Podcasts about nyu abu dhabi

Episode No. 704 features artist Wafaa Bilal. The MCA Chicago is presenting "Wafaa Bilal: Indulge Me," the first major survey of Bilal's work. Across his genres-busting career, the Iraqi-American Bilal has made performances, sculptures and related digital presentations that have interrogated the United States' relationship with and conduct within Iraq, the Middle East, and broader geopolitics. Bilal's work also investigates the notion of cultural cannibalism, the ways in which the culture of one people may be used, disassembled, and consumed by another. "Indulge Me" was curated by Bana Kattan, and is on view in Chicago through October 19. An invaluable catalogue was published by the MCA. Amazon and Bookshop offer it for $20-32. Bilal's work is in the collections of museums as unalike as the Los Angeles County Museum of Art and Mathaf: Arab Museum of Modern Art Qatar. His work has been included in exhibitions at the Sharjah Art Foundation, Sharjah UAE; the Art Gallery at NYU Abu Dhabi; and the 32015 Venice Biennale. Instagram: Wafaa Bilal, Tyler Green.

14 Apr 2025. Al Ansari Exchange is expanding — we speak to CEO Rashid Al Ansari about their $200 million deal in Bahrain. Despite Trump’s partial U-turn on tariffs, bond yields are still climbing — NYU Abu Dhabi’s Barthelemy Bonadio explains why. Plus, market strategist Jessica Amir joins us to analyse Trump’s decision to spare smartphones and computers in the latest round of trade war tactics.See omnystudio.com/listener for privacy information.

Critical raw materials - like rare earths, cobalt and lithium - play a central role in the energy transition and profoundly influence geopolitical dynamics. Their extraction may also amplify conflict and fragility risks in host countries. In this episode of the Climate Briefing, Ruth and Anna speak to Olivia Lazard (Fellow at Carnegie Europe) and Sophia Kalantzakos (Global Distinguished Professor, Environmental Studies and Public Policy, NYU Abu Dhabi) about the interlinkages between critical raw materials and geopolitics, the challenges associated with extraction, and what a ‘good' strategy for securing future access might look like.

