Podcast appearances and mentions of Kurt Russell

n this episode, Dez will try to convince us that Overboard, starruing Goldie Hawn and Kurt Russell is a horror movie. We explore the plot, character development, and the social implications of the storyline, especially looking back at it from 2026. Overboard is a romantic comedy from the 80s, but some of the themes might not have aged particularly well. We offer a candid critique and nostalgic reflections.#goldiehawn #kurtrussell #overboard #romanticcomedy #heydidyoueverseethatmovie #80smovies #90smovies #moviereview #moviereviewpodcast #moviepodcast #comedypodcast #dysfunctionaldatenight #tonystalesofterror #cultclassics #cultclassicmovies

Mike White is joined by El Goro and Jedidiah Ayres to discuss George P. Cosmatos's 1993 Western, Tombstone, starring Kurt Russell as Wyatt Earp and Val Kilmer in his career-defining turn as Doc Holliday. The conversation digs into Kevin Jarre's ambitious original screenplay, his short-lived stint as director, Kurt Russell's unusually hands-on role after Jarre was fired, and the material that disappeared as Tombstone transformed from a sprawling historical epic into the lean, quotable film audiences know today.They also examine the movie's version of the Earp legend, the gunfight at the O.K. Corral, Wyatt's vendetta ride, Doc's showdown with Johnny Ringo, and how Tombstone stacks up against My Darling Clementine, Gunfight at the O.K. Corral, and Kevin Costner's competing Wyatt Earp.Joining the episode is Thordur O. Thordarson of the Icelandic Phallological Museum, whose collection includes a replica of Doc Holliday's unusually distinctive cane.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

What makes two people feel irresistibly drawn to one another? Is it chemistry, emotional compatibility, timing—or something written in the stars?In this episode, we explore some of the key astrological indicators of love, attraction, connection, and relationship potential through the birth charts of famous couples.We take a look at Goldie Hawn & Kurt Russell, Jada Pinkett Smith & Will Smith, Eva Mendes & Ryan Gosling, and Taylor Swift & Travis Kelce, exploring their charts and the planetary connections that can reveal attraction, emotional bonds, passion, commitment, and the deeper dynamics between two people.From Venus and Mars to the Moon, Sun, Saturn, the 5th, 7th and 8th Houses, the Lunar Nodes, and Pluto, we'll explore what astrologers look for when determining whether two birth charts have a powerful romantic connection.This isn't about declaring whether a couple is destined to be together. Instead, it's an exploration of astrological symbolism and relationship patterns—and how different chart connections can tell a fascinating story about the way two people may experience love.✨ Can astrology reveal why we're attracted to certain people?✨ What creates lasting relationship potential?✨ What makes a connection feel intense, magnetic, or destined?Let's look at the stars and see what they have to say about love. ❤️

In this episode of JJ Meets World, JJ and Tucker talk about the specific objects they have always wanted in their homes, from walls of DVDs and vintage library card catalogs to old jukeboxes, baseball card storage, used books, and the strange appeal of highly organized little drawers. The conversation touches on estate sales, Facebook Marketplace, eBay, thrift shops, media collections, and the emotional pull of physical objects that feel like artifacts from another era. They also get into local theater, temporary set furniture, nonprofit partnerships, and how groups like Furniture Mission of the Red River Valley could connect with arts organizations looking for couches, beds, desks, jukeboxes, and props. Along the way, JJ and Tucker discuss dumpster rentals, crawl space cleanouts, old concrete, dream bedroom ceiling fans, and why sometimes the perfect home detail is both weirdly specific and completely unnecessary. 00:00 Intro: Crawl Space Treasures and Home Wish Lists 01:02 JJ's Dream Home Media Collection 01:23 Tucker's Wall and the Stories We Tell Ourselves 02:02 The Things We Always Wanted in Our Homes 02:28 Kevin Kline, Kurt Russell, and 4K Movie Releases 03:29 JJ Wants a Library Card Catalog 03:44 Losing an Estate Sale Card Catalog 04:21 Facebook Marketplace, eBay Offers, and Rare Finds 05:07 Waiting for the Perfect Card Catalog Deal 05:45 Refurbishing Old Furniture and Finding the Right Piece 06:01 Segmented Organization and Order From Chaos 06:41 Where Would the Card Catalog Go? 07:03 Baseball Cards, Comics, and Dewey Decimal Drawers 07:24 Different Types of Library Card Catalogs 08:01 Used Books and Old Library Cards 09:02 Tucker's Family Jukebox 09:37 Searching for a Jukebox for a Theater Show 10:20 Why Theater Sets Need Temporary Furniture 11:10 Furniture Mission of the Red River Valley 12:03 Helping People Furnish New Homes 12:43 Why Furniture Mission Needs Constant Donations 13:23 Could Theater Companies Partner With Furniture Mission? 14:29 A Thrift Shop Model for Theater Props 15:08 Theater Needs a Dumpster 15:25 Roll-Off Dumpsters and Crawl Space Cleanouts 16:10 Sharing Dumpster Space With Neighbors 16:39 Sneaking Heavy Concrete Into the Garbage 17:44 Card Catalogs, Jukeboxes, and Home Design 18:06 JJ's Dream Ceiling Fan 18:29 Big Ass Fans Are Real 19:04 Outro 19:41 Tom Hanks and SNL Love JJ

