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Join us on the latest Whisper in the Wings from Stage Whisper, as we welcome on the actress Ginger Kearns to talk about her newest show, The Death of Rasputin. This incredible immersive experience was absolutely amazing to learn all about, and is the perfect show being done in one of the best kept secrets here in New York. So make sure that you hit play and get your tickets today!The Death of RasputinNow-May 31st@ LMCC's Arts Center at Governors IslandTickets and more information are available at deathofrasputin.com And be sure to follow Ginger to stay up to date on all her upcoming projects and productions: Ginger: @gingerkearns and gingerkearns.com Death of Rasputin: @deathofresputin and deathofrsputin.com
Learn more at TheCityLife.org
"Gog hears you have snake hips - along with snake everything else!"
"Gog hears you have snake hips - along with snake everything else!"
Shadowfox talks Zenless Zone Zero, Gog gets a drive-by cosplaying and Kevin's 'D&D campaign'... is XCOM 2.
The LMC team asks the important questions. Questions such as: 'Is your tomboyish mermaid possibly rigged?'
As they reach the end of their discussions, which games have Turbo, ShadowFox and Urtheart chosen a their personal best of 2024?
"Dance Talk” ® with Joanne Carey and special guest film maker, Gabrielle Lansner In this episode of "Dance Talk” ® host Joanne Carey interviews choreographer and film maker, Gabrielle Lansner, who shares her unique journey from dance to filmmaking. Gabrielle discusses her early dance training, the influence of acting on her choreography, and her transition to creating dance films. She reflects on her creative process, the themes of loss in her work, and how the COVID-19 pandemic inspired her to explore new avenues in filmmaking. The conversation highlights the interconnectedness of dance, theater, and film, emphasizing the importance of storytelling through movement. In this conversation, Gabrielle Lansner discusses her creative journey during the COVID-19 pandemic, focusing on her film 'I Am Not Okay.' She shares insights into the challenges and processes of filmmaking, the themes of her work, and the emotional impact it aims to convey. Lansner also reflects on the recognition her film has received and her aspirations for educational outreach, emphasizing the importance of storytelling in the arts. Gabrielle Lansner is an award winning filmmaker, choreographer, and producer whose work is influenced by her background in choreography and performing. Her films have screened at dozens of festivals worldwide and garnered multiple awards. For over 30 years, Lansner has explored artistic disciplines moving from pure dance works, to dance/theater, to film. She has always been interested in story and character: creating emotionally complex and layered works that delve into the heart and psyche. Since 1997, she has been the Artistic Director of gabrielle lansner & company, a critically acclaimed dance/theater company based in New York City. The works have been produced at The Peter Jay Sharp Theater, HERE, River to River Festival, P.S 122, The Joyce Soho, to name a few and have toured the US and Canada. The company has received support from The Dance Films Association, The Alvin & Louise Myerberg Foundation, The Harkness Foundation, The Puffin Foundation, Altria, Lower Manhattan Cultural Council and The Field. The company's varied explorations include delving into the lives of Holocaust victims in the literary works of Bertolt Brecht and Cynthia Ozick, exploring adolescent yearning in Carson McCullers' “The Member of the Wedding”, examining the nature of forgiveness in a work inspired by the South African Truth & Reconciliation Commission, and celebrating the life of pop icon Tina Turner in their original musical RIVER DEEP. TURNING HEADS, FROCKS IN FLIGHT, a site-specific dance performed at Battery Park City, was produced by Sitelines 2009/LMCC as part of the River to River Festival Her latest short film, I AM NOT OK is an experimental dance film inspired by the words of Tiffiney Davis, the Executive Director of the Red Hook Art Project, in Red Hook, Brooklyn. The film has screened extensively at film festivals around the world and won Best Experimental Film at the Reel Sisters of the Diaspora FF in NYC and Best Cinedance at the Minneapolis St. Paul Int'l FF in MN. Lansner has also choreographed episodes of Law & Order: SVU, and Law & Order: Criminal Intent. She is a member of SAG, New York Women in Film and TV, the Lincoln Center Directors Lab, is a former Board Member of the Dance Films Association/DFA, NYC and was instrumental in developing PS 122 in NYC as a rehearsal and performance space. To learn more https://www.gabriellelansner.com/index “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/ Follow Joanne on Instagram @westfieldschoolofdance YOUTUBE: https://www.youtube.com/channel/UC4NldYaDOdGWsVd2378IyBw Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
The discussions continue - but what new games caught the imagination of the boys in 2024?
LMC's contributions to RadioSEGA's annual WinterFest event kick off with the return of the boys and their games of the year.
We're back at the Red Dragon Inn to end the year - but it's T.A. Black who has an issue to bring to the table: the Like A Dragon TV series.