On this episode of The Founder's Sandbox, Brenda speaks with Shivani Honwad – founder of her own law firm, who specializes in immigration and business law for the creative industries.  Shivani is a business and immigration lawyer, and trailblazer in supporting the Freelance and Free Act, as well as a professor at NYU LA campus teaching Entrepreneurship for creatives.  “I could not keep hearing it and not do anything about it” Shivani says, speaking about immigration as a major issue for freelance fashion workers.  Shivani set out to get smarter. Ten 10 years later, The Law Firm of Shivani Honwad, LLC, focuses primarily on immigration and business law for companies in the fashion, tech, beauty and entertainment realms. You can find out more about Shivani at: https://www.linkedin.com/in/shivani-honwad- http://www.shivanilaw.com Find some of my guest's content here : Laws “the freelance and free act” https://www.nyc.gov/site/dca/about/freelance-isnt-free-act.page     Transcript: 00:04 Hi, I'm pleased to announce something very special to me, a new subscription-based service through Next Act Advisors that allows members exclusive access to personal industry insights and bespoke 00:32 corporate governance knowledge. This comes in the form of blogs, personal book recommendations, and early access to the founder's sandbox podcast episodes before they released to the public. If you want more white glove information on building your startup with information like what was in today's episode, sign up with the link in the show notes to enjoy being a special member of Next Act Advisors. 01:01 As a thank you to Founders Sandbox listeners, you can use code SANDBOX25 at checkout to enjoy 25% off your membership costs. Thank you. 01:18 Welcome back to the Founder's Sandbox. I am Brenda McCabe, your host. This is a monthly podcast in which I reach entrepreneurs, business owners, who are going to learn about building resilient, purpose-driven, and sustainable businesses with great corporate governance. 01:38 I like to assist the entrepreneurs in building these scalable, well-governed and resilient business. And what I do with my guests is they tell their origin story about how they've built their own practices. And we'll get to the origin story of my guest this month, Shivani Honwad. Shivani and I have known each other for many years. She was bi-coastal in New York and Los Angeles. We met actually in the Los Angeles. 02:06 Los Angeles Venture Association, LAVA. It has a women affinity group. And she was eagerly contributing to some of the material and programs that we put on for women business owners, actually startups in the LA ecosystem. So I wanna thank you Shivani for joining me this month and the founder Sandbox. Thank you, Brenda. Thank you. So. 02:35 You own your own law firm, the law firm of Shivani Honwad. And it was originally based in New York. I don't know whether you operate nationally, but I'd love you to kind of repeat your origin story when I met you the first time in one of the women in lava. It was a small gathering. And it struck me your story was fascinating, because you were 03:04 working for a law firm in New York, but it was in your social life. You were, you know, out for drinks in the evenings and you would often be approached by women who were in the fashion industry, so models, and inevitably over a drink or maybe not a drink, they would end up using some of your free services. What was that? What were they asking your advice on, Shivani? And with that, we're going to get started on your origin story. 03:32 Thank you. Yeah, sure. So, you know, I was in my twenties in New York City and as one does in New York City, I would often go out. So I, at the time, was working in criminal law with a firm and civil litigation. But so I would go out with my friends. You know, I went to NYU, so I had a lot of friends in the city. And, you know, these models kept approaching me and they were like, hey, I heard you're a lawyer. I need help. 04:00 And I was like, oh, did you get arrested or did something happen like that? And they were like, no. And I kept hearing stories of how they were working for these modeling agencies. Most of the people that approached me were international models and their passports or their visas or something like their paperwork was being withheld so that they didn't really have freedom to travel and then not only that, they wouldn't be paid out. So. 04:25 they would model for days, weeks, sometimes months at a time, and be paid $0. And the agencies were just, there was just a lot of abuse in the industry. And so they kept asking for help. And at the time, I didn't really understand enough about the industry to know how pervasive this was. But I started looking into it because it wasn't just one model approaching me. It was like dozens of models over the course of a few weeks, if not maybe a few months. 04:54 that kept asking me for help. And it got to a point. I imagine your name got around, right? Well, because I wasn't doing anything yet. It was just that I was the only lawyer at all of these events, right? And I mean, this is also pre-Me too. So the other part of it was, is the lawyers they were going to, some of the male lawyers unfortunately, were also taking advantage of them and being like, hey, I'll help you, but you have to be my date to this event like Saturday night. 05:20 So they would see me in my 20s and a woman and woman of color, and they would just be like, oh, OK, so she won't sexually harass me or she won't threaten me in any way. So I think I was seen as a safer space for that. So I think that's why people approach me at parties. And then it got to a point where I just I couldn't really keep hearing it and not do anything about it. 05:46 And so I did some research into it. And then I found lawyers. I knew some in my network that knew how to help them. And the biggest issue, it seemed, was the immigration part, where it was like, if models come into the US under what's called an O-1 visa, and typically it's tied to whoever their agent or employer is if they come in under that route. But if they do it, there's other ways they can do it to have a little more freedom, or they can get their green cards so they have freedom. And that's the EB1A route. 06:16 And so I figured out an attorney who did that and he had agreed to like train me in how to do that. So eventually like I started my own law firm focusing on that. And it was just to help these models get some freedom. And then, you know, I expanded from there to doing some IP and contracts because once I helped them and get got them more stable, they were like, okay, well now I'm doing these ventures and I want you to negotiate these contracts and I want you to be my lawyer for this. Like you were great. So that's how my law firm kind of came to be. 06:44 And it was just 10 years actually, since I've opened it this past August. Oh my goodness. Yeah. It was just, it started out at this crazy need of just people needing help and to be in a safe space. And the irony of it is that I originally went to law school to kind of work on human trafficking issues. Oh my goodness. And I never thought I would see it. Like I never thought I'd work in fashion, but I mean, the work I was doing was tied to that because a lot of the models were essentially held in debt bondage. 07:14 of being tied to these agencies not being paid out and saying like, you owe us this much money so we're not gonna pay you or what have you. So I think that's how it's still, I got to do what I went to law school for, but in a different way than I had initially thought. Like I thought I would work for the UN or something like, but it was so hard to get into the UN. I applied nonstop originally, but like I got to do this. And like we changed some laws around in this space. Like, 07:43 The Boston Globe did like the Spotlight team did a piece on this and like some of my clients that I was also interviewed for. And then, you know, we met with officials in city hall. And so the freelances and free act, which got passed in New York also applies to models. So if an agency, you know, gets payment from a client to the agency and they don't pay the model within 30 days, the state of New York will actually fine the agency. 08:10 So the models now have recourse to collect payment faster. Excellent. So I would ask you later to give me this law, and we'll put it in the show notes. Because this is amazing. You have been a trailblazer in a serendipitous way. You started out, or while you're studying law, you thought you would work in sexual traffic, and you did not, or human trafficking. And you were doing criminal law. 08:38 ended up actually representing fashion models, immigration issues, as well as eventually venturing into assisting them in their contract management and IP. So amazing story. And I loved one thing that you did say. You said, I couldn't not do anything, right? I researched it and I just could not just let this go. So. 09:08 Very, very resilient, Shivani. How did that experience or others inform you to actually move all the way out here to Los Angeles and set up practice? And tell us a little bit about that. So I don't think you and I have actually talked about this before. But originally, what brought me out to LA was some of the work that I did here for the models. I was recruited by some organizations in the e-sports area. 09:38 Um, you know, e-sports is actually pretty big out here in California. And, um, there was some e-sports organizations that wanted me to help implement essentially policies and basic human rights for the gamers, because, um, kind of what we had done for the models in New York, um, there was really no regulations a couple of years ago. It's still pretty bare minimum, but. 10:02 for the e-sports gamers. And you have all these essentially mostly teenage boys, there are female gamers as well, but in the e-sports tournaments, and they were just taking a ton of speed or drinking nonstop Monster Energy drinks, and they were just dying, quite frankly, they were under all this pressure to perform. And again, there was really no regulation around it. And their contracts were devoid of like... 10:28 just basic human rights of like, okay, you can get a bathroom break, you get time to eat, you get time to sleep. So originally I was recruited out here to kind of work on those issues. And I will say, if you've never been to an e-sports tournament and like in a stadium, I advise going, it's an experience. Wow. This is like a trillion dollar industry and it like traverses all socioeconomic, like really like it. 10:56 It just transcends all lines. It's just an incredible scene to experience, just the fandom of it all. So I was in that space for a little bit originally and it just, it was a very chaotic environment that I just didn't really want to be in anymore. Right. And then, yeah, I just- And you were doing this from 11:26 from your own practice? At that time, you'd set up your practice, so you just recently celebrated 10 years of your law firm, Shivani Hanwad. Yeah. You were actually serving the e-sports from your law firm. Yeah, so I was doing some contract stuff. I was doing visas for the gamers, things like that. So I was getting more familiar with it. But it was because the issues paralleled. 11:53 basically what was happening with models in New York with the sports gamers in California. So that's kind of how the whole thing started. And then, like I said, it wasn't really for me, but then I had made some inroads here. I got connected to Lava and some other organizations. And then I got offered the position to teach at NYU's LA campus. So that's kind of anchored me here in Los Angeles now. But yeah, so I still do kind of the same stuff and I work. 12:22 you know, same. The thing with immigration law is it's federal. So my clients are all over the world and a lot of my clients also in the fashion, creative industries, their contracts are mostly like for New York and California based things. And like I'm admitted to practice law in both New York and California. So they just email me, like we do Zooms or, you know, calls and stuff and go through stuff. So yeah, I serve clients all over the world basically. 12:51 position you have with New York Stern's LA campus? It's not Stern. So it's New York University. Okay. I went to Stern undergrad. Yes. And then, but New York University's Los Angeles campus is just a general campus. It's not a specific school. Okay. So we serve students from all schools. And actually we have multiple global campuses. So we have two other degree granting campuses. One is NYU Abu Dhabi. 13:21 and one is NYU Shanghai. So this is what come to our LA program. It's an undergrad study abroad only program. So it's one semester and they come mainly from our New York campus. Some are, we also do have a lot of students that come from our Abu Dhabi campus and our Shanghai campus. And then they might be as part of other programs too. And so they come out here, they spend a semester, they, we work on getting them internships. 13:48 And they just kind of see, like most of them want to go into the entertainment industries in, you know, whether it's media, like screenwriting, directing, producing, or music. So they're just trying to see if they like the LA environment, make some inroads for if they want to like pursue their career in LA or New York or what's better for them. So that's the program that we have out here right now. And like we're growing actively because the campus opened in fall of 2019. 14:15 closed promptly in spring of 2020. And then just reopened fully again last year. All right. And do you teach a specific subject? Well, yeah. So the course that I teach, it's basically structured around like entrepreneurship or creatives. So I bring in kind of my business and my legal backgrounds. My, the director of the NYU LA program is amazing. And she gave me carte blanche to kind of design a course. 14:44 She was like, think of them as your future clients. What do you wish they knew? So that's kind of what we designed. So we like include like how to pitch, how to develop a deck and then how to pitch that deck. I also do a negotiation simulation because oftentimes these students have never like negotiated a deal before. So I go over, you know, what are basic deal terms that you should at least understand and if nothing else have these in a contract. And then I design a whole simulation and like put them in groups. 15:13 and give them mock contracts and they have to negotiate it out. And it's really fun because every single time we do it, they all start with the same contract, the same roles, and everything. And then they all present at the end of class what their deal terms were. And no group has ever had the same deal terms. And the reason for that is because it's also to show them that you all come in with your own biases and preferences and experiences and values. 15:41 Yes. It doesn't really matter what the other people are doing. It's just like, what makes sense to you? What do you feel comfortable with? Because if you feel comfortable with the deal and you're okay performing for this rate or with these terms or whatever, then you're going to be fine. And so, because then I always ask them, did you want someone else's deal? And they might say that they wanted parts of it. They're like, oh, I didn't know I could add that. Sometimes if we're doing an artist contract negotiation, 16:10 my female students will always be like, they'll add in hair and makeup budget. And then the male students didn't know like, oh, that's a thing or like, how much is hair and mica? And like women know that it should be expensive. So they're like, oh, I could do that. So like, it's things like that that come up cause I'm like, you can add in, if it's not written there, you can add stuff in. Like I give you flexibility. And they're like, okay, I'll think about that next time. But because they negotiated out, they felt heard. 16:40 So they're comfortable with the deal that they agreed to because they felt like they were heard, they felt valued. And so they were fine with their deal overall. So again, although they may have picked up some things that they would like for next time, no one's really been outright like, my deal was terrible. Like everyone's kind of felt like kind of comfortable because they get time to talk it through. And I think that's like the biggest takeaway is like, as long as like the other side feels heard, 17:09 you can agree to a situation where all parties kind of essentially win and can work together well. And thank you, this is fascinating. So you have an entrepreneurship program at the New York University's Los Angeles campus. There's another campus in Abu Dhabi and Shanghai. And so it's a year abroad. So is it cross-cultural mix and what students? Yes, but. 17:38 Sorry, I'm just gonna clarify. So it's not a year abroad for Abu Dhabi and Shanghai. They're actually degree granting campuses. Okay. So the Abu Dhabi campus is actually a really incredible program. It's a four year program. Okay. And it only has like a 2% admission rate cause tuition is free at that campus. So they're completely separate programs but they're all under the NYU umbrella. But I'm just saying that students come to our LA campus for a semester. It's a semester, right? Yeah, for a semester just to kind of do a semester abroad essentially. 18:09 And how many entrepreneurs have gone through your program? So, okay, so let me also clarify, sorry. I teach the Entrepreneurship for Creatives course, but like our entire curriculum here is centered around the entertainment industry. So there's a movie marketing class, there's a screenwriting class, there's pitching your project class, there's a history of film class. So it's all centered around entertainment. There's music courses, there's stuff like that. 18:38 The entrepreneur part is just kind of what I do because like, that's my background. And also like if you're a creative, you are an entrepreneur in the industry, like you are your brand. So mine's the only one, my course is the only one focused on that. So it's not that we have entrepreneurs here. They all want to be in the entertainment industry, but it's part of being in the entertainment industry, you are an entrepreneur. So just to clarify that a little bit, that it's not a separate program. Excellent. And thank you for that, you know, clarifying. 19:08 And I would like you to speak about your own new venture. So not only do you have your own law practice, you have recently started an initiative that is the South Asian Creator Collective. Tell us a little bit more about this. Yeah, so we launched that out of the NYU LA campus. Okay. Because I just found out like that my South Asian students 19:38 They, you know, we have only a few, usually every semester, but they just didn't have the community that some of the other creative communities had because typically South Asian families, your parents want you to be a doctor or an engineer and not really like, okay, you can have a music hobby or be a dancer as a hobby, but not have that as a career. So there was a lot of lack of support. And then I represent some South Asian artists. 20:06 whether they're writers or dancers or creators, producers, things like that in New York and LA. And so they also obviously would say the same thing. So I kind of wanted to bring everyone together to not only create a community for like my clients, my friends who are in the industry, but also to help build that bridge for my South Asian students to have like, you know, mentors in the industry. So we had our first meeting earlier this, a couple of months ago. 20:32 What came out of that was really cool that I brought together my friends and clients. They've already started collabing together on stuff. And then Brenda through you and Ty, I met people who are possibly interested in investing in South Asian creators projects. So we're looking at doing a possible pitch event in the spring to have our creators pitch projects and then to have investors possibly invest in them. So I like the idea of just bringing people together to kind of create this community 21:01 and to help each other kind of, you know, use everyone's skill sets just to create a better whole together. I love it. And I was absolutely thrilled that you were at the Thai So Cal's recent event with the preview and a screening of Show Her the Money, as well as we had our final. 21:22 competition for five women-owned businesses. So thank you for joining us there. We did that at the Noah House in Hollywood, of which I'm a member, and look forward to hearing more about the PitchFest that is probably gonna be in the spring of next year. Hopefully. Noah's crazy though about that, show her the money screening. I didn't realize how many people I knew in the film. Like I knew... 21:48 Liz, like from this organization that we were part of in New York, Dreamers and Doors, were like mainly female entrepreneurs. Like I knew her when she was starting Sogal. And so it was so crazy to see how far they've come. And then like I knew so many other people in the film. And I was like, wait, I knew them back then. I didn't know they were in this film. And like Naseem was in there. Like there was just so many people that I was saw in the film that I was like, wait, I know these people personally. So it was just a really cool screening to see. And to see so many. 22:18 people that I've known over the years, just in how far they've come over the years too. Was really cool. Yeah, initially it's a movement now. So initially Show Her the Money was gonna be shown in 50 US cities. It's gone viral. I think we're up in to the 200s and yeah, it's a movement. So thank you for being, and it's a small world, right? Oh, completely. We all end up, yes, there are no borders. So yeah, thank you. 22:45 And I look forward to that launch and I would be happy to promote it here in the founder sandbox as well as on my YouTube channel. You know, this switch gears. I want to I initially I've known you for years, but I really wanted you to come on to the founder sandbox because not only your story of not resiliency, but to the move across from the from LA to from New York to LA. But 23:14 you're passionate clearly about resilience. And I am also passionate. And it's the type of work I do with with founders as they're scaling their businesses just working on this resiliency, I say muscles. You recently hosted during LA's tech week, about two weeks back, a session on resiliency. Tell us a little bit about it and why you wanted to spearhead that. 23:42 Um, so I did my first LA tech week event last year, and that was a great learning experience. We did it all about pivoting and we had like 400 RSVPs for like 75 spots because I did at NYU's LA campus and we're small. So we had a fire martial capacity of 75. So it was just like overwhelming. But the original reason I launched that event was because 24:09 Um, when I looked at the original LA tech week calendar, all I saw were men on that calendar. And I only, if I saw a panel with a woman, it was like one woman and like five men. And I was like, I have so many incredible friends and clients that are women doing incredible things in the tech space and they never get the platform to talk about this. So I wanted a female forward event. Um, so I did that one and then that one went really well. So then everyone was like, 24:37 Okay, what are you doing for tech week this year? So that's how I was like, okay, so everyone really liked the pivoting one because they said they learned something from it and it was something everyone could relate to. So then, you know, as we're coming out of COVID, a lot of people have felt burnout and have felt the need to kind of just like reinvent themselves or just kind of rise from the ashes to a degree. So then this year's theme, I was like, I feel like I wanna do something around resilience. 25:04 because it's about like weathering the storm and coming out and like, you know, thriving again. And so again, I did it female forward. But what was really incredible is a lot of my male clients and friends also came and like others that I didn't know. And like all of them just like loved the event. And they're like, this has been the most informative event I've ever been to. And I said that at the beginning of my event, I was like, you know, this is like, yes, I, you know, my panel is all women, but 25:33 we can't change the ratio of where only 2% of women receive VC funding if we don't have men in the room, because you need everyone at the table to help change that statistic. And so by sharing the stories of like, again, they were my clients and friends, but they all run like incredible organizations. Like Steph Rizal was one of our speakers. She's an incredible singer songwriter. She just wrote a book for creatives and self-care. 26:00 I had Jazzy Collins, who's the first black person to win an Emmy for casting. And she has a production house called Force Perspective. I had Mickey Reynolds, who used to be the CEO, co-founder of Grid 110, and is now head of programs at Slosnikov, a VC fund. And then I had May Muna, who is amazing. She's a refugee. And she started two organizations, one called the Tia Foundation to help refugees in the US. And then she started this... 26:28 restaurant called Flavors From Afar where refugee chefs essentially have their menus every month featured at the restaurant. So like I got to feature these incredible stories and founders and you know, just how they like, May Muna, her Flavors From Afar restaurant is now Michelin like rated, but she was fired from a Carl's Jr. That's like her story. She's like, yeah, I was fired from Carl's Jr. and now I have a Michelin restaurant. 26:54 So where you start and kind of what happens, it's like you just have to keep going. And all of them kind of had stories like that of being like, you know, dismissed somewhere early in their career and just like, keep like, just keep going. And like, Jazzy too, like, you know, she was just like dismissed for being usually the only black female in any room. And now she's the first black person to win an Emmy earlier this year. And it's just like how, you know, yes, in casting, sorry. But yeah, and how that like just 27:23 those stories of how that rises. And I think a lot of people learn from that because a lot of them were just like, you just have to keep trying, or you just have to try something. And if it doesn't work, you know, go a different direction, but fail faster was kind of the message that they were putting out there that like you'll still figure it out and you just have to like have a really supportive community around you. And as long as you have that, like you can just like find the strength to keep going. 27:50 Tudos to you. This is a podcast that is absolutely filled with lots of nuggets, your own story in New York, coming out to LA, you're teaching your own entrepreneurship journey and your passion with respect to the underrepresented, right? And actually putting on events. 28:16 and Female Forward as well as last year in pivoting is thank you for being part of the ecosystem here in Los Angeles and next year I wonder what you're going to do in LA Tech Week. I know this week was pretty burned out still so we'll see. We have time. So you know I'd like to give you the opportunity to provide how my listeners can contact you or how's it best to contact you. 28:46 Um, yeah, I'm on LinkedIn. I'm on Instagram. My Instagram is just my name, Shivani Hanwad. Um, my email is just shivani at shivanilaw.com. So I guess any of those are kind of the best ways to find me or connect with me. 29:01 Okay, and we're going to shift gears back to this sandbox. You are a guest here to the founder sandbox. And again, my mission is to build resilient, scalable, and purpose-driven companies. So I always like to ask each of my guests what the word means, resilience, purpose-driven, and scalable, sustainable businesses. Each of my guests has a different meaning. And it's 29:30 actually one of the highlights of my podcast for me. Okay, so am I doing all three? Yes, you will. Okay. You already talked a little bit about resilience, but what does it mean to you? What does resilience mean to you? Shivani Ha. I think resilience just means to me, it's just like to persevere, to keep going. And I think all of us have our own challenges, obstacles and hardships. And I think finding the strength to just kind of get through those. 29:59 Because you don't always get over everything that you kind of maybe get through in your life, but getting through it is, I guess, the way to look at it in my mind. And then just kind of still making stuff happen, even if it's hard, is the way I look at resilience. To persevere, still making it happen. Thank you. Purpose-driven. You're very purpose-driven. How many back? If we were to scale you. 30:28 Well, purpose-driven, I just find it like, you know, just quick tangent, but like what originally drew me into law school and like wanting to work in the human trafficking space was like, you know, I was caught in these monsoon floods in India when I was working in Bollywood. And I learned about human trafficking and that's kind of what I wanted to work on. And I have worked on it in different ways, like, you know, changing that law in Delaware and then my work on the TVPGA as part of the New York State Trafficking Coalition. 30:58 So I have worked on that. And I just think that's always been kind of my, I guess, anchor point in a way of like a lot of the work or the pro bono work even that I do through my law firm. And part of why I've kept my law firm is because now no one tells me how I get to spend my time or money. I wanna work on representing children that have been trafficked and do those cases pro bono. I can do that. No one's like, no, you need more billable hours. Like it's up to me. 31:26 So I have a couple of nonprofits that I work with that I represent kids that have been trafficked to get them either status here or just like to a safer spot. And I really love that work. So the work I do with the creatives and everything, it kind of funds and provides me the ability to do this other work. So I think purpose-driven is just like figuring out what it is that you're passionate about and what your anchor point is. Like, why are you doing this? Like, what is it that's getting you through and what gets you out of bed? 31:55 Like I get really excited to like work on my clients' cases because I think they're doing really incredible things. Yes. So I think purpose-driven is just like that, like finding what you're passionate about and like how you can have a positive impact in the community. I have goosebumps. I had, you went off on a little tangent. That was a very important tangent and as it is your anchor point. So thank you for sharing, Shivani. Sustainable growth. 32:23 Okay, what's sustainable? So this is something I'm working on now. Yes. I think, you know, for me, I was an accidental law firm founder, you know, that like I kept meeting these people and like that needed help and like I, I never really thought I would start my own law firm. And so I think it's been a journey of figuring out how to like run a law firm and grow it and all of this and like. 32:48 I'm getting to that point where it's like, okay, what am I doing? Am I still doing this? Am I merging it with something else or someone else? And I'm very fortunate to have really great partners. I'm really fortunate to have the opportunity to these couple of law firms have offered for me to merge my law firm with theirs, join them, all of that. So it's figuring that part of it out. But I think, you know, to be sustainable or scalable, I think one thing, especially people who are type A like me, 33:17 that we struggle with is delegating. And that like finding, you know, you're not good at everything. You're not like, the first thing I did was hire a tax guy. Cause I was like, I don't do this. Like I don't know how to do anything tax wise, but it's just like figuring out like, you know, what you're good at and what you're not good at instead of trying to learn everything, figuring out how to delegate or finding team members to help you with the stuff you're not good at. Because I think a lot of people, especially founders try and hold on to everything. 33:46 And that's kind of what leads to burnout because if you're trying to do stuff that you're just not great at, you just always are gonna feel defeated. But if you have other people that are good at that stuff, supporting you in that, and you get to focus on the stuff you're really good at, then that's gonna energize you because then you're being more successful because you're doing the things you're great at. And then you're being supported still by other people. So you have that mental bandwidth to keep doing and keep running in the right direction. 34:14 what the stuff that you're passionate about, you're good at, what you're trying to grow. So I think to be sustainable or scalable, learning how to delegate is a really important skillset that it takes some time and emotional bandwidth to be able to be okay with letting go of something. Cause like most founders, like their companies are their babies. Like they're growing it. And you know, it's just so hard. It's like saying like, 34:44 It's like you're finding a nanny for your child. Like, okay, I'm okay with letting this person do this part of my business. So. Excellent analogy. And it also probably has to do with your own awareness, right? And the maturity of recognizing there are certain things that I just don't wanna do, but I don't like it or I'm not good at it. And the maturity and awareness that it's better done by someone else, right? 35:13 Yes. And I'm also self-employed and, you know, pushing through. And I have also delegated many things. I'm having a fantastic team, the producer of my podcast, and I let them do and tell, I follow their orders to tell you the truth. But you need that sometimes. Sometimes it's easier if someone just tells you what you need to do and then they're just handling the rest. 35:42 Um, and thank you for joining me in the, the, um, founder sandbox podcast this month, you know, um, to my listeners, if you liked this episode with Shivani Han what sign up for the monthly release, um, where founders, business owners, corporate directors and professional service providers provide their own origin stories. And they tell their stories about resilience purpose driven and scalable. 36:11 Thank you again. You can listen to these episodes on any major podcast streaming service. Signing off for this month. Thank you. Thanks, Brenda.  

