Podcasts about kelly strayhorn theater

Have businesses actually stopped giving out plastic bags since a citywide ban went into effect? A new report from PennEnvironment provides a first look at compliance rates. Plus, a new documentary looks at the Black birthing experience in Pittsburgh – at the same time the state is expanding access to doulas. And it turns out our city has a high percentage of pranksters (at least according to one study). We always cite our sources: Pittsburgh was rated the top Prankster City in the U.S. by casino.org PennEnvironment studied whether businesses are complying with Pittsburgh's plastic bag ban TribLive looked into the ban's rollout and enforcement We discussed the plastic bag ban – and the effectiveness of similar measures – on City Cast Pittsburgh WESA reported on state efforts to expand doula access Learn more about PA's Momnibus Package Get tickets to Her Dreams: A Story of the Future of Black Birth this Friday at 5:30 p.m. at the Kelly Strayhorn Theater. Learn more about our sponsor, Hotel Indigo Pittsburgh-Oakland, and their upcoming Comedy Showcase in the Jones & Laughlin Ballroom. Tickets for Saturday, April 20 at 7:30 p.m. are on sale now on Facebook at Facebook.com/HotelindigoPTC. Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news? Sign up for our daily morning Hey Pittsburgh newsletter. We're also on Instagram @CityCastPgh! Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We loved talking all things dance with Shana Simmons!  Jam Fam, we hope you enjoy this episode as much as we did.Shana Simmons BA DANCE Point Park University 2003 (Pittsburgh)MA Choreography Trinity Laban Conservatoire of Music & Dance 2009 (London)New York City:Simmons lived in New York City for four and a half years and performed with choreographers such as Noemie Lafrance "Agora", Alexandra Beller, Tomé Cousin, bigGRITS dance co, Debra Wanner/ Amy Larimer, Amanda Drozer, and was a company member of white road dance media. Whilst in New York, Simmons was chosen to present work at the HATCH Series twice, through Jennifer Muller Works. Simmons also taught for the Internationally acclaimed National Dance Institute, founded by Jacques D'Amboise, for three years.London:She performed and choreographed with companies and choreographers such as Flat Feet Dance Company, Stacy Abalogun and Nadine Doran-Holder and independently presented work at the Reverie Dance Festival in Ghent, Belgium. Simmons collaborated with the visual art company Artmongers, in two site-specific works in London and Simmons has performed her own works in New York City, Belgium, London, Chicago, Boston, and Pittsburgh. Simmons has presented at APAP, pearlPRESENTS Dance Festival, the Next Stage Residency, SpringUP Dance Festival, New Moves Festival, The Three Rivers Arts Festival, and Evolve Productions.Pittsburgh:SHANA SIMMONS DANCE(SSD),  was founded in 2009 by Artistic Director Shana Simmons to create unique and engaging contemporary dance. Simmons is a movement artist who creates immersive dance theatre works that have a heavy focus on research as practice.  Simmons and SSD have produced a variety of works in Pittsburgh since 2012: Relative Positions (2012), PASSENGER (2014), Objective I (2015), The Missing Peace (2018), ELEVATE (2019), IN/BEtween (2022), Living Landscapes (2023). SSD has received support from the Heinz Small Arts Initiative, The Pittsburgh Foundation, PACE Capacity Building, the Kelly- Strayhorn Theater & the National Aviary.In 2021, the company received a $100,000 grant award through the Arts. Equity. Reimagined. Fund for a collaborative project to discuss race and age diversity in dance, generating discussions related to the Pittsburgh dance scene and ways of creating sustainable futures for all types of dancers here in Pittsburgh. Along with this new endeavor, the companies (SSD, Bianca Johnson & Dancers, Chrisala Brown, and XRconnectED) filmed in 360-degree format, creating a new virtual work blending different dance styles, with community at its core center. The company has also created the Constructed Sight Dance Film Festival, an international online film festival which hosts an in-person Opening Night Event, an online Artist Meet & Greet, and an online Dance Film Workshop.Simmons has been commissioned to choreograph for Texture Contemporary Ballet, Indiana University of PA, Point Park University, the VALEES Conference, & Leadership Illinois Conference. Simmons is trained in Graham technique, has worked with various release based choreographers and teachers, values non-gender based partnering as integral to her choreography, and is trained in various Garuda method pilates/yoga classes. Simmons has been a nominee for the Carol R Brown Award (2016), received Pittsburgh's Best Dance award (2014, 2015, 2018) and independently teaches within the community, taught at Point Park University for the past ten years, and is Part-Time Faculty at Seton Hill University. Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

Nearly 15 years after his last featured performance, Mark Anthony Thomas revisits his poetic past with the documentary short film “Folded Whispers” at the historic Kelly Strayhorn Theater in Pittsburgh's East Liberty neighborhood. Thomas performs 17 new original poems on issues of identity, urbanism, love, loss, race and the pandemic. The film is produced by Built Different and described as deeply personal, reflective, and "a love letter to the Kelly Strayhorn Theater," which is a home for Black and queer artists.

The 1st annual Greater Pgh Festival of Books is coming up on May 14th and co-founders Marshall Cohen and Laurie Moser, along with author Dr. Rachel Kallem Whitman, join Tressa to chat all about it! Also... Don returns after a 2-week Name That Neighborhood hiatus. The Greater Pittsburgh Festival of Books Saturday, May 14th 10:00am - 6:30pm https://www.pittsburghbookfestival.org/ Book festival events will be taking place at Bakery Square, Carnegie Library of Pittsburgh-East Liberty, Duolingo, East Liberty Presbyterian Church, the Kelly Strayhorn Theater and the Maverick hotel. Have a story of GENEROSITY or KINDNESS to share with us? Please email us: yinzaregood@gmail.com To request a KINDNESS CRATE drop off at your business or school: yinzaregood@gmail.com Please visit our website and follow us on Instagram and Facebook: www.yinzaregood.com Instagram: @yinzaregood Facebook: @YinzAreGood

Laurie Moser, Co-Chair of the Greater Pittsburgh Festival of Books, joins Shelly Schmidt of WQED Education who directs the Writers Contest and Jim Cunningham. They'll be together May 14th in East Liberty for the event. It's a free featuring over thirty authors with a tie to Pittsburgh. There's a puppet play created for the occasion, events at the Kelly Strayhorn Theater including Deanna Witkowski, author of a book about Mary Lou Williams, plus Creative Non Fiction mainstay Lee Gutkind discusses his work and career summary book.  You'll find Pittsburgh history and fiction, events for kids, and investigate multiple venues Duolingo and the Maverick, Carnegie Library, East Liberty Presbyterian and Bakery Square among them. More about the Greater Pittsburgh Festival of Books

Brian Gilling, pianist and Co-Director of the new music ensemble Nat28 with Daniel Nesta Curtis, tells Jim Cunningham about the concert bringing the group back to the stage at the Kelly Strayhorn Theater on Saturday April 16th, 7pm with the Pittsburgh Composers Project. Who plays in the group, what composers will be heard, why you should visit, what the name means. It's all in this podcast.  More information about the concert

WQED-FM is the official media sponsor for "Suite Life" - the 14th annual celebration of the namesakes of the Kelly Strayhorn Theater in East Liberty on November 27th. It's a jazz concert, panel discussion, VIP reception at Duolingo in their newly designed headquarters, and party featuring video images of Gene Kelly and Billy Strayhorn. Jim Cunningham speaks with Joseph Hall, the Executive Director of the theater and John Shannon, who curated the music for the concert and for the restaurant jazz happenings at Con Alma in Shadyside and downtown in the Cultural District.

