Podcasts about j hoberman

Last February, the magazine The New Republic invited a host of film critics to participate in a new poll, curated by esteemed critic and longtime Film Comment contributor J. Hoberman: a list of the 100 Most Significant Political Films of All Time. Not best or favorite political films, mind you—most significant. The New Republic unveiled the results of the poll on June 22, along with an essay by Hoberman analyzing the results. Topped by The Battle of Algiers, the final list is both a fascinating snapshot of what political cinema means to critics today, and the limits of such exercises in ascertaining consensus. On today's podcast, we invited Jim for a deep-dive into the impetus behind the poll; the surprises, disappointments, and notable entries in the list, from The Birth of a Nation to La Chinoise to Hour of the Furnaces to All the President's Men; and how notions of political cinema have changed over time. For show notes and a list of the movies discussed, go to filmcomment.com/podcast.

Jordan Peterson's books of advice for men have sold five million copies – he says men should work hard, be responsible, demand more of themselves—and make their beds. Katha Pollitt has some comments about that. Also: The synergy between politics and popular culture has never been clearer or stronger than in the Age of Reagan. J. Hoberman, author of “Make My Day: Film Culture in the Age of Reagan," explains how this came to be. Hoberman was a legendary film critic for the Village Voice for 30 years and now writes for the New York Review, the New York Times, and The Nation.

Jordan Peterson's books of advice for men have sold five million copies – he says men should work hard, be responsible, demand more of themselves—and make their beds. Katha Pollitt has some comments about that. Also: The synergy between politics and popular culture has never been clearer or stronger than in the Age of Reagan. J. Hoberman, author of “Make My Day: Film Culture in the Age of Reagan," explains how this came to be. Hoberman was a legendary film critic for the Village Voice for 30 years and now writes for the New York Review, the New York Times, and The Nation.

Jordan Peterson's books of advice for men have sold five million copies – he says men should work hard, be responsible, demand more of themselves—and make their beds.” Katha Pollitt joins the Start Making Sense podcast to discuss.Also: The synergy between politics and popular culture has never been clearer or stronger than in the Age of Reagan. J. Hoberman, author of “Make My Day: Film Culture in the Age of Reagan," explains how this came to be. Hoberman was a legendary film critic for the Village Voice for 30 years and now writes for the New York Review, the New York Times, and The Nation. Subscribe to The Nation to support all of our podcasts: thenation.com/podcastsubscribe.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In 1970, a scruffy repertory theater — led by the visionary Ben Barenholtz — quietly placed a print ad in the Village Voice, advertising midnight screenings of a Spanish-language western they claimed was "too heavy to be shown any other way."  The movie was Alejandro Jodorowsky's EL TOPO, and it'd kick off the "Midnite Movie" craze that changed moviegoing.Hear the history of the Elgin Theater and its legendary, weed-soaked screenings of  EL TOPO, featuring commentary from ex-Voice critic J Hoberman, Amy Nicholson of the podcast "Unspooled," ex-Elgin programmers Chuck Zlatkin and Steve Gould...and Jodorowsky himself.The second season of the MUBI Podcast titled “Only in Theaters” tells surprising stories of individual cinemas that had huge impacts on film history, and in some cases, history in general.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor. A place to discover and watch beautiful, interesting, incredible films. A new hand-picked film arrives on MUBI, every single day. Cinema from across the world. From iconic directors, to emerging auteurs. All carefully chosen by MUBI's curators.And with MUBI GO, members in select countries can get a hand-picked cinema ticket every single week, to see the best new films in real cinemas. To learn more, visit mubi.com/go

Rozmowa została przeprowadzona w języku angielskim. J. Hoberman to krytyk filmowy, który był przez wiele lat pionierem w recenzowaniu kina eksperymentalnego, awangardowego i undergroundowego. W Nowym Jorku pisał do magazynu Village Voice, czyli kontrkulturowego wydawnictwa, pod którego auspicjami pisał także Andrew Sarris – autor bardzo wpływowej monografii American Cinema. Sam Hoberman już od czasów licealnych chadzał na pokazy filmowe na Dolnym Manhattanie. Choćby słynne Chelsea Girls Andy’ego Warhola udało mu się obejrzeć na jednym z pierwszych pokazów, który odbywał się w podziemiach jednego z nowojorskich biurowców. Jakie wartości propagowało Hollywood w latach 80.? Czym Reagan różni się od Trumpa? Dlaczego we współczesnych filmach hollywoodzkich Chińczyk nigdy nie będzie szwarccharakterem? Między innymi o tych zagadnieniach, jak i o jego wspomnieniach z nowojorskiej sceny filmowego undergroundu J. Hoberman opowiedział w rozmowie z Olkiem Młyńskim

In an encore presentation, Kate and Medaya talk with award-winning screenwriter and novelist Charles Yu about his book, Interior Chinatown; an experimental, yet eminently enjoyable, novel-in-the-form-of-a-screenplay, which won the 2020 National Book Award for fiction. Charles discusses how he came to write such a formally challenging book, in which the central character's world is defined by, and limited to, the horizons available to Asian and Asian-American characters in popular film and television. Also, J Hoberman, author of Make My Day: Movie Culture in the Age of Reagan, returns to recommend Victor Serge's recently discovered Notebooks from 1936-47, in which the great communist writer lived in exile, from Paris to Mexico.

In an encore presentation, Kate and Medaya talk with award-winning screenwriter and novelist Charles Yu about his book, Interior Chinatown; an experimental, yet eminently enjoyable, novel-in-the-form-of-a-screenplay, which won the 2020 National Book Award for fiction. Charles discusses how he came to write such a formally challenging book, in which the central character's world is defined by, and limited to, the horizons available to Asian and Asian-American characters in popular film and television. Also, J Hoberman, author of Make My Day: Movie Culture in the Age of Reagan, returns to recommend Victor Serge's recently discovered Notebooks from 1936-47, in which the great communist writer lived in exile, from Paris to Mexico.

Monday we had good news on a Covid vaccine from Moderna, created with a billion dollars of taxpayer funding. Gregg Gonsalves takes up the question, Why does Moderna get to keep all the profits? Also: Why Mitch McConnell is a bigger threat to Americans than the virus. Plus: The legendary film critic for the late, lamented Village Voice, J. Hoberman, talks about Aaron Sorkin’s new film, playing now on Netflix, The Trial of the Chicago 7. He asks the question, “is it great courtroom drama—or boomer porn?” Subscribe to The Nation to support all of our podcasts: http://thenation.com/podcastsubscribe.

"My friend, Art Spiegelman, who very graciously provided the cover for the book, initially wanted to put Trump on the cover and I said, no, no, you can’t do that."

Kate and Medaya talk with award-winning screenwriter and novelist Charles Yu about his new book, Interior Chinatown; an experimental, yet eminently enjoyable, novel-in-the-form-of-a-screenplay. Charles discusses how he came to write such a formally challenging book, in which the central character's world is defined by, and limited to, the horizons available to Asian and Asian-American characters in popular film and television. Also, J Hoberman, author of Make My Day: Movie Culture in the Age of Reagan, returns to recommend Victor Serge's recently discovered Notebooks from 1936-47, in which the great communist writer lived in exile, from Paris to Mexico. This is the sixth episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

Kate and Medaya talk with award-winning screenwriter and novelist Charles Yu about his new book, Interior Chinatown; an experimental, yet eminently enjoyable, novel-in-the-form-of-a-screenplay. Charles discusses how he came to write such a formally challenging book, in which the central character's world is defined by, and limited to, the horizons available to Asian and Asian-American characters in popular film and television. Also, J Hoberman, author of Make My Day: Movie Culture in the Age of Reagan, returns to recommend Victor Serge's recently discovered Notebooks from 1936-47, in which the great communist writer lived in exile, from Paris to Mexico. This is the sixth episode in our series on LA and Southern California writers, artists and filmmakers. This episode of the LARB Radio Hour is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov. Any findings, opinions, or conclusions contained herein are not necessarily those of the California Arts Council.