By introducing artists to science and research institutions, sci-art collaborations are establishing new perspectives and interdisciplinary approaches, and artistic work is contributing to scientific inquiry. In this talk, musician and sound artist Sam Nester introduces his work and how it has led to collaborative projects with institutions in the USA, Europe, and the UAE. From working alongside scientists at the European Joint Research Centre and policy officers of the Directorate General for Environment, to collaborating with members of the Center for Genomics & Systems Biology at NYU Abu Dhabi as the inaugural artist-in-residence. Speaker Sam Nester, Artist-in-Residence, Center for Genomics & Systems Biology, NYUAD

28 Jan 2025. We get reaction to DeepSeek and the US tech rout with Nancy Gleason of NYU Abu Dhabi. Plus, there's about to be a change in what banks can lend in the way of property fees - we look at the knock on effects for home buyers with the CEO of mortgage consultancy Holo. And, we speak to a man who's just sold a hotel and find out why there's an uptick in hotels changing hands. Andy Love from Knight Frank.See omnystudio.com/listener for privacy information.

We speak to Aldar Properties boss, Talal Al Dhiyebi, about why they're seeing a surge in demand for homes here in the capital and we get more on Aldar's latest purchase - a commercial tower in DIFC, a 2 point 3 billion dirham deal.  Plus, we do a deep dive on the Abu Dhabi economy with two of our favourite experts; Professor Nancy Gleeson of NYU Abu Dhabi, and veteran investor Mohamed Yasin. And, we get the latest on Saudi Arabia's private sector which saw activity grow at its fastest pace in a year and a half last month, according to new PMI data from Riyad Bank. See omnystudio.com/listener for privacy information.

