Podcasts about hdslr

Matt WhoisMatt Johnson has been creating tutorials on how to shoot wedding films for the last six years and has no plans of stopping. In this fun interview, we talk about how Matt got started making wedding films, his YouTube journey, and nerd out about the early HDSLR days of the 2010s. Watch this interview: https://youtu.be/q3ZhaiNdGH0Connect with Matt JohnsonYouTube: https://www.youtube.com/c/MattJohnsonWhoIsMattInstagram: https://www.instagram.com/whoismatt/Connect with Dave MazeTwitter: https://geni.us/davemaze_twitterInstagram: https://geni.us/davemaze_igYouTube: https://youtube.com/davemaze

Born and raised in South Carolina, Kaity developed a passion for cinematography and the craft of visual storytelling and moved with her sister to Los Angeles in 2014 to pursue filmmaking as a career. At the time, she noted that her competition was primarily working with HDSLR type cameras and she decided to take a major gamble and leap beyond her competition by investing in her career and purchasing an ARRI AMIRA camera. This decision allowed her to be taken more seriously more quickly than some of her contemporaries and since she has been continuously booked shooting documentaries, commercials, short films, features and music videos. In the feature film world, Kaity photographed the multi-award-winning romantic drama Before the Dawn as well as additional photography on the Biblical epic The Penitent Thief. In documentaies, Kaity photographed the award-winning racing doc short Sonya Slidez and the custom super-car series with Nelson Racing Engines. Her doc/industrial work also includes shooting such artists as comedian/producer George Lopez, actor/host Mario Lopez, T.I., Meek Mill, horror-master John Carpenter and popular television host Tom Bergeron. Her prolific work in short films includes Alone Together, One More Step, Dissonance, and the upcoming Glaistig. She is an active member of the American Society of Cinematographers Motion Imaging Technology Council Lens Committee and has been featured in American Cinematographer Magazine.

https://www.youtube.com/watch?v=Zd6-a1q_j2M http://www.michaeloliveira.com.br. Neste vídeo eu mostro os vários tipos de microfones que eu uso para gravar videos para o YouTube. Meu microfone preferido é o SONY UWP V6, este é um super equipamento para gravar mas com um preço um pouco salgado para a grande maioria das pessoas que estão começando a gravar. Mostro ainda o microfone Boom da Yoga, o YOGA HT-81 que é bem recomendado para quem quer começar, custo baixo e boa qualidade. Tem também um microfone SHURE SV 100, um microfone clássico que se alimentado por uma fonte Phanton Power 48V também pode ser utilizado em seus vídeos. Mostrei também dois microfones RODE, o Rode VideoMic Pro e o Rode Smartlav Lavalier que pode ser utilizado com sua camera HDSLR ou ainda com seu smartphone. Esses são alguns microfones que indico para videos. Para quem tem pouca verba, tem o gravador de voz SONY PX 312, que tem qualidade de audio baixa mas ainda sim é melhor do que gravar o audio diretamente da câmera. Veja todos os tipos de microfones para gravar seus vídeos e faça sua escolha! Agora você vai saber Que microfone usar para videos!

Mark Hemmings is a professional photographer and commercial filmmaker. He is Director of Photography at Hemmings House Pictures, an international media company that specializes in TV production, documentaries, commercial films, advertising/architectural photography and audio recording. Mark got his start in the photography and movie industry when he lived in Japan in 2000. He signed a contract with a photography agency in Tokyo which lead to a career traveling around the world capturing images for magazines, travel guidebooks, and commercial clients. These travels have given Mark a great love for street photography, and meeting new people from different cultures. Mark is also a professional photography instructor, and he has taught photography workshops around the world: Japan, Korea, England, Hungary, Transylvania/Romania, and Mexico. His primary annual workshop is held every February in the Spanish colonial town of San Miguel de Allende, Mexico.  www.hemmingshouse.com www.sanmiguelphotoworkshops.com http://www.heima.co.uk/video/ http://www.denisduquette.ca www.thecandidframe.com info@thecandidframe.com

Bruce Dorn  has enjoyed a rich and varied career as a Director, Cameraman, and Photographer, his formal training is in Design. Bruce spent four years as an Associate Professor of Design at Indiana University where he taught advanced courses in both Photography and Design. As a Mechanical Designer, Bruce has earned acclaim as a builder of custom motorcycles and racing cars. His efforts have been featured in mainstream enthusiast magazines such as Hot Bike and Hot Rod. Insiders credit Bruce with the inspiration of the hugely popular Harley Davidson Fat Boy that appeared shortly after one of his clients, Willie G. Davidson, spent hours pouring over the details of one of Bruce’s pet projects. Bruce who is also a Canon Explorer of Light has also designed accessories for using HDSLRs for video. Under the IDC Photo Video brand, the products are the result of his relentless pursuit of minimalist functionality. www.idcphotovideo.com www.thecandidframe.com info@thecandidframe.com

Today we chat with DP Eric Goodfield about how he travels with gear and his thoughts on the HDSLR world.