Episode 306- Big Brother’s Eye on Guns Also Available OnSearchable Podcast Transcript Gun Lawyer — Episode Transcript Page – 1 – of 15 Gun Lawyer — Episode 306 Transcript SUMMARY KEYWORDS Gun laws, Second Amendment, Ninth Circuit, California law, Surveillance, FFL, Self defense, Firearm storage, Heller decision, New Jersey, Guillotine, Weapon definition, Propaganda, CDC data, Gun training SPEAKERS Evan Nappen, Teddy Nappen, Speaker 2 Evan Nappen 00:18 I’m Evan Nappen. Teddy Nappen 00:20 and I’m Teddy Nappen. Evan Nappen 00:21 and welcome to Gun Lawyer. Teddy, welcome back, you new father, you. And I’m the new grandfather. Teddy Nappen 00:29 Yes, I know, and don’t worry, all is good. Just sleep is for the weak. Evan Nappen 00:34 Ah, right, exactly, exactly. Oh my! And how is beautiful, Aliyana, doing? That cute little peanut that she is. Teddy Nappen 00:45 Aliyana is doing quite well. She is. Evan Nappen 00:47 And your lovely wife? How is she? Teddy Nappen 00:50 She’s doing also well. It’s definitely one of those moments when you see your wife holding your newborn child. Definitely that kind of spark. Oh yeah, very special, Evan Nappen 01:01 Oh yeah, very special, special. Teddy Nappen 01:02 Yeah, but they’re both doing quite well, and I’m eternally blessed for that. Page – 2 – of 15 Evan Nappen 01:08 That’s right. And we got the baby to the range. She did great on her first shooting experience there. Teddy Nappen 01:15 I know we took out. Evan Nappen 01:17 She got her CCARE. She’s good. She took out a Charter Arms .22. The trick was the range officer allowed us to just put up balloons to make it easier. It worked. Evan Nappen 01:19 She took out a Charter Arms .22. The trick was the range officer allowed us to just put up balloons to make it easier, and it worked. Evan Nappen 01:28 It was good. It was good. We start them young in the Nappen family. You know, you have to give one day of birth, and then you’re at the range. Teddy Nappen 01:40 There’s two things. Evan Nappen 01:41 Training begins. Teddy Nappen 01:42 The two things Aliyana will grow up with having. Number one, I want to teach her to be a critical thinker, and number two, all I can show her for self-defense. Everything I can for her to be a critical thinker. Evan Nappen 01:56 That’s right. And you do that for all kids. It’s a way of not being a victim, not being a victim. Critical thinking and knowing how to defend yourself – two very important things. Well, I’ve got to tell you, the Ninth Circuit in California had a very interesting decision. The reason I want to discuss it is, I believe this decision may give us hints as to what may be coming in New Jersey and other places. As we see the power of the newly, relatively speaking, empowered Second Amendment crushing gun laws that are literally over a century old, the anti-Second Amendment crowd, the Second Amendment oppressors, are, of course, looking for avenues to oppress our rights, and they have to work within this new framework. This decision out of the Ninth Circuit, I find of great concern because of its potential to possibly be utilized as a mechanism and tactic for the anti-Second Amendment Left. And what happened in the Ninth Circuit is an Appellate Decision, after the trial court in the Ninth, and what it did was leave in place California’s 24/7 gun store surveillance law. Page – 3 – of 15 Evan Nappen 03:31 Now you may say, okay, well that’s just gun stores. Yes, but it’s very easy to expand this, and I’m going to show you why this should be of great concern. So, let’s take a look at what happened in the Ninth Circuit with California law, and then I’m going to discuss where I think the gun rights oppressors may see an opening for shenanigans. We’ve got to be prepared and recognize that this could be a potential area of penetration where they will probably strike and try to oppress us. So, California, requires licensed dealers to video record and audio record. By the way, interior video and audio, and retain all the recordings for at least one year. Now I’m getting this, by the way, from a great article in AmmoLand by one of our favorite authors, John Crump, and it’s called “Ninth Circuit Leaves California’s 24/7 Gun Store Surveillance Law in place”. (https://www.ammoland.com/2026/08/ninth-circuit-leaves-californias-24-7-gun-store-surveillance-law-in-place/?utm_source=Ammoland+Subscribers&utm_campaign=fb0c8bc3fc-RSS_EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_6f6fac3eaa-fb0c8bc3fc-21268623) Evan Nappen 05:02 The article discusses how a three-judge panel of the U.S. Court of Appeals for the Ninth Circuit upheld California’s controversial gun store monitoring law by a two-to-one margin. Now, the case is Richards v. Newsom. No shock that the defendant is Governor Newsom. And what happened in this case was brick and mortar FFLs, two home-based FFLs, gun rights groups, including GOA, GOC, CRPA, and SAF, and individual patrons of the shop, were all plaintiffs in this action. They challenged California’s law, which was enacted in 2024, that requires every California FFL to operate a 24/7 digital video system that also records audio inside the premises. Cameras must cover entries and exits, display areas, points of sale, and clearly identify people, and run at least 15 frames per second. They have to store footage for one year. In addition, dealers must post a conspicuous warning that says, in all bold, THESE PREMISES ARE UNDER VIDEO AND AUDIO SURVEILLANCE. YOUR IMAGE AND CONVERSATIONS MAY BE RECORDED.” Evan Nappen 06:49 At the District Court level, the level below the Appellate level, the law was found constitutional, and the plaintiffs then appealed to the Appeal Court in the ninth, which came out with this decision. It was a three-judge panel, and it was Judge (Lucy H.) Koh, Judge (Ana) de Alba, which were both appointed by Biden, and a Trump appointee, Judge Kenneth Lee. In this case, one of the claims they made was that this violates the Fourth Amendment. That’s the constitutional protection against illegal search and seizure, and the panel rejected the claim, saying that the dealers’ recordings are not themselves a Government search. There is no physical intrusion by the State, citing another case of Jones, and no government acquisition of data, citing two other cases of Carpenter and Chatrie. Dealers are not transformed into state actors by merely being required to keep cameras. Wow, let that sink in. And, of course, the two Biden judges rejected Judge Lee’s inspection theory on three grounds. And that is that the law doesn’t authorize inspections, though there are other penal code provisions that do, and that even if it did, the statute is facially valid under New York versus Burger because it limits who may inspect and what may be inspected. Page – 4 – of 15 Evan Nappen 08:45 The plaintiffs also claim that the law violated the Fifth Amendment takings clause. The Court said no good to that one as well. The majority, again, the two Biden appointees, said it’s not a physical taking. Dealers own and install the equipment, and the Government doesn’t occupy the premises. hey claimed it’s not a regulatory taking. That dealers in this heavily-regulated industry have reduced investment-backed expectations, and the alleged compliance costs, by the way, of $17,000, without a before and after value comparison, do not suffice. And the character of the action is a “public-safety regulation, not a physical invasion”. he Court also rejected the First Amendment claims, where the judge held that overbreadth fails because the statute doesn’t punish or regulate speech. The anonymity claim failed because one, no one must identify themselves, even though cameras must be positioned to identify customers easily. And the Association claim fails because membership is not compulsory, and it shot it all down. hen the majority also declined to adopt the dissent, you know, the good guys’ dissent of the right to receive and exchange information. They rejected that theory, claiming the plaintiffs didn’t raise it, and cited other cases that involved actual prohibitions. So, this is incredible. The one dissenting Judge Lee would have also held that inspection scheme violates the Fourth Amendment as applied to FFLs. There’s no time or place limits. So, agents could theoretically enter home at any hour to check the system, and they left the audio and visual surveillance requirement in place. Evan Nappen 11:08 Now this is California, granted, and this is, of course, on dealers. However, what are the requirements, constitutionally speaking, when it comes to firearm storage, and we’ll argue regulation? You see, we have heard rumors and things have been printed that one of the things that New Jersey is going to pass, particularly in response to the finding of unconstitutionality of both the assault firearm ban and the magazine ban is something having to do with storage. Well, I’m thinking that it probably isn’t simply going to be focused on storage, but may in fact try to utilize a visual and audio surveillance requirement as well, and place that upon anybody that possesses so-called assault firearms magazines, maybe even all guns. Who knows how far they’ll take it? Evan Nappen 12:20 If we take a step back and we look at the Heller decision, in (District of Columbia v.) Heller, the Supreme Court ruled, of course, that requiring lawfully-owned firearms in a home to be kept unloaded and disassembled, or bound by a trigger lock is a violation of the Second Amendment. The Heller Court found that this storage requirement was unconstitutional because it rendered firearms inoperable and prevented individuals from using them for immediate self-defense in the home. Scalia, when he wrote the majority opinion, said the Second Amendment protects the right to keep a working firearm ready for core lawful purpose of self-defense. Now, of course, if it’s surveillance, surveillance does not stop you from keeping the gun ready for lawful purpose of self-defense. t’s simply a surveillance and “security requirement”. Evan Nappen 13:36 Further, the court in Heller noted that the ruling did not cast out on certain other traditional regulations, stating that laws regulating the storage of firearms to prevent accidents under specific or different regulatory contexts were not necessarily invalidated by Heller. Scalia, when he wrote the Heller decisions, suggested that the Court’s analysis did not “suggest the invalidity of laws regulating storage Page – 5 – of 15 of firearms to prevent accidents”. When he talked about that distinguishing feature. He was drawing a sharp legal line. The Court did not say that all storage laws are unconstitutional. Instead, it distinguished between complete baseline disabling of a gun versus conditional safety rules. And you know how the Second Amendment oppressors always try to exploit to the max anything they’re given in any way, and this is an opening that I expect they’re going to attempt to. Evan Nappen 15:01 Let’s take a further look and elaborate. So, for example, the absence of a self-defense exception. ow, the fundamental flaw in the District of Columbia storage law was that it was an absolute 24/7 mandate. Well, in terms of the DC code, a firearm had to be unloaded and bound by a trigger lock, even if an intruder was actively breaking into the home. Now, Heller struck that absolute mandate down, but what Heller preserved was storage regulations that maintain a flexibility enough to allow a person to access and use their weapon dynamically when facing an immediate threat. So, it might still be able to require lock boxes that can instantly be opened. Let’s say with a fingerprint or something like that. This may be a direction they’ll go. Evan Nappen 16:11 There’s a distinguishing between immediate control and unattended storage. The lower courts heavily relied upon in the Heller quote to uphold secure storage and child access prevention, and New Jersey in fact has a law that says you can’t allow a minor to access a loaded firearm. But the crucial legal distinction is whether the gun is currently in use or whether it’s sitting unattended. One of the distinctions is the on-person distinction. In challenges that followed Heller, courts ruled that laws requiring guns to be locked up only when not under direct personal control of the owner are constitutional. So, they’re going to be exploiting that. f you’re awake and carrying a firearm or have it on your nightstand while home, that’s within your immediate control. But if you leave the house, if you well, if you leave the house and you go to sleep, and the children are present. The state has a valid interest in regulating the unattended storage to prevent an accidental discharge or theft. Teddy Nappen 17:30 So, my question would be, when it comes to, if they were trying to regulate, let’s say they force everyone to have, okay, you need to have X amount of storage. You need to have a safe in requiring of that. Could there be you’re putting the undue burden of saying, well, now you’re adding essentially a poll tax to a right? Evan Nappen 17:50 That may be one of the arguments about that. I’m not sure how that’ll play out. It’s interesting. Well, and the third thing to keep in mind in Scalia’s reference to “different regulatory contexts”, it means that certain storage laws can be tailored to high-risk environments and specific populations, and they’re historically and legally permissible. So, for example, commercial and public contexts, the Government can mandate strict storage requirements for commercial gun dealers, and California has completely exploited that. You know, usually to prevent like smash and grab robberies or public housing, military barracks, government workplaces, stuff like that. Then there’s preventing vulnerable access. And that’s laws specifically punishing gun owners if a child or legally prohibited person, like a convicted felon, can Page – 6 – of 15 gain access to an unsecured firearm and causes harm are widely considered valid under Heller. So, these do not ban self-defense. They penalize essentially negligence. Evan Nappen 19:04 This is the playing field that we’re going to see the antis try to exploit. And now you can combine that with possibly requiring 24/7 surveillance to the degree that it could be applied to an individual, even in their home. Because remember you had home-based dealers as well that were part of this that were trying to raise these claims. Now, granted, this is the Ninth Circuit’s view of it. New Jersey, frankly, has often taken a strong view when it comes to Fourth Amendment protections. But who knows whether their desire to have Second Amendment oppression will overcome their desire to have Fourth Amendment protection? We’ve got to be aware of this. Teddy Nappen 19:56 I would take it a step further, Dad. Now say, you need to have an AI program required for your camera, and now that AI can calculate and determine firearms, where they’re going, who has them, how many you have, and no longer need it. We’re always worried about Universal Background Check as the way of the national registration. Imagine an AI in every home, and it determines each firearm. There’s your national registration, and now they have their list to come collect them. Evan Nappen 20:26 And then it could be viewed at any time. You could see these things happen. I mean, it’s just outrageous the implications. This is very scary stuff when you combine the potential of a surveillance requirement and mandating alarm systems in a home. Cameras, audio, lighting-all these different things. To what degree can the Government extend its power in the name of public safety? Given what is apparently allowed and disallowed by way of Heller and subsequent courts’ rulings and determinations over those things. So, I see this as a new battlefield, a new front that we’re most likely going to have to be very much vigilant about and wary. I also can see this type of California law, at a minimum, applying to New Jersey dealers. At a minimum imposing and trying to create because New Jersey often follows California for their extreme gun rights oppression, and California often follows New Jersey for what they do. They work often hand in hand, and its extension to citizens is something we need to be very concerned about. Hey, Teddy. What do you have of interest in Press Checks? You had mentioned something that I thought was kind of fascinating, and it reminded me of the French Revolution. What is that you need to tell us about this? Teddy Nappen 22:24 As you know, Press Checks are always free, and this comes from the Capitol Police as they had to arrest. Evan Nappen 22:26 The Capitol in Washington D.C. Page – 7 – of 15 Teddy Nappen 22:34 Yeah. United States Capitol Police seized a guillotine, shot a man, and arrested him for carrying a dangerous weapon, for being in possession of a guillotine. (https://www.uscp.gov/media-center/press-releases/uscp-arrests-driver-guillotine-truckbed) Evan Nappen 22:48 Oh, a guillotine. How did he possess it? Teddy Nappen 22:51 In the back of his pickup truck. Evan Nappen 22:53 So, he’s driving around with the guillotine on the back of his pickup truck. Was he going to use it in a theatrical play or movie, or was he going to use it to make political speech, or did he actually want to start chopping heads? Teddy Nappen 23:09 There was no clarification, but he was just pulled over. There was this giant guillotine on the back of the truck. Evan Nappen 23:16 Could have been a Halloween display in advance. I mean, I don’t know. Well, you know, it’s an interesting kind of weird to say a guillotine is a weapon unless it’s being utilized as a weapon. I mean, what do, you know? What are you gonna say to somebody? You know, give me your wallet, or I’m gonna cut off your head. I mean, what? I don’t really see how. It’s not like it fires a projectile. It’s not like it’s easily carried in one’s pocket. How is it gonna qualify as a weapon unless it is somehow intentionally used as a weapon? Teddy Nappen 23:55 Here’s the problem, though, for the law. From what I was able to pull on DC. They have to prove that he’s able to carry the guillotine in order to charge him with that. Evan Nappen 24:09 Well, I guess it’s a vehicle-mounted weapon. I don’t know. But it’s not a weapon. It’s not firing anything. It’s not projecting anything. It’s harmless unless you actually get somebody to stick their head in it. Other than that, you know, it’s as much a weapon as somebody’s shoe is a weapon. You could take off your shoe and start beating somebody in the head. Now your shoe is a weapon, right? Otherwise, shoes just aren’t weapons. I don’t necessarily see how. If I was handling that case, I would immediately bring a motion that this doesn’t qualify as a weapon. Now, I don’t practice in D.C. So, I don’t know how broad their description of weapons are. But if we were to look at New Jersey, the best they could claim is that it falls under the “other weapons” section of N.J.S. 2C:39-5d. But even with that, the definition of weapon under New Jersey, I don’t even think it’s fitting it unless there’s some allegation that fits it under NJ’s definition of weapon and meets all the elements of it. Page – 8 – of 15 Teddy Nappen 25:33 I want to go a step further and just have someone drive a truck with like an electric chair on the back. Then have another one where he’s driving with the car, and it has the torture device that was used to stretch people. I’m just curious to like what does the extent of where do they can where do the line drawn is it just because it has a blade? Evan Nappen 26:03 Well, here’s where it gets odd, and it’s an interesting thing. Because New Jersey’s definition of weapon, which you’ll find under N.J.S. 2C:39-1r. says that a weapon means anything readily capable of lethal use or inflicting serious bodily injury. However, there are so many things out there. I mean, a kitchen knife, a chainsaw, a hammer, a golf club. I mean, it never ends because anything is readily capable of it. But you still have to fit into New Jersey’s other weapons. Because even before we go there, the term “weapon” under New Jersey law includes, but is not limited to firearms, even though not loaded or lacking a clip. They say a clip. Can you imagine this? I mean, magazine, but okay, or other component to render them immediately operable. Components which can be readily assembled into a weapon. I always hate a definition that tries to define it by using the term itself. That’s frickin’ useless. And then Teddy Nappen 27:30 Definition. Evan Nappen 27:30 And then, gravity knives, switchblade knives, daggers, dirks, stilettos, or other dangerous knives, billies, blackjacks, bludgeons, metal knuckles, sandclubs, slingshots, cesti, or similar leather bands studded with metal filings or razor blades embedded in wood. Well, that sure gives you a lot of great ideas. At least I give it credit there. But anyway, and stun guns or any weapon or other device which projects, releases, or emits tear gas or other substance intended to produce temporary physical comfort, discomfort, or permanent injury through being vaporized or otherwise dispensed into the air. But if you notice, all these things that they’re putting in this category of weapons require a person to use them in a way that an individual would be targeted for being struck or hit or cut. Evan Nappen 28:37 Whereas, a guillotine would require the person themselves putting their head into the guillotine, or being forced to put their head in a guillotine, and that seems like a bit of a challenge to still fit it under the definition of weapon. But even if it did fit under, just for argument’s sake, of being arguably a weapon because it’s capable of that lethal use, you’d have to say. But the definition of weapon isn’t the prohibition in New Jersey law. The prohibition for weapon you’ll find in the weapons prohibition statute, which is the 2C:39-5d. “Other weapons”. And 2C:39-5d. says other weapons. Any person who knowingly has in his possession any other weapon under circumstances not manifestly appropriate for such lawful uses as it may have is guilty of a crime of the fourth degree. It’s felony level offense, and it carries a year and a half max in State Prison. Evan Nappen 30:02 So, what would be circumstances not manifestly appropriate for such lawful uses as it may have? f you’re riding around with the guillotine, let’s say, for political speech purposes, which could be legit, or Page – 9 – of 15 you’re transporting it for making a movie, let’s say, or using it in a play or in a magic show. Okay, because there are magician guillotines. I personally have one called the Arm Chopper, where you do a whole routine where you get a volunteer, and you chop carrots with it. Then you put their arm in it, and it’s a whole fun thing. Of course, it doesn’t chop the person’s arm; it magically does not, and everything’s fine. en there’s another one. A guillotine version, magician, where when you chop it, it’s rigged so that the arm looks like it’s falling into the bag below, but of course it isn’t. Yet you can still lock it in place to cut carrots and demonstrate its effectiveness before you do the trick, you know. But there’s a legitimate, lawful purpose – a magician’s prop. Maybe you are into it for decorative purposes, for craftsmanship purposes. I mean. Teddy Nappen 30:03 You’re trying out a new thing. Teddy Nappen 30:03 You’re trying out a new Gallagher routine with watermelons. Evan Nappen 30:03 I don’t know, but this is intriguing to say the least. I’ve done a lot in almost 40 years of practicing this area of law, but I will have to say that I’ve yet to have anybody charged with possession of a guillotine as a weapon. But I’m ready to defend it; should it be necessary. But there you go. That’s a crazy, interesting story, Teddy. Thanks. Evan Nappen 30:03 Hey, I want to talk about our good friends at WeShoot. WeShoot is a range in Lakewood, New Jersey. That is a range where Teddy and I both shoot, and my family shoots, and my brother shoots. We love it. WeShoot is an awesome resource right there in Central Jersey, easily accessible right off the Parkway. You’ll love it at WeShoot. If you haven’t checked out WeShoot, you really need to. It is a great place, a special place. They have a fantastic state-of-the-art range, a great pro shop with awesome toys, and they can set you up whether you’re a beginner or advanced shooter. They can get you the right equipment, the right gear, the best ammo, best guns, right there at WeShoot, and the best people. They will help you and guide you so that you make the right choices for what your needs are. You need to go to WeShoot, try it out. You’ll see what I’m saying. Evan Nappen 30:03 You can check WeShoot out at weshootusa.com. They have a great website, beautiful photography. They pride themselves on their great photography. They have all kinds of great courses, not just courses, so you can get your CCARE and other certifications that you may need, and other courses for getting permits from even other states, but advanced training and other types of fun shoots and very Important advanced training, and if you are brand new, they can start you off right by learning the basics and beginning with proper instructions so that you don’t become a GOFU. It’s very important training and having a place to shoot. It’s critical in New Jersey, and WeShoot can give it all to you. So check out WeShoot at weshootusa.com. Page – 10 – of 15 Evan Nappen 30:03 Let me also shamelessly promote my book New Jersey Gun Law, the Bible of New Jersey Gun Law, used by, well, everybody that needs a gun law book. They’re using it, and you need to have one so that you don’t become a GOFU. I’ve taken great pains to explain the insane matrix called New Jersey gun law. It’s done in only five over 500 pages, but don’t let that intimidate you. It’s 120 topics all broken down in question and answer, so that you can even you can get an understanding of New Jersey’s insanity and so that you can protect yourself and stay legal. Go to evannappen.com, evannappen.com, and get your copy today. Evan Nappen 30:32 And, of course, we’re all very excited about the Federal Relief From Disabilities Program being reinvigorated by the Trump administration and the DOJ. It’s been 33 years since I’ve been able to help people regain their Second Amendment rights that may have federal disqualifiers. If you’d like to get a free evaluation of whether you qualify and what it can do for you, and what you need to know as its interplay with other states and Jersey law, and to see what it can do for you, go to evannappen.com, and you can fill out our little contact form there for getting federal relief. And if you need state relief, we do rights restoration, including New Jersey expungements, and getting rid of other disqualifiers that may be in your past, whether it’s old restraining orders or other things that create bars to the exercise of your Second Amendment rights. Go to evannappen.com and learn about those things. And feel free to get in contact with me. I’ll be happy to speak with you, or someone from my team will be happy to help you with your issues. And let me also mention that Teddy has other Press Checks. I’m sure. What else do you have? Teddy Nappen 36:34 This is the famous double Press Checks. I could not pass this one up. When I saw this article, I was shocked, and then reminded that the vast majority of the Left can’t be funny. If you go back to maybe the ’90s, and you’d have. Teddy Nappen 36:54 You laugh at them all the time, though, Teddy. Teddy Nappen 36:56 Yeah, we laugh at them. They try to be funny, and they try to joke on us. But they just come off as boring because comedy was always about pushing the envelope. The all-time favorite movies of comedy, like Blazing Saddles, or even like George Carlin’s bit, “Seven Things You Can’t Say on Television”. George Carlin. Evan Nappen 37:17 George Carlin. I saw him live twice. Yeah. Teddy Nappen 37:20 And you have, you know, Nick DePaolo, Norm Macdonald, people who would their whole idea was to push the envelope. Funniest man alive, Richard Pryor. These are all the ideas, and then comes to the Marxist Left. This is, you know, we’ve got to give it to The Trace, who decided to give them free Page – 11 – of 15 advertising. They decided to make a musical pushing to repeal the Second Amendment. (https://www.thetrace.org/2026/08/good-guy-with-a-gun-musical-interview/) Evan Nappen 37:48 Oh my God! A gun oppression musical. Teddy Nappen 37:53 A musical called “Good Guy with a Gun”. That is their comparison. Evan Nappen 37:57 That’s about as wokey as you can get. A musical doing this. Teddy Nappen 38:02 It’s gay. It’s really gay. Evan Nappen 38:05 Oh my G-d! Teddy Nappen 38:07 And going through this. By the way, you can go on Spotify. You go wherever they have the song list. You can listen to it if you want to. Evan Nappen 38:16 Oh, that’s it. I want to listen to anti-Second Amendment songs. Teddy Nappen 38:20 Yeah. Songs, yes. Evan Nappen 38:23 What are they trying to do this like the other play? What was it that going after or mocking Mormons? Teddy Nappen 38:30 Yeah, the Book of Mormon. It was. Evan Nappen 38:31 There you go. Right. This is the Left’s one of their tools of pushing their agenda is doing. Yeah, I know, real, Teddy Nappen 38:40 Real, real stunning and brave to mock Mormons and going after the Second Amendment. Now, do one on Sharia law and see how that goes. Evan Nappen 38:51 Oh yeah, right. Yeah, that’ll go over big. Sure. Yeah, that’ll be the yeah. Page – 12 – of 15 Teddy Nappen 38:57 Or what is the Chinese play where it’s China before communism, where Chinese have actually sent agents to attack their bus, and do stuff like that. But here. Evan Nappen 39:10 That’s really edgy. Teddy Nappen 39:12 Yeah, no kidding. Evan Nappen 39:13 You know, not this stuff. That’s just you know agenda driven with just another potential way of somehow getting their effed up message implanted. Teddy Nappen 39:27 Yeah. So, they got a bunch of F tier celebrities who wanted to show their virtue signal. They took a pay cut, so they would do this play out of Los Angeles, of course. It is a theatrical concept, billing it as the Book of Mormon for the NRA. The action satire swells on the day the Second Amendment is wiped away, and the numbers reminiscent to Les Misérables begins with the right winger singing, “The day that we’ve always feared the liberals have come to take our guns away. Then comes a brief monolog from a Cockney woman spiles into mania. They came in the night. They took the little ones, the Glocks, the small handguns you keep under your pillow. It was invasion of basement of ant and basement and antics violated antiques violated. Evan Nappen 40:15 Well, they think it’s really hilarious that they’re going to come for the little ones, the handguns”, and then build up from that. That’s so funny, Teddy. It’s just so funny the way they crush our rights. Teddy Nappen 40:29 Well, you have this. It’s the screeching Left who still believe in going after the little ones. Just look at Lindsey Clancy. But anyways. The whole and going I love how they like say this famous actor from “This Is Us” and this other lady from “Orange is the New Black” and the way there and George voice the voice of God was George on Seinfeld. Okay, cool. The whole plot is the character gets a magic gun that turns people conservative. His daughter gets a magic megaphone that turns people liberal, and the antics ensue. In the end, they go into the whole article about the whole point is to dispel the myth of the good guy with the gun. Evan Nappen 41:11 Oh, the myth of the good guy with the gun. Like all these folks that have made a difference in stopping crime, criminals, terrorism that are average citizens, that no longer want to be victims but have chosen to be defenders. And not just defenders of themselves, but defenders of others. As a matter of fact, Teddy, this goofy crap by them on the play, but weren’t you telling me about that very fact? About the difference being made by people that try to stop, for example, mass shootings? What were you telling Page – 13 – of 15 me about that? Let’s talk about good guy with a gun. What have we learned about good guys with a gun? Teddy Nappen 42:02 So, the CDC again have added the data showing that it’s two. Evan Nappen 42:06 And this is their data from the CDC? Teddy Nappen 42:08 Up to 2 million self-defense uses of a firearm. Self-defense uses. That doesn’t even mean pull the trigger. Defensive uses of a firearm. Evan Nappen 42:18 Right. Just the mere presence of a firearm. Teddy Nappen 42:19 So, if it saves one life . . . how about 2 million? Two million lives saved! That is from the CDC’s website. Also the fact that they are now including the FBI reports showing mass shootings. Now they’re showing civilian intervention and stopping the bad guy. Evan Nappen 42:35 You mean, good guys with a gun, or good guys no longer wanting or agreeing to be victims, and good guys making a difference, right? Teddy Nappen 42:47 Yeah. This is something to where they are. This is a logical fallacy right here. It’s called false premise. They’re starting with a false premise, believing that there’s never any good guy with a gun. Even though we can clearly debunk that immediately just by that argument. But going into this whole insanity of the play, I want to remind you all. This is what they’re about. This is what they try to do through propaganda, and yeah, it’s in the gayest way possible. And I’ll take the citizen vigilante that’ll probably sell out more than this play out of. Evan Nappen 43:21 Well, that’s the crazy thing because movies and other things that were not necessarily designed to be propaganda, but that have the message of individuals who fight back. I mean, you can look at “Red Dawn”, which is still considered a classic today, and what was that? Individuals fighting back. You can look at virtually the entire genre of westerns is the individual who fights back. I mean, that’s what we’re really about. Teddy Nappen 43:55 The funniest scene I ever saw for this as a pro gun argument was in the movie “Death Proof”. It’s rated as one of the worst for Quentin Tarantino. I happen to like it. Page – 14 – of 15 Evan Nappen 44:07 I enjoyed Death Proof. I like the music, too. Teddy Nappen 44:07 Oh yeah, it was good there. Just seeing Kurt Russell play a weird twisted serial. Evan Nappen 44:16 Oh my G-d, yeah, did he ever. Teddy Nappen 44:17 There’s one scene where it’s the four girls are sitting on the table. They’re having a discussion. That’s what Quinn Tarantino always does: is having table conversations. The one girl says, “You still carry a gun? Why do you do that? And it’s like, “Why not?” And goes into that whole argument of where, like, “Why you don’t you know you can risk that? You know what I want? I want to carry my gun. I want to go where I’m able to go. I want to be able to defend myself, and she makes and hits home every argument. Where then they say, “What about pepper spray? I don’t want to give them a rash. I want to put them down. Like that’s the whole. Like they’re trying to be satirical. They’re going to be showing it. Evan Nappen 44:55 Big spoiler is that’s what she uses. Yeah, saves the. Teddy Nappen 45:00 hoots it. Shoots at Kurt Russell to get him to go away to save the girls. So, it’s one of those demonstrations. But even I’ll even give it another way, just satirical. Always Sonny did the exact thing where you have two both sides, ones for pro, ones against, and the anti side is like it’s so easy to get a gun. Both of them get denied their background checks immediately. Then they try, and then immediately try to go to a gun show, and they’re trying to do under the table. And the gun dealer’s like, “No, I’m not going to do that. And finally, they try to do a deal to buy it from an illegal alley, and that falls through, and to the point where they’re arguing. They see like, wow, it really is hard to get a gun. Then we realize, and it’s satirical because they show it in a way. This one here in the whole article, they’re trying to like joke on the liberals by she shops at Trader Joe’s. If you’re using a bazooka on one side and a squirt on the other, it’s you’re not both sizing it very easily. Evan Nappen 46:00 Right. Well, that’s not their goal, but that is really interesting. But I don’t think that play will be coming to a playhouse nearby anytime soon. And if it is, it’ll be a financial failure. Teddy Nappen 46:12 Remember, this is the Left’s game, though. Do you remember when they did Julius Caesar? They dressed him as Donald Trump. This was in 2017. In the play where he’s killed. In the play where he’s violently stabbed to death. Evan Nappen 46:15 No, gee, what were they trying to say there? I wonder. Page – 15 – of 15 Teddy Nappen 46:31 Yeah, exactly. And then you have the New Yorker here trying to say, it’s hardly bears the point that art is not life. I love how they play that game every time. Oh, really? Okay. Now cast Ryan Reynolds, Ryan Gosling as Black Panther for in Wakanda. Then tell me it’s not that. No big deal. I love how they always bring that up when it comes to oh art takes that. Cut to the musical of assassins that they had to cancel after the first attempted assassination. Evan Nappen 47:06 Yeah. Teddy Nappen 47:06 Where it’s a musical about Evan Nappen 47:08 Yeah. This is part of their M.O., and it’s disgusting. Well, Teddy, thanks for bringing that to our attention, so we know what play we’re going to never get a playbill for or see. Now, I’ve got to tell you about this week’s GOFU. You know the GOFU is Gun Owner Fuck Up. It’s where gun owners make mistakes that can cost them their freedom, their firearm rights. It cost them a lot of money, and you get to learn for free, so you don’t become a GOFU. And this week’s GOFU is really basic. Some of you listening may say, “Really, seriously?” I’m telling you, why am I talking about this? Because my friends, I get the phone calls. I get the phone calls from the GOFUers. I get those calls. Evan Nappen 48:01 This week’s GOFU is real simple. Practice your draw. Know your firearm. Okay, simple. Practice drawing and firing if you’re carrying. Practice reholstering. Practice it with an empty firearm. Make sure you are proficient in how to handle your specific firearm and know your gun. Know how it operates. You know, some guns have manual safeties. Some guns do not. Know your gun. Know how to use it. Practice and train. Not just on shooting. Not just on hitting the target. But practice on understanding the function of your gun – the loading, the unloading, how to absolutely know it’s empty. How to work your gun and how to draw your gun. How to holster and unholster your gun. Make sure you’ve practiced that with a safe, empty firearm. That you’ve had the right training. That you’re doing it properly, and that you are proficient in that. Because if you’re not and you have a problem, if you have an A.D., if you have some issue, you’ll become the next GOFU, and I don’t want to see that. Evan Nappen 49:35 This is Evan Nappen and Teddy Nappen reminding you that gun laws do not protect honest citizens from criminals. They protect criminals from honest citizens. Speaker 2 49:48 Gun Lawyer is a CounterThink Media production. The music used in this broadcast was managed by Cosmo Music, New York, New York. Reach us by emailing Evan@gun.lawyer. The information and opinions in this broadcast do not constitute legal advice. Consult a licensed attorney in your state. Downloadable PDF TranscriptGun Lawyer S5 E306_transcript About The HostEvan Nappen, Esq.Known as “America's Gun Lawyer,” Evan Nappen is above all a tireless defender of justice. Author of eight bestselling books and countless articles on firearms, knives, and weapons history and the law, a certified Firearms Instructor, and avid weapons collector and historian with a vast collection that spans almost five decades — it's no wonder he's become the trusted, go-to expert for local, industry and national media outlets. Regularly called on by radio, television and online news media for his commentary and expertise on breaking news Evan has appeared countless shows including Fox News – Judge Jeanine, CNN – Lou Dobbs, Court TV, Real Talk on WOR, It's Your Call with Lyn Doyle, Tom Gresham's Gun Talk, and Cam & Company/NRA News. As a creative arts consultant, he also lends his weapons law and historical expertise to an elite, discerning cadre of movie and television producers and directors, and novelists. He also provides expert testimony and consultations for defense attorneys across America. Email Evan Your Comments and Questions  talkback@gun.lawyer Join Evan's InnerCircleHere's your chance to join an elite group of the Savviest gun and knife owners in America.  Membership is totally FREE and Strictly CONFIDENTIAL.  Just enter your email to start receiving insider news, tips, and other valuable membership benefits.   Email (required) *First Name *Select list(s) to subscribe toInnerCircle Membership Yes, I would like to receive emails from Gun Lawyer Podcast. (You can unsubscribe anytime)Constant Contact Use. Please leave this field blank.var ajaxurl = "https://gun.lawyer/wp-admin/admin-ajax.php";

