Podcast appearances and mentions of Kristin Chenoweth

In this episode of 'The Rachel Hollis Podcast,' we dive into the importance of having vision and purpose. Featuring valuable wisdom from Matthew McConaughey, who shares stories about perseverance, and Arnold Schwarzenegger, who discusses the significance of having a clear vision for success. The episode also includes insights on motivation and resilience from psychologist David Yeager, and Kristin Chenoweth's experiences with work ethic and mental health.Get your copy of Rachel's New Book Here: Audible, Amazon, Barnes & Noble, Books-A-Millon, Bookshop.org, or wherever books are sold!01:29 Introduction to the Mastermind Series02:17 Embracing Perseverance and Discipline03:12 Finding Reason in Everything05:41 The Importance of Gratitude and Perspective06:30 The Journey of Self-Improvement14:33 Adolescent Motivation and Social Learning24:30 Choosing the Right College26:23 The Importance of Mental Health28:12 Balancing Work and Personal Life30:07 Following Your Passion36:57 The Power of Vision45:21 Inspiration and Leadership48:28 Conclusion and CreