Podcasts about marsfall

A special investigator arrives in Slumberland to prove it's all about the interconnections. At long last some light gets shed on the mysterious disappearances of Thomas Edward M, Omar Evanston and others. But every answer reveals more questions, all of them forming an intricate web woven by enigmatic members of an organization called The Crimson Cobweb Faction. More about Slumberland at this link. Stavra Montinero performed by Addie Nofal Addie is a SWANA/MENA and Latine voice actor based in Chicago with a broadcast quality home studio. Addie's performed in several great audio drama podcasts including Soul Operator, Marsfall and The Strata. Visit Addie's website to learn more! Music by Cialyn appears courtesy the creative commons license CC BY-NC-SA 3.0 Purchase music at Bandcamp The tracks Heath and Slapstick by Blue Dot Sessions (www.sessions.blue) The sound design in this episode owes thanks to Freesound Project contributors: dankopp, kklab5050, dobroide, bewagne, lex777, bajko, crafport, ghaelen, anthousai, lonemonk, lostmaiden, themfish, evanboyerman, newagesoup, dudeawesome, benjaminnelan, larkwooderminal, allisonbruggeman, glocosound, marco_luzi, craigsmith, vibe_crc, natetraveller,Jovica, joozz, ithoanglong26, mesophierose, turbofool, el_boss, atomwrath, benkenart, nervousneal, rangoanimations, xkeril, captainyulef, georgediamond, klankbeeld, mk-la, newlocknew, robinhood76, chloepieterse, thabzmalik, sandyrb, cgeffex. Thank YOU for listening to Slumberland!

Leaving Earth and its problems behind seemed ideal, but no one anticipated just how difficult colonizing Mars would be, but Jack and David are making the trip with Marsfall from Erik Saras and the first two episodes of that gripping series! Because no matter where you go in space, it's always AUDIO DRAMA TIME! Learn more about your ad choices. Visit megaphone.fm/adchoices

Leaving Earth and its problems behind seemed ideal, but no one anticipated just how difficult colonizing Mars would be, but Jack and David are making the trip with Marsfall from Erik Saras and the first two episodes of that gripping series! Because no matter where you go in space, it's always AUDIO DRAMA TIME! Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Halloween! Please enjoy this special bonus episode from Status Report as a taste of the new stories being created by the team behind Marsfall. Step into the dark with us and enjoy this performance of The Tell Tale Heart. Episode Transcript  *Content warnings listed below CREDITS Sam Boase-Miller as The Narrator Written by Edgar Allan Poe Directed by Sam Boase-Miller All Audio Engineering by Sam Boase-Miller and Brian Goodheart Music by Sam Boase-Miller Produced by Status Report Support the show Content Warning: abuse, illness, death or dying Follow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod Learn more about your ad choices. Visit megaphone.fm/adchoices

Jacki and her crew left Earth and its problems behind for a chance at giving humanity a fresh start on Mars. But mysterious aliens, malicious AI, and the expected difficulties of colonizing this inhospitable planet leave them all questioning if they've made the right choice to abandon their home. Marsfall takes place in 2047 and follows the first colonists to settle on Mars as they face problem after problem. This high-intensity show features scenarios such as harsh storms, shadowy alien attacks, and forced assimilation by an artificial intelligence. It's full of adult themes including violent disasters, death and betrayal, and philosophical questions. This show is not recommended for younger audiences.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Our second trailer highlights Part 02 of this season, which picks up where we left Jacki and Chip in Part 01, reconnects us with ANDI and the other Sequoia colonists, and bridges the gap between our main series and Bunker Down. Many people struggle to accept reality after they return to the physical world, and the future looks uncertain as harsh storms and high tensions continue to threaten the stability of our fledgling colony on Mars.  Tune-In on July 18th, 2023 to hear the first episode of Season 03 Part 02! Starring Dan Lovley, Shannon Lovley, Sam Boase-Miller, Aba Woodruff, James Fouhey, Aramis Martinez, Angel Lin, Anya Zicer, Merissa Morin, Jordan Cobb, Eli Barraza, Darin F. Earl II, Addie Nofal, Sergey Nagorny, Yelena Schmulenson, Michael Paladine, Cole Burkhardt, Graham Rowat, and Cooper. Written by Erik Saras and Dan Lovley. Directed by Erik Saras. Recording by Brian Goodheart. Audio engineering by Brian Goodheart and Owen Shearer. Music by Sam Boase-Miller. Produced by Status Report. Learn more about your ad choices. Visit megaphone.fm/adchoices

I'm thrilled to share a discussion with my longtime colleagues in sci-fi audio drama; two of the co-creators of the award-winning series, Marsfall: Writer-Director, Eric Saras and Writer-Director and actor Dan Lovley (ANDI). They discuss their process for writing their series collaboratively and how that process has evolved as the project has grown from a home-spun operation to a much larger show. Eric and Dan also share how their identities as authors intermingle and the struggle kill egos and darlings throughout the editorial process. Marsfall homepage: https://marsfallpodcast.com/ Marsfall Patreon: https://www.patreon.com/marsfallpodcast Marsfall Instagram: https://www.instagram.com/marsfallpod/ Marsfall Twitter: https://twitter.com/marsfallpod For a full episode transcription, please visit: https://www.sarahwerner.com/To support the work I do here at the Write Now podcast, become a patron on Patreon! https://patreon.com/sarahrheawerner Thank you as always for listening, and happy writing! — Sarah ©2022 by Write Now, LLC.

We're excited to share the premiere of Don't Mind: Cruxmont, a new show from our very good friends at Fool and Scholar Productions. In this first episode, we follow Dr. Kingston, a neurologist who witnesses a miracle improvement from one of her most mysterious patients. Setting out for the fictional town of Cruxmont, she meets Neal who's searching for his missing brother.  We know this first episode will leave you wanting more, so hop on over to the RSS feed for Don't Mind: Cruxmont where you can hear Episode 2 right now! Subscribe so you don't miss any new episodes released every other Tuesday. We sincerely hope you enjoy the first episode of Don't Mind: Cruxmont. RSS - https://feeds.megaphone.fm/SBP9309513502 Apple Podcasts - https://podcasts.apple.com/us/podcast/dont-mind/id1578479107 Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Minus a mortifying impression, Sarah Shachat is out this week, but heroically filling the third spot in NBI hot seat is one of our favorite sci-fi creators, the great Erik Saras!  We start with the story of a very off-his-game, but very well armed burglar, and the boys prove that even the world's most fractured fairy tale can be perfected. It just takes Keanu Reeves. Next, we marvel at the resilience of Hank the Tank, and take this giant bear's story and turn it into a gritty reboot of a beloved cartoon for a more adult audience, with a bit of a Robin Hood angle.  Finally, we talk to Erik about his audio journey from music down into the pit of podcasting, the evolving nature of work-life balance, managing long-running mysteries, the importance of score, and the allure of making rip-offs of LOST.   Plus: low key Kill Bill energy, covert Airbnb ads, bear gangs, quality nicknames,  punching up… and clawing down.    Today's Bad Ideas™: Idea #1 Idea #2    For more of Erik, check out Marsfall and follow them and Erik on twitter.  Support the show: http://patreon.com/NoBadIdeas See omnystudio.com/listener for privacy information.

Joel McHale and Kelsey Grammer lead an all-star cast in this adventure series with the retro vibes of Stranger Things and time travel antics of Back to the Future. When four teenagers discover the wreckage of a crashed time machine, they're thrust into a conspiracy that threatens time itself. Starring Michael Cimino (Love Victor), Brec Bassinger (Stargirl), Chosen Jacobs (IT), Jacob Bertrand (Cobra Kai), and Edi Patterson (Righteous Gemstones). Black Box is a REVERB Production. To learn more, visit reverbpodcasts.com. New episodes release every Tuesday through December 21! Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Today we're playing an episode of award winning sci-fi adventure podcast Marsfall. The creators are good friends of ours and we think you'll enjoy listening to this show. We're playing the first episode of Marsfall, introduced with a brand new Amelia sketch! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Amelia Project is a secret organization offering a very special service: Faking its clients' deaths! Its eccentric clientele includes cult leaders, criminals and politicians all desperate to disappear and start over... For how long can the secrecy last? With the help of his indispensable assistant Alvina, The Amelia Project's Interviewer needs only a 20 minute consultation to help any troubled client disappear into a new and exotic life. His solutions are delivered with a flourish of ingenuity, style, and a mug of finest cocoa. But you don't get to be this good without attracting some unwanted attention… You can listen to The Amelia Project on Apple Podcasts, Spotify or wherever you get your podcasts! Search for The Amelia Project and look out for the logo of a black and orange phoenix rising from a cup!  And find more information about the show on ameliapodcast.com  Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

