Podcasts about Garuda

Bukan pemain atau mantan pemain bola yang jadi bintang tamunya. Kali ini Bibeche sang Mrs. Profesor akan bercerita segalanya tentang Thom Haye dan kehidupannya sebagai pasangan seorang pemain bola. Tonton episode selengkapnya!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Haye Way kembali ke studio bersama Thom! Di episode ini kami akan membahas banyak berita menarik termasuk kemungkinan derby melawan Malaysia. Selain itu Thom juga akan mengumumkan sebuah berita besar! Tonton episode lengkapnya!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode terbaru! Setelah Jakarta, kali ini kami melakukan podcast di tanah Amerika! Di podcast ini kami mengunjungi sang pertahanan terakhir timnas, Maarten Paes. Simak kisah serunya tentang Lionel Messi dan rekan sekamarnya, Sandy Walsh. Tonton selengkapnya!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Satu episode bersamanya di Jakarta belum lah cukup. Kami mengundangnya kembali untuk mengupas tuntas tentang dirinya. Dan tidak lupa, mari kita ajak dia bernyanyi! Episode terbaru dengan bintang tamu yang paling murah senyum: sang bodyguard Prof. Haye, Joey Pelupessy! Tonton episode selengkapnya!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sebuah episode terbaru dengan tamu istimewa: Erick Thohir. Neal sudah pernah berbincang dengannya di Belanda, tetapi kali ini kami akan mengulik lebih dalam. Apa visi Erick Thohir bersama PSSI dan TIMNAS? Seperti apa masa depan sepak bola Indonesia, dan apa saja yang harus diperbaiki. Semua akan dibahas dalam episode ini.Kami mengucapkan terima kasih kepada Bapak Erick Thohir atas waktunya untuk podcast ini. Podcast ini juga merupakan hasil kerja sama kami dengan PSSI.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's episode is a deep dive into the mind of Suhail Sahrawat,, founder of Garuda SS a label that blurs the lines between workwear, streetwear, and avant-garde with surgical precision and raw creativity. Garuda SS isn't just about clothes; it's about attitude, comfort, and pushing boundaries without taking itself too seriously. We talk design. We talk identity. We talk about building a brand that feels more like an extension of self than a fashion label. Suhail opens up about his creative process, his unfiltered approach to style, and how Garuda SS became an international force with its own unapologetic voice. This isn't your average fashion chat it's a conversation about making art you can wear. Tune in and get inspired.

Gunakan link eksklusif kami: https://nordvpn.com/haye atau masukkan kode promo: haye saat checkout. Dapatkan paket 2 tahun serta gratis tambahan 4 bulan, plus jaminan uang kembali selama 30 hari — tanpa resiko!Dalam episode The Haye Way kali ini, Ole Romeny hadir sebagai bintang tamu untuk membahas debut, selebrasi golnya, dan hubungan spesial yang ia miliki dengan bintang muda Indonesia, Marselino Ferdinan. Ia juga menceritakan kepindahannya ke Oxford United dan bagaimana ia ingin menjadi sosok yang menginspirasi bagi masyarakat Indonesia. Bersama Neal Petersen dan Thom Haye, mereka membahas semua hal yang ingin kamu ketahui tentang sang mesin gol dan harapan baru TIMNAS!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kembali ke Studio! Dalam episode ini, Thom Haye dan Neal Petersen mengulas kembali jeda internasional terbaru TIMNAS. Mereka membahas pertandingan melawan Australia dan Bahrain, atmosfer yang luar biasa, debut Ole Rommeny, serta menjawab pertanyaan dari kalian. Jangan lewatkan episode spesial ini!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode Spesial Timnas & PSSI! Podcast ini direkam pukul dua pagi setelah kemenangan dramatis Indonesia atas Bahrain dengan skor 1-0. Thom Haye dan Joey Pelupessy bergabung bersama kami langsung dari hotel untuk membagikan emosi, refleksi, dan cerita di balik layar pertandingan bersejarah ini.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hasil laga kontra Bahrain di Stadion Gelora Bung Karno, Jakarta, Selasa malam, (25/3) sangat memengaruhi langkah timnas Indonesia di Piala Dunia 2026. Tersisa dua pertandingan yang tak kalah berat, yakni melawan China dan Jepang, yang sudah dipastikan lolos ke putaran final. Bagaimana peluang skuad Garuda ke depan? Seperti apa performa timnas di bawah asuhan Patrick Kluivert? Apa saja yang harus dibenahi?Kita akan bincangkan hal ini bersama Manajer Timnas Sepak Bola Indonesia, Sumardji dan Pengamat Sepak Bola, Kesit B. Handoyo.*Kami ingin mendengar saran dan komentar kamu terkait podcast yang baru saja kamu simak, melalui surel ke podcast@kbrprime.id

Supporters of the Indonesian national team give their comments on the Garuda team's defeat against the host Australia in Sydney. - Para pendukung timnas Indonesia memberikan komentar mereka atas kekalahan tim Garuda dari tuan rumah Australia di Sydney.

Australian former soccer player who played in Indonesia Robbie Gaspar gives his take on the Garuda's defeat against the Socceroos in Sydney. - Penggiat sepak bola dan mantan pemain profesional di Indonesia dan Australia, Robbie Gaspar, menyampaikan pandangannya tentang kekalahan timnas Indonesia saat melawan Socceroos di Sydney.

video: https://youtu.be/YP0wfUNC7D4 Comment on the TWIL Forum (https://thisweekinlinux.com/forum) This week in Linux, we have so much to talk about. First of all, KDE developers have launched their own company called TechPaladin Software. Also, the CodeWeavers team has released the latest version of their crossover software with Crossover 25. The Garuda Linux team have the latest release of their distribution called Broadwing. And also the EFF, the Electronic Frontier Foundation, has released a new open source tool for detecting Cell Site Simulators called RayHunter. And we'll talk about what all that meant later in the show. All of this and more on This Week in Linux, the weekly news show that keeps you up to date with what's going on in the Linux and open source world. Now let's jump right into Your Source for Linux GNews. Download as MP3 (https://aphid.fireside.fm/d/1437767933/2389be04-5c79-485e-b1ca-3a5b2cebb006/7af995f3-0499-4c72-bf51-b8726d980e67.mp3) Support the Show Become a Patron = tuxdigital.com/membership (https://tuxdigital.com/membership) Store = tuxdigital.com/store (https://tuxdigital.com/store) Chapters: 00:00 Intro 00:48 KDE Devs launch Techpaladin Software 03:50 CrossOver 25 Released 06:39 Sandfly Security, agentless Linux security [ad] 08:19 Garuda Linux “Broadwing” Released 11:08 Rayhunter: EFF's Open-Source Tool for Detecting Cell-Site Simulators (CSS) 15:03 What's new at TuxDigital 17:19 GStreamer 1.26 Released 20:40 Epic Games & Fortnite on Windows Arm NOT Linux 23:59 Steam Spring Sale 2025 25:32 Support the show 26:43 Outro Links: KDE Devs launch Techpaladin Software https://techpaladinsoftware.com/ (https://techpaladinsoftware.com/) https://pointieststick.com/2025/03/10/personal-and-professional-updates-announcing-techpaladin-software/ (https://pointieststick.com/2025/03/10/personal-and-professional-updates-announcing-techpaladin-software/) CrossOver 25 Released https://www.codeweavers.com/blog/mjohnson/2025/3/11/experience-next-level-gaming-on-mac-with-crossover-25 (https://www.codeweavers.com/blog/mjohnson/2025/3/11/experience-next-level-gaming-on-mac-with-crossover-25) Sandfly Security, agentless Linux security [ad] https://tuxdigital.com/sandfly (https://tuxdigital.com/sandfly) Garuda Linux “Broadwing” Released https://garudalinux.org/ (https://garudalinux.org/) https://forum.garudalinux.org/t/garuda-linux-broadwing-250308/42436 (https://forum.garudalinux.org/t/garuda-linux-broadwing-250308/42436) Rayhunter: EFF's Open-Source Tool for Detecting Cell-Site Simulators (CSS) https://www.eff.org/deeplinks/2025/03/meet-rayhunter-new-open-source-tool-eff-detect-cellular-spying (https://www.eff.org/deeplinks/2025/03/meet-rayhunter-new-open-source-tool-eff-detect-cellular-spying) Mobile Hotspot: https://amzn.to/427iCV4 (https://amzn.to/427iCV4) What's new at TuxDigital https://tuxdigital.com (https://tuxdigital.com) https://destinationlinux.net/410 (https://destinationlinux.net/410) https://destinationlinux.net/411 (https://destinationlinux.net/411) https://tuxdigital.com/podcasts/linux-out-loud/lol-107/ (https://tuxdigital.com/podcasts/linux-out-loud/lol-107/) https://store.tuxdigital.com/products/this-is-linux-tee-dark-mode (https://store.tuxdigital.com/products/this-is-linux-tee-dark-mode) GStreamer 1.26 Released https://gstreamer.freedesktop.org/releases/1.26/ (https://gstreamer.freedesktop.org/releases/1.26/) Epic Games & Fortnite on Windows Arm NOT Linux https://onlineservices.epicgames.com/en-US/news/windows-on-snapdragon-support-is-coming-to-epic-online-services-anti-cheat-and-fortnite (https://onlineservices.epicgames.com/en-US/news/windows-on-snapdragon-support-is-coming-to-epic-online-services-anti-cheat-and-fortnite) https://www.gamingonlinux.com/2025/03/as-epic-games-continue-ignoring-linux-steam-deck-for-fortnite-theyre-putting-it-on-windows-arm/ (https://www.gamingonlinux.com/2025/03/as-epic-games-continue-ignoring-linux-steam-deck-for-fortnite-theyre-putting-it-on-windows-arm/) Steam Spring Sale 2025 https://store.steampowered.com/ (https://store.steampowered.com/) https://www.gamingonlinux.com/2025/03/steam-spring-sale-2025-is-live-now-heres-some-great-budget-games-for-steam-deck-linux/ (https://www.gamingonlinux.com/2025/03/steam-spring-sale-2025-is-live-now-heres-some-great-budget-games-for-steam-deck-linux/) Support the show https://tuxdigital.com/membership (https://tuxdigital.com/membership) https://tuxdigital.com/store (https://tuxdigital.com/store)

