Podcast appearances and mentions of Melanie Griffith

In this episode of our 2025 series in which we discuss classics from 1975 and 1995 we are turning our attention to Night Moves directed by Arthur Penn. Over the course of our conversation you will hear us talk about how this movie executes on the film noir template with its convoluted plots and morally ambiguous characterizations and how it functions as its subversion. We debate the possible reasons why this movie was misunderstood and unsuccessful upon release, and why competing against Jaws for box office dollars might have had something to do with it. We also delve into the controversy surrounding explicit scenes featuring young Melanie Griffith and the equally problematic ways the studio wanted to 'solve' what they clearly identified as a moral issue. Finally, we wonder just how many times one has to watch Night Moves to begin to like its subversive new-wave commentary on noir.Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Rich Foster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Barbara Muschietti (along with her brother Andy) has made her mark on Hollywood, especially in the horror realm (MAMA, IT, IT: CHAPTER TWO and now WELCOME TO DERRY). But regardless of what genre you're working in, the business of Hollywood takes tenacity, luck, and no small amount of delusion. That's what we've got for you today, through WORKING GIRL (1988) and Robert Altman's THE PLAYER (1992).Then, Jordan has one quick thing about the 25th anniversary of the CHARLIE'S ANGELS movie. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

Big Speakeasy welcome to our wonderful guest co host Carlos!! He has been a supporter of the show since day one so it was great pleasure for him to spend some time with us.We had such a wonderful time talking to him about film, weather, indie film and general shenanigans! Oh - and the classic Night Moves!Night Moves is a 1975 American neo-noir thriller film directed by Arthur Penn from a screenplay by Alan Sharp. It stars Gene Hackman as an ex-professional football player turned Los Angeles private investigator who uncovers a series of sinister events while searching for the missing teenage daughter of a former movie actress. The cast also features Susan Clark, Edward Binns, Jennifer Warren, James Woods and Melanie Griffith in her film debut.

S7, E20: REBEL HEART (w/ Special Guest Nick Rufca)Kenny and Mark embark on the home stretch of Season Seven (!!) with a deep dive discussion of the title track from Rebel Heart. Plus, a late Christmas gift arrives for super-fan Nick Rufca, who picks up up the phone to talk about SUPER deluxe editions, emotional honesty, lyrical affirmations, tempting fate, Peter, Paul & Mary, narcissists, hot takes, Tom Ford, Joanna Gleason, the sitcom Bette, Hard Candy fandom, middle school rebels at the Blonde Ambition tour, finding your tribe, Julia Roberts, West Hollywood, campfire counselors, the Avicii demo, the ultimate tribute to fandom, the most memorable Madonna television performances, Melanie Griffith and Mike Nichols, Leigh Bowery at the Tate Museum, tuna casserole, and the musical milestones that define a decade. Plus Kenny spring another pop quiz and Mark proposes using Rebel Heart for commercials. Get your tissues out!“Rebel Heart” Live on the REBEL HEART TOUR (2016)

Michael S. Baser joined me to discuss watching Sky King as a kid; using comedy as a deterrent to bullies; starting a stand-up duo as a teenager; meeting Kim Weiskopf; his father not helping them; A Year at the Top; writing the first transgender character on TV in the Jeffersons; writing the Barbara's Friend suicide episode of One Day at a Time; creating Mr. Furley on Three's Company; creating 9 to 5; working for Glen Larson; working with Janet Jackson on Good Times; giving Michael Moye his first job on Good Times; Carter Country; Melanie Griffith; Norman Paul; Three's Company; Lana; Don Knotts; Campus Cops; wanting Jane Curtin on 9 to 5; Rachel Dennison; Al Jean & Mike Reiss; and his pilot, Crazy Dan

National Hold hands day.  Entertainment from 1960. 2nd atomic bomb dropped on Japan, Richard Nixon resigned ast president, Charles Manson followered committed Helter Skelter.  Todays birthdays - Robert Shaw, Wanda Young, Sam Elliott, Melanie Griffith, Whitney Houston, Gillian Anderson, Anna Kendrick.  Bernie Mac died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/ I want to hold your hand - The BeatlesItsy bitsy teenie weenie yellow polda dot bikini - Brian HylandPlease help me I'm falling - Hank LochlinBirthdays - In da club - 50 Cent   https://www.50cent.com/Don't mess with Bill - The MarvelettesI wanna dance with somebody - Whitney HoustonThe X Files TV themeExit - Mr. Wrong - Christie Lamb      https://www.christielamb.com/countryundergroundradio.comHistory & Factoids webpage

In this classic episode, the Junkies talk about the lighthearted family comedy/snuff film their producers made them watch: Roar, also called "The Most Dangerous Movie Ever Made." While Shauna and Olivia weren't impressed with the whisper-thin plot and so-so acting (even though it stars Tippi Hedren and Melanie Griffith), they couldn't help but be awed by the choices made by producer Noel Marshall and his family, and not in a good way. Between 70-120 members of the cast and crew were mauled, maimed, scalped, bitten and broken during production - but the Junkies have all the reasons you need to see this movie anyway, like using it as the basis of a life-threatening drinking game. (Disclaimer: no animals or humans were injured in the making of this podcast. The same cannot be said for Roar.) The Pop Culture Junkie Podcast can now be seen on YouTube! Click here: https://www.youtube.com/@popculturejunkiepod/videos We have all new Patreon tiers! Be the first to hear new and uncensored content, if you dare! Click here: https://www.patreon.com/popculturejunkiepodcast/posts Apple Podcast: https://podcasts.apple.com/us/podcast/pop-culture-junkie/id1536737728 Spotify: https://open.spotify.com/show/7k2pUxzNDBXNCHzFM7EL8W Website: www.popculturejunkie.comFacebook: PopCultureJunkiePodcastTwitter: @PopJunkiesInstagram: @pop.culturejunkiesThreads: @pop.culturejunkiesEmail: junkies@popculturejunkie.com Shauna on Instagram: @shaunatrinidad Shauna on Threads: @shaunatrinidad Olivia on Instagram: @livimariez