It's been a long journey for Dr. Katie Hall and her new friend Amadeus. As Katie makes a new connection, she looks to the future and her life in this strange new world.  Episode Transcript   *Content warnings listed below   CREDITS Eli Barraza as Katie Hall Sean Howard as Pete Brinkley Sam Boase-Miller as Amadeus Kristi Boulton as Denote Shannon Lovley as Jacki O'Rania Dan Lovley as ANDI Written by Erik Saras and Seth Mlawski, with Dan Lovley Directed by Erik Saras All Audio Engineering by Brian Goodheart Music by Sam Boase-Miller Produced by Marsfall, LLC   Support the show   Content Warning: violence, death or dying Follow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Venturing into the unknown, Katie follows Amadeus to meet the mysterious “Helpers.” Episode Transcript   CREDITS Eli Barraza as Katie Hall Sam Boase-Miller as Amadeus Kristi Boulton as Denote Sam Boase-Miller as Dying Star Sam Boase-Miller as The Bot Orchestra Written by Seth Mlawski and Erik Saras, with Dan Lovley Directed by Erik Saras All Audio Engineering by Brian Goodheart Music by Sam Boase-Miller Produced by Marsfall, LLC   Hear the rest of the series and support the show Follow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Desperate for medical supplies, Amadeus tells Katie that help might not be too far away. Episode Transcript *Content warnings listed below CREDITS Eli Barraza as Katie Hall Sam Boase-Miller as Amadeus Kristi Boulton as Denote Sean Howard as Pete Brinkley Written by Seth Mlawski and Erik Saras, with Dan Lovley Directed by Dan Lovley All Audio Engineering by Brian Goodheart Music by Sam Boase-Miller Produced by Marsfall, LLC Hear the rest of the series and support the show   Content Warning: illness, death or dying Follow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Discover new audio drama by music. How I Make Music is where audio drama composers get to tell their own stories. Visit https://howimakemusic.com and subscribe in your podcast app. TRANSCRIPT The piece of music we're listening to in the background is called The Trial. It's featured in the soundtrack from the fiction podcast Marsfall. Today we'll break it down and get into why and how it was made. You're listening to How I Make Music, where audio drama composers get to tell their own stories. In this show, we break apart the music of a fictional podcast and take a trip into how it was made. My name is Sam Boase-Miller. I'm a composer, producer and voice actor from the US and this is How I Make Music. Welcome back to How I Make Music, The Trial by me Sam Boase-Miller. Thanks for listening in. 1:06 ABOUT Marsfall is a sci-fi/fantasy story about the first colonists to settle on Mars. We follow them starting in the year 2047. So maybe 2047 is actually the year that we'll get people on Mars. Mini helicopter that's flying around from the Perseverance lander. And yeah, it's pretty incredible the strides that we're making. Life imitating art! The scene takes place in the trial for ANDI, our colony AI. It's his trial for closing the door on a particular colonist who was about to create havoc for the rest of the colony. That philosophical debate, the trolley debate: should you pull the lever and try to avoid most people knowing that you'll kill one person? Or should you just let the trolley kill all five people to save the one. So this was the trial that we're all of our main characters kind of come together for the first time. And in this scene, we hear interjections from several of our characters. 2:52 CELLO I started playing cello in school. Sort of like a string music petting zoo. My good friend at the time was playing viola. And so I thought, I really want to play viola. So I expressed this to the director of the orchestra and she was like, “no, you don't want to play viola. Your hands are big. You should play the cello.” So I was already at nine years old being told what to do! Like what musical instrument I should be taking up. It's actually the closest instrument (other than the trombone) to the range of the human voice. Both really, really low and it also gets into that high coloratura kind of soprano end of things 4:38 P-FUNK & INFLUENCES I'm a big George Clinton fan. And part of what I love about Parliament Funkadelic is that they're very imaginative harmonically and melodically and rhythmically. Yeah, I just I love that era. funk music from the 70s. Right around, you know, ‘75, ‘76. The orb is an electronic music group, I really got into their ethereal and ambient music where you're just like taking on a whole journey. The place where you end up is certainly very different from where you started. 6:03 ERIC SARAS My co creator and music editor, he's director extraordinaire, Eric Saras. He's also one of our writers of the show, he and I first connected through music, we both went on an orchestra tour to China together. And as you can imagine traveling to another country and touring and performing music brings people close together pretty quickly. And so I met him and we realized that we were very similar in our outlook on music, and that just got a lot of things kind of kicked off creatively. We wanted music to be featured really heavily. He kind of realized that there was more or less these like kind of pillars or buckets that the majority of our music was falling into. And we called them a numbering system essentially like one through six being silence to total music taking over and being the focal point of the scene. So going through that and knowing that ahead of time helps me really plan. Okay, my workload, is this seen a one or is it a six? Or is it somewhere in between that, and the way that 07:15 LEITMOTIFS & MUSICAL TRANCE I write music in leitmotifs, which are little motives for each character or place or emotion. What you're hearing now is the claps. I picked up clapping after cello, you know. I phased it so that it's actually kind of moving around your ears. Even though you're hearing that over and over again. Since it's panning around and moving around your head a little bit subconsciously, it's keeping the rhythm driving and moving. This point, I would consider myself a professional clapper. There are several speakers during the scene of the trial. We'll hear interjections from Jeff. He's the finance officer of the colony. That low cello by being that that's actually one of the first themes that I wrote of the entire series. We hear Kyla, our medical doctor's theme. She's got several horn pads. So you'll hear those horn chords. Chip Huddleston, the character I actually play, he interjects a couple of times. So you'll hear this kind of muddy patch just really jokingly kind of come in and dip out because all of his interjections are just jokes, they're just little quips. So I wanted the attitude of the character to be represented or representative of the music that you're hearing. You know, the beats that I sampled from Ableton and bring in drop in and then highlight at different times, they help to kind of break up you know, the monotony of that clapping rhythm. There's a whole cadre of composers from the 60s 70s 80s that was using minimalism to try and get you into musical trance almost like you're looking through a kaleidoscope. So a lot of what I tried to do here was take this continuous beat and then add a little something to it, or take away a little something that would highlight or dampen the inherent, strong or weak parts of the beat that you'd hear. 10:11 PLUS ONE With podcast or film or television, all of that is collaborative. And so you, you immediately have to shelve your ego and say, What's the best thing for this whole artwork? Rather than what's the best thing for my track? Or what's the best thing for, for me as the composer, none of that matters? What matters is how does the whole thing come together? And how am I adding to it? How am I plus one-ing rather than deterring, or covering something up? That seems to be of the main thing that I've learned over the last...this entire project working on Marsfall. Sometimes I just want people to just listen. The best way for you to know me and to know my music is to just like, check it out. Just go and slap on some really good headphones, or go stand in the dark with some giant speakers and like, you know, close your eyes and like, just get swallowed up by the sound. And then you'll know. The one thing about music is the ability to communicate with people around the world on a different level that almost has nothing to do with what language you speak, but it is that other language right? 11: 42 OUTRO And that's about it for this week's episode. We'll listen to the full track in just a moment. Thanks for listening to How I Make Music. Catch new episodes on HowIMakeMusic.com or wherever else you get your podcasts. We've been listening to music featured in the audio drama called Marsfall. To hear the full story or to check out my other work, follow the links in the show notes. We video recorded the making of this episode, check it out and support the musicians of audio drama by becoming a patron at https://patreon.com/howimakemusic. Top tier patrons get mentioned right here in the credits of every episode. How I make music is created by John Bartmann. And now here's The Trial, a quirky, minimal electronic soundtrack in its entirety. My name is Sam Boase-Miller, and thanks for listening to How I Make Music. Catch you next time. SHOW NOTES Marsfall audio drama https://marsfallpodcast.com/ Sam Boase-Miller https://sjboase-miller.com/ MUSIC CREDITS Music: Sarabande in D Major from Suite No.6 by J.S.Bach (performed by Sam Boase-Miller) Music: The Cave Paintings by Sam Boase-Miller Music: One Nation Under a Groove by Funkadelic Music: Little Fluffy Clouds by The Orb ABOUT THIS SHOW Discover new audio drama musically. How I Make Music is where audio drama composers get to tell their own stories. In a dramatically edited sound experience, we challenge fiction podcast music composers to break apart a song, soundtrack or composition and get into why and how it was made. Subscribe to How I Make Music https://pod.link/howimakemusic Support How I Make Music https://patreon.com/howimakemusic Visit How I Make Music https://howimakemusic.com How I Make Music is created by John Bartmann https://johnbartmann.com

Katie works to understand where their new visitor comes from and what it might have to offer. Episode Transcript   CREDITS Eli Barraza as Katie Hall Sean Howard as Pete Brinkley Sam Boase-Miller as Amadeus Written by Seth Mlawski and Erik Saras, with Dan Lovley Directed by Dan Lovley All Audio Engineering by Brian Goodheart Music by Sam Boase-Miller Produced by Marsfall, LLC   Hear the rest of the series and support the show   Follow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

In the first episode of our second miniseries Bunker Down, Dr. Katie Hall wakes up to a strange new world. Still on the Blue Planet, she learns that going to Mars wasn't the only way to save humanity. In the second episode, Katie debates exploring the surface with IT expert Pete Brinkley.   Episode 1 Transcript Episode 2 Transcript *Content warnings listed below   CREDITS Eli Barraza as Katie Hall Dan Lovley as ANDI Sean Howard as Pete Brinkley Sam Boase-Miller as The Bot Written by Erik Saras and Seth Mlawski, with Dan Lovley Directed by Erik Saras and Dan Lovley All Audio Engineering by Brian Goodheart Music by Sam Boase-Miller Produced by Marsfall, LLC   Hear the rest of the series and support the show   Content Warning: Death or dying, violence, serious injury Follow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Erik and Dan are here to talk a bit about our miniseries Bunker Down! Originally written in 2020 for our Patreon audience, Bunker Down will release to the public starting on September 14th. Tune-in to this special episode as Erik and Dan talk a bit about the story, how it was creating a new miniseries during the pandemic, and explain why we're giving you access to this miniseries now and how it relates to the rest of Season Three...and beyond!   Episode Transcript   CREDITS Hosts: Erik Saras and Dan Lovley Recording and Audio Engineering by Brian Goodheart Recorded at Brewery Recording Studio on 08.21.2021 Overture III music by Sam Boase-Miller   Support the show Follow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Our first trailer highlights Part 01 of this season, which follows Jacki, Chip, and ANDI through the mysterious Sound Tunnel. Trapped by a ferocious winter storm, they must confront their trauma from the recent A.I. assimilation, and find a way to keep surviving on the Red Planet.  Tune-In on May 25th, 2021 to hear the first episode of Season 03 Part 01! Starring Shannon Lovley, Sam Boase-Miller, Dan Lovley, Eli Barraza, Merissa Morin, Claire White, and Michael Divinski. Written by Erik Saras and Dan Lovley, & Eli Barraza, & Seth Mlawski. Directed by Erik Saras and Dan Lovley. Recording by Brian Goodheart. Audio engineering by Brian Goodheart and Owen Shearer. Music by Sam Boase-Miller. Featuring The Dream Eaters. Produced by Marsfall, LLC. Become a Patron: https://www.patreon.com/marsfallpodcast See omnystudio.com/listener for privacy information.

Leaving Earth and its problems behind seemed ideal, but no one anticipated just how difficult colonizing Mars would be, but Jack and David are making the trip with Marsfall from Erik Saras and the first two episodes of that gripping series! Because no matter where you go in space, it's always AUDIO DRAMA TIME! Learn more about your ad choices. Visit megaphone.fm/adchoices

Leaving Earth and its problems behind seemed ideal, but no one anticipated just how difficult colonizing Mars would be, but Jack and David are making the trip with Marsfall from Erik Saras and the first two episodes of that gripping series! Because no matter where you go in space, it's always AUDIO DRAMA TIME! Learn more about your ad choices. Visit megaphone.fm/adchoices