Thom Haye dan Neal Petersen merekam satu episode podcast lagi sebelum jeda internasional. Mereka membahas dua pertandingan mendatang, para pemain baru seperti Rommeny, James, Peluppesy, dan Audero. Selain itu, mereka juga membicarakan hal-hal yang tidak boleh Thom lupakan dalam perjalanannya, rencana Neal di Jakarta, dan keduanya belajar satu kalimat baru dalam Bahasa Indonesia.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Väsuki is the eldest son of Rishi Kashyapa and Kadrů. Vasuki went through all pain for others to get Amrit. He did not ask what will i get out of it. Selfless people who see oneness and operate love go through difficulties joyously because of this vision of oneness and love. In Tripura-dahana, Vasuki becomes the bow-string of Shiva'a bow(Pinaka) and as the axle of his chariot. The nāgas anointed Vasuki as their King. He is one of the 7 nagas to hold up the earth. When Balabhadra went to Patala after his work on earth, Vasuki went to receive him. Comment “Vasuki” to know more about Vasuki and his length and how Garuda was humbled by Vasuki.#mahakumbh #mahakumbh2025 #vasuki #shiva #serpent#naga #snake #selfless #strength[snake, selfless, churning, ocean, struggle, life, service, love, oneness]

Minggu ini akhirnya ada tamu lagi, dan tidak lain adalah Sandy Walsh. Thom Haye dan Neal Petersen berbincang dengannya tentang transfernya ke Jepang, TIMNAS, hobi unik, dan banyak lagi.Socials: ThehayewaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CounterVortex · MAGA-fascism and the future of Europe In Episode 267 of the CounterVortex podcast Listen on SoundCloud or via Patreon. https://www.patreon.com/countervortex Production by Chris Rywalt We ask listeners to donate just $1 per weekly podcast via Patreon -- or $2 for our new special offer! We now have 68 subscribers. If you appreciate our work, please become Number 69!

Kami kembali di studio! Thom Haye dan Neal Petersen bersama-sama mengulas kembali derby luar biasa di Indonesia, Persija - Persib. Mereka juga melihat derby legendaris lainnya. Derby mana yang pernah Thom mainkan? Mana yang pernah mereka saksikan langsung? Dan mana yang benar-benar tidak boleh dilupakan? Tautan ke video yang dibahas dalam podcast:Boca Juniors - River Plate - Copa 90https://youtu.be/rIG13KfUSkI?si=o5Tx6xXuNloPq2rXNeal ke Inter Milan - AC Milanhttps://youtu.be/B3dzo8DF32E?si=6ZiRXBsKIS40UZ-fNeal ke Partizan - Red Star.https://youtu.be/5_GBIg2YBko?si=b-uzPbtlU5cDWpoHSelamat menonton!Instagram: @thehayeway TikTok: @thehayewaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Harish Consul is the founder and CEO of Ocgrow - one of Canada's leading private VC funds focused on ventures that demonstrate value to investors and humanity at large. He is an early investor in Amazon, Garuda, Shopify and several others. Serves as a board member at various for profit and nonprofit organizations.

Dalam episode The Haye Way kali ini, Thom Haye berbicara tentang ulang tahunnya yang baru saja lewat, kemenangan penting bersama Almere City, dan pertandingan mendatang melawan Loopy, Calvin Verdonk. Selain itu, Neal juga membahas pekerjaannya sebagai presenter untuk Super Bowl minggu lalu. Jangan lupa ikuti kami di media sosial: Instagram: TheHayeWay TikTok: TheHayeWaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Minggu ini, tamu kita adalah Kevin Diks! Salah satu pemain terbaru di tim nasional. Kami berbicara dengannya tentang transfer besarnya ke Borussia Mönchengladbach, apakah dia akan menjadi eksekutor penalti utama di TIMNAS, dan cintanya terhadap Indonesia. Selain itu, minggu ini adalah ulang tahun Thom, jadi kami memberikan kejutan dengan beberapa pesan video dari orang-orang penting di sekitarnya.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kami menerima banyak pertanyaan tentang ini, dan akhirnya… Erick Thohir ada di sini! Bersama dengan Gijs de Jong dari federasi sepak bola Belanda, Neal berdiskusi mengenai kerja sama antara federasi, pelatih baru, mimpi besar Indonesia, serta perbandingan dan perbedaan antara Belanda dan Indonesia.Minggu depan, kami akan kembali dengan Thom Haye dan Neal di studio!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode baru dari The Haye Way dengan tentunya tamu baru. Minggu ini, Marc Klok, kapten Persib Bandung saat ini dan pemain timnas dengan 19 caps. Kami membahas pernyataannya di media, Marc Klok Foundation, julukannya, dan mimpinya bermain di Piala Dunia bersama Timnas Indonesia.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dalam episode The Haye Way kali ini, Neal Petersen dan Thom Haye membahas pengalaman terbaru mereka, termasuk liburan dan pelatihan dari pelatih baru. Mereka juga merefleksikan dampak pelatih baru terhadap tim. Selain itu, mereka menjawab pertanyaan dari pendengar dan, sebagai penutup, membahas kata Bahasa Belanda untuk episode kali ini.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dalam episode ini, Neal dan Coach Justin membahas penunjukan terbaru Patrick Kluivert sebagai pelatih kepala baru Timnas Indonesia. Mereka mengeksplorasi implikasi dari keputusan ini, reaksi dari para penggemar dan media, serta karier panjang Kluivert sebagai pemain dan pelatih. Percakapan juga membahas peran asisten pelatihnya, Alex Pastoor dan Danny Landzaat, serta harapan yang mengelilingi performa tim dalam upaya mereka untuk lolos ke Piala Dunia.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Minggu ini Thom Haye dan Neal Petersen berbincang dengan Coach Justin! Mereka membahas tentang tumbuh besar di Belanda, futsal, dan keterampilan media sosialnya! Sekarang online!THOM HAYE INSTAGRAM: @thomhayeTHOM HAYE SPOTIFY: @thehayewaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Di bagian kedua dari *The Haye Way*, Thom Haye dan Neal Petersen berbincang dengan Jay Idzes tentang kualitas kepemimpinannya di Timnas Indonesia, pengalamannya bermain di Venezia, Italia, dan sosok inspirasinya dalam hidup: ibunya. Selamat menikmati!THOM HAYE INSTAGRAM: @thomhayeTHOM HAYE SPOTIFY: @thehayewaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sudah waktunya untuk episode keenam! Banyak dari kalian telah memintanya, kapten Timnas Indonesia: Jay IDZES! Thom Haye dan Neal Petersen berbicara dengan sang kapten tentang mimpinya bersama Indonesia, Piala Dunia, bermain sepak bola di Belanda, dan menjadi panutan. Ini adalah bagian pertama dari podcast bersama Jay Idzes. Bagian kedua akan online minggu depan! Selamat menikmati!THOM HAYE INSTAGRAM: @thomhayeTHOM HAYE SPOTIFY: @thehayewaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Saatnya episode baru! Dalam episode ini, Thom Haye membahas situasinya di Almere City, menjawab beberapa pernyataan bersama Neal Petersen, dan mereka juga menjawab pertanyaan-pertanyaan yang kalian kirimkan. Selamat menonton!Media sosial Thom Haye: Instagram: @ThomhayeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Saatnya untuk episode keempat dari *The Haye Way*! Banyak dari kalian yang meminta kami untuk menghadirkan tamu ini, dan inilah dia: Calvin Verdonk. Thom Haye dan Neal Petersen berbincang dengan bek kiri tim nasional Indonesia. Bagaimana rasanya bermain untuk Indonesia? Di liga mana dia ingin bermain di masa depan? Selain itu, mereka juga membahas dunia UFC dan menjawab pertanyaan dari kalian. Selamat menonton!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sudah episode ketiga! Terima kasih banyak atas semua respons positif dan pencapaian 100.000 subscriber. Episode kali ini membahas soal persiapan: apakah kamu lebih suka mendengarkan musik sebelum pertandingan atau justru ingin tidak melakukan apa-apa? Apa sebenarnya yang dilakukan para pemain sepak bola sebelum pertandingan di lapangan? Selamat menonton!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sudah waktunya untuk episode kedua dari The Haye Way!Kali ini, kami akan mengulas pertandingan internasional terakhir Thom, melawan Jepang dan Arab Saudi. Kemenangan luar biasa yang membuat kami masih berpeluang untuk lolos ke Piala Dunia. Selain itu, sang profesor memberikan pembaruan tentang cederanya, dan untuk pertama kalinya, kami juga akan menjawab pertanyaan dari para penonton. Selamat menonton!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sebuah podcast baru telah hadir! Di episode pertama, kami akan memperkenalkan ide-ide kami di platform ini. Bersama dengan temannya, Neal Petersen, Thom Haye merenungkan apa yang telah terjadi dalam hidupnya. Hanya tentang sepak bola? TIDAK! Semua hal dibahas dalam podcast ini. The Haye Way, alias My Way, akan tersedia mulai minggu ini di aplikasi podcast favorit Anda atau di saluran kami.(0:00) Pengenalan(2:00) - Neal Petersen(3:00) - Pertama kali(5:00) - The Haye Way(13:00) - Kecemasan sosial(19:00) - “Gangmaker”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A new podcast!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a text✨ Have you been lazy lately ? Did you notice, you were also adamant about giving in to the laziness ? Why is it that when faced with two paths, one of action and the other of inaction, we often choose the latter?