As the team works on other things in the run up to the end of the year, LMC Cast takes on a more musical flavour as Urtheart and ShadowFox introduce examples of some of their favourite video game soundtracks you may not have heard before. Track List: [To Come]
From terrifying parental figures to Donald Duck's military record - Urtheart and ShadowFox discuss more of their favourite games.
Which merchant or shopkeeper would you least like to pick a fight with?
Urtheart, ShadowFox and T.A. Black continue their discussion about shopkeepers, merchants and other people that sell you goods.
"What are you buyin'?" In between game sessions, Urtheart, ShadowFox and T.A. Black have a chat about video game shopkeepers.
Vger's scheming in Ticket to Ride leads to a full on assault of the railways connecting Moscow - but will it be enough?
Gacha games - are they worth the time and effort? Where is the sweet spot and where is the breaking point?
The boys continue their game and discuss Superman, accordions, painting pom-poms and a surprising legacy game for Wand of Gamelon.
The boys put on their best Sir Topham Hatt cosplays and create a railway empire in Ticket To Ride. ShadowFox talks about Destiny 2.
Kevin deserved a holiday - and he finally took one to the land of Turbo, Irn-Bru... and country and western music?
To listen to the complete episode with Adam Henry as well as all past Bonus episodes, please become a Patreon supporter of the podcast here: https://www.patreon.com/theconversationpod New York-based artist Adam Henry talks about: His recently ended show at Candice Madey gallery, and how he defines a ‘successful show' (a mix of sales, critical dialogue generated, and future opportunities); the advantages of having a fellow artist as a partner, but how it's also necessary to get alone time when you need it, including time for processing after you've had a show, which has included the fact that this is the first time he's shown work whose meaning he doesn't fully understand, and the first time he's comfortable saying that; how one of the most powerful experiences you can have with art, is to have your mind changed; how important the process of perception is to him and his work, and how his journey through perception started with color theory and Josef Albers and wound up with Wittgenstein, and eventually he wound up in psychedelics; how his making abstract work during the rise of process-based abstraction (aka zombie formalism) was challenging in that he had far fewer opportunities because of the market shift; how important it is to put the emphasis on the intention of the artwork when viewing work, as opposed to the person who made it or the value; how his partner, who is also a painter – a figurative painter, in fact – has at times been the breadwinner of the two, and vice versa, which has served them both well; the great exchanges he and his wife have about the exhibitions they view together.
How do you use the power of Numberwang to explain the film Wonka?
Discussions about films, games, dodgy CGI and more.
So what IS needed to make another Summer of Sonic happen? The guys discuss conventions and why any future SOS must pass the torch.
So excited to welcome Artist, Frederick Hayes, to the podcast this week. Fred makes graphite drawings and paintings of faces, and he also creates found-material assemblage sculptures that portray the psychological interior of his subjects. Half made up and half based on the street photos that he takes, his portraits conjure up a community of people. These heads function as general archetypes but also as familiar faces that Fred might see in his community, remember from his past, or have seen in the media as victims of racial injustice. Fred Hayes is also an artist who studiously avoids being pigeonholed, and I loved hearing about how he prioritizes freedom in his varied studio practice. Find Frederick Hayes online: IG: https://www.instagram.com/fhay_00/ WEB: https://www.fredhayesstudio.com/ 2023 Lillian Orlowsky and William Freed Grant-Winners Exhibition at PAAM (thru 6/16/24, Provincetown): https://paam.org/the-2023-artist-grant-recipients/ This episode is kindly sponsored by the New York Studio School. Check out their June-July 2024 Summer Marathon courses here: nyss.org Artists mentioned: Henri Matisse, Emil Nolde, Cartier Bresson, Robert Rauschenberg, Margaret Kilgallen, Terry Hoff & Chris Johanson of the Mission School / Luggage Store Gallery, Max Beckmann Frederick Hayes has exhibited work at Triple Candie, the Studio Museum, Hallwalls Contemporary, New Museum, San Francisco Museum of Modern Art, San Jose Museum, San Diego Museum of Contemporary Art, Addison Gallery of American Art, DeSaisset Museum, Boston University, Number 35, and the Luggage Store and Patricia Sweetow Gallery in San Francisco, CA. Hayes has held residencies at MacDowell, VCCA, LMCC and The Headlands Center for the Art. He is the recipient of a 2020 NYFA-NYSCA Fellowship in Printmaking/Drawing/Book Arts, a 2012 & 2001 Pollack-Krasner Grant, a 2010 Robert Blackburn Workshop Studio Immersion Program Fellowship, a 2000 San Francisco Art Commission Individual Artist Grantand his work is in the collection of the San Francisco Museum of Modern Art, the New Museum of Contemporary Art, the Studio Museum in Harlem, the Addison Gallery of American Art, and UC Berkeley Art Museum Thank you, Fred! Thank you Patrons and Listeners! Appreciate everyone! Check the pod out on IG! And why not review Peps on Apple Podcasts? Yay! Find me, your beloved host, online at: amytalluto.com and @talluts All music by Soundstripe ---------------------------- Pep Talks Website: peptalksforartists.com Pep Talks on IG: @peptalksforartists Amy, your beloved host's website: amytalluto.com Amy, your beloved host, on IG: @talluts Pep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8s BuyMeACoffee Donations always appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support
Vger plays aggressively, but gets distracted by questions about changes to Hatsune Miku in concert.
Betting and bluffing is the order of the day as the boys catch-up over a game of Skull.
2024: The year of the insects and the true crime simulator - a MOOMIN game.
Nevermind the return of the 80's and 90's - it's all about the revenge of the early 2000's!
LMC casts their eyes forward towards the rest of the year and the games that have, will or may come if we pray hard enough.
We sneak in a 'scrapbook' LMC Cast with more story snippets from livestreams past. But who amongst the group is (officially) "young and spry"
It's T.A. Black's turn to update us on his various doings, and he's finished Sea of Stars - but he's got some feedback about the ending.
ShadowFox updates us on his recent entertainment joys, included modded Minecraft, Palworld and Hazbin Hotel.
Vger's life is about get a whole lot more complicated - but in a good way. He's not only getting married at short notice, he's off to live in America!
The boys are back again with another game to play - this time they're traversing the sands in Camel Up.
In this 'scrapbook show' 20 year grudges about the Digimon movie, a hostage is ignored by salesmen and pour one out for Ninten's nachos.
We come to the end of 2023's Game of the Year with sword and sorcery adventures, tricky puzzlers and mind-bending stories to discuss.
Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
This episode is also available as a blog post: https://thecitylife.org/2023/04/13/lower-manhattan-cultural-council-lmcc-to-honor-francis-j-greenburger-a-leader-in-business-culture-and-philanthropy-and-artists-twyla-tharp-david-thomson-and-lisa-hsiao-chen-at-annual-downtown/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
This episode is also available as a blog post: https://thecitylife.org/2023/03/01/lower-manhattan-cultural-council-lmcc-announces-new-cohort-of-workspace-residents-and-2023-open-call/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
APPLY FOR 1:1 COACHING: Apply for 1:1 coaching here. Ok I don't like to pick favourites but this is my favourite conversation I've ever had on the podcast. I brought on Lacey Madison, 7 figure business owner who started her business when she was just 14 years old. You read that right, 14. She's now 22 and is an absolute powerhouse. She's the CEO & Founder of LMCC, The Sir Business Academy & The Elite CEO Method, a business that scaled to multiple 6 figures in just 6 Months. In today's episode, Lacey dived deep into what really goes into building a 7 figure business at the ripe old age of 22. We speak about building mental resilience, everyday sexism, becoming a better leader and business growing pains. FIND LACEY ONLINEINSTAGRAM: https://instagram.com/laceymadison.consulting FREE DOWNLOAD:Free download - 64 Story Sales prompts: https://katie-bambrick.mykajabi.com/selling-on-stories-promptsFIND ME ON THE GRAM: Instagram: https://www.instagram.com/katiebambrickcoachingRemember to subscribe to the podcast so you never miss an episode and leave a rating (we're only interested in 5 stars round here - lol jk, but srsly).
Our next guest is Harold Magoon. He is the Director of the Lawrence Methuen community coalition LMCC was started in 1995 with one part-time position. It has grown to seven full-time employees +3 part-time employees. Please tune in to discover all of the resources and programs they have to offer. MVPASAP is pleased to have them as our partners in our fight against substance misuse. This episode is dedicated to one of our past guests, Merrie Cunnif, who has passed away.
Andrew Ross received his BFA from The Cooper Union in 2011, where he was awarded the Gelman Trust Award for Excellence in Sculpture. He attended Skowhegan School of Painting and Sculpture in 2011. He's been a resident and/or fellow of programs including The Triangle Arts Association, The Drawing Center's Open Sessions, LMCC's Swing Space, The Macedonia Institute, The Bruce High Quality Foundation, and he is a current awardee of Two Trees' Cultural Space Subsidy Program. Ross has exhibited in group exhibitions at The Hessel Museum, The Drawing Center, The Studio Museum in Harlem, Artists Space, Center for the Humanities at CUNY, White Columns, and Greene Naftali. He has staged solo exhibitions at Signal (Brooklyn, NY), American Medium (NY, NY), Clima Gallery (Milan, Italy), and False Flag (Long Island City, NY). Ross' work has been reviewed in Artforum, Art in America, Cultured, Flash Art, Mousse, and the Brooklyn Rail. Ross is a sculptor and new media artist who creates fragmentary constructions with figurative elements and everyday objects. With attention to metaphoric associations that his imagery elicits Ross' tableau scenes oscillate between speculative fiction and cartoonish satire. His figures are chimeric and mythical in appearance yet typically occupied with some form of work and juxtaposed with commonplace detritus. Joining traditional sculpture, assemblage and digital imaging, Ross's works capture existential issues regarding the conundrum of representation in our age of many avatars.