IN THIS EPISODE: Host Denise Silber sits down with Harvard alumna Dr. Merritt Moore, who is a quantum physicist, ballet dancer, educator and entrepreneur all at once! They explore her unique multi-disciplinary journey at the intersection of dance and robotics. Dr Moore reveals the challenges and triumphs of merging her two passions, and how her work offers deeper insights into human-machine interaction.  Dr. Moore shares how she is creating a new industry by coding robots and performing as a professional ballet dancer on global stages. Dr Moore's  innovative teaching approach in creative robotics at NYU Abu Dhabi offers entrepreneurs insights into embracing interdisciplinary approaches and combining diverse skills to forge unique career paths and inspire market-defining innovations. GUEST BIO: Dr. Merritt Moore graduated from Harvard College in physics and from the University of Oxford with a PhD in Quantum Optics. She danced professionally with the English National Ballet, Norwegian National Ballet, and Zurich Ballet, and continues to perform with the Boston Ballet. Additionally, she is an Adjunct Professor at NYU Abu Dhabi, teaching robotics. She was awarded Forbes 30 under 30, she was one of the 12 candidates on BBC "Astronauts: Do you have what it takes?". She has been invited to perform with robots at the World Economic Forum in Davos, Forbes Women's Summit, and around the world. This led to features in TIME, Financial Times (FT), Vogue, BBC.

06 Nov 2024. We bring you the latest on our US election broadcast special as it happens. We have a stellar line-up of analysts and commentators including CNN anchor John Defterios who explains what either presidency could mean for trade and tariffs here in the UAE. Plus, we hear from our very own Brandy Scott over in the swing state of Pennsylvania. We also hear from Nikki Brotherson, Democrats Abroad-UAE Chair as well as Joe Beydoun, Chair, Republicans Overseas UAE to find out the mood on the ground. And, we get the latest from Professor Adam Ramey, NYU Abu Dhabi about what a likely Trump presidency could mean for us here in Dubai and the wider Emirates. And, we get word live from Seattle, where we speak to Professor Patrick Schoettmer. See omnystudio.com/listener for privacy information.

Show Summary:Natasha sits down for a chat with Dora Palfi and Beatrice Ionascu, co-founders of imagi, a Swedish EdTech startup dedicated to closing the gender gap in tech by sparking a passion for technology in all children through fun and inclusive computer science education.Dora and Beatrice met while studying at NYU Abu Dhabi and went on to work in various large tech companies. Their experiences, often as the only women in male-dominated tech environments, fueled their desire to create imagi, with the vision of transforming the tech industry and broadening access to computer science education, particularly for underrepresented groups. imagi's AI-powered Python programming platform equips educators—regardless of their coding background—with the tools to teach a dynamic, engaging curriculum to middle school students, promoting inclusivity across gender and race. After just one hour of coding with imagi, one in three girls and non-binary students report increased interest in coding, and 85% of all students find the experience "fun" after their first lesson. Having reached more than 300,000 students in 140 countries, cultivating a vibrant global community of young coders who have collectively generated over 19 million lines of Python code, imagi is making strides in reshaping the future of tech education globally.For more details, visit imagi's website.You can use the Vivify promo code for 15% off a purchase of imagiCharms! Just use vivifystem15 or this link.Links from the Show:Related The STEM Space Podcast Episodes98. Who is an Engineer?50. How to Involve Girls in After-School STEM122. How to Motivate Students121. The Importance of Clear Communication in Science114. Strategies for a TeacherpreneurVivify STEM Blog PostsTop 10 Ways To Encourage Girls In STEMMotivation: How to Teach Growth Mindset and Failing ForwardVivify STEM LessonsWho is an Engineer or Scientist? STEM Career Game & Activity (Break down stereotypes!)Picture a STEM Professional Critical Thinking WorksheetBridge Engineering STEM Challenge - Women in STEM History ActivityStarter STEM Activities Engineering ChallengesOther STEM ResourcesimagiweSTEM @ NYUADGirls outperform boys at school, yet still shy away from STEM — Download the full study here: Hands Up for Gender Equality: A Major Study into Confidence and Career Intentions of Adolescent Girls and BoysGive P's a Chance: Projects, Peers, Passion, Play by M Resnick (PDF)Scratch - Imagine, Program, ShareSubscribe to the Vivify STEM Newsletter!THE STEM SPACE SHOWNOTESTHE STEM SPACE FACEBOOK GROUPVIVIFY INSTAGRAMVIVIFY FACEBOOKVIVIFY XVIVIFY TIKTOK

In my latest interview on Stanford Radio, I had the pleasure of speaking with Pamela Martinez, an incredibly talented Venezuelan filmmaker whose work delves deep into human rights and social justice. A graduate of the MFA Documentary Media Program at Stanford, Pamela has traveled the world, honing her craft and exploring stories that need to be told. Her film As I Witness—a gripping, 8-minute piece about the suffering of Palestinians during the recent conflict between Israel and Hamas—is one such story. Pamela's journey to becoming a filmmaker is as impressive as her filmography. From studying visual arts at UWC Red Cross Nordic in Norway, to participating in experiential education in Brazil, and later studying Film, New Media, and Social Research at NYU Abu Dhabi, her path has been shaped by a global perspective. She has always been driven by a passion for exploring complex issues—such as gender, migration, and transitional justice—through art. Her undergraduate documentary Estado Fallido (Failed State) explores the socio-political polarization within the Pemón Kamarakoto indigenous community in Canaima, Venezuela, providing an intimate look into the harsh realities of life under Venezuela's ongoing crisis. In As I Witness, Pamela tackles the suffering of war victims with a sharp [...]

Recent years have been pivotal in the field of Industrial Control Systems (ICS) security, with a large number of high-profile attacks exposing the lack of a design-for-security initiative in ICS. The evolution of ICS abstracting the control logic to a purely software level hosted on a generic OS, combined with hyperconnectivity and the integration of popular open source libraries providing advanced features, have expanded the ICS attack surface by increasing the entry points and by allowing traditional software vulnerabilities to be repurposed to the ICS domain. In this seminar, we will shed light to the security landscape of modern ICS, dissecting firmware from the dominant vendors and motivating the need of employing appropriate vulnerability assessment tools. We will present methodologies for blackbox fuzzing of modern ICS, both directly using the device and by using the development software. We will then proceed with methodologies on hotpatching, since ICS cannot be easily restarted in order to patch any discovered vulnerabilities. We will demonstrate our proposed methodologies on various critical infrastructure testbeds. About the speaker: Michail (Mihalis) Maniatakos is an Associate Professor of Electrical and Computer Engineering at New York University (NYU) Abu Dhabi, UAE, and a Research Associate Professor at the NYU Tandon School of Engineering, New York, USA. He is the Director of the MoMA Laboratory (nyuad.nyu.edu/momalab), NYU Abu Dhabi. He received his Ph.D. in Electrical Engineering, as well as M.Sc., M.Phil. degrees from Yale University. He also received the B.Sc. and M.Sc. degrees in Computer Science and Embedded Systems, respectively, from the University of Piraeus, Greece. His research interests, funded by industrial partners, the US government, and the UAE government include privacy-preserving computation and industrial control systems security.

In this conversation, dive into the sonic universe of Carlos Guedes, Associate Professor of Music at NYU Abu Dhabi, exploring ethnomusicological realms! His study about Shihu music in the Northern Emirates is nothing short of amazing. With a PhD from NYU and studies at the Institute of Sonology in the Netherlands, Carlos pioneers generative music systems. Explore his projects, from cross-disciplinary rhythm perspectives to digitizing Middle Eastern music.

30 Aug 2024. The UAE has launched an SMS hotline to report rogue cold callers - with fines of up to Dh150,000 for companies that break the rules. We speak to H.E. Safeya Al Safi, Acting Assistant Undersecretary for Control and Commercial Governance Sector, Ministry of Economy. Plus, we look at NMDC Energy and Talabat IPO with market watcher Mohammed Ali Yasin. And we get reaction to Kamala Harris CNN interview with professor Adam Ramey of NYU Abu Dhabi.See omnystudio.com/listener for privacy information.

Los Angeles-born singer-songwriter KINDA performed LIVE  on The Night Shift with Mark Lloyd showcasing her unique sound that is inspired by indie folk melodies fused with rich Arabic intervals tracing to her roots. KINDA also talked about the competitive artist program development grant she received from NYU Abu Dhabi.See omnystudio.com/listener for privacy information.

Sport has the power to change lives by promoting values of health, education, and cooperation among people, neighborhoods, communities, cities, and nations. Programs like New York City FC's City In The Community and partnerships between the NBA, Department of Culture and Tourism Abu Dhabi, and NYU Abu Dhabi are forging these relationships and achieving transformational results locally and globally. The UAE has positioned itself as a global sports hub, fostering international relations and showcasing its commitment to global engagement. This panel explores the ways in which sport and these forms of diplomacy are making a positive impact across society. Panel Members Dana Al Marashi, Head of Cultural Diplomacy, UAE Embassy in the US, Individuals Emeka Okafor, NBA Legend, Individuals Jennifer O'Sullivan, COO and Chief Legal & Administrative Officer, New York City Football Club Lee Igel, Clinical Professor, Preston Robert Tisch Institute for Global Sport, NYU School of Professional Studies Eric DiMiceli, Vice President, Social Responsibility, National Basketball Association Moderated by Chris Dawes, Associate Professor of Politics, NYU

Nisha Sajnani, PhD., RDT-BCT is the Director of the Program in Drama Therapy and Theatre & Health Lab; founder of the Arts & Health @NYU and Chair of the NYU Creative Arts Therapies Consortium. In her capacity as founding co-director of the Jameel Arts & Health Lab, established in collaboration with the WHO, Dr. Sajnani leads a Lancet global series on the health benefits of the arts. An award winning author, educator, and advocate, her body of work explores the unique ways in which aesthetic experience can inspire equity, care, and collective human flourishing across the lifespan.  Dr. Sajnani is also on faculty with NYU Abu Dhabi where she developed a trans-disciplinary course entitled Can Art Save Lives? which unites current evidence for the health benefits of the arts with practice and policy. She is a faculty advisor in the Rehabilitation Sciences Ph.D., Educational Theatre Ed.D and Ph.D. program and co-teaches Improvisation and Leadership in the Management Communication Program and the Executive Education program in NYU Stern. She is also on faculty with the Harvard Program in Refugee Trauma where she lectures on the role of the arts with people who are forcibly displaced.  --- Learn more about ⁠The System Sanctuary⁠ where Tatiana Fraser and her team teach and train leaders on systems change. We work with individuals, teams and ecosystems to support learning and inform wise action. ⁠⁠Sign up for The Systems Sanctuary Newsletter⁠⁠