Welcome back to your favorite podcast, That Would Be Rad! This week, Tyler and Woody continue the October Spooktacular with a bone-chilling episode about bird-like humanoids and the haunting tales that surround them. Get ready to be creeped out as they dive into the eerie Kentucky legend of The Vanishing Bird Family, a ghostly tale of a peculiar family that mysteriously disappeared, transforming into birds and leaving behind unsettling remains that blur the line between human and avian. But that's just the beginning! As they peel back the layers of this spine-tingling story, they take listeners on a whirlwind tour of similar creatures and legends from across the world. From the Owlman of Cornwall, a terrifying winged figure that haunts the countryside, to the Mothman of West Virginia, whose ominous appearances foretell disaster, to the dark side of the Garuda in Southeast Asian folklore—these terrifying entities are shrouded in mystery and suspense. Each story reveals chilling connections between these bird-like figures, linking them across cultures and centuries. What are these creatures? Are they cryptids, spirits, or something even more otherworldly? Join us as we explore the frightening lore behind these strange sightings, discuss their implications, and share our thoughts on what might really be happening. Whether you're here for the high strangeness, the eerie nostalgia, or just to hear two best friends get spooky, this episode will keep you hooked from start to finish! RAD WAYS YOU CAN SUPPORT OUR SHOW: JOIN OUR PATREON: Dive deeper into the mysteries with exclusive content and support our quest for the truth at www.patreon.com/thatwouldberad BUY US A COFFEE: Fuel our late-night research sessions and keep the spooky stories flowing at www.buymeacoffee.com/thatwouldberad ☕️ OUR MERCH: Embrace your inner mystery hunter with our official gear at thatwouldberad.myspreadshop.com SHOW INFO:

So the year 649 was so bad that they went and changed the whole calendar to forget about it!  In 650 a white pheasant is brought to the court, and they sieze on that as a chance to rename the era from Taika to Hakuchi.  That should make things better, right? This episode we talk about this event--their reasoning, as well as what is recorded as having happened.  We also take a look at the completion of the Ajifu no Miya and how it was renamed to the Naniwa no Toyosaki no Nagara no Miya, or the Toyosaki Nagara Palace of Naniwa.  This is thought to be what we know today as the Early Naniwa Palace, and it was a real change, and, in many ways, the physical manifestation of the Taika era reforms. For photos and more, check out https://sengokudaimyo.com/podcast/episode-113 Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 113: The White Pheasant.   The officials of the court stood sentinel at the palace gates, a formidable line of authority draped in flowing, vibrant robes that signified their rank. Each step down the line revealed a cascade of colors, a living tapestry of power and prestige. Only the envoys from distant shores stood apart, their unique uniforms adding an exotic flair to the proceedings, as well as a certain legitimacy as outside witnesses.   The air crackled with anticipation as the crowd waited, their breath held, until four figures emerged, bearing aloft a magnificent litter adorned with intricate decorations that shimmered as they caught the sun's rays.   Upon that litter rested a cage, and within it,a dazzling white pheasant, plucked from the untamed wilds of Anato. Whispers rippled through the throng; some questioned the significance of this fragile creature, while others dared to see it as a divine omen. Was this bird as pure as the tales had promised? The capital had buzzed with rumors ever since its unexpected arrival, and those in the back stretched their necks, desperate for a glimpse of this rare marvel.   The past year had cast a shadow over the Yamato court, leaving the air thick with uncertainty. Yet, this ethereal bird, shimmering with the promise of renewal, seemed to herald a shift—an opportunity for rebirth that everyone craved.  At the very least it was a much needed distraction from everything that had previously occurred.   As the litter glided past, the courtiers bowed deeply in reverence, forming two disciplined lines that followed through the grand gates. Together, they marched into the palace, hearts pounding with hope. They were not just entering a building; they were stepping into a new era, one that, with a whisper of fate, could rise above the struggles of the past.     This episode we kick off the start of a new era—the Hakuchi era, or the era of the White Pheasant.  It followed the Taika era, and it does have a different feel.  It is less about new edicts and more about how things were shaking out and coming together.  And one of the things that was coming together was the Nagara no Toyosaki palace, which is believed to be the same one known to archaeologists as the “Early Naniwa Palace” unearthed in Ohosaka and dated to the mid-7th century.  We'll actually start with a look at this palace, continuing our discussion from last episode, as our sovereign, Karu, aka Koutoku Tennou, seems to have been a bit crazy about all of his palaces, and figuring out just which is which can be an issue in and of itself. We'll also touch on the start of this new era, and look at why and what it meant to come up with a new era name—a new “nengou”—in the middle of a reign like this.  And so we catch ourselves at the start of the year 650, still, technically, in the Taika era.  The year started well enough, with the sovereign celebrating the new year at the Ajifu palace and then coming straight back—the Ajifu palace was apparently yet another new palace and it seems construction had only recently begun.  Now, There is some confusion between the Ajifu palace and the Toyosaki palace.  The Ajifu palace is traditionally thought to have been located on the opposite side o f the Yodo river, in the area of modern Settsu city, on the site of what became the Ajifu Shrine.  Others have suggested that it was actually on the Kanimachi plateau, which is where the Toyosaki palace was.  Notably the “Toyosaki” palace is not located anywhere near the modern area of “Toyosaki” with which it seems to share a name.  From what little information we have, it seems to have been quite the complex.  As to why he would need yet another palace, I could not say.  And yet, later we see that the Ajifu Palace is eventually named the Nagara Toyosaki Palace.  So are they one and the same?  Did they move the Toyosaki Palace?  Or did they build the Toyosaki Palace and then *rebuild* it as the Ajifu Palace—aka the Nagara Toyosaki Palace? At this point the way that the Chronicles talk about it, the Ajifu palace site seems to have been almost purely conceptual, while previous accounts seem to indicate that the Toyosaki Palace was already in use.  That would have made for an interesting New Year's celebration, probably in temporary buildings erected quickly amongst the grass and fields, with some nearby tomb mounds that would need to be leveled or moved to make room, we are later told.  It seems they were still surveying the site, but I guess Karu really was looking for a change.  And so he celebrated the new year at the Ajifu palace, but quickly returned back to wherever the work of the government was actually occurring. As to where that was, well, we talked last episode about all of Karu's meanderings from one palace to the other.  The Nihon Shoki text itself is not exactly clear, as I read it.  It doesn't help that the term for palace, or “miya”, appears to refer to both a complex and a single residence, without a clear distinction given between the two.  And so, though I mentioned it last episode, let's recap what we know about the palaces this reign. So in 645, we are told that Karu decided upon Naniwa and we are told that this is the “Toyosaki” palace.  Then in 646, Karu took up residence in the “detached” palace of Koshiro in Sayabe, Naniwa.  This was likely him repurposing the Miyake, the government offices with the royal granaries.  He was only there for about two months, though, before he returned.  Then, in the third month of 646, he issues an amnesty claiming to have taken up residence in the new palace—but we aren't told which one. In 647, two years into the reign, the government offices at Wogohori are torn down and a palace was built there.  Now this is somewhat confusing because there appear to be two government districts:  Wogohori and Ohogohori.  You'll probably notice how similar these two sound, though it may have been more like “wogopori” and “opogopori”. Back in the day.  Wo-gohori, or the “Small District”, is mentioned once, but mainly just as a place name.  Ohogohori, or the “Big District” has previously shown up as the place with government offices for the envoys from overseas.   Confusing matters, in a later entry, Karu eventually moves out of the palace at Oho-gohori and into the palace that would be known as the Nagara Toyosaki palace.  So was he at Wogohori and then later at Ohogohori?  Or was there some scribal error such that the two got confused? And then in 648 we are told that Karu moved into the Toyosaki palace in Naniwa.  Two years later, in 650, and he is now celebrating New Year's at the Ajifu palace, which may refer to a location on the other side of the Yodo river, but is likely in the spot we now think of as the Nagara Toyosaki Palace.  We then know that in 651 they were still building a palace.  And it isn't until the last day of 651 that Karu would formally move from Ohogori into the Ajifu palace, which we are told was then renamed the Nagara no Toyosaki no Miya---the Nagara Toyosaki Palace. I have several thoughts on all of this.  One, is that there may have been two “Toyosaki” palaces—there was the Toyosaki palace that he first moved into, and then there is the Nagara Toyosaki Palace.  “Nagara” appears to mean something like “Long Handle”, but other than that, I don't know that there is a good translation.  It may refer to the fact that it was meant to last longer, or that it was even larger than the previous palace.  It may even be that the original Toyosaki Palace was just a few of the buildings, and that eventually it grew into the larger Nagara Toyosaki Palace, but if that is the case, what is up with term “Ajifu”?  Was that just one building in the larger palace?  Or are earlier mentions of “Toyosaki” anachronistic, and perhaps it wasn't until the entire thing was complete that they gave it that name?  Many modern accounts appear to conflate the Toyosaki palace with the Nagara no Toyosaki Palace, saying it just took that long to build.  That would imply that the Ajifu palace really was there on the Kamimachi plateau, at the known Naniwa palace site.  Alternatively, “Nagara” could possibly have been a reference to the fact that the Ajifu palace was an extension of the larger Toyosaki complex, possibly built out of the government offices of either Wogohori or Ohogohori. For all that we don't know exactly what was happening here, we have a pretty good idea in the archaeological record about at least one of the palace sites on the Kamimachi plateau.  This site has been identified as the Toyosaki palace of Karu, aka Koutoku Tennou, and it would actually be reused at a later date.  Sure enough, there are remains of at least two palace complexes on the site, with the one from our period known as the “Early Naniwa Palace” site. Based on its size and layout, this Early Naniwa palace was the first of its kind.  Previous palaces in Asuka had not dissimilar designs in terms of the general arrangement, but this clearly made use of the structure of continental style palace complexes, and was likely intended to be a new, permanent capital. The north of the palace complex consisted of a rectangular, walled section 185 meters east to west and 200 meters north to south, making up the “dairi”.  That's almost 10 acres of enclosed space, set aside as the sovereign's personal living quarters. South of that was a smaller area with the front hall, one of the largest for its time.  It was 36 meters east to west and 19 meters north to south.  This would have been the hall called the “Daigokuden” in later palaces, where official rituals would take place.  There was a gate between it and the Dairi, to the north, as well as a gate to the south, flanked by two octagonal buildings, which led to the Chodoin, the main working area of the court complex. This is part of what sets this palace apart from others, and why it likely took a while to build.  It may also explain all the different palace names as there was probably a lot of construction for a long time.  In previous instances, as far as we can tell, the sovereign's palace was both their home and the building where state business was conducted.  Think, perhaps, of the White House, in the US, and then imagine that the White House, the Capitol Building, and the Supreme Court were all part of the same compound, with only the barest of concessions to privacy between them.  In this new layout, the dairi was reserved to the sovereign, there was a small area for the official throne room, and then south of that was the Chodoin, the court hall complex. This was a huge change to how things had operated in the past.  While the main audience hall was still nominally part of the dairi, so the “private” areas of the palace weren't entirely “private”, it was still leaps and bounds more separated than in the previous palaces we've uncovered.  Sure, the idea of lining up buildings from the front gate to the larger buildings towards the back, making people approach successively larger and more impressive buildings, generally seems to have been a thing as far back as the Makimuku Palace near Mt. Miwa, back in the third century, but even then, there is no clearly defined separation between the public and private spaces of the sovereign.  There does seem to have been restrictions on who could enter what parts of the compound, with the sovereign's personal quarters being the most restricted, but now there were walls and gates and guards separating one area from another. The Chodoin itself, the main “business” or “public” area of the court, appears to have been about 262.8 meters north to south and 233.6 meters east to west—a little over 15 acres.  Most of that was open space between the 14 “choudou” halls lined up symmetrically, 7 on either side.  These were the individual buildings where the various government officials were to meet and conduct business, as well as conduct rituals, feasts, etc.  There was a southern gate that provided the entrance to the Chodoin and led to another large area with the Choshuden, the buildings where officials could change into and out of their formal court uniforms, and otherwise prepare for or close out the day.  South of that was the main gate for the entire compound, the Suzaku gate, named for Suzaku, the red bird of the south, one of the four directional guardian spirits. We know the buildings largely from their post holes.  They were made of wood, and it is likely that most of them were thatched.  They may have been painted white, vermillion, and green—classic paints that were based on continental styles and which were said to help prevent the wooden pillars from rotting too quickly.  It is unsurprising that this would have taken years—but it is also possible that they built some quarters for the sovereign and then built out from there.  This also would have been key to a lot of the governmental reforms, providing an actual location for the work that the reforms were directing. Of course, there was a lot of work to be done, and the halls in the palace were limited, so two areas to the east and west of the complex were set aside and appear to have been built up with other government offices, suitable for carrying out the day to day minutiae that was required. There is still a question of whether or not they also instituted the larger grid system city layout around the palace complex.  Currently we have no evidence for that, though perhaps they were considering it, eventually.  Unfortunately, with all of the construction in Osaka over time, I don't know if we could be able to find or discern such a layout if we did find it.  For now, we will stick with what we know:  an absolute unit of a court complex that took them several years to build. Getting back to the Chronicles: Our next entry in the Nihon Shoki, after the New Years celebration, tells us that in the second month, Kusakabe no Muraji no Shikofu, the governor of Anato Province, brought a white pheasant to the court.  The report claimed that it had been caught by Nihe, a relative of Obito, the Kuni no Miyatsuko of Anato, on the 9th day of the first month, on Mt. Wonoyama. For reference, the land of Anato was at the far western end of Honshu, part of the San'yodo, itself a designation for the lands along the Seto Inland Sea coast from Harima, modern Hyogo prefecture, out to Anato, modern Yamaguchi prefecture.  It was on the Honshu side of the Shimonoseki strait, which was the main entrance from the Korean Strait and the Japan Sea to the Seto Inland Sea.  The area would later be known as Nagato, which would eventually be called Choshu, an area which any students of the fall of the Tokugawa shogunate are sure to recognize. We discussed back in Episode 94 how white or albino animals—assuming they weren't normally white—were considered particularly auspicious.  So in 598, the land of Koshi sent a white deer they had found to the court of Kashikiya Hime, which is to say Suiko Tenno.  And so the white pheasant from Anato was clearly seen as an omen—but was it truly auspicious.  Here we see the court investigating this, and how exactly they go about that is somewhat enlightening as to how the court thought in general. First, they made inquiry of the lords of Baekje—I would suspect this referred to those recognized as Baekje nobility residing in the archipelago, rather than sending a correspondence to the peninsula and back.  That they went to someone from Baekje would seem to indicate the importance they placed on Baekje as a conduit for continental learning.  Indeed, the answer they got back—whether from a single, unnamed individual or a group of Baekje nobility—was that White Pheasants were recorded in the 11th year of Yongping, which would be 68 CE to us, during the reign of Ming of the later Han dynasty.  Han Mingdi, aka Emperor Ming of Han was born Liu Yang and also known as Liu Zhang, reigned from 57 to 75 CE.  Ming and his son, Emperor Zhang oversaw a period of particular prosperity for the Eastern Han dynasty.  On the other hand, there was an attempt to curse Emperor Ming in 67 CE, which ended with the death of the ambitious Prince Jing of Guanglin.  Then, in 70, Prince Ying of Chu was also convicted of using magic to try and secure blessings while he fomented revolution against the emperor, and he was exiled, where he committed suicide.  So I don't know if this marks the pheasant as particularly auspicious or not. Asking the Buddhist priests, who frequently studied not just Buddhist canon, but other continental texts, they mostly drew a blank—at least on the specifics of a white pheasant.  They did recommend that a general amnesty would not be amiss, as it would bring joy to the people.  I guess if you aren't sure about the nature of an omen you can certainly do something to help it out. And while they weren't specifically sure about a white pheasant in Buddhist scripture, a couple of priests did have suggestions. The Priest Doutou recounted a story from Goguryeo, when the court there wished to build a new Buddhist temple, but could not divine a suitable and auspicious site.  When someone witnessed a white deer, they chose that spot for the temple, which was then called the Temple of the Park of the White Deer.  According to Doutou, this temple established Buddhism in Goguryeo. Furthermore, he recounted, when a white sparrow was seen on the farmstead of another temple, or when a dead crow with three legs had been brought back from the Tang dynasty, the people had proclaimed both of these to be good omens.  So given all of that, Priest Doutou concluded, a white pheasant must be especially auspicious. The Priest Bin agreed.  Bin, you may recall, had been heavily relied upon for his knowledge in setting up the new governmental structure, which would seem to indicate that he was quite well-versed in continental ideas, and he had even traveled there himself.  He provided the court several different reasons that a white pheasant might appear. First, it might appear when a ruler extended his influence to all four quarters. Second, it might appear when the sovereign's sacrifices are appropriate, and when his banquets and clothing are in due measure. Third, it might appear when the sovereign cultivates frugality. Finally, it might appear when the sovereign was humane. He didn't provide any specific examples of how he arrived as his conclusions—at least nothing was recorded—and so he may have been relying on his own expertise.  However, he did recount one tale in particular.  It was a story from the time of Emperor Cheng Wang of the Zhou dynasty.  Cheng Wang is said to have reigned in the 11th century BCE, from 1042 to 1021, and so take that how you will.  Important to us is not what happened so much as what the Yamato court believed had happened—what was the historical truth that they were workin with at the time? According to Bin, during Cheng Wang's reign, the Yuehshang family brought a white pheasant to the court.  Apparently it had been three years without any exceptional storms or rains, and neither the rivers nor seas had flooded.  Apparently the old men found this an extremely long time to go without some kind of disaster, indicating that the pheasant was clearly an auspicious omen in deed. Priest Bin also mentioned other accounts, but the Chroniclers omitted them from the record. Whatever they were, the court had heard enough.  The White Pheasant was declared auspicious, and a new era was declared:  the Hakuchi, or White Pheasant, era.  They let the white pheasant loose in the royal garden, presumably with clipped wings or otherwise kept from flying off, and then preparations were made  immediately to officially inaugurate the new era 6 days later, on the 15th day of the 2nd month of 650. Before we get into that, though, I want to pause and take a look at something here:  The authority of precedent.  Time, as conceived of in the continental model, was cyclical.  There was the cycle of day and night.  The cycle of the year and the repeating seasons.  Likewise the planets and heavens all had their own cyclical periods.  In addition, there was the idea that the Yin and Yang forces in the universe likewise cycled through predictable patterns—the sexagenary cycle, or cycle of 60 years, being an example of a longer term cycle.  And then there was the Buddhist cycle or death and rebirth, at least as long as one remained tied to this mortal plane of existence. If time is cyclical, then one can look to the past to predict the present.   Stories of the past were seen as holding authority over similar events in the present.  Understanding these historical stories and being able to pull from them provided its own kind of power and authority.  Rather than attempting to reason from first principles, precedent was often a more convincing argument. Being able to read and write and recall all of these stories gave scholars the ability to influence events.  Of course, who had time to do all that other than people like Buddhist priests or the doctors of the court? This is also one of the reasons that people would have had to write down histories and, eventually, to keep diaries and accounts of what happened.  Those accounts would, over time, become essential records to invoke for moments like this—and even a record like the Nihon Shoki or the Kojiki would have similar significance.  In many ways, it is propaganda, but not just in how it describes the past as the Chroniclers wished it to be, but it set the precedent for succeeding eras to look back on.  While we may challenge that view, today, for many from the 8th century onward the events described in the Nihon Shoki were considered the gospel truth in more ways than one. Of course, all that aside, we've had plenty of auspicious events before, but why, now, would they be enough to trigger a new era?  Why not just note them and move on? Well, to start with, let's face it, nobody is likely to name 649 as the greatest year ever, any time soon, and certainly not the Yamato court.  The Crown Prince, Naka no Oe, had been tricked into thinking that his co-conspirator, Soga no Kurayamada no Ishikawa no Maro, was a traitor.  To be fair, Maro had been more than complicit in the murderous takedown of his own relatives to set up the current government, and history has time and again suggested that those who put someone on the throne can just as easily take them off it.  That's why they are often either brought deeper into the inner circle, or removed—either physically or more euphemistically.  In this case, though, it seems that fears of Naka no Oe and others were unjustified, and they sent the royal troops after an innocent man; or at least a man as innocent as any of the other elites at that time.  After all, the wealth of the elites came from the rice fields that they owned—or that were at least designated for their stipends—and they certainly weren't working those fields themselves, so make of that what you will. All of that had led to the death of Maro, his family, and the rest of his household.  That, in turn, led to the death of his daughter, Miyatsuko Hime, who was married to Naka no Oe himself.  When they finally did realize what had happened, the best justice they could figure out was to send the scandal-mongering Soga no Musa out to Tsukushi in a form of luxurious banishment.  Demotion by promotion, as he was made the Viceroy of Tsukushi, the top man of the court at the edge of the archipelago. To say that the year 649 had been a bust is an understatement.  Don't get me wrong, it was a far cry from the worst year that the archipelago had ever experienced—or would in the future, for that matter.  But that was scant comfort to the folks living in it. And so it was with some relief, I suspect, that the court welcomed news from the far flung land of Anato, because they really needed a distraction. With that in mind, let us move on to the events of the 15th day of the 2nd month of the year 650, describing how they inaugurated the new era.  Now, if the Chronicles are to be believed, this is not the first time they inaugurated a new era—we are told that year 645 was considered the first year of Taika, or Great Change.  But, assuming that did happen, and that it wasn't just named after the fact, the era would have started at the same time as a new reign.  Previously, from everything we can tell, dates were based regnal years.  Things are recorded as happening in the X year of Y sovereign.  Some of the oldest accounts seem to even note it more as X year of the sovereign who reigned from the Y palace, as the palace was likely more distinct a feature than the names and titles that they used, and the posthumous names, like “Koutoku Tennou” were not actually used until the end of the 7th or early 8th century. It is possible that Hakuchi is actually the first true nengo—or era name—and the first one that appears in the middle of a reign—though even here some say that the instantiation of “Hakuchi” is anachronistic. Personally, I see no harm in taking it at face value, at least for now, while acknowledging that everything in the Nihon Shoki is suspect.  Still, we are approaching a time when the events being written down may have still been in the living memory of people alive at that time.  720 is only 70 years away, and the project started even before then, so unless there are obvious discrepancies or supernatural events, we can probably assume that the Chronicles at this point are largely truthful, if possibly embellished. And so it is we are told of what happened.  To begin with, the court lined the ministers of the left and right and all of the functionaries in four lines outside the “purple” gate, as they would during a New Year's reception, like the one they had just had at the Ajifu palace.  The “Purple” gate was probably a reference to the southern gate The fact that the courtiers lined up at the south gate in the same way that they would have during a New Year's reception would seem to indicate that this was seen as the start of a new year.  It was no longer a Taika year—starting on that day it was now the first year of Hakuchi.  The month and day would not change, however, so it was still the 15th day of the 2nd month.  That means that technically the first year of Hakuchi would only have ten and a half months in the year—maybe eleven and a half, if there was an extranumerary month.  Likewise, the last year of Taika would only have one and a half months.  And if you are thinking that must make Japanese dates really tricky around the start or end of year, you don't know the half of it.  Sometimes events will get placed in the wrong “era” because they happened a few months before or after the change, and people forget that when they are translating to and from western dates.  It also means era names can't just give you the years of the era, but really need to give you the month and date it starts and ends.  Fortunately, most people are quite understanding about the occasional mistake.  But anyway, I digress. The courtiers were lined up as though for new years, and then they watched as Ahata no Omi no Ihimushi and three others bore a litter with the pheasant on it and went ahead through the gates.  The others followed in rank order—with the Ministers of the Left and Right leading the various functionaries.  The Baekje prince Pungjang and his uncle, Sesyeong Chyungseung, whom we mentioned back in Episodes 105 and 107, as well as Mochi, the physician to the King of Goguryeo, a scholar attached to the court of Silla, along with other important persons all advanced as well into the Central court of the palace. The pheasants litter was taken up by Mikuni no Kimi no Maro, Wina no Kimi no Takami, Miwa no Kimi no Mikaho, and Ki no Omi no Maro, who brought it to the front of the hall.  There, the ministers of the left and right then took the front of the litter, while the Prince of Ise, Mikuni no Kimi no Maro, and Kura no Omi no Woguso took hold of the rear.  Together, they placed it in front of the throne.  The sovereign, Kura, and the Crown Prince, Naka no Oe, examined the pheasant together. The Crown Prince then backed away, and the new Minister of the Left, Kose no Omi, presented a congratulatory address. He gave thanks to the sovereign and claimed that the pheasant was a sign that the sovereign would rule for one thousand autumns and ten thousand years across the Great Eight Islands—the Ohoyashima—of the archipelago and the four quarters of the earth.  Effectively, this is a long-winded version of “Banzai”, the congratulatory wish of ten thousand years of life for an emperor. Karu responded to this address by quoting auspicious times that white animals had been omens of good rule.  He then gave credit to the ministers and functionaries, and urged them to continue to provide good service.  Then he declared a general amnesty, forgiving various offenses, and noted that the era name would change to “Hakuchi”. Karu then directed presents to be handed out to the Ministers, the Daibu, the officials of lower rank, all the way down to the clerks.  Each received gifts commensurate with their rank.  Finally, Kusakabe no Muraji no Shikofu, the governor of Anato, was commended, and granted the rank of Daisen along with what we are told were a goodly number of presents.  In addition, the commuted taxes and corvees of Anato were remitted for three years, meaning that Anato would be allowed to keep all of the rice and product for themselves—something that was likely quite significant, though it is unclear whether this means that it was felt down at the level of basic workers or it just meant that the governor was able to keep what he taxed from the people for himself. And with that, we enter a new era.  Forget the unfortunate bloodshed and regrettable decisions of the previous year, this was a new start.  And that is often how these eras were seen.  Whether it was a new reign or things were just going so poorly that the court felt there needed to be a new start, future nengo would often follow a similar pattern.   And there was no set time for how long an era would last.  In fact, here's a little trivia for you:  The shortest nengo in Japanese history was “Ryakunin”, and it lasted just under two and a half months from late 1238 to the start of 1239.  It really shows how important it was to come up with a good name of these eras, as “ryakunin”, which seems to mean something like “humane period”, could also be written with characters meaning “abbreviated person”.  So they decided to abbreviate the era, instead, changing the era name again. This first year of the new era of Hakuchi continued relatively normally.  In the fourth month there were envoys from Silla—another source, according to the Nihon Shoki, claimed that Goguryeo, Baekje, and Silla sent envoys every year from this reign onward.  Then, in the tenth month, we see more work being done on the palace—presumably the Ajifu palace.  We are told that presents were given out in respect to tombs that had been demolished to make room for the new construction, as well as for the people who had been moved off their land.  Then Aratawi no Atahe no Hirafu was sent to place the boundary posts, no doubt marking out the outer extremities of the new palace precincts. In addition, that month work began—no doubt at the court's direction—on a giant tapestry, or mandala, with a sixteen foot tall Buddha image, attendant Boddhisatvas, and figures of all eight classes of beings according to the Buddhist cosmology.  That includes Heavenly beings, such as Devas; dragons; demonic Yaksha, Gandharva, and Asura; the bird-like Garuda and Kimnara; and the snake-like Mahoraga.  All told, there were some 46 figures.  It doesn't seem to say where it was to be installed, though it may have been made for the new palace complex. Also in that year we are told that the court ordered Aya no Yamaguchi no Atahe no Ohoguchi to carve one thousand images of Buddha—but once again, we aren't told where they resided.  We do know that the 16 foot tall embroidered Buddha was completed in the 3rd month of 651: it had taken them approximately five months.  The day after they were completed, the Dowager Queen, Takara no Himemiko, aka the former sovereign, Kougyoku Tennou, who had stepped down in 645, invited ten Buddhist teachers and prepared a feast and entertainment, likely to bless and show off the completed images. At the end of 651, the palace itself was finally complete.  We are told that over 2100 priests were invited to the Ajifu palace to read the Issaikyo on  the last day of the year.  The Issaikyo is the entirety of the Buddhsit canon, and so this was probably done in the abbreviated tendoku style, with priests just reading the chapter headings and flipping through the sutras, though with 2100 it is possible they just each red a different portion, all at the same time.  As it grew dark, the palace courtyard was kept bright with 2700 lights while we are told that the Antaku and Dosoku sutras were read.  Aston notes that these “sutras” of Antaku and Dosoku don't appear to reference any actual sutras that we know of, and posits that they may simply be rituals for home safety and the like.  Given what we know about the fate of so many of these old wooden palaces, it makes sense. After the sutras were read, the sovereign, Karu, formally moved from his residence in Ohogohori into the new palace, which was called Naniwa no Nagara no Toyosaki no Miya.  As I noted at the beginning, it is unclear if this was the Ohogohori or Wogohori, and it is even somewhat murky as to whether or not it was considered a palace.  Not to mention that after the New Year's ceremonies were completed, the royal chariot—which would have been carrying the sovereign—went back to Ohogohori.  I guess things weren't quite ready yet.  He would return on the 9th day of the third month, and even then we don't see a note that the palace was completed until the 9th month of 652.. There is a lot here where we see things that appear to be scheduled so that they can occur on auspicious days, even if everything else isn't quite ready.  So, for example, reading the sutras and formally “moving” into the palace on the last day of the year so that one could host the New Year's celebration there the next day.  That seems like something that was done purely for ceremonial purposes.  You may recall that in 650 they did the same thing. There are a few more references to the palace.  On the 15th of the 4th month of 652, the Buddhist ascetic E'on was invited into the Dairi to explain the Muryouju Sutra, also known as the Sukhavati Vyuha sutra.  E'on was made a lecturer, and there were said to be 1,000 ascetics in the audience, listening to his teachings.  That apparently went on for five days, being discontinued on the 20th day.  And the power of the sutras, and E'on's teachings, is shown in the weather, because the Chronicles claim that large rains began to fall in a monsoon that lasted for nine days.  This wasn't a gentle “water your crops” kind of rain.  This was more like a “demolish your buildings and destroy your fields” kind of rain.  There must have been massive flooding as men, horses, and cattle were caught up in the water and drowned. Given the way this is written, I'm not entirely certain of the takeaway.  Were the sutras that powerful that they brought rain, and E'on didn't understand his own strength?  Or was it a punishment for stopping E'on from continuing his lecture?  Or was it the rains that caused the lectures to stop, perhaps making it untennable for people to sit out in the courtyard and listen as the rains came down?  My rational brain suspects the latter, but I'm not sure how it was read by the people of the 8th century. On the last day of 652, priests and nuns from around the country were invited to the dairi, to the interior of the palace, and entertained and given a feast.  Alms were given and lights kindled to celebrate the new year. But that's the last entry I really see for the palace, as such.  There was plenty more happening through the era, and we'll touch on that.  We start to see Silla and Tang dynasty getting chummy, and we also see some of the reforms still working their way across the land.  We also have Yamato's own expeditions out to the Great Tang dynasty.  But we'll save that for the next episode, as we continue to dive into the Hakuchi era. And so, until next time, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Sumerians, Garuda's, and Lampreys, OH MY!!This week listen as Erin and Meghan breakdown the myths and folklore behind these chimera creatures from Teen Wolf season 5! --Music: Climb by Shane Ivers - https://www.silvermansound.com-Follow us on Instagram https://www.instagram.com/thenemetontwpod/Email- thenemetontw@gmail.com