This week, we're heading into the dystopian streets of New York City to revisit John Carpenter's 1981 cult classic Escape from New York starring Kurt Russell as the one and only Snake Plissken!Snake has 24 hours to enter the maximum-security prison that is Manhattan, rescue the President, and get the hell out before time runs out. But after revisiting this VHS-era classic, we have to ask the question:Is Escape from New York actually better than Escape from L.A.?

John Carpenter's 1981 dystopian sci-fi action thriller, ESCAPE FROM NEW YORK, is our feature presentation this week! We discuss Kurt Russell's iconic "Snake Plissken", the miniatures and matte paintings, the fantastic supporting cast, James Cameron's involvement, and much more! We also pick our Top 7 John Carpenter Scores in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Let's walk like an Egyptian through an intergalactic portal through the stars... almost like a gate... through stars... maybe one could say it is a... Star... gate...Get ready for the most patriotic movie not made by Paul Verhoeven!DISCLAIMER: Language and Spoilers!STARGATEdir. Roland Emmerichstarring: Kurt Russell; James Spader; Jaye Davidson

"What are you gonna do, tough guy? You gonna make a citizen's arrest?" This week on Film Junk, we are ending the summer season off with a fun '90s thriller starring Kurt Russell, Ray Liotta and Madeleine Stowe. Unlawful Entry is not necessarily a masterpiece but it is watchable in the best way possible. Does this movie have a deeper social commentary or is it just a shallow genre exercise? Is Ray Liotta's performance deserving of more praise than an MTV Movie Award nomination? What would you do if you got the chance to beat up the man who broke into your house and terrorized your wife? Try and guess our seven-letter password on this week's episode of Film Junk.

In our final episode, where we leave the West, we're tackling something a little different - a contemporary western, and one that adds some weirdness to the proceedings with Bone Tomahawk. This horror-tinged western stars the good man Kurt Russell as a sheriff bound to his duty to track down kidnapped townsfolk who might be eaten by the neighborly troglodytes. We talk about the influences, the suspense, and the potential sus-ness of S. Craig Zahler's debut film.We're also drinking Blue Barrel's New Fashioned Hard Root Beer!Red Hot Action Summer is over, but that means we're starting our Halloween season. We'll be back in September with our new event, running all Samhain long.

Andrew Patterson's offbeat Americana crime fable, THE RIVALS OF AMZIAH KING, is our bonus feature presentation this week! We discuss the folk bluegrass music in the film, Matthew McConaughey joining the film after 6-years away from acting, if the revenge fits the crime, Kurt Russell, and much more! We also talk about some physical media in our new segment, "Collector's Corner".   Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

You go, we go! Let's take a trip back to 1991 and revisit Ron Howard's BACKDRAFT. Arguably the greatest firefighter movie ever made backed heavily by ILM's visual effects holding up strong 35 years later. Johnny does plenty of his Kurt Russell gushing and Mike provides real fireman insight via his Uncle. We also focus on the themes of the movie including the relationship between brothers Steven and Brian. With a loaded cast, there is a lot to get into. So be kind, rewind, relax, and enjoy the podcast!

“A falsetto child?”  Overboard (1987) directed by Gary Marshall and starring Goldie Hawn, Kurt Russell, Edward Herrmann and Roddy McDowall Next Time: Remember The Titans (2000)

Ep. 42 - The Great Escape & Escape from New YorkThis week, we are escaping into the worlds of two films video game auteur Hideo Kojima considers massive inspirations: John Sturges' The Great Escape (1963) and John Carpenter's Escape from New York (1981). These classic escape thrillers provided the structural blueprint and antihero swagger for Kojima's gaming masterpiece Metal Gear Solid. We look at how The Great Escape defined high stakes stealth mechanics and tension on screen, while Snake Plissken's dystopian, punk rock cynicism birthed Solid Snake himself. It is a double feature about cinematic cross-pollination, the evolution of antiheroes, and how obsession turns beloved media into groundbreaking art. Whether it is Steve McQueen jumping fences or Kurt Russell sneering at the government, both films prove that great video games owe everything to classic action cinema.

On this episode of The Hollywood Outsider podcast, Aaron finally met his hero, KURT RUSSELL! We discuss what it was like meeting his movie daddy, as well as how the photo op worked at Fan Expo Chicago, Kurt Russell's panel with surprise guests John Carpenter and Keith David, and more.  Also this week, Disney held their own mega-event with D23, so we review all of the news from this huge event including X-Men casting, Pixar and Disney Animation releases, Star Wars: Starfighter, and a whole lot more. Plus we remember Hayden Lesley Panettiere, and recommendations for The End of Oak Street, Lanterns, Six, and About Time. We hope you enjoy this entertaining and packed episode of The Hollywood Outsider! Discussed on this episode (0:00 – 38:49) Opening | DC Studio Struggles, Harry Potter casts Nicholas Hoult, Apple TV and Ascension (38:50 – 47:13) Hayden Panettiere (47:14 – 1:06:17) From the Outside In: Meeting Kurt Russell | Clip from Kurt Russell Panel (1:06:18 – 1:17:36) Recommendations - The End of Oak Street, Lanterns, Six, About Time Time stamps may be affected by ad breaks Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group Subscribe on Apple Subscribe on Spotify Subscribe via RSS

We are on the road this week with Special Guests and Live Coverage from FanExpo Chicago! We stepped away from the studio and headed out with our convention passes! The DizRadio Show is coming to you live from the floor of FanExpo Chicago at the Donald E Stephens Convention Center. Thanks to our press access from the FanExpo Team, we spent the weekend gathering exclusive interviews, panel highlights, and catching up with our favorite people, you, the D-Heads! We have exclusive interviews that include PETER FACINELLI who talks with us about Carlisle Cullen in The Twilight Saga to his standout roles in Nurse Jackie, Can't Hardly Wait, and The Scorpion King. He discusses his career, fan interactions, and what it's like stepping into so many iconic pop culture universes. TOM COOK, the Legendary Animator took us behind the scenes of Saturday Morning Nostalgia. He shares stories from animating He-Man, Thunder the Barbarian, Scooby-Doo, Roger Rabbit in Tummy Trouble, The Smurfs, and We're Back! GUY GILCHRIST gave us a heartwarming look into the world of The Muppets. He reflected on his time working alongside Jim Henson, the art of drawing these beloved characters, and why the heart and legacy of The Muppets still resonate today. We also hit the convention floor and panel highlights and captured coverage from John Carpenter and the Cast of Halloween, Cast of The Goonies, Ron Perlman, Kurt Russell, Pauly Shore, Cast of Hocus Pocus, and more. The best part of leaving the studio was meeting you, the fans and D-Heads and giving away all the DizRadio Swag! So enjoy the Nostalgia, the Magic, the Wonder, and the Memories with The DizRadio Show "A Pop Culture Celebrity Guest Show"!

This week on Forgotten Cinema, the Mikes turn up the heat with "Backdraft", Ron Howard's 1991 firefighter thriller starring Kurt Russell, William Baldwin, Robert De Niro, and Donald Sutherland.Both Mike Butler and Mike Field are big fans of the film, particularly its performances and incredible practical fire effects. Butler singles out Kurt Russell and Donald Sutherland, while Field goes even further and unapologetically LOVES the movie.There are still a few story beats and character decisions that keep Butler from loving "Backdraft" quite as much as Field does. Field agrees that those problems are there, but for him they do little to diminish everything the movie gets right.The biggest standout for both Mikes is the filmmaking itself. The fire feels genuinely dangerous because so much of what appears on screen was accomplished practically, with enormous sets, real flames, and performers doing much of their own stunt work. The result gives "Backdraft" a physicality and sense of danger that is incredibly difficult to fake.That leads to a larger discussion about whether a movie like this could even look as convincing if it were made today. Thirty-five years later, a remake would almost certainly rely far more heavily on green screen and CGI, but would that actually make the fire look better? For Butler and Field, "Backdraft" is a great example of why practical filmmaking can still produce images that modern technology struggles to replicate.Flawed in places but spectacular where it counts, "Backdraft" remains a thrilling piece of early '90s filmmaking and a reminder that sometimes the best special effect is simply putting the camera in front of the real thing.What are some other great fire fighter films? Let us know in the comments below!

This week we are turning up the temperature with 98°, and their album 98° and Rising, released October 20, 1998. Perhaps best known as the band that Jessica Simpson's ex-husband was in, this is the group that claimed "they're not like those other boybands!", but they seemed pretty similar to us.  In this episode we discuss shocking revelations, Charmed, Kurt Russell, windchimes, Cincinnati chili, the events of September 2001, how to ignore your instincts, Buffy and Angel, the difference between courting and stalking, the joys of having a catch, hypnosis, and so much more! Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com  Episode Outline: Top of the show "Do you hate it?" Personal History History of Artist  General Thoughts  Song by Song - What do they mean!?! How Did it Do Reviews Post Episode "Do you hate it?"=

“Call me Snake.” Join Ian, Liam & Kev for our 344th episode as we cross the wall, try not to get killed by the locals, and discover that in the distant dystopian future of 1997, the entire island of Manhattan has become America's maximum-security prison. It's John Carpenter's Escape from New York (1981), where Kurt Russell has one eye, Donald Pleasence is somehow the President of the United States, and absolutely nobody seems particularly concerned that they've sent one bloke in to rescue him. Megs isn't with us this week — she landed on Manhattan while attempting to evacuate Air Force One and has informed us that she'd actually rather take her chances with the inmates than record with us. This week we discuss: Kurt Russell as Snake Plissken — one of cinema's coolest antiheroes, but how much of Snake is actually a character and how much is simply Kurt Russell walking around being impossibly cool? John Carpenter's vision of 1997 — crime has exploded, America has become a police state, and Manhattan is a prison. It didn't quite work out that way... but how much of Carpenter's dystopia still feels surprisingly relevant? The extraordinary world-building — Carpenter gives us remarkably little information about how any of this works. Is that restraint part of the film's brilliance, or are there questions we'd really quite like answered? Ian gets into the film's narrative construction — because Escape from New York might have one of the cleanest movie premises imaginable. You've got a man, you've got a mission, you've got a ticking clock. What more do you actually need? Snake Plissken's reputation precedes him everywhere — everybody has heard of him, everybody thought he was dead, and we're left wondering exactly what this man did before the opening credits to become such a legend. Lee Van Cleef's Hauk — pragmatic authority figure or complete bastard? And is putting explosives inside the neck of the only man capable of completing your mission really the motivational strategy you'd go with? Donald Pleasence as the President — accent notwithstanding, does the film deliberately make the most powerful man in America one of its least impressive? Isaac Hayes as the Duke of New York — he's A-Number-One, but does the Duke live up to the incredible introduction the film gives him? The supporting cast is ridiculous — Ernest Borgnine, Harry Dean Stanton, Adrienne Barbeau and more. Who makes the most of surprisingly limited screen time? The film looks considerably bigger than it actually was — miniatures, matte paintings, abandoned locations and some ingenious low-budget filmmaking. How does Carpenter create an entire ruined Manhattan without actually having one? The pacing — at barely 100 minutes, Escape from New York gets in, establishes its world, completes its mission and gets out. Have modern action films forgotten how to do this? That ending. Snake has one final opportunity to do something heroic for the United States of America... and makes perhaps the most Snake Plissken decision imaginable instead. And finally, whether Escape from New York is the Best Film Ever — or simply one of the coolest B-movies ever elevated into cult-classic immortality. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