Show Summary In this episode of Admissions Straight Talk, Linda Abraham interviews admissions directors from MBA programs outside the United States to find out if there are any common threads among them. The guests on the show include representatives from Oxford Saïd Business School, INSEAD, NYU Abu Dhabi, and HEC Paris. The interviews cover various topics such as program overviews, admissions processes, and common applicant mistakes. The interviews also touch on language requirements, the role of the video interview in the evaluation process, and the importance of holistic review in admissions decisions. Overall, this interview provides valuable insights into the unique aspects of these MBA programs and shed light on the similarities and differences among them. Show Notes Welcome to the 572nd episode of Admissions Straight Talk. Thanks for tuning in. Before I turn  to today's show, I have a question for you. Are you ready to apply to your Dream MBA programs? Are you competitive at your target schools? Accepted's MBA admissions quiz can give you a quick reality check. Just go to accepted.com/mbaquiz, complete the quiz, and you'll not only get an assessment, but tips on how to improve your qualifications. Plus, it's all free. . If you are a regular listener, you know that during most episodes of Admissions Straight Talk, I interview a guest, frequently, an admissions director or dean. Usually, our guests are leaders at a US graduate program. However, within the last couple of years, I have had the privilege of interviewing several deans or directors from programs outside the United States. Today we're going to take specific excerpts from four of those episodes and let you determine if there are some common threads and of course, how they differ. Today's episode is a collection of their answers to admissions questions as well as insight into their programs. The guests on this program are: Hannah Griffiths, MBA Recruitment and Admissions Director at Oxford Saïd Business School Teresa Peiro, Associate Global Director of Admissions and Financial Aid at INSEAD Dr. Robert Salomon, Dean of Stern at NYU Abu Dhabi Sara Vanos, Executive Director of Marketing and Admissions at HEC Paris. I've asked some questions of almost every admissions director I've spoken to, so the responses that you're going to see, again, represent a sample. In any case. Let's start with Hannah Griffith of Oxford Saïd Business School.  Oxford Saïd Business School While Saïd is a fairly new and very innovative MBA program, Oxford is the oldest university in the English-speaking world, and Hannah provides the following:  An overview of the Oxford Saïd MBA program, focusing on its more distinctive elements; insights into the program's admissions process, and a review of common misconceptions about Oxford Saïd.Can you give us an overview of the Oxford Saïd MBA program for those listeners who aren't that familiar with it, focusing on its more distinctive elements? [2:32] [HG] Yes, absolutely. So the Saïd Business School is a business school that is embedded within Oxford University. Our MBA program is a one-year MBA program, and given that the business school is embedded within a world-class university, that does impact the MBA experience in a number of different ways. One of those ways being that the students can expect, in the one-year program, a lot of academic rigor. Our program is an intensive one-year MBA, it aims to include everything that a candidate would maybe anticipate finding on a two-year program, but packed into a 12-month period. The main aim of the business school and of the MBA program is to prepare our students to be responsible business leaders and individuals who, as they move through their career in the future, are prepared to tackle world scale problems, challenges, and to really see business as a vehicle to drive change. And be that within the organizations that they work in,

In this episode, Xavier Bonilla has a dialogue with James Traub about Hubert Humphrey. They define liberalism, background and context of Humphrey and his internal motivations, how he governed as mayor in Minneapolis, and how he was a liberal and a progressive. They talk about his time as a U.S. Senator, a cold war liberal, and his relationship with Lyndon Johnson. They discuss Humphrey's foreign affairs work, his time as Vice President of the U.S., Senate years post-Vice Presidency, legacy of Humphrey, and many more topics. James Traub is a journalist and scholar specializing in international affairs. He is a columnist and contributor to the website foreignpolicy.com. He worked as a staff writer for The New Yorker from 1993 to 1998 and as a contributing writer to The New York Times Magazine from 1998 to 2011. He has also written extensively about national politics, urban affairs, and education. He has written many books, including the most recent, True Believer: Hubert Humphrey's Quest For A More Just America. He teaches classes on American foreign policy and on the history of liberalism at NYU Abu Dhabi and at NYU. He is a fellow of the Center on International Cooperation and a member of the Council on Foreign Relations.Website: https://www.traubjames.com/Substack: Get full access to Converging Dialogues at convergingdialogues.substack.com/subscribe

This panel focuses on the journeys of four outstanding theater professionals who found their voices at NYU Abu Dhabi and are making their way in the US as playwrights, screenwriters and actors—each unique, but having shared the experience of studying and exploring the arts in Abu Dhabi. Image credit: Rubén Polendo Panel Members Fatima Maan, Playwright, NYUAD '18 Adam El Sayigh, Playwright, Screenwriter and Dramaturg, NYUAD ‘18 Arianna Gayle Stucki, Actor and Playwright, NYUAD ‘18 Attilio Rigotti, Theater Maker, Game Designer, Teacher, NYUAD ‘14 Moderated by Rubén Polendo, Associate Dean for the Institute of Performing Arts, NYU Tisch School of the Arts; Founding Theater Program Head, NYUAD

Does the UAE have an art scene? A group of European curators concluded it did not, after they visited in search of contemporary art and artists in the 1990s. In fact, that decade was a vibrant period in the UAE, and a tightly-knit cluster of artists was experimenting with the outer limits of what art can be. At the heart of that group was Mohamed Ahmed Ibrahim. Maya Allison curated his solo exhibition at the Venice Biennale in 2022, and in this presentation, she traces why the UAE's art history evaded the radar of those curators in the 1990s, while giving rise to Ibrahim's locally rooted, cosmopolitan art practice, and ultimately, the vibrant, fast-changing art scene readily apparent today. She also touches on the problem of “outsider” and “self-taught” categories beyond European-American contexts. Speaker Maya Allison, Executive Director, The Art Gallery at NYU Abu Dhabi, NYUAD In conversation with Mayssam Latif, Cultural Affairs Advisor, UAE Consulate General in New York

IvyWise counselor Nat (formerly at NYU and NYU Abu Dhabi) and our host Tasha (formerly at Boston University and USC) compare data versus anecdotal evidence in the college admissions process.

In episode 1965, Andrew talks to James Traub, author of TRUE BELIEVER, about Hubert Humphrey's quest for a more just 20th century America.James Traub is a journalist and scholar specializing in international affairs. He is a columnist and contributor to the website foreignpolicy.com. He worked as a staff writer for The New Yorker from 1993 to 1998 and as a contributing writer to The New York Times Magazine from 1998 to 2011. He has also written extensively about national politics, urban affairs, and education. He teaches classes on American foreign policy and on the history of liberalism at NYU Abu Dhabi and at NYU. He is a fellow of the Center on International Cooperation and a member of the Council on Foreign Relations.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

16 Feb 2024. As Dubai hosts its biggest ever music festival with performances from the likes of Ellie Goulding and Tiesto, we speak to the organiser about the economics and logistics of 'Untold'. We also look back on a week of big names and even bigger claims about AI at this week's World Government Summit, with Professor Nancy Gleeson of NYU Abu Dhabi. And, as the UK joins Japan as the second big economy this week to enter a recession, we'll find out what a shrinking economy could mean for you, with Dan Richards, Emirates NBD. Plus, property buyers in Dubai could expect a relief from record prices this year, with market values in the luxury segment forecast to ease. We'll have the latest on that with Andrew Cummings, Head of Residential Agency, Savills Middle East.See omnystudio.com/listener for privacy information.

Show Summary In this podcast episode, Linda Abraham discusses the use of ChatGPT in MBA application essays with admissions directors at top MBA programs. The admissions directors generally view ChatGPT as a tool that can be used to enhance the application process, but they emphasize the importance of authenticity and personal reflection in the essays. They caution against relying too heavily on ChatGPT and stress the need for applicants to take ownership of their ideas and experiences. The admissions directors also discuss the potential benefits and limitations of using ChatGPT and suggest ways in which it can be used effectively as a tool. Overall, they encourage applicants to use ChatGPT thoughtfully and responsibly, while still putting in the necessary effort to create thoughtful and authentic applications Show Notes ChatGPT roared into our consciousness at the very end of last year, and I had the opportunity to ask several admissions directors what they thought about applicants using it. That's what we're going to discuss today. Welcome to Admissions Straight Talk. [0:46] Welcome to the 556th episode of Admissions Straight Talk, thanks for tuning in. Before I turn to the subject of today's show, I have a question for you. Are you ready to apply to your dream MBA programs? Are you competitive at your target schools? Accepted's MBA admissions quiz can give you a quick reality check. Complete the quiz and you'll not only get an assessment, but tips on how to improve your qualifications.  Now, if you are a regular listener, you know that during most episodes of Admissions Straight Talk, I interview a guest, frequently an admissions director or dean. I also have many times asked these guests, "What do you think about applicants using ChatGPT or artificial intelligence when writing their application essays?" Today's episode is a collection of their answers to that question with a little commentary from me, but mostly it's admissions directors at top MBA programs, sharing what you need to know – the good, the bad, and the ugly – about using ChatGPT in writing your applications. In this episode, you're going to hear from: Clare Norton, Columbia Business School Senior Associate Dean for Enrollment Management Shari Hubert, Associate Dean of Admissions at Duke University's Fuqua School of Business Blair Mannix, Executive Director of Graduate Admissions at the University of Pennsylvania's Wharton School Eric Askins, Executive Director of Full-Time MB admissions at UC Berkeley Haas Dean Robert Salomon, the inaugural Dean at Stern at NYU Abu Dhabi. I've asked this question of almost every admission director I've spoken to, so these responses represent a sample. And there is some difference, there's more differences on this one than on some other questions, but in any case, I think you'll see that there's cautious acceptance of ChatGPT, with several caveats and warnings for applicants. Clare Norton, Columbia Business School's Senior Associate Dean for Enrollment Management. [2:43] [CN] I think ChatGPT is a tool, and there are many, many tools that we have now that we did not once have. At some point in time we thought to ourselves, "If people use a calculator, will they understand math?" Yes, they do still understand math, and in fact, probably, probably higher level math than they understood before that was utilized broadly. And I suspect ChatGPT will be quite similar. We've made it very clear to students in our application process that it's a tool that can be utilized, but generative AI is not something that can write the whole answer. It's the kind of thing that could do some editing for you or provide you with some ideas to make sure that you've touched upon, but that the work must be your own. So from that perspective, I think we're quite clear. But also I think, actually back to what we were just talking about, the best applications are reflective, truly,

Show Summary In this episode of Admissions Straight Talk, host Linda Abraham interviews Dean Robert Salomon, the inaugural Dean of Stern at NYU Abu Dhabi. They discuss NYU Stern's groundbreaking one-year MBA program in Abu Dhabi. The program is open to applicants from around the world, but it is particularly aimed at those interested in building a career in the Middle East. The program will offer the same core courses as NYU Stern's MBA program in New York, and students will have the opportunity to study in both Abu Dhabi and New York City. The program also includes an experiential component, with students working on live projects for local companies. Dean Salomon emphasizes the growing entrepreneurial ecosystem in Abu Dhabi and the opportunities for students to engage with start-ups and gain hands-on experience. He also discusses the importance of diversity in the student body and the availability of merit-based scholarships. The episode concludes with Dean Salomon discussing the reasons behind choosing Abu Dhabi as the location for the program and the opportunities it offers for students to be part of the region's transition to a knowledge-based economy. Show Notes Are you interested in doing business in the Middle East but want an MBA from a top US business school? And would you prefer a one-year program? Today's episode is all about NYU Stern's groundbreaking one-year MBA program in the UAE's Abu Dhabi. Welcome to the 548th episode of Admissions Straight Talk, Accepted's podcast.  Sometimes I'm asked, is the MBA worth it? And my answer is, it depends on your individual circumstances, but I've got good news. We've developed a tool, the MBA ROI calculator that will help you evaluate whether an MBA is worth it for you and your individual circumstances and by how much. And using the tool won't set you back even one cent. Use of the tool is free.  It gives me great pleasure to have for the first time on Admissions Straight Talk, Dean Robert Salomon. Dean Salomon earned his bachelor's from Michigan Ross and then moved to NYU Stern, which has been his home almost ever since. He earned his master's in PhD in strategy and international business there and has been a professor of management at Stern since 2005. Dean Salomon will lead the NYU program in Abu Dhabi and will actually be the inaugural Dean of Stern at NYU Abu Dhabi.  Dean Salomon, welcome to Admissions Straight Talk. [1:49] Thanks for having me. I'm so glad you can join me. As we were talking about before, it's morning for me, night for you. It's amazing that we can... I think you're 12 hours ahead of me, right? [1:53] 11 this time of year. Once you change your clocks, I think it'll be 12. So we're literally on other sides of the world and yet we can still have this delightful conversation. Let's start with an overview of NYU's Abu Dhabi MBA program. Can you please provide us with one? [2:07] Sure. So we are opening here a full-time MBA program. It's going to be a 12-month, accelerated MBA program that will run from January through December, and the first class will start in January of 2025. So you're really just getting going. You're not going to have a class this year, you're just getting going for the following year, really? [2:36] We'll start a year from January, although the website is now live, the application is available, it can be downloaded, people can start it, and we are accepting applications now. The first deadline comes up January 15th, but people can start applying now. It takes a while to put together a good application, so that makes a lot of sense. [3:00] Yeah. Is this program for people in the Middle East who want a US MBA or is it for people anywhere in the world who want to focus on business in the Middle East? What's the goal of the program? [3:06] So the program is for anybody in the world, and what we would like however, is that people who are interested in the region,

Heather Dewey-Hargborg, American artist and bio-hacker most knowned for the project Stranger Visions. Ana Brígida for The New York Times Dr. Heather Dewey-Hagborg is a transdisciplinary artist and educator who is interested in art as research and critical practice. Her controversial biopolitical art practice includes the project Stranger Visions in which she created portrait sculptures from analyses of genetic material (such as hair, cigarette butts, or chewed up gum) collected in public places. Heather has shown work internationally at events and venues including the World Economic Forum, the Daejeon Biennale, and the Shenzhen Urbanism and Architecture Biennale, the Van Abbemuseum, Transmediale and PS1 MOMA. Her work is held in public collections of the Centre Pompidou, the Victoria and Albert Museum, the Wellcome Collection, and the New York Historical Society, among others, and has been widely discussed in the media, from the New York Times and the BBC to Art Forum and Wired. Heather has a PhD in Electronic Arts from Rensselaer Polytechnic Institute. She is a visiting assistant professor of Interactive Media at NYU Abu Dhabi, an artist fellow at AI Now, an Artist-in-Residence at the Exploratorium, and is an affiliate of Data & Society. Hybrid (Trailer) from Heather Dewey-Hagborg on Vimeo. Installation view, Heather Dewey-Hagborg, Hybrid: an Interspecies Opera. Courtesy of the artist and Fridman Gallery. Still from Heather Dewey-Hagborg, Hybrid: an Interspecies Opera. Courtesy of the artist and Fridman Gallery.

Bill Bragin – executive artistic director of the NYUAD Arts Center – talks to us about the center's upcoming season, how it's impacted the city of Abu Dhabi so far, and what he envisions for the future of both the center and its ripple effect on the country as a whole. Bill shares his approach to curatorial work and practice, as well as the importance of responding to a space/venue when programming. We also reflect on what it means to exchange culture and build long-lasting educational institutions, and how Abu Dhabi's unique audience has reacted to the center's work so far. This conversation kicks off the second season of the podcast series in collaboration with The Arts Center at NYU Abu Dhabi and delves deep into the intricate tapestry of the Arab world's histories and cultures. This podcast is your passport to the Arab world's rich and diverse histories and cultures. Get ready to embark on an immersive journey of knowledge, inspiration and endless curiosity. ABOUT THE SERIESJoin us on an intellectual odyssey with The Arts Center at NYU Abu Dhabi Podcast Series that delves deep into the intricate tapestry of the Arab world's histories and cultures. As our guests share their expertise and personal journeys, we invite you to embark on a voyage of discovery. Prepare to be enlightened, entertained, and intrigued, as each conversation sparks a new flame of curiosity within you. The Arts Center at NYU Abu Dhabi Podcast Series  is your passport to the Arab world's rich and diverse histories and cultures. Get ready to embark on an immersive journey of knowledge, inspiration, and endless curiosity.****** ABOUT AFIKRA ******‎ afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity.

The Arts Center at NYU Abu Dhabi are gearing up for the upcoming season with plenty of shows and performances lined up. I caught up with the artistic director of The Arts Center, Bill Bragin, who tells us all about what we can expect from the new season, including a book launch. See omnystudio.com/listener for privacy information.

In this week's episode, Robert Kubinec of NYU Abu Dhabi joins Marc Lynch to discuss his book,. Kubinec argues that businesses must respond to changes in how perks and privileges are distributed after political transitions, either by forming political coalitions or creating new informal connections to emerging politicians. Employing detailed case studies and original experiments, Making Democracy Safe for Business advances our empirical understanding of the study of the durability of corruption in general and the dismal results of the Arab Uprisings in particular. (Starts at 2:35). Also this week, due to the American Political Science Association (APSA) annual meeting disruption, Marc Lynch invites four junior scholars from the APSA MENA section panels to put together "virtual posters" describing their work and its significance to our podcast audience. (Starts at 37:18). The four scholars are: Ansar Jasim (Free University of Berlin), "Unmaking Homes: Urban Violence and its Afterlives in Baghdad"; Elizabeth Parker-Magyar (Massachusetts Institute of Technology), "Workplace, Networks and Social Movements: Evidence from Jordan"; Amir Mahdavi (University of Connecticut), "Iran's 2021 Election: A Turning Point from Electoral to Hegemonic Authoritarianism"; Ameni Mehrez (Central European University), "The Political Legacy of Secular Policies: Evidence from Tunisia." Music for this season's podcast was created by Malika Zarra. You can find more of her work on Instagram and Linktree.

On June 30, 1960—the day of the Congo's independence—Prime Minister Patrice Lumumba gave a fiery speech in which he conjured a definitive shift away from a past of colonial oppression toward a future of sovereignty, dignity, and justice. His assassination a few months later showed how much neocolonial forces and the Cold War jeopardized African movements for liberation.  In Students of the World: Global 1968 and Decolonization in the Congo (Duke UP, 2022), Pedro Monaville traces a generation of Congolese student activists who refused to accept the foreclosure of the future Lumumba envisioned. These students sought to decolonize university campuses, but the projects of emancipation they articulated went well beyond transforming higher education. Monaville explores the modes of being and thinking that shaped their politics. He outlines a trajectory of radicalization in which gender constructions, cosmopolitan dispositions, and the influence of a dissident popular culture mattered as much as access to various networks of activism and revolutionary thinking. By illuminating the many worlds inhabited by Congolese students at the time of decolonization, Monaville charts new ways of writing histories of the global 1960s from Africa. Dr. Pedro Monaville has a Ph.D. in African History from the University of Michigan, and is currently an Associate Professor in the History Department at McGill University. He was previously an Assistant Professor at NYU Abu Dhabi. Dr. Sara Katz has a Ph.D. in African History from the University of Michigan, and is currently a Postdoctoral Fellow in Grant Operations Management and Creative Engagement at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On June 30, 1960—the day of the Congo's independence—Prime Minister Patrice Lumumba gave a fiery speech in which he conjured a definitive shift away from a past of colonial oppression toward a future of sovereignty, dignity, and justice. His assassination a few months later showed how much neocolonial forces and the Cold War jeopardized African movements for liberation.  In Students of the World: Global 1968 and Decolonization in the Congo (Duke UP, 2022), Pedro Monaville traces a generation of Congolese student activists who refused to accept the foreclosure of the future Lumumba envisioned. These students sought to decolonize university campuses, but the projects of emancipation they articulated went well beyond transforming higher education. Monaville explores the modes of being and thinking that shaped their politics. He outlines a trajectory of radicalization in which gender constructions, cosmopolitan dispositions, and the influence of a dissident popular culture mattered as much as access to various networks of activism and revolutionary thinking. By illuminating the many worlds inhabited by Congolese students at the time of decolonization, Monaville charts new ways of writing histories of the global 1960s from Africa. Dr. Pedro Monaville has a Ph.D. in African History from the University of Michigan, and is currently an Associate Professor in the History Department at McGill University. He was previously an Assistant Professor at NYU Abu Dhabi. Dr. Sara Katz has a Ph.D. in African History from the University of Michigan, and is currently a Postdoctoral Fellow in Grant Operations Management and Creative Engagement at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On June 30, 1960—the day of the Congo's independence—Prime Minister Patrice Lumumba gave a fiery speech in which he conjured a definitive shift away from a past of colonial oppression toward a future of sovereignty, dignity, and justice. His assassination a few months later showed how much neocolonial forces and the Cold War jeopardized African movements for liberation.  In Students of the World: Global 1968 and Decolonization in the Congo (Duke UP, 2022), Pedro Monaville traces a generation of Congolese student activists who refused to accept the foreclosure of the future Lumumba envisioned. These students sought to decolonize university campuses, but the projects of emancipation they articulated went well beyond transforming higher education. Monaville explores the modes of being and thinking that shaped their politics. He outlines a trajectory of radicalization in which gender constructions, cosmopolitan dispositions, and the influence of a dissident popular culture mattered as much as access to various networks of activism and revolutionary thinking. By illuminating the many worlds inhabited by Congolese students at the time of decolonization, Monaville charts new ways of writing histories of the global 1960s from Africa. Dr. Pedro Monaville has a Ph.D. in African History from the University of Michigan, and is currently an Associate Professor in the History Department at McGill University. He was previously an Assistant Professor at NYU Abu Dhabi. Dr. Sara Katz has a Ph.D. in African History from the University of Michigan, and is currently a Postdoctoral Fellow in Grant Operations Management and Creative Engagement at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

On June 30, 1960—the day of the Congo's independence—Prime Minister Patrice Lumumba gave a fiery speech in which he conjured a definitive shift away from a past of colonial oppression toward a future of sovereignty, dignity, and justice. His assassination a few months later showed how much neocolonial forces and the Cold War jeopardized African movements for liberation.  In Students of the World: Global 1968 and Decolonization in the Congo (Duke UP, 2022), Pedro Monaville traces a generation of Congolese student activists who refused to accept the foreclosure of the future Lumumba envisioned. These students sought to decolonize university campuses, but the projects of emancipation they articulated went well beyond transforming higher education. Monaville explores the modes of being and thinking that shaped their politics. He outlines a trajectory of radicalization in which gender constructions, cosmopolitan dispositions, and the influence of a dissident popular culture mattered as much as access to various networks of activism and revolutionary thinking. By illuminating the many worlds inhabited by Congolese students at the time of decolonization, Monaville charts new ways of writing histories of the global 1960s from Africa. Dr. Pedro Monaville has a Ph.D. in African History from the University of Michigan, and is currently an Associate Professor in the History Department at McGill University. He was previously an Assistant Professor at NYU Abu Dhabi. Dr. Sara Katz has a Ph.D. in African History from the University of Michigan, and is currently a Postdoctoral Fellow in Grant Operations Management and Creative Engagement at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Invoking the Invisible in the Sahara: Islam, Spiritual Mediation, and Social Change (Cambridge UP, 2022), Erin Pettigrew utilizes invisible forces and entities - esoteric knowledge and spirits - to show how these forms of knowledge and unseen forces have shaped social structures, religious norms, and political power in the Saharan West. Situating this ethnographic history in what became la Mauritanie under French colonial rule and, later the Islamic Republic of Mauritania, Pettigrew traces the changing roles of Muslim spiritual mediators and their Islamic esoteric sciences - known locally as l'ḥjāb - over the long-term history of the region. By exploring the impact of the immaterial in the material world and demonstrating the importance of Islamic esoteric sciences in Saharan societies, she illuminates peoples' enduring reliance upon these sciences in their daily lives and argues for a new approach to historical research that takes the immaterial seriously. Erin Pettigrew is an associate professor of History and Arab Crossroads Studies at NYU Abu Dhabi. She is a historian of Africa specializing in West African colonial and postcolonial history with a focus on Muslim societies. Her research has focused on the cultural history of Islam, slavery, race, gender, and nation in what she calls "the Saharan West," or what is today primarily the Islamic Republic of Mauritania. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Invoking the Invisible in the Sahara: Islam, Spiritual Mediation, and Social Change (Cambridge UP, 2022), Erin Pettigrew utilizes invisible forces and entities - esoteric knowledge and spirits - to show how these forms of knowledge and unseen forces have shaped social structures, religious norms, and political power in the Saharan West. Situating this ethnographic history in what became la Mauritanie under French colonial rule and, later the Islamic Republic of Mauritania, Pettigrew traces the changing roles of Muslim spiritual mediators and their Islamic esoteric sciences - known locally as l'ḥjāb - over the long-term history of the region. By exploring the impact of the immaterial in the material world and demonstrating the importance of Islamic esoteric sciences in Saharan societies, she illuminates peoples' enduring reliance upon these sciences in their daily lives and argues for a new approach to historical research that takes the immaterial seriously. Erin Pettigrew is an associate professor of History and Arab Crossroads Studies at NYU Abu Dhabi. She is a historian of Africa specializing in West African colonial and postcolonial history with a focus on Muslim societies. Her research has focused on the cultural history of Islam, slavery, race, gender, and nation in what she calls "the Saharan West," or what is today primarily the Islamic Republic of Mauritania. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In Invoking the Invisible in the Sahara: Islam, Spiritual Mediation, and Social Change (Cambridge UP, 2023), Erin Pettigrew utilizes invisible forces and entities - esoteric knowledge and spirits - to show how these forms of knowledge and unseen forces have shaped social structures, religious norms, and political power in the Saharan West. Situating this ethnographic history in what became la Mauritanie under French colonial rule and, later the Islamic Republic of Mauritania, Pettigrew traces the changing roles of Muslim spiritual mediators and their Islamic esoteric sciences - known locally as l'ḥjāb - over the long-term history of the region. By exploring the impact of the immaterial in the material world and demonstrating the importance of Islamic esoteric sciences in Saharan societies, she illuminates peoples' enduring reliance upon these sciences in their daily lives and argues for a new approach to historical research that takes the immaterial seriously. Erin Pettigrew is an associate professor of History and Arab Crossroads Studies at NYU Abu Dhabi. She is a historian of Africa specializing in West African colonial and postcolonial history with a focus on Muslim societies. Her research has focused on the cultural history of Islam, slavery, race, gender, and nation in what she calls "the Saharan West," or what is today primarily the Islamic Republic of Mauritania. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Invoking the Invisible in the Sahara: Islam, Spiritual Mediation, and Social Change (Cambridge UP, 2022), Erin Pettigrew utilizes invisible forces and entities - esoteric knowledge and spirits - to show how these forms of knowledge and unseen forces have shaped social structures, religious norms, and political power in the Saharan West. Situating this ethnographic history in what became la Mauritanie under French colonial rule and, later the Islamic Republic of Mauritania, Pettigrew traces the changing roles of Muslim spiritual mediators and their Islamic esoteric sciences - known locally as l'ḥjāb - over the long-term history of the region. By exploring the impact of the immaterial in the material world and demonstrating the importance of Islamic esoteric sciences in Saharan societies, she illuminates peoples' enduring reliance upon these sciences in their daily lives and argues for a new approach to historical research that takes the immaterial seriously. Erin Pettigrew is an associate professor of History and Arab Crossroads Studies at NYU Abu Dhabi. She is a historian of Africa specializing in West African colonial and postcolonial history with a focus on Muslim societies. Her research has focused on the cultural history of Islam, slavery, race, gender, and nation in what she calls "the Saharan West," or what is today primarily the Islamic Republic of Mauritania. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In Invoking the Invisible in the Sahara: Islam, Spiritual Mediation, and Social Change (Cambridge UP, 2022), Erin Pettigrew utilizes invisible forces and entities - esoteric knowledge and spirits - to show how these forms of knowledge and unseen forces have shaped social structures, religious norms, and political power in the Saharan West. Situating this ethnographic history in what became la Mauritanie under French colonial rule and, later the Islamic Republic of Mauritania, Pettigrew traces the changing roles of Muslim spiritual mediators and their Islamic esoteric sciences - known locally as l'ḥjāb - over the long-term history of the region. By exploring the impact of the immaterial in the material world and demonstrating the importance of Islamic esoteric sciences in Saharan societies, she illuminates peoples' enduring reliance upon these sciences in their daily lives and argues for a new approach to historical research that takes the immaterial seriously. Erin Pettigrew is an associate professor of History and Arab Crossroads Studies at NYU Abu Dhabi. She is a historian of Africa specializing in West African colonial and postcolonial history with a focus on Muslim societies. Her research has focused on the cultural history of Islam, slavery, race, gender, and nation in what she calls "the Saharan West," or what is today primarily the Islamic Republic of Mauritania. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

IvyWise college admissions counselor Nat (former Senior Assistant Director of Admissions at NYU and NYU Abu Dhabi) shares insights into the academic offerings, campus life, and application process at New York University.

In this episode, Shruti speaks with Rahul Sagar about East India Company rule vs. crown rule, public finance constitutionalism, effects of technology on India's intellectual history, historic preservation and much more. Sagar is the Global Network Associate Professor of Political Science at NYU Abu Dhabi. His primary research interests are in political theory, political ethics and public policy, and he has written on a range of topics including executive power, moderation and political realism. His books include “The Progressive Maharaja: Sir Madhava Rao's Hints on the Art and Science of Government,” “To Raise a Fallen People: The Nineteenth-Century Origins of Indian Views on International Politics” and “Secrets and Leaks: The Dilemma of State Secrecy.” Recorded May 16th, 2023 Read a full transcript enhanced with helpful links. Follow us on Twitter Follow Shruti on Twitter Follow Rahul on Twitter Click here for the latest Ideas of India episodes sent straight to your inbox.

