Podcast appearances and mentions of mary louise wilson

Music by John KanderLyrics by Fred Ebb Book by George Abbott & Robert RussellOpened on Broadway May 11, 1965

Vamos a viajar al pasado para subir en el Siglo XX, que es el nombre de un ferrocarril de lujo que a principios del siglo pasado recorría la distancia entre Chicago y New York y lo haremos con un musical titulado “On the 20th Century” escrito por Cy Coleman, del que ya hemos visto en otros programas “Sweet Charity” o “City of angels”. El libreto y letras son de Betty Comden y Adolph Green autores de musicales como “Cantando bajo la lluvia”, “Un día en Nueva York” o “Suena el teléfono” (Bells are ringing”). El musical se basa en la divertida obra de teatro del mismo título de Ben Hecht y Charles MacArthur en la que incluyeron parte de otra obra de teatro que no llegó a publicarse de Charles Bruce Millholland titulada “The Napoleon of Broadway”, en la que se plasmaba parte de la relación de trabajo de Millholland con David Belasco, director y productor teatral que construyó el hoy famoso Belasco Theatre de Broadway. Con semejante equipo la diversión está garantizada. La versión que vamos a escuchar en el podcast es la de la última versión estrenada en Broadway en 2015 con Kristin Chenoweth como la estrella Lily Garland, Peter Gallagher como el director Oscar Jaffe, Mary Louise Wilson como la alocada Letitia Prinrose, Mark Linn-Baker como Owen y Michael McGrath como Oliver, los asistentes del director y Andy Karl como el actor de cine Bruce Granit. 00h 00’00” Take the a train – Duke Ellington 00h 02’47” PRESENTACIÓN 00h 04’17” CABECERA 00h 05’27” INICIO 00h 06’14” Overture 00h 11’07” Stranded again 00h 13’03” Saddle up the horse – On the 20th Century 00h 17’52” Where is the highest priest of the theatre? 00h 19’58” I rise again 00h 24’18” An angel of deliverance 00h 25’38” Oscar Jaffe/Lily Garland 00h 27’00” Indian maiden’s lament 00h 29’38” What’s your name child? 00h 30’56” Veronique 00h 37’51” I have written a play (Conductor) 00h 39’03” Together 00h 42’20” Never 00h 45’48” Oscar Jaffe he meant nothing to me 00h 46’20” Our private world 00h 50’45” Repent 00h 56’24” Mine 01h 02’55” I’ve got it all 01h 08’07” Entr’acte 01h 09’05” Life is like a train 01h 14’16” I have written a play (Congressman) 01h 15’44” Five zeros 01h 20’44” I have written a play (Doctor) 01h 21’27” An anthology of womankind 01h 24’12” Sign, Lily, Sign 01h 31’01” She’s a nut 01h 36’38” Max Jacobs 01h 37’35” My play by Somerset Maugham 01h 38’24” Babette 01h 44’53” Because of her 01h 50’06” Lily / Oscar 01h 53’46” I had to do it to save you 01h 54’56” Finale 01h 56’46” CONCLUSIONES Y ANÉCDOTAS 01h 59’50” The legacy 02h 05’41” Lily / Oscar – Judy Kaye & Rock Hudson 02h 08’04” AGRADECIMIENTOS Y DESPEDIDA 02h 08’42” Runaway train

The best sitcom mom of all time is on the show. We are joined by actor and Emmy-nominee Patricia Richardson. You Might Know Her From Home Improvement, The West Wing, Strong Medicine, Ulee's Gold, Cubby, and The Parent Trap 3. Patricia Richardson understudied the role of Louise “Gypsy Rose” Lee in the 1974 Broadway revival of Gypsy opposite Angela Lansbury and we will never be the same. We talk about her auditioning for book writer Arthur Laurents, rehearsing with fellow understudy Mary Louise Wilson, and bemoaning Robert Tucker's pissy attitude (I mean, Zan, Nan, Ian). Patricia also revealed to us how network executives lied to her in order for her to sign on for Home Improvement, hosting the Emmys with Ellen DeGeneres (“the worst day of her life”), and whether or not she turned down a role on The West Wing (C.J.? Abbey?) before recurring as Sheila Brooks. The juice is good in this one, hunnies. Follow us on social media @damianbellino || @rodemanne Discussed this week:  Anne loves Straight Talk with Dolly Parton Radio shows; WKRP, Frasier (Peri Gilpin and Jane Leeves) Famous Sally Bowles: Jane Leeves, Molly Ringwald Pam Anderson is going to be Roxie in Chicago on Broadway!  Pam was NOT into the recent miniseries based on her life with Tommy Lee  We were excited to see Ariana DeBose and Jane Krakowski in Chicago Fall 2021 but it never happened The Weisslers are stunt casters Roxie Hart SUPERCUT Aurora Spiderwoman has the best YouTube account on the internet  Melanie Griffith was an excellent Roxie Hart (apparently, says Ben Brantley) Kim Cattrall saying “MARIO” and “with a standup bass” Patricia Richardson's hair is an exquisite white Was a Hollywood Blonde and Lousie understudy for 1978 Gypsy revival with Angela Lansbury, directed by Arthur Laurents “Little Lamb” is a tough song to sing  “Honey Bun” from South Pacific ** Angela Lansbury b roll footage of Gypsy ** Patti's “Roses Turn” Bernadette's “Rose's Turn” Tyne Daly's “Rose's Turn” Graduated from SMU with a BFA Spent 8 seasons as Jill Taylor on Home Improvement Tim Allen's Showtime special Brought in Gayle Maffeo Hosted the 1994 Emmys with Ellen DeGeneneres Decider piece on Patricia being best sitcom mom of all time Son is Joe Castle Baker Starred in gay indie comedy Cubby directed by Mark Blane Played Alan Alda's campaign manager on The 5 & 6 seasons of The West Wing Was Patricia the OG CJ Cregg Costarring in upcoming Chantilly Bridge the sequel to Chantilly Lace (1993, for: Linda Yellen) Was in Parent Trap III with her ex husband Ray Baker, the Creel triplets, and of course Hayley Mills Robert Tucker (choreographer from Gypsy) had 3 kids: Zan, Nan(a) Visitor, and Ian Nana Visitor was on Star Trek and was Roxie on Broadway  Betty Buckley's “Rose's Turn” We love Sandy Bullock: Demolition Man, Speed, Love Potion # 9 Ellen has dishware; she flips 45 houses a year; Ellen apparently no longer a vegan!

We are just pleased as punch to be with the great Heather Matarazzo. You Might Know Her From The Princess Diaries 1 & 2, Saved!, Welcome to the Dollhouse, Scream 3, Hostel: Part II, The Devil’s Advocate, Roseanne, and The L Word. Heather so graciously talked to us about the motives behind Stacy Merkin’s terrible review of “Lez Girls” on The L Word, working with the late Garry Marshall in a big Disney production opposite her real life idol Julie Andrews, navigating Hollywood (and avoiding being typecast) after her breakthrough performance as Dawn Wiener in Welcome to the Dollhouse, getting a job from Roseanne Barr as a young person, and her experiences coming out as a lesbian to Ellen DeGeneres on the set of a Sheryl Crow music video. This one is chock-full of brilliant and hilarious behind the scenes scoop and vulnerable and honest answers from an actress with an incredible body of work.   Follow us on social media: @damianbellino || @rodemanne  Pepe the Prawn the new muppet Gritty: mascot for the Philadelphia Flyers Jason Segel and the The Muppets  The Muppets Take Manhattan, The Muppet Movie, The Great Muppet Caper Frozen movie made to clear internet of info about Walt Disney having his head cryogenically frozen  Exes and Ohs Stacy Merkin on The L Word  Got to destroy Jenny Schecter’s book Came out during the press tour of The Princess Diaries 2 (directed by Garry Marshall) She loved working with Dorie Barton directed her in Girl Flu. Broke out in Todd Solondz’ Welcome to the Dollhouse Dawn Wiener in Palindromes and Wiener Dog Scream 3 asked by Wes Craven Hostel 2 death scene terrifying (trigger warning the scene freaked us out) Was doing the failed sitcom Townies when she approached Roseanne on set to be on her show (Shared Carsey Werner lot) Heather on Grey’s Anatomy (father died day that she had to film an emotional scene) Shonda Rhimes wrote Princess Diaries 2 Appears in Sheryl crow video for “A Change Would Do You Good (Ellen was also on set) Was Ryan Phillippe’s sister in 54 Carol Burnett and Julie Andrews gay rumors  Broadway revival of The Women with Jennifer Coolidge, Cynthia Nixon, Rue McClanahan, Amy Ryan, Mary Louise Wilson, etc Dinners at Cafe Un Deux Trois (RIP) Partying at Playwright’s Tavern with Coolidge Robert Durst’s niece was fired from the show Out acts Keanu Reeves in The Devil’s Advocate Sheryl Crow’s got toned arms and a low center of gravity. So does Celine Dion hence the lesbian rumors

This week Meg and Shannon discuss three one acts from Leading Women: Plays for Actresses 2. This episode has everything- too many college references, drunk choreography, YA fiction conspiracies, on stage car accidents. Plays featured in this episode are Lost by Mary Louise Wilson, Medea by Christopher Durang and Wendy Wasserstein, and No Shoulder by Nina Shengold. All references and quotes are protected under fair use. This podcast's goal is to spread a love for theatre and highlight incredible artists and work. Learn more about the Quileute Nation's Move to Higher Ground Initiative at mthg.org Check out the New Play Exchange at newplayexchange.org Content warning for language. Find the podcast on Instagram @stumbleduponpodcast Thank you for listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

País Estados Unidos Dirección Barry Levinson Guion Buck Henry, Michal Zebede (Novela: Philip Roth) Música Marcelo Zarvos Fotografía Adam Jandrup Reparto Al Pacino, Greta Gerwig, Dianne Wiest, Kyra Sedgwick, Charles Grodin, Dylan Baker, Dan Hedaya, Nina Arianda, Victor Cruz, Li Jun Li, Mary Louise Wilson, Billy Porter, Lance Roberts, Derrick Arthur, Steve Rosen, Andrea Barnes, Otoja Abit, Jennifer Regan, Andrew Polk, Peter Francis James, Emily Dorsch, Christopher Brian Roach, Adam Lubarsky, Ricky Paull Goldin, Zack Robidas, Anitha Gandhi, Rebecka Ray, Buzz Bovshow, Suzan Perry, TaiVon McKinney, Maria-Christina Oliveras, Annika Pergament, Lawrence Ballard, Mark Alhadeff Sinopsis Simon Axler (Al Pacino) es un veterano y famoso actor de teatro que sufre de repente un bloqueo interpretativo. Tras una penosa interpretación de Macbeth en el Kennedy Center de Nueva York, Simon no tiene más remedio que aceptar que los días de éxito pertenecen al pasado, y se ve sumido en una depresión. En un intento por recuperar la magia, se deja llevar a una aventura con una mujer lesbiana, mucho más joven que él.... Adaptación de la novela de Philip Roth.

On this week's LadyWatch agenda: Ryan and Jason sing the many praises of Netflix, none greater than being the official Mary Kay Place place, but also for keeping Sissy Spacek, Swoosie Kurtz, Marsha Mason, Ana Gasteyer, and Mary Louise Wilson in paychecks and TV sets. ALSO: Christine Baranski gets an official green light at CBS for her 'Good Wife' spinoff, Helena Bonham Carter helps us clear up Brexit, Naomi Judd is hopefully not a racist (but Wynonna definitely loves grits), Robin Wright has her don't-fuck-with-me-fellas moment and Susan Sarandon will have a fuck-me-fellas moment when she is 80, Sheila E. comes to her own (and Chaka Khan's) defense at Linda Perry's defense of Madonna, and MUCH MUCH MORE!

Dennis visits the Fox lot to chat with screenwriter Ron Nyswayer during his lunch break from the series "Homeland," which he is currently writing for.  Ron talks about his new documentary "She's the Best Thing In It" which is about Tony-winning actress and acting teacher Mary Louise Wilson. He also talks about the upcoming film "Freeheld," a feature film Ron wrote about a real life lesbian couple played by Julianne Moore and Ellen Page. Other topics include: the inspiration behind the famous "Philadelphia" opera scene, the impulse that brought him to TV and why he named his production company Blue Days Films after his harrowing and humorous addiction memoir "Blue Days Black Nights." Ron also answers the question, "Why do you write?", recalls being in the room when Goldie Hawn met Kurt Russell at a table read for "Swing Shift," talks about doing drag as an extra in "Soldiers Girl," reveals his most suprising fan, pees next to Clint Eastwood at the Oscars and shares what he knows now that he wishes he'd known when he was starting out. www.shesthebesthinginit.com

Tony nominee Mary Louise Wilson discusses her journey from workshop to Broadway with the musical "Grey Gardens"; recalls her Broadway debut in the troubled Judy Holliday vehicle "Hot Spot"; describes working with legendary stage figures George Abbott, Ellis Rabb and Eva LeGallienne in works as diverse as "Flora The Red Menace" and "Alice In Wonderland"; reflects on appearing in two productions of "The Women" thirty years apart; and considers the extraordinary impact of the Roundabout reinvention of the classic "Cabaret". Original air date – June 1, 2007.

Tony winner for Grey Gardens, Mary Louise Wilson discusses her journey from workshop to Broadway with the musical Grey Gardens; recalls her Broadway debut in the troubled Judy Holliday vehicle Hot Spot; describes working with legendary stage figures George Abbott, Ellis Rabb and Eva LeGallienne in works as diverse as Flora The Red Menace and Alice In Wonderland; reflects on appearing in two productions of The Women thirty years apart; and considers the extraordinary impact of the Roundabout reinvention of the classic Cabaret.

Tony nominee Mary Louise Wilson discusses her journey from workshop to Broadway with the musical "Grey Gardens"; recalls her Broadway debut in the troubled Judy Holliday vehicle "Hot Spot"; describes working with legendary stage figures George Abbott, Ellis Rabb and Eva LeGallienne in works as diverse as "Flora The Red Menace" and "Alice In Wonderland"; reflects on appearing in two productions of "The Women" thirty years apart; and considers the extraordinary impact of the Roundabout reinvention of the classic "Cabaret". Original air date – June 1, 2007.

The "Grey Garden"'s creative team, Scott Frankel (composer), Michael Korie (lyricist) and Doug Wright (book writer) discuss the genesis of this new, highly acclaimed Broadway musical - why they chose this "cult" documentary to be the basis for a musical; how they all came together as collaborators; and what it took to make these characters "sing". Later in the show the stars Erin Davie, Christine Ebersole and Mary Louise Wilson join director Michael Greif to talk about how they worked together to inhabit the "Edies", as well as their personal connections with the characters in the piece.