What is Roar? It's a 1981 movie starring Noel Marshall, Tippi Hedren, and Melanie Griffith about a family that gets attacked by dozens of big cats. However, the movie itself isn't all that interesting compared to the story behind it because throughout production, as many as 70 people were injured from those cats, making it one of the most dangerous film productions in history. --Written by Mike Bedard--Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsdiscord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Pick up some Deep Cuts T-Shirts and other merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/deepcutsmerch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Get the official Deep Cuts shoulder patch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/deepcuts_patch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠--Listen to our album, a 9 song rock opera about the rise and fall of Napster!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/album/63C5uu1tkzZ2FhfsrSSf5s?si=q4WItoNmRUeM159TxKLWew

The Ringer's Bill Simmons, Amanda Dobbins, and Joanna Robinson hop on the Staten Island Ferry and pop on their tennis shoes to revisit Mike Nichols's 1988 classic, ‘Working Girl,' starring Melanie Griffith, Harrison Ford, and Sigourney Weaver. Podcast Manager: Craig Horlbeck Video Producers: Ronak Nair and Marcelino Ortiz Shopping. Streaming. Savings. It's on Prime Visit Amazon.com/prime to get more out of whatever you're into. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, it's time to talk about the colossal misfire adaptation of a beloved book - The Bonfire of the Vanities. Is this the most miscast movie ever made? Just how bad are those monologues by Judge Morgan Freeman? Could this movie be any more tone-deaf? Plus - an honest Geraldo Rivera cameo and much more! Next week: A moustache and a model. What We've Been Watching: The Fighter "Criminal Minds: Evolution" Patreon: ⁠⁠⁠⁠⁠⁠www.patreon.com/wwttpodcast⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠www.facebook.com/wwttpodcast⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠www.twitter.com/wwttpodcast⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠www.instagram.com/wwttpodcast⁠⁠⁠⁠⁠⁠ Theme Song recorded by Taylor Sheasgreen: ⁠⁠⁠⁠⁠⁠www.facebook.com/themotorleague⁠⁠⁠⁠⁠⁠ Logo designed by Mariah Lirette: ⁠⁠⁠⁠⁠⁠www.instagram.com/its.mariah.xo⁠⁠⁠⁠⁠⁠ Montrose Monkington III: ⁠⁠⁠⁠⁠⁠www.twitter.com/montrosethe3rd⁠⁠⁠⁠⁠⁠ The Bonfire of the Vanities stars Tom Hanks, Melanie Griffith, Bruce Willis, Kim Cattrall, Saul Rubinek, Kevin Dunn, Donald Moffat, Kurt Fuller, Richard Libertini, Andre Gregory, Kirsten Dunst, F. Murray Abraham and Morgan Freeman; directed by Brian De Palma. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's movie was ‘Pacific Heights' starring Michael Keaton, Melanie Griffith, and Matthew Modine. Was it the best movie we've ever seen? Definitely not, but the music was good!

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Sean Burns (film critic) will discuss the greatness of the departed Gene Hackman in the special CRITERION COLLECTION 4K release of NIGHT MOVES.Night MovesArthur Penn's haunting neonoir reimagines the hard-boiled detective film for the disillusioned, paranoid 1970s. In one of his greatest performances, Gene Hackman oozes world-weary cynicism as a private investigator whose search for an actress's missing daughter (Melanie Griffith) leads him from the Hollywood Hills to the Florida Keys, where he is pulled into a sordid family drama and a sinister conspiracy he can hardly grasp. Bolstered by Alan Sharp's genre-scrambling script and Dede Allen's elliptical editing, the daringly labyrinthine Night Moves is a defining work of post-Watergate cinema—a silent scream of existential dread and moral decay whose legend has only grown with time.4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, with uncompressed monaural soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresNew audio commentary by Matthew Asprey Gear, author of Moseby ConfidentialNew audio interview with actor Jennifer WarrenInterview with director Arthur Penn from a 1975 episode of Cinema ShowcaseInterview with Penn from the 1995 documentary Arthur Penn: A Love Affair with FilmThe Day of the Director, a behind-the-scenes featuretteTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Mark HarrisNew cover by Greg ManchessSean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast (bonus Patti LuPone on Evita clip here!), Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast, Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Send us a textIn this episode, we talk about the 1986 Jonathan Demme film, Something Wild. Melanie Griffith stars as a young woman that rattles Jeff Daniels' character. Ray Liotta plays the psychotic ex. We break down the plot, characters, and themes of this quirky 80s gem. Click and listen!

When dangerous strangers wreak havoc on yuppie couples — the police protect the stranger! How's a yuppie supposed to guard their investment in decorative glass blocks? This week's episode has the answers as we watch: PACIFIC HEIGHTS (1990) starring Melanie Griffith, Matthew Modine, and Michael Keaton as the con man who's one step ahead. UNLAWFUL ENTRY (1992) starring Kurt Russell, Madeleine Stowe, and Ray Liotta with an electric performance as an obsessed, psychopathic cop.

Spring is finally upon us, but there's always time for one more snowfall. Nobody's Fool, Will's pick for the week, is the epitome of a Winter Movie, so cozy up with some tea and relax by the fire as the AnotherLook hosts discuss this quaint, gentle mid-90s character study starring Paul Newman, Melanie Griffith, and Bruce Willis.