Hello! We are wrapping up our first season with a conversation between us three co-founders here at Other Border Wall Project and Podcast - Tereneh Idia, Leah Patgorski, and Jennifer Nagle Myers. We are sharing our thoughts on the many creative pivots we had to do in 2020 and what it all felt like, as well as more in depth conversation about what our own creative practices look like. Join us! And here's a deeper look into who we are individually and what we do.... Tereneh Idia...works on issues of social justice especially in environment, design, arts and culture as designer and writer. She launched IdiaDega, a global eco-design collaboration of Indigenous women artisans in 2014 and became a journalist in 2018. The IdiaDega eco-design collaboration has presented work in Amsterdam, Paris, New York City, Nairobi, Copenhagen and Pittsburgh, including exhibitions at August Wilson African American Cultural Center, The Frick Pittsburgh, Pittsburgh Center for Creative Reuse and the Carnegie Museum of Art. Tereneh was Pittsburgh Style Week’s Designer of the Year for 2019, an inductee into the Taylor Allderdice High School Hall of Fame inductee and awarded the Carol R. Brown Creative Achievement Award for Emerging Artist. As a writer, Tereneh began publishing regularly in 2018 and her work has appeared in Pittsburgh City Paper, Pittsburgh PublicSource, Pittsburgh Post-Gazette - among others, she is a multiple award-winning writer: Winner of the Golden Quill 2019 and 2020 for best columnist in daily paper and nominated again in 2021; The Robert L Vann Pittsburgh Black Media Federation Award; and the Billy Manes Award in 2020. https://www.idiadega.com/ Leah Patgorski...is a Pittsburgh-based artist who was born in Virginia Beach, VA. She earned a degree in Architecture at the University of Virginia followed by an MFA at the School of the Art Institute of Chicago. Her studio practice includes sculptures, partitions, and painting-like objects made of textiles. Her work process moves back and forth between rule-following and improv, color experiments and found hues, and it reflects on intangibles like growth, loss, intimacy, shadows, and the history behind materials. Leah enjoys collaboration with other artists and designers in order to realize large-scale projects. She is part of a collective known as Other Border Wall that is focused on creative resistance to harmful border practices. She has also been exhibiting her individual work with many venues over the years including the Strohl Arts Center in Chautauqua, NY; Westmoreland Museum of American Art in Greensburg, PA; and ADDS DONNA in Chicago, IL. https://leahpatgorski.com/ Jennifer Nagle Myers...is an artist and collaborator based in Southeastern VA after living almost ten years in Pittsburgh. She is mostly interested in the crossover between sculpture and drawing and how that can express the connection and continued desecration of our human imprint on earth. Working outdoors and/or with natural materials as much as possible allows her to establish and maintain a working reciprocal relationship with the earth. She received her BA from Hampshire College and MFA in Intermedia/Drawing from the University of Iowa. Her work has been shown at the Carnegie Museum of Art,The Sculpture Center, The International Print Center, The Institute of Contemporary Art at MECA, and MUDAC in Lausanne, Switzerland, and original performance works have premiered at The New Hazlett Theater, The Festival for New Music, and the Kelly Strayhorn Theater. She continues to collaborate with artists and visionaries in other fields especially with her most VIP muses, the dancers. www.jennifernaglemyers.com --- Send in a voice message: https://anchor.fm/otherborderwall/message

Episode Notes https://www.instagram.com/naina_kathak/ https://www.nainakathak.com/ http://courtyarddancers.org/ Naina Roychowdhury Green started her exploration of Kathak in 1994 at eight years of age, as Dr. Pallabi Chakravorty's first Kathak student while Dr. Chakravorty completed her PhD. Naina's unique style of Kathak evokes a soft and subtle restraint combined with sharp lines and crisp footwork. Hailing from Philadelphia, PA, USA and now currently residing in Pittsburgh, PA, USA, she is a founding member and Head Faculty of the Pittsburgh branch of the Courtyard Dancers, founded in 2000, and has been a fixture in the Pittsburgh dance community since 2004. Naina has guest lectured at the University of Pittsburgh and collaborates with the local community both in performance and sparking important discourse. Naina has also been performed on international television and was featured in J.J. Tiziou's photographic installation “How Philly Moves”. In Pittsburgh, Naina offers a rigorous Kathak curriculum for all levels in addition to leading a strong performance group she's lucky to know. Currently Naina is calling for contributors and is in the nascent phase of establishing an upcoming Kathak Festival Bells of Steel (a nod to the steel town of Pittsburgh) in the Western Pennsylvania, Ohio and West Virginia region. She is deep in the weeds of grant writing and establishing local connections. Naina was recently invited as a guest panelist to discuss “Immigration and the Arts” by Kelly Strayhorn Theater. Show Highlights 0:02:00 Impact of Gender Fluidity on Teaching 0:06:32 Differences Between Gharanas 0:07:57 Naina Green's style 0:09:39 Aspects of Teaching 0:15:27 Workshops Naina di likes 0:18:30 Current Explorations of the Jaipur Gharana 0:20:15 Sticking To Kathak 0:29:03 Dancing with limitations on legs 0:31:17 Courtyard Dancers 0:36:14 The responsibility of an artist 0:42:01 Being fearless and performing for oneself 0:44:32 Relationship with the audience 0:55:52 The Rocketbook 0:57:27 Impact and Legacy

Here is the Executive Director of the Kelly Strayhorn Theater Joseph Hall describing their Suite Life Celebration of the Billy Strayhorn namesakes Gene Kelly and Billy Strayhorn. The event is November 28th at 7pm at the Theater in East Liberty. David Hajdu, Strayhorn's biographer, Patricia Ward Kelly, wife of Gene Kelly, Lynn Hayes Freeland, Poogie Bell and many others are taking place in the event which benefits the theater.

The ladies return LIVE from the legendary Kelly Strayhorn Theater in Pittsburgh and celebrating one year of podcasting on Urban Media Today. Topics include the new male birth control, men as "projects" and life after sexual assault.

Jaamil Olawale Kosoko is a Nigerian American poet, curator, and performance artist originally from Detroit, MI. He is a 2017-2019 Princeton Arts Fellow, a 2018 NEFA National Dance Project Award recipient, a 2018-20 New York Live Arts Live Feed Artist-in-Residence, a 2019 Gibney DiP Artist-in-Residence, a 2017 Jerome Foundation Artist-in-Residence at Abrons Arts Center, a 2017 Cave Canem Poetry Fellow, a 2016 Gibney Dance boo-koo resident artist, and a recipient of a 2016 USArtists International Award from the Mid-Atlantic Arts Foundation. His previous work #negrophobia (premiered September 2015, Gibney Dance Center) was nominated for a 2016 Bessie Award and has toured throughout Europe having appeared in major festivals including Moving in November (Finland), TakeMeSomewhere (UK), SICK! (UK), Tanz im August (Berlin), Oslo Internasjonale Teaterfestival (Norway), Zurich MOVES! (Switzerland), Beursschouwburg (Belgium) and Spielart Festival (Munich). His current work, Séancers, premiered at Abrons Arts Center in December 2017 and has toured nationally and internationally to critical acclaim. Recent highlights include Mousonturm (Frankfurt, DE), FringeArts (Philadelphia, PA), Sophiensaele (Berlin, DE), and the Wexner Center (Columbus, OH). In 2019, Séancers will have engagements at the Fusebox Festival (Austin, TX) and Montréal Arts Interculturels (Montréal, CA), among others.American performance venues include: Abrons Arts Center, Joyce SoHo, DTW, FringeArts, Dixon Place, Dance Theater Workshop, Bennington College, Danspace at St. Mark’s Church, the CEC Meeting House Theater, Wexner Center for the Arts, Kelly Strayhorn Theater, LAX Festival, Miami Theater Center, Art Basel Miami, and the Painted Bride Arts Center, among others.He was a Co-Curator of the 2015 Movement Research Spring Festival and the 2015 Dancing While Black performance series at BAAD in the Bronx; a contributing correspondent for Dance Journal (PHL), the Broad Street Review (PHL), and Critical Correspondence (NYC); a 2012 Live Arts Brewery Fellow as a part of the Philadelphia Live Arts Festival; a 2011 Fellow as a part of the DeVos Institute of Art Management at the John F. Kennedy Center for the Performing Arts; and an inaugural graduate member of the Institute for Curatorial Practice in Performance (ICPP) at Wesleyan University where he earned his MA in Curatorial Studies.His work in performance is rooted in a creative mission to push history forward through writing and art making and advocacy. Kosoko’s work in live performance has received support from The Pew Center for Arts and Heritage through Dance Advance, The Philadelphia Cultural Management Initiative, The Joyce Theater Foundation, and The Philadelphia Cultural Fund. His breakout solo performance work entitled other.explicit.body. premiered at Harlem Stage in April 2012 and went on to tour nationally. As a performer, Kosoko has created original roles in the performance works of Nick Cave, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, and Headlong Dance Theater, among others. In addition, creative consultant and/or performer credits include: Terry Creach, Lisa Kraus, Kate Watson-Wallace/anonymous bodies, Leah Stein Dance Company, Emergent Improvisation Ensemble, and Faustin Linyekula and Les Studios Kabako (The Democratic Republic of Congo).Kosoko’s poems can be found in such publications as The American Poetry Review, Poems Against War, The Dunes Review, and Silo. In 2009, he published he chapbook, Animal in Cyberspace, and, in 2011, he published his own collection, Notes on an Urban Kill-Floor: Poems for Detroit (Old City Publishing). Publications include: The American Poetry Review, The Dunes Review, The Interlochen Review, The Broad Street Review, Silo Literary and Visual Arts Magazine.Kosoko has served on numerous curatorial and funding panels including the Brooklyn Arts Council, the National Endowment for the Arts, MAP Fund, Movement Research at the Judson Church, the Philadelphia Cultural Fund, and the Baker Artists Awards, among others. In 2014, Kosoko joined the Board of Directors for Dance/USA, the national service organization for dance professionals. He is also a founding advisory board member for the Coalition for Diasporan Scholars Moving.He has held producing and curatorial positions at New York Live Arts, 651 Arts, and The Watermill Center among others. He continues to guest teach, speak, and lecture internationally.