EPISODE 120 | OOPArts Doompa-Dee-Doo Sometimes people find something… interesting, maybe even mysterious. What is that? they ask. And then they or someone else makes a logical leap and says oh, wow, here is the missing link I've been looking for that proves all my theories that until now have been ridiculed or ignored. And not even scientists are immune to this very common and very human process. We're looking at out of place artifacts, or OOPArts – things found in an unusual context. This might, upon examination, indicate that certain civilizational develops happened much earlier than we had thought or, if you're of a certain bent, be used to further narratives of ancient advanced civilizations, Atlantis, ancient aliens, time travel, or the literal truth of the Bible. Like what we do? Then buy us a beer or three via our page on Buy Me a Coffee.  You can also SUBSCRIBE to this podcast. Review us here or on IMDb!  SECTIONS 02:27 - Cheer Up, Charlie - The Diquis Spheres, the Plain of Jars, the Eltanin Antenna, the Baigong Pipes, Starchild Skull, the Paluxy Tracks, the Meister Print, the Wolfsegg Iron (Salzburg Cube), the Klerksdorp Spheres; the Yonaguni Monument, the Land of Mu and Zealandia 25:35 - I Want It Now - The Dorchester Vase, the London Hammer, the Kingoodie artifact, the Coso Artifact, the Wedge of Aiud 34:39 - (I've Got a) Golden Ticket - The Shakōkidogū, the Quimbaya/Tolima "jets", the Saqqara Bird, the Abydos helicopter, the Dendera light/lamp, the Baghdad Battery 47:09 - Pure Imagination - The Nampa Figurine, the Multiregional Hypothesis, the Tecaxic-Calixtlahuaca head, the Upshur Bell Music by Fanette Ronjat More Info Episode 04 | Saddam's Stargate and Taskforce 20 Episode 11 | Conspirasaurus Rex - Dino-Mite Theories About the Dinosaurs Out of Place Artifacts on Historic Mysteries OOPARTs on History Undusted The strange world of Out-of-place artifact (OOPArt) Archeological Fantasies website Pseudoarchaeology Research Archive (PARA) website The Ancient Stone Spheres Costa Rica on 360 On History Atlantis in America: Navigators of the Ancient World by Ivar Zapp and George Erikson  Diquis Spheres UNESCO listing Plain of Jars in Archaeology Magazine Plain of Jars Archaeological Research Project website Plain of Jars UNESCO listing In Search of... the Eltanin Antenna The Harp Sponge Baigong Pipes: The Strange Ancient "Pipes" Found In The Caves Of Mount Baigong The Baigong Pipes Skeptoid podcast episode The Starchild Skull -- Genetic Enigma or Human-Alien Hybrid? by Lloyd Pye The Starchild Project Starchild entry in the Encyclopedia of Dubious Archaeology  Skeptic's Guide to the Universe podcast Paluxy Man -- The Creationist Piltdown A Summary of the Taylor Site Evidence Footprints in Stone (Forbidden History II) video The Meister Print on Footprints in Stone Tripping Over a Trilobite: A Study of the Meister Tracks The Salzburg Cube on Legends & Chronicles  The Saltzburg Cube (sic) on the Museum of Unnatural Mystery Creation Evidence Museum website Alleged Iron Pot in Coal 10 Most Not-So-Puzzling Ancient Artifacts: The Grooved Spheres Klerksdorp Spheres: Strange Spheres Found In 3 Billion-Year-Old Rock Concretion on WIkipedia The 10 Most Not-So-Puzzling Ancient Artifacts: The Grooved Spheres on Archaeological Fantasies Exploration Mysteries: Yonaguni Monument on ExplorersWeb Japan's mysterious underwater 'city' on the BBC Was the legendary lost continent of Mu the 'real' Atlantis? Scientific American entry on Dorchester find, June 1852, "A Relic of a By-Gone Age" The Dorchester Vase on Genesis Park Dorchester Pot on Wikipedia The Book of the Damned by Charles Fort Worlds Before Our Own by Brad Steiger Mysteries of the Unexplained: How Ordinary Men and Women Have Experienced the Strange, the Uncanny, and the Incredible Reader's Digest book Ediacaran Period on Britannica  If I Had a Hammer The London Hammer: It's Real and It's Fake on Naturalis Historia The Kingoodie Artifact on Stronghold Nation Those We Call Cavemen Were All That Remained Of Humanity After The Last Time We Destroyed Ourselves on Above Top Secret When Some 1920s Garbage Was Mistaken for an Ancient Artifact on Smithsonian Wedge of Aiud on RationalWiki The Mystery of Japan's Dogū Figures Ancient Dogu Figurines With Large Goggle-eyes Defy Scholarly Explanation on Ancient Origins Tolima "Fighter Jets" on Ancient Aliens Debunked The Saqqara Bird on Historic Wings The Saqqara Bird on Digging Up Ancient Aliens Submarines and the Hieroglyphics on Egypt Joy Helicopter Hieroglyphs? Debunking the “Mystery” of the Abydos Carvings on Ancient Origins.net Dendera lamp on RationalWiki The Dendera Light Bulb is a microdroplets fog made of sprayed water produced to achieve evaporative cooling inside the horizontal passage of the Great Pyramid of Khufu What the "Light Bulb" Relief Means at the Dendera Temple on The Archaeologist  Was the Baghdad Battery really a battery? on BBC Science Focus Awful Archaeology Ep. 6: The Baghdad Battery video The "Baghdad Battery" on the Iron Skeptic The Unique Figurine In Idaho That Still Baffles Archaeologists To This Day on Only In Your State The Nampa Figurine: 2-million-year-old Relic or Just a Hoax? on Ancient Origins  Multiregional Hypothesis: Human Evolutionary Theory on Thought Co. The Tan-Tan Venus  Tan-Tan: The oldest known human representation? on The Bradshaw Foundation - The Art of the Ice Age Calixtlahuaca's Head at the University of New Mexico The Calixtlahuaca Head at Ohio State Archaeological Outliers  300 Million Years old Bell with Garuda found in Buckhannon, West Virginia The Mystery of the Bronze Bell encased within a Block of Coal on Metallic Man Genesis Park website Follow us on social: Facebook Twitter Other Podcasts by Derek DeWitt DIGITAL SIGNAGE DONE RIGHT - Winner of a 2022 Gold Quill Award, 2022 Gold MarCom Award, 2021 AVA Digital Award Gold, 2021 Silver Davey Award, 2020 Communicator Award of Excellence, and on numerous top 10 podcast lists.  PRAGUE TIMES - A city is more than just a location - it's a kaleidoscope of history, places, people and trends. This podcast looks at Prague, in the center of Europe, from a number of perspectives, including what it is now, what is has been and where it's going. It's Prague THEN, Prague NOW, Prague LATER 