The second episode of the special season of Khosh Bosh with Anita explores the subtheme Perspective Negotiations from the Evaporating Suns exhibition. I am joined by artists Fatema Al Fardan and Zuhoor Al Sayegh, as well as my co-host for this episode, Hessa Al Nuaimi. Tune in to hear more about their commissioned work for this exhibition, Umm Al Khathar wa Al Leaf, and their research over the last two years including date-farm site visits and their collaborative writing practices, as well as the start of their creative relationship during their time as SEAF fellows. Fatema Al Fardan and Zuhoor Al Sayegh are interdisciplinary artists from Abu Dhabi. Al Sayegh explores indigenous textile practices and decolonization. Al Fardan explores intersections of femininity within contemporary culture. They have exhibited at various venues in the UAE and abroad and were awarded the Sheikha Salama bint Hamdan Emerging Artists Fellowship. The artists have worked collaboratively for the past year studying date palms. Hessa Al Nuaimi graduated from NYU Abu Dhabi with a BA in Art and Art History and is a researcher and curator. Al Nuaimi focused her thesis on the history of The Cultural Foundation, Abu Dhabi, from 1981 to 2008, highlighting this space as a pioneer of culture. This research further anchored Al Nuaimi's curatorial practice which highlights the importance of local voices in community-led spaces, accessibility, and education. This special season of Khosh Bosh consists of four hour-long episodes that discuss the works from the exhibition, Evaporating Suns, in-depth with the artists and curators, as well as a myth library that showcases the different myths that the the KBH.G and Dirwaza teams grew up hearing. The thirteen artists showcased in this exhibition are Maitha Abdalla, Mays Albaik, Fatema Al Fardan, Moza Al Matrooshi, Abdullah Alothman, Farah Al Qasimi, Mashael Alsaie, Zuhoor Al Sayegh, Asma Belhamar, Alaa Edris, Saif Mhaisen, Fatima Uzdenova, and Bu Yousuf. The exhibition is presented by KBH.G in Basel, Switzerland and is curated by Dirwaza Curatorial Lab with the support of Verena Formanek. Presented by Kulturstiftung Basel H. Geiger I KBH.G. Season sponsored by the Foundry in Downtown Dubai. Music by Ronald Ekore.

09 May 2023. CEO Paul Griffiths joined us to discuss the incredible growth & how they've revised their forecast. Plus, our special focus on generative AI -first with Jasim Al Awadi of Du & Nancy W Gleason of NYU Abu Dhabi. And, we talk Azizi Development's expansion into the luxury hospitality sector with Michael Zager. See omnystudio.com/listener for privacy information.

06 April 2023. We speak to Alaa El Huni - Chief Business Officer of CAFU about their plans & how they actually make money. Plus, Gold is holding steady above $2,000 an ounce, the highest in a year - we get details from Daniel Richards of Emirates NBD. And, how does Donald Trump's arrest impact the economy? We ask Adam Ramey of NYU Abu Dhabi. See omnystudio.com/listener for privacy information.

16 March 2023. Nancy W Gleason, Director, Hilary Ballon Center for Teaching and Learning, Associate Professor of Practice, Political Science, NYU Abu Dhabi, Saadiyat Campus joined us to discuss GPT 4 and how it is different from the current Chat GPT. Plus, we talk energy - from Russian oil to Europe's energy crisis and its impact on the UAE with Andy Critchlow of S&P Global Platt. And, is the rental market bonkers? We ask Emma Main of Espace Real Estate. See omnystudio.com/listener for privacy information.

Apply for the WISE Edtech Accelerator before 14 April: http://bit.ly/40dVNLQ ------ With so many technological breakthroughs, have you ever wondered if there was a way we could better systemize the implementation of edtech in the classroom in a way that benefits teachers rather than creating unnecessary burdens? Enter the world of testbeds. Edtech testbeds are essentially environments where new Edtech tools and approaches can be developed and tested in a controlled setting. But why do we need testbeds in the first place? Despite the rapid growth of the edtech industry in the MENA region and globally, there are still significant challenges facing the sector, including limited access to funding and a lack of technical expertise. On top of that, there's a crucial need for better alignment between edtech products and local education needs. This is where edtech testbeds come in as a crucial bridge, connecting edtech companies with educators to develop innovative solutions that meet the unique needs of learners in the region and around the world. For the past two years, WISE has been building the MENA region's first edtech testbed, located in Qatar's Education City. In this episode, WISE Director Elyas Felfoul discusses the journey and key milestones of the project with Seungah Lee, a senior lecturer of social research and public policy at NYU Abu Dhabi and the lead researcher on Qatar's first edtech testbed. Together, they delve into insights they learned that could not only benefit the region's edtech development, but globally as a whole. ------ Relevant links: Download the Edtech Testbed Report for Free: http://bit.ly/3YPTvkU Seungah Lee: http://bit.ly/3mNDazE ------ If you enjoyed this episode, would you consider leaving us a review on Apple Podcasts/iTunes? It really helps out the show and we would greatly appreciate it. Website: wise-qatar.org Twitter: twitter.com/WISE_Tweets Instagram: @wiseqatar Facebook: facebook.com/wiseqatar/ Linkedin: bit.ly/2JKThYf

This week on SA Voices From the Field, we interviewed Baishakhi Taylor about her own experiences working in Abu Dhabi, after years working in student affairs within the United States. Baishakhi Taylor is a member of the University's senior leadership team and oversees the Division of Student Affairs, which comprises the following departments: student life, the career development center, community outreach, spiritual life and intercultural education, the student health center, student success and well-being, and athletics.  Baishakhi holds a Ph.D. in Sociology from the University of Kentucky, a master's degree in Women's Studies from the University of Northern Iowa, and master's and bachelor's degrees in Comparative Literature from Jadavpur University in Kolkata, India. She is fluent in several languages, including Bangla, Hindi/Urdu, and German. Prior to joining NYU Abu Dhabi, Taylor served as the Dean of the College at Smith College in Northampton, MA. She oversaw academic advising, international students, student affairs, residential life, student engagement, health and counseling services, athletics, career services, and disability services.  Baishakhi joined Smith College from Middlebury College, where she served as Vice President for Student Affairs and Dean of Students, and as Assistant Professor in the Department of Gender, Sexuality and Feminist Studies. During her tenure at Middlebury, Taylor co-led the Alliance for Inclusive Middlebury, a presidential committee charged with developing a strategic plan for making inclusion a priority for the institution. Prior to her work at Middlebury, Taylor served as the associate dean of Trinity College of Arts and Sciences at Duke University and the program director of DukeEngage-Kolkata. She was also a member of the faculty at the Duke Center for South Asian Studies. Please subscribe to SA Voices from the Field on your favorite podcasting device and share the podcast with other student affairs colleagues!

Amir Nizar Zuabi and Samar Haddad King talk about the inception and process behind Yaa Samar!'s dance theatre performance: Last Ward which follows one man's journey towards death in a hospital room. They also share with us how they met and began collaborating and discuss how far identity extends into their work.This episode is in collaboration with the Arts Center at NYU Abu Dhabi.Amir Nizar Zuabi is an award-winning theater writer and director, the Artistic Director of ShiberHur, and served as Associate Director of Young Vic London (2009 – 2017). Zuabi is also a member of Union of Theatres of Europe (UTE) for artistic achievement, an artistic advisor for the Palestinian National Theatre, and an alumni of Sundance Theatre Lab.Samar Haddad King (CBA '20), Artistic/Founding Director of Yaa Samar! Dance Theatre (YSDT), graduated cum laude in choreography from the Ailey/Fordham BFA program under the tutelage of Kazuko Hirabayashi.Created and hosted by Mikey Muhanna, afikraEdited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About the afikra Conversations:Our long-form interview series features academics, arts, ‎and media experts who are helping document and/or shape the history and culture of the Arab world through their ‎work. Our hope is that by having the guest share their expertise and story, the community still walks away with newfound curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into headfirst. ‎Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

In this episode, IvyWise college admissions counselors Nat (formerly at NYU, NYU Abu Dhabi, and Skidmore College) and Chris (formerly at Wesleyan University) share insight into the ‘Reach', ‘Target', and ‘Likely' categories and how the list is becoming more of a spectrum.

Mona Monsour ( Playwright) THE VAGRANT TRILOGY will make its New York City debut in April 2022 at the Public Theater, directed by Mark Wing-Davey; the production was in technical rehearsals in March 2020 and was postponed due to Covid-19. UNSEEN will have its West Coast debut at Oregon Shakespeare Festival in spring 2022, directed by Evren Odcikin. WE SWIM, WE TALK, WE GO TO WAR premiered at SF's Golden Thread in 2018 (dir. Odcikin). THE VAGRANT TRILOGY was presented at Mosaic Theater in June 2018, (dir. Wing-Davey.) Of the trilogy: THE HOUR OF FEELING (dir. Wing-Davey) premiered at the Humana Festival at Actors Theatre of Louisville, and an Arabic translation was presented at NYU Abu Dhabi, as part of its Arab Voices Festival in 2016. URGE FOR GOING: productions at the Public Theater (dir. Hal Brooks) and Golden Thread (dir. Odcikin). THE VAGRANT was commissioned by the Public and workshopped at the 2013 Sundance Theater Institute. THE WAY WEST: Labyrinth (dir. Mimi O'Donnell); Village Theater (dir. Christina Myatt); Steppenwolf (dir. Amy Morton); and Marin Theatre Company (dir. Hayley Finn). Other credits: IN THE OPEN, for Waterwell, directed by James Dean Palmer, and ACROSS THE WATER, written for third-year MFAs at NYU (dir. Scott Illingworth). Mona was a member of the Public Theater's Emerging Writers Group. With Tala Manassah she has written FALLING DOWN THE STAIRS, an EST/Sloan commission. Their play DRESSING is part OF FACING OUR TRUTHS: SHORT PLAYS ABOUT TRAYVON, RACE AND PRIVILEGE, commissioned by the New Black Festival. Commissions include Playwrights Horizons and La Jolla Playhouse. 2020 Helen Merrill Award, 2012 Whiting Award. 2014 Middle East America Playwright Award, MacDowell Colony 2018, New Dramatists Class of 2020. Mona writes for NBC's New Amsterdam and is creating series for FlipNarrative and AMC International. BEGINNING DAYS OF TRUE JUBILATION, directed by Scott Illingworth and conceived with her company SOCIETY, was part of New Ohio's Ice Factory Digital Festival in summer 2020. In September 2020, Mona received the prestigious Kesselring Prize, awarded by the National Arts Club to one playwright a year. She was nominated by Seattle Rep for her play THE HOUR OF FEELING. Learn more about your ad choices. Visit podcastchoices.com/adchoices