Podcast appearances and mentions of Philip Roth

durée : 00:25:20 - L'invité de 8h20 : le grand entretien - par : Nicolas Demorand, Benjamin Duhamel - Marc Weitzmann, écrivain, producteur pendant 7 ans de l'émission “Signes des temps” sur France Culture, auteur de “La part sauvage. Le monde de Philip Roth et le chaos américain : retour sur vingt ans d'amitié” (Grasset) et Josyane Savigneau, journaliste, auteure de “Avec Philip Roth” (Gallimard). - invités : Marc Weitzmann, Josyane Savigneau - Marc Weitzmann : Ecrivain et producteur de l'émission "Signes des temps" sur France Culture, Josyane Savigneau : Écrivaine et journaliste Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 03:59:16 - La Grande matinale - par : Nicolas Demorand, Sonia Devillers, Benjamin Duhamel, Anne-Laure Sugier - Ce matin sur France Inter, à 7h50, l'ambassadeur de France en Russie de 2020 à 2024 Pierre Lévy. À 8h20, Philip Roth et l'Amérique Et à 9h20, Jérôme Clément Wilz, réalisateur, pour son film documentaire “ceci est mon corps” diffusé le 6 octobre sur Arte. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 03:58:57 - La Grande matinale - par : Nicolas Demorand, Sonia Devillers, Benjamin Duhamel, Anne-Laure Sugier - Ce matin sur France Inter, à 7h50 le producteur et animateur Arthur pour son nouveau libre. À 8h20 un plateau sur l'Amérique de Philip Roth. Et à 9h20 Vincent Clergerie, vice procureur près le tribunal judiciaire de Tarascon. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:09:54 - Le Point culture - par : Marie Sorbier - Décédé en 2018, Philip Roth est considéré comme l'un des plus grands auteurs américains du XXe siècle. Pourtant, son œuvre a toujours suscité la polémique. Alors qu'un nouveau tome de sa Pléiade sort, on peut se demander si un appareil critique est désormais nécessaire pour lire ses romans ? - réalisation : Laurence Malonda - invités : Maxime Decout Professeur de littérature à Sorbonne-Université

durée : 00:59:08 - Toute une vie - par : Virginie Bloch-Lainé - L'écrivain, peintre des États-Unis dans chacun de ses romans, a observé au fil des ans la sauvagerie gagner l'Amérique, sauvagerie psychique à l'œuvre particulièrement aujourd'hui. - réalisation : Félix Levacher

In his literary biography, Philip Roth: Stung by Life (Yale UP, 2025), Steven J. Zipperstein captures the complex life and astonishing work of Philip Roth (1933–2018), one of America's most celebrated writers. Born in Newark, New Jersey—where his short stories and books were often set—Roth wrote with ambition and awareness of what was required to produce great literature. No writer was more dedicated to his craft, even as he was rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances. And yet, as much as Roth wrote about sex and self, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words). Zipperstein explores the unprecedented range of Roth's work—from “Goodbye, Columbus” and Portnoy's Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Drawing on extensive archival materials and over one hundred interviews, including conversations with Roth about his life and work, Zipperstein provides an intimate and insightful look at one of the twentieth century's most influential writers, placing his work in the context of his obsessions, as well as American Jewishness, freedom, and sexuality. Interviewee: Steven J. Zipperstein is the Daniel E. Koshland Professor in Jewish Culture and History at Stanford University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his literary biography, Philip Roth: Stung by Life (Yale UP, 2025), Steven J. Zipperstein captures the complex life and astonishing work of Philip Roth (1933–2018), one of America's most celebrated writers. Born in Newark, New Jersey—where his short stories and books were often set—Roth wrote with ambition and awareness of what was required to produce great literature. No writer was more dedicated to his craft, even as he was rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances. And yet, as much as Roth wrote about sex and self, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words). Zipperstein explores the unprecedented range of Roth's work—from “Goodbye, Columbus” and Portnoy's Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Drawing on extensive archival materials and over one hundred interviews, including conversations with Roth about his life and work, Zipperstein provides an intimate and insightful look at one of the twentieth century's most influential writers, placing his work in the context of his obsessions, as well as American Jewishness, freedom, and sexuality. Interviewee: Steven J. Zipperstein is the Daniel E. Koshland Professor in Jewish Culture and History at Stanford University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In his literary biography, Philip Roth: Stung by Life (Yale UP, 2025), Steven J. Zipperstein captures the complex life and astonishing work of Philip Roth (1933–2018), one of America's most celebrated writers. Born in Newark, New Jersey—where his short stories and books were often set—Roth wrote with ambition and awareness of what was required to produce great literature. No writer was more dedicated to his craft, even as he was rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances. And yet, as much as Roth wrote about sex and self, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words). Zipperstein explores the unprecedented range of Roth's work—from “Goodbye, Columbus” and Portnoy's Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Drawing on extensive archival materials and over one hundred interviews, including conversations with Roth about his life and work, Zipperstein provides an intimate and insightful look at one of the twentieth century's most influential writers, placing his work in the context of his obsessions, as well as American Jewishness, freedom, and sexuality. Interviewee: Steven J. Zipperstein is the Daniel E. Koshland Professor in Jewish Culture and History at Stanford University. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Dans son dernier essai en date, « L'ère des impostures », Astrid von Busekist, professeure de Théorie politique à Sciences Po, propose une nouvelle fois une analyse précise de notre société occidentale en s'intéressant aux dérives contemporaines liées aux identités. À l'heure où chacun revendique le droit de se définir librement, l'auteure interroge les limites de cette liberté : peut-on vraiment choisir son origine, sa race, sa mémoire ? Et que se passe-t-il lorsque cette revendication devient mensonge ? Ce sont les questions qu'elle traite au fil des pages de ce livre publié aux éditions Albin Michel. Elle est l'invitée d'IDÉES cette semaine. À travers des exemples littéraires, historiques et médiatiques, Astrid von Busekist que nous retrouvons avec plaisir dans l'émission explore avec sa clarté et sa précision habituelles, le phénomène de l'imposture identitaire — ces cas où des individus s'approprient une histoire ou une appartenance qui ne leur revient pas. De Coleman Silk, personnage de Philip Roth dans son roman « La tâche », aux faux rescapés de la Shoah, en passant par les controverses autour de figures se disant autochtones ou racisées, l'essai met en lumière une tension fondamentale : entre le désir d'émancipation individuelle et les exigences de vérité et de justice. Mais « L'ère des impostures » ne se contente pas de dénoncer. Le livre invite à réfléchir sur la manière dont nos sociétés construisent et verrouillent les identités, parfois au détriment de la complexité humaine. La philosophe critique une vision « carcérale » de l'appartenance, où l'origine devient une frontière infranchissable, et où toute tentative de déplacement est perçue comme une trahison. Astrid von Busekist interroge les fondements de notre rapport à nous-mêmes et aux autres. Son essai, à la fois philosophique et politique, s'adresse à tous ceux qui veulent comprendre les enjeux profonds de notre époque : entre quête de soi, mémoire collective et vérité partagée. Elle en parle avec pertinence, clarté, et énergie au micro de Pierre-Édouard Deldique dans ce nouveau numéro d'IDÉES, le magazine qui interroge celles et ceux qui pensent le monde.   Programmation musicale - Jowee Omicil - Cry 4 Help - Arnaud Dolmen, Jowee Omicil et Michel Alibo - Silent Echoes.

Dans son dernier essai en date, « L'ère des impostures », Astrid von Busekist, professeure de Théorie politique à Sciences Po, propose une nouvelle fois une analyse précise de notre société occidentale en s'intéressant aux dérives contemporaines liées aux identités. À l'heure où chacun revendique le droit de se définir librement, l'auteure interroge les limites de cette liberté : peut-on vraiment choisir son origine, sa race, sa mémoire ? Et que se passe-t-il lorsque cette revendication devient mensonge ? Ce sont les questions qu'elle traite au fil des pages de ce livre publié aux éditions Albin Michel. Elle est l'invitée d'IDÉES cette semaine. À travers des exemples littéraires, historiques et médiatiques, Astrid von Busekist que nous retrouvons avec plaisir dans l'émission explore avec sa clarté et sa précision habituelles, le phénomène de l'imposture identitaire — ces cas où des individus s'approprient une histoire ou une appartenance qui ne leur revient pas. De Coleman Silk, personnage de Philip Roth dans son roman « La tâche », aux faux rescapés de la Shoah, en passant par les controverses autour de figures se disant autochtones ou racisées, l'essai met en lumière une tension fondamentale : entre le désir d'émancipation individuelle et les exigences de vérité et de justice. Mais « L'ère des impostures » ne se contente pas de dénoncer. Le livre invite à réfléchir sur la manière dont nos sociétés construisent et verrouillent les identités, parfois au détriment de la complexité humaine. La philosophe critique une vision « carcérale » de l'appartenance, où l'origine devient une frontière infranchissable, et où toute tentative de déplacement est perçue comme une trahison. Astrid von Busekist interroge les fondements de notre rapport à nous-mêmes et aux autres. Son essai, à la fois philosophique et politique, s'adresse à tous ceux qui veulent comprendre les enjeux profonds de notre époque : entre quête de soi, mémoire collective et vérité partagée. Elle en parle avec pertinence, clarté, et énergie au micro de Pierre-Édouard Deldique dans ce nouveau numéro d'IDÉES, le magazine qui interroge celles et ceux qui pensent le monde.   Programmation musicale - Jowee Omicil - Cry 4 Help - Arnaud Dolmen, Jowee Omicil et Michel Alibo - Silent Echoes.

ESSENTIEL, les rendez-vous du jeudi – Un monde de livres présenté par Josyane Savigneau Elle reçoit Marc Weitzmann pour son livre sur Philip Roth « La part sauvage » paru aux éditions Grasset. À propos du livre : « La part sauvage » paru aux éditions Grasset «  Philip Roth est mort le 22 mai 2018. J'avais fait sa connaissance presque vingt ans plus tôt, en 1999 – vingt années qui de Jérusalem à New York et Paris, avaient vu le monde global exploser, la haine et le populisme tout submerger et ma propre vie basculer, mais durant lesquelles nous étions devenus amis. Il avait tenu dans ma vie comme dans celle de ses lecteurs le rôle de refuge mental et de boussole. Et maintenant qu'il était en train de mourir, le pays qui lui avait fourni la matière première de ses livres était détricoté par Donald Trump. Le choc intime de sa mort a alors pris un autre sens  : celui de la fin d'un monde au profit de la violence, de la montée de l'antisémitisme, du retour en force des idéologies. Depuis l'Amérique telle qu'elle aurait pu être, ce livre révèle les Etats-Unis tels qu'ils sont. » M. WZ Le drame d'un pays raconté à travers l'œuvre et l'amitié d'un de ses plus grands écrivains.

An Arendt expert has arrived at Arendt-obsessed Recall This Book. Lyndsey Stonebridge discusses her widely praised 2024 We Are Free to Change the World: Hannah Arendt's Lessons in Love and Disobedience. Lesley sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing. Lesley and John discuss Arendt's belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “The fundamental contradiction of [America] is political freedom coupled with social slavery,”” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lesley, not attentively enough. Lyndsey is not a fan of Jonathan Glazer's Zone of Interest, because it makes the evil banality of extermination monstrous all over again (cf. her"Mythic Banality: Jonathan Glazer and Hannah Arendt.") Responsibility is crucial: She praises Arendt for distinguishing between temptation and coercion. Mentioned in the episode: Carnation Revolution in Portugal in 1974 one of the last great historical events in Arendt's lifetime. Lesley praises “reading while walking” and the unpacking of the totalitarian in Anna Burns's marvelous Norther Ireland novel, Milkman. Hannah Pitkin's wonderful 1998 The Attack of the Blob: Hannah Arendt's Concept of the Social, emphasizes Arendt's idea that although we are free, we can forfeit that freedom by assuming we are rule-bound. Arendt on the challenge of identity: “When one is attacked as a Jew, one must respond not as a German or a Frenchman or a world citizen, but as a Jew.” The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".” Various books by Hannah Arendt come up: Eichmann in Jerusalem: A Report on teh Banality of Evil. (1963). Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among The Life of the Mind) she speaks of the moments when "the mind goes visiting.” Her earliest ideas about love and natality are in Love and Saint Augustine (1929, not published in English until 1996). Hannah Arendt is buried at Bard, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic. James Baldwin's essay “The Fire Next Time” (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power. Recallable Books Lyndsey praises Leah Ypi's (Free) forthcoming memoir about her Albanian family, Indignity. John recalls E. M Forster, Howard's End a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