The piece of music we're listening to in the background is called You Probably Shouldn't Trust Me. It's a villain theme song from season two of the audio drama Dining In The Void, a sci-fi podcast about sleuthing and secrets in space. Today, we'll break it down and get into why and how it was made. You're listening to How I Make Music, we're audio drama composers get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and take a trip into how it was made. My name is Ali Hylton. I'm a synesthetic podcast creator and composer located in South Texas, and this is How I Make Music. Welcome back to How I Make Music Episode 88. And you can trust me when I say this is the song You Probably Shouldn't Trust Me by me, Ali Hylton, who you can trust. Thanks for listening in.  01:19 ABOUT Dining In The Void is about six alien celebrities and they're all brought on to a space station for a dinner party. Upon arrival, they find out that someone has trapped them. And someone among them has trapped them there. Who trapped in there, why are they trapped? It's basically like Clue in space. And really gay...is like...a simple way of explaining it. 01:49 SYNESTHESIA  So I have this thing, kind of a condition called synesthesia. So when I hear music or voices or just sound in general, my brain tells me what color that is. When I was a kid, I would sit on the bus and close my eyes and kind of move my hands and the gesture of how the music is going. And there's always been this color to it. And it's always like a black blank space like a black black background. And then this color moves in time with the music in different colors come in and out. And I paint a lot of podcast music, and I try to interpret the whole song into one piece, or at least the biggest part of the song and get kind of the feeling for that song in one image. One of my friends AR Oliveri sent me a superhero clip. And they're like "you're the superhero!" I don't remember which one - it was some Marvel superhero who turns sound into light energy. And I'm just like, this is so cool. 03:25 CHARACTER SONGS  So it's telling stories through music, they'll have different themes for different characters and then those themes will come together to tell the story of who they are. I've used this song You Probably Shouldn't Trust Me to merge it with some other character songs. So we're going to play the first track Like Mother Like Daughter and fade it into the song I'm Here To Kill You. Let's see if you can figure out where one ends and the other begins. 03:51 COLORS IN THE WOODS  This piece in the background is called Remembering. It's another song I wrote for season two, two of the characters in the show called Katie Bell and Waverly. It plays in the scene where Katie Bell and Waverly are talking about how they both grew up. They both grew up in these places filled with nature and forests and life. Picture the scenes going on in the background and those colors will come into play. Later, like when Katie was describing running in the woods away from the danger, I always pictured these blues and greens and some reds and yellows. And you can see bits of those colors coming into the song.  05:08 GARAGE BAND I just started composing this year. When I compose music, I use GarageBand loops. I taught myself how to do this, I have no idea how to read music. jumped in feet first and we're still going. 05:40 AUDIO DRAMA INFLUENCES When composing music, I'm influenced by a lot of my friends within the audio drama community. James Barbarossa from The Orphans, who has also been on How I Make Music Episode 68, which you should listen to. He has played such a big part in being an inspiration because we often are talking about how we compose music and stuff and he's always so encouraging. And I love the music from The Orphans because it's a space show, science fiction as well. And it's so colorful. Like all these reds, blues, teals and purples and pinks and the colors are so vibrant and fun. What you're hearing now it's one of the pieces James composed for The Orphans. Another influence is Sam Boase-Miller from Marsfall. What you're hearing now is one of the songs composed for the show, Through The Irrigation Pipe. The show also has a lot of character themes and specifically in Marsfall you can pick out the different motifs and the different songs for each character. I've painted a lot of the Marsfall music. It's got a lot more muted colors than The Orphans. But also sometimes it can get very bright like their main theme, literally a rainbow of color. Another influence would be my co-composer Benny James. They actually compose the main theme for Dining In The Void and all the music for season one. I love their music so much. Take a listen.  08:46 THEME BREAKDOWN  You Probably Shouldn't Trust Me is a character theme for our main villain. I want to walk you through some of the musical moments throughout the track and what they represent. So it begins with this violin loop that plays throughout the whole song. And then we have our beats come in. There's two different beats there's like this. There's like your standard beats. And then it's like ... it's called African talking drum. I use it a lot in my music because it adds like a good beat to the song. And then we have a few more strings and our bass come in and there's this loop called Low Oath strings. It's just like a very low string instrument that adds more depth to this character. And then we have our piano come in, adds a lot of space and these brighter colors to it. And then in the middle, we hear these two different loops. It adds this kind of innocence and represents the mask that they put on during season one. The second half of the song is about who they are now and how dangerous they are. So the music just comes back in full swing, like we've picked up where we left off before. So the vocals come in to represent the stars in the star souls that have been stolen. And so the song crescendos and then it kind of fades out. A challenge I come into face when composing music is I don't know how to read music. I've never been able to read music I have tried for years, I can't do it. And part of the problem is I have dyslexia, which is why my brain sees the notes on it but it doesn't transcribe into what those notes are. And sometimes those notes have moved places. And when I was in choir, I learned how to sing the songs by learning through ear and kind of using it as like a guide. So I teach myself as I go, and I do it all through ear and stuff. That's about it for this week's episode. We'll listen to the full track in just a moment. But before we do that, thank you so much for listening to How I Make Music. Catch new episodes every Wednesday on Spotify, Apple or wherever else you listen to podcasts. We were listening to music featured in the audio drama called Dining In The Void. To hear the full story or check out my other compositions, follow the links in the show notes. Check out patreon.com/howimakemusic for a behind the scenes video of us recording this episode. Visit https://howimakemusic.com for more about the aims of the show. How to make music is created by John Bartmann. For more audio experiences that keep people listening, contact John Bartmann via the show notes. And now here's You Probably Shouldn't Trust Me in its entirety. My name is Ali Hylton, and thanks for listening to How I Make Music. Catch you next Wednesday. SHOW NOTES Dining In The Void podcast https://zebulonpodcasts.wixsite.com/main/ditv Ali Hylton https://www.instagram.com/missalihyltonart/ For a full credit list of music and sound effects from this episode, visit https://howimakemusic.com ABOUT THIS SHOW How I Make Music is a dramatically edited sound experience where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we challenge audio drama composers to break apart a song, soundtrack or composition and get into why and how it was made. Subscribe to How I Make Music https://pod.link/howimakemusic Support How I Make Music https://patreon.com/howimakemusic Visit How I Make Music https://howimakemusic.com How I Make Music is created by John Bartmann. For audio experiences that keep people listening, visit https://johnbartmann.com

Welcome to Marsfall, a science-fiction adventure following some of the first colonists on Mars. Follow Commander Jacki O'Rania and her trusty AI side-kick ANDI, as they attempt to make a home on this harsh frontier, and uncover the deeper mysteries of the Red Planet.

As a special treat we present the first episode of Bunker Down! Dr. Hall finds refuge inside a subterranean bunker, waking up to a strange new world on the Blue Planet. Going to Mars wasn’t the only way to protect humanity.The finale of this epic journey will premiere this Friday on Patreon! Hear the rest of the series and support the showEpisode 1 TranscriptCREDITSEli Barraza as Katie HallDan Lovley as ANDIWritten by Erik Saras and Seth Mlawski, with Dan LovleyDirected by Erik SarasAll Audio Engineering by Brian GoodheartMusic by Sam Boase-MillerProduced by Marsfall, LLCFollow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod

The first season of Facing Fate, a sci-fi roleplaying adventure, follows a group of Luna Corp miners who discover a strange substance while harvesting moondust, that leads to an outbreak within the colony. The characters and audience are thrust into a grand adventure, complete with a creepy alien menace, deceitful corporate structure, and colonist insurrection. Listen to more Facing Fate and Subscribe!Similar to Marsfall, Facing Fate is fully sound designed, populated with complex characters, and scored by a rich soundtrack, but the big difference is that the fate of the characters falls in the hands of chance whenever they have to roll their dice. This creates a fantastic balance between close calls and lucky breaks, with the players occasionally laughing at their catastrophic failures, but the story always continues forward, guided by the competent and charming game master Russ Moore. Needless to say, fans of Marsfall will feel right at home when listening to Facing Fate.