In this episode, Masie & Stuart get kidnapped and taken on a crazy roadtrip by Jonathan Demme's 1986 comedy-thriller film Something Wild. The second part of Stuart's pairing of manic-pixie dream girl films, our hosts find much to discuss about this film whose tone, characters, and plot developments are truly... well, wild. Listen as our hosts gush about the film's shockingly likable male protagonist, Melanie Griffith's iconic (but sometimes culturally questionable) costuming, the main couple's interesting power dynamics, and more in the longest episode of Cinema Bones released yet.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram and Letterboxd for podcast updates.   Addtional Reading: Something Wild: Wild Things - Criterion Essay Jonathan Demme Video Interview Referenced in the Episode is Available on the Criterion Collection Blu-Ray Release. Check it out from your local library!

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We pay tribute to the late Gene Hackman with one of his - or anyone's - greatest films, Arthur Penn's 1975 neo-noir NIGHT MOVES. Shot by longtime Eastwood DP Bruce Surtees and starring Clint co-stars Gene Hackman, Susan Clark, James Woods, and John Crawford, so it's totally fair game. Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

I've heard it said before that the journey is the destination…In this case I think we can affirm this as true. Debuting a new segment today, folks, It's Probin' Time!! On this cat-scratch fever dream of an episode, we dive into the 1981 film Roar.Produced and directed by Noel Marshall, who also starred in the film, alongside Tippy Hedron and Melanie Griffith. This gaping maw of content is stuffed with everything from the original story of Pinnochio, to soup lozenges, to coping mechanisms. And if you enjoy what we are doing here at the Pit and would like to support us further, please check us out our patreon, where we have exclusive extended episodes! They drop a day early with an extra thirty minutes or more for every episode! Today, we talk about what drug culture looked like in ancient Rome & Greece! Fascinating, to say the least…We also have some merch for sale up on our Etsy, as well as a limited run of embroidered beanies dropping very soon.EtsyPatreonLinktreeInstagram:@ruining_your.childhood@feral_williams@aralessbmn@madshroommc@strangeloopanimation

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 85 of the Director Watch Podcast, the boys are joined by Associate Editor Sophia Ciminello to discuss the next film in their Mike Nichols series, Working Girl (1988). By the late 1980s, Mike Nichols was back to being a steady force in the industry. After the moderate success of Heartburn, and while filming his other 1988 feature film, Biloxi Blues, he found the script for the next big hit of his career, Working Girl. In finding a tale of an ambitious secretary from Staten Island working her way up the corporate ladder, pretending to be in her boss's role and proving herself valuable while also falling in love with the man she partners with on a big deal for both of their companies. Working Girl is not only a staple within Nichols' filmography, but it is a defining film of the 1980s led by extraordinary performances, zippy dialogue, and just the right amount of earnestness to make it a classic. Ryan, Jay, and Sophia talk about their thoughts on the film, Melanie Griffith's career best performance, just how complex the story is, the hotness of Harrison Ford, the elegance of Sigourney Weaver, which beer brand is the king of cheap beer, discussions on modern popstars, and over a dozen fun tangents that make this episode so long, yet so great. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h44m. The guys will be back next week to continue their series on the films of Mike Nichols with a review of his next film, Postcards from the Edge. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome back to the Video Store! Valentine's Day is almost upon us and if you're here looking for movie selections instead of out buying flowers or making dinner reservations, then sir or madam, I salute you. For this week's episode of the show I've picked four movies that feature unconventional relationships. After browsing the stores aisles looking for this week's film recommendations, I ended up rewatching all four of these movies (a couple of which I hadn't seen in decades) and for the most part they have all aged well. Harold and Maude (1971)Harold is a young adult obsessed with death, while Maude is a 79-year-old woman infatuated with life. The two share a hobby in common — attending the funerals of strangers — and soon this odd couple forms a close relationship. Wikipedia describes this film as a “romantic black comedy drama,” which only begins to describe it. It's sweet, it's funny, and it's emotional. While critics originally hated it, the film as gone on to appear in many “best of” film lists. Something Wild (1986)The last person you would expect a New York banker like Charlie to get involved with is a carefree person like Lulu, but after she kidnaps the yuppie for a weekend of reckless fun, Charlie finds the adventure exciting… until things get out of hand. When Lulu's husband discovers what the pair has been up to, he is none too happy. Someone — or perhaps everyone — has been lying. This not-to-miss thriller stars Jeff Daniels as Charlie, Melanie Griffith as Lulu, and a terrifying Ray Liotta has Lulu's husband, Ray. After Hours (1985)Have you ever had one of those days? After work, Paul Hackett heads to a local diner where he meets a woman named Marcy. The two exchange numbers and later, she invites him over to her apartment. This starts off a chain of events that will have Paul running around the streets of New York from one mess to the next. Before the end of the night his face ends up on wanted posters, he's chased by an angry mob, and he becomes involved in a city wide crime ring. It's a night that Paul will never forget — or maybe, survive. Featuring a star-packed cast including Griffin Dunne (An American Werewolf in London), Rosanna Arquette, Linda Fiorentino, Teri Garr, Catherine O'Hara, Bronson Pinchot, Dick Miller, and even Cheech and Chong. Directed by Martin Scorsese.Valley Girl (1983)Randy (Nicholas Cage) is a punk rocker from Hollywood. Julie (Deborah Foreman) is a Valley Girl. Their worlds are complete opposites and it seems that everybody and everything will try and stop them from getting together, but sometimes, love finds a way. This classic 80s film was directed by Martha Coolidge and will take you back to the sights, sounds, and music of the 1980s.Thanks for checking out the podcast. If you don't have plans this Valentine's Day, you can have a great time renting and watching one of these films. And if you would prefer to get out of the house, you can always drop by a stranger's funeral. You never know who you'll meet! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Welcome back to another edition of the Video Store Podcast. This week, get your BFFs together for a movie marathon focusing on Film Friendships. I've selected four films for the staff picks wall, highlighting my favorite best buds and friendships forged in fire. I also answer the age-old question, “Can men and women really be friends?” Let's dig in. Stand by Me (1986)First up is Rob Reiner's 1986 coming-of-age classic, Stand by Me. Starring Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell, and Keifer Sutherland, Stand by Me is a classic focusing on the friendship between four boys growing up in the summer of 1959. Do you still have friends like you did when you were twelve? I hope so. Gather your besties on the couch for this one. Now and Then (1995)Next is the 1995 film Now and Then. I return to my twelve-year-old self whenever I watch this film, not just because I relate to the young leads of the film, but because of the deep and sincere friendship that is the film's through-line. Starring Christina Ricci, Rosie O'Donnell, Thora Birch, Melanie Griffith, Gaby Hoffman, Demi Moore, Ashleigh Aston Moore, and Rita Wilson, these ladies deliver a powerful dramatic, and comedic performance. Get your best gals together for a great film with a great soundtrack. When Harry Met Sally… (1989)Yes, I know what you're thinking: a rom-com in a movie about friendship? You read that right. When Harry Met Sally… addresses the age-old question, “Can men and women be friends?” Well, I've got thoughts on the matter and you'll have to listen to this week's show to find out why I've selected this one for a podcast on film friendship. Thelma & Louise (1991)Closing out our staff picks wall this week is the 1991 drama/comedy/road movie Thelma & Louise. Starring Geena Davis and Susan Sarandon, this Oscar-winning film about two best friends on the run from the law deals deeply with ideas of freedom, friendship, and letting go of others' expectations. Get your bestie to ride shotgun with you for this one. Buckle up. It's a bumpy ride. Thanks for joining us this week on the Video Store Podcast. We hope you'll bring a friend with you and enjoy these films together. Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