An Arendt expert has arrived at Arendt-obsessed Recall This Book. Lyndsey Stonebridge discusses her widely praised 2024 We Are Free to Change the World: Hannah Arendt's Lessons in Love and Disobedience. Lesley sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing. Lesley and John discuss Arendt's belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “The fundamental contradiction of [America] is political freedom coupled with social slavery,”” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lesley, not attentively enough. Lyndsey is not a fan of Jonathan Glazer's Zone of Interest, because it makes the evil banality of extermination monstrous all over again (cf. her"Mythic Banality: Jonathan Glazer and Hannah Arendt.") Responsibility is crucial: She praises Arendt for distinguishing between temptation and coercion. Mentioned in the episode: Carnation Revolution in Portugal in 1974 one of the last great historical events in Arendt's lifetime. Lesley praises “reading while walking” and the unpacking of the totalitarian in Anna Burns's marvelous Norther Ireland novel, Milkman. Hannah Pitkin's wonderful 1998 The Attack of the Blob: Hannah Arendt's Concept of the Social, emphasizes Arendt's idea that although we are free, we can forfeit that freedom by assuming we are rule-bound. Arendt on the challenge of identity: “When one is attacked as a Jew, one must respond not as a German or a Frenchman or a world citizen, but as a Jew.” The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".” Various books by Hannah Arendt come up: Eichmann in Jerusalem: A Report on teh Banality of Evil. (1963). Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among The Life of the Mind) she speaks of the moments when "the mind goes visiting.” Her earliest ideas about love and natality are in Love and Saint Augustine (1929, not published in English until 1996). Hannah Arendt is buried at Bard, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic. James Baldwin's essay “The Fire Next Time” (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power. Recallable Books Lyndsey praises Leah Ypi's (Free) forthcoming memoir about her Albanian family, Indignity. John recalls E. M Forster, Howard's End a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

An Arendt expert has arrived at Arendt-obsessed Recall This Book. Lyndsey Stonebridge discusses her widely praised 2024 We Are Free to Change the World: Hannah Arendt's Lessons in Love and Disobedience. Lesley sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing. Lesley and John discuss Arendt's belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “The fundamental contradiction of [America] is political freedom coupled with social slavery,”” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lesley, not attentively enough. Lyndsey is not a fan of Jonathan Glazer's Zone of Interest, because it makes the evil banality of extermination monstrous all over again (cf. her"Mythic Banality: Jonathan Glazer and Hannah Arendt.") Responsibility is crucial: She praises Arendt for distinguishing between temptation and coercion. Mentioned in the episode: Carnation Revolution in Portugal in 1974 one of the last great historical events in Arendt's lifetime. Lesley praises “reading while walking” and the unpacking of the totalitarian in Anna Burns's marvelous Norther Ireland novel, Milkman. Hannah Pitkin's wonderful 1998 The Attack of the Blob: Hannah Arendt's Concept of the Social, emphasizes Arendt's idea that although we are free, we can forfeit that freedom by assuming we are rule-bound. Arendt on the challenge of identity: “When one is attacked as a Jew, one must respond not as a German or a Frenchman or a world citizen, but as a Jew.” The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".” Various books by Hannah Arendt come up: Eichmann in Jerusalem: A Report on teh Banality of Evil. (1963). Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among The Life of the Mind) she speaks of the moments when "the mind goes visiting.” Her earliest ideas about love and natality are in Love and Saint Augustine (1929, not published in English until 1996). Hannah Arendt is buried at Bard, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic. James Baldwin's essay “The Fire Next Time” (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power. Recallable Books Lyndsey praises Leah Ypi's (Free) forthcoming memoir about her Albanian family, Indignity. John recalls E. M Forster, Howard's End a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