Hello friends! I'm Erik Saras, one of the producers and showrunner for Marsfall: Bunker Down. In this miniseries, we wanted to explore a rarely examined side of the Marsfall universe - what is life like back on Earth? Through the eyes of Doctor Katie Hall, who wakes up in a bunker beneath Earth's surface, we quickly learn that survival on both the Red and Blue planets is not guaranteed. After meeting a robot from the surface named Amadeus, Katie and IT expert Pete Brinkley try to determine if it's hostile or friendly in this first excerpt from episode 3. After Katie decodes the robot's musical language, she ventures out onto the surface in order to find more survivors, which you will hear in the complete 5th episode immediately following the first excerpt. We hope you enjoy these selections from Marsfall: Bunker Down, and thank you so much for listening and supporting the 2020 Audio Verse Awards. https://marsfallpodcast.com/ Twitter: @marsfallpod

Dumbgeons & Dragons is on Summer Vacation with new episodes returning September 9/2020!In the meantime, join Yenbul and Flint as they take some time out of their quest aboard Shangalar's pyramid to explore the most magical place they can find while listening to our friends from Marsfall.----------Chapter 1 - JackiAfter arriving on Mars, our colonists find out things are quite different than expected as they take their first steps on the Red Planet.*Content warnings listed belowhttps://marsfallpodcast.com/----------CREDITSShannon Lovley as Jacki O’RaniaDan Lovley as ANDISam Boase-Miller as Chip HeddlestonAnya Zicer as Keila LevyErik Saras as Recorded VoiceWritten and Directed by Erik SarasAll Audio Engineering by Brian Goodheart and Owen Shearer of Sonic UnionMusic by Sam Boase-Miller and Johann Sebastian BachProduced by Marsfall LLCSupport the showContent Warning: serious injury, death or dyingFollow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod

ANDI and Chip try different approaches to a new emotion in episode 3; ANDI considers the complexities of the human subconscious in episode 4. Please visit our sponsor at functionofbeauty.com/marsfall or use promo code Marsfall at checkout for 20% off Function of Beauty's amazing hair care products!Episode 3 TranscriptEpisode 4 TranscriptCREDITSDan Lovley as ANDISam Boase-Miller as Chip HeddlestonTed Garland as Hammond DeMarcheWritten and Directed by Erik Saras and Dan LovleyOriginal text by Eugene FieldAll Audio Engineering by Brian Goodheart and Owen Shearer of Sonic UnionMusic by Sam Boase-MillerProduced by Marsfall LLCAssociate Producer: Shannon LovleyHear the rest of the series and support the showFable and Folly Network SurveyFollow us on Instagram, Twitter, Tumblr, and Facebook: @marsfallpod

A review of Marsfall by our own AI, AMI-42. Written, produced, and sound design by Robert W. Tinsley. Music from https://filmmusic.io "Folk Round" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) Find transcripts here: https://bit.ly/2RgGz7u Real Soon Now. Follow me on: Twitter https://bit.ly/3aObmjW Facebook https://bit.ly/35cxSRv Instagram https://bit.ly/2SgXc3p YouTube https://bit.ly/2W14nhm For more information, visit my Website. https://bit.ly/2xVPcxn If you like our show, help us out by telling others about our podcast and where to find it. To further support the independent artists involved in creating this show, visit us at: patreon.com/robertwtinsley, https://anchor.fm/escapescifi/support or consider making a one-time Donation (http://robertwtinsley.com/home/donate/). Thank you so much. We greatly appreciate your help. Thanks for listening. ESCAPE, IN DAYS GONE BY, and INTERLUDES are available on the following platforms: RSS https://bit.ly/39NzF0b Anchor https://bit.ly/2Rfx7kJ Spotify https://spoti.fi/34jgABU Apple https://apple.co/3aPPbK7 Breaker https://bit.ly/2ywANbk Google Podcasts https://bit.ly/3dX5dDX Pocket Casts https://pca.st/it295r2g Radio Public https://bit.ly/3dYM4Bs Deezer https://bit.ly/3e1XTXy Overcast https://bit.ly/2UNO2Nq --- Support this podcast: https://anchor.fm/escapescifi/support

A review of Marsfall by our own AI, AMI-42. Written, produced, and sound design by Robert W. Tinsley. Music from https://filmmusic.io "Folk Round" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) Find transcripts here: https://bit.ly/2RgGz7u Real Soon Now. Follow me on: Twitter https://bit.ly/3aObmjW Facebook https://bit.ly/35cxSRv Instagram https://bit.ly/2SgXc3p YouTube https://bit.ly/2W14nhm For more information, visit my Website. https://bit.ly/2xVPcxn If you like our show, help us out by telling others about our podcast and where to find it. To further support the independent artists involved in creating this show, visit us at: patreon.com/robertwtinsley, https://anchor.fm/escapescifi/support or consider making a one-time Donation (http://robertwtinsley.com/home/donate/). Thank you so much. We greatly appreciate your help. Thanks for listening. ESCAPE, IN DAYS GONE BY, and INTERLUDES are available on the following platforms: RSS https://bit.ly/39NzF0b Anchor https://bit.ly/2Rfx7kJ Spotify https://spoti.fi/34jgABU Apple https://apple.co/3aPPbK7 Breaker https://bit.ly/2ywANbk Google Podcasts https://bit.ly/3dX5dDX Pocket Casts https://pca.st/it295r2g Radio Public https://bit.ly/3dYM4Bs Deezer https://bit.ly/3e1XTXy Overcast https://bit.ly/2UNO2Nq --- Support this podcast: https://anchor.fm/escapescifi/support

The official trailer to our Patreon exclusive miniseries Bunker Down. Following a new character on Earth, this miniseries shows a new window into the Marsfall universe. Support us on Patreon and gain access to this miniseries and many more bonus items for both your physical and digital lives. Starring Eli Barraza, Sam Boase-Miller, Sean Howard, Kristi Boulton, Dan Lovley, and Shannon Lovley. Written by Erik Saras and Seth Mlawski, with Dan Lovley. Directed by Erik Saras and Dan Lovley. Audio engineering by Brian Goodheart. Music by Sam Boase-Miller. Produced by Marsfall, LLC.

The crew are having some trouble adjusting to ANDI's presence in the base. Meanwhile, Bob tries on a certain mysterious helmet...Starring: Kristi Boulton, Michael Divinski, Phil Johnston and Sean Howard.Special guest: Dan Lovley (hear more of ANDI on the podcast Marsfall!)Sound design: Eli McIlveenCover art: David DemaretAnnouncers: Marisa King and Michael HowieContent warning: invasion of privacy, jump scares, panic, nudity.Join us on Patreon for early access to future episodes and bonus content at patreon.com/civilizedpodPlay the interactive backstory at civilizedpod.com

Bob brings home another friend, and the others are more suspicious than ever.Starring: Kristi Boulton, Michael Divinski, Phil Johnston and Sean Howard.Special guest: Dan Lovley (hear more of ANDI on the podcast Marsfall!)Sound design: Eli McIlveenCover art: David DemaretAnnouncers: Marisa King and Michael HowieContent warning: invasion of privacy, jump scares, panic, nudity.Join us on Patreon for early access to future episodes and bonus content at patreon.com/civilizedpodPlay the interactive backstory at civilizedpod.com

Al is agitated. Bartholomew is worried. Beatrix is having trouble remembering. And Bob has a plan to gain entrance to the base.Our recommended listening this week is the science fiction audio drama podcast Marsfall! Intrigue, drama and an Artificial Intelligence you will come to love more than is socially acceptable. A must listen.Starring Kristi Boulton, Michael Divinski, Phil Johnston and Sean Howard.Sound design: Eli McIlveenCover art: David DemaretAnnouncers: Marisa King and Michael HowieContent warning: violence, death, gunfire, memory loss and interrogation.Join us on Patreon for early access to future episodes and bonus content at patreon.com/civilizedpodPlay the interactive backstory at civilizedpod.com

https://marsfallpodcast.com/

Manifestations is a podcast of the Ostium Network.   The city has a lot to offer our tourist.  Has Alan forgotten where he's headed?  And what waits for him there?   Written, acted, and produced by Dwayne Farver. With input and help from Alex C. Telander.   Transcripts are a downloadable PDF at http://podmanifest.libsyn.com/   Our intro music is Breathe, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ The end credit music is Sunshine, by Cobycracker https://cobycracker.bandcamp.com/   Also heard in the episode was Beth’s Theme, by Myuu https://myuu.bandcamp.com/ http://www.thedarkpiano.com/ And, Moving On, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/   The cello piece was Bach’s Sarabande from Cello Suite #3 in C major, performed by Sam Boase-Miller.  You may know Sam as the voice of Chip Heddleston in the podcast Marsfall.  You can also hear more of his music there.  Thanks for allowing me to use this clip. https://sjboase-miller.com/ https://marsfallpodcast.com   Sound effects are from freesound.org space-ship-door CC0 1.0 https://freesound.org/people/mickey1927/sounds/434162/ space-ship-close CC0 1.0 https://freesound.org/people/mickey1927/sounds/434161/ kastenfrosch__sound3 CC0 1.0 https://freesound.org/people/Kastenfrosch/sounds/162481/   You can find us on most social media at PodManifest https://twitter.com/PodManifest https://www.instagram.com/podmanifest/ https://www.facebook.com/podmanifest/ https://podmanifest.tumblr.com/ Or, look for us at podmanifest.com   As long as we have access to the temporal feed, we will transmit more of our story each Wednesday and Saturday.  We hope you join us.

Manifestations is a podcast of the Ostium Network.   For better or worse, the world is nothing like Alan remembers.  He has more changes to uncover, an then he finally arrives in New San Francisco.   Written, acted, and produced by Dwayne Farver. With input and help from Alex C. Telander. We want to thank Tracy Vance for providing the voice of the train announcer.   Transcripts are a downloadable PDF at http://podmanifest.libsyn.com/   Our intro music is Breathe, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/ The end credit music is Sunshine, by Cobycracker https://cobycracker.bandcamp.com/   Also heard in the episode was Beth’s Theme, by Myuu https://myuu.bandcamp.com/ http://www.thedarkpiano.com/ And, Moving On, by Chill Carrier https://chillcarrier.bandcamp.com/ https://www.chillcarrier.de/   The cello piece was Bach’s Sarabande from Cello Suite #3 in C major, performed by Sam Boase-Miller.  You may know Sam as the voice of Chip Heddleston in the podcast Marsfall, where you can also hear more of his music.  Thanks for allowing me to use this clip. https://sjboase-miller.com/ https://marsfallpodcast.com   Sound effects are from freesound.org 3-tone chime DOWN CC0 1.0 https://freesound.org/people/mpaol2023/sounds/370179/ Leg Vise turn fast CC0 1.0 https://freesound.org/people/ldezem/sounds/386193/ Stapler Press CC0 1.0 https://freesound.org/people/Kiyoshiakira/sounds/436778/    You can find us on most social media at PodManifest https://twitter.com/PodManifest https://www.instagram.com/podmanifest/ https://www.facebook.com/podmanifest/ https://podmanifest.tumblr.com/ Or, look for us at podmanifest.com   As long as we have access to the temporal feed, we will transmit more of our story each Wednesday and Saturday.  We hope you join us.