Critic, photographer and artist, Hilton Als joins Kate and Medaya to discuss his debut play, Lives of the Performers, which tells the story of actress Sheryl Sutton, one of the lead actors in Robert Wilson's ground-shattering troupe in the 1970s. Als, the former theater critic at the New Yorker, also discusses his fascination with twins, writing a play, and the role race has played in the history of the avant-garde. The show also includes a spirited debate among the hosts about this year's soporific Golden Globes: are woke actors enough to keep you awake? Also, legendary film critic J Hoberman returns to explain why his favorite film of 2019, Mary Harron's Charlie Says, was a superior take on the Manson Family saga than Quintin Tarantino's Once Upon a Time in Hollywood.

Critic, photographer and artist, Hilton Als joins Kate and Medaya to discuss his debut play, Lives of the Performers, which tells the story of actress Sheryl Sutton, one of the lead actors in Robert Wilson's ground-shattering troupe in the 1970s. Als, the former theater critic at the New Yorker, also discusses his fascination with twins, writing a play, and the role race has played in the history of the avant-garde. The show also includes a spirited debate among the hosts about this year's soporific Golden Globes: are woke actors enough to keep you awake? Also, legendary film critic J Hoberman returns to explain why his favorite film of 2019, Mary Harron's Charlie Says, was a superior take on the Manson Family saga than Quintin Tarantino's Once Upon a Time in Hollywood.

Legendary film critic J Hoberman joins Kate and Daya to discuss Make My Day: Movie Culture in the Age of Reagan, which is the the final installment of his film history trilogy Found Illusions. Hoberman describes how he set out to tell the story of how cinema operated as the social and political unconscious of American society throughout the Cold War and discovered along the way that Ronald Reagan was the "protagonist" of this story. The conversation traces Reagan's career in Hollywood and politics; and how the development of feel good blockbusters in the 1970s harmonized with Reagan's message as a candidate. Of course, no encounter with J Hoberman goes without delicious close readings of movies we love or loathe. You'll never see Ghostbusters the same way again! Equally poignant are J's thoughts on how our current entertainer President reflects the much coarser media environment of the 21st Century. Also, Darryl Pinckney, author of Busted in New York, returns to recommend Jonathan Crary's eloquent study of our exhausting, over-extended lives 24/7: Late Capitalism and the Ends of Sleep - as well as James Fenton's collection of poems Yellow Tulips.

Legendary film critic J Hoberman joins Kate and Daya to discuss Make My Day: Movie Culture in the Age of Reagan, which is the the final installment of his film history trilogy Found Illusions. Hoberman describes how he set out to tell the story of how cinema operated as the social and political unconscious of American society throughout the Cold War and discovered along the way that Ronald Reagan was the "protagonist" of this story. The conversation traces Reagan's career in Hollywood and politics; and how the development of feel good blockbusters in the 1970s harmonized with Reagan's message as a candidate. Of course, no encounter with J Hoberman goes without delicious close readings of movies we love or loathe. You'll never see Ghostbusters the same way again! Equally poignant are J's thoughts on how our current entertainer President reflects the much coarser media environment of the 21st Century. Also, Darryl Pinckney, author of Busted in New York, returns to recommend Jonathan Crary's eloquent study of our exhausting, over-extended lives 24/7: Late Capitalism and the Ends of Sleep - as well as James Fenton's collection of poems Yellow Tulips.

The 2020 election will liberate us from Donald Trump and Republican hegemony. A sweeping Democratic victory will make it possible at last for us to address our most serious problems—because 2020 will bring the death of the Republican party as we’ve known it. That’s what Stan Greenberg says—he’s a longtime pollster and adviser to presidents from Clinton to Obama. He’s also a bestselling author, with a new book out—it has the wonderful title R.I.P. G.O.P.: How the New America is Dooming the Republicans. Plus: Naomi Klein on the Green New Deal—she says we need to follow the example of the New Deal era of the 1930s, when nothing would have happened without “massive pressure from social movements” that “changed the calculus of what was possible.” Naomi is the author of several number one bestsellers, including This Changes Everything. Also: movies and politics. No political figure has blurred the line between them more than Ronald Reagan—and no president understood the power of collective fantasy better than Reagan did. That’s what the great movie critic J. Hoberman says—his new book about movie culture in the Age of Reagan is called Make My Day. Subscribe to The Nation to support all of our podcasts: http://thenation.com/podcastsubscribe

The Green New Deal and Unions; plus: Elizabeth Warren in Minnesota -- Harold Meyerson reports on labor opposition to fighting global warming--mostly in the building trades and a few other locals. Next: Trump is trailing badly in the polls--so how does he think he can win? Jeet Heer explains. Plus: Star Wars, Ghost Busters, Rocky and Dirty Harry -- we talk with J. Hoberman author of "Make My Day: Movie Culture in the Age of Reagan".

The Green New Deal and Unions; plus: Elizabeth Warren in Minnesota -- Harold Meyerson reports on labor opposition to fighting global warming--mostly in the building trades and a few other locals. Next: Trump is trailing badly in the polls--so how does he think he can win? Jeet Heer explains. Plus: Star Wars, Ghost Busters, Rocky and Dirty Harry -- we talk with J. Hoberman author of "Make My Day: Movie Culture in the Age of Reagan".

Today, we’re sharing a Film at Lincoln Center free talk which was presented on the occasion of our new series Make My Day: American Movies in the Age of Reagan. Director of Programming Dennis Lim joined writer J. Hoberman for an expansive discussion about his latest book, Make My Day: Movie Culture in the Age of Reagan, the relationship between politics and pop culture in the 1980s, and more. The series, underway through this Wednesday, September 3, offers a chance to experience the Eighties as seen through the lens of 24 unforgettable films, including The King of Comedy, Back to the Future, The Last Temptation of Christ, RoboCop, The Terminator, Near Dark, and more. Save with 2-for-1 double feature pricing at filmlinc.org. This podcast is brought to you by Film at Lincoln Center.

The latest polls—including the highly respected Fox poll—show Trump in terrible shape at this point: Among registered voters he trails Biden 50-38, Bernie 48-39, Elizabeth Warren 46-39, and even Kamala Harris 45-39. He’s losing crucial segments of his 2016 base. And in many of the states he carried last time, he’s deep into negative territory on the approval polls. Jeet Heer comments—and takes up the question, how does he think he can win? Also: The synergy between politics and popular culture has never been clearer or stronger than in the Age of Reagan—and now there’s a wonderful new book on “movie culture in the Age of Reagan”—it’s called Make My Day, by J. Hoberman; for thirty years he was a film critic for the Village Voice.  He talks about Dirty Harry, Star Wars, Rambo, and Ghostbusters—and how Trump compares with Reagan, pointing to Howard Beale in Network and to Rocky's racist happy ending.

We’ve been compiling this episode for about 6 months now and we’ve conducted interviews in New York, Bristol, The Shetland Islands and via Skype. We hope our delve into film criticism is worth the wait. Thank you firstly to our participants, so generous with their time and thoughts. A huge thank you also to our roving reporter Charlotte Crofts for the amazing interview with Tara Judah featured in the episode, and others we couldn’t manage to get in. Thank you finally to our listeners who suggested this episode. The wealth of material we got was overwhelming so look out for all the interviews being uploaded in January while we are on our winter break. That should keep you going in the cold winter months. Participants Tara Judah https://tarajudah.com/ @midnightmovies Sam Fragoso http://talkeasypod.com/ @SamFragoso Simran Hans https://www.theguardian.com/profile/simran-hans @heavier_things Ashley Clark http://www.bfi.org.uk/people/ashley-clark  @_Ash_Clark Violet Lucca https://www.filmcomment.com/author/vlucca/ @unbuttonmyeyes Mark Kermode https://www.theguardian.com/profile/markkermode @KermodeMovie Prof. Linda Ruth Williams https://humanities.exeter.ac.uk/film/staff/lwilliams/ @lindaruth1 Tom Shone http://tomshone.blogspot.co.uk/ @Tom_Shone Roll of Honour All the critics given shout outs across our interviews... Sophie Mayer, Alexandra Heller-Nicholas, Cerise Howard, Emma Westwood, Thomas Caldwell, Josh Nelson, Jack Sargeant, Dana Linssen, Kees Driessen, Rüdiger Suchsland, Adrian Martin, Catherine Grant, Cristina Alvarez Lopez, Kevin B. Lee, Michael Wood, Jonathan Rosenbaum, Robin Wood, Victor Perkins, David Bordwell, Kristin Thompson, Hadley Freeman, Marina Hyde, Ren Zelen, Christina Newland, Molly Haskell, Ashley Clark, James Baldwin, Graham Greene, Cahiers Critics, Bogdanovich & Schrader, Toby Hazlet, Violet Lucca, Doreen St. Felix, Jia Tolentino, Vinson Cunningham, Hilton Als, Wendy Ide, Simran Hans, Guy Lodge, Pauline Kael, Kim Newman, Roger Ebert, Andrew Sarris, Alan Jones, J Hoberman, Anne Billson, Kate Muir, Kay Austin Collins, Ira Madison, Alyssa Wilkinson, Scott Tobias, Keith Phipps, Tasha Robertson, Tim Grierson, Anjelica Jade, Nathan Heller, Jeremy O’Harris, Hunter Harris, Wesley Morris, Nick Pinkerton, Eric Hynes, Badlands Film Collective, AO Scott, Anthony Lane, David Edelstein, Elvis Mitchell, Amy Taubin,  Christian Lorentzen, Senses of Cinema, Four Columns and Reverse Shot. The incidental music for this episode is from Giorgio Gaslini's score for Antonioni's La Notte.

Cinema of splendour or 'be-numbed ego-centrism'? Martin Patrick, Thomasin Sleigh and Mark Amery review Matthew Barney's epic cine-opera River of Fundament. The pod discuss Barney's interplay between sculpture, cinema and visual art, his positions on gender and women, and his many references to celebrated figures of the 20th century avant-garde. Is this a film for our times? All this plus J Hoberman and James Lee Byers. Image: River of Fundament (2014) Matthew Barney and Jonathan Bepler

While his origins as a cinephile are based largely in his interest in the avant-garde, J. Hoberman has become one of the most influential critics through his examinations of Hollywood blockbusters, world cinema, the outer limits of experimental works, and most importantly, film history. In his appearance on the podcast, Hoberman talks to Peter about his adventures as a kid traversing New York City's film culture, his movement through the the city's underground scene, and eventually to his position at The Village Voice and creating a voice that often examined the relationship between politics and cinema. Finally, the two discuss Poor Little Rich Girl, Andy Warhol's out-of-focus and out of this world portraiture of Edie Sedgwick, which Hoberman describes as a work of "pure cinema." 0:00-1:38 Opening2:03-10:18 Establishing Shots - 2 Years of Cinephiliacs / Donations and Reviews11:02-1:09:29 Deep Focus - J. Hoberman1:12:19-1:28:52 Double Exposure - Poor Little Rich Girl (Andy Warhol)1:28:57-1:31:32 Close / Outtake

This week we mark what was arguably the height of the Cold War, in the 50 anniversary of the Cuban Missile Crisis.   That Cold War would, for years, permeate every aspect of our culture. The paranoia and anxiety of the period was perhaps most notably reflected in our films, and the divisions of the of the time were part and parcel of the industry that produced them. One of our nations most distinguished film critics, J Hoberman looks at this connection between American movies and the Cold War in his new book An Army of Phantoms: American Movies and the Making of the Cold War. My conversation with J. Hoberman:

Colin Marshall talks to J. Hoberman, senior film critic at The Village Voice and author of books on such cinematic subjects as 8mm and Super 8 pictures, Dennis Hopper, the 1960s, midnight movies, and Yiddish tradition. In his latest title, An Army of Phantoms: American Movies and the Making of the Cold War, he examines the American decade from 1946 to 1956, a time of "cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars, atomic tests on live TV, God talks on the radio, and Joe McCarthy bracketed with Marilyn Monroe."