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3 episodes with Matthew Barney
2 episodes with Matthew Barney
2 episodes with Matthew Barney
2 episodes with Matthew Barney
2 episodes with Matthew Barney
2 episodes with Matthew Barney
2 episodes with Matthew Barney
2 episodes with Matthew Barney
Send us a textWelcome back Jam Fam! We know you are going to love our chat with Andrea Kron. Andrea is a wealth of knowledge, having been in the dance world as a performer, educator and choreographer. Her credits speak for themselves, and you can see why we had her on the show. Andrea received her Certificate of Dance from The Ailey School NYC where she was part of the Student Performance Ensemble and toured the New York metropolitan area. She has studied with the late Kevin Rotardier, the late David Howard, Milton Myers, Ann Reinking, the late Tony Stevens, Dorit Koppel, and Savion Glover.Performance credits include Radio City Music Hall, Helen Hayes Theatre, Hercules on Broadway at the New Amsterdam Theatre, the role of Arabian in The Nutcracker as a guest artist as well as dancing as a Rockette in Cremaster 3, an independent film at the Guggenheim Museum, directed by Matthew Barney. She has also premiered numerous dance works at the Two River Theater, Silk City Arts Festival and SUNY New Paltz.As a choreographer, Andrea has created over fifty repertory works for students and professional companies ranging in style from classical to Modern to Musical Theatre, including full length versions of ballets to full scale musicals. Some of her favorite shows and performances include A Funny Thing...Forum, Chicago, and Guys and Dolls. Other regional productions include Grease, Annie, Bye Bye Birdie, Godspell and Footloose.Andrea guest teaches ballet, Horton modern, theatre dance, audition technique, injury prevention and Pilates. She has designed injury prevention programs that fuse dance, science and anatomy so that students have a better understanding of how their bodies work. Teaching credits include Broadway Dance Center, Marymount Manhattan College, SUNY New Paltz, and Montclair State University. She coaches students and professionals in NYC for auditions and college bound performers.Today's episode is brought to you by the Commercial Dance Experience at Seton Hill University. For more information or to apply, go to: setonhill_dancedept and follow the link in bio on Instagram!Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com
Today, Lauren and Traci are talking to Michael James O'Brien, a photographer, teacher, curator, activist, and writer.Michael is an acclaimed photographer and poet known for his wide-ranging work, from still lifes and portraits to commercial and fine art photography. He earned his MFA from Yale University in the 1970s, studying under Walker Evans, and later taught at Kenyon College and the New School. Currently, he serves as Chairman of the Photography Department at the Savannah College of Art and Design.In 1993, O'Brien began a collaboration with artist Matthew Barney, creating a photographic counterpart to Drawing Restraint 7 and the Cremaster cycle, exhibited at the Musée Moderne in Paris and the Guggenheim in New York. His work has been featured in The New Yorker, Rolling Stone, The New York Times, L'Uomo Vogue, and Elle Décor, as well as in campaigns for Bergdorf Goodman, Ralph Lauren, and Thierry Mugler.You can see Michael's years of incredible work on his website. Make sure to follow him on Instagram to keep up with his life and journey!If you would like to get involved with Focus On Women, you can review sponsorship and contribution options here, as well as become a member here.Remember to stay safe and keep your creative juices flowing!---Tech/Project Management Tools (*these are affiliate links)Buzzsprout*Airtable*17hats*ZoomPodcast Mic*
Mandolyn Wilson Rosen is back on the podcast! This time, instead of a book we are talking about an artist documentary. The film is called "Lifeline: Clyfford Still" 2019 directed by Dennis Scholl. It's a juicy art bio tell-all with a crusty curmudgeon as its talented but embittered subject. Come along with us as we enter a turbulently Still world. Find the film on Amazon ($2.99 SD) or for free on KanopyFind Mandolyn online at: https://mandolynwilsonrosen.com and on IG at @mandolyn_rosenLinks to the writings we mentioned:Clyfford Still's "An Open Letter to an Art Critic" on Artforumhttps://www.artforum.com/features/an-open-letter-to-an-art-critic-212151/David Levi Strauss for Brooklyn Rail "From Metaphysics to Invective"https://brooklynrail.org/2012/05/art/from-metaphysics-to-invective-art-criticism-as-if-it-still-matters/Seph Rodney for Hyperallergic "Hoping is Not Enough"https://hyperallergic.com/983414/hoping-is-not-enough/Artists mentioned: Matthew Barney, Jackson Pollock, Mark Rothko, Barnett Newman, Lois Dodd, Julian Schnabel, Mark Bradford, Julie Mehretu, Frank Stella, Ellsworth Kelly, Michelle GrabnerWriters mentioned: Seph Rodney, Paul Valéry, John Ruskin, Guillaume Apollinaire, John Ruskin, David Levi Strauss, Dore Ashton, Jerry Saltz, Ken Johnson, Clement Greenberg, Emily Dickinson's "'Hope' is the thing with feathers" Thank you, Mandy! Thank you, Listeners!Visit RuthAnn, a new artist-run gallery in Catskill, NY at @ruthanngallery and ruthanngallery.comAll music by Soundstripe----------------------------Pep Talks on IG: @peptalksforartistsPep Talks website: peptalksforartists.comAmy, your beloved host, on IG: @tallutsAmy's website: amytalluto.comPep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8sBuyMeACoffee Donations always appreciated!
Send us a textDANCER IN THE DARK (2000)Broadcasting live from 1964, and entirely in song, this week's very special episode of TGTPTU covers Lars von Trier's sixth film (but only our second of his covered this 4x4): DANCER IN THE DARK (2000). It's been over a hundred episodes, since Season 1's Paint Yer Hereafter ep during our Clint Eastwood coverage, that TGTPTU has covered a musical. Dancer in the Dark, the third entry into Lars von Trier's Golden Heart trilogy, follows LVT's preceding two film both in being shot à la the Dane's handheld style developed during TV show The Kingdom and in their general plot of a woman who sacrifices more than most would believe conscionable. And starring in Dancer as that woman, an immigrant named Selma with diminishing eyesight who takes on extra shifts at the factory and side work to finance her son's secret surgery and slips into worlds of musical fantasy, is Björk. At perhaps the height of her stardom (and somehow choosing to be in a relationship with TGTPTU's previously discussed avant-garde director Matthew Barney), Björk in her first major movie role had a stake in the production and her own interpretation of Selma, which caused friction on set with the notoriously controlling Danish director, but likely contributed to her winning Best Actress at Cannes and the film the Palme d'Or. That friction may have been caused by her taking on an emotionally fraught role, especially in the second half of the film as Selma faces execution for a murder she did not intend for reasons she cannot share or else risk the wellbeing of her son. The situation onset may have also not been helped by alleged events that came out during the #MeToo, which while referenced in the episode can be found more fully here: https://www.nme.com/news/music/bjork-lends-voice-metoo-campaign-detail-sexual-harassment-hands-danish-director-lars-von-trier-2150898 As to that handheld camera style, often held by LVT himself, its digital video and potentially jarring, anti-Hollywood time cuts are complimented with a second camera aesthetic reserved for the musical moments, called “100 cameras.” This technique involved using a hundred stationary DV cameras of lesser quality than the one used for handheld footage. The hope for this multitude of cameras was for them to capture a single take of a performance without different setups. These cameras were remotely operated on ten monitors hardwired with a toggle switch inside a special construction trailer hidden in the background of the shot. Alas, this hope, unrealized, for the capture of movement to allow smoother cutting than the time cuts LVT used for the handhold was not to be. Yet the hundred camera experiment would still allow for a different feel and aesthetic from the handheld footage, especially when their transfer to film used cathode ray tube (verses the sharper laser transfer for main handheld DV camera). So tune in on your home system or your crystal radio on the a.m. dial, close your eyes, and let the dulcet voices of our four hosts' song set against industrial percussion transport you up through your ceiling and into cinema heaven. Clang! Bang! Clatter, crash, clack! THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @mrkoral.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias
To the lighting designer Lindsey Adelman, light is at once ubiquitous and precious, quotidian yet miraculous; it can be easily overlooked or taken for granted, but it also has the potential to become transformative or even otherworldly. Through her craft-forward approach, Adelman creates pieces that defy strict labels and explore the tensions between organic and industrial forms and materials, combining hand-blown glass with industrial and machine-milled components. Since launching her eponymous company in 2006, she has built a formidable business, perhaps becoming best known for her Branching Bubble chandeliers, a series that consists of glass “bubbles” elegantly mounted on the ends of brass, bronze, or nickel “branches.” Adelman also runs an experimental space called LaLAB as a means of exploring and meditating on illumination through the creation of one-off and limited-edition pieces, as well as private commissions.On the episode, she discusses her recent decision to shift her company away from a large-scale production operation and toward a smaller, more intimate “studio” model; the great surprise of having one of her designs installed in Vice President Kamala Harris's Washington, D.C., home; and her love of hosting.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Lindsey Adelman[6:05] Ingo Maurer[6:05] Gaetano Pesce[7:55] Burst Chandelier[12:22] “A Realm of Light”[14:55] Isamu Noguchi's Akari light sculptures[17:20] Yosemite National Park[18:41] James Turrell[18:41] House of Light[20:47] Noguchi's “Lunar Infant”[24:40] Writings by Agnes Martin[26:52] Hiroshi Sugimoto[27:46] David Lynch[29:08] “Paul McCarthy: WS”[29:08] Matthew Barney[30:54] Haruki Murakami[33:14] “A Cacao Ceremony That Brought Close Friends Even Closer”[48:13] Branching Bubble chandelier[48:13] Buckminster Fuller[52:01] Adelman's open-source D.I.Y. light project[52:30] David Weeks[52:30] Lunette[52:46] “The Lighting Designer From Everyone's Dream Brooklyn Brownstone”[52:46] Rich People Problems[52:46] Gwyneth Paltrow
Send us a text4X4 III: TSAI MING-LIANG: REBELS OF THE NEON GODIt's the beginning of our four film dive into Queer Asian New Wave master Tsai Ming-liang. Released in 1992 and made shortly after Taiwan's "quiet revolution" from a dictatorship to democracy, Rebels of the Neon God stars the director's muse, Lee Kang-sheng (who would go onto being in every one of his films and the two live together in... interesting circumstances) as a Cram Student who becomes obsessed with a small time hood after a brief act of violence in the street, who drives around on a scooter in Tai Pei, smoking cigarettes, playing video games, walking around his partially flooded apartment and being on the outside of polite society. It sounds like a crime film but, trust us, it is not. Tsai Ming-liang has the eye of an artist and the patience of Rip Van Winkle in holding some of his compositions - something he will go deeper into as his career grows. Picked by S13 guest host Jack, we get a tutorial on Taiwan, Tsai Ming-liang's career and antecedents to his slow cinema masterpiece before next week's STRAY DOGS. WARNING: Due to the difficulty of being able to see Rebels by a few hosts, we do talk about access to foreign or obscure films in the streaming era (spoiler: we are not fans). WARNING II: Co-host Thomas is not on this episode because he was in Europe legally watching Matthew Barney films at the Louvre when we recorded. He will return in two weeks.Special guest Annabel also shows up and slow cinemas us all. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias
For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Brandon Stosuy is the co-founder and editor in chief of The Creative Independent. He previously worked as director of Editorial Operations at the online music publication, Pitchfork. Brandon curates the annual Basilica SoundScape festival in Hudson, New York, and has been a music curator at MoMA PS1 in New York City and the Broad museum in Los Angeles. For over a decade, he and the visual artist Matthew Barney have collaborated on a series of live art and music events in Long Island City. Up Is Up, But So Is Down, his anthology of downtown New York literature, was a 2006 Village Voice book of the year. Brandon is also the author of three books on creativity, Make Time for Creativity, Stay Inspired, How to Fail Successfully (all published by Abrams) and two children's books, Music Is... and We Are Music (both published by Simon & Schuster). In November of 2024 he published the anthology, Sad Happens: A Celebration Of Tears, also on Simon & Schuster. He lives in Brooklyn with his wife and two sons. MUSIC MENTIONS 7 Seconds Minor Threat Bad Brains 3rd Street Jazz Philadelphia Record Exchange Zipperhead Tower Records Factsheet Five Maximum RocknRoll Slumberland Records Versus (band) Helium Grifters Sub Pop Records Pitchfork Trash Talk Animal Collective Moor Mother Pussy Riot From small town perspective shifts (9:15): Mark Richardson The National The Jesus and Mary Chain Chromatics Rihanna Kelly Moran The Cure Fugazi Helado Negro Caroline Polachek Chelsea Wolfe Curatorial evolution over the years (20:00): True Panther Sounds DFA Records Black Dice Grimes Gang Gang Dance Pig Destroyer Julianna Barwick Pharmakon Evian Christ Jonathan Bepler The Haxan Cloak Nick Zinner Hanif Abdurraqib Godspeed You! Black Emperor Explosions in the Sky Basilica Music Festival Justin Vernon Bon Iver The Village Voice Interpol Liturgy JD Samson Laughing Hyenas Q&A Sacred Bones Records Treefort Music Festival SXSW Cassandra Jenkins MJ Lenderman Waxahatchee Youth of Today Depeche Mode Swirlies Black Tambourine Velocity Girl Majical Clouds Horsegirl Public Enemy “Edutainment” by Boogie Down Productions Chuck D Flava Flav Pallbearer Sumac Neutral Milk Hotel Jeff Mangum Swans Discovering music today (31:00): Michael Miller Ed Park Ariel Gordon Greta Rainbow Jen Pelly Max Friedman Jeffrey Silverstein Evan Minsker Phillip Sherburne Anthony Fontana Ed Horrox 4AD First album ever purchased (41:00): “Doolittle” by The Pixies Most recent album purchased (42:28): “Come With Me If You Want To Live” by Devon Welsh Artists discovered in the past year (45:17): Marina Allen Freak Slug Aoife Nessa Frances Hannah Stratton Lucky Break Desert island discs (50:09): “Disintegration” by The Cure “Loveless” by My Bloody Valentine “69 Love Songs” by The Magnetic Fields
The Gladstone gallery director Alissa Bennett was one of a legion to fall under the thrall of Donna Tartt's 1992 novel The Secret History. A years-spanning mystery told in reverse, the book has sold some five million copies and remains a cult fan favorite. It details a small cadre of college students studying ancient Greek at an isolated North East campus. Myth, reality, and ritual overlap and ultimately Dionysian rites collide with hubris. Here is how Bennett sums up the protagonists: "while their fantasies ricochet around a technicolor past filled to overflowing with gods and mysteries and the seismic tragedies of Homer, their bodies remain tethered to a Taco Bell present." The book has yet to be seen on the big screen, but Bennett has managed to find a super-low-budget obscure video art adaption from 2006, which is now on view as part of the "The Secret History," (on view through August 2) a group art exhibition she curated, on view now at Gladstone 64, the gallery's upper east side outpost in a converted townhouse. The artists featured in the fascinating show range from familiar names like Matthew Barney, Rachel Rose, and Hope Atherton to younger artists like Matt Hilvers and Karyn Lyons, and her own personal astrologer (and former Art Angle guest) Micki Pellerano. Bennet joined Artnet editor William Van Meter to discuss the show, and her meandering path in life that includes a stint as a runway model, a co-host alongside Lena Dunham of the acclaimed podcast The C-Word, a teacher at the Yale School of Art, and author of the zine "Dead is Better." Now, she holds a post as a gallery director, and along the way she remembers her mentor, Barbara Gladstone, the legendary gallerist who passed away last month.
The Gladstone gallery director Alissa Bennett was one of a legion to fall under the thrall of Donna Tartt's 1992 novel The Secret History. A years-spanning mystery told in reverse, the book has sold some five million copies and remains a cult fan favorite. It details a small cadre of college students studying ancient Greek at an isolated North East campus. Myth, reality, and ritual overlap and ultimately Dionysian rites collide with hubris. Here is how Bennett sums up the protagonists: "while their fantasies ricochet around a technicolor past filled to overflowing with gods and mysteries and the seismic tragedies of Homer, their bodies remain tethered to a Taco Bell present." The book has yet to be seen on the big screen, but Bennett has managed to find a super-low-budget obscure video art adaption from 2006, which is now on view as part of the "The Secret History," (on view through August 2) a group art exhibition she curated, on view now at Gladstone 64, the gallery's upper east side outpost in a converted townhouse. The artists featured in the fascinating show range from familiar names like Matthew Barney, Rachel Rose, and Hope Atherton to younger artists like Matt Hilvers and Karyn Lyons, and her own personal astrologer (and former Art Angle guest) Micki Pellerano. Bennet joined Artnet editor William Van Meter to discuss the show, and her meandering path in life that includes a stint as a runway model, a co-host alongside Lena Dunham of the acclaimed podcast The C-Word, a teacher at the Yale School of Art, and author of the zine "Dead is Better." Now, she holds a post as a gallery director, and along the way she remembers her mentor, Barbara Gladstone, the legendary gallerist who passed away last month.
On this special episode, Mike talks with Ashley Sabin and David Redmon about their 2023 documentary, Kim's Video. It's a brief looks at the video store named for Youngman Kim and a longer look at the journey the videos took after Kim's closed down.Thanks to Kim's Video for stocking Who Do You Think You're Fooling and You're Still Not Fooling Anybody as well as for buying tons of bootlegs from SuperHappyFun.com. Though, no thanks for selling me out to Matthew Barney's lawyers...Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
On this special episode, Mike talks with Ashley Sabin and David Redmon about their 2023 documentary, Kim's Video. It's a brief looks at the video store named for Youngman Kim and a longer look at the journey the videos took after Kim's closed down.Thanks to Kim's Video for stocking Who Do You Think You're Fooling and You're Still Not Fooling Anybody as well as for buying tons of bootlegs from SuperHappyFun.com. Though, no thanks for selling me out to Matthew Barney's lawyers...Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Efrain and David go over the bridge looking for, among other things, details about this mysterious Velvet Underground track and the first cover from Tori's 2001 album Strange Little Girls. Dive into the new season as an old debate emerges: that's right, the Sick Little WHAT debate is back and as ferocious as ever! Includes a fantastic interview with Lou Reed biographer Will Hermes, who also profiled Tori in Spin Magazine twice, as well as a chat with two New Age super fans, Matthew Barney and Stina Duval. Go deep inside the mind of this strange little girl through Neil Gaiman's words, Macy Rodman's voice, Reggie Doherty's costume sketches, and even a personalized song birth chart reading by our Resident Witch Amy K. As always there's a ton of sound clips, rare interviews, forgotten moments and more, as well as a complete study of the live evolution of the song in our A-M-O-S Live Lounge™️. Last but not least, enjoy a brand new New Age remix by the legendary Joshua Speedbliss. Quit waiting for the phone to ring and come running to us now! We want you! All your next three hours start here.
The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview John Sebastian Vera and Nick Schwartz, trombonists and podcast hosts of The Trombone Retreat. After you listen to this episode, head on over to The Trombone Retreat feed for the second half of this episode. You can come see us at Booth #271 at the TMEA Convention, February 8th thru 10th, 2024 in San Antonio Texas. About John Sebastian Vera John Sebastian Vera, a native of Texas, became the principal trombonist of the Pittsburgh Opera in 2010 and also joined the River City Brass as principal Trombone in 2015. He is also professor of trombone at Duquesne University and faculty member at the Cleveland Institute of Music where he teaches a course on Music Entrepreneurship and Digital Media as well as coach chamber music. In addition to the Pittsburgh Opera, Mr. Vera has played with the symphonies of Dallas, Detroit, Pittsburgh, Cleveland, the St. Paul Chamber Orchestra, Buffalo, Kennedy Center Opera House, Malaysian Philharmonic, New York City Ballet, Vermont, Harrisburg, Charleston, American Ballet Theatre, and Orquesta Sinaloa de las Artes in Mexico amongst others. He began his studies with Jon Bohls in Texas and continued his education at Southern Methodist University where he studied with John Kitzman of the Dallas Symphony. He then spent a year studying with Ed Zadrozny as a graduate assistant at the University of Akron, and finished his graduate work in New York City at the Mannes College of Music studying with David Finlayson and James Markey of the New York Philharmonic. In 2011, he spent the summer in Haiti volunteer teaching and performing in the Orchestre Philharmonique Sainte Trinite as well as the Ecole de Musique Dessaix Baptiste which became one of the more profound experiences of his life. A dedicated chamber musician, he also was a founding member of the critically acclaimed Guidonian Hand Trombone Quartet in which he played from 2008-2014. With the quartet, John performed over 100 concerts and gave master classes all over the country. Heralded by the New York Times for their "expertly played performances" they have been recipients of numerous national grants which have enabled them to commission countless composers to create new and innovative works for four trombones. In 2014 was the premiere of River of Fundament, a movie by film artist Matthew Barney, in which John recorded for and acted in along with the quartet. Mr. Vera can also be heard on the HBO documentary The Words that Built America as well as on euphonium in the PBS documentary Abraham and Mary Lincoln, A House Divided as well as many commercial and video game soundtracks as well as James Markey's solo release, “On Base”. John is an Artist for Edwards Instruments and resides in Pittsburgh. His favorite musicians include Sigur Ros, Radiohead, the Books, and Efterklang. When he can get away from the trombone he most enjoys basketball, traveling and reading about psychology and social science. Check out his podcast he hosts with Nick Schwartz called the Trombone Retreat available everywhere you download your podcasts. Follow him on Instagram @js.vera. About Nicholas Schwartz Nicholas Schwartz has a diverse career performing across North America, Europe, and Asia. After studying at The Juilliard School with then New York Philharmonic bass trombonist Don Harwood, he moved to San Francisco where he began freelancing throughout the Bay Area. Since 2010, he has been the principal bass trombonist of the New York City Ballet Orchestra. He has also performed with the Pittsburgh Symphony, the New York Philharmonic, The Metropolitan Opera, The Philadelphia Orchestra, San Francisco Symphony, San Francisco Ballet, Orpheus Chamber Orchestra, St. Lukes Chamber Orchestra, the New York City Opera, Atlanta Symphony, Minnesota Orchestra, The Malaysia Philharmonic, Mostly Mozart Festival, and Classical Tahoe. Follow him on instagram @basstrombone444 About Third Coast Retreat The Third Coast Trombone Retreat is an 7-day trombone immersion welcoming talented college, high school, and amateur trombonists from across the country to the beautiful shores of Lake Michigan. The Retreat takes place in the charming small town of Montague, MI. Truly an escape from the distractions of everyday life, the festival is nestled in a dense forest along the coast where happening across roaming deer is a common occurrence. The Retreat utilizes facilities all over the town from churches to coffee houses to historic barns to the beach. We will perform not only for ourselves, but for the community. A fulfilling life of being a musician does not simply begin and end with winning an orchestral or teaching position. Mastering the instrument is only the first step. Being an artist in the 21st century requires discovering one's unique voice and finding new ways to present the art-form to communicate and contribute to society. Core to the retreat will be guest artist and faculty recitals, topical master classes including personal finance, performance anxiety and wellness as well as private lessons, orchestral section seminar, ensemble coachings, a trombone choir, a mock orchestral audition, and much more. In addition to the performance elements, the curriculum is expanded to include a talks about career-building, faculty bonfire Q&A, discussions on the mental approach to auditions and performances, wellness, meditation, and more.
SIDE HUSTLE 13. Norman Mailer: TOUGH GUYS DON'T DANCE and CREMASTER 2Every ranking must have its worst, and this week's episode aims to shoot to the bottom of the Season X bucket with Norman Mailer as our chosen actor-director. TGTPTU welcomes back its junior cohost Jack after a long hiatus to join us on this atrocity to good sense as we cover two unwatchable films: the first, TOUGH GUYS DON'T DANCE (1987), nominated for four Independent Spirit Awards and seven Golden Raspberries and unwatchable for its wildly shifting tones throughout melodramatic flashbacks within flashbacks, and the second, CREMASTER 2 (1999), the gorgeously shot fourth entry in artist Matthew Barney's five-part Cremaster Cycle unwatchable as its viewing restricted to art museums and its limited series DVDs selling for $100k. Shot on location in Provincetown, the occasionally great Ryan O'Neal (Barry Lyndon, Paper Moon) plays Tim Madden in the Mailer written and directed, Golan-Globus production of Tough Guys Don't Dance. The 80's fever dream makes both St. Elmo's Fire and The Bonfire of the Vanities feel rewatchable as protagonist Tim Madden parades through amnesia, flashbacks, adultery, and homophobic reactions in a convoluted plot involving alcohol, triple-crosses, swingers, murder, cocaine, psychics, swingers, alcohol, cocaine, tattoos, cocaine, and swingers with a little sex and booze and Columbian marching powder sprinkled in. While Mailer had directed three improvisational movies in the 1960s (including that one where Mailer bit off a piece of Rip Torn's ear), Tough Guys Don't Dance demonstrates why it was Mailer's first and only narrative film to direct. Also bypassing narrative conventions, Björk's ex- (their breakup the subject of her 2015 album Vulnicura) a.k.a. artist/director Matthey Barney's filmic work traverses worlds alchemic and ordinary and was well worth the plane ticket to bring TGTPTU's three hosts back together for a screening of the film at the museum where it was showing that one time around when the recording happened and definitely not a pirated copy of this impossible to rent or purchase film. Follow our hosts' dulcet voices as we recount the film's nearly wordless journey from séance to bees covering in a woman in a plexiglass corset penetrated by a large phallus to a death metal drummer covered in bees on the phone with a gas station attendant the latter of whom will be killed by Gary Gilmore (played by Barney, subject of Mailer's Executioner Song) before the camera heads to a chanting city and a rodeo before heading into a warehouse for a magic show. Norman Mailer plays Harry Houdini and his performance, well, we'd normally ask you to judge for yourself but there's no way in hell you're ever seeing this film, so your loss. So listen along as we describe one film you don't want to—and another you can't—watch. This week's show will leave you yelling heavenwards alongside Tim Madden in Tough Guys Don't Dance after he discovers his wife is having an affair: “Oh Man! Oh God! Oh Man! Oh God! Oh Man! Oh God! Oh Man! Oh God! Oh Man! Oh God!”THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralJack: jackk1096
In s3e43, Platemark host Ann Shafer talks with Craig Zammiello, an artist and collaborative printer with over 40 years of experience in all areas of printmaking. He worked for 25 years at Universal Limited Art Editions, where he collaborated with numerous artists, including Jasper Johns, Elizabeth Murray, James Rosenquist, Kiki Smith, and Robert Rauschenberg. Currently, he is a collaborative printer at Two Palms working with Mel Bochner, Ellen Gallagher, Chris Offili, Elizabeth Peyton, and Dana Schutz. He is author of a studio manual on photogravure, as well as Conversations from the Print Studio published by Yale University Press. Ann and Craig talk about Woodburytypes, working with Robert Rauschenberg at ULAE, and helping Matthew Barney grow copper nodules on a Woodburytype and then gold plating them. They talk about Craig's transition to Two Palms and how that studio works outside of the traditional print studio model. Find out about a lifelong interest of Craig's that has resulted in his collection being acquired by the American Museum of Natural History (no, it's not prints), and what band would he most like to join on tour. Zammiello received an MFA from The State University of New York, Stony Brook in 1995. He is currently Adjunct Faculty at the School of the Arts at Columbia University. Zammiello has taught workshops and classes at New York University, Yale University, The Robert Blackburn Printmaking Workshop and the Flemish Center for the Graphic Arts in Belgium. Episode image: Elizabeth Zammiello Matthew Barney (American, born 1967). In Vain Produced, All Rays Return, Evil Will Bless, and Ice Will Burn, 2015. Set of 4 Woodburytype prints on copper with electro-formed copper, nickel and 24 carat gold, in red oak frames. Framed dimensions: 11 1/2 x 15 ½ in. Printed by F-Zero Project and published by Two Palms, New York. Lead printing plate for Brad by Chuck Close (American, 1940–2021). 9x12 in. The finished Woodburytype print for Brad, Chuck Close (American, 1940–2021), with the ink overflow around the edges. 11x14 inches. Published by Two Palms, New York. R. Crumb (American, born 1943). Keep on Flushin', 2022. Etching. Sheet: 13 ½ x 11 ½ in. Printed by Craig Zammiello and published by Two Palms, New York. Mel Bochner (American, born, 1940). Is This It?, 2023. Cast and pigmented paper. 69 ¾ x 67 ¼ x 5 5/8 in. Published by Two Palms, New York. Lee Bontecou (American, 1931–2022). Ninth Stone, 1965–68. Lithograph in 1 color on Chatham British paper. 20 x 25 in. (50.8 x 63.5 cm.). Published by Universal Limited Art Editions, Bayshore, New York. Robert Rauschenberg (American, 1925–2008). Wall-Eyed Carp/ROCI JAPAN, 1987. Acrylic and fabric collage on canvas. 203.2 x 617.2 cm (80 x 243 in.). National Gallery of Art, Washington, D.C. Lisa Hodermarsky and Craig Zammiello. Conversations from the Print Studio: A Master Printer in Collaboration with Ten Artists. New Haven: Yale University Art Gallery, 2012. USEFUL LINKS Craig Zammiello's video on photogravure techniques: https://www.youtube.com/watch?v=t3HAoyIsrDY Craig's website: https://www.zammiello.com/ IG: @craigzammiello
Visual artist turned music video director, Zev Deans, has been responsible for some of the most iconic visuals in heavy music since 2010, including work with Portal and Behemoth, as well as mainstream artists like St. Vincent. He has also done film restoration work with the HR Giger estate, and fabrication work for Matthew Barney. Zev is a deeply respected and beloved fixture in my corner of culture. Zev and I talk about gentlemen duels, Polish catacombs, deepfakes, the role of AI in his recent work, the legacy of Kenneth Anger, and some upcoming projects that he's a bit skittish about detailing.
Randy recaps his East Coast adventures including Matthew Barney's latest installment. Clark found another $5 gem in “Videoman” and Russ talks to us about his sneak peak of “Talk to Me”. Films: I'm a Virgo (Series), Videoman (2018), Talk to Me (2023), Trap House (2023), Marui Video (2023), Final Destination (2000), Final Destination 6 (2023), River of Fundament (2014), Sorry to Bother You (2018), Asteroid City (2023), 0s & 1s (2011), The American Gladiators Documentary (Series), I Know What You Did Last Summer (1997), Hey, we're on YouTube! Listening on an iPhone? Don't forget to rate us on iTunes! Fill our fe-mailbag by emailing us at OverlookHour@gmail.com Reach us on Instagram (@theoverlooktheatre) Facebook (@theoverlookhour) Twitter (@OverlookHour)
Úlfur Eldjárn gaf út nýtt lag í síðustu viku og von er á plötu á næstunni. Lagið ber nafnið Continuum, og gefur forsmekk að því sem koma skal í nýrri plötu, Það er samið fyrir píanó og rafrænan hljóðheim sem er að mestu búinn til úr píanóhljóðum. Úlfur mun setjast við flygilinn í Hannesarholti á miðvikudag og flytja tónlist af væntanlegri plötu, með aðstoð tölvu, hljóðgervla og hljóðfetla og tveggja hljóðfæraleikara. Við setjumst niður með Úlfi í þætti dagsins og fáum að heyra af þessari nýju tónlist. Við könnum líka hvað bandaríski myndlistarmaðurinn Matthew Barney er að bardúsa þessa dagana. Á dögunum opnaði hann sýningu á nýju fimm rása myndbandsverki á vinnustofu sinni, eða öllu heldur í heilmiklu iðnaðarhúsnæði sínu, á Long Island við New York. Verkið hefur með frægt atvik úr bandaríska fótboltanum að gera, alvarlega tæklingu sem er orðin 45 ára og Barney tekur til skoðunar í nýju verki sem hann kallar Secondary. Við heyrum nánar af grófri tæklingu í Víðsjá dagsins. En við ætlum að hefja þáttinn á því að minnast Ísaks Harðarsonar, sem lést fyrir aldur fram síðastliðinn föstudag, þann 12.maí.
Úlfur Eldjárn gaf út nýtt lag í síðustu viku og von er á plötu á næstunni. Lagið ber nafnið Continuum, og gefur forsmekk að því sem koma skal í nýrri plötu, Það er samið fyrir píanó og rafrænan hljóðheim sem er að mestu búinn til úr píanóhljóðum. Úlfur mun setjast við flygilinn í Hannesarholti á miðvikudag og flytja tónlist af væntanlegri plötu, með aðstoð tölvu, hljóðgervla og hljóðfetla og tveggja hljóðfæraleikara. Við setjumst niður með Úlfi í þætti dagsins og fáum að heyra af þessari nýju tónlist. Við könnum líka hvað bandaríski myndlistarmaðurinn Matthew Barney er að bardúsa þessa dagana. Á dögunum opnaði hann sýningu á nýju fimm rása myndbandsverki á vinnustofu sinni, eða öllu heldur í heilmiklu iðnaðarhúsnæði sínu, á Long Island við New York. Verkið hefur með frægt atvik úr bandaríska fótboltanum að gera, alvarlega tæklingu sem er orðin 45 ára og Barney tekur til skoðunar í nýju verki sem hann kallar Secondary. Við heyrum nánar af grófri tæklingu í Víðsjá dagsins. En við ætlum að hefja þáttinn á því að minnast Ísaks Harðarsonar, sem lést fyrir aldur fram síðastliðinn föstudag, þann 12.maí.
Like Barry X Ball's work, the device here combined technology (the shifting, talking masks) with craft (theatre). This was spelled out by the subtitle of the play, Technological Phantasmagoria, which tried to bend the rules of theatre, removing the presence of actors to reveal subterranean forces. In that case, however, after the initial shock of the faces looming high above − which seem to peer down without looking at us, or to be seeing into some dark elsewhere – the focus became the head, and how it spins in circles around the inconsolable, hopeless pain of existence.
Like Barry X Ball's work, the device here combined technology (the shifting, talking masks) with craft (theatre). This was spelled out by the subtitle of the play, Technological Phantasmagoria, which tried to bend the rules of theatre, removing the presence of actors to reveal subterranean forces. In that case, however, after the initial shock of the faces looming high above − which seem to peer down without looking at us, or to be seeing into some dark elsewhere – the focus became the head, and how it spins in circles around the inconsolable, hopeless pain of existence.
Kevin Rutmanis takes us through his career, rare records, vinyl pressings, working with Melvins, Tomahawk, Cows, AmRep, Ipecac Recordings, his 2 new LPs "Crackpot Whorehead" w Trevor Dunn, "unEat" w Hepa-Titus and more! Topics include: Kevin has many hats Short vinyl runs on his new albums The recording of the new albums How he works with Trevor and other collaborators Putting his projects out in limited vinyl runs/lathe cuts How Kevin and Trevor collaborated across the country The album name “Crackpot Whorehead” The term “unEat” Hat Change #1 Kevin understands music collecting Kevin spent a lot of money on White House records Kevin likes movie soundtracks Memories of recording Hostile Ambient Takeover Cows “Taint Plurbius Taint Unum” Cows getting involved with Treehouse Records Some Cows have been reissued, some haven't The HAZEXXL pressing of Sexy Pee Story Tom Hazelmyer is awesome The story of “Daddy Has a Tail” Kevin does know where the Cows master tapes are Does Kevin reflect much? Moving from Cows to Melvins Recording “Electro Retard” / Mans Ruin label vinyl Recording the Trilogy (“The Maggot”, “The Bootlicker”, The Crybaby”) Hat Change #2 Hepa-Titus & Mickey Mouse artwork Memories of Melvins joining Ipecac Joining Tomahawk Reissues of Tomahawk vinyl – where's “Mit Gas”? Kevin just wants his music out there, free or not How does Kevin find out about new music? LA record shops Kevin lost a lot of records Hepa-Titus hand drawn covers for an art show Discussion of rare records of Hepa-Titus Is Gina / Mow Skwoz do art inspired by the music? DIY record packaging and shipping Hat Change #3 How to order the new LPs Will Kevin return to live shows? Matthew Barney soundtrack Cosmic Psychos memories Interview wrap up Order Kevin's new LPs here: "Crackpot Whorehead" w Trevor Dunn | "unEat" w hepa-Titus VIDEO, Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related
Shara Nova has released five albums under the moniker My Brightest Diamond and has composed works for The Crossing, Conspirare, Cantus Domus, Brooklyn Youth Chorus, Roomful of Teeth, many community choirs, as well as yMusic, Brooklyn Rider, violist Nadia Sirota, Aarhus Symfoni, North Carolina Symphony, Indianapolis Symphony, American Composers Orchestra and the BBC Concert Orchestra, among others.In 2019, she composed for over 600 community musicians and the Cincinnati Symphony in celebration of their 125th season, a piece entitled "Look Around," with director Mark DeChiazza. Her baroque chamber p'opera “You Us We All” premiered in the US in October 2015 at BAM Next Wave Festival. With co-composer and performer Helga Davis, Nova created a four-screen film entitled “Ocean Body,” along with director Mark DeChiazza, which premiered at The Momentary in August 2021, shortly followed by the premiere of “Infinite Movement,” her baroque masque for 100 musicians, set to text by artist Matthew Ritchie, which premiered at The University of North Texas in November 2021.Ms. Nova is the featured singer on “The Blue Hour” with the string orchestra A Far Cry and co-composers Rachel Grimes, Angélica Negrón, Sarah Kirkland Snider and Caroline Shaw on Nonesuch Records (Sept ‘22). A collection of songs by Nico Muhly with Detroit's acclaimed wind ensemble Akropolis Quintet also features Ms. Nova's voice entitled Hymns for Private Use (Oct ‘22). A number of music composers, including Sarah Kirkland Snider, Bryce and Aaron Dessner, Steve Mackey and David Lang have created works specifically for her voice. She has collaborated with Matthew Barney, The Decemberists, The Blind Boys of Alabama, Sufjan Stevens, David Byrne, Laurie Anderson, and many others.Shara has a couple different branches to her life:Singer and Composer Branch: https://shara-nova.com/Pop Music Branch: https://www.mybrightestdiamond.com/Instagram: @mybrightestdiamondTwitter: @MyBrightestDmndWriting on Substack: https://substack.com/profile/91251132-shara-nova
We continue a deep dive into this Balenciaga scandal! We did part 1 recapping and revisiting the bonus show from Nov 21 but now we're going full steam ahead! Let me walk you through all the players and updates on the situation- from the photographer, to the set designers and celebrities like Nicole Kidman (who I'll tie to MKULTRA). We'll talk Kanye, Kim Kardashian and this HORRIFIC new image from Balenciaga from an artist who did some horrendous depictions of children, Michael Borremans. Learn about the Freemason cannibalism of Matthew Barney and so much more. We'll discuss who Lotta Volkova is and how ALL of this ties to Mr Epstein himself...Key Players:Kim KKanyeModel KidsPhotographerSet DesignerNicole KidmanNew campaign- new hidden symbols, books and artistsMatthew Barney and Michael BorremansEpsteinLotta VolkovaRachel ChandlerWRAPPING IT UPWhat does it mean- Luciferian religionLinks:June 27, 2022 episode Beyonce Break My Soul and Renaissance Symbolism: Saturn, Occult Rituals & Great Reset! https://illuminatiwatcher.com/beyonce-break-my-soul-and-renaissance-symbolism-saturn-occult-rituals-great-reset/THE DARK PATH book: Links to all the formats (and my eight other books): https://illuminatiwatcher.com/resources/Show sponsors- Get discounts while you support the show and do a little self improvement! 1. Omaha Steaks: Visit OmahaSteaks.com and use PROMO CODE “POPULAR” at checkout to get an EXTRA $30 OFF your order (*Minimum order may be required)2. StoryWorth: With StoryWorth I am giving those I love most a thoughtful, personal gift from the heart and preserving their memories and stories for years to come. Go to StoryWorth.com/conspiracy and save $10 on your first purchase! 3. ATTENTION CRYPTO NERDS!!! CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $14. BetterHelp: This episode is brought to you by BetterHelp. Give online therapy a try and get 10% off at betterhelp.com/illuminatiwatcher and get on your way to being your best self. 5. Audible: Free 30 day trial to great audiobooks at Audible.com/Illuminati (or text “illuminati” to 500-500)Get bonus content AND go commercial free + other perks:* VIP: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/ (**Currently offering a TWO WEEK FREE trial- no credit card needed**)* PATREON: almost identical to VIP Section; you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher * *****Want to check out the list of all 140+ bonus shows that are only available on Patreon and IlluminatiWatcher.com VIP Section?… I keep an index right here: https://www.patreon.com/posts/29414054More from Isaac- links and special offers:1. Check out another free podcast I make with my wife called the BREAKING SOCIAL NORMS podcast- it's all about the truther (me) lovingly debating conspiracies with a normie (my wife)! Go to BreakingSocialNorms.com You can get it free wherever you listen to podcasts (e.g. Apple: https://podcasts.apple.com/us/podcast/breaking-social-norms/id1557527024?uo=4). You can get the Uncensored and commercial-free option at Patreon.com/BreakingSocialNorms3. Signed paperbacks, shirts, & other merch: Gumroad.com/IsaacW5. Get 3 books for $5: https://illuminatiwatcher.com/how-to-get-free-books/6. ALIENS, UFOS & THE OCCULT IS NOW UP ON AMAZON AND AUDIBLE (*author narrated): https://amzn.to/3j3UtZz7. If you want to hear more from me AND also want to support the show, search for "Isaac Weishaupt" on Audible and pick up my narrated audiobooks! My most popular book- THE DARK PATH! https://www.audible.com/pd/B0759MN23F/?source_code=AUDFPWS0223189MWT-BK-ACX0-095441&ref=acx_bty_BK_ACX0_095441_rh_us AND the popular alien books USE YOUR ILLUSION are also on Audible: https://www.audible.com/pd/B08NRXFNDM/?source_code=AUDFPWS0223189MWT-BK-ACX0-223105&ref=acx_bty_BK_ACX0_223105_rh_us8. Check out the 9 books by Isaac Weishaupt on the Amazon Author Page: https://www.amazon.com/Isaac-Weishaupt/e/B00CWH6PHQ%3Fref=dbs_a_mng_rwt_scns_share9. Subscribe to my NEW YouTube channel (*with SOME of the episodes in video form): https://www.youtube.com/@occultsymbolism10. *Want to advertise/sponsor our show? Email Isaac at IlluminatiWatcher@gmail.com (*business inquiries only please- I'm a one man operation)*ALL Social Media, merch and other links:https://allmylinks.com/isaacw
Based on a true story, The Exorcism of Emily Rose opens on a desolate landscape, a weathered farmhouse the only dwelling in sight. One thing we learn right away: Emily Rose, a girl of 19, is dead, and her condition shakes the medical examiner who comes to visit. Emily, we discover, has died as the result of demonic possession… or six demonic possessions… or maybe none. Erin Bruner, a top-notch defense attorney, is assigned to defend the priest who exorcised Emily, Father Richard Moore, who stands accused of having cut off the girl from medical treatments she was undergoing. Father Moore is offered a plea deal, but rejects it, as he feels Emily's story must be told. Hoping to make partner at her law firm, Erin is determined to follow her instincts, but between Father Moore's compelling testimony and some very strange happenings in her own life, Erin starts to wonder if perhaps, against all odds, possession is real, and can be proven in a court of law. Intro, Math Class, and Debate Society (spoiler-free) 0:00-15:20 Honor Roll and Detention (spoiler-heavy) 15:21-41:47 Superlatives (so. many. spoilers.) 41:48-1:01:58 David Grimm is a Brooklyn-based award-winning playwright and screenwriter. His plays include Ibsen in Chicago (Seattle Rep.); a new adaptation of Cyrano de Bergerac (Perseverance Theatre); Tales From Red Vienna (Manhattan Theatre Club); Measure for Pleasure (Public Theater; Bug 'n Bub Award; GLAAD Media Award nominee, Outstanding New York Theater, Broadway and Off-Broadway); The Miracle at Naples (Huntington; Best New Play IRNE Award); Steve & Idi (Rattlestick); Chick (Hartford Stage); The Learned Ladies of Park Avenue (Hartford Stage); Kit Marlowe (Public Theater; GLAAD Media Award nominee, Outstanding New York Theater, Broadway and Off-Broadway); Sheridan, Or Schooled In Scandal (La Jolla); Enough Rope (Williamstown Theatre Festival, starring Elaine Stritch), and Susanna Centlivre's The Gaming Table (for which he wrote additional material; Folger Library Theatre). Grimm's film work includes the dialogue for Matthew Barney's River of Fundament. His work for television includes “The Exorcist” (FOX Television, Seasons 1 and 2) and “NOS4A2” (AMC, Season 2). David is the recipient of an NEA/TCG Residency Grant and has received commissions from The Public Theater, Roundabout Theatre Company, Seattle Rep., Huntington Theatre Company, Hartford Stage, and Pittsburgh's City Theatre Company. He has developed work at the Sundance Theatre Lab, Old Vic New Voices, and New York Stage & Film. David holds an MFA from NYU, a BA from Sarah Lawrence College, and has lectured in Playwriting and Screenwriting at the Yale School of Drama, Brown University, Columbia University, and NYU. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from “The Exorcism Of Emily Rose” by Christopher Young. For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Listeners, are you in the mood for some folk horror? Some folk horror with Bjork? Some, if you will, fjork horror? If so, do we have the podcast for you, as Aidan F rejoins the podcast to discuss this early entry in the Icelandic maverick's small but impeccably on-brand screen canon. Along the way, we discuss her collaborations with Robert Eggers, Matthew Barney, Peter Strickland and David Attenborough, as well as naming our favourite Bjork records. None of this, quite rightly, overshadows the film itself, a strange, Bergmanesque drama inspired by - though not quite adapted from - a Brothers Grimm story. We salute its offbeat director Nietzchka Keene, and the equally offbeat plot summaries of her films, and delve into the history of Bjork. Includes Graham making lots of heavy weather about the difference between her debut album and her album Debut, a joke which never really gets any funnier! We'd have a very Grimm future if it wasn't for our Patreon backers, and as a thank-you we give you a bonus episode of this show every month - the next one, about Boots Riley's Sorry to Bother You, is out tomorrow! Backers will also get exclusive reviews of Asian cinema from Rob, Graham's twice-weekly Doctor Who reviews and more. Find out more on Twitter, Facebook and Instagram. #popscreen #moviereviews #thejunipertree #bjork #nietzchkakeene #iceland #folkhorror #brothersgrimm #fairytale #roberteggers #thenorthman #matthewbarney #peterstrickland #davidattenborough --- Send in a voice message: https://anchor.fm/pop-screen/message
Pulitzer Prize-winning art critic Jerry Saltz joins the show to celebrate his new collection, ART IS LIFE: Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night (Riverhead Books). We get into the ways his book chronicles tumultuous transformations in the art world in the 21st century, his late start (almost 40) as an art critic and how his lack of art history training affects his writing, the works of art that inspired his writing, and the transcendent joy of Jeff Koons' 43-foot-tall topiary puppy. We also talk about how a critic can try to avoid the sclerosis they're all liable to suffer, why he's the least reliable critic of Matthew Barney, why he thinks some critics are holding back on negative reviews, what it's like to attend 25-30 gallery shows a week (with his wife, the great NYT art critic Roberta Smith) and what it meant when pandemic lockdown hit. And we discuss his 35-year friendship with the late Peter Schjeldahl, his attempt at getting up to speed on classic books, his disdain for cynics and 'knowers', the artists he missed the boat on, and how art saved his life. Follow Jerry on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal
Guest of this appointment is Michael Leckie, founder in 2015 of Leckie Studio Architecture + Design. After a Bachelor's degree in genetics, Michael received his Master of Architecture at the University of British Columbia, UBC, practicing for several years at Patkau Architects, having later a collaborative work experience with a colleague.The young multi-disciplinary practice, based in Vancouver, embraces different typologies, single-and multi-family residences, renovation, hospitality design, boutique-interiors mainly realized across North America. Essentiality and simplicity characterize their energetic realizations, displaying an attentive sensibility towards details and the act of making.Awarded several times as emerging firm by the Royal Architectural Institute of Canada, and the Institute of British Columbia, Leckie Studio has won in 2019 Architizer A+Awards, shortlisted for Dezeen and Frame awards, winning recently the 2022 Architectural Record's annual Design Vanguard. The projects of the practice are widely featured in publications including FRAME, Arcade, Wallpaper, Azure, among others.A side project company, The Backcountry Hut, established by Michael and a partner, complements the practice, creating prefabricated modular prototype shelters, flat-packed sustainable structures, simple to be assembled and easy to be transported. The conversation starts from the long journey that has led Micheal to study architecture, after a series of interesting experiences, as an undergraduate degree in genetic and microbiology and an adventurous, nomadic life, a network of knowledge and experimentations that have contributed to the individual character of his work.We speak about the initiative of realizing prefabricate, mass-customizable small-scale cabins, a challenging opportunity of hands-on approach, creative design for young architects and about a new shift that the production is gradually witnessing. For a series of contingencies, economic factors and a diffuse rethinking of certain existential values, people seem motivated to consider alternatives to the increasingly densified and prohibitive urban situation, re-evaluating more liveable and affordable suburban areas and the economic cabins, easy to be assembled by any common person with no construction experience, offer an attractive complement of this new, possible model of life.Full House, a multi-generational residence in Vancouver, a flexible space, plenty of green and natural light, proposes another interesting topic, appropriately responding to our urban dystopian scenario. The attention focuses then on a recent realisation, the University of British Columbia Arts Student Centre, winner of this year's Architectural Record's Vanguard award, an iconic, contemporary and essential gesture, well expressing the core mission of ‘common ground' it embodies, promising an innovative and collaborative active space. We then explore the whimsical, special atmosphere created for a new-born cosmetic clinic, a beautiful, soft, monochromatic ambience evoking freezing moments of cosmic geological silence, inspired by the ‘Quarries' of the famous photographer Edward Burtynsky, and the surrealist works of Matthew Barney. An interior particularly original and appropriate for the treatments of the clinic, well expressing the brand's identity, and its core values.Micheal concludes by explaining his idea of an aesthetic driven by pragmatic considerations and his aspiration to a biophilic design, in respect the client's expectations.
With his 2010 film Cave of Forgotten Dreams, the German filmmaker Werner Herzog peeled away the veneer of familiarity on the Chauvet cave paintings, restoring them to their original eldritch sparkle. In this conversation, Phil and JF discuss a cinematic jewel that was wrought under tremendous pressure – and is all the more dazzling for it. The episode was recorded live at the Supernormal Festival in Oxfordshire, England, where your hosts were also subjected to unexpected pressure as the band Plastics started their set at the same time as the talk! Though we feel the musical accompaniment adds depth to the dialogue, listeners who find it distracting can skip to the end of the Plastics' set around 41:30. All listeners are urged to visit the band's Bandcamp page (https://plasticsrockers.bandcamp.com/releases) to sample some choice hardcore. Weird Studies thanks Strange Attractor Press (http://strangeattractor.co.uk), the Supernormal Festival (https://www.supernormalfestival.co.uk), and Plastics (https://plasticsrockers.bandcamp.com/releases). JF Martel gratefully acknowledges the support of the Canada Council for the Arts (https://canadacouncil.ca/) in making this live recording possible. Header image via Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Rhinocéros_grotte_Chauvet.jpg). Listen to volume 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and volume 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2) of the Weird Studies soundtrack by Pierre-Yves Martel (https://www.pymartel.com) Support us on Patreon (https://www.patreon.com/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the new T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) SHOW NOTES Werner Herzog, “The Minnesota Declaration” (https://designmanifestos.org/werner-herzog-the-minnesota-declaration/) Tom Waits, “Step Right Up” Herman Melville, Moby Dick (https://bookshop.org/a/18799/9780198853695) Weird Studies, Episode 76 on “Hellier” (https://www.weirdstudies.com/67) Stanley Kubrick (dir.), 2001: A Space Odyssey (https://www.imdb.com/title/tt0062622/) Paul Bahn, Images of the Ice Age (https://bookshop.org/a/18799/9780199686001) Weird Studies, Episode 101 on “In Praise of Shadows (https://www.weirdstudies.com/101) Weird Studies, Episode 129 on “The Fall of the House of Usher” (https://www.weirdstudies.com/129) Matthew Barney, The Cremaster Films (https://www.guggenheim.org/exhibition/matthew-barney-the-cremaster-cycle) Stanley Kubrick, The Shining (https://www.imdb.com/title/tt0081505/)
Séparée de l'artiste contemporain Matthew Barney, où vagabonde désormais son inspiration ? Et tant qu'à parler de grand retour, que nous propose Michelle Pfeiffer dans « French exit » ? Et des inédits d'Alain Bashung, il y en a encore ? Autre come-back qui interroge : « Les Inconnus » peuvent-ils encore nous surprendre ? Quant à la chanteuse française Fleur, va-t-elle rester calée dans les années 60 ? Et comment Vanessa Wagner s'empare-t-elle au piano de compositions de Léo Ferré ? Diantre, cela fait beaucoup de questions… Heureusement, il y a les réponses dans « La semaine des 5 heures » de ce vendredi 16 septembre
This week on 8111 the tables are turned and my hero/mentor Kim Bromley interviews me about my career and background. I grew up in the Los Angeles suburbs in the 70's and 80's skateboarding and going to the movies. In 1992 I earned my degree in Cinema from San Francisco State University.That same year, I began my career at George Lucas' Industrial Light and Magic where I worked for nearly a decade in the company's computer graphics division. For over 25 years I have worked around the world at the top visual effects houses; Peter Jackson's Weta Digital in New Zealand, Tippett Studio in Berkeley, Sony Pictures Imageworks in Los Angeles, Warner Bros. ESC Entertainment in California, Brainstorm Digital in New York, and the Moving Picture Company in Vancouver. My film credits include; The Mummy, Twister, Star Wars: The Special Editions, Matrix Reloaded and Matrix Revolutions, Hellboy, Constantine, King Kong, Watchmen, and Jurassic Park: The Lost World.Outside of Hollywood, I served as the Visual Effects Supervisor for American artist Matthew Barney's five-part Cremaster Cycle and the follow up experimental film, Drawing Restraint 9 staring Icelandic pop star Bjork.I am the host of the 8111 (Eighty-one Eleven) podcast. Each episode is a conversation with a guest who worked at George Lucas' Industrial Light and Magic during its 40+ year history. Guests discuss their journeys and career paths, and how working at ILM changed them. I'm also the co-host of FX Guide's VFX Show podcast listened to by visual effects professionals, fans, and aspiring artists from all over the world.Today I am the senior full-time faculty and Chair in the department of Communication Arts in the School of the Arts at Virginia Commonwealth University in Richmond, Virginia. I teach numerous courses specializing in 3D computer graphics, visual effects, and the creative application of emerging digital technologies. http://mattwallin.com/
Meg discovers Crazy Eddie wasn't quite what he seemed. Jessica discovers Karen Finley's yam situation was exactly what it seemed.
Jenna and Caroline discuss "Can I Come Up Now?", in which David plans his ex-fianceé's father's funeral, George reveals that he has a secret son and Ruth insists on visiting him, Claire dates the Matthew Barney of LAC-Arts, and Nate visits a psychic, who insists Lisa isn't dead.
Aimee Mullins is a true polymath. Her passions and professional pursuits are as varied and boundless as the awards and groundbreaking strides she's achieved within her many chosen fields. She broke new ground in athletics as the first amputee in history to compete against able-bodied athletes in the NCAA's Division 1 track and field events. She went on to set records in the 100 and 200 meter races and the long jump. Her poise and athleticism led to a career in fashion as a runway model for Alexander McQueen and as a global ambassador for L'Oreal. She then added acting to her portfolio with roles in wildly varied projects ranging from artist Matthew Barney's Cremaster series to Netflix's Stranger Things. Through it all, Aimee has continued to make sense of the many trails she's blazed in a series of influential TED talks that have been viewed by millions and translated into 42 languages. It was her paradigm-shifting talk on the “opportunity of adversity” that offered a veritable proof of concept for the ideas we're exploring in this season of Change Lab. Her powerful argument for the creative leaps that result only from the hurdles we face resonated deeply with the idea that the human imagination feeds on challenge and uncertainty – a familiar concept to regular listeners of this podcast. Aimee contends that we meet and exceed our goals because of—not despite—each obstacle we encounter. An insight she's earned the hard way navigating the world as a double amputee. Her insistence that “good enough” isn't good enough has led to advances in prosthetic design that would never exist without her. In fact, Aimee contends that disability itself is a misnomer better attributed to a broken piece of machinery than a human being whose differences are the source of their strength. We all have much to learn from Aimee's self-determination, curiosity and wonder. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fa una certa impressione vederla sospesa là, nella Collezione Maramotti, la testa di Matthew Barney segnata di rosso, come se fosse sanguinante, con due lunghe appendici come un collo svuotato della carne che lo lega al corpo. Una faccia immobilizzata nel freddo di una preziosa scultura, levitante al soffitto con un perno placcato in oro, il volto di un amico ritratto dallo scultore nel prezioso onice messicano, e trasformato in una specie di San Sebastiano trafitto al capo da un solo dardo.
Fa una certa impressione vederla sospesa là, nella Collezione Maramotti, la testa di Matthew Barney segnata di rosso, come se fosse sanguinante, con due lunghe appendici come un collo svuotato della carne che lo lega al corpo. Una faccia immobilizzata nel freddo di una preziosa scultura, levitante al soffitto con un perno placcato in oro, il volto di un amico ritratto dallo scultore nel prezioso onice messicano, e trasformato in una specie di San Sebastiano trafitto al capo da un solo dardo.
Fresh off an empty post-industrial mall cinema viewing, we discuss the Gesamtkunstwerk Jackass Forever with lauded expert in the field of suburban whiteboy studies, Sean J Patrick Carney (@ripcytwombly.) We’re clearly very psyched to have the original “I’m Ira Glass. Welcome to Jackass” on the show to wax insanity about queer theory, masculinity, PTSD, and … Continue reading "155 – Jackass Cultural Studies w/ Sean J Patrick Carney"
Fresh off an empty post-industrial mall cinema viewing, we discuss the Gesamtkunstwerk Jackass Forever with lauded expert in the field of suburban whiteboy studies, Sean J Patrick Carney (@ripcytwombly.) We’re clearly very psyched to have the original “I’m Ira Glass. Welcome to Jackass” on the show to wax insanity about queer theory, masculinity, PTSD, and … Continue reading "155 – Jackass Cultural Studies w/ Sean J Patrick Carney"
Nate and Benjamin get into Nate's epic stop in Marfa and other highlights of his road trip across America. They go on to dissect the revival of Interview Magazine under Mel Ottenberg as typified by Julia Fox's epic first person tale of her romance with Kanye. And... this Show by Paul Chan PLUS some (maybe) racist cartoons that dweebs trade. Then Benjamin chats with one of the art and culture world's top connectors, Cultural Counsel founder Adam Abdalla to discuss his dope-assed magazine project. Orange Crush: The Journal of Art & Wrestling is an annual that looks at the world of professional wrestling through the lens of contemporary art (and vice-versa). The third issue (dropping later this month) includes and in-depth interview with Matthew Barney as well as profiles of wrestlers Mike Parrow, Thunder Rosa and Orange Cassidy among other strange and wonderful folk. --- Support this podcast: https://anchor.fm/benjamin-godsill/support
The boys are joined by friend, artist, writer and co-host of the Break the Rules Podcast Gio Pennacchietti to discuss PAINTING. Painting, so much and so little to say. Its history, its dreary present. The tendency towards what Dean Kissick calls "zombie figuration" and what separates the brilliance of Matthew Barney from the average new media artist. But mostly, we discuss four artists to emerge out of postmodernism or later that we believe are upholding some nobler archetype of the painter historically: Anselm Kiefer, Justin Mortimer, Martin Kippenberger, and Michael Krebber. Soundtrack: Skullflower "Shit Strasse" (https://music.apple.com/us/album/shit-strasse/1058051213?i=1058051222) Mobb Deep ft. Nas and Raekwon "Eye for an Eye" (https://youtu.be/OOPjFkVJbew) Grouper "Wind and Snow" (https://youtu.be/1OPm1LU2cbA) Grouper "Vapor Trails" (https://youtu.be/U_rxkLzcTg0) The Hymn of Kassiani (https://youtu.be/JrJnbtTSywY) Fairuz "Estantere" (https://youtu.be/GlOVmZx_qu0) Test Dept. "Fist" (https://youtu.be/w4yQnunUqSw) Dead Can Dance "Black Sun" (https://youtu.be/VPd-MSr19qI) The Rolling Stones "Stray Cat Blues" (https://youtu.be/oOSYB38y2xA) Brian Eno "Tal Coat" (https://youtu.be/10uVS6ssCxU) Erik Satie "Gnossienne No.3 " (https://youtu.be/3c_RU2NcJ9c) Image: Martin Kippenberger "Martin Into the Corner, You Should be Ashamed of Yourself" LINKS: Gio on Twitter: https://twitter.com/giantgio?lang=en Gio's Wordpress: https://gioscontentcorner.wordpress.com/author/giopennacchietti/ Break the Rules: https://www.youtube.com/channel/UCPKaSxQ7frxGAwgaQ29P9Eg Alastair Mackinven interviewed by Adam: https://safetypropaganda.substack.com/p/safety-propagandist-3-alastair-mackinven Justin Mortimer's website: http://justinmortimer.co.uk/ Anselm Kiefer at Gagosian: https://gagosian.com/artists/anselm-kiefer/ Martin Kippenberger at Gagosian: https://gagosian.com/artists/martin-kippenberger/ Michael Krebber at Greene Naftali: https://www.greenenaftaligallery.com/artists/michael-krebber
Bijan for Men (1981) by Bijan + Norman Mailer's Ancient Evenings (1983) + Matthew Barney's River of Fundament (2014) with The Surfing Violinist @fordlikethecar + lowahekn + @rubberwidow of Ellroy Boys 5/30/2021 ep.111 To gain access to the full catalog of TPN content please support us at https://www.patreon.com/perfumenationalist
Ben Luke talks to Ralph Rugoff, artistic director of the last Venice Biennale and director of the Hayward Gallery, London, about Matthew Barney and Igshaan Adams, two very different artists exploring autobiography, social issues and dance, among much else, at the Hayward; Louisa Buck talks to the curator Laura Smith as the Whitechapel Gallery unveils two shows about Surrealism and women artists: a solo show of Eileen Agar’s work and an archival show about women’s role in the movement. And for this week’s Work of the Week, Philip Larratt-Smith discusses Passage Dangereux (2007) by Louise Bourgeois, a work in his new show, Louise Bourgeois, Freud’s Daughter, at the Jewish Museum in New York. See acast.com/privacy for privacy and opt-out information.
Autor: Pietsch, Hans Sendung: Kultur heute Hören bis: 19.01.2038 04:14
Autor: Koldehoff, Stefan Sendung: Kultur heute Hören bis: 19.01.2038 04:14 Berichte, Meinungen, Rezensionen "Bourse de Commerce" - In Paris wird das neue Pinault-Museum eröffnet "Redoubt" - neue und alte Arbeiten von Matthew Barney in der Hayward Gallery Vorhang auf! Die deutschen Kinos fordern eine einheitliche Öffnungsregelung Der Filmverleiher Tobias Lehmann im Gespräch "Stages Unboxed" - Praxis und Status quo von Theater im Netz beim Theatertreffen Am Mikrofon: Stefan Koldehoff
Nate fills Benjamin in on what he missed in Mexico City last week and tells the tale of the dream that led to a huge Kentucky Derby payday before briefly discussing the passing of art collecting lion Eli Broad. Special Guest and charter Crab Posse member Lock Kresler then dials in from London for a detailed discussion of some of the top lots coming up for auction next week at Christie's and Sotheby's. A long time auction house specialist and art dealer Lock is an encyclopedia of knowledge about the art market and shares some amazing details and astute analysis about some of the pictures going under the hammer in New York next week. We discuss works by Jean-Michel Basquiat, Martin Kippenberger, Matthew Barney, friend of the pod Joel Mesler, Jonas Wood, Alex da Corte, the most amazing Robert Colescott imaginable, what's going on with Rudolf Stingel and a whole slew more. Nota Bene: Don't raise your paddle (or sign an irrevocable bid contract) until you've tuned in. --- Support this podcast: https://anchor.fm/benjamin-godsill/support
Jack Donovan is a man who needs no introduction. He's the author of the bestselling book “The Way of Men”, one of the canonical works of the Renaissance. It's the origin of the Four Tactical Virtues — Strength, Courage, Mastery, and Honor — plus the vital distinction between being “a good man” and “good at being a man.” His follow-up books “Becoming A Barbarian” and “A More Complete Beast” expanded those themes into a larger sociological context, helping men understand the necessity of tribe and mindset. Now, he's completed his groundbreaking fourth book “Fire In the Dark”, which helps connect authentic male spirituality to masculine themes in myths and legends from all time. It is a powerful work, and one that I believe men of any faith can see themselves and their beliefs reflected in. In our conversation we discussed: How surprised he is to be the guy who wrote "The Way of Men" and who writes about the things he does How masculinity is dying and why it's worth saving How he saw the gender and culture war coming back in art school in the 90's The impossibility of being everything for everyone, and how "doing what you're told" and following the agenda is unsustainable The way that art has turned against men, and how we can begin producing art that speaks to us once again Like many men, I'm grateful for for Jack's continuing and towering contributions to the philosophy, writing, and aesthetics that drive us all. I couldn't imagine Providence giving me a better guest for the 20th episode of my podcast. To buy Jack Donovan's books on Amazon, click here To read "Wild at Heart" by John Eldredge, click here To visit James Lindsay's website New Discourses, click here To watch the "Cremaster Cycle" by Matthew Barney, click here To read "The Futurist Manifesto", click here To learn more about Sabin Howard, click here To read "The Wanting Seed" click here To learn more about John Lovell's Warrior Poet Society, click here To read Jack Donovan's "No Man's Land", click here Follow Jack Donovan on YouTube and Instagram To visit Jack Donovan's website, click here Check out my new website at https://renofmen.com Connect with us on Instagram and Twitter.
iTunes Spotify Youtube Patreon Dana Wachs is a Brooklyn based composer and audio engineer, that performs under the name Vorhees. Dana studied cello and electric bass from an early age. At nineteen, she joined the DC hardcore group Holy Rollers (Dischord Records) and dove deep into a world of touring and live sound. Audio engineering would define the following twenty years of her life, starting with interning, and eventually assistant engineering at Greene Street Recording NYC. With the closure of the studio, Dana returned her focus to live engineering, which led to house positions at venerable New York venues such as Jazz at Lincoln Center, (le) Poisson Rouge, Tonic NYC, and Elsewhere Brooklyn. She’s also spent twenty years touring Internationally for critically acclaimed artists such as Cat Power, St. Vincent, Jon Hopkins, Deerhunter, Grizzly Bear, MGMT, (and many others), creatively mixing both FOH and monitors, as well as tour managing and production managing. In 2009, she debuted her solo compositions and has since continued to work on her own music. She has performed at Basilica Soundscape 2013, Iceland Airwaves 2014, New York shows supporting Anna Meredith, Matmos, and Josef Van Wissem, as well as tours including supporting Beth Orton in Australia, Cat Power in America, and Deerhunter in the U.K. and Europe. Vorhees debut EP, Black Horse Pike, was released in 2016 via Styles Upon Styles (Brooklyn). Black Horse Pike was written, recorded and produced by Dana Wachs in her Brooklyn home between tours. In 2017, she composed and performed in parts II and III of a performance art piece titled Rural Violence, directed by Brandon Stousy (The Creative Independent), with part II presented by artist Matthew Barney. In conjunction, she collaborated with George Clarke of Deafheaven, forming the new duo Wachs & Clarke, for the 20 minute accompanying music piece RVIII: Invocation. February 2019 saw the release of her latest work, “Tracks for Movement”, a compilation of scores for dance and film. Recently, Dana completed her first feature film score, “Confession”, directed by Dayna Hanson (HBO’s “Room 104” season 1 episode 6 “Voyeurs”). Today’s episode is sponsored by Lensrentals. Use the code ROADIE15 for a 15% discount when you check out. Special Mentions: Save Music Venues Vorhees Music Soundgirls.org Hard to Handle: The Life and Death of the Black Crowes--A Memoir – Steve Gorman Right Place, Right Time: The Life of a Rock & Roll Photographer – Bob Gruen Tour Supply GoFundMe Tour Health Research Initiative, ROADIE: My Documentary (TJ Hoffman film) Loud: A Life In Rock ‘N Roll by the World’s First Female Roadie. By Tana Douglas, The Last Seat in the House: The Story of Hanley Sound, The Power of Podcasting Panel at NAMM, Roswell Pro Audio Mini K87 Filming Great Concert Footage Roadie Short Film Roadie: A True Story (at least the parts I remember)
Olivier Varenne is a curator and independent art dealer with over 20 years experience working with leading contemporary artists, sourcing and placing quality artworks on behalf of individual collectors and art institutions, and curating exhibitions for museums and galleries. Olivier has collaborated with established artists including Marina Abramovic, Matthew Barney, Wim Delvoye and Gilbert & George as well as championed emerging contemporary artists like Toby Ziegler, Ryoji Ikeda, Chiharu Shiota and Conrad Shawcross at the start of their career. Olivier is currently Director of Acquisitions and Curator at MONA (Museum of Old and New Art), after having held the position of Director of Exhibitions and Collection for 13 years. Prior to joining the new museum in 2006, Olivier spent his formative years in London working amongst the Gagosian sales team. Olivier Varenne will be at Art Geneve 2021. www.Varenne.art --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
On Tuesday, June 23, 2015, Hyperallergic hosted our first-ever live reading event, which took place at Housing Works Bookstore and Cafe in Manhattan’s SoHo neighborhood. Hyperallergic Weekend Editors John Yau and Albert Mobilio read their poetry, writers Marisa Crawford (“Crying for Ana Mendieta at the Carl Andre Retrospective”) and Ryan Wong (“I Am Joe Scanlan”) read pieces that were among our favorites from that year, while two Hyperallergic veterans Allison Meier and Jillian Steinhauer (“Wading in Matthew Barney’s River of Shit”) read some of their own writing.The event also included a wacky comments section, where Hyperallergic staff and contributors Tiernan Morgan, Jennifer Samet, and Elisa Wouk Almino read some of our zaniest comment threads that were percolating on the website at the time — my favorite involves Shakespeare truthers. There’s even a short Q&A at the end with Hyperallergic Weekend Editor Thomas Micchelli.I know you’ll get a kick out of this time capsule from what feels like a bygone age, back when Obama was still president and “fake news” wasn’t the ubiquitous term it is today.The music in this episode is titled “A Boy and a Makeshift Toy.” It’s performed by violist Michael Hall, pianist Stephanie Titus, and composed by Mary Kouyoumdjian. The piece is inspired by the war photography of Chris Hondros, particularly a photo of Albanian refugees from Kosovo waiting at a train station.Subscribe to Hyperallergic’s Podcast on iTunes, or anywhere else you listen to podcasts.
Tony Oakey is one of Britain's most-popular light-heavyweight champions. Adored by his Portsmouth fans, he took part in multiple thrilling battles but he also hit the headlines for the wrong reasons when he was suspended after a positive cocaine test following the first loss of his career. A dark period followed but when he returned to the ring, the decorated three-time ABA finallist and two-time winner was involved in more wars. He fought the likes of Dean Francis, Nathan Cleverly, Peter Haymer, Brian Magee, Steve Spartacus, Matthew Barney, Neil Simpson, rival Neil Linford and many more. There were fights after the final bell of his pro career against friend Wayne Elcock and two well-documented contests with American Jeff Lacy. Here, Oakey reflects on his career, the night Peter Oboh – the most-feared man in British boxing at the time – left the arena without facing him, the wins, the losses and much more. Boxing Life Stories is now on Patreon. You can get access to research, unseen photographs from Boxing Life Stories, go behind the scenes of the podcast with Tris Dixon and even get some episodes early. You can help support us through another 100 episodes and help us to grow by visiting http://www.patreon.com/trisdixon Boxing Life Stories is bought to you by HANSON LEE RESOURCING who were voted “The UK's Best Specialist Insurance-Sector Recruitment Firm for 2020” in the Corporate Excellence Awards. ‘Not only do we find the best people, we’ll help you retain them.' Discover more at HansonLee.com (http://hansonlee.com/) ’ AND DELCO SAFETY COMPLIANCE, who are a leading provider of professional fire, asbestos, and safety services to businesses nationwide. They offer one expert point of contact for all of your fire, health and safety compliance needs. Find out more at www.delcosafety.co.uk (http://www.delcosafety.co.uk/) Follow Tris on twitter @trisdixon and instagram @trisdixon @boxing_life_stories
Prof. David Galenson shares fascinating model of two types of artists from his book, Old Masters and Young Geniuses: experimental/old masters and conceptual/young genius. This interview by Bootstrap Art Subgroup Lead Marcy Hoen, expanded into a conversation with Bootstrap Art members Till Richter, Roi James and others. The old dictum "know thyself" starts with the artist understanding whether they are experimental and conceptual. This is especially important for experimentalists, because modern art is dominated by conceptualist. The blessing of being a conceptual artist who is recognized, becomes the curse, because they get identified for that innovation. On the other hand, an experimentalist often has to work in obscurity for long periods of time, before ever achieving. There's a process of actually discovering whether you are one or the other. You might spend a long time trying to be one, like Cézanne. Don't compare yourself to the other. Artists discussed include: Louise Bourgeois, Jackson Pollock, Leonardo Da Vinci (experimental), Vincent van Gogh (conceptual), Paul Cézanne (experimental), Eric Clapton, Paul Signac, Georges Seurat, Andy Warhol, Jeff Koons, Ignazio Jacometti, Frank Lloyd Wright (experimental), Virginia Woolf, (experimental) Pablo Picasso, Jasper Johns (conceptualist), Joseph Heller (conceptualist), Stanley Kubrick (conceptualist), Martin Scorsese, Steven Spielberg, George Lucas, Norman Rockwell, Camille Pissaro, Paul Gauguin, Damien Hirst, Matthew Barney, Gerhard Richter, Kehinde Wiley, Anselm Kiefer. BootRap ATX is produced by Brian Massey of the Intended Consequences Podcast.
My limited capacity for the podcast recently, a vow to never address negative criticism of any kind again in the future, the human vs. porpoise population and the plot-twist or non-linear trajectory of therapy, the art you consume vs. the art you create, the emotional avoidant aspect of chemical dependence, tensions mounting between neighbors during the shelter in place, the slow aesthetic of Kubrick's "2001: A Space Odyssey" vs. the boredom of Tarkovsky's "Solaris," Matthew Barney's use of film as a medium, an outlier in David Lynch's oeuvre ("The Straight Story"), glaring problems in Paul Thomas Anderson's late films, Denis Villeneuve's "Polytechnique," and the scarcity of true friends in life. Music by Disasterpeace.
Russell and Robert meet legendary art critic and writer Jerry Saltz for a feature-length special QuarARTine episode, as critical times call for critical thinking!!!!We discuss the future of art and the art world after coronavirus, what he remembers from the early 90s crash and his respect for how British artists responded and thrived. We find out why he wrote his new book 'How To Be An Artist', the decision to give up being an artist himself to drive trucks and limousines for over a decade, how he found his voice as an art critic for New York magazine and why his wife Roberta Smith is the greatest art critic of all! We explore his admiration for the work of artists like Kara Walker and Matthew Barney, a memorable trip to visit ancient cave paintings and why in Jerry's eyes art is for ANYONE!!!!Follow @JerrySaltz Instagram and @JerrySaltz on Twitter and for images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArtPodcast. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store, we love to hear your feedback!!!! Jerry's new book 'How To Be An Artist' is OUT NOW published by Octopus Books/Ilex and available to buy online at your favourite book store. Please support your LOCAL BOOK STORE!!!! Thank you for listening to Talk Art, we will be back very soon. See acast.com/privacy for privacy and opt-out information.
Présenté par L-F Sébum et Ellen ReplayLa thèse de Guillaume Baychelier : https://hal.archives-ouvertes.fr/tel-02377724/documentLe site de Guillaume Baychelier : https://www.baychelier.net/ Les articles mentionnés dans l'émission : • Jeux vidéo et artialisation des émotions extrêmes : https://www.cairn.info/revue-nouvelle-revue-d-esthetique-2014-2-page-81.htm#no25 • Des plaisirs de la chair vidéoludique : https://www.unilim.fr/interfaces-numeriques/861 • Apports de l'iconographie sidérale aux problématiques spatiales vidéoludiques : le cas des jeux vidéo horrifiques - https://hal.archives-ouvertes.fr/hal-02377714/document • Ambivalence du tourisme vidéoludique : Quelles dynamiques pour les voyages au cœur des sociétés virtuelles ? – https://hal.archives-ouvertes.fr/hal-02377716/document Pour aller plus loin : • Edmund Burke, L'Origine de nos idées du sublime et du beau : https://fr.wikisource.org/wiki/L%E2%80%99Origine_de_nos_Idees_du_Sublime_et_du_Beau • Baldine Saint Girons, Fiat Lux : Une philosophie du sublime • Friedrich von Schiller, Du Sublime • Pierre Ancet, La Perception du corps monstrueux : https://www.revuedesdeuxmondes.fr/wp-content/uploads/2016/11/6875b1d8cd57bf2a81db19825178527d.pdf • Chez Barney, c'est art-corps, article sur le Cremaster Cycle de Matthew Barney, par Philippe Azoury et Elisabeth Lebovici: https://next.liberation.fr/cinema/2005/07/06/chez-barney-c-est-art-corps_525856 Tous nos magazines et nos offres d'abonnement : https://boutique.canardpc.com/Notre édition web sur abonnement : https://www.canardpc.com/ Retrouvez-nous aussi: sur Twitter: https://twitter.com/Canardpcredac sur Facebook: https://www.facebook.com/CanardPCmagazine sur Instagram: https://www.instagram.com/canardpc/ sur Discord: https://discord.gg/QuWHz2k3MD
Ted and Ricky begin this Establishing Shot episode talking about recent goings-on at the Browning Cinema. Highlights include a screening of Matthew Barney's latest picture and a new Learning Beyond the Classics course on capital punishment depicted in film. With a historic Oscars in their wake, they also chat about the Browning's sold-out screenings of Best Picture winner "Parasite," before diving into their Top 3 picks for Best Picture upsets. The post Top 3: Oscar Upsets with Guest Mark Torma appeared first on The DeBartolo Performing Arts Center.
Artist Matthew Barney discusses his latest film work REDOUBT with author Maggie Nelson. Recorded at Landmark's NuArt Theatre on 1/25/20. Redoubt loosely adapts the classical myth of Diana, goddess of the hunt and of nature, and Actaeon, a hunter who trespasses on her privacy and is punished. The first new film in several years by internationally acclaimed artist, writer and director Matthew Barney, creator of the CREMASTER Cycle and Drawing Restraint 9, unfolds as a series of hunts in the rugged wilderness of Idaho's spectacular Sawtooth Mountains. Anette Wachter, a real champion sharpshooter, is cast as Diana, and the director himself plays a grizzled mountain man known as The Engraver. The characters communicate a mythological narrative through dance, letting movement replace language as they pursue each other and their prey. By layering classical myths, cosmological myths, and American myths about humanity's place in the natural world, the film creates a complex portrait of the American landscape.
Join us for the challenging, inspiring and unusual score to the Matthew Barney art-film Drawing Restraint 9. Composed by his then wife Bjork, it features incredible instrumentation with harpsichord, crotales, glockenspiel and the ancient Japanese […] http://media.rawvoice.com/joy_archives/p/joy.org.au/filmontheradio/wp-content/uploads/sites/466/2020/01/107-Drawing-Restraint-9-podcast.mp3 Podcast: Play in new window | Download (Duration: 56:50 — 71.9MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | RSS The post Drawing Restraint 9 appeared first on Film on the Radio.
Foredragsserien høsten 2019
A career retrospective with Maggie Gyllenhaal on October 23, 2019. Moderated by Jacqueline Coley, Rotten Tomatoes. Maggie Gyllenhaal is one of the great actresses of today. Most recently, Gyllenhaal starred in and produced the film, THE KINDERGARTEN TEACHER, which premiered on Netflix to phenomenal reviews. She also received a 2018 Golden Globe nomination and a 2019 Critics Choice Award Nomination for playing Candy on the HBO drama THE DEUCE which she also produces. She will return as Candy this September for the show’s third and final season. Gyllenhaal’s career launched in 2002 out of Sundance after she received rave reviews for her starring role opposite James Spader in Lionsgate’s SECRETARY. She went on to receive a Golden Globe nomination for “Best Actress in a Comedy or Musical”, an Independent Spirit Award nomination for “Best Actress,” a Chicago Film Critics’ Award for “Most Promising Performer,” A Boston Film Critics’ Award for “Best Actress,” a National Board of Review Award for “Breakthrough Performance” and an IFP/ Gotham “Breakthrough Performance” Award. She went on to work on Spike Jonze’s ADAPTATION (2002), MONA LISA SMILE (2003), John Sayles’ CASA DE LOS BABYS (2003), Marc Forrester’s STRANGER THAN FICTION (2006) and Oliver Stone’s WORLD TRADE CENTER (2006). Gyllenhaal was also nominated for a 2006 Independent Spirit Award for her role in Don Roos’ HAPPY ENDINGS, opposite Lisa Kudrow and Tom Arnold. At Sundance in 2007, Gyllenhaal starred in SHERRYBABY, where she played a female convict struggling to overcome her drug addiction and regain custody of her daughter. The film garnered her a second Golden Globe nomination, this time for Best Actress in a Motion Picture-Drama. In 2008, she starred opposite Christian Bale in The Warner Bros. box office hit THE DARK KNIGHT. In 2009, She gained critical acclaim, including an Oscar nomination for "Best Supporting Actress," for her portrayal of Jean Craddock in CRAZY HEART alongside Jeff Bridges. She also starred in Sam Mendes’ AWAY WE GO (2009) and Universal’s NANNY MCPHEE RETURNS (2010). In 2014, Gyllenhaal headlined the BBC/Sundance TV series THE HONORABLE WOMAN earning her a 2015 Golden Globe Award, a SAG Award nomination, and an Emmy Award nomination. In October 2014, Gyllenhaal made her Broadway debut in Tom Stoppard’s THE REAL THING, opposite Ewan McGregor and Cynthia Nixon. Her previous theater credits include Tony Kushner’s HOMEBODY/KABUL, which ran in both Los Angeles and at The Brooklyn Academy of Music (BAM) in 2004 and Patrick Marber’s CLOSER. In 2009 and 2011, Gyllenhaal starred alongside her husband Peter Sarsgaard in THREE SISTERS and UNCLE VANYA, both at Classic Stage Company. Some of Gyllenhaal’s other film credits include: John Waters’ CECIL B. DEMENTED (2000), the fantasy thriller DONNIE DARKO (2001), TRUST THE MAN (2005), HYSTERIA (2011), FRANK (2014) and Matthew Barney’s RIVER OF FUNDAMENT (2014). She has voiced the audiobooks for both THE BELL JAR by Sylvia Plath and ANNA KARENINA by Leo Tolstoy. Next up, Gyllenhaal is set to write, produce and direct, “THE LOST DAUGHTER,” based on the Elena Ferrante novel of the same name.
Movie Meltdown - Episode 510 This episode we talk with Jonah Ray about art, friendship, movies, comedy, music and Mystery Science Theater 3000. And while we try to convert people to our pop culture religion, we also mention… Joel Hodgson, Mel Brooks, Weird Al Yankovic, Paul Myers, refusing the call to action, Defending your Life, Kids in the Hall, Where'd You Go, Bernadette, Hawaii, Anthony Bourdain, Ed Wood, Chris Farley, Felicia Day,Harmontown, Wayne White, Brendon Small, Jonah Raydio, The Groundlings, it’s a dream come true, Entertainment Tonight, Hampton Yount and Baron Vaughn, The Inbetweeners, Home Movies, BJ Novak, The Bruce Lee Band, you can drop a sandbag on some bullies, Mitchell, Dolemite Is My Name, Zach Galifianakis, Netflix, Garth Marenghi's Darkplace, Westerns and Alfred Hitchcock, Alan Yang, if you don't let that out it destroys you, Mr. Show, John Candy, you gotta self-generate, BBC, Jeff Garlin, G4, Comedy Bang! Bang!, MST3K t-shirts, Crispin Glover, Rebecca Hanson, a certificate of live birth, I just found this back entrance into show business, Shaun of the Dead, Tuesday nights at the M Bar, Suspiria, Rob Delaney, shooting a movie, Hidden America, SCTV, I feel very proud… where we got was that last season's specifically, Dan Mintz, sitting in an editing bay, the slimming yellow jumpsuit, making a Marvel movie, it's just this giant orb and I don't see an entrance, EPKs, it feels cynical and mean, Nate Bargatze, Freddy Krueger, Matthew Barney, scared or dehydrated, Morgan Murphy, Edinburgh Festival Fringe and Suncoast Motion Picture Company. “...it's all that stuff that I always wanted and that’s what I loved so much about when I got into playing in bands when I was a kid. It’s just like, a bunch of people doing stuff - just because they love it! And that’s what I’ve been trying to do with everything I’ve done.” Follow Jonah on Instagram: https://www.instagram.com/jonahray/ and Twitter: https://twitter.com/jonahray
We chat with Supervising Sound Editor, Sound Designer and Re-recording Mixer Damian Volpe to discuss his recent collaboration with visionary Director Robert Eggers and explore his new film, The Lighthouse. Shot in black-and-white, the film follows two lighthouse keepers (portrayed by Willem Dafoe and Robert Pattinson) as they are faced with solitude, but start to lose their sanity and become threatened by their worst nightmares. Damian Volpe is a Brooklyn based sound designer, supervisor, and mixer. He is a founding member of Harbor Sound, and a working partner of ((Audience)), a non- profit group dedicated to presenting music and sound art in new contexts, including specifically the use of movie theaters as concert halls. He has had the good fortune to collaborate over several decades with an amazing cast of directors including Ira Sachs, Debra Granik, Robert Eggers, Dee Rees, Marielle Heller, Ted Melfi, Mira Nair, Peter Hedges, Jim Jarmusch, and Matthew Barney. Damian’s work can be heard in a wide variety of feature films (The Lighthouse, Can You Ever Forgive Me?, Leave No Trace, St. Vincent, Mudbound, Drive, Winter’s Bone, Margin Call, Forty Shades of Blue, Happiness), documentaries (Billy the Kid, Trouble the Waters) and art pieces (Drawing Restraint 9, States of Unbelonging, Last Address). His work can also be heard at the award-winning Gear Platte River Road Archway Monument and at The George Washington Museum and Education Center in Mount Vernon. His sonic interests include susurration, hypnogogia, tintinnabulation, buzz, bottomlessness, and decay.
Rafael Rangel was born in New York in 1978. Lives and works in Miami, Florida. He graduates with honors in Visual Arts at Pratt Institute in 2001. That same year, he works as an assistant for Matthew Barney and starts his exhibiting career. From then, has participated in group shows in Germany, Canada, Spain, United States and Venezuela. In 2013 he had a mayor solo exhibition at the museum Centro de Bellas Artes de Maracaibo, Venezuela. His works has been exhibited in Venezuela at the most important museums such as Museo de Arte Contemporáneo de Caracas MAC, Galería de Arte Nacional, Museo de Bellas Artes, Centro de Bellas Artes de Maracaibo and MACZUL. www.instagram.com/rafaelrangelserrano
If you listen to fxguide’s VFXShow podcasts you’ll recognize Matt Wallin’s voice — and now, you can hear his story. Recorded at SIGGRAPH, this podcast Matt reveals how Star Wars inspired him to pursue a career in the movies and why his first VFX job involved driving a backhoe. He talks about his work on films including The American President, The Matrix sequels and King Kong, as well as his collaborations with artist Matthew Barney on The Cremaster Cycle and Drawing Restraint 9. Today, Matt teaches his trade as Associate Professor of Communication Arts at Virginia Commonwealth University, and he tells Chris about the vast differences between frantic production schedules and the more sedate pace of academia.
Episode 10 of the official Sidewalk podcast hosted by your own cinematic Freddy and Jason! 0:50 Five Minute Fight - The Neon Demon 8:03 What We're Watching - MA, Godzilla: King of the Monsters, Her Smell 16:00 Kyle's Corner - Kyle in Vegas - Kyle's Guide to Horror Flicks 29:25 Fast Film Terms - Foley Artist 30:50 What's This Shit?! 33:14 Filmmaker Lightning Round - David Lynch 37:35 Film Minute With Charlie Brown - Erich von Stroheim's Greed
We survived the election to bring you in-depth analysis of the Season 7 Finale. Join us for a look at the season’s themes, Empire Strikes Back vs Barbarella (only one of them has Terence Stamp playing Dildano) and a whole lot of Guild of Calamitous Intent ritual borrowed from the Masons. Steven explains who the fuck is Saphrax (and also who’s Hank & Dean’s mom!) and we get into the twin’s psychology again (Jungian and otherwise). Fair warning: Elana’s knowledge of the Masons largely comes from watching avante-garde filmmaker Matthew Barney’s Cremaster cycle and we both geek out about Alan Moore’s From Hell (which are probably Hammer and Publick’s sources on The Masons anyway).
Sculptor and designer Fernando Mastrangelo was raised in Monterrey, Mexico and received his MFA from Virginia Commonwealth University. Upon arriving in New York he landed a job working in the studio of the artist Matthew Barney, whose work would prove a lasting influence. An early sculptural work using sugar as a primary material was a major step for Fernando. His use of natural, granular materials cast in resin would become the foundation of his practice as both a sculptor and a furniture maker.In the wake of this first piece Fernando began a series of ambitious works experimenting with material as well as exploring, often controversially, his status as as a Latino artist. Avarice, a scale replica of an Aztec calendar, was cast out of Mexican white corn. Another work, Felix, a figurative sculpture of a coca-farmer was cast out of Cocaine. Further works drew on materials such as gunpowder, concrete, human ash, salt, and sand, always selected for both their formal and metaphorical qualities.In 2012, prompted by a large scale commission by Sean Parker, Fernando made a critical move away from figurative, narrative sculpture back towards abstraction. It was the beginning of an expansion of his practice into making functional design. Fernando’s work in furniture draws upon the processes he pioneered as a sculptor. His method of binding loose granular materials with an imperceptible layer of resin grant his objects a kind of surrealist quality. One can’t quite figure out how they remain solid. Recent work has focused on environmental issues and the expression of landscape through furniture. Additionally, Fernando’s non-profit In Good Company is dedicated to showing work by emerging designers and sculptors through an annual exhibition, the second installment of which is on view at his studio in East New York through mid October.I’d like to thank Fernando and his entire team at the studio, Michelle Rosique, Anna Karlin, Brian Caverly, Loie Hollowell, as well as all the participating artists and designers of In Good Company. Special thanks to Hannah Martin, senior design editor at Architectural Digest, who co-curated the show with Fernando.You can see my portrait of Fernando, shot with a body of work made in collaboration with Anna Karlin, at www.williamjesslaird.com/imageculture. You can also find it on Instagram @william.jess.laird or @image.cultureTo see more of Fernando’s work head over to www.fernandomastrangelo.com or find him on Instagram @iamfmYou can also see images of all the works in “In Good Company 2018” at www.fernandomastrangelo.com/collections/in-good-companyThanks for listening!
Welcome to the Talkhouse Podcast’s first ever guest-curated episode! Today’s talk was curated by Brandon Stosuy (Editor-In-Chief of The Creative Independent; manager of Zola Jesus, Diamanda Galas, and more; and curator for The Broad Museum and, until recently, MoMA PS1’s Warm Up) and Melissa Auf Der Maur (former bassist for Hole and the Smashing Pumpkins, and co-founder of the Hudson, New York arts center Basilica Hudson). Stosuy and Auf Der Mauer are part of the team behind the fantastic annual Basilica Soundscape “anti-festival,” which presents boundary-pushing artists creating music, film, visual art, literature and more, inside a converted 19th century forge and foundry for steel railway wheels. They join me to intro today’s episode. Past Basilica Soundscape artists have included Matthew Barney, JLIN, Amber Tamblyn, and Deafheaven. This year’s festival takes place September 14-16, and features a killer lineup. Two of the artists performing are this week’s Talkhouse Podcast guests; Taja Cheek—aka L’Rain—and Hisham Bharoocha (Boredoms, Black Dice, Lightning Bolt, Soft Circle). Fittingly, much of their talk focuses on curation and the line where it blurs with artistic creation; Taja’s day job is Curatorial Assistant at MoMA PS1, and Hisham organizes the large-scale Boadrum events. We also hear about the incredible way Boredoms drummer Yoshimi writes music, how time constraints can stimulate creativity, and the ups and downs of playing with 111 drummers simultaneously. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. — Elia Einhorn, Talkhouse Podcast host and producer This episode was recorded by Ivan Kuraev, Ali Nikou, and Mark Yoshizumi, and co-produced by Mark Yoshizumi.
Shara Nova graduated from the University of North Texas with a BA in vocal performance and went on to compose works for opera, youth choirs and her own baroque pop band, My Brightest Diamond. She has recorded as a guest vocalist with David Byrne, Laurie Anderson, The Decemberists, Sufjan Stevens and The Blind Boys of Alabama, and she’s collaborated with visual artists Matthew Ritchie and Matthew Barney. She’s also the mother of 7 year old Cozzie. In this episode we discuss artistic fear vs freedom, touring 60% of the year, how Shara organizes her time when not on tour, being present for her child, and the dedication required to pull it all off. I spoke to Shara over Skype from her studio in Detroit in September of 2017.
Libby Brockhoff, CEO of Odysseus Arms in San Francisco, is all about breaking convention and keeping ahead — resulting in penultimate moments in creativity, culture and even world affairs. A few, in her impressive career so far, stand out. First, she, along with the other founders named a new agency in London “Mother,” with the intention of separating it from the male-dominated stereotypes. More recently, her leadership was front and center with her teams supporting both Caitlyn Jenner’s coming out story on NBC and activating President Obama’s arms trade treaty with Amnesty International. As the CEO of the only Women's Business Enterprise National Council (WBENC) certified female-owned agency in San Francisco, it’s clear that Brockhoff places a great premium on ensuring that the world and brands fully understand her commitment to not only owning and running an agency, but inspiring others to be brave enough to do the same. Bravery and fearlessness are a constant thread for Brockhoff. She fears nothing — especially large-scale work with daunting deadlines. One looks no further than a global Facebook project to motivate the workforce, at the behest of Mark Zuckerberg and Sheryl Sandberg, to take up a good cause, that was to be delivered in less than 10 weeks. Or, YouTube’s massive first paid media campaign that had multiple deliverables on myriad platforms, and had to be completed in less than three months. Part of the fearlessness may be borne from the rigor she learned at the University of Delaware — an advertising program, led by Ray Nichols, that preached the demands and rigor of day-to-day life and expectations in advertising. What was telling was Nichols’ appreciation for great icons and work in advertising’s past, not skipping over the many women who made meaningful contributions decades ago. To Brockhoff, the discipline, plus the opportunity to have female icons to aspire to, provided a prodigious foundation from which to work. Brockhoff is not short of opinions and advice. Her “must list” is an eclectic blend of practical (learn to manage finances when you’re young) and creative (see Matthew Barney’s work at a modern art museum). She also believes that creativity and data can actually coexist, but should lean more toward the Moma (Museum of Modern Art) and less Madison Avenue. Another must? More comedy in the work. (AMEN!!) But the sage advice that is good for anyone in the industry, not just those breaking in, are around the simple skills: manners, interesting conversations, picking up the phone, doing homework and more. To Brockhoff, these are the things that really show what people really have to offer.