John Carpenter, Kurt Russell y Snake Plissken regresaron en 1996 con Escape de Los Angeles, una secuela de Escape de Nueva York que terminó convirtiéndose en uno de los grandes fracasos de la carrera del director.En este episodio de El Contador de Películas, Daniel Villalobos repasa la historia de la película, su producción, sus problemas con los efectos digitales y las razones de su fracaso. Las ideas de Carpenter sobre el control estatal, la libertad individual, la inmigración, el extremismo conservador y la vigilancia.Además, una comparación de Escape de Los Angeles con El demoledor, otra película de los años 90 que imaginó un futuro distópico marcado por el control social.Encuentra lo mejor del cine en Cooperativapodcast.cl

www.patreon.com/banjopodcast Tyler Jackson is renowned as one of the world's top tenor banjoists - His banjo playing can be heard on his solo recordings; on collaborations with David Grisman, his wife and flautist extraordinaire Kristin Jackson, fiddler Dale Morris Jr; and most recently, on the soundtrack to the new Matthew McConaughey and Kurt Russell feature film "The Rivals of Amziah King." He also happened to be the longtime touring upright bassist for Country Music Legend Ray Price and is now the Assistant Curator of the American Banjo Museum in Oklahoma City.  Sponsored by Peghead Nation, Elderly Instruments, Sullivan Banjos, and Bluegrass Country Radio   Tyler on the web: https://www.tylerjacksonmusic.com/ https://americanbanjomuseum.com/  

"The Rivals Of Amziah King" is an American neo-Western crime thriller film written and directed by Andrew Patterson ("The Vast Of Night") and produced by Black Bear Pictures and Heyday Films. It stars Angelina LookingGlass as Kateri, whose life takes a tragic turn as she loses her mother and leaves foster care. Reuniting with her former foster parent, Amziah (Matthew McConaughey), changes everything: he becomes her mentor and reveals hidden skills when a devastating situation arises. Kateri relies on her newfound strength to seek justice. The film also stars Scott Shepherd, Rob Morgan, Tony Revolori, and Kurt Russell. It had its world premiere at the 2025 South by Southwest Film & TV Festival and received rave reviews for its story, music, performances, direction, and editing. Patterson was kind enough to spend some time talking with us about his work and experience making the film, which you can watch or listen to below. Please be sure to check out the film, which is now playing in theaters from Black Bear Pictures. Thank you, and enjoy! https://youtu.be/e-7xArbZRc4 Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Start… your… engines! That's right, we're back on the GRINDHOUSE beat for volume 2 as we strap ourselves down and feel the rush of 2007's DEATH PROOF. Along the way, we delve into the complicated backstory of what motivated this project to take shape, compare how the two halves of the movie relate to one another, explore why QT can't let go of his video store clerk character, and explore Tarantino's competing slasher film attempts. All this, plus the Millennial Nasties decade, “pick me” characters, Kurt Russell worship, Austin dining guides, KNB group gore, and a pedal to the metal edition of Choose Your Own Deathventure. We ask that you download the entire episode, but all you'll need is the edge!   Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Join Patrick's new newsletter SCREAM SHARE for weekly new/classic/and "free to watch" streaming horror picks, and join him for a virtual watch party on the 3rd Friday of every month!! Check out Gena's newsletter on Ghost!! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Convo here! Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

August is John Carpenter Month, and we kick it off with Escape from New York with guest Film School Dad! This is Film School Dad's first time watching the movie!How legendary is Kurt Russell's performance? Why does the US President have an English accent? And how tactile does this movie feel??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Verifier Andy brings us a Cinemania Field Report on John Carpenter's 1981 action opus "Escape From New York." Kurt Russell vs. Isaac Hayes vs. Lee van Cleef, backed up with a whole coterie of comedown-era character actors in a masterwork of tense, urban combat. Cinemania abounds, ladies and gentlemen. Proceed with caution.   Written by Zacharia Berks and Andy Slack Performed by Andy Slack Editing & Sound Design by Ethan Ireland Music by Karl Casey at White Bat Audio Tracks Used: "Brave New World," "Big Trouble in Little China," "Frozen Planet," "Revolver," "Aikido."  

Kurt Russell has been a staple of science fiction, fantasy, and horror for DECADES—and somehow, whether the movie is a masterpiece or a mess, Kurt Russell is almost always great. But which of his genre movies is the BEST? And how many have you actually seen?In this Fantasy for the Ages Jim solo episode, I'm ranking EVERY Kurt Russell SFF & horror movie from worst to best! Along the way, I'm also giving Kurt a separate letter grade for his individual performance—because sometimes Kurt Russell is MUCH better than the movie he's in.We're talking iconic roles and cult favorites from across his incredible career, including:

Cameron, John, and Sarah discuss Kurt Russell and Martin Short as comedic foils in this surprisingly dull family adventure movie from 1992, also starring Mary Kay Place. Sources for this episodeHeywood, Susan. (2026, January 4). I Was 6 When My Father Decided We'd Sail Around The World. I Would Be Trapped On That Boat For Nearly A Decade. | BuzzFeed. https://www.buzzfeed.com/suzanneheywood/raised-sailboat-sea-scSwanson, P. (2019, September 6). The original ‘captain ron' piloted a power cruiser. Passage Maker; Passagemaker | The Power Cruising Authority. https://passagemaker.com/lifestyle/the-original-captain-ron-piloted-a-power-cruiser/Our theme music is by Suno

Hello! My name is Marc Allie. I'm a teacher, blogger, author, and pretty much the biggest nerd you'll ever meet. As a longtime Video Store Podcast listener, I am thrilled to be a member of the staff. For our staff picks this week, I've got four recommendations from the varied career of Kurt Russell.Escape from New York (1981)Escape from New York is the film that cemented Kurt Russell's transition into a motion picture powerhouse. The film was directed by John Carpenter and was written by Carpenter and Nick Castle. The movie has a low budget, but it became a cult classic over time. Kurt Russell plays Snake Plisskin, a hardened but cool anti-hero that became an action icon.Used Cars (1980)Used Cars is a lesser known film. It was directed by Robert Zemeckis, written by Zemeckis and Bob Gale, and produced by Steven Spielberg, so it's got quite a pedigree behind it. The movie, as you might expect, is about used cars. Two rival used car dealerships sit right across the highway from each other. Rudy Russo, Kurt Russell's character, works at the less reputable of the two car lots. His performance as a slick used car salesman shows off his comedic chops.Soldier (1998) Soldier was directed by Paul W. S. Anderson. Kurt Russell plays the “Soldier” of the title. His name is Todd 3465. That's right, he doesn't have a last name, only a number. Todd has been raised from birth to be an emotionless soldier. Todd is the best of the best, but when the “newer model” of soldier comes along, he's tossed out with the trash and has to make a new life for himself. Russell relies on his physical prowess as well as expressions and body language in this nearly wordless role.Executive Decision (1996)The last movie on our recommendations list is Executive Decision, an action thriller directed by Stuart Bird. The film mixes military action, espionage, and suspense to great effect. It's one of the better “Die Hard on an airplane” movies of the 1990s. Kurt Russell plays an intelligence analyst who is thrust into an impossible situation: board a plane filled with terrorists while it's already in the air.Thanks for coming into the store today. Let me know what you think of my staff picks! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

In ESCAPE FROM NEW YORK (1981), John Carpenter gambled his biggest budget yet on transforming a former Disney child star into the ultimate anti-authority badass. Part 1 of our deep diver covers the genesis of Snake Plissken, starting with Carpenter pulling a shelved script out of his car trunk to satisfy a studio contract. We look at the fight to cast Kurt Russell over established tough guys like Charles Bronson, the bizarre brilliance of Donald Pleasence as the President, and the punishing reality of shooting entirely at night in the rubble of East St. Louis. Want the full story without the wait? CinemaShock+ members get extended, ad-free episodes that combine every part into one seamless listen — plus bonus content you won't hear anywhere else. Join at cinemashock.net/plus. CINEMA SHOCK ASSOCIATE PRODUCERS: Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Elton Novara | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | Jvance325 | KDurden | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | RockGokd | Tim G | triplr1478 Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne & Justin Bishop. Image: "Portrait of John Carpenter.jpg" by Kyle Cassidy, licensed under CC BY-SA 4.0. Modified from original. This derivative work is also licensed under CC BY-SA 4.0. For episode archives, merch, show notes, and more, visit cinemashock.net

The isolation series begins. Luke, Chris, and Peter kick off a brand new custom franchise with John Carpenter's 1982 masterpiece. The Thing isn't a monster movie. It's a trust movie. Twelve men trapped in Antarctica with a creature that can perfectly imitate any of them. The paranoia doesn't come from what the alien looks like. It comes from the fact that anyone could be it. Rob Bottin was 22 years old when he designed the practical effects and literally hospitalized himself finishing them. The movie bombed at the box office because it opened the same day as E.T. and audiences wanted wonder, not terror. Kurt Russell almost burned his face off with a flamethrower prank. And John Carpenter still won't tell anyone who was the Thing at the end.Live at 8:15pm CT.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hay películas que triunfan en taquilla. Hay películas que fracasan... y después conquistan generaciones enteras. Big Trouble in Little China pertenece a esa segunda categoría. Cuatro décadas después de su estreno, la alocada aventura dirigida por John Carpenter sigue siendo una de las obras de culto más queridas de los años 80, una mezcla irrepetible de acción, fantasía, artes marciales, comedia y aventura que nunca ha perdido su magia. En La Guarida del Sith celebramos su 40.º aniversario repasando en profundidad una película que se adelantó a su tiempo y que convirtió a un camionero bocazas en uno de los héroes más improbables de la historia del cine. Porque sí, Jack Burton cree que es el protagonista... aunque todos sabemos que el auténtico héroe quizá sea otro. Analizamos cómo nació el proyecto, las ideas de John Carpenter, el espectacular trabajo visual, sus inolvidables efectos especiales artesanales y la increíble mezcla de mitología china, monstruos, magia, humor y acción que hizo de esta película una experiencia absolutamente única. También hablamos del inmenso carisma de Kurt Russell, de la química entre todos los personajes, del legendario Lo Pan, de los Tres Tormentas, de las criaturas imposibles y de la enorme influencia que Golpe en la Pequeña China ha tenido sobre el cine, los videojuegos, los cómics y la cultura popular durante las últimas cuatro décadas. Como no podía ser de otra manera, dedicamos un buen espacio a todas esas curiosidades de rodaje, escenas eliminadas, anécdotas de producción y detalles que convierten esta película en una auténtica mina para cualquier amante del cine fantástico. Junto a Miguel Ángel, Antonio Alcaide y el Mamado Lidel, nos embarcamos en un viaje lleno de nostalgia, humor, análisis y muchísimo cariño por una película que nunca quiso parecerse a ninguna otra... y precisamente por eso terminó siendo inmortal. Porque algunos héroes llevan capa. Otros empuñan un sable láser. Y luego está Jack Burton, un camionero que solo quería aparcar el tráiler... y acabó salvando el mundo. "¿Sabes lo que dice siempre Jack Burton en momentos como este?" Pues dale al play y acompáñanos a celebrar los 40 años de una de las mayores joyas del cine de culto. ⚡ Escucha este episodio completo y accede a todo el contenido exclusivo de La Guarida del Sith. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/31122

Jason, Paul, and Sean continue their John Carpenter journey with a sharp, funny double feature: the misfiring Memoirs of an Invisible Man and the beloved chaos of Big Trouble in Little China. They dig into Chevy Chase's awkward bid for dramatic credibility, the movie's impressive invisible effects, Sam Neill's scene-stealing presence, and Carpenter's flashes of style inside a frustratingly dull project. Then the energy flips as they celebrate Kurt Russell's gloriously foolish Jack Burton, Dennis Dun's true-hero status, and the joyful genre mashup that makes Big Trouble feel like a perfectly tuned cult-classic machine.5 key moments with timestamps00:00:08 — Episode setup: Carpenter double feature, Big Trouble in Little China and Memoirs of an Invisible Man.00:06:05 — The hosts decide to start with “the pain” of Memoirs before moving to the pleasure.00:18:17 — Praise for Memoirs' invisible effects and Sam Neill as the movie's strongest reasons to watch.00:37:45 — Transition into Big Trouble in Little China, emphasizing how it handles its heroes and Jack Burton's buffoonery.00:43:05 — The conversation fully shifts to “the good stuff” as the hosts begin celebrating Big Trouble in Little China.

In this episode, the first part of our Action Solstice where we spent the entire month talking about 80s buddy cop movies is coming to an end. And in that spirit we are ending the series with literally the last action movie of the 80s, released on Christmas 1989, Tango & Cash. Over the course of our conversation you will hear us talk about the many trials and tribulations the production of this movie faced, how it was an illustration of changing tides that saw off the era of muscle-bound action heroes and how it remains for many viewers a formative nostalgic experience. We also talk about the chemistry between Sylvester Stallone and Kurt Russell, the 80s excess taken to extremes, prison breaks in the rain, hyperventilating Jack Palance and much more!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Hillary WhiteHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

This week’s episode is a little update on Betsy’s dating endeavors and a reminder to us all not to overthink things. Live in the present and focus on good things. We don’t always have to look for the potential of something, we can simply feel the enjoyment in present moments. A message with perfect timing as Betsy departs for the very first Live Big retreat in Belize! Transcript:  Welcome to The Art of Living Big, where we explore how to live intentionally and with more joy. I’m Betsy Pake, your host, master, coach, and creator of the Navigate Method. Here to help you listen in to your true desires, elevate your standards, and live life to the fullest. Now, let’s go live big.  Hello, everyone. Hi, welcome to the show today. I am getting ready to leave for our trip to Belize. I just dropped Dean Martin off at kitty camp, and he was so, he was so unhappy. He made a little sound I’ve never heard before when I put him in his carrier. Poor little guy. He’ll be okay, but it’s the longest he’s ever been at kitty camp, and he likes Camp Kitty, I think it’s called. I think he likes it, but it is painful, right? To be without our babies So I wanna say that Joy and I recorded a really, a pretty long episode earlier in the week, and– or it was, like, the end of last week we recorded. And, you know, I had this whole plan. I was gonna,, explain the metamorphosis that had happened in my life over the past eight weeks. And then, you know, we recorded, and then I went in to, , listen to a couple parts and, , make some edits that I wanted to make sure were made before, you know, Joy went in to produce the episode. And I just was like… First of all, it was kinda hard– We were just talking back and forth, and I had no idea how many times I said “like” until I listened to that episode. It was hard to follow, honestly. And then, you know, I, I get that sometimes it can be fun, you like to hear other people’s stories, but, , it’s gotta matter to you, and I just was like, “What’s the purpose in this for anybody else?” , At the end of the day, it felt kinda self-serving to talk for 45 minutes about whatever, whatever I went through. So I thought, let me give you, , the really brief, short, long and short of it, as they say, and kinda give you the rundown, and then get to the point, ’cause there is a point. There’s something that I do wanna say, and I think it’s– I’m still thinking through it, but I think it’s kinda like a magical thought. So, so let’s just say here, let, let us begin here. The last six to eight weeks, I think, I have felt like I was really passing through something. You know, I think my transformation, this particular one that has just been closed, I think this loop opened in 2020. I really do. It’s– In 2020, when I was really– Towards the end of 2020, when I was like, uh, I had been wanting to leave my marriage for, I mean, since the week after we got married, and I was finally like, “I think I’m gonna figure this out.” Like, “I’ve got to figure this out.” And that sort of opened this portal. Now, , as you know, I left, I came back, we tried to work things out. I left again, and I’ve been gone, and I’m, been divorced, and I’ve lived in my apartment now for, you know, almost a couple years. So the, so, uh, you know, you would think, well, that whole chapter is closed, but no. But no. It, I feel like- There had been so much growing and healing over the past couple years, shifting who I am internally, and I think that this kind of finalized, like the final push through the birth canal, when I went to Florida. So you guys have heard me talk about this trip. I’m not gonna go into this trip anymore. But, you know, I went to Florida. I came back, there was a lot of grief ’cause I was like, “I don’t know where I’m supposed to be, what I’m supposed to do.” Then a few weeks later, I went to Vermont. That was a really hard trip for me, and I knew that I had healed so many things because I could see the patterns., I could see in my family of origin how they operated and why I chose the things that I did, and why I lived the way that I lived for so long, and why my marriage, components of it that were obviously not healthy, felt kind of okay to me. And when I was with my family, I was like, “Oh, this is why.” And that was a really hard thing. And again, grief, because I came back and I was like, “Oh my gosh, it’s not what I thought. It’s what I s- just saw.” And I think that in all of that, you know, the way that I communicate with, with all of you through the podcast or through Instagram is very real and comes from a place where I’m very authentic, I think that would be the word to use But I was shaky ground, so I didn’t know how to show up, and so I sort of withdrew. It’s not that I don’t know who I am or I… It was just like something had shifted, and I didn’t quite understand what that was yet. So this is where we are. So here’s the thing that I want to really talk about, which is that I went on the dating apps and because I know so many of you wanna know the deets on that, so let me kind of… I wanna tell you that if you listen to the birthday episode, we talked about how I went on the dating apps, maybe, maybe it was like March or something, and I, I was like, “Ew, no.” I was on them for like 24 hours. I asked for a refund. And so it just– I wasn’t there yet. Then I went through this whole metamorphosis, and I was like, “You know what? I’m, I, I have a really nice life. I feel really good about where I am. I’m really happy. I, I know who I am. I have things to share. It would be fun to have somebody that I could do fun things with, like to share my life and to see what their life was like.” Like that all started to sound fun to me. And so one night, I, I didn’t tell anybody, and I just was like, “I’m gonna do this,” and I did it very intentionally. I went on Hinge. I also went on Bumble because one of my girlfriends was like, “Oh, I loved Bumble.” But Bumble, you have to make the first move. Like that’s the thing is that women make the first move, and I can see how that could be really appealing, but that’s not what I wanted. Like I have spent a lifetime over-capacitating with men. I have spent a lifetime being the one, like to reach out and to do the things and to blah, blah, blah. And I don’t wanna do that anymore. Like I just don’t wanna be that, and I just thought if I start that way, like that’s sort of how it goes. I remember years ago, my former husband said to me, I was doing something in the kitchen, and he said, “It’s about time you start acting like a wife.” And I lost my ever-loving mind because I was like, “If I could have a husband, I wouldn’t have to act like the husband. I could act like the wife. But since I have to be the husband, I, you know, I’m not spending a lot of time in the kitchen.” So- When I’m looking at these apps, I’m like, “How do I want this to go, and what is it that I’m– that I want right now?” And I really wanted somebody to reach out to me. So, so I got on Hinge, and I did my profile pretty thoughtfully, I think. I tried to give information about myself instead of being vague. You know, some people will put like, “Dating me is like going to get coffee. Something that makes me happy is good coffee.” And I, you know, I really wanted to be intentional and put the energy out there that was right. And so, you know, to make that long story short, I, I met several people. I went out for drinks one night with somebody that was really nice. Not my guy, but like super nice. I met really nice people, and I think that sort of surprised me in a way, and might be my age. You know? If I– maybe if I was dating like a 30-year-old or a 40-year-old, which I just… I think I put my limit, like my age limit, and you can do it like so it’s a hard stop at like… Maybe I put even like 51. Like I was not into dating younger people. Uh, I think my age limit up was much higher. I think it was like maybe 69 or something. I went to a bar that’s here by my house at the Four Seasons that I like. So, so I’m gonna get to this. So they said, “Where do you wanna meet?” Okay? I had a lunch date and they said, “Where do you wanna meet?” And then I had a– met for drinks someplace else. “Where should we meet?” I don’t understand… And again, here I am, so I’m like, “Okay, I– you asked me, so I don’t know what you want. Like, I don’t know what your budget is. I don’t know where you wanna bring me. I don’t know what you’re thinking. You’re, you’re the one that invited me.” So I h- I had a brain cramp around that every single guy. And I thought, “You know what? Maybe it’s really hard right now to be a guy and to be like, ‘I, uh, I wanna give her a choice.'” But what would’ve been great, I think, is if somebody had said, “Great,” like, “Eight o’clock Saturday,” or seven… Eight o’clock. Come on, we all know I’m in bed by eight o’clock. Like, 4:30. “4:30 Saturday. Would you like to meet me here or here?” Like, that would’ve been great, you know? I, I just– I didn’t wanna be picking. Um, and then with some people it was like, “What about this? What about that?” “Okay, well, that doesn’t work. What about th-” I just was like, “Can you please make a decision?” So, so I’m just observing, you know? I’m just noticing. But I met really nice people, and I had a nice time. There wasn’t anybody that was, like, a real, , love connection, I think, for those first,, four or five dates. A couple people asked me out on a second date. I found it very interesting the things that people shared with me. I had really good conversations with everybody. , I talked with just about everybody for, , a couple hours, and, uh, and they asked questions of me, too. It wasn’t just me holding the conversation. So that felt good. And it was interesting to me, , what people wanted to share. , I, I think, you know- One person told me what their salary was or how much money they made. They owned their own business. Um, and I thought that was just, , an interesting thing to tell me. It, it was a lot, and I think that was, like, they were basically telling me that’s what they were– had to offer, which I get that. You, you have… Like, there’s no, I, like, I’m totally fine with that. Like, you, you might offer humor, you might offer resources, you might offer, you know what I mean? Look, whatever it is. But that wasn’t as important to me because of where I am in my life, I think. It’s not unimportant. I want somebody that can do the same kinds of things that I can do, but I d- you know, you, how many millions you make a year isn’t as important to me. , But I’m happy you’re successful, and that’s great. So, so that was an interesting thing. , I had somebody ask me if I was a gold digger, which no man with money will ever ask you if you’re a gold digger, by the way. They see it as something they have to offer. So I was just observing, you know? I was just observing. So here’s the thing, and here’s where I kinda landed with this, and this is sort of what the, the message I think that I wanted to share with that, is that in all of that, what I realized was that I didn’t have some end game. You know, if I had been 25 and some guy told me he made $13 million a year, I might’ve been like, “That, I could have a, a totally different life than I had growing up.” , That would be a different life, right? And I, I’m not looking to get married. , I will never get married again. There will never be a universe where I get the government involved in my relationship ever again. Now, I’m not, also not looking to live with somebody. That’s just not where I am. Would I ever live with somebody? Maybe. , I see, like, Goldie Hawn and Kurt Russell, maybe that could be… But again, and, and as I’ve said in many, many other podcasts, if you ever find out that I am dating somebody, that I’m like, “This is, this is the, my guy,” they are a freaking unicorn. And if I ever decide to live with somebody, that’s like a super unicorn, right? That’s like a, this– That man will be, have been therapitized for decades, you know? A feminist, liberal, like, I mean, all the things, right? So, with all that said, I, I’m not thinking that’s what I’m gonna find. What I’m looking for, the end game, is actually right now. The– I’m not looking for a husband. I’m not looking for a role to fill. I’m actually looking, is there joy and fun right now? , That’s the metric. And this might seem, , super obvious, but that wasn’t how I ever operated before. And so- I think that if I had, then I probably would have had a better experience in relationships. I have historically spent a lot of time on potential. Maybe you’re there with me. But there’s no more, like, do the, does he have potential? I don’t care about potential ’cause I’m too old for that. You have to show me what you got right now. And if right now is fun, if right now feels like I’m having a good time, if right now is adding to my life, that’s it. That’s the end game. I’m here. I’ve arrived. It’s al- it’s already here. And it changes, takes the pressure off it in a lot of ways. Now, I learned a lot about myself over the past three weeks because I noticed that there were times where I was over-capacitating, where I thought– Where I was starting, not where I thought, ’cause there was no thinking. But where I noticed I was leaning forward, like I was trying to drive the way things were going. And it took me, , about a week probably of, of talking with one person in particular where I was like, “Oh, I can see that I’m doing that. Where, where is that coming from?” And I did some work on it. , I was like, “What is that?” Because that’s not– I don’t wanna replay stuff. And I know that I’ve healed it because I noticed it, right? I noticed it really pretty quickly, and then I was able to shift. Now, I got really, really lucky because the person that I was talking to was unfazed by that. They just stayed really steady in their lane and didn’t, wasn’t influenced by that, which was a relief, and made me realize that I don’t have to over-capacitate. I can just be, and I can just, m- like, be in the right now, and is the right now good and joyful and happy, and yes. And so that’s all I need to know. So there, I’m already there. Done. So, , that made it so much easier. So that is my update, and that’s a little thought of, , if there was no end game, would you like the way your life was right now? Would you choose it? Would this be something that you would be like, “That’s a match, and I’m gonna stay in that”? Whether it’s your job or your friendships or your romantic relationship or any of that stuff. Is it a match? All right. That is the update for this week. I hope you guys have a great week. I will, I will see you next week. We’ll have a Belize update when I get back next week. So thanks so much for being here. I love you guys so much. I’ll see you then.  Thanks for joining me on The Art of Living Big. I hope today’s episode sparked something within you, maybe pushed you to dream a little bit bigger and live a little larger. Don’t forget to subscribe. Leave us a review and share this podcast with someone you know who might need a little inspiration today. You can find me over on Instagram at Betsy Pake and on my YouTube channel. Remember, the world is vast. Your potential is endless, and your life, it’s yours to shape. Until next time, keep reaching, keep exploring, and keep living big.

Nick is joined by legendary stuntman and actor Dick Warlock, whose remarkable career included stunt work and stunt coordination on more than 175 films. From the 1960s through his retirement after Spider-Man in 2002, Dick doubled for Kurt Russell for decades and famously portrayed Michael Myers in Halloween II. He shares stories from his incredible career, talks about his upcoming appearance at the Flashback Weekend Horror Convention, and discusses his new autobiography, Dick Warlock: The Shape of My Career. Later, Esmeralda Leon joins Nick as they continue their countdown to Flashback Weekend with another fun conversation about the movies and TV shows that terrified kids for generations. [Ep 474]

Rex Linn on Unsolved Mysteries, Westerns, Stallone, Cusack & His Dream Role In this funny, loose, and unexpectedly heartfelt episode of Reza Rifts, Keith Reza sits down with legendary character actor Rex Linn for a conversation packed with old-school Hollywood stories, career turning points, and the kind of behind-the-scenes chaos that only comes from decades in the business. Rex opens up about his earliest acting job recreating a real-life bank robber for Unsolved Mysteries, the surreal audition journey that landed him Cliffhanger with Sylvester Stallone, and why that movie changed his life in more ways than one.  The episode also dives into Rex's love of Westerns, his admiration for The Jack Bull, his memories of John Cusack, Mark Rolston, Kurt Russell, John Lithgow, Adam West, and Bob Dylan, plus hilarious stories from Rush Hour, Zodiac, Wyatt Earp, Lethal Weapon, and the gloriously absurd Zombeavers. Along the way, Rex reflects on heartbreak, emotional recall, friendship in the film business, and his lifelong dream of somehow, some way, getting to play the Wolfman.  Guest Info Rex Linn is an American film and television actor best known for a long-running career filled with standout supporting and character roles. He is widely recognized for projects including CSI: Miami, Cliffhanger, Rush Hour, Better Call Saul, and more recently Happy's Place. In this episode, he shares stories from across his career, from his first screen work and breakthrough film roles to the actors, directors, and friendships that shaped his path.  Guest Social Links Instagram: @rexlinn13 … https://www.instagram.com/rexlinn13/?hl=en  Chapters 00:00:00 Intro & Welcome 00:00:55 Keith Introduces Rex Linn 00:04:24 Rex's First Gig: Unsolved Mysteries 00:11:53 The Wild $50-a-Day Bank Robbery Story 00:17:11 From Banking to Acting 00:17:51 Auditioning for Cliffhanger 00:21:28 Meeting Sylvester Stallone 00:29:32 Behind the Scenes of The Jack Bull 00:33:28 Meeting Bob Dylan on Set 00:38:34 Memories from Rush Hour 00:43:18 Why Rex Loves Westerns 00:47:58 Tombstone vs. Wyatt Earp 00:50:18 How Zombeavers Happened 00:54:51 John Mayer, Bill Burr & Random Cameos 00:57:33 Meeting Childhood Hero Adam West 01:05:36 Transforming for Lethal Weapon 01:10:20 Recommending Melissa Peterman 01:11:50 Rex's Dream Role: The Wolfman Call to Action If you enjoyed this episode of Reza Rifts, make sure to: Subscribe Rate and review Share this episode with fans of Cliffhanger, Rush Hour, CSI: Miami, Westerns, and behind-the-scenes Hollywood stories Follow Rex Linn and Keith Reza for more interviews, clips, and updates Host Links Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!     #RezaRifts #KeithReza #RexLinn #Cliffhanger #RushHour #TheJackBull #WyattEarp #Zombeavers #BetterCallSaul #CSIMiami #HappyPlace #SylvesterStallone #JohnCusack #KurtRussell #HollywoodStories #ActorInterview #MoviePodcast #BehindTheScenes #Westerns #CharacterActor    

In this week's episode of Geeksters! as usual we start off talking about our week. Ed talks about seeing in the theater the live action "Moana" and seeing the movies the 1990 "Captain America" and "The Perils of Gwendoline in the land of Yik Yak" plus his physical and digital movie purchases. Shawn talks about seeing with his wife the movie "Risky Business," going on an adventure to the Baltimore Aquarium plus his recent digital movie purchases. Then we bring you the Releases of the Week in Movies, TV and Video Games and then it is time for the news. In this weeks news we talk about a game release in November that might rival GTA6 release and we also discussed a remake of an Kurt Russell 80's movie plus so much more. This podcast was recorded on Sunday July 19th, 2026.

Erik Childress and Peter Sobczynski take you through another week of physical media. Criterion has you covered from Mike Mills to Nagisa Ôshima. Butch and Sundance make na early appearance alongside Barbara Stanwyck. Giancarlo Giannini tries to solve some giallo murders, Ray Harryhausen takes you to an island of monsters or you can travel to one with Glen Powell and Sydney Sweeney. Ray Liotta is a bad cop after Kurt Russell's wife and Michael Douglas is an ordinary guy looking to bring some sense to society. Or is he? We certainly know where he would end up in Gary Ross' wondrous debut fantasy. It's all part of a show with films that may be even more relevant today than when they premiered.1:47 - Criterion (Cruel Story of Youth (4K), I'll Remind You of Everything: The Films of Mike Mills (4K))16:31 - Kino (The Maverick Queen)22:12 - Celluloid Dreams (The Black Belly of the Tarantula)27:52 - Sony (The 7th Voyage of Sinbad (4K), Anyone But You (4K))45:35 - Shout (Unlawful Entry (4K), Pleasantville (4K))1:09:01 - Arrow (Falling Down (4K))1:25:04 – New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Forty years ago this summer, genre master John Carpenter (The Thing, Halloween, They Live) directed this big budget (for the time) extravaganza blending various genres including martial arts, fantasy, and crime drama.  Starring Kurt Russell in one of his more iconic roles as truckdriver Jack Burton, it was fast, funny, and phrenetically entertaining!  And yet no one really saw it in theaters. :( Fortunately this film did eventually find its audience on cable and video, becoming a cult classic and is now often looked upon as one of Carpenter's most believed movies.  It also features a STELLAR cast beyond Russell including Dennis Dun, Kim Cattrall, James Hong, and Victor Wong.  So let's hop on the Pork Chop Express and head to Chinatown!Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Summary: “Have you ever been to a buffet where you literally try everything?”   Sometimes the best way to find your new favorite things is to just sample a lot of different things until you find the things that you enjoy the most. As with a buffet…or even dating, you just “grab something” you think you might like and “give it a taste”. If you like it, you keep going back for more. And if it's not your thing, you simply continue the process of sampling and tasting other things until you find something you truly enjoy.   Founded by Markus Staiger in Donzdorf, Germany way back in 1987, NUCLEAR BLAST has signed a myriad of metal artists over the years from across the spectrum of sub genres, ranging from hardcore and symphonic metal to industrial metal, thrash metal, and beyond, including some top tier legacy thrash bands from the 1980's that enjoyed a resurgence in popularity during the 2000's (fun fact: Slayer's final studio album, Repentless, is the highest charting NUCLEAR BLAST release in the United States, making it to Number 4 on the Billboard 200.)   In the context of this particular episode, we are referring to our recent sampling of the artist roster from NUCLEAR BLAST RECORDS, and much like with dating and buffets, there were some bands we enjoyed more than others, some that were right up our alley and REALLY hit the spot, and some that just weren't our cup of tea (so to speak), but rest assured that everything we sampled was most definitely interesting and we learned a few things along the way.   Prepare for the most philosophical voicemail about metal music that we've ever received, realize that when it comes to power outages and paranormal activity that “I just wanna make sure that they know that I know that they know” and remember that “sometimes, wet's not bad” when you JOIN US on our sampling expedition of the NUCLEAR BLAST RECORDS artist roster.  Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes: (00:01): “So, it's wet over there…? Sometimes wet's not bad, dude…”/ “I got a weird, kinda ghost story-ish thing to tell you…”/ #powersurge #poweroutage #thrice #supernatural /  “Third time now…but now it's off for about 5 minutes…right before I dial the number…”/ “I can promise you that THEY know…”/ “I just wanna make sure that they know that I know that they know…”/ #markthetime / “This house has an elevator in it…”/ “Are they blue tarps? Well at least they'll get skipped when the apocalypse comes…”/  ***WARNING: #listenerdiscretionisadvised *** / “It's on a coaster…Lake Matthew has all but dried up over here…”/  ***WELCOME BACK TO THE METAL NERDERY PODCAST IN THE BUNKERPOON CENTER FOR METAL EXCELLENCE!!!*** / “I still don't know why that's funny, I still don't know why it irritates people…”/ #sixseven / “I'm gonna keep raw dogging it…”   (04:23): ***PATREON US at patreon.com/metalnerderypodcast *** / #NewPatreons / “Hold on one second…I did not forget him…you forgot Phil!”/  ***SOCIAL MEDIA US at #metalnerderypodcast on #YouTube #FaceBook #InstaGram and on #TikTok (“I don't know if you need to say that (we're going ‘viral as fuck') …”) ***EMAIL US at metalnerdery@gmail.com  ***VOICEMAIL US at 980-666-8182!!!*** #voicemail / “We've got some long ones…they're big…girthy…thick and full…”/ “The Real Reason Metal Disappeared from American Culture In The Late 90's” on #TikTok / “That was the most profound voicemail I think we've ever had…”/ “I'd like to talk philosophy with that dude…I feel like he wears a cowboy hat all the time…”   (11:00): #TheDocket METAL NERDERY PODCAST PRESENTS: NUCLEAR BLAST RECORDS (An overview of the artist roster on Nuclear Blast Records)/ #NuclearBlastRecords / “They've been around since 1987…”/ ***Check out our Combat Records and Megaforce Records episodes…*** / “Relax, I didn't cup…”/ “Tums don't do shit for burps…”/ “Like a buffet of metal…”/ “That's basically dating, right? You just grab something you like and give it a taste…”/ “How about Killer Be Killed? / “They were like the Damn Yankees of metal…”/ “You've got Troy Sanders from Mastodon, you've got the singer from Dillinger Escape Plan (Greg Puciato), you've got (Max) Cavalera, and the other dude (Dave Elitch, from The Mars Volta) …”/ #KillerBeKilled WINGS OF FEATHER AND WAX (Killer Be Killed – 2014) /  #Icarus / #supergroup   (15:43): “This looks thrashy…”/ “Dude, ‘cos there's K's in there…”/  #NeckBreakker SHACKLED TO A CORPSE (Within The Viscera- 2024) / “You thinking death metal (on the vocals)?”/ “Their sound is amazing…you can hear the different guitar tones…”   (18:25): “Look at those crazy guys right there burning shit…let's play it…”/ #TurmionKatilot TURVASANA (“Safe Word”) (Global Warning – 2020) / “Sounds like Electric Callboy…we'll see…”/ “That's not satanic dude, that's elitist…”/  “That album cover is pretty weird…they're having a good time…” “I wanna know what the name means now…they're from Finland and they're an #IndustrialMetal band…”   (21:09): “This is kinda interesting when we do the rabbit hole…”/   “Shut your mouth…is that the name of the single?”/  #Pain SHUT YOUR MOUTH (Nothing Remains The Same – 2002) / “(Pain) Sounds almost like darkwave…”   (23:00): “Let's get some tits…how about Nightwish?”/ “Nemo…like the fish?”/  #Nightwish NEMO (Once – 2004)/ “It's got piano, Bill's gonna love this…(sounds) like (a) heavier Evanescence maybe?”/  “She sounds like a vampiress with a beautiful voice…”/ “I kinda like it…it's cool…it sounds like good rainy day rainy night music…maybe I'll meet a lady and that's like her favorite band and she likes to do kinky stuff to that…”   (25:03): “I've always heard things about them (Paradise Lost) …I think they were around during the high school days…”/  “They (Paradise Lost) were formed in 1988…pioneers of the death doom genre…”/  #ParadiseLost JUST SAY WORDS (One Second – 1997) / “This sounds like #darkwave too, doesn't it?” / “It's the melody that's throwing him I think…”   (26:59): “How about some Municipal Waste to bring the energy back up…”/ “Hell yeah…Tango & Thrash?” / “Everything is about one of his (Kurt Russell's) movies…”/ #MunicipalWaste BIG TROUBLE IN LITTLE CHINA (Tango & Thrash – 2024) / “Nine songs nine minutes…”/ #MunicipalWaste DEMORALIZER (Electrified Brain – 2022) / ***Go Check out our Municipal Waste Episode!!!*** / “They check all the Gen-X thrash boxes…”   (30:40): “So I've heard things about Nails…they're much more heavy but kinda modern…”/ #Nails YOU WILL NEVER BE ONE OF US (You Will Never Be One Of Us – 2016) / #hardcore / “It's got the mix of The (Old) Masquerade (from) back in the day…”/ “This is interesting…it's like going to a metal buffet and getting a plate…have you ever been to a buffet where you literally try everything?”   (33:10): “Oooh, have y'all heard about Igorrr?”/ “It's not Igorrr with E…it is Igorrr with I…”/ “It's metal but they've got weird sampling…you've just gotta hear it…it's crazy…”/ #Igorrr  MUSTARD MUCOUS (Amen – 2025) / “Wait for it…that's wild…”/  “That's Igorrr with three R's by the way…”   (35:47): “How about some Green Lung? It sounds stonery…”/ “Those album covers…fuzz!”/ #GreenLung MAXINE (WITCH QUEEN) (This Heathen Land – 2023) / “I was not expecting that…” “It almost sounds like video game music…like Castlevania or something…”/  “(Green Lung) reminds me of Ghost…it's like a weirder version of Ghost…it doesn't sound like them, but it reminds me of them…”   (37:47): “Coke lines galore…can you dig it?”/ #Kreator SEVEN SERPENTS (Krushers Of The World – 2026) / “The killer opener (Seven Serpents) with a great intro…”/ “Get some of THAT!”/ “That sounds almost like black metal in a way…like symphonic black metal…that's badass!”   (40:30): “Check her out…uhhh, hey baby…”/ “What's your guess if you had to wager a bet (about Beyond The Black)? Are you thinking ‘a lot of melody'?”/ #BeyondTheBlack LET THERE BE RAIN (Break The Silence – 2026) “I was not expecting that…”/ “Too much melody for you…I knew it was gonna happen…”/   (42:10): “How about a cleanser? You wanna do Big Ass Truck (IE)?” /  “Their #IG handle, dig this: @BigAssMFTruck / “Just grab one…Big Ass Beer…Big Ass Dog…”/ #BigAssTruckIE BIG ASS TRUCK (Big Ass Demo – 2024) / “Wait, this is their demo!?”/ “(Big Ass Truck) is like a grungier, more fun Hatebreed…”/ “That's fun…that's the great thing about metal (and Big Ass Truck) …that's what we need…we need the fun factor back!”   (45:01): “(Vader) is a death metal band from Poland…formed in 1983…”/ #Vader CARNAL (Black To The Blind – 1997) /    (47:44): “We haven't done this in a while so we could end it with a Slayer of the episode…”/  “Actually, you know what, just for fun…off of the The Repentless Killology live album…pull up War Ensemble because there's a nice little thing at the beginning…a little Tom (Araya) banter…it's the last or one of the last shows they ever did and they captured that live…it's at the same place where they recorded Decade Of Aggression…”/ “So it's one of those…where they put the banter at the of the song instead of the beginning…”/  #Slayer WAR ENSEMBLE (The Repentless Killology (Live at The Forum in Inglewood, CA) – 2019) “So, you guys ready to have some FUN!? You sure you're ready? Because this is where you need to get off the ride if you need to get off the ride…are you SURE YOU'RE READY!?” / “Make that (between song banter) the intro…this is the best intro ever!”/  THANK YOU FOR JOINING US!!! / “Peace, metal, and vag…”/ #untilthenext #outroreel