Video Tutorial de Adobe Photoshop Lightroom 4 Beta. En este tercer video de la serie muestro las nuevas opciones que tenemos en Lightroom 4 para manejar y ajustar escenas de video grabadas con cámaras HDSLR. Descarga este Tutorial de Lightroom 4 Beta. Versión HD en YouTube.

Episode 56 - Chris Fenwick, Mitch Aunger (aka planetMitch), and Carl Olson ponder the question: should freelance videographers sell their HDSLR kits and buy a Canon C300?

In episode 54 of the Digital Convergence podcast Chris Fenwick and Carl Olson talk about the recent announcements from Canon and RED.

Shane Hurlbut talks about his new partnership with Letus Corp. to create a new line of tools to turn HDSLR cameras into a "mean movie making machine."

Episode 50 of the Digital Convergence Podcast, featuring founder and host, Carl Olson, along with cohost Chris Fenwick, Mitch "planetMitch" Aunger, and Paul Antico (of NeedCreative.net).

In this episode of Short and Suite, Karl Soule shows new features in Premiere Pro CS5 that are designed to make working with high definition footage shot with a DSLR easy and efficient.

Episode 40 - Featuring Patrick Inhofer of Fini! Color Correction + Finishing and Tao Of Color - with host Carl Olson (http://16x9cinema.com) and co-host Chris Fenwick (http://chrisfenwick.com). In this episode we talk with colorist Patrick Inhofer of Fini! Color Correction + Finishing. Color grading and finishing are Patrick's passion. He has worked on a huge variety of projects including film, documentaries, television series, corporate videos. His work has appeared on HBO, NBC, ABC, Showtime, ESPN, Oxygen, AMC, Lifetime, TNT, TBS, and National Geographic Channel - to name just a few. With the advent of low-cost HDSLR video, many new filmmakers face a huge learning curve for not only production, but also editing and color correction, grading, and finishing. Where does a HDSLR digital filmmaker begin? What is the best way to learn colorist skills? How can the HDSLR DP shoot to get the best color results? Patrick Inhofer's Tao of Color website is an incredibly rich resource for learning the art and craft of a colorist. His course helps you hone your skills as a colorist by allowing your to look over his shoulders. Footage shot with a Canon 5D Mark II is provided so that you can practice wit the same material that Patrick uses in the course. You learn how Patrick grades and then you go and apply what you learn on the 5D footage.  Listening to Patrick in this podcast, you come to realize that he is not only a superb technologist, but is also a passionate artist.

Episode 39 - Featuring Jeff Regan of Shooting Star Video - with host Carl Olson (http://16x9cinema.com) and co-host Chris Fenwick (http://chrisfenwick.com). Jeff Regan is the founder and owner of Shooting Star Video - a provider of high quality video equipment rentals and services in the Bay Area for over 25 years. Having been intimately involved in video technology since the Reagan administration in the early 80's, Jeff adds his unique voice and perspective to the Digital Convergence podcast. We talk about the evolution of video technology, bringing the cinema aesthetic to video, traditional video camcorders vs HDSLR gear, and the vital role collaboration plays in producing creative works. Jeff talks, too, about the new Panasonic AF-100 4/3 micro camcorder and answers a number of our questions about the camera, bit rate obession, AVCHD codec vs other codecs, etc. Jeff's insight into video technology brings a reasoned voice of balance in the near religious wars of HDSLR vs. traditional video. A must-listen episode!

Episode 38 - Featuring Brian Valente of Redrock Micro - with host Carl Olson (http://16x9cinema.com) and co-host Chris Fenwick (http://chrisfenwick.com). Brian Valente of Redrock Micro join Chris and I in this episode of the Digital Convergence Podcast. Red Rock Micro, with headquarters located near Dallas, Texas, was founded in 2004 by a group of avid digital filmmakers whose desire to produce high quality movie images without access to huge budgets led them to start Redrock Micro: a company committed to the express purpose of bringing cinema-quality accessories to market at revolutionary prices. We believe in - and - enable the privelege of personal ownership of production equipment. Today, Redrock Micro designs and sells a line of high quality cinema accessories for independent filmmakers, film educators and students, and budget-conscious moviemakers.  Brian talks with us about the new microEVF viewfinder for HDSLR cameras and also brings us up-to-date on the amazing microREMOTE. Brian graciously and patiently put up with our pushing him for more future product information and product ideas we would like to see. Redrock Micro has quickly established themselves as a leading innovator of HDSLR equipment - all without breaking the bank.   And exclusively on the Digital Convergence podcast, Brian valent announces the new Redrock Micro 3D rig for coupling two HDSLR cameras for filming 3D.  

Episode 37 - Featuring Tara Oldfield and Jason DeRose of Novacut - with host Carl Olson (http://16x9cinema.com) and co-host Chris Fenwick (http://chrisfenwick.com).  Chris and I begin this episode by talking about the Digital Dark Ages and huge problem of archiving and backing up video, photo, and other media files - affordably. Our banter migrates over to the controversial question "Is HDSLR video dead?" In the interview segement, I talk with Tara Oldfield and Jason DeRose of Novacut. Jason and Tara are developing a free video editor that allows artists to collaborate over the internet and harness cheap cloud computing. The Novacut editor is aimed at professional-grade TV and movie production using HDSLR cameras (like the 5D Mark II). These cameras have drastically lowered production costs, but we want to reduce costs even further... so they are taking the lean, distributed workflow perfected by the open-source community, and bringing it to video. Distributed teams are a big part of what has allowed open-source to amazingly produce better software, yet for less money and in less time. The Novacut team feels they can do the same for video. Tara and Jason want to see an explosion of financially viable independent TV shows distributed directly to fans over the Internet, funded through direct fan support, licensed under the Creative Commons. Chris and I wrap up the show with the latest on Chris' epic journey to switch from Final Cut Pro to Adobe's Premiere Pro. We talk about the Shane Hurlbut "sizzle" trailor video featuring highlights from Shane's 2010 HDSLR Bootcamp.

Episode 34 - Featuring Khalid Mohtaseb and Jonathan Bregel of Next Level Pictures - on the Digital Convergence Podcast by 16x9 Cinema with hosts Carl Olson (http://16x9cinema.com) and Chris Fenwick (http://chrisfenwick.com). In the first segment of the show, Chris Fenwick talks about his behind the scene experience with Shane Hurlbut's Hurlbut Visuals HDSLR Bootcamp. Chris gives a feel for what it was like to be in attendance. Chris talks about how the editors at the HDSLR Bootcamp used Adobe Premiere Pro instead of Apple's Final Cut Pro and why. We geek out on data management when Chris reveals he collected over 680 GB of data at the HDSLR Bootcamp. In the next segment I talk to two amazing filmmakers who are in their early twenties. Khalid Mohtaseb was born in Doha Qatar in December 1985. He spent his childhood traveling from one country to another, until his father was relocated to Wayne New Jersey in 1993. Khalid's work includes the controversial Haiti Earthquake Aftermath video - an amazingly beautiful, cinematic depiction of the sad human cost of this devasting earthquake. Khalid's talent has taken him all the way from shooting film in Coney Island to corporate interviews around the country. Jonathan Bregel was mentored at a young age by photographer/professor Juan Carlos Castro and was taught the art of lighting, and frame composition. Prior to attending college, Jonathan's photography and documentary work was displayed in museums nationwide. Years later, he graduated from Full Sail University with a BS in Filmmaking. Jonathan's work has already been displayed on many television stations including; IFC, MTV, MTV2, MTVu, Fuse, and BET. Jonathans passion for filmmaking and travel has allowed him to shoot in every state in the USA along with several places outside the USA. Khalid and Jonathan talk about a new music video they filmed with Canon 5D's and 7D's for the music group There for Tomorrow and their new single Deathbed.  

Episode 32 - In this episode Chris Fenwick and I talk with employee #1 of RED Digital Cinema: Ted Schilowitz. Ted talks with us about the Scarlet and EPIC cameras from RED. What is variable HDR - an intriguing feature recently announced for EPIC - promising over 13 stops dynamic range? Will variable HDR be available for Scarlet? When will Scarlet ship? What is RED's position on the HDSLR video revolution? Where can HDSLR photographers learn more about shooting with RED? Why should cinematographers care about 4K? How does Final Cut Pro and Adobe Premeire Pro CS5 workflow compare for RED footage? Chris and I also share listener questions with Ted. A great episode! Ted was a fine guest and we are going to be inviting him back soon to dig into more details about EPIC and Scarlet. Just not enough time in one episode to talk about all the great things the RED team is doing. This episode of the Digital Convergence podcast is also the first episode where I have the privilege of working with a co-host. Chris Fenwick is a post-production expert and accomplished filmmaker and photographer. With several years of experience in the industry, his opinions and insights are a welcome addition to this and future episodes of this podcast.  

Episode 30 - Shane Hurlbut of Hurlbut Visuals - on the Digital Convergence Podcast by 16x9 Cinema with host Carl Olson - a visual artist, photographer, and filmmaker based in Atlanta, Georgia, USA.  Featuring: Shane Hurlbut of Hurlbut Visuals Shane Hurlbut of Hurlbut Visuals is the general of the video DSLR revolution. He and his Elite Team sargents are conducting the HDSLR Bootcamp at Alternative Rentals Digital Cinema in Los Angeles, California, on August 28-29, 2010. Designed for video DSLR filmmakers, the course is two days of personally tailored intensive training on film production using Canon DSLRs. You will hit the ground running with hands experience with a wide range of gear. You will work with actors. You will see your epic production projected on the big screen. Shane and his Elite Team compress over 17 months of experience using Canon DSLRs for feature film production into this intense 2-day course. 16x9 Cinema Digital Convergence listeners may register for this epic event and receive a 40% discount off - a savings of $1300. Use the code 16x9cinema when you register. Even if you are unable to attend this course, there's a lot of information in this episode that you will find interesting and informative.