Read the review at http://audiodramareviews.com/audio-drama/space-opera-with-an-edge-marsfall-season-one Buy the book, help support the site. https://Books2Read.com/ADR-3 Links Radio Public (iOS and Android) Twitter Facebook YouTube Sound Cloud Patreon iTunes Newsletter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/audio-drama-reviews/message

We change what the acronym stands for. Talk about Marsfall episodes 1-4, despite not having listened to the first one during the week in question. Smoke and mirrors, baby! Plus we get ahead of schedule by mentioning the final two acts of Four Mondays when we had just listened to them before recording. It's hard out there for a critic. Links Twitter.com/AudioDramaNews Facebook.com/AudioDramaDigest Youtube.com/channel/UCvqiDIg0ESpYH_Zhfw_G8lg Patreon.com/audiodramareviews geo.itunes.apple.com/us/podcast/audio-drama-reviews/id1105200411 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/audio-drama-reviews/message

This week: we've got Dan and Erik, two of the three Amity Bros behind Marsfall on the show today to talk about inspiration, craft, performance, and SPACE.

Join me in the dread blackness of space, won’t you, friends, as we hurtle through the cosmos till we at last make land, till we at last… make MARSFALL.It's a science fiction dreadnought, this one: fantastic writing, heartwrenching acting, and absolutely stellar music and sound design. Pun not intended; it's legitimately all incredible.ENJOY!http://patreon.com/marsfallpodcast

Erik Saras of the scifi audio drama, Marsfall, comes on to discuss procrastination and how it impacts him. He shares some amazingly raw stories in this, the longest episode of the show, to date. You won't want to miss this. Even if you don't procrastinate, I push him for ways that proactive people can work with procrastinators. Check out his stuff: @eriksaras and @marsfallpod on Twitter. Or at www.eriksarasmusic.com or www.marsfallpodcast.com. Please leave a rating and review for the show, if you feel that this free content is valuable. Also, why not pick up a copy of my debut novel, Chasing the Demon, available on Amazon now! 

Marsfall is a science fiction audio drama set in a future in which humans are attempting to create a new home on Martian soil. In this special creator focused episode, our hosts are excited to be joined by Sam Boase-Miller, Dan Lovley, and Erik Saras to discuss the development and production of the show. Our […] The post 70: Marsfall – With Special Guests Sam Boase-Miller, Dan Lovley, and Erik Saras appeared first on Dragons, Sexy Robots & Adventures.

Guests This Episode Erik Saras -writer / director Dan Lovley -writer / voice talent Sam Boase-Miller -voice talent / composer A group of friends/colleagues created an audio series about human exploration of Mars.  They join me to discuss some of the characters, their inspirations and soundtracking a show. About Marsfall follows some of the earliest colonists to settle on Mars in the year 2047, and each episode continues the story from a different character's perspective. Led by their fearless commander Jacki O’Rania, and assisted by the colonial artificial intelligence unit ANDI, they strive to make a home on the Red Planet while exploring its deeper mysteries. Balancing tension and humor, this sci-fi audio drama reinvents the radio play for the twenty-first century.? Links Marsfall website Marsfall Twitter

At the beginning of the episode, Monica unwinds a little after learning about some of Jake's choices in the previous episode. Jake has also started having nightmares. The dynamic duo venture through the next door and find themselves within a cave . . . a cave . . . of bones. This episode was written and produced by Alex C. Telander. The voice of Jake is performed by Chris Fletcher; the voice of Monica is performed by Georgia Mackenzie. All the music was composed by Chris Fletcher. Graphic design and artwork is done by Sara Warren. Sound effects are courtesy of the awesomely incredible people at the Freesound Project (www.freesound.org). Ostium will continue to be ad free thanks to our great and wonderful patrons who support the show through our website at www.ostiumpodcast.com/support, or through our Patreon page at www.patreon.com/ostiumpodcast. Why not consider becoming a supporter of our show? For as little as $2 a month you can get access to exclusive mini episodes, including something called The Ostium Files. It’s a series playing around with the idea of what if you could go through an Ostium door to the time and place of you’re choosing . . . Where would you go? There are also lots of other rewards like episode transcripts with illustrations, music, and special early access to new episodes of Ostium. Plus if we hit our support goals, you’ll get access to Ostium Season 3 MUCH sooner. If we hit our top goal, Season 3 will start right after Season 2, without any break. So check it out at www.patreon.com/ostiumpodcast. Whatever you can spare will be greatly appreciated and means so much to us. You can also support Ostium by leaving us a review on the podcast listening app of your choice, or simply by telling your friends, or mentioning how much you enjoy this podcast on social media. And of course, there’s also our merchandise store with a whole variety of goodies likes mugs, t-shirts and even fancy pillow cases, all at www.ostiumpodcast.com/store. Also if you’re looking for a good book to read, "Ostium Book One: Population Zero" is out now on Amazon in ebook, paperback, and a fancy full-color illustrated edition (www.amazon.com/gp/product/1549878514). This week’s podcast recommendation is the Marsfall Podcast. Marsfall (http://marsfallpodcast.com/) is a new science-fiction series that follows the first colonists settling on the planet Mars. Led by their fearless commander Jacki O’Rania, and assisted by the colonial artificial intelligence unit ANDI, our colonists strive to make a home on the Red Planet while exploring its deeper mysteries. The recording values are great with this show. The characters feel real and believable, each with their own quirks and failings. Living on such a harsh planet is not easy in any way, and the show does a great job of showing this. But it’s also well balanced with humor, mostly thanks to Andy the quirky AI. Be sure to check it out. Finally, thanks for listening. Without you, there wouldn’t be any point in doing this podcast. So thank you and see you in two weeks with Episode 13: Anjikuni.