EPISODE 71 - “STEVE & NAN's FAVORITE CLASSIC FILMS OF THE 1970s” - 1/20/2024 The 1970s was a decade that saw the rise of the auteur. Filmmakers like Scorsese, Coppola, Cassavetes, Altman, Lumet, and DePalma hit their stride and brought to the screen their specific vision and stylized films. It was a very experimental era where boundaries were pushed and once-taboo topics were explored. It became a creative high point and gave us some iconic movies. This week, Steve And Nan take look at some of their favorite films of the 1970s.  SHOW NOTES:  Sources: Terrance Malick and the Examined Life (2024), by Martin Woessner;  Films of the 1970s (2017), by Jurgen Muller; Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America (2012), by Jonathan Kirshner; How the Sex, Drugs, and Rock-n-Roll Generation Saved Hollywood (1998), by Peter Biskind; Picture Shows: The Life and Films of Peter Bogdonavich (1992), by Andrew Yule; “Jane Fonda on Klute,” July 18, 2019, The Criterion Collection;  TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Smile (1975), starring Bruce Dern, Barbara Feldon, Michael Kidd, Nicholas Pryor, Annette O'Toole, Joan Prather, Melanie Griffith, Geoffrey Lewis, Maria O'Brien, Colleen Camp, Eric Shea, Denise Nickerson, and Titos Vandsis; Klute (1971), starring Jane Fonda, Donald Sutherland, Roy Scheider, Dorothy Tristan, Charles Cioffi, Jean Stapleton, Rita Gam, and Vivian Nathan; Badlands (1973), starring Martin Sheen, Sissy Spacek, Warren Oates, Garry Littlejohn, Alan Vint, and John Womack; The Sting (1973), starring Paul Newman, Robert Redford, Robert Saw, Robert Earl Jones, Charles Durning, Ray Walston, Charles Dierkop, Harold Gould, Sally Kellerman, and Eileen Brennan; The Last Picture Show (1971), starring Timothy Bottoms, Cybill Shepherd, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, Eileen Brennan, Clu Gulager, Sam Bottoms, Sharon Taggart, Randy Quad, and Bill Thurman; A Little Romance (1979), staring Laurence Olivier, Diane Lane, Thelonious Bernard, Arthur Hill, Sally Kellerman, Broderick Crawford, David Dukes, Andrew Duncan, and Claudette Sutherland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textRemember those carefree days of the 90s, when our biggest worry was catching our favorite movie on VHS? We take you on a trip down memory lane as we hilariously unpack the quirks and absurdities of "Milk Money," starring Melanie Griffith and Ed Harris. As we reminisce about our youthful adventures pedaling through suburban streets, we can't help but chuckle over our past misconceptions about the film's plot and the bizarre misadventures of its characters. Get ready for a laughter-filled discussion as we debate the merits of 90s cinema and the surprising mix-ups involving Anne Heche's roles.Our curiosity doesn't stop with the big screen; we dive into the classic myth of a deadly penny drop from the Empire State Building, only to debunk it with a nod to science. There's also an exciting detour into a fictional movie narrative, complete with treehouses and mysterious time capsules. Through playful banter and a touch of comedic genius, we explore character backstories, such as Frank's battle with grief, and sprinkle in some hilariously relatable suburban oddities, like clogged drains and household plumbing fiascos.In a rollercoaster of plot twists, we dissect the peculiar family dynamics and comedic chaos in "Milk Money," questioning everything from steering wheel removals to quirky character motivations. Our critique is lighthearted yet insightful as we ponder the strange romantic entanglements and questionable parenting choices that defined 90s teen flicks. With a nod to magazine nostalgia and the anticipation of watching "Freejack" next, we keep the laughs coming and invite you to join us for another trip into classic 90s film territory. Don't forget to like, subscribe, and prepare for more entertaining nostalgia in our upcoming episodes!Written lovingly with AIBe our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

for the full episode join the Patreon [patreon.com/fashiongrunge]Office films. Something I wanted to explore as a theme so this is just the start. The 80s was really all about the exploration of the workplace. Oddly enough this is a rom-com that actually won Oscars. This is my first time watch and Charles' pick!Can we take several minutes to talk about these 80s office fashions too?! We get into the behind the scenes drama, the rigamarole behind casting, and why we loved the real estate!---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Charles @charleshaslamFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge Blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