Portland's Jesse Valencia is many things: musician, activist, filmmaker, author, raconteur. But this week, he adds perhaps his most prestigious appellation: Haute Garbage podcast guest. Jesse's seminal Arizona (now PDX) band Gorky is celebrating 25 years of killer tunes, and Jesse joins the show to discuss his approach to music, UFO encounters, the origins of his book Keep Music Evil about the Brian Jonestown Massacre, the fight for Portland independent music, and the legacy of the late, beloved Gorky co-founder Ben Holladay. Music this week:“Action Pants” by Gorky (22:39)“First Blood” by Moderator (49:50)“AM Radio” by Gorky (1:01:54)“Shopping” by Rayon (1:26:04)“Swinger” by Salo Panto (1:44:49)

00:00 – 27:37 – JMV reacts to the Pacers signing Larry Nance Jr to a one-year deal. He also discusses how he is hesitant to get engaged with the Fever due to all the online insanity surrounding them. He then looks at the MLB standings, and his detachment from the season right now. 27:38 – 42:32 – What number will Kelly Oubre Jr wear with the Pacers? What concerns does JMV have about the Eastern Conference? And how much negative impact will Team USA’s 4-1 loss to Belgium on soccer in this country? 42:33 – 46:56 – Where does Kurt Russell rank among the best or most influential actors? 46:57 – 1:11:18 – Kevin Bowen from The Fan Morning Show joins JMV! Kevin and JMV discuss the Pacers recent signings, the ongoing Fever soap opera (and how the Fever would desperately benefit from a win tonight), and more! 1:11:19 – 1:23:47 – JMV dives into the NBA Summer League, and his hopes for the Top 4 picks from the Draft that the Pacers missed out on. 1:23:48 – 1:28:48 – JMV wraps up the 2nd hour of the show! 1:28:49 – 1:56:04 – Alex Golden from Setting The Pace joins the show! Alex and JMV dive into the Pacers offseason, their recent signings, and the return of Tyrese Haliburton. 1:56:05 – 2:07:36 – How much blame should Christian Pulisic shoulder for Team USA’s exit from the World Cup? 2:07:37 – 2:13:22 – JMV wraps up the 3rd hour! 2:13:23 – 2:19:37 – The show ends with Anything Goes! Support the show: https://1075thefan.com/the-ride-with-jmv/See omnystudio.com/listener for privacy information.

“It's all in the reflexes.” Join Ian & Liam for our 338th episode as we descend into the neon-lit underworld beneath San Francisco's Chinatown for John Carpenter's gloriously bonkers cult classic Big Trouble in Little China (1986). Megs isn't with us this week — she accidentally accepted an invitation to Lo Pan's wedding and we're told she's currently trying to escape a floating wheelchair and several unfortunate centuries-old curses. Kev? He confidently followed Jack Burton into an alley "because it'll be quicker this way" and hasn't been seen since a glowing eyeball floated past. This week we discuss: Kurt Russell's Jack Burton — swaggering, endlessly quotable, and hilariously convinced he's the hero. Is Jack actually the greatest accidental sidekick in cinema history? Who did Kurt Russell actually base his performance of Jack Burton off of? Dennis Dun's Wang Chi — the film's true protagonist hiding in plain sight. How does Carpenter brilliantly disguise whose story this really is? What 1990s video game phenomenon was heavily inspired by this film? John Carpenter's genre mash-up — martial arts, fantasy, horror, comedy, and action. Why should this film never have worked... yet somehow works perfectly? Kim Cattrall's Gracie Law — fearless, funny, and game for absolutely anything the film throws at her. Ian breaks down the screenplay — how the film constantly subverts audience expectations by making its loudest character the least competent person in the room. Liam explores the film's mythology — ancient curses, Chinese folklore, and why the exposition somehow makes less sense the more attention you pay. Lo Pan — one of the most delightfully eccentric villains of the 1980s. Menacing, theatrical, and completely unforgettable. The action choreography — practical effects, flying warriors, and glorious 1980s excess. Does the film know exactly how ridiculous it is? The "show vs tell" balance — does the film overwhelm us with mythology, or does its sheer confidence carry us through the chaos? The ending — triumphant, absurd, and leaving just enough mystery for one final sting in the tail. And finally, whether Big Trouble in Little China is the Best Film Ever — or simply one of the greatest cult movies ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

In 1980, a team of college kids beat the unbeatable Soviet hockey machine and won Olympic gold. But the real story isn't just about hockey — it's about a coach whose players thought he was crazy...until they realized his plan worked.This week on The UNPACKIN' It Podcast, Bryce Johnson and Trip Smith unpack the movie Miracle (2004), starring Kurt Russell as Coach Herb Brooks. They draw a powerful parallel to the way God works in our lives, even when His plan makes zero sense to us in the moment.BREAKDOWN:

Martial arts. Ancient sorcerers. Monsters. Kurt Russell driving a big rig. Somehow, Big Trouble in Little China managed to cram all of that into one unforgettable movie. This time, we're revisiting John Carpenter's cult classic and discussing why Gen X fans still can't get enough of Jack Burton and the Pork-Chop Express. From its endlessly quotable dialogue to its unique blend of action, comedy, fantasy, and horror, we'll explore what makes this one of the most beloved cult films of the 1980s. Participate in our listener questionnaire & automatically get entered in a drawing for a $50 gift card! genxgrownup.com/podsurvey (May contain some explicit language.) Patreon » patreon.com/genxgrownupDiscord » GenXGrownUp.com/discordFacebook » fb.me/GenXGrownUpTwitter » GenXGrownUp.com/twitterWebsite » GenXGrownUp.comPodcast » GenXGrownUp.com/podMerchandise » GenXGrownUp.com/merchTheme: “Grown Up” by Beefy » beefyness.com Apple » itunes.apple.com/us/podcast/genxgrownup-podcast/id1268365641CastBox » castbox.fm/channel/GenXGrownUp-Podcast-id2943471?country=usPocket Casts » pca.st/8iuLAudible » amz.run/6yhRTuneIn » tunein.com/radio/GenXGrownUp-Podcast-p1020342/Spotify » spoti.fi/2TB4LR7iHeart » www.iheart.com/podcast…Amazon Music » amzn.to/33IKfEK Show Notes 1986 Cult Classic With ‘Iconic' Kurt Russell Lines Made This Director Quit Hollywood » bit.ly/3SI10Nc Big Trouble in Little China oral history » bit.ly/4xMvvBO 10 Big Trouble in Little China Facts You Never Knew » bit.ly/4xRdpPg 10 Huge Facts About Big Trouble in Little China » bit.ly/4fYshVm John Carpenter WIKI about Big Trouble in Little China » bit.ly/4gA2oeH A Look At Big Trouble in Little China's Lasting Influence on Pop Culture » bit.ly/4g2v8g7 Email the show » podcast@genxgrownup.com Visit us on YouTube » GenXGrownUp.com/yt Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 4 ends with some much-needed poetic Cherapy! Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Poets and poems we mention in this episode include:Mark Strand, "Eating Poetry"Rob Schlegel, "Poetry" Sandra Lim, "Something Something Something Grand"Margaret Walker, "Lineage"Sylvia Plath, "The Applicant"Diane Wakoski, "The Father of My Country"Carolyn Forche, "Selective Service"Mark Bibbins, "The Anxiety of Coincidence"Corey Marks, "Broken Music"Robert Frost, "Mending Wall"Mary Oliver, "The Summer Day" Louise Glück, "Anniversary"e.e. cummings, "somewhere i have never travelled,gladly beyond"           Cher's delivery of this rant in Witches of Eastwick is iconic.Burlesque is a 2010 American backstage musical film written and directed by Steven Antin. It stars Cher, Christina Aguilera, Kristen Bell, Cam Gigandet, Eric Dane, Stanley Tucci, Julianne Hough, Alan Cumming, and Peter Gallagher, and features cameos from Dianna Agron and James Brolin.Mermaids is a 1990 American family comedy-drama film directed by Richard Benjamin, and starring Cher, Bob Hoskins, Winona Ryder, Michael Schoeffling, and Christina Ricci in her film debut. Based on Patty Dann's 1986 novel of the same name, and set in 1963, its plot follows a neurotic teenage girl who moves with her wayward mother and younger sister to a small town in Massachusetts.Silkwood is a 1983 American biographical drama film directed by Mike Nichols, and starring Meryl Streep, Kurt Russell, and Cher.The Witches of Eastwick is a 1987 American dark fantasy comedy film directed by George Miller from a screenplay by Michael Cristofer, based on the 1984 novel by John Updike. It stars Jack Nicholson alongside Cher, Susan Sarandon, Michelle Pfeiffer, and Veronica Cartwright.In Season 1, Episode 117, "Cher Revises Poetry," we ended famous poems with lines from Cher movies, including the Dolly Pelliker line, "Goddamn government fucks you coming and going!" Listen to the Green Acres theme song here.

Kevin Smith and Marc Bernardin return to the Virtual Scum & Villainy Cantina to break down the latest geek culture news and reviews! This week, Kev and Marc dive into the new Masters of the Universe movie and discuss whether He-Man's long-awaited return to live action finally gets it right. They also venture into the mysterious world of Widow's Bay and share their thoughts on one of the most talked-about new genre releases. In the news, the guys discuss the latest plans for a brand-new Escape From New York adaptation, what it means for the legacy of Kurt Russell's Snake Plissken, and pay tribute to a beloved architect of the Star Wars universe whose impact on the galaxy far, far away will be felt for generations. Plus audience Q&A, tangents, laughs, and all the geeky goodness you've come to expect from Fat Man Beyond. Plus, one of the last LIVE Fat Man Beyond's from Scum & Villainy on June 23rd! https://www.eventbrite.com/e/fatman-beyond-live-kevin-smith-and-marc-bernardin-62326-tickets-1991387049271?aff=oddtdtcreator Topics include: - Masters of the Universe review - He-Man on the big screen - Widow's Bay discussion - Escape From New York reboot news - Star Wars tribute - Pop culture headlines - Audience Q&A Subscribe and join us live every week! ►► Get up to $200 off Square hardware when you sign up at square.com/go/fatman! #squarepod ►► The perfect gift for the geek who has everything - Reserve an Investment in the new Scum and Villainy Rendezvous* ►► https://wefunder.com/scum.and.villainy.cantina

Mike talks about what 10 TV Characters he thinks could get the ‘Mandalorian and Grogu’ treatment and go from streaming TV show to Movie. From Euphoria and Stranger Things to Wednesday and The Boys. Which characters could become billion-dollar movie franchises, and what would their movies actually look like? In the Movie Review, Mike gives his thoughts on The Mandalorian and Grogu. Once a lone bounty hunter, Mandalorian Din Djarin and his apprentice Grogu embark on an exciting new Star Wars adventure. Mike answers the big questions: Does it live up to expectations being the first Star Wars movie in theaters since 2019, did it just feel like one big Mandalorian episode and where will Disney take Star Wars after this? In the Trailer Park, Mike talks about The Rivals of Amziah King. It’s Matthew McConaughey’s first time with a movie in theaters since 2019 .The film follows McConaughey as Amziah, a honey-farmer whose operation is threatened by dangerous rivals played by Kurt Russell. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.com See omnystudio.com/listener for privacy information.