Portrait by Simon Burstall Dana Sherwood received her BFA from the University of Maine, Farmington. In 2022, Sherwood installed her first solo museum exhibition at Florence Griswold Museum, CT. Sherwood has exhibited in dOCUMENTA 13, Mass MoCA, Storm King Art Center, Nassau County Museum of Art, FluxFactory, Socrates Sculpture Park, Tanya Bonakdar Gallery, and Marianne Boesky Gallery. Sherwood has had solo exhibitions at Denny Dimin Gallery (New York, 2016, 2019), Kepler Art Conseil (Paris, 2017), and Nagel-Draxler Reisbureau Galerie (Cologne, 2015). Her work has been featured or reviewed in publications including The New York Times, Forbes, Hyperallergic, Surface, The Village Voice, Food & Wine, The Huffington Post, Art F City, and the Miami Rail. Sherwood has received several prestigious residencies including Swing Space by LMCC, Pilchuck Glass School, and OMI International Arts Center. Sherwood has further upcoming exhibitions at the Berkshire Botanical Garden and Tanya Bonakdar Gallery. To learn more, here is Dana Sherwood's catalogue from her museum retrospective at the Florence Griswold Museum and a link to the museum itself. Other Dessert Landscapes (still), 2021, digital video, courtesy of Dana Sherwood and Denny Dimin Gallery Inside the Belly of the Reindeer, 2022, Oil on panel, courtesy of Dana Sherwood and Denny Dimin Gallery. Pollinator Urn, 2022, Ceramic, courtesy of Dana Sherwood and Denny Dimin Gallery
Briggitta Hardin, the Co-founder of NFZD, a whole plant beauty brand, always knew entrepreneurship would be in her future but never thought that beauty would be part of the equation. Growing up in a rough section of Chicago, Briggitta couldn't go outside to play, so she devoured books instead. Her thirst for knowledge led her to attend Howard University, and when she found herself squeamish around blood, she evolved her career aspirations from plastic surgery to public relations. However, graduating as a new mother led her on another path, AV equipment sales at a hotel. While on vacation in Los Angeles, Briggitta and her fiancé discovered the benefits of CBD. Briggitta wanted d to share it with her community, particularly Black women. After the first line she developed failed to live up to her expectations, Briggitta went back to the drawing board, spending two years learning about other plant-based ingredients that worked well with CBD and how to create efficacious formulas. Finally, the pair, along with her cousin, Britton Hardin, launched the brand in 2020. However, feedback from her early consumers led to a packaging rebrand, resulting in the brand being recognized at LMCC last year. In addition to the Illuminate + Hydrate Facial Oil, the brand's hero product, the other standout includes their Wellness Blends, powders that include adaptogens, mushrooms, and superfoods that can be incorporated into smoothies and other beverages to aid in energy, sleep, and focus. Briggitta shares the challenges that some with running a CBD brand and her commitment to making it work because she always remembers her 'why.' Follow NFZD Beauty on Instagram Shop NFZD Beauty face and body collections on their website In-person at Etain Health.
Today's guest is Netta Yerushalmy. Netta is an award winning choreographer and performer originally from Galilee, Israel. Based in New York City since 2000, her work aims to engage with audiences by imparting the sensation of things as they are perceived, not as they are known, and to challenge how meaning is attributed and constructed. Most recently recognized with a 2022 United States Artists Fellowship, Netta has also been awarded a Guggenheim Fellowship, Princeton Arts Fellowship, Research Fellowship from New York Public Library for the Performing Arts, Toulmin Fellowship for Women Leaders in Dance at the Center for Ballet and the Arts at New York University, New York City Center Choreography Fellowship, Jerome Robbins Bogliasco Fellowship, Foundation for Contemporary Arts Grants-to-Artists Award, National Dance Project Grant, LMCC's Extended Life, Six Points Fellowship, and a New York Foundation for the Arts Fellowship. For more on Netta and this episode including her upcoming work with Peak Performances at Montclair State University: Movers & Shapers: A Dance Podcast.
Written by William 'Electric' Black, Produced by Eric Emma, Sound Design by Adrian Bridges, Edited by Eileen Scandiffio and Eric Emma, Starring Levern Williams, Brittney Benson, Paulina Breeze, Ann-Kathryne Mills, Danielle Aziza, Sarah Q. Shah. Featuring music by Wilkins' boombox tunes are by my hip hop group, Izzy Man & The Plan. The Faculty Room is made possible in part with public funds from Creative Engagement, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by LMCC. LMCC serves, connects, and makes space for artists and community. Support this podcast