Bill continues hopping. Larry upgrades the kernel. Listener Reid gets a Lemur, we get feedback on Networking and our theme, and a noise complaint. Bhikhu wrote an update tool and new Linux user Trevor looks for answers. Episode Time Stamps 00:00 Going Linux #460 · Listener Feedback 01:35 Bill continues hopping to Garuda 08:18 Larry upgrades the kernel on Ubuntu Cinnamon 10:08 Bluetooth bug in kernel 6.9.8 13:53 Zabbly kernels for Ubuntu 15:11 Larry's new hardware 17:44 Reid: New and light is good! 25:35 Reid: Follow-up on Lemur Pro 27:22 George: Feedback on episode 456 30:42 Bhikhu: Wrote a tool 33:57 Stephen: Linux flight simulators 36:23 Stephen: Our new music at 5x speed 37:54 Trevor: Save a Linux installation before nuke 47:20 Trevor: Point release vs. interim release vs. LTS release 56:00 Frank: Reference for networking 57:14 Solt: Noise in episode 456 61:53 Rick: Feedback on new theme 64:57 goinglinux.com, goinglinux@gmail.com, +1-904-468-7889, @goinglinux, feedback, listen, subscribe 66:01 End

Bill continues hopping. Larry upgrades the kernel. Listener Reid gets a Lemur, we get feedback on Networking and our theme, and a noise complaint. Bhikhu wrote an update tool and new Linux user Trevor looks for answers. Episode Time Stamps 00:00 Going Linux #460 · Listener Feedback 01:35 Bill continues hopping to Garuda 08:18 Larry upgrades the kernel on Ubuntu Cinnamon 10:08 Bluetooth bug in kernel 6.9.8 13:53 Zabbly kernels for Ubuntu 15:11 Larry's new hardware 17:44 Reid: New and light is good! 25:35 Reid: Follow-up on Lemur Pro 27:22 George: Feedback on episode 456 30:42 Bhikhu: Wrote a tool 33:57 Stephen: Linux flight simulators 36:23 Stephen: Our new music at 5x speed 37:54 Trevor: Save a Linux installation before nuke 47:20 Trevor: Point release vs. interim release vs. LTS release 56:00 Frank: Reference for networking 57:14 Solt: Noise in episode 456 61:53 Rick: Feedback on new theme 64:57 goinglinux.com, goinglinux@gmail.com, +1-904-468-7889, @goinglinux, feedback, listen, subscribe 66:01 End

Bienvenidos a otro podcast de "Aventura Sonora" aquí en TERRAESCRIBIENTE. En esta ocasión vamos a escuchar "FINAL FANTASY XVI" Episodio Dorado de Terraescribiente. Parte 1. Final Fantasy XVI está ambientado en el mundo ficticio de Valisthea. Esparcidos por los dos continentes, Ash y Storm, se encuentran enormes cristales mágicos, conocidos como los Mothercrystals, que proporcionan energía aether a las diversas poblaciones y impulsan la civilización mediante fragmentos extraídos para su uso comercial. También existen humanos que pueden usar magia sin cristales, conocidos como Bearers, quienes están sujetos a prejuicios y esclavitud, y cuyo uso excesivo provoca una petrificación gradual. Una fuerza poderosa en Valisthea son los Eikons, criaturas mágicas de increíble poder que son utilizadas por anfitriones llamados Dominants. Hay ocho Eikons, uno para cada uno de los elementos: Phoenix (fuego), Shiva (hielo), Ramuh (rayo), Leviathan (agua), Titan (tierra), Garuda (viento), Odin (oscuridad) y Bahamut (luz); un segundo Eikon de fuego aparentemente imposible, Ifrit, impulsa la trama principal al perturbar este equilibrio. Las naciones principales de Valisthea son el Gran Ducado de Rosaria, el Santo Imperio de Sanbreque y la República Dhalmekiana en el continente Storm, el Reino de Waloed que domina el continente Ash, y el neutral Dominio Crystalline situado entre Ash y Storm. Un caso aparte es el Reino de Hierro, una nación aislada frente a la costa de Storm supervisada por los Crystalline Orthodox. En la historia de fondo, un antiguo pueblo, los ancestros de la humanidad conocidos como los Fallen, una vez dominaron Valisthea antes de que un cataclismo destruyera su civilización, dejando ruinas por la tierra. Para el momento en que ocurren los eventos del juego, Valisthea está sufriendo de una disminución de aether llamada el Blight, que marchita toda vida y lleva a las naciones a entrar en conflicto entre sí. Debido a su habilidad para manifestar Eikons, los Dominants juegan un papel clave en la política y el ejército de las naciones. Dependiendo de dónde nazcan, los Dominants son aclamados como líderes políticos, tolerados debido a su poder o sufren abuso y son bien asesinados o utilizados como armas de guerra. Por favor sigue las redes y grupos: Canal de Whatsapp: https://whatsapp.com/channel/0029VaCcO2s1NCrQqLpfFR3u Twitter: https://twitter.com/TerraEscriba Telegram: https://t.me/+62_TRJVg-3cxNDZh Instagram: www.instagram.com/terraescribiente/ Tik tok: www.tiktok.com/@terraescribiente Youtube: www.youtube.com/@Terraescribiente También subscríbete a TERRAESCRIBIENTE en IVOOX, ITUNES Y SPOTIFY! Dale me gusta a cada Podcast y coméntalos! Ayuda mucho! Gracias!

Bill Kousoulas  facebook   - https://www.facebook.com/bill.kousoulas.7Jaci Kousoulas facebook - https://www.facebook.com/jmyerskousoulasBuy Bill and Jaci's Book Bridging the Tragedy (Silver Linings in the Mysterious Ohio River Valley) -  Silver Linings in the Mysterious Ohio River Valleyhttps://www.amazon.com/Bridging-Tragedy-Silver-Linings-Mysterious/dp/B0BCDPJDKYTypical skeptic podcast Links and Affiliates: ❤ - support the podcast https://paypal.me/typicalskepticmedia - cashapp $kalil1121 venmo @robert-kalil - or buy me a coffee at https://buymeacoffee.com/typicalskeptic

Hello, Kaiju Lovers! With Korea finally behind them—much to Nate's relief—he and Jimmy migrate to Thailand. There they are joined by the founder and editor of Kaiju United, your premiere kaiju website, to discuss the ambitious “thaiju” (ba-dum-tsh!) film, The Lake (2022). Jacob had the privilege of interviewing its director, Lee Thongkham, for KU, which is frequently referenced in this episode since there is shockingly little info online for this film. Not even the usual kaiju wiki pages have anything! Regardless, it's an ambitious little movie, and compared to some of Thailand's other giant monster fare, it's practically a masterpiece. (Looking at you, Garuda!) Thongkham said his film was inspired by local legends of a serpent god, which inspired Nate to research the naga as this episode's Toku Topic. Jimmy's Notes on this episode COMING SOON!  Check out Nathan's spinoff podcasts, The Henshin Men and The Power Trip, and Henshin Power V3! We'd like to give a shout-out to our MIFV MAX patrons Danny DiManna (author/creator of the Godzilla Novelization Project); Damon Noyes, The Cel Cast, TofuFury, Eric Anderson of Nerd Chapel, Ted Williams, Wynja the Ninja, Brad “Batman” Eddleman, Christopher Riner, The Indiscrite One, Eli Harris, Jake Hambrick, Matt Walsh (but not that Matt Walsh), Jonathan Courtright, Robert Kidd, Leon Campbell, Michael Watson, Edwin Gonzalez, and Erik Pearl! Thanks for your support! You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! (https://www.patreon.com/monsterislandfilmvault) Buy official MIFV merch on TeePublic! (https://www.teepublic.com/user/the-monster-island-gift-shop). NEW MERCH NOW AVAILABLE! This episode is approved by the Monster Island Board of Directors. Timestamps: Introduction: 0:00-17:40 Entertaining Info Dump: 17:40-26:41 Toku Talk: 26:41-1:41:07 Ad (Henshin Power V3): 1:41:07-1:43:16 Toku Topic (The Naga): 1:43:16-2:18:58 Outro (listener feedback and housekeeping): 2:18:58-2:40:17 Credits: 2:40:17-end Podcast Social Media: MIFV Linktree: https://linktr.ee/monsterislandfilmvault Nate's Linktree: https://linktr.ee/nathan_marchand MIFV is a member of PodNation (https://podnation.tv/) MIFV is one of Feedspot's top 10 tokusatsu podcasts! (https://blog.feedspot.com/tokusatsu_podcasts/) MIFV is one of Feedspot's top 20 monster podcasts! (https://podcasts.feedspot.com/monster_podcasts/) www.MonsterIslandFilmVault.com #JimmyFromNASALives       #MonsterIslandFilmVault    #TheLake2022            #MonsterIslandWorldTour     #Thailand © 2024 Moonlighting Ninjas Media Bibliography/Further Reading COMING SOON!

Welcome to another enlightening episode of Mythlok, where we journey into the mystical realms of mythology. In this episode, we're exploring the fascinating concept of vahanas, the celestial vehicles and sacred mounts of Indian gods. These divine beings are often depicted with unique and powerful companions, each symbolizing different aspects of their divine nature and cosmic duties.First, we'll meet Nandi, the revered bull who serves as the loyal and powerful mount of Lord Shiva. Nandi is more than just a vehicle; he's a symbol of strength, virility, and unwavering devotion. We'll delve into the stories that highlight his significance and his special bond with Shiva.Next, we'll soar into the skies with Garuda, the mighty eagle who serves as the vehicle of Lord Vishnu. Garuda's speed and strength are legendary, and his role as the enemy of serpents adds another layer of intrigue. We'll explore Garuda's origins, his adventures, and what he represents in Hindu mythology.Then, we'll turn our attention to Airavata, the magnificent white elephant who carries Lord Indra, the king of the gods. Airavata's immense size and power make him a fitting mount for the god of rain and thunderstorms. We'll discuss the origins of Airavata, his role in mythological battles, and his importance in various rituals.Following that, we'll meet Mushika, the humble yet significant mouse that serves as the vehicle of Lord Ganesha. Despite his small size, Mushika represents agility, resourcefulness, and the idea that even the smallest being can achieve greatness. We'll uncover the tales of how Mushika came to be Ganesha's mount and what he symbolizes in the broader context of Hindu belief.Finally, we'll explore the vibrant and majestic peacock of Lord Karthikeya, the god of war and victory. The peacock, with its dazzling plumage and fierce demeanor, perfectly complements Karthikeya's warrior spirit. We'll delve into the mythology surrounding this divine duo, their adventures, and the symbolic meanings attached to the peacock.Join us as we unravel the rich tapestry of stories, symbolism, and spiritual significance behind these divine mounts. Whether you're a seasoned mythology enthusiast or a curious newcomer, this episode promises to offer a captivating and insightful look into the vahanas of some of the most revered deities in Hindu mythology. Tune in and embark on this mystical journey with us, only on Mythlok!

Selamat datang di Ngobrol Sore Semaunya Episode 167!

In Episode 92 of "Linux Out Loud," hosts Matt, Nate, and Wendy dive into tech hijinks and nostalgic nerdiness. Nate shares his VLAN adventures, Wendy battles 3D printing glitches, and Matt geeks out over a new laptop with Linux. They rave about Garuda Linux, dream of an external GPU setup, and gush over open-source projects like the Orange Pie Neo. Retro gaming and DIY projects take center stage, with a splash of nostalgia as Nate reminisces about his Linux journey. The episode wraps with Wendy's creative Blender project and a retro WINAMP-inspired Raspberry Pi setup. Fun, techy, and full of laughs! Find the rest of the show notes at https://tuxdigital.com/podcasts/linux-out-loud/lol-92/ Contact info Matt (Twitter @MattTDN (https://twitter.com/MattTDN)) Wendy (Mastodon @WendyDLN (https://mastodon.online/@WendyDLN)) Nate (Website CubicleNate.com (https://cubiclenate.com/))

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