Rafaël & Jeremy sit down to talk about art movements and categories... why do they exist? And why are cable modems so big? Show Notes Episode 21 - Song where chair creaks, Ólafur Arnalds Tomorrow’s Song(2011) https://open.spotify.com/track/3Cf47MOQsa3ijid90gr5Io - 1000+ ideas about Hide Router on Pinterest https://www.pinterest.com/explore/hide-router/ - New York City sues Verizon http://www.theverge.com/2017/3/14/14919380/new-york-city-verizon-lawsuit-fiber-broadband - Wow Airlines https://wowair.us/ - Urban Dictionary definition of Neen http://www.urbandictionary.com/define.php?term=neen - Miltos Manetas http://timeline.manetas.com/ - Matthew Barney https://en.wikipedia.org/wiki/Matthew_Barney - Hotline https://en.wikipedia.org/wiki/Hotline_Communications - Vvork http://www.vvork.com/ - Computers Club http://www.computersclub.org/ - JODI http://wwwwwwwww.jodi.org/ - Ars Electronica http://www.aec.at/news/en/ - The Art Happens Here, Net Art Diagram http://www.mtaa.net/mtaaRR/off-line_art/snad.html - Crossing the Chasm, Geoffrey Moore http://www.harpercollins.ca/9780062292988/crossing-the-chasm-3rd-edition - Gene McHugh’s original Post Internet blog (2009) now offline but available as a PDF here: http://www.linkartcenter.eu/public/editions/Gene_McHugh_Post_Internet_Link_Editions_2011.pdf - Required reading post on Rhizome from 2010 by Ceci Moss http://rhizome.org/editorial/2010/mar/09/required-reading/ - Marissa Olson http://marisaolson.com/ - Aids 3d http://aktnz.com/aids-3d/ - Oliver Laric http://oliverlaric.com/ - Constant Dullaart http://constantdullaart.com/ - Joel Holmberg http://joelholmberg.com/ - Alexandra Domanović http://www.tanyaleighton.com/index.php?pageId=445&l=en - Harm van den Dorpel http://harmvandendorpel.com/ - Hans-Ulrich Obrist https://en.wikipedia.org/wiki/Hans-Ulrich_Obrist - AFK Sculpture Park http://www.vvork.com/?page_id=17100 - Hertz vs Avis http://www.slate.com/articles/business/rivalries/2013/08/hertz_vs_avis_advertising_wars_how_an_ad_firm_made_a_virtue_out_of_second.html - Jack Trout, Positioning https://www.amazon.ca/Positioning-Battle-Your-Al-Ries/dp/0071373586 - Bauhaus https://en.wikipedia.org/wiki/Bauhaus - Impressionism https://en.wikipedia.org/wiki/Impressionism - Futurist Manifesto https://en.wikipedia.org/wiki/Manifesto_of_Futurism - Fluxus Manifesto http://georgemaciunas.com/about/cv/manifesto-i/ - David Rokeby http://www.davidrokeby.com/ - Intermedia https://en.wikipedia.org/wiki/Intermedia - Performa http://performa-arts.org/ - Zombie Formalism http://www.artspace.com/magazine/contributors/see_here/the_rise_of_zombie_formalism-52184 - Heirloom Eggs https://myintrinsichealth.com/2012/05/22/heirloom-eggs/
Today we watched the Art21 website and we both picked an artist to view and we discussed these artists. Mark went for the work of Matthew Barney who made a film series called "The Cremaster" which he started in 1995. I believe he made 4 movies based on his study of Male Sexuality. We also watched Liz Magor talk about her gloves that she is casting and we saw an aluminum house on stilts in Coal Harbour British Columbia. Amazing work. Matthew Barney's work, I must admit to not understanding and it almost seems like the biggest extension of a man's ego I have ever seen, short of the Trump Tower... but maybe I am missing the point. Who knows? Opening Theme: Blink 182 I miss youImage: Liz Magor Being this 2012 http://catrionajeffries.com/artists/liz-magor/works/#25
Cinema of splendour or 'be-numbed ego-centrism'? Martin Patrick, Thomasin Sleigh and Mark Amery review Matthew Barney's epic cine-opera River of Fundament. The pod discuss Barney's interplay between sculpture, cinema and visual art, his positions on gender and women, and his many references to celebrated figures of the 20th century avant-garde. Is this a film for our times? All this plus J Hoberman and James Lee Byers. Image: River of Fundament (2014) Matthew Barney and Jonathan Bepler
#02 - Matthew Barney and “The Cremaster Cycle” w/Lucia Simek of The NasherThe “What is Cinema?” podcast presents Episode 2: Matthew Barney and “The Cremaster Cycle”. In this episode we discuss and break down the cinematic and visual arts career of American artist, Matthew Barney and his art film series, “The Cremaster Cycle”, a five-chapter series meditating on America’s occult and Masonic roots, as well as themes of masculinity, the inter-sectionality of film and sculpture, and audience endurance.We are delving into Barney’s work as a precursor to Texas Theatre’s newest partnership with The Nasher Sculpture Center, bringing art films to be screened at the theatre. Barney’s newest film, the five hour, “River of Fundament” is the newest film to be screened as part of this series.Continuing on our mission to build cultural bridges, we invited Manager of Communications at The Nasher, Lucia Simek as our guest for this episode. Simek is a writer, critic, and artist living and working in Oak Cliff. We speak to Simek about her love for her neighborhood, the new collaboration between Texas Theatre and The Nasher, and the idea of film as sculpture.Hosts, Lee Escobedo and Patrick Patterson-Carroll also list their top five favorite art spaces in Dallas! Take a listen and enjoy episode two! Download Link: https://archive.org/download/WIC002_201603/WIC002.mp3
Elektronisk musikk fortrenge rock. - For lett å lage musikk på data, sier Bylarm-sjef. 7 av 10 ønsker mobilfritt teater - og likevel oppfordrer teare tilskuere til å knipse bilder og sende... Matthew Barney - superstjerne i samtidskunsten - med stor utstiiling i Norge. Vi anmelder. og Cinemateket måtte stoppe visning av filmen ARne Skouen ikke ville vedkjenne seg.
Paco and George welcome the multi-talented Sam McPheeters. They discuss the 2011 documentary Samsara, a non-narrative film directed by Ron Fricke and produced by Mark Magidson, who also collaborated on Baraka (1992), a film in a similar vein. Samsara was filmed over five years in 25 countries around the world. It was shot in 70 mm format. Sam McPheeters is an American artist, journalist, novelist, and performer. Raised in Albany, New York, he became a published author at age 12, with Travelers' Tales,a collection of regional folklore. In 1985, McPheeters grew active with the hardcore punk scene, producing several fanzines and organizing local concerts. After moving to New York City in 1987, he co-founded Born Against in 1989 and the Vermiform Records label in 1990. In 1993, he co-founded the Virginia-based band Men's Recovery Project, and in 2003, he co-founded the Los Angeles-based band Wrangler Brutes. Starting in 2005, McPheeters has written for a variety of national magazines, including the Chicago Reader, Huffington Post, the OC Weekly, and the Village Voice. He is a frequent contributor for Vice. In 2012, his first novel, The Loom Of Ruin, was published through Los Angeles-based Mugger Books. He has a new split short story paperback with Jesse Michaels, available now. Follow us on:Twitter: @supdocpdocastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.
On today's episode of THE FOOD SEEN, Mina Stone, like her yiayia (grandmother), relies on three holy Greek ingredients; lemon, olive oil, and salt. Whether it's to dress a salad, stew chickpeas, season a steak, or bake a cake, it's this trinity that has fed galleries of artists all around New York City since 2006. Mina has catered openings at Gavin Brown Enterprise in the West Village, and for the past 5 years, cooked lunch for 20, 3 days a week at Urs Fischer's studio in Red Hook. In her book, “Cooking For Artists” published under Urs Fischer's imprint, Kiito-San, there are not only delicious and comforting recipes like Kopanisti (Whipped Feta), Elies Tsakistes (Olives with Coriander Seeds and Lemon Peel), Faki (Greek Lentil Soup with Cinnamon and Cloves), Revitha (Chickpea Stew with Rosemary, Lemon, and Olive Oil), Makaronia Me Kima (Cinnamon and Clove Meat Ragu), Grilled Whole Fish, Smoky Spiced Chicken Kebabs, Braised Lamb, and homemade Baklava, but also art works by Hope Atherton, Darren Bader, Matthew Barney, Elizabeth Peyton, Peter Regli, Spencer Sweeney, Philippos Theodorides and more. Come, eat with your eyes, and stay for the food. This program was brought to you by Bonnie Plants “Olive oil is my fine wine…it is just as important as any other ingredient, it should be of great quality.” [4:00] “The communal sense of eating is great and exciting…it's the great equalizer.” [17:00] –Mina Stone on The Food Seen
Matthew Barney in conversation with Will Gompertz, BBC Arts Editor.
Keith Vincent, John Holt, Mary Varn, are excited to be joined again this week by Julien Koetsch. This week we present a pair of picks that fall under the theme "Parental Influence." ___________ Segment 1: "Book Of Dreams" by The Steve Miller Band (album) John's pick for parental influence is a classic rock record from the late seventies that he found in his parent's vinyl record collection. A blend of the contemporary electronic musical instruments that were becoming popular with the classic rock/jam band sound, this album takes a number of surprising turns. Book of Dreams is available on Amazon and iTunes. _________________ Segment 2: Matthew Barney and the Cremaster Cycle (artist) Jules' influence comes from his father, an artist and university art professor, in the form of the artist Matthew Barney. The Cremaster Cycle is a series of 5 films, produced out of order over the course of about a decade. Barney explores themes of violence and sexuality, biology and structure, using film as a medium to present sculpture and to present film. You can learn more about Barney and the Cremaster Cycle through a number of art sites and art reviews. You can often find the full Cremaster films streaming on sites like Youtube, and sometimes they will be screened in art house and museum theatres. ______________________ You can follow us on twitter @newtoyoushow and you can leave comments down below! You can follow Jules on twitter @beautifuljules You can follow John on twitter @lordjoho You can follow Mary on twitter @maryvarn Join us next week as we continue our theme of "Parental Influence."
EN 03. Matthew Barney by SALT Online
TR 03. Matthew Barney by SALT Online
EN 03. Matthew Barney by SALT Online
TR 03. Matthew Barney by SALT Online
This week: Amanda and Tom speak with artist Eric Doeringer about his work, humor, disgruntlement (is that even a word?). Eric Doeringer was born in Cambridge, MA and currently lives and works in Brooklyn, NY. He received a BA in Visual Art from Brown University and an MFA from the School of the Museum of Fine Arts, Boston. Doeringer has had solo exhibitions at {CTS} Creative Thriftshop (NY), Apex Art (NY), Katharine Mulherin Contemporary Art Projects (Toronto, Canada), and Another Year In LA (CA). Doeringer has exhibited in group shows at venues including MUSAC (Spain), The Currier Musuem (NH), The Bruce Museum (CT), Albright College (PA), and Muhlenberg College (PA). Doeringer also curated “The Matthew Barney Show”, an exhibition of Matthew Barney fan art and ephemera, at Jack the Pelican (NY) and boca (San Francisco). In 2007, Doeringer received a production grant from the Whitney Museum’s IPO program.
Masculinity, penetration, escape, ego, transcendence and metamorphoses are just some of the concepts investigated in Matthew Barney’s Cremaster Cycle film series.
We brought in audio clips today as a topic. In the morning we also delve a bit into William Kentridge and Mr. Cremaster Cycle himself, Matthew Barney.It also rained... the plants in Columbus smiledhttp://naomicleary.com/home.html
This week: Duncan and guest host Randall Szott talk to the fine folks from InCubate. After that interesting interview we flush the whole effing thing down the toilet by reviewing Harry Potter the Exhibition, where porno and Matthew Barney are discussed. About InCUBATE (from their website): In ways that have only become possible in the past few years, artist collectives and experimental institutions have begun to actively re-imagine alternate art worlds and alternative forms of curatorial practice in an attempt to disengage from the more traditional strategies governing today’s art market. InCUBATE is a research institute dedicated to challenging current infrastructures, specifically how they affect artistic production. As art historians and arts administrators, our goal is to explore the possibility of developing financial models that could be relevant to contemporary art institutions, as well as collective or individual artist projects working outside an institution. Particularly, we are exploring financial models which are less constrained by external controls and market concerns and which are more effective, more realistic, and more relevant to both art and the everyday. Our goal is to continue to conceptualize new possible situations, document these innovations, and make this information available to everyone. InCUBATE does not have non-profit status, instead we see our role as exploring new possibilities outside of the traditional models of 501c3 tax exempt status. We are interested in creating a network of opportunities and creative discussions, as well as sharing resources for creative urban and community planning and self-sustaining situations for art production. These activities include investigating current practices in public/private sponsorships for arts organizations, debating the pros and cons of incorporating as a non-profit, alternative means for financing ‘under-the-radar’ arts projects, and hosting exhibitions and symposiums to spark public discussion. Centered in a storefront space adjacent to Chicago’s historic Congress Theater, we consider our location to be an integral part of our activities and mission. We are interviewing local artists, curators, organizers, and collectives whose thinking extends beyond traditional modes of production and distribution. These discussions will be made public in order to start an open source of information-sharing about processes and strategies. While exploring our own process of becoming a research institute, we will also become a resource for others, which will manifest in various on-going projects. One of these projects aims to assist the production of future projects. Through using the open source software MediaWiki, InCUBATE plans to create a wiki that will function to collect information for projects, collect historical and contemporary data about discursive art making, as well as information directed by the wiki users.
Why do some artists become famous, while others labor in obscurity? In this presentation, art historian Erika Doss will trace the construction of art world celebrity from Jackson Pollock's feature spread in Life magazine in 1949 through Andy Warhol's Factory fame, to the present art world infatuation with Matthew Barney. Doss is professor of art history at the University of Colorado, where she specializes in American, modern and contemporary art, visual culture studies, and cultural history. Recorded November 30, 2006.
Kat Parker and Katie Rashid tell us about Duchess, their new gallery. Brian Andrews does his own dramatic interpretation of Matthew Barney's recent radio Q&A as his publicist didn't think we were important enough to interview him. Brian's brilliant dramatics really pull Bad at Sports in a whole new direction, changing our trajectory forever. Wow. Who could ask for more?!?Show note and links to follow when Duncan gets a minute. Pablo PicassoJoan MiroMatthew BarneyNPRBrian AndrewsKat Parker & Katie RashidDuchess GalleryMarc LeBlancKatie HerzogAlexander StewartStacey NemethCold HeartsDeirdre CorleyKelly ShindlerPackage DealsRhona Hoffman GalleryWest Town Gallery NetworkBody WorldsMuseum of Science and IndustryDrawing Restraint 9Jeff KoonsFluxusBjorkAndre SerranoStar Trek IVStar Trek VIChris CunninghamSpike JonzeMichel GondryJeff Ward
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