In this episode of The Compendium, we explore the chaotic legacy of Roar, the most dangerous movie ever made. Find out how Tippi Hedren, Noel Marshall, and a young Melanie Griffith risked life and limb filming a "ferocious comedy" starring 150 “untamed” lions and tigers. From real injuries on set to an 11-year production nightmare, we uncover the shocking truth behind a cult classic that redefined Hollywood disaster. If you've ever wondered how Roar became the most dangerous film ever made, this is the story you've been waiting for.We give you the Compendium, but if you want more, then check out these great resources:Shambala Preserve - Tippi Hedren's Big Cat SanctuaryInterview with John Marshall on the making of Roar - GrantlandRoar: The most Dangerous Movie Ever Made - YouTubeRoar Production details - IMDBMessage Kyle and AdamConnect with Us:

This week we're auditioning for the role of a lifetime as DePALMBER: PART DE continues with another example of what feels like well-worn territory for our man of the month: an erotic thriller in which a working class man in show business is forced to be an unlikely hero as he becomes entangled in a murder. It's 1984's Body Double, directed, produced, and co-written from a story by Brian De Palma, and starring Craig Wasson, Melanie Griffith, Gregg Henry, Deborah Shelton, Guy Boyd and Dennis Franz. As De Palma's immediate follow-up to Scarface, it's a brazenly bizarre swing on what was surely a blank check opportunity, and we have to admire the effort. Dripping in Hitchcockian influence with a plot that plays like Rear Window and Vertigo at the same time, it's another terrific showcase of that 80s cool De Palma style that would be pillaged decades later in the Grand Theft Auto video games. Plus: J Mo goes knives out on Wicked, having been held hostage by it for nearly three hours. If you'd like to watch the movie before listening to our discussion, Body Double is not currently streaming in Canada but can be rented on YouTube for $5. Other works referenced in this episode include The Producers (2005), Avengers Endgame, The Bourne Identity, The Bourne Supremact, Doubt, The Manchurian Candidate (2004), The Manchurian Candidate (1962), The Fog (2005), Mission: Impossible - Fallout, Super 8, The Fablemans, West Side Story (2021), Rory Scovel: Religion, Sex & A Few Things In Between, Batman Returns, Batman & Robin, The Game, North by Northwest and Deep Water, among others. We take a quick break from De Palma next week, as our final release before Christmas Day means it's time to celebrate Shaqmas once again! Our annual holiday tradition of covering a selection from the filmography of Shaquille O'Neal continues this year with what is surely the best movie he ever made: 1994's Blue Chips, directed by William Friedkin and co-starring Nick Nolte. And our DePalmber Canon Entry at the end of the month is 1981's Blow Out! Until next week, we'll see you at the movies!!

This week your favorite supersprayers have their finger on a button even more destructive than the pulse of perfume popularity. That's right, Maddie and Chloe came to the table for a two-woman treaty on nuclear perfume performance and these hawks are ready to declare all out olfactory warfare! Before they detonate, they're targeting the tough tactical questions, namely: Which perfume is 80s-era Melanie Griffith wearing? Is Hilde Soliani a cheesemonger on weekends? When the hell will Vanna White finally retire??? Seek shelter and don't forget your prep kit; this is an atomic episode that guarantees Mutually Assured Destruction :)Fragrances Discussed:Les Notes Gourmandes Heliotrope by ReminiscenceBlanche Bête by Liquides ImaginaresOrgasmo by Hilde SolianiUne Tira D'Autra by Hilde SolianiSweet Parmesan Violet by Hilde SolianiSale e Pepe by Hilde SolianiMmm by Hilde SolianiDonna Sentenza by Hilde SolianiFraaagola Saalaaata by Hilde SolianiHot Milk by Hilde SolianiMango on the Rocks by Hilde SolianiDrink Menta by Hilde SolianiMary Jane by Born to Stand OutAttaquer le Soleil by Etat Libre D'OrangeDev 1- IV by Olympic OrchidsComme Des Garcons OriginalRien by Etat Libre D'OrangeSarah Baker LeopardSarah Baker Jungle JezebelPink Sugar by Aquolina Hosted on Acast. See acast.com/privacy for more information.

I've been wanting to check this one off the list for a while. With Larry Clark being one of my favorite directors, this was an early one in his filmography.  Now, this was a weird one for me. There were certain aspects that I was expecting that didn't really make sense for me. In this episode I worked out the bias I was going into the film with, and explain the concept of a 'that guy' in movies and tv. Off-topic rants include: Twin Peaks and David Lynch, my very lonnggg current watch queue, The Big Hit, and movies of 1998---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Host: Lauren @lauren_melanieFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge Blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Send us a textThis audio is our first video show on Youtube - check it out there if you'd like to see our faces for radio. https://www.youtube.com/@Did-You-Hear-About-This ROAR: The Most Dangerous Movie Ever? is an apt title for the 1981 film known for its notoriously hazardous production. Directed by Noel Marshall and starring Tippi Hedren and Melanie Griffith, the movie featured over 100 untrained lions, tigers, and other big cats, leading to an on-set environment so dangerous that it resulted in numerous injuries to cast and crew. The film's reputation as "the most dangerous movie ever made" stems from real-life attacks, with over 70 reported injuries, including severe maulings and bites. It is a bizarre and chilling reminder of the perils of mixing untrained wild animals with film production. After that heart-warming stuff, we cover news about Van Halen, Obi-Wan Kenobi, Black Sabbath, The Hard Rock, and more."Did You Heard About This?" breaks down show business topics and news stories. You have found your tribe. Parental Guidance suggested ;)Please subscribe, like, and review us — we always need support to grow in this algorithmic world.Do you know someone who would like our show? Please share. We aren't afraid to beg. Visit us at didyouhearaboutthis.show

The Ringer's Bill Simmons, Chris Ryan, and Sean Fennessey head to the adult section for a copy of 'Holly Does Hollywood' on VHS after rewatching Brian De Palma's 1984 erotic thriller ‘Body Double,' starring Craig Wasson and Melanie Griffith. Watch this episode on our Ringer Movies YouTube channel! Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chelsea is joined by Jodie Sweetin (“Full House” and the “How Rude, Tanneritos!” podcast) to break down “A Paper Life,” by Tatum O'Neal, Hollywood's youngest-ever Oscar winner. This is perhaps the most intense memoir this podcast has ever covered!! And because it's 1970s Hollywood, there are appearances by Cher, Barbra Streisand, Anjelica Huston, Melanie Griffith, and—of course—Mick Jagger. Jodie reflects on her own experiences as a child star, while Chelsea yells at Oprah for trying to bring Tatum and her father, Ryan, back together.  A content warning: this episode contains discussions of sensitive topics including abuse, sexual assault, and suicide. Take care while listening and find helpful resources here. Where to order Chelsea's book: Bookshop.org Find other places to order Follow Chelsea: Instagram @chelseadevantez Join the cookie community: Become a member of the Patreon Show Notes: Tatum O'Neal accepting her Oscar at 10 years old Cher Memoir Episode Mia Farrow Memoir Episode Mackenzie Phillips Memoir Episode Barbara Streisand Memoir Episode Tippi Hedren Memoir Episode Where to find our guest: Jodie Sweetin How Rude, Tanneritos! Podcast Instagram *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Visit Brooklinen.com and use code TRASH to get $20 off your order of $100 or more. Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drew and Travis employ Working Girl, the 1988 Oscar winner starring Melanie Griffith, Harrison Ford, and Sigourney Weaver! TIMESTAMPS 00:00:00 - Working Girl 00:47:29 - The Shelf 00:56:26 - Calls to Action 00:57:15 - Currently Consuming 01:07:06 - End SHOW LINKS Wolf American Psycho Camp Monsters: Season 6 Matewan

Do you have a head for business and a bod for sin? Do you think Joan Cusack is a national treasure? Do you just want a regular job with an office and a decent boyfriend and don't understand why it's so hard to get either of those things? Then Working Girl (1988) is the movie for you! Check out this Mike Nichols directed classic starring Melanie Griffith (in a career defining role), Harrison Ford, Sigourney Weaver, Joan Cusack, and Alec Baldwin. Host Sara Greenfield and her guest Tirosh Schneider chat about all this and more on this week's episode of Talk Classic To Me. --- Support this podcast: https://podcasters.spotify.com/pod/show/sara-greenfield/support

The Mayor is off today and Nikki J sits in Jim's chair. In the past she was "Promo Nikki" with the Timber Rattlers. She also helped out at KISS-FM while Otis was waiting for Katie and Nick to join him on his show. Today is also National Women's Day, Booklovers Day, Melon Day and Co-Workers Day. Birthdays include: Gillian Anderson 56, Deion Sanders 57, Hoda Kotb 60, Melanie Griffith 67, & Sam Elliot 80. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-9 am on WGBW in Green Bay and on WISS in Appleton/Oshkosh. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook and X to keep up with Maino and the Mayor! Guest: Nikki Zerjav

Tom and Jenny discuss the 1990 “eviction thriller” starring Michael Keaton, Melanie Griffith, and Matthew Modine. It was directed by John Schlesinger. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. Also check out Jenny's horror channel, The Scare Salon, and her true … Continue reading Movie Time: Pacific Heights (1990)

Book Vs. Movie: Born YesterdayThe 1946 Play Vs.The 1950 Movie"Born Yesterday" (based on the 1946 play by Garson Kanin) is a sharp critique of corruption and a celebration of personal growth. It explores the transformative power of education and delves into themes of ethics and integrity. Even after over seven decades, its themes of empowerment, integrity, and social critique remain relevant, making it a timeless classic. George Cukor directed the 1950 film, which featured an electrifying performance by Judy Holliday, who won an Academy Award for Best Actress. In 1993, the film was adapted with Melanie Griffith in the lead role. Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The 1946 play and its successful run on BroadwayThe career of Judy Holliday The 1950 Movie Cast: Judy Holliday (Billie Dawn,) Broderick Crawford (Harry Brock,) William Holden (Paul Verrall,) Howard St. John (Jim Devery,) Frank Otto (Eddie,) Larry Oliver (Congressman Hedges,) Barbara Brown (Mrs. Anna Hedges,) Grandon Rhodes (Sanborn) and Claire Carlton as Helen the maid. Clips used:“I am not 30!” Born Yesterday (1950 trailer)“Gin!”“Glasses?”The 1993 remake TV adMusic by Frederick Hollander  Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Born YesterdayThe 1946 Play Vs.The 1950 Movie"Born Yesterday" (based on the 1946 play by Garson Kanin) is a sharp critique of corruption and a celebration of personal growth. It explores the transformative power of education and delves into themes of ethics and integrity. Even after over seven decades, its themes of empowerment, integrity, and social critique remain relevant, making it a timeless classic. George Cukor directed the 1950 film, which featured an electrifying performance by Judy Holliday, who won an Academy Award for Best Actress. In 1993, the film was adapted with Melanie Griffith in the lead role. Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The 1946 play and its successful run on BroadwayThe career of Judy Holliday The 1950 Movie Cast: Judy Holliday (Billie Dawn,) Broderick Crawford (Harry Brock,) William Holden (Paul Verrall,) Howard St. John (Jim Devery,) Frank Otto (Eddie,) Larry Oliver (Congressman Hedges,) Barbara Brown (Mrs. Anna Hedges,) Grandon Rhodes (Sanborn) and Claire Carlton as Helen the maid. Clips used:“I am not 30!” Born Yesterday (1950 trailer)“Gin!”“Glasses?”The 1993 remake TV adMusic by Frederick Hollander  Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Welcome back to another episode of The Video Store Podcast. This week, I have some new recommendations, featuring a selection of neo-noir classics from the '70s and early '80s. These films capture the essence of the genre with their complex characters, intricate plots, and moody atmospheres. I grew up as a fan of original noir films that I would see on TV late shows and weekend film fests. So as I got older, my enjoyment of these made a lot of sense.First up is The Long Goodbye (1973), directed by Robert Altman. This film features Elliott Gould as Philip Marlowe, a laid-back private detective navigating a world of mystery and betrayal in contemporary Los Angeles. Altman's unique take on Raymond Chandler's classic character adds a touch of humor and irreverence to the story. Pay attention to the film's soundtrack by John Williams, which cleverly reprises the same theme in various styles throughout the movie.Next, we have Chinatown (1974), directed by Roman Polanski. This film stars Jack Nicholson as private investigator Jake Gittes, who gets entangled in a web of corruption and deceit in 1930s Los Angeles. Faye Dunaway and John Huston deliver unforgettable performances. Keep an eye out for the film's meticulous attention to detail, from its period-accurate costumes to its stunning cinematography by John A. Alonzo. This might be the most famous film that has a nose-slashing in it.Moving on, I am recommending Night Moves (1975), directed by Arthur Penn. Gene Hackman stars as Harry Moseby, a former football player turned private investigator. As he searches for a runaway teenager, Moseby finds himself caught in a dark and twisted conspiracy. Hackman's performance, as you might expect, is a standout, and the film's ambiguous ending will leave you pondering long after the credits roll (Seventies!) Keep an eye out for a young Melanie Griffith in one of her earliest roles.Lastly, we have Cutter's Way (1981), directed by Ivan Passer. This film features Jeff Bridges as Richard Bone, who becomes involved in a murder investigation with his friend Alex Cutter, played by John Heard. The film paints a sad/confusing picture of post-Vietnam America and explores themes of disillusionment and betrayal. The chemistry between Bridges and Heard is electric, and Lisa Eichhorn delivers a heartbreaking performance as Cutter's wife, Mo.These films are essential viewing for any fan of the noir genre or films of the seventies. While they have a lot in common, they each also bring something unique to the table and showcase some of the best talent of their time, both in front of and behind the camera. Subscribe to the Video Store Podcast* The Video Store Podcast* Apple Podcast* RSS This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Shauna fills Olivia in on what she's been doing lately - as if they both didn't just spend the week on a girls trip in Mexico. Shauna tells us how she was detained by TSA upon re-entering the USA, (it's not as bad as it sounds!) and both she and Olivia agree there was a lot of sad pop culture news to take in upon their return. To get out of that funk, the Junkies talk about the lighthearted family comedy/snuff film their producers made them watch: Roar, also called "The Most Dangerous Movie Ever Made." While Shauna and Olivia weren't impressed with the whisper-thin plot and so-so acting (even though it stars Tippi Hedren and Melanie Griffith), they couldn't help but be awed by the choices made by producer Noel Marshall and his family, and not in a good way. Between 70-120 members of the cast and crew were mauled, maimed, scalped, bitten and broken during production - but the Junkies have all the reasons you need to see this movie anyway, like using it as the basis of a life-threatening drinking game. (Disclaimer: no animals or humans were injured in the making of this podcast. The same cannot be said for Roar.)The Pop Culture Junkie Podcast can now be seen on YouTube! Click here: https://www.youtube.com/@popculturejunkiepod/videos We have all new Patreon tiers! Be the first to hear new and uncensored content, if you dare! Click here: https://www.patreon.com/popculturejunkiepodcast/posts Apple Podcast: https://podcasts.apple.com/us/podcast/pop-culture-junkie/id1536737728 Spotify: https://open.spotify.com/show/7k2pUxzNDBXNCHzFM7EL8W Website: www.popculturejunkie.comFacebook: PopCultureJunkiePodcastTwitter: @PopJunkiesInstagram: @pop.culturejunkiesThreads: @pop.culturejunkiesEmail: junkies@popculturejunkie.com Shauna on Instagram: @shaunatrinidad  Shauna on TikTok: @shaunatrinidadShauna on Threads: @shaunatrinidad Olivia on Instagram: @livimariezOlivia on TikTok: @livyolife420

Justin Beahm stops by for our final Mad Max episode to discuss two films with female protagonists: CHERRY 2000 (1987) starring Melanie Griffith and David Andrews and TANK GIRL (1995) directed by Rachel Talalay and starring Lori Petty, Naomi Watts, and Ice-T. website: https://www.justinbeahm.com Instagram: https://www.instagram.com/justinbeahm The Justin Beahm Radio Hour is available on all podcasting platforms and on Youtube: https://www.youtube.com/@JustinBeahmRadioHour

Sam and Beth roll it back to discuss this quintessential 80s classic directed by Jonathan Demme. It could be argued that this film was responsible for launching the careers of Melanie Griffith, Jeff Daniels, and Ray Liotta —who would all go on to long success as perennial A-Listers (RIP Ray ❤️). It also solidified the status of artists like David Byrne, and Laurie Anderson in popular culture as pioneers and innovators in music. The soundtrack is extensive with 29 songs featuring The Feelies and an iconic performance by Sister Carol (one of Demme's favorite artists and who he also featured in Married to the Mob). We go heavy into the discussion about what defines the true 80s aesthetic, and the authentic early 80s experience —something we think that filmmakers frequently get wrong. This film is a beautiful snapshot of a particularly special time in NYC, where people of all walks of life were creating a scene and making things happen. NYC was going through a time of reimagining and reinvention. Demme's film unfolds to reveal an experience that is one of thousands of tales from the city, and provides the texture and sound that is the closest thing to actually living it. Episode links: “Greetings from New York” (1983) https://youtu.be/49KYA88FfmM?si=l1XofuovZreOWYsS “Jean Michel Basquiat the Radiant Child” https://youtu.be/YMVHH5EKbGM?si=djjPWnTOeKr8h6XA “Art and Music: Street Scene Takeover NYC 1981” https://youtu.be/5rtpO55HJA8?si=UssPDFSVK2s1Mrpq

This week on Erotic Thriller Club we are chatting Brian De Palma's homage to Hitchcock. Do some dogs go to hell? Would you star in a porno to solve the case? Do you believe in g-g-g-ghouls??

Lori and Julia learn how charming Benny Blanco is, Chris Riemenschneider from the Star Tribune joins to talk about music, and it's rumored that Melanie Griffith will join the Real Housewives of Beverly Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tattoo and graffiti artist, Mark Machado, better known as Mr. Cartoon, joins us today. Cartoon began doing illustrations and graffiti then going on to airbrushing clothing at car shows and swap meets before creating custom murals on lowriders. Cartoon then moved on to working in the music industry doing his first album cover for Eazy-E, tour merchandise, and later tattooing recording artists and other celebrities such as Kobe Bryant, Dr. Dre, 50 Cent, Eminem, Christina Aguilera, Travis Barker, Pink, Justin Timberlake, Beyoncé Knowles, Danny Trejo, Melanie Griffith, Shaquille O'Neal, Lewis Hamilton, and Snoop Dogg. Presented by DrinkBravago.com

DePalma Does Hollywood Director Brian DePalma (Carrie) reopens Rear Window 30 years later to give struggling actor Craig Wasson (A Nightmare on Elm Street 3) a peek at murder in the Hollywood Hills. Is the beautiful woman on the other end of his telescope the victim of a Peeping Tom killer wielding an oversized drill? Or is working girl Melanie Griffith playing a cruel prank on a man who likes to watch rather than take action? Find out if Alfred Hitchcock is spinning in his grave over the way his classy 1954 story of voyeurism has been turned into a sordid 1984 softcore flick when you Listen Now!

DePalma Does Hollywood Director Brian DePalma (Carrie) reopens Rear Window 30 years later to give struggling actor Craig Wasson (A Nightmare on Elm Street 3) a peek at murder in the Hollywood Hills. Is the beautiful woman on the other end of his telescope the victim of a Peeping Tom killer wielding an oversized drill? Or is working girl Melanie Griffith playing a cruel prank on a man who likes to watch rather than take action? Find out if Alfred Hitchcock is spinning in his grave over the way his classy 1954 story of voyeurism has been turned into a sordid 1984 softcore flick when you Listen Now!

Ratt's Stephen Pearcy joins us, Jamie Foxx is trolling us, Britney Spears public apology demand, Drew Crime stories, Emmy nominations, Jon Gruden v. the NFL, Detroit House of Skank follow up, and the mystery of the White House Cocaine. Britney Spears demands an apology. Pauly Shore remains the true victim. Stephen Pearcy of Ratt joins the show. He'll be at District 142 on July 29th. Jamie Foxx continues to troll. This time he's playing pickleball. Drew Crime: Michael Charles Burham is still on the run. Somebody must be helping him. The missing Detroit murder suspect was busted. The murder of 2-year-old Wynter Cole Smith. Manson Family member Leslie Van Houten officially released. Sharon Tate's sister worries she'll kill again. Buster Murdaugh is a little busy for Alex these days. Jonah Hill is having a really bad week. Seth MacFarlane gets dragged into it. Kevin Costner's ex is furious about money and unironically calls him "out of touch". The worst stepson ever, Brian Szasz, has no game and can't get laid even with his new inheritance after his dad died in the Titan sub implosion. Vice President Kamala Harris explains transportation. NBA star Ja Morant beat up a little kid in self-defense. What happened to the cocaine in the White House? What ever happened with those weather balloons we shot down? ESPN did fantastic reporting on who leaked emails leading to the resignation on Las Vegas Raiders head coach Jon Gruden. Follow up story about Detroit's House of Skank. Trudi is so excited for Barbie and some Barbi party in Campus Martius. The Hollywood Writer's Strike rolls on and on and on. 2023 Emmy Nominations were announced and the traditional networks are nowhere to be found. The View is livid at Maureen Dowd over her op-ed in The New York Times ragging Joe Biden for not acknowledging his 7th grandchild. Republicans brawl in Michigan. Melanie Griffith's arm looks funny. Sofia Vergara has great boobs and a weird looking crotch. We check out super-real video of the Titanic sub imploding. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… please consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon