Hans for Episode 91, last December just a year ago. Hans and I traded quips and wordplay and herping stuff for close to twenty years, and many, many folks in the herping community have done the same, he was a lovely person to know. Hans is one of those friends that I've never managed to meet and of course now I deeply regret that. My heart goes out to his family, to his wife and his sons, and to all the many folks out there who also mourn his passing. We miss you old friend. And as always, I am grateful to all the show's patrons who help to keep the show moving forward. And if you're out there listening and you would like to kick in a few bucks, it's easy to do, you simply go to the So Much Pingle Patreon page. You can support the show for as little as three bucks a month – less than a fancy cup of coffee! You can also support the show via one-time contributions via PayPal or Venmo (please contact me via email to somuchpingle@gmail.com). This is another one of those times when a plan comes together in such a way that it almost seems pre-ordained. Skylar was going to be giving a presentation in early October at the University of Illinois here in my home town, and of course my first thought is how about coming on the show? And since Skylar was keen to visit Snake Road, what better recording venue than a campfire in the Shawnee National Forest? I've done a few of those as most of you know.  And of course, we're trading studio sound quality for a crackling fire and some katydids but that's some good ambience right there.  And the next day Skylar and I spent a little time walking on Snake Road, and that was a fun time to wrap up the whole experience. For those folks who want to salvage non-threatened DOR specimens in North Carolina to support the research efforts of Skylar and others , the point of contact is Jeff Beane at the North Carolina Museum of Natural Sciences. And thanks in advance! And for those folks interested in the book Emerging Zoonotic and Wildlife Pathogens, You can order our textbook here (paperback) or here (hardcover), or wherever you usually buy textbooks. The authors (Skylar, Dan Selkeld, and David Hayman) thank you in advance! Thanks for talking with me, Skylar!  And thanks for listening everyone! And as always, please keep the comments and suggestions coming, and please take time to rate the show on your podcast platform! The show email is somuchpingle@gmail.com, and there's also a So Much Pingle group on Facebook, for discussion, comments, feedback, suggestions, herp confessions, tips for herping better, etc. -Mike

Stephanie's Career Journey Early Interests and Education: Stephanie Manka, originally known as Stephanie Shuttler, began her academic journey with a major in biology, initially considering a career in medicine as a backup to her interest in acting. She discovered her passion for wildlife biology during a study abroad program in Africa, which opened her eyes to the possibility of a career in wildlife conservation. Academic Path: Stephanie pursued her PhD focusing on forest elephants and animal behavior, utilizing non-invasive genetics for her research. After completing her PhD, she undertook two postdoctoral positions, one of which lasted five years in Raleigh, North Carolina, within the research triangle. Transition to Science Communication: While working at the North Carolina Museum of Natural Sciences, Stephanie developed a love for science communication, blogging about her experiences and the challenges of the job market in wildlife biology. She realized that her research, while valuable, often went unnoticed in academic journals and sought to make a more direct impact through communication and mentoring. Establishing Her Business: In April 2020, Stephanie launched her own business, focusing on career mentoring and science communication. She began offering group programs and writing a book, leveraging her experiences to help others navigate the competitive job market in wildlife conservation. Current Focus: Stephanie now combines science communication with career mentoring, helping aspiring wildlife professionals improve their job applications and gain clarity on their career paths. She emphasizes the importance of networking, gaining relevant experience, and crafting strong job applications tailored to specific roles. Advice from Stephanie Clarity and Strategy: Identify what you truly want to do in your career. Having a clear goal helps in targeting the right opportunities and experiences. Build Experience: Gain a variety of experiences, especially those that align closely with your career goals. This may involve taking on multiple jobs or internships. Networking: Build and maintain a professional network. Connections can lead to job opportunities and valuable insights into the field. Strong Job Applications: Focus on writing compelling job applications. Many candidates struggle with this, often writing generic applications that do not highlight their unique experiences and skills. Invest in Yourself: Consider investing in career coaching or mentoring programs. This investment can lead to greater accountability and motivation, ultimately enhancing your chances of success. Resilience and Dedication: Persistence is key. The job market can be competitive, but with dedication and the right strategy, success is achievable. Connect with Stephanie:  Website: https://stephanieschuttler.com/ Career Programs: https://stephanieschuttler.com/work-with-me/https://stephanieschuttler.com/3-pillars-to-success/ Fancy Scientist Podcast: https://stephanieschuttler.com/category/podcast/   Follow a career in conservation: https://www.conservation-careers.com/online-training/ Use the code SUFB to get 33% off courses and the careers program.   Do you want to join my Ocean Community? Sign Up for Updates on the process: www.speakupforblue.com/oceanapp   Sign up for our Newsletter: http://www.speakupforblue.com/newsletter   Facebook Group: https://bit.ly/3NmYvsI Connect with Speak Up For Blue: Website: https://bit.ly/3fOF3Wf Instagram: https://bit.ly/3rIaJSG TikTok: https://www.tiktok.com/@speakupforblue Twitter: https://bit.ly/3rHZxpc YouTube: www.speakupforblue.com/youtube  

Dr. Sterling Nesbitt is an Assistant Professor of Geosciences at Virginia Tech, as well as a  research associate/affiliate of the American Museum of Natural History, the Vertebrate Paleontology Lab at The University of Texas at Austin, the Virginia Museum of Natural History, North Carolina Museum of Natural Sciences, and the National Museum of Natural History. Sterling is a vertebrate paleontologist who leverages his training in biology to understand how animals are related, how they evolved certain features, and how they have diversified over time. He is working to improve our knowledge of how life on earth has evolved over the past hundreds of millions of years. Outside of science, Sterling is passionate about travel. He loves visiting new places to experience other cultures, learn about their traditions, and discover fantastic places off the beaten path. He received his BA in Integrative Biology from the University of California, Berkeley and went on to complete his MA, MPhil, and PhD in Geosciences at Columbia University. Afterwards, Sterling conducted postdoctoral research at the University of Texas at Austin, the University of Washington, and the Field Museum before joining the faculty at Virginia Tech where he is today. Sterling is the recipient of the 2016 Virginia Tech College Award for Outreach Excellence from the College of Science. Sterling is here with us today to speak to us about his life and science.

Episode No. 671 features curator, professor, and former museum director Dean Sobel, and artist Jackie Winsor. Winsor, a leading Canadian-American post-minimalist and feminist sculptor, died last week at 82. She was the first female sculptor to receive a retrospective at the Museum of Modern Art, New York (1979), which holds five of her works in its collection. The most recent institutional survey of Winsor's work was at MAMCO Geneva in 2022. This week's program opens with Sobel, who organized the 1991 Winsor retrospective at the Milwaukee Art Museum. (The show traveled to the Newport Harbor Art Museum, Newport Beach, Calif., the North Carolina Museum of Art, Raleigh, the Museum of Fine Arts, Boston, and the Akron Art Museum in Ohio.  Sobel was later the director of the Clyfford Still Museum in Denver, and is a professor at the University of Denver. Next will be host Tyler Green's 2014 conversation with Winsor, apparently the next-to-last interview for which she sat. (See her 2019 program with MoMA curator Christophe Cherix.) The program was recorded on the occasion of "Jackie Winsor: With and Within" at The Aldrich, Ridgefield, Conn. For images, see Episode No. 154.

When the United States declared war in April 1917, it was unprepared to actually fight a war in Europe. The regular army was small and American industry needed time to produce war materials on a massive scale. It also needed time to train and transport troops. States would play an important role in mobilization – both in terms of manpower and in terms of the resources and industry. The 48 states that made up the United States in 1917 were all able to contribute in unique ways, based on their demographics, industry, and natural resources. To discuss North Carolina and World War I, the World War I Podcast hosted Charles Knight, Curator of Military History for the North Carolina Museum of History. Have a comment about this episode? Send us a text message! (Note: we can read texts, but we cannot respond.) Follow us: Twitter: @MacArthur1880 Amanda Williams on Twitter: @AEWilliamsClark Facebook/Instagram: @MacArthurMemorial www.macarthurmemorial.org

Curator Ekow Eshun reframes the Black figure in historic and contemporary art, surveying its presences, absences, and representations in Western/European art history, the African diaspora, and beyond, via The Time is Always Now (2024). In 1956, the American author James Baldwin wrote: ‘There is never time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now.' Heeding Baldwin's urgent call, Ekow Eshun's new exhibition brings together 22 leading contemporary African diasporic artists from the UK and the US, whose practices emphasise the Black figure through mediums such as painting, drawing, and sculpture. These figurative artists and artworks address difficult histories like slavery, colonialism, and racism and, at the same time, speak to contemporary experiences of Blackness from their own personal perspectives. Ekow explains how artists like Kerry James Marshall, Amy Sherald, and Thomas J. Price acknowledge the paradox of race, and the increased cultural visibility and representation of lived experiences. Beyond celebration, though, The Time Is Always Now follow the consequences of these artists' practices, and what is at stake in depicting the Black figure today. We discuss the plurality of perspectives on view, and how fragmented, collage-like works by Nathaniel Mary Quinn, Lorna Simpson, and Titus Kaphar reconsider W.E.B. Du Bois' understanding of ‘double consciousness' (1897) as a burden, to a 21st century vantage point. Ekow shares the real people depicted in Michael Armitage's surrealistic, religious scenes, whilst connecting works with shared motifs from Godfried Donkor's boxers, to Denzil Forrester and Chris Ofili's dancing forms. We talk about how how history is not just in the past, and how we might think more ‘historically from the present'. Plus, we consider the real life relationships in works by Njideka Akunyili Crosby and Jordan Casteel, - and those shared between artists like Henry Taylor and Noah Davis - shifting the gaze from one of looking at, to looking with, Black figures. Starting at the National Portrait Gallery in London, The Time is Always Now: Artists Reframe the Black Figure travels to The Box in Plymouth from 28 June to 29 September 2024. It will then tour to the Philadelphia Museum of Art and North Carolina Museum of Art in the US into 2025. And as promised, some news - this episode announces my appointment as Contemporary Art Curator at The Box in Plymouth. Join me there in conversation with Ekow on Saturday 29 June, and with Hettie Judah, curator and writer of Acts of Creation with exhibiting artists Barbara Walker, Claudette Johnson, and Wangechi Mutu, on Saturday 20 July. You can also join a Bitesize Tour on selected Wednesdays during the exhibition. And you can hear this episode, and more from the artists, on the Bloomberg Connects app by searching ‘The Box Plymouth'. EMPIRE LINES will continue on a fortnightly basis. For more about Claudette Johnson, hear curator (and exhibition text-contributor!) Dorothy Price on And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Listen to Lubaina Himid on Lost Threads (2021, 2023) at the Holburne Museum in Bath. Hear curator Isabella Maidment on Hurvin Anderson's Barbershop series (2006-2023) at the Hepworth Wakefield. Read about that show, and their work in Soulscapes at Dulwich Picture Gallery in London, in recessed.space. Hear Kimathi Donkor on John Singer Sargent's Madame X (1883-1884) and Study of Mme Gautreau (1884) at Tate Britain in London. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Victoria Scott-Miller is an award-winning Raleigh-based entrepreneur, documentarian, author, creator of "The Museum Lives in Me” book series, and owner of North Carolina's first black-owned children's bookstore, Liberation Station. She was inducted as the youngest and first African American woman into the Wake County Public School Hall of Fame in the category of Entrepreneurship.Victoria was commissioned by the North Carolina Museum of Art to serve as author and creative director for her debut series, “The Museum Lives in Me.” She was the first African American to have such a commission in the museum's history. Her children's book is now in every public elementary school and N.C. Cardinal library in the state. Following its success, she signed a multi-global book deal to expand her series to museums across the country with Paw Prints Publishing. Victoria currently lives in Raleigh, N.C. with her husband, Duane Miller, and two sons, Langston and Emerson.

Episode No. 656 features artist María Magdalena Campos-Pons and curator Lauren Applebaum. "María Magdalena Campos-Pons: Behold", now at the Nasher Museum of Art at Duke University, is the first multimedia survey of Campos-Pons' work in 17 years. The exhibition spotlights Campos-Pons' photography, installation, and performance-based practices, which typically address global histories of enslavement, indentured labor, motherhood, and migration -- how their impacts continue into the present. The exhibition is on view at Duke through June 9. It was curated by Carmen earmo Hermo and Mazie Harris with Jenée-Daria Strand. The exhibition is accompanied by a catalogue published by the Getty and the Brooklyn Museum. Amazon and Bookshop offer it for $33-42. On the program host Tyler Green mentions this excellent website published by the Peabody Essex Museum, Salem, Mass. on the occasion of its 2016 Campos-Pons exhibition. With Daniel Ackermann, Lea Lane, and Jenny Garwood, Applebaum is a co-curator of "Layered Legacies: Quilts from the Museum of Early Southern Decorative Arts at Old Salem" at the North Carolina Museum of Art, Raleigh. The exhibition includes more than 30 quilts and related objects from the MESDA collection (as well as some from private collections) and presents new, revised investigations into their making. It is on view through July 21. NCMA published a catalogue to accompany the exhibition; it is only available at the museum.

Live from the North Carolina Museum of History, we bring you Battle of the Week with Tony. This is our first time recording out and about, please be aware of very soft to very loud audio coming your way. We hope you enjoy!

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Pacifica based artist Saif Azouz, discussing his journey in art, inspiration from nature and literature, his current exhibition 'Cost of Living', and his reflections on boundaries and displacement. Saif's experience with art, his use of materials, and his perspectives on creativity and community are highlighted throughout the episode.About Artist Saif Azzuz :Saif Azzuz is a Libyan-Yurok artist who resides in Pacifica, CA. He received a Bachelor's Degree in Painting and Drawing from the California College of the Arts in 2013. Azzuz has a forthcoming solo exhibition at Blaffer Art Museum in Houston, TX in 2025 and has exhibited widely in the bay area including exhibitions at 1599dt Gallery, San Francisco, CA; Adobe Books, San Francisco, CA; Anthony Meier Fine Arts, San Francisco, CA; Galerie Julien Cadet, Paris, FR; ICA SF, San Francisco, CA; Pt.2 Gallery, Oakland, CA; Ever Gold [Projects], San Francisco, CA; NIAD, Oakland, CA;  Rule Gallery, Denver, CO; Nicelle Beauchene Gallery, New York, NY; Jack Barrett, New York, NY and K Art, Buffalo, NY. Azzuz is a 2022 SFMOMA SECA Award finalist and has participated in the Clarion Alley Mural Project and the Facebook Artist in Residence program.Selected public collections include de Young Museum - Fine Arts Museums of San Francisco, San Francisco, CA; Facebook, Menlo Park, CA; Gochman Family Collection, NY; KADIST, San Francisco, CA; North Carolina Museum of Art, Raleigh, NC; Rennie Museum, Vancouver, Canada; Stanford Health Care Art Collection, Menlo Park, CA; UBS Art Collection, New York, NY; and University of St. Thomas, Saint Paul, MN. Learn more about Saif, CLICK HERE. Follow  on Instagram:  @SaifAzzuzCheck out Saif's current exhibit "Cost of Living" HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Orage Quarles served as President and Publisher for the News & Oberserver for sixteen years, and has been on just about every Board you can think of, both locally and nationally, including the North Carolina Museum of History, the Dix Park Conservancy, and the UNC School of Media and Journalism Foundation. Today we talk to Orage about the importance of media, what newspapers got wrong in the last quarter century, and the importance of Raleigh getting Dix Park right. For more video episodes, follow along on Youtube: https://www.youtube.com/@Podcast_Raleigh/Or subscribe to Podcast Raleigh on your favorite podcast sites so you never miss an episode, and if you enjoy it we'd love for you to rate or leave a comment:Apple: https://podcasts.apple.com/us/podcast/podcast-raleigh/id1458907220Google: https://play.google.com/music/listen?u=0#/ps/Inzk5woxrsjwf3zhd5vv3av4yeiSpotify: https://open.spotify.com/show/6b3dVvLJfO0EqvDGQaFTAPOr follow on social media:Instagram: https://www.instagram.com/podcast_raleigh/twitter: https://twitter.com/podcast_raleighToday's episode is hosted by Ashton Fisher and Hayes Permar, recorded from The Commons, and is produced by Earfluence.For your real estate needs, check out Steele Residential, supporters of the podcast!

Barbara Campbell Thomas is a North Carolina based painter who has exhibited in museums and galleries across the United States, including the Weatherspoon Art Museum (NC), the Virginia Museum of Contemporary Art, The Painting Center (NY), the Atlanta Center for Contemporary Art, the Southeastern Center for Contemporary Art (NC), the North Carolina Museum of Art, Ortega Y Gasset Projects (NY), Maake Projects (PA), Wavelength Space (TN) and Hidell Brooks Gallery (NC).  Currently, her work is in a two-person exhibition at the Columbus College of Art and Design's Beeler Gallery, and in March she will have a two-person show at James May Gallery in Milwaukee.   Her work has been written about in Two Coats of Paint, Art Papers, The Coastal Post and BURNAWAY.   Barbara Campbell Thomas attended Skowhegan, the Virginia Center for the Creative Arts, the Elizabeth Murray Artist Residency and Hambidge Center for Creative Arts.  She is a Professor of Art and the Director of the School of Art at the University of North Carolina Greensboro.   

Episode No. 638 of The Modern Art Notes Podcast features artists Saif Azzuz and Maryam Taghavi. The Institute of Contemporary Art San Francisco is presenting "Saif Azzuz: Cost of Living," an exhibition of paintings, sculptures and installation that considers settler colonialism and gentrification as related processes. The exhibition is on view through May 19. Azzuz is a Libyan-Yurok artist based in suburban San Francisco. His work, which often addresses nature, land, and California Native American cultural practices, is in the collections of museums such as the Fine Arts Museums of San Francisco and the North Carolina Museum of Art, Raleigh. He was a 2022 SFMOMA SECA Award finalist. Taghavi's work is on view at the Museum of Contemporary Chicago in "Chicago Works: Maryam Taghavi مریم تقوی." Taghavi's work explores perception, often by wielding or adapting Persian calligraphy. The exhibition was curated by Bana Kattan with Kamala GhaneaBassiri. Taghavi has previously exhibited at museums such as LAXART, Los Angeles and the Queens Museum. Chicago's O'Hare Airport has recently installed a commissioned work by Taghavi in its Terminal Five. Instagram: Saif Azzuz, Maryam Taghavi.

Ep.179 features Basil Kincaid (b. 1986, St. Louis, Missouri) an American artist who honors and evolves traditional practices through quilting, collaging, photography, installation and performance. Implementing materials vested with emotional and memorial content, Kincaid allows these mediums to function as spiritual technology that forward various wisdoms born from Kincaid's greatest values: family, imagination, rest, and experience. Kincaid studied drawing and painting at Colorado College, graduating in 2010. Kincaid has exhibited works with Hauser & Wirth, Mindy Solomon, Kravets Wehby, Kavi Gupta, Carl Kostyal and others. In 2019, Kincaid debuted a first museum performance, “The Release,” at the Pulitzer Arts Foundation in St. Louis MO. In 2020 Kincaid received the Regional Arts Commission Fellowship. In 2021, Kincaid became a United States Artist Fellow and joined the Collection of the Smithsonian American Art Museum. In 2022, Kincaid exhibited new quilt works in both the Legacy Russell-curated show, “The New Bend” at Hauser & Wirth's New York and Los Angeles locations, and the Ekow Eshun-curated exhibition, “New African Portraiture” at the Kunsthalle Krems in Austria. Kincaid also produced a ceremonial installation at Laumeier Sculpture Park in St. Louis, wrapping a Manuel Neri figure in a quilt entitled “Take Me Home” just days after Neri's passing. Kincaid opened 2023 with “Dancing the Wind Walk”, a semi-permanent fabric monument during Frieze LA, with support from the Art Production Fund; before the end of the year, he will reveal a new quilt as part of “The Threads We Follow” at SECCA, North Carolina Museum of Art, and will have a solo exhibition, “Spirit in the Gift”, at the Rubell Museum, where he was the 2023 Artist in Residence. Basil Kincaid has been awarded the Great Rivers Biennial Prize and will have a solo exhibition at the Contemporary Art Museum St. Louis in Fall 2024. Photo courtesy of Basil Kincaid Artist https://basilkincaid.art/ Rubell Museum https://www.rubellmuseum.org/miami-exhibitions-2/2023-24-miami-2/2023-basil-kincaid Kavi Gupta https://kavigupta.com/artists/76-basil-kincaid/ Mindy Solomon https://mindysolomon.com/artist/basil-kincaid/ Hauser Wirth https://www.hauserwirth.com/viewing-room/basil-kincaid/ Carl Kostya https://kostyal.com/basil-kincaid-refraction-new-photography-of-africa-and-its-diaspora-surface-design-association/ Smithsonian SAAM https://americanart.si.edu/artist/basil-kincaid-32186 Artnet News https://news.artnet.com/art-world/meet-basil-kincaid-miami-beach-2402768 Artnet News https://news.artnet.com/art-world/basil-kincaids-studio-visit-2323227 Rockefeller Center https://www.rockefellercenter.com/magazine/arts-culture/artist-basil-kincaid-at-rockefeller-center/ Art Production Fund https://www.artproductionfund.org/eventsblog/basil-kincaid-art-sundae Whitewall https://whitewall.art/whitewaller/new-exhibitions-basil-kincaid-spirit-in-the-gift-and-more/ Lensculture https://www.lensculture.com/basil-kincaid UTA https://www.unitedstatesartists.org/fellow/basil-kincaid/ Cultured Magazine https://www.culturedmag.com/article/2022/09/15/2022-09-15-basil-kincaid-quilts-exhibition The Art Newspaper https://www.theartnewspaper.com/2023/02/16/quilt-covered-airplane-at-frieze-los-angeles-has-many-stories-to-tell Frieze https://www.frieze.com/event/now-playing-basil-kincaid-dancing-wind-walk

Drummer Laura King (Superchunk, Bat Fangs, R. Ring, Speed Stick) talks about her love for the album that kickstarted The Bangles' run of ‘80s hits, All Over The Place. Laura recounts the event that started her childhood obsession with The Bangles, breaks down what makes the album special and shares her thoughts on the band's more successful albums. She also provides updates on the many bands she plays with.As Laura and Al mentioned, R. Ring released a new video for “Cartoon Heart/Build Me a Question” just hours before their conversation. It's great! Check it out. https://www.youtube.com/watch?v=fG1RGmkPdBoThey also discussed the really cool video for R. Ring's "Def Sup." Watch it here! https://www.youtube.com/watch?v=ovFJidJAO14It's also worth your time to check out the video of Speed Stick performing at the North Carolina Museum of Art. https://www.youtube.com/watch?v=8_gpKgwyzfcFind Laura and her music online!@lkbroiler on Instagramspeedstickband.comSuperchunk tour dates: https://www.mergerecords.com/tourAl is on Twitter/X at @almelchiorBB and on Bluesky at @almelchior.bsky.social. This show has accounts on Twitter/X, Threads and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.Subscribe for free to You, Me and An Album: The Newsletter and participate in weekly chats about this podcast's featured albums! https://youmealbum.substack.com/1:07 Laura joins the show1:11 Laura talks about discovering The Bangles during her childhood3:44 Laura remembers back to the first instruments she had6:51 Laura's Bangles obsession actually started with Different Light8:40 Laura explains why she wanted to discuss All Over the Place9:30 Al forgot a lot of things he previously knew about this album12:19 Laura talks about the elements of the album that make it special15:24 Laura highlights some of her favorite parts of the album, including the cover art18:42 Laura and Al talk about the cover songs on the album25:09 Did commercial success spell the end of The Bangles?26:48 Al rants against rants about new music28:51 Laura talks about some of the music she plays while working at a bar31:53 Al developed an opinion about the attention Susanna Hoffs received35:12 Laura defends the Bangles' post-All Over The Place direction38:19 Laura summarizes her feelings about the album39:04 Laura talks about the upcoming Superchunk tour41:06 Updates on Bat Fangs, R. Ring43:19 Laura talks about collaborating with Kelley Deal and Mike Montgomery on “Def Sup”47:02 Laura is in a band where she plays bass48:00 Laura discusses the last Speed Stick album and possibly the next one51:28 Al asks Laura about her sharing a kick drum in Speed StickOutro is from “Online Tangle = HiSSS” by Speed Stick.Support the show

On July 20, 2023, North Carolina Museum of History hosted All-American Ruins as part of their History + Highballs virtual series. The program, entitled All-American Ruins: Reawakening the Healing Power of Imagination in Abandoned Spaces, started with a question: “Can the human imagination serve as a space of healing and serenity as much as it serves as a space of creativity and wonderment?”From North Carolina Museum of History: “Join multidisciplinary artist Blake Pfeil (creator of All-American Ruins) as he guides you through abandoned spaces across the United States and explores the healing power of imagination. Using multiple styles of storytelling, Pfeil draws an alternative roadmap of the country, investigating the cultural significance of American ruins, their lasting impact on American history, and ultimately, how the human imagination can have a powerful impact on our mental, emotional, and spiritual health.”You can rewatch the entire program here: https://www.youtube.com/watch?v=E9vU42ieCLg&t=1760sYou can view the program deck here: https://docs.google.com/presentation/d/1gtVsSG3-Iqn25CjG55Gz3FHIFBfWyF6SqJf8FtSkdOY/edit?usp=sharingLearn more about All-American Ruins: http://www.allamericanruins.com You can join the All-American Ruins Expedition Club now: https://plus.acast.com/s/abandoned-the-all-american-ruins-podcast. Hosted on Acast. See acast.com/privacy for more information.

8-1-23 Tonight at 9PM Eastern we're headed out to Colorado, to talk with Mike and DJ from Honnibrook Meadery. AJ and I met Mike and DJ at the 2019 MeadCon and MazerCup, and I was *blown away* by their salted mango session mead (and all their other meads). These guys are doing something right, and if you haven't tried it, you need to. Kevin visited them in 2022 and loved their meads. Honnibrook Craft Meadery has been open for 4 and a half years now and the guys are really dialing in on serving session meads, refreshing meads below 8% ABV that are easy drinkers. The meadery is located just a little over a mile south of downtown Castle Rock Colorado in a man cave garage unit. They have over 85 approved mead recipes and offer 20 meads on tap along with mead slishees or mulled meads, depending on the season. They're currently up to 15 barrels a week in their production. They are up on Vinoshipper, so you can get their meads for your very own! DJ and Mike are both longtime home brewers that met at church and started brewing beer religiously every weekend for about ten years, experimenting with all the spectrum of styles. DJ even worked part-time as an assistant brewer at a very successful Denver Brewery to learn a lot about the beer business. DJ also has a culinary degree and worked as executive chef at the local country club. Their experimenting was not limited to beer, and they made several meads too. The meads received such a positive response they changed their focus to mead completely. They have attended the mead making classes at UC Davis to hone their craft and understand the commercial side of mead making and tinkered on draft mead recipes for several years with the focus on being professional mead makers. They both have won awards individually and together in the amateur and professional mead competitions. DJ is working full time at the meadery and Mike has his day job working in IT, so the meadery is open Tuesday-Sunday evenings and you can even set up an appointment. This player will show the most recent show, and when we're live, will play the live feed. If you are calling in, please turn off the player sound, so we don't get feedback.[break] [break]Click here to see a playable list of all our episodes! Sponsor: Honnibrook Craft Meadery. Rated the very best winery in Colorado! Visit our state-of-the-art meadery and tasting room south of downtown Castle Rock, Colorado, in a converted man cave. Mention the Got Mead Podcast this month for a free draft taster!  Google H-O-N-N-I Brook for hours and directions. They love visitors!  www.honnibrook.com If you want to ask your mead making questions, you can call us at 803-443-MEAD (6323) or send us a question via email, or via Twitter @GotmeadNow and we'll tackle it online! 9PM EDT/6PM PDT Join us on live chat during the show Bring your questions and your mead, and let's talk mead! You can call us at 803-443-MEAD (6323), or Skype us at meadwench (please friend me first and say you're a listener, I get tons of Skype spam), or tweet to @gotmeadnow. Upcoming Shows August 15 - Ben Cheney at Scale and Feather Meadery August 29 - Kent Slaymakers at Slaymaker Cellars September 12 - Don Miller at Texas Rivers Distilling Company Show links and notes Let There Be Melomels by Rob Ratliff The Big Book of Mead Recipes by Rob Ratliff Let There Be Session Meads by Rob Ratliff Upcoming Events Aug 3 - Maniacal Mead, Ypsilanti, MI - Mead Hall Thursday Aug 4 - Kinsale Mead, Cork, Ireland - Mead-Ella - Kinsale Mead at BarBarElla Cork Mead Masterclass Aug 4 - Good Omen Mead, Escondido, CA - Latin Nights featuring Salsa, Bachata, Cumbia Aug 5 - Starrlight Meadery, Pittsboro, NC - National Mead Day Aug 5 - Honeygirl Meadery, Durham, NC - National Mead Day featuring Kelly Jackson Live Aug 5 - Meadiocrity Mead, San Marcos, CA - National Mead Day Aug 5 - Viking Alchemist Meadery, Smyrna, GA - National Mead Day Aug 5 - White Bear Meadery, Maplewood, MN - National Mead Day Aug 5 - Alternative Beverage, Belmont, NC - National Mead Day Aug 5 - Hunters Moon Meadery, Severence, CO - International Mead Day open house Aug 5 - Wyrd Leather and Mead, Portland, OR - National Mead Day Aug 5 - Wildflyer Mead Co, Navasota, TX - International Mead Day Aug 5 - 5/4 Meadery, Roswell, GA - International Mead Day Aug 5 - Stonehaus Meadery, Stroudsburg, PA - National Mead Day with the Two Taboo Aug 5 - Laurel Highlands Meadery, Greensburg, PA - Cousins Main Lobster - National Mead Day Aug 5 - MeadKrieger Meadery, Loveland, CO - Stand Up Comedy Showcase featuring Jozalyn Sharp (Standup NBC, VICE TV) Aug 5 - Honey and Hops Meadery, Front Royal, VA - Music and Mead with Bearded Harmony Aug 5 - Grimsby Hollow Meadery, Middleville, MI -Drink Mead, Learn Things - Celtic Mythology: Where to Begin? Aug 5 - Helderberg Meadworks, Troy, NY - Blackbraid Mead release - a blueberry and sumac mead Aug 5 - Hickory Tree Farm Apiaries, Kent City, MI - Mead Make and Take class Aug 5 - Sandwich Medieval Centre, The Quay, Sandwich, UK - Mead Making Workshop Aug 5 - Hickory Tree Farm Apiaries, Kent City, MI - Mead Make and Take Class Aug 8 - Battle & Brew, Sandy Springs, GA - Minis and Mead: Aquatic - Geek Paint and Sip Class Aug 10 - KingView Mead, Mount Lebanon, PA - Day One (acoustic) music Aug 12 - Moonjoy Meadery, Lenoir, NC - Mead and Mindfulness at Wolf Moon Salt Cave & Stress Reduction Center Aug 12 - Batch Mead, Temecula, CA - Free Axe Throwing Aug 12 - North Carolina Museum of Art, Raleigh, NC - Cider, Mead and Art Experience: What's the Buzz? Aug 18 - Leonard Oakes Estate Winery,  Medina, NY - Mulberry mead release Aug 19 - Arthurdale Heritage, Arthurdale, WV - Mead Workshop and Tasting Aug 19 - Batch Mead, Temecula, CA - Honey 5k Fun Run Aug 26 - World of Beer, Melbourne, FL - Cider and Mead showcase Aug 26 - B. Nektar, Ferndale, MI - Italian Honey and Mead Pairing by Bees in the D at B. Nektar Aug 26 - DMen Tap, Chicago, IL - Mead Fest 2023 You can buy mead online at https://shopmeads.com If you want to get your event on GotMead Live, let us know at gotmead@Gotmead.com 

Interview with the podcast co-producers June Guralnick and Tamara Kissane.THE WRITE TO HEAL: SOLDIERS DEEP DIVE INTO STORYTELLING In this new, limited six-episode audio series, Artist Soapbox speaks with life-changers – people who champion creative writing as a catalyst for soldiers' healing, as well as soldiers whose lives have been radically transformed through story. The interviews are conducted by Tamara Kissane, Artist Soapbox producer and 2020 Piedmont Laureate, with June Guralnick, 2022 Raleigh Medal of Arts recipient and creative writing teacher for veterans.GUEST BIOSJUNE GURALNICK (Co-Producer) has created plays, performance projects, and large-scale community cultural projects for more than four decades. A native New Yorker, June's plays have been performed at venues including the Kennedy Center (Washington, D.C.), Abrons Arts Centre/Henry Street Settlement (N.Y.), Southern Appalachian Repertory Theatre (N.C.), Equity Library Theatre (N.Y.), and the North Carolina Museum of Art. Awards include the Silver Medal-Pinter Drama Review Prize, North Carolina Arts Council Literature Fellowship, Southern Appalachian Repertory New Plays winner, Virginia Center for the Creative Arts Writing Fellows, Hambidge Center for the Arts Writer-in-Residence, Sewanee Writers' Conference Tennessee Williams Scholar (University of the South), Second Place winner for the Judith Royer Award in Playwriting Excellence, 2022 Raleigh Medal of Arts recipient, and most recently the 2023 United Arts Council of Raleigh & Wake County Artist Support Grant. Since 2020, June has taught creative writing to active duty soldiers, veterans and family members through The Joel Fund's Operation Art Program, as well as with the Arts & Health Program at Walter Reed Hospital. For more info, visit www.juneguralnick.com.TAMARA KISSANE (Co-Producer) is a playwright, parent, and podcaster based in Pittsboro, N.C. She was the 2020 Piedmont Laureate and received Outstanding Contribution to the Arts from Chatham Life & Style. Her plays and monologues have been presented throughout the Triangle and Triad areas of North Carolina. Through her podcast and production studio, Artist Soapbox, Tamara has produced, written, and directed a variety of audio dramas from anthologies to full-length series, most recently the nine episode audio series, JESUS PANCAKE.EPISODE LINKSCheck out June's digital story, What I Didn't See https://www.youtube.com/watch?v=McF3GY1XpegTranscript CREDITSTHE WRITE TO HEAL: SOLDIERS DEEP DIVE INTO STORYTELLING is a production of Artist Soapbox in partnership with June Guralnick.This series is dedicated to the memory of David Brave Heart.The intro montage is sound engineered by Royce Froehlich, and music in both the intro and outro are by David Brave Heart, with additional music by Louis Wilkinson.Post-production is by Tamara Kissane and Jasmine Hunjan.WHEN I WRITE I FEEL… CONTRIBUTORSJenny BaileyLinda BelansGail Ashby BryantKammie DeGhetoChuck GalleLinda GilesJune GuralnickPJ HarperKirsten HowardTamara KissaneAllie McDonaldRay OwenShirley PerrySande SouthworthScott Charles WhittemoreNorah & SusannahFor more information, see artistsoapbox.org and

This week marks the 30th anniversary of the release of Jurassic Park, a movie that both plays with history and made history. Like Jaws and Star Wars before it, Jurassic Park changed what we thought was possible in movie theaters while commenting on our fascination with the pre-human past. I asked Dr. Elizabeth Jones, author of Ancient DNA: The Making of a Celebrity Science (on sale from Amazon right now) to come on the show to talk about how Jurassic Park changed the science of paleontology and just why that velociraptor scene in the kitchen is so damn good.About our guest:Dr. Elizabeth Jones holds a PhD in Science & Technology Studies from University College London, a MA in History & Philosophy of Science from Florida State University, and a BA in History & Philosophy from North Carolina State University. Currently, she works at the North Carolina Museum and Natural Sciences and North Carolina State University as the Coordinator for Cretaceous Creatures, a public science project that engages 8th grade science teachers and students across the state in making their own microfossil discoveries.Show notes:https://www.newsweek.com/new-dinosaur-utah-moros-intrepidus-tyrannosaurus-rex-1338776https://www.smithsonianmag.com/science-nature/back-brontosaurus-dinosaur-just-might-deserve-its-own-genus-species-science-180954892/www.cretaceouscreatures.orghttps://colossal.com/george-church-the-future-without-limit/

Episode 119 Today, we are joined by paleontologist, Dr. Mary Schweitzer. She is professor in the department of biological sciences at North Carolina State University. She is also a research curator for paleontology at the North Carolina Museum of Natural Sciences. Her research interests include molecular paleontology, specifically the preservation and detection of original molecular fragments in well preserved fossil specimens. In 2005 she and her team shook the paleontology community when they reported finding soft tissue preserved in a 68-million-year-old T-Rex femur. Since that initial find, her team has unearthed mounting evidence that soft tissues, such as blood vessels, collagen and other proteins, can survive more than 66 million years of degradation. Fun fact, on one of her fossil hunts she spent three days in the field walking around on a broken leg because she didn't want to miss out on anything.   Support this podcast on Patreon at https://www.patreon.com/DowntheWormholepodcast   More information at https://www.downthewormhole.com/   produced by Zack Jackson music by Zack Jackson and Barton Willis 

This week, Will is joined by Brian O'Shea, the Ornithology Collections Manager for the North Carolina Museum of Natural Sciences and Emily Callicutt, Senior Land Protection Specialist for Three Rivers Land Trust. Their conversation dives into detail on the unusual nesting space chosen by a population of black-throated green warblers, biodiversity of the Guiana Shield and being rescued from the wilderness during a field study gone wrong.This podcast is brought to you by Montgomery Community College and Backcountry & Beyond.Want to join TRLT on the show? Know someone or certain topics that should be featured? Email will@trlt.org with suggestions!Support the show

Episode No. 597 of The Modern Art Notes Podcast features artist Binh Danh and curator Jeffrey Richmond-Moll. Radius Books has just published a two-volume monograph titled, "Binh Danh: The Enigma of Belonging." The book, Danh's first monograph, brings together Danh's prints on plant matter that consider images associated with the war in Vietnam, and Danh's daguerreotypes of scenic vistas in the American West, his attempt to negotiate the land and history of a still-contested region. The book features essays by Danh, Boreth Ly, Joshua Chuang, Isabelle Thuy Pelaud, and Andrew Lam. Bookshop and Amazon offer it for about $60. Danh's work is on view in "Ansel Adams in Our Time" at the de Young Museum, San Francisco. The exhibition, which was curated by Karen Haas for the Museum of Fine Arts, Boston, is on view through July 23. Danh has had solo shows at museums such as the Cantor Arts Center, Stanford University; the North Carolina Museum of Art, Raleigh; and the Sheldon Museum of Art, University of Nebraska. He's in many major US museum collections, including at the Eastman House in Rochester, NY; the San Francisco Museum of Modern Art, the Harvard Art Museums, and the Huntington Library, San Marino, Calif. Richmond-Moll discusses "Object Lessons in American Art: Selections from the Princeton University Art Museum" at the Georgia Museum of Art. The exhibition features work from PUAM that present artworks about American history, culture, and society in ways that reveal how Princeton has taught and presented US art history. It's on view through May 14. A catalogue was published by PUAM. Bookshop and Amazon offer it for $30-40.

Ep.137 features Hayv Kahraman. She was born in Baghdad, Iraq in 1981 and lives and works in Los Angeles. Recent solo exhibitions include Gut Feelings, The Mosaic Rooms, London (2022); Touch of Otherness, SCAD Museum of Art, Savannah (2022); Not Quite Human: Second Iteration, Pilar Corrias, London (2020); Shangri La Museum of Islamic Art, Culture, and Design, Honolulu, HI (2019); De La Warr Pavilion, Sussex, UK (2019); Pomona College Museum of Art, Claremont, California (2018); and Contemporary Art Museum St, Louis, St. Louis, Missouri (2017). Recent group exhibitions include Reflections: Contemporary Art of the Middle East and North Africa, British Museum, London (2021); Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum, Berkeley (2021); Henry Art Gallery, Seattle (2019); ICA Boston (2019); and MASS MoCA, North Adams, (2019). Kahraman's work is in several important international collections including the British Museum, London, UK; Museum of Contemporary Art, San Diego, California, US; Los Angeles County Museum of Art (LACMA), California, US; Birmingham Museum of Art, Alabama, US; The Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum of Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum of Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami, Miami, US. Photo ~ Courtesy the artist and Pilar Corrias, London Artist https://hayvkahraman.com/ Book https://www.rizzoliusa.com/book/9780847862627/ Pilar Corrias Gallery https://www.pilarcorrias.com/artists/hayv-kahraman/2/ Jack Shainman https://jackshainman.com/artists/hayv_kahraman Vielmetter https://vielmetter.com/artists/hayv-kahraman The Third Line https://thethirdline.com/ ICASF https://www.icasf.org/exhibitions/7-hayv-kahraman Hyperallergic https://hyperallergic.com/tag/hayv-kahraman/ Financial Times https://www.ft.com/content/ba61f731-e007-4c6c-922f-bc93dd4ad4c8 Perez Art Museum Miami https://www.pamm.org/en/artwork/2020.093/ Rubell Museum https://rubellmuseum.org/nml-hayv-kahraman Art Forum https://www.artforum.com/print/reviews/201909/hayv-kahraman-81120 SCAD https://www.scadmoa.org/exhibitions/the-touch-of-otherness NPR https://www.npr.org/2019/11/27/770452266/iraqi-american-artist-hayv-kahraman-is-building-an-army-of-fierce-women Art Review https://artreview.com/hayv-kahraman-gut-feelings-review/ The Guardian https://www.theguardian.com/artanddesign/2022/feb/21/hayv-kahraman-i-was-brainwashed-into-thinking-anything-euro-american-centric-is-the-ideal Wikipedia https://en.wikipedia.org/wiki/Hayv_Kahraman jdeed Magazine http://jdeedmagazine.com/hayv-kahraman-exhibits-gut-feelings-at-the-mosaic-rooms/ Mosiac Rooms https://mosaicrooms.org/event/hayv-kahraman/

Episode No. 573 features artists Matthew Ronay and Jade Doskow. The Nasher Sculpture Center in Dallas is presenting "Matthew Ronay: The Crack, the Swell, an Earth, an Ode" through January 15, 2023. The exhibition features a nearly 24-foot-long sculpture that functions as both an introduction to Ronay's exploration of surrealism, abstraction, representation and art's history, and also as a summary of the last decade of his work. The exhibition was curated by Leigh Arnold and is accompanied by a catalogue published by the Nasher and Gregory R. Miller & Co. Indiebound and Amazon offer it for about $55. Ronay's work has been featured in solo shows at the Blaffer Art Gallery and at the Pérez Art Museum Miami. He has been included in group shows at the Dallas Museum of Art, the North Carolina Museum of Art, the Williams College Museum of Art, and more. The John Hartell Gallery at the Cornell University College of Architecture, Art, and Planning is presenting "A New Wilderness: Freshkills." The exhibition features photographs by Freshkills photographer-in-residence Jade Doskow and a series of soundscapes by Heather Campanelli. The work shows the evolution of Staten Island's Freshkills from a landfill -- the world's largest household garbage dump -- into a 2,200-acre city park. The exhibition is on view through November 4. Doskow's Freshkills work debuted in The New York Times. Black Dog London published a monograph of Doskow's "Lost Utopias" work in 2016. Instagram: Matthew Ronay, Jade Doskow, Tyler Green.

Episode No. 570 features artist vanessa german and curator Kimberli Gant. german is included in "Start Talking: Fischer/Shull Collection of Contemporary Art," an exhibition of gifts to the North Carolina Museum of Art pledged by Hedy Fischer and Randy Shull. The show is on view through February 5, 2023. The Mount Holyoke College Art Museum is presenting "THE RAREST BLACK WOMAN ON THE PLANET EARTH," german's response to the Joseph Allen Skinner Museum, an early 20th-century cabinet of curiosities at Mount Holyoke. The exhibition is in previews through October 12, the artist will perform at the museum on October 13, at which point the show will remain on view through May 28, 2023. german is showing recent work at New York City's Kasmin Gallery in "Sad Rapper" through October 22. With Ndubuisi Ezeluomba, Gant is the co-curator of "Black Orpheus: Jacob Lawrence and the Mbari Club" which is at the Chrysler Museum of Art in Norfolk, Va. through January 8, 2023. The exhibition explores the connection between Lawrence and his contemporaries based in the Global South via the Nigerian journal "Black Orpheus" and the presentation of their work at Nigeria's Mbari Artists & Writers Club. After debuting in Norfolk, the show will travel to New Orleans and Toledo. The exhibition is accompanied by an outstanding catalogue published by Yale University Press in association with the Chrysler and the New Orleans Museum of Art. Indiebound and Amazon offer it for $50. Instagram: vanessa german, Kimberli Gant, Tyler Green. Air date: October 6, 2022.