An Arendt expert has arrived at Arendt-obsessed Recall This Book. Lyndsey Stonebridge discusses her widely praised 2024 We Are Free to Change the World: Hannah Arendt's Lessons in Love and Disobedience. Lesley sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing. Lesley and John discuss Arendt's belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “The fundamental contradiction of [America] is political freedom coupled with social slavery,”” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lesley, not attentively enough. Lyndsey is not a fan of Jonathan Glazer's Zone of Interest, because it makes the evil banality of extermination monstrous all over again (cf. her"Mythic Banality: Jonathan Glazer and Hannah Arendt.") Responsibility is crucial: She praises Arendt for distinguishing between temptation and coercion. Mentioned in the episode: Carnation Revolution in Portugal in 1974 one of the last great historical events in Arendt's lifetime. Lesley praises “reading while walking” and the unpacking of the totalitarian in Anna Burns's marvelous Norther Ireland novel, Milkman. Hannah Pitkin's wonderful 1998 The Attack of the Blob: Hannah Arendt's Concept of the Social, emphasizes Arendt's idea that although we are free, we can forfeit that freedom by assuming we are rule-bound. Arendt on the challenge of identity: “When one is attacked as a Jew, one must respond not as a German or a Frenchman or a world citizen, but as a Jew.” The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".” Various books by Hannah Arendt come up: Eichmann in Jerusalem: A Report on teh Banality of Evil. (1963). Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among The Life of the Mind) she speaks of the moments when "the mind goes visiting.” Her earliest ideas about love and natality are in Love and Saint Augustine (1929, not published in English until 1996). Hannah Arendt is buried at Bard, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic. James Baldwin's essay “The Fire Next Time” (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power. Recallable Books Lyndsey praises Leah Ypi's (Free) forthcoming memoir about her Albanian family, Indignity. John recalls E. M Forster, Howard's End a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An Arendt expert has arrived at Arendt-obsessed Recall This Book. Lyndsey Stonebridge discusses her widely praised 2024 We Are Free to Change the World: Hannah Arendt's Lessons in Love and Disobedience. Lesley sees both radical evil and the banality of evil at work in Nazi Germany and in the causes of suffering and death in Gaza today. She compares the moral idiocy of authoritarians (like the murderous Nazis and those who are starving Gaza) to that of philosophers who cannot hear the echoes of what they are doing. Lesley and John discuss Arendt's belief in the fragile ethics of the Founding Fathers, with its checks and balances and its politics based not on emotion but cool deliberation. Arendt could say that “The fundamental contradiction of [America] is political freedom coupled with social slavery,”” but why was she too easy on the legacy of imperial racism in America, missing its settler-colonial logic? Arendt read W. E. B. DuBois (who saw and said this) but perhaps, says Lesley, not attentively enough. Lyndsey is not a fan of Jonathan Glazer's Zone of Interest, because it makes the evil banality of extermination monstrous all over again (cf. her"Mythic Banality: Jonathan Glazer and Hannah Arendt.") Responsibility is crucial: She praises Arendt for distinguishing between temptation and coercion. Mentioned in the episode: Carnation Revolution in Portugal in 1974 one of the last great historical events in Arendt's lifetime. Lesley praises “reading while walking” and the unpacking of the totalitarian in Anna Burns's marvelous Norther Ireland novel, Milkman. Hannah Pitkin's wonderful 1998 The Attack of the Blob: Hannah Arendt's Concept of the Social, emphasizes Arendt's idea that although we are free, we can forfeit that freedom by assuming we are rule-bound. Arendt on the challenge of identity: “When one is attacked as a Jew, one must respond not as a German or a Frenchman or a world citizen, but as a Jew.” The Holocaust is a crime agains humanity a crime against the human status, a crime "perpetrated on the body of the Jewish people".” Various books by Hannah Arendt come up: Eichmann in Jerusalem: A Report on teh Banality of Evil. (1963). Judgement in Arendt is crucial from earliest days studying Kant and in her final works (among The Life of the Mind) she speaks of the moments when "the mind goes visiting.” Her earliest ideas about love and natality are in Love and Saint Augustine (1929, not published in English until 1996). Hannah Arendt is buried at Bard, near her husband Heinrich Blucher and opposite Philip Roth, who reportedly wanted to capture some of the spillover Arendt traffic. James Baldwin's essay “The Fire Next Time” (1963) caused Arendt to write Baldwin about the difference between pariah love and the love of those in power, who think that love can justify lashing out with power. Recallable Books Lyndsey praises Leah Ypi's (Free) forthcoming memoir about her Albanian family, Indignity. John recalls E. M Forster, Howard's End a novel that thinks philosophically (in a novelistic vein) about how to continue being an individual in a new Imperial Britain. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

For lonely young men who have forgotten how to read, the LA Times book critic Bethanne Patrick some some simple advice: Get Queer Quicker. And to make her point, Patrick discusses five great books on today's male identity crisis - including from Keen On alums like Jessa Crispin and Andrew Lipstein. Patrick argues that reports of the literary man's death are greatly exaggerated - he's just evolved beyond the Philip Roth archetype. From Michael Douglas movies to Danish masculinity models, from toxic fathers to cross-dressing ceramicists, these books reveal how modern men are navigating identity in an era where traditional patriarchal roles have crumbled, replaced by what Crispin calls a system where "you just need to buy your way to the top." So today's anxiety-ridden men who want to get beyond the self-stimulation of Portnoy's Complaint, go to your local (indie) bookstore and GQQ. You'll find that the pages of today's books on the dilemma of maleness are a lot less sticky. 1. The Literary Man Hasn't Disappeared—He's DiversifiedReports of the "death" of literary men are exaggerated. Today's prestigious male writers are just "less likely to also be straight and white"—think Ocean Vuong, Kwame Alexander, and Alexander Chee rather than Philip Roth and Norman Mailer.2. Gen Z is "Getting Queerer Quicker"Younger generations are rejecting rigid gender binaries in literature and life, refusing categories like "romances are for women, thrillers are for men." They're making intentional choices about identity rather than accepting traditional roles.3. The Crisis is About Class, Not Just GenderBoth Jessica Crispin and Jared Yates Sexton argue that male identity crisis stems from economic inequality. The old patriarchy based on "role and responsibilities" was replaced by a system where "you just need to buy your way to the top"—leaving working-class men adrift.4. Men Need Permission to Read DiverselyPatrick's husband didn't read fiction until audiobooks gave him privacy from judgment. Men face social anxiety about being seen reading "feminine" genres, but when freed from scrutiny, they explore widely—from cozy mysteries to historical novels by women.5. Publishing's Gender ParadoxThe industry is "largely female...up to a certain level, but the C-suite people are still predominantly male." This creates resistance to books addressing men's real struggles, making important works like Richard Reeves' Of Boys and Men hard to publish through traditional channels.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Blake Bailey is the author of biographies of Philip Roth, John Cheever, Richard Yates, and Charles Jackson. He won the National Book Critics Circle Award, the Francis Parkman Prize from the Society of American Historians, a Literature Award from the American Academy of Arts and Letters, and a Guggenheim Fellowship. He was also a finalist for the Pulitzer and James Tait Black Prizes. A previous memoir, The Splendid Things We Planned, was a finalist for the National Book Critics Circle Award in Autobiography. Get Blake's book "Canceled Lives: My Father, My Scandal, and Me" here: https://amzn.to/3UL09t0 Sol Gittleman is the Alice and Nathan Gantcher University Professor Emeritus at Tufts University, where he taught from 1964 until his retirement in 2015. He served as provost from 1981 to 2002 and has received many awards, fellowships, and honorary degrees for his teaching and service. About the host: Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. He is the host of the podcast Open Book with Anthony Scaramucci. A graduate of Tufts University and Harvard Law School, he lives in Manhasset, Long Island. Learn more about your ad choices. Visit megaphone.fm/adchoices

® Dice Roberto Colajanni che una casa editrice è come una costellazione. Ma la similitudine si può allargare ad autori, generi e formati letterari: pensare la letteratura come un universo composto di galassie, costellazioni e singoli pianeti, generi, autori, formati. La puntata di Alice di oggi tiene insieme oggetti letterari apparentemente lontani, accomunati dall'unica teoria del tutto possibile, quella dell'amore per i libri e per le storie. Una passione che guida le scelte dello stesso Roberto Colajanni, direttore editoriale della casa editrice Adelphi, insignita del premio Enrico Filippini agli Eventi Letterari Monte Verità 2025. Colajanni ha raccontato al microfono di Moira Bubola alcuni degli autori che più risplendono all'interno della costellazione Adelphi, da Philip Roth a Han Kang. E sembrano parte di costellazioni lontane le due proposte letterarie fresche di stampa presentate oggi da Alice: da una parte il romanzo storico La bambolaia (La nave di Teseo) di Giuseppina Manin, che ci porta nella Monaco del primo dopoguerra, per raccontare la storia dell'ossessione amorosa del pittore Oskar Kokoschka nei confronti di Alma Mahler, vedova del grande compositore austriaco; dall'altra la raccolta di racconti Undici – Non dimenticare (Sellerio) di Andrej Longo, ambientata in una Napoli sotterranea, lontanissima dalla grande storia, dall'arte e dalla cultura, eppure splendente di vita e di contrasti. Un grande ritorno alla forma breve per Longo, che già aveva vinto il Premio Chiara con la sua prima raccolta Dieci, ristampata proprio da Sellerio. Chiude la puntata di Alice Mirador, lo spazio in cui voci della letteratura in italiano raccontano le novità letterarie più sorprendenti: oggi Djarah Kan presenta Cancellazione (La nave di Teseo), ristampa del più noto romanzo dello scrittore Percival Everett, diventato nel 2023 un film – American Fiction – vincitore dell'Oscar per la miglior sceneggiatura non originale.Prima emissione: 12 aprile 2025undefinedundefinedundefinedundefined

La expectativa de conocer la lista real ha tomado niveles insospechados, obligando a Trump a echar mano de todo tema a su alcance para mover la atención a otro lado, sean los aranceles, la guerra de Rusia y Ucrania o la invasión de Israel a Gaza

Ari Aster's wildly divisive new movie “Eddington” drops audiences back into the chaos of May, 2020: a moment when the confluence of the COVID-19 pandemic, the murder of George Floyd and subsequent Black Lives Matter protests, the rise in conspiracy theories, and political strife shattered something in our society. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz situate “Eddington” in the lineage of “the indigenous American berserk,” a phrase coined by Philip Roth in his 1997 novel “American Pastoral.” They consider an array of works that have tried to depict moments of social rupture throughout the country's history—and debate whether the exercise is ultimately a futile one. “I think when you're dealing with the realm of the American berserk, the big risk is getting the bends,” Schwartz says. “You're trying to describe a warping. So how do you not get warped in the process?”Read, watch, and listen with the critics:“Eddington” (2025)“Writing American Fiction,” by Philip Roth (Commentary)“Stalking the Billion-Footed Beast,” by Tom Wolfe (Harper's)“American Pastoral,” by Philip Roth“Natural Born Killers” (1994)“Benito Cereno,” by Herman Melville“The Bonfire of the Vanities,” by Tom Wolfe“Apocalypse Now” (1979)“Hearts of Darkness: A Filmmaker's Apocalypse” (1991)“War Movies: What Are They Good For?” (The New Yorker)“Sorry to Bother You” (2018)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

A review of Portnoy's Complaint by Philip Roth ---Become part of the Hermitix community: Hermitix Twitter - ⁠⁠ / hermitixpodcast⁠⁠ Support Hermitix: Patreon - ⁠⁠ patreon.com/hermitix⁠⁠ Donations: - ⁠⁠https://www.paypal.me/hermitixpod⁠⁠ Hermitix Merchandise - ⁠⁠http://teespring.com/stores/hermitix-2⁠⁠ Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Selle nädalala Kuku Raadio järjejutuminutid viivad meid 44-nda aasta Newarki, kui linnas puhkeb lastehalvatus. Raske haigus toob kaasa raskeid küsimusi – kes juhib meie elu, kas saatus, jumal või meie ise?

This week's book guest is Portnoy's Complaint by Philip Roth.Sara and Cariad are joined by award-winning comedian, writer and 1/3 of sketch group Sheeps - Liam Williams.In this episode they discuss Kafka, addiction, wanking, wanking, wanking and Geoffrey Archer.Trigger warning: In this episode we discuss racism, racist language and antisemitism.Thank you for reading with us. We like reading with you!Portnoy's Complaint by Philip Roth is available to buy here.Tickets to see Liam in Sheeps: A Very Sheeps Christmas – Live in Concert! In the Summer! are available to buy here.Tickets for Sara's tour show I Am A Strange Gloop are available to buy from sarapascoe.co.ukCariad's children's book Where Did She Go? is available to buy now.Sara's debut novel Weirdo is published by Faber & Faber and is available to buy here.Cariad's book You Are Not Alone is published by Bloomsbury and is available to buy here.Follow Sara & Cariad's Weirdos Book Club on Instagram @saraandcariadsweirdosbookclub and Twitter @weirdosbookclub Recorded and edited by Naomi Parnell for Plosive.Artwork by Welcome Studio. Hosted on Acast. See acast.com/privacy for more information.