“I got into art-making because I want show the different ways that people show up in the world, and to represent voices that are often not heard,” says janera solomon, executive director of the Kelly Strayhorn Theater. That aim has never been needed more than now, as her neighborhood grapples with rapid change and the risk of cultural erasure.   In the past decade, Pittsburgh’s historic East Liberty community has seen big-name tech companies set up shop in former warehouses, heated controversies ignited about affordable housing, and black-owned businesses priced out of their long-time locations. Steady through it all has been janera and the Kelly Strayhorn Theater, named for native sons/entertainment legends Gene Kelly and Billy Strayhorn.   In addition to her passion for bringing world-class art to her city and giving agency to often underrepresented voices, janera champions a belief in the power of art to address the big issues of our day.    “If we’re going to make the case that our art – and our arts organizations - are important, they have to be more important than just for art’s sake,” says janera. “We have a responsibility to show up for all of the issues that are impacting our communities, and to bring all of our creativity, imagination and rigor to the table.”   Hear janera explain the role her immigration story plays in her artistic vision, the three things she believes today’s art world must consider, and how her mom taught her to look fear in the eye – all in this episode of “We Can Be.”   “We Can Be” is hosted by The Heinz Endowments President Grant Oliphant, and produced by the Endowments and Treehouse Media. Theme music by Josh Slifkin, with incidental music by Giuseppe Capolupo. Guest image by Josh Franzos. Guest inquiries: Scott Roller at sroller@heinz.org. 

Hear from janera solomon, Executive Director of Kelly Strayhorn Theater, as she discusses the ways she measures the impact of her work, builds community, supports risky art, and stays curious.

On this episode, I biked over to Staycee Pearl’s house to record this wonderful conversation. Staycee is the co-artistic director of PearlArts Studios and STAYCEE PEARL dance project, where she creates dance-centered multimedia works with her husband and creative partner, Herman Pearl. Since then, the studio has produced several works including OCTAVIA, ABBEY: In the Red, and FLOWERZ. Staycee is also passionate about sharing resources and creating opportunities by initiating arts-community programs such as the PearlDiving Movement Residency and the In The Studio Series. Over the course of an hour, we exchanged ideas about collaboration, body image in dance, preventing boredom in one’s creativity, and finding happiness. There was a dog barking periodically next door, so I apologize for the random dog sounds. Also, next week on April 12-13th, Staycee will be presenting sym, an evening-length dance work in Pittsburgh at the Kelly Strayhorn Theater. sym is a deeply atmospheric dance and sound experience inspired by "Fledgling," a novel by African American Sci-Fi writer Octavia Butler. The work explores Butler's mysterious universe of vampires and humans to examine symbiosis, gender identity and race as it relates to contemporary culture. Staycee is also hosting pearlPRESENTS, a 6-day line-up of performances and movement classes with dance artists from Pittsburgh and NYC. If you are in Pittsburgh, please go and show your support. I’ve added links to the show notes for more information. In any case, I hope you enjoy this. ***sym was commissioned by the Kelly Strayhorn Theater, Pittsburgh, PA Links Mentioned: Staycee's Website Pearl Arts Studios Instagram Sym Info and Tickets pearlPRESENTS Link Dance Theater of Harlem Alvin Ailey American Dance Theater Thomas E. Starzl Katherine Dunham Abbey Lincoln Follow Seeing Color: Seeing Color Website Subscribe on Apple Podcasts Facebook Twitter Instagram

Mila Sanina followed the winding path of journalism from her home in Kazakhstan to a dairy farm in Wisconsin to CNN and PBS Newshour and finally landed in Pittsburgh. Mila seamlessly marries journalism with policy, sharing in-depth, local issues as the executive director at PublicSource. Monica & Marita sat down with her at Kelly Strayhorn Theater’s SUNSTAR Festival where they interviewed her live. Mila Sanina values transparency, is passionate about her craft, and shares her insights on “fake news” and how to keep your head up in the wild world of media consumption. She’s an amazing example of what it means to be an honest, thoughtful journalist-- a true gem of a voice in journalism! Thoughts? Email us: shatteredglasspodcast@gmail.com Music by Anthony LaMarca

Chris Boles is one of the curators behind the Double Mirror Exhibit, (a bimonthly art show at Delaine's Coffee in Pittsburgh's South Side) and the art manager at Red Fish Bowl, (a Pittsburgh based artist collective). He's the most productive yet laid back person I've met and seems to know anyone making anything in the city. In this chat we learn about it all! Before you hear our conversation however, there are a few chats I collected at the 2014 Greater Pittsburgh Art Council's Annual Meeting. Guests to the meeting were treated to performances from 1Hood, including a standout showing from Blak Rapp M.A.D.U.S.A. The keynote speaker, Roberto Bedoya, (executive director of the Tucson Pima Arts Council, which includes the PLACE Initiative), spoke on the theme of belonging and how art and culture connect us to more than just a place but also to a way of living. I'm happy to say that he didn't pull any punches or speak only on the cheerier topics of art, culture, and bringing people together. Instead, he got right into social justice and the history of what George Lipsitz called "white spatial imaginary," which has actively criminalized non-white, non-Christian culture and ideas in the United States. The audience hung onto his words, specifically when he described Rasquachification: "The Rasquache spatial imaginary is a composition, a resourceful admixture, a mash-up imagination that, through objects and places, says, I'm here—whether that be New Orleans, East L.A., the Bronx or South Tucson—and I'm part of the many and I walk down these streets with a Rasquache passport that says I belong."— Roberto Bedoya, "Spatial Justice: Rasquachification, Race and the City" This hits us hard here in Pittsburgh where it's easy to feel like an outsider. The dominating voice that seems to demand a focus on all things "black and gold," pierogis, and now $15 cocktails just doesn't include everyone. After Bedoya's speech, Janera Solomon of the Kelly Strayhorn Theater mentions the new hotel being built next door. She explains how very nice the chain is and predicts that the latest building will be equally so—offering free WiFi in an open lobby where people will be encouraged to work on their laptops, even if they are not guests. It's a part of the "revitalization" happening in East Liberty. While a nice invitation, Janera stresses that part of the gesture requires the hotel to create a welcoming atmosphere and is skeptical whether it is possible for everyone in East Liberty and the surrounding neighborhoods to feel that way. She wonders also if the art she makes in her theater can be viewed as a threat to those hypothetical hotel patrons.  You may ask, why are you going on about this before a chat that seemly has nothing to do with this topic. Well, I'm writing all of this here because we didn't get to it in the soundbites from the meeting or in the chat with Chris, (that was recorded before the meeting in mid-November). I'm writing all of this, because since the GPAC meeting there's been even more evidence in the headlines of why belonging and place-making, place-keeping, and welcoming are important ones. I'm writing this here because if I did this in a separate post with a different headline then you probably wouldn't have clicked on it. I'm writing all of this because I'm still trying to figure out where I belong. Even though on the outside it looks like I should fit right in with the dominating voice I mentioned above, I don't feel that I do. Chris Boles on the Internet // Other links redfishbowl.com durty1.com The Night Gallery Runaway Studios Pgh Decaffeinated Grapefruit