Geoffrey Beene by Geoffrey Beene (1998) + The Human Stain by Philip Roth (2000) + Robert Benton's The Human Stain (2003)  with Bob Kaye 6/19/25 S7E40 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

Mark Sarvas is the award-winning author of the novels @UGMAN (ITNA Press), MEMENTO PARK (FSG, Picador) and HARRY, REVISED (Bloomsbury). MEMENTO PARK is the winner of a 2019 American Book Award (Before Columbus Foundation), and the 2019 American Jewish Library Association Fiction Award. It was a finalist for the Sami Rohr Prize for Jewish Literature, and was shortlisted for the JQ Wingate Literary Prize and longlisted for the Sophie Brody Medal. His debut novel, HARRY, REVISED, was published in more than a dozen countries around the world, earning raves from Le Monde to The Australian. A finalist for the Southern California Independent Booksellers Association's 2008 Fiction Award and a Denver Post 2008 Good Read, HARRY, REVISED has been called "A remarkable debut" by Booker Prize winner John Banville, and was compared to John Updike and Philip Roth by the Chicago Tribune. He was awarded a 2018 Santa Monica Arts Fellowship and is a 2021 Guild Hall Artist in Residence. Want to be a guest on Book 101 Review? Send Daniel Lucas a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/17372807971394464fea5bae3 Hosted on Acast. See acast.com/privacy for more information.

To celebrate the release of their new film Pavements, Alex Ross Perry and Robert Greene joined me on the show. We talked about the band, taste-making and influences, irony, Philip Roth, and more. Get an extra episode every week and support the show at patreon.com/extended_clip extendedclippodcast@gmail.com Go see Pavements! In select theaters now and expanding, eventually landing on Mubi.

"We know no spectacle so ridiculous as the British public in one of its periodical fits of morality,” a man once said, When it has come to the pursuit of Kneecap, the ridiculousness has extended far beyond the British public to its media and politicians too. It has reached the Irish political class and media as well.Kneecap have apologised to the families of murdered MPs but still they are pursued by those lost in what Philip Roth called the “ecstasy of sanctimony”.On Free State, Joe and Dion ask what does it tell us about the ability to comment freely in the modern world? At a time when n it seems critical to be able to speak out, it is under constant threat.Dion also recalls a GAA road trip while Joe explains why he considers Jesus Christ a role model. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:58:59 - Toute une vie - par : Mariannick Bellot - Aharon Appelfeld, écrivain israélien, a marqué la littérature par la justesse et la densité de son œuvre. Cet « écrivain errant de fictions errantes », comme le qualifiait son ami Philip Roth, n'a eu de cesse de traduire son expérience d'enfant ayant survécu à la destruction des Juifs d'Europe. - réalisation : Lionel Quantin - invités : Valérie Zenatti Autrice, traductrice et scénariste pour le cinéma; Judith Appelfeld Épouse de Aharon Appelfeld; Yigal Schwartz Editeur, directeur des archives de littérature à HEKSHERIM; Michal Govrin Écrivaine; Olivier Cohen Editeur, romancier, fondateur des éditions de L'Olivier; Michel Spinosa Cinéaste

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Jesmyn Ward has been hailed as the standout writer of her generation, proving her “fearless and toughly lyrical” voice in novels, memoir, and nonfiction. She's been called “the new Toni Morrison.” Ward is a MacArthur “Genius Grant” recipient and in 2017, she became the first woman and the first person of color to win two National Book Awards for Fiction—joining the ranks of William Faulkner, Saul Bellow, John Cheever, Philip Roth, and John Updike. Her books include "Let Us Descend," "Sing, Unburied, Sing," "Salvage the Bones," and "Navigate Your Stars." The professor of creative writing at Tulane University joins host Dean Nelson for this evocative conversation as part of the 30th anniversary of the Writer's Symposium by the Sea at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40217]

Hey Dude, my super funky weekend was redeemed after Reverend Rick let his freak flag fly from the pulpit of the Unitarian Universalist Church of Studio City. QUOTE: "I don't know if I should say this in church." PEOPLE: Kris Kristofferson, Philip Roth, Jack Nicholson PLACES: Altadena, Los Angeles, DTLA, Los Angeles Central Library, Universal City, Studio City, Harvard Westlake Sports Complex, UUCSC THINGS: Sunday Morning Coming Down, The Last Detail, Shore Patrol  PHOTO: "Beautiful UU Springstar" shot with my iPhone XS RECORDED: March 31, 2025 in "The Cafe" under the flight path of the Bob Hope Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.  

Episode 306Guest: Blake BaileyBook: Canceled Lives---This week Kyler welcomes acclaimed author Blake Bailey to discuss his new memoir Canceled Lives. Known for his masterful biographies, including the celebrated work on Philip Roth, shares his journey through the complexities of personal scandal and the intricate relationship he had with his father.The conversation delves into the fallout from the controversies surrounding his Roth biography, exploring how public perception can shift dramatically and how it impacted Blake's life and career. He reflects on the profound bond he shared with his father, a celebrated attorney, and how their relationship evolved amidst the turbulence of Blake's own challenges.Listeners will find this episode engaging as it tackles themes of cancel culture, the ethics of biography, and the importance of freedom of speech in literature. Blake's candidness about his experiences and the vulnerability displayed in Canceled Lives make this a compelling discussion for anyone interested in the intersections of personal narrative and public life.Thanks for listening!---Episode Links:PURCHASE Canceled Lives---SLD Podcast Info:www.saltlakedirt.comRadio Broadcast every Monday on KPCR 92.9 FM Los Gatos & 101.9FM Santa Cruz - 6PM - 8PM PSTListen on SPOTIFYListen on APPLE PodcastsInstagram: @saltlakedirtFollow KPCR on Instagram

durée : 00:38:30 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner, Isabelle de Gaulmyn - Dans "Le Complot contre l'Amérique", Philip Roth imaginait son pays tombé aux mains d'un dirigeant fasciste, fervent défenseur de l'"America First". Deux décennies après sa parution, cette uchronie nous offre un éclairage salutaire sur l'actualité. - réalisation : Félicie Faugère - invités : Josyane Savigneau Écrivaine et journaliste; Marc Weitzmann Ecrivain et producteur de l'émission "Signes des temps" sur France Culture; Virginie Bloch-Lainé Productrice à France Culture, critique littéraire, romancière.

durée : 02:30:08 - Les Matins - par : Guillaume Erner, Isabelle de Gaulmyn - . - réalisation : Félicie Faugère

The Raft is an extremely funny micronovel by Phil Rot, Philip Roth's ghost-operated online nom de plume. You (yes, you, the one reading right now) should buy and read it.Buy The Raft on Amazon: https://www.amazon.com/dp/B0DQ5PV8BXPhil's Book RecommendationsThe Amazonian Uteroboscus - BL OvermanBehead all Satans - NMN-DRThe Call of Horror series - Frank GardnerKeller Memento: 25 Years of David H Keller - David H KellerImprovidence - David HerodIncel - ARX-HanBumper Crop - Joe R LansdaleLawnmower Man - Stephen KingEggplant - Ogden NesmerVERY IMPORTANT INFORMATIONJack has published a novel called Tower!Amazon: https://www.amazon.com/Tower-Jack-BC-ebook/dp/B0CM5P9N9M/ref=monarch_sidesheetThe first nine chapters of Tower are available for free here: jackbc.substack.comOur Patreon: www.patreon.com/TheBookClubfromHellJack's Substack: jackbc.substack.comLevi's website: www.levioutloud.comwww.thebookclubfromhell.comJoin our Discord (the best place to interact with us): discord.gg/ZMtDJ9HscrWatch us on YouTube: https://www.youtube.com/channel/UC0n7r1ZTpsUw5exoYxb4aKA/featuredX: @bookclubhell666Jack on X: @supersquat1Levi on X: @optimismlevi

Aunque Donald Trump y Adolf Hitler llegaron al poder en contextos muy distintos y salvando las distancias de épocas, hay algunas similitudes en su proceder. Estas no significan que sus gobiernos sean iguales, pero muestran patrones comunes en el ascenso de líderes populistas y autoritarios, lo que plantea una gran inquietud. La comparación entre la llegada de nuevo al poder de Trump en 2025 y la de Hitler en 1933 en Alemania debe abordarse con cuidado, siendo conscientes de que se trata de contextos históricos, políticos y sociales diferentes, pero, con todo, son evidentes los paralelismos en estrategias políticas, discursos y posibles consecuencias. Ya dedicamos sendos programas tanto a la situación interna de los Estados Fallidos de América como al ascenso de la ola ultraconservadora o fascista en todo el mundo desde hace décadas, y que hoy parece eclosionar con toda virulencia en tantos lados. Precisamente dedicaremos un programa para mecenas a esta cuestión en Estados Unidos, donde la distopía escrita por Philip Roth, La conjura contra América, luego exitosa serie para HBO, parece que hoy pueda cobrar realidad. Ahora ofreceremos datos que prueban esta concomitancia de tiempos y cómo los discursos e intereses autoritarios son los mismos, con el capitalismo desbocado como escenario. OGP es un podcast de El Abrazo del Oso Producciones dirigido por Javier Fernández Aparicio y Eduardo Moreno Navarro. ¿Quieres más Observador Global? Hazte mecenas, ayuda a esta producción independiente y accede a los contenidos extra: https://www.ivoox.com/support/1640122 www.elabrazodeloso.es Bluesky: https://bsky.app/profile/oglobalpod.bsky.social Twitch: https://www.twitch.tv/elabrazodeloso ¡Suscríbete! Telegram abierto de El Abrazo del Oso: https://t.me/+tBHrUSWNbZswNThk

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, A Century of Fiction in The New Yorker, 1925-2025, which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, "A Century of Fiction in The New Yorker, 1925-2025," which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

On this episode, Erin & Elizabeth talk to animal intuitive Phoebe Hoffman, one of the stars of the new documentary about NYC psychics, Look Into My Eyes (currently on Max). The film hints at Phoebe's colorful life growing up with her divorced father Stanley, who Phoebe lived with in a studio apartment in Manhattan throughout her teenage years, when she dropped out of LaGuardia High School of Music and Art in 9th grade. Stanley, an English teacher who nonetheless played fast and loose with the concept of mentoring, was compared to Philip Roth in 1974 when his debut novel was published, but his literary dreams ended with a gig writing forScrew magazine. As Phoebe chain-smoked the Marlboros her dad procured for her, she skipped school to watch John Waters movies on repeat, all while longing for boundaries, apologies, and parenting. A botched stint in therapy with Stanley led to Phoebe finding a way to lovingly detach from her dad, and led to an unlikely new purpose in life: pet psychic. Phoebe tells us about an otherworldly experience with a horse changed everything, what's up with animals as the conduits of our dead loved ones, and whether our pets love us as much as we love them. 

In Episode Seventeen, DDSWTNP briefly discuss new Nobel Laureate Han Kang before digging into “A History of the Writer Alone in a Room,” DeLillo's acceptance speech for an award he did win, the 1999 Jerusalem Prize. In this unpublished, hard-to-find text, DeLillo tells the humbling story of the novelist at frustratingly slow work, “shaped by the vast social reality that rumbles all around him,” in a narrative that conjures scenes that resonate with Libra, Mao II, and other of DeLillo's portraits of the artist (while also raising the question of whether DeLillo has a cat). Novelists Thomas Mann, Philip Roth, and William Gaddis make their way into our analysis of this miniature fiction, and we consider as well the meaning of the Jerusalem Prize, the “nonchalant terror” of everyday life, and the young woman writer the essay at its end envisions taking up this legacy of lonely work. Texts mentioned or cited in this episode: Don DeLillo, “A History of the Writer Alone in a Room,” 1999 Jerusalem Prize For the Freedom of the Individual in Society acceptance address. Jerusalem: Jerusalem International Book Fair, 1999. Reprinted in German translation (“Der Narr in seinem Zimmer”) in Die Zeit (March 29, 2001). See also: https://collections.library.yale.edu/catalog?op=AND&sort=score+desc%2C+pub_date_si+desc%2C+title_si+asc&search_field=advanced&all_fields_advanced=&child_oids_ssim=17371596&commit=SEARCH ---. “On William Gaddis.” Conjunctions (Issue 41, Fall 2003). https://web.archive.org/web/20031123133017/http://www.conjunctions.com/archives/c41-dd.htm[Incorrectly placed in Bookforum in the episode.] ---. “The Artist Naked in a Cage.” The New Yorker, May 26, 1997. “Don DeLillo: The Word, the Image, the Gun.” Dir. Kim Evans. BBC Documentary, September 27, 1991. https://www.imdb.com/title/tt4029096/ and https://www.youtube.com/watch?v=0DTePKA1wgc&t=63s William Gaddis, The Recognitions. Harcourt Brace & Co., 1955.

Today's great political film is Frank Capra's Mr Smith Goes to Washington (1939), a much-loved tale of the little guy taking on the corrupt establishment. But there's far more to it than that, including an origin story that suggests Jefferson Smith (James Stewart) might not be what he seems. From filibusters to fascism, from the New Deal to America First, from Burton K. Wheeler to Harry S. Truman, this is a heart-warming film that still manages to go to the dark heart of American politics.To hear our bonus episode on Philip Roth's The Plot Against America (in which Burton K. Wheeler becomes America's Hitler) sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening https://www.ppfideas.com/join-ppf-plusNext time: Citizen Kane Hosted on Acast. See acast.com/privacy for more information.

With Salinger's Soul: His Personal & Religious Odyssey (Post Hill Press), author and retired journalist/editor Stephen B. Shepard explores the life of JD Salinger and the hidden core of an author who became famous for avoiding fame. We get into why Stephen decided to chase this elusive ghost, why Salinger didn't make it into his previous book about Jewish American writers, whether he believes Salinger's unpublished writing will see the light of day, and why it was important that he approach the book as biography and not literary criticism (although he does bring a reader's voice to the book). We talk about the lack of sex in Salinger's fiction, the uncanniness of Holden Caulfield's voice, Salinger's WWII trauma, his rise to fame, search for privacy, abandonment of publishing, embrace of Vedanta & ego-death, and his pattern of pursuing young women, and how it all maybe ties together. We also discuss Stephen's career as a journalist and how it influences his writing, what he learned in building a graduate program in journalism at CUNY, the ways we both started out in business-to-business magazines (he went a lot farther than I did, editing Newsweek and Business Week), how journalism has changed over the course of his career, Philip Roth's biography and what it means to separate the book from the writer, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

On Naomi Klein & Naomi Wolf and "political diagonalism" Episode in association with Damage magazine. Patreon Exclusive. Ben Burgis talks to Alex and George about his review in Damage of Naomi Klein's Doppelgangers. We discuss: Whether Naomi Klein is representative of the average left-wing position this century What Klein's trajectory and that of Naomi Wolf tell us about contemporary politics What is "pipiking" – Philip Roth's term for making everything a farce? What role do conspiracy theories play for the Right today? For the Left? What's wrong with the idea of "settlers" and "indigenous", and how does it play out with regard to Jews and to Native Americans? Are we right to hold up “proper left” and “proper right” as ideals to which the ideological confusion of our times should return?   Links: Left Identitarianism Is Also A Mirror World, Ben Burgis, Damage Ben Burgis' columns at Jacobin What comes after wokeness?, Alex Hochuli, Substack The Making of a New Political Subject, George Hoare, Café american

Something different for our last episode on the Great Political Fictions as this time David talks to the person who wrote it: Tim Rice, the lyricist of the epic musical about the life of Eva Peron, Evita (co-written with Andrew Lloyd-Webber). Where did the idea for such an unlikely subject come from? Why has it struck a chord with politicians from Thatcher to Trump? What does it say about the relationship between celebrity, populism and power?Sign up now to PPF+ to get ad-free listening and all our bonus episodes – including a new bonus episode on Philip Roth's The Plot Against America www.ppfideas.com Next time: Adam Rutherford on counterfactual science to kick off our new series on ‘What Ifs…' Hosted on Acast. See acast.com/privacy for more information.

David talks to the writer and broadcaster Helen Lewis about Harper Lee's To Kill A Mockingbird (1960), one of the most widely read and best-loved novels of the twentieth century, and in the twenty-first century increasingly one of the most controversial. Is the book an attack on or an apology for Southern racism? How does its view of race relate to the picture it paints of class and caste in 1930s Alabama? And what on earth are we to make of the recently published prequel/sequel Go Set A Watchman? Plus we discuss Demon Copperhead, JD Vance, and more.Sign up now to PPF+ to get ad-free listening and all our bonus episodes – including a new bonus episode on Philip Roth's The Plot Against America www.ppfideas.com Our free fortnightly newsletter will be out tomorrow, including more to read, watch and listen to about To Kill A Mockingbird – just sign up here https://linktr.ee/ppfideasNext time: Tim Rice talks about Evita Hosted on Acast. See acast.com/privacy for more information.

The writer and political philosopher Lea Ypi talks about the impact on her of Henrik Ibsen's The Wild Duck (1884), which she first read when she was eight – thinking it was a children's book (it isn't!) – and has been returning to ever since. A play about family and betrayal, idealism and disappointment, temptation and self-destruction, is it also a parable about the illusions of politics? And how might it shake a person's faith?Sign up now to PPF+ to get ad-free listening and all our bonus episodes – coming soon a special bonus episode on Philip Roth's The Plot Against America www.ppfideas.com Next time: Helen Lewis on To Kill A Mockingbird Hosted on Acast. See acast.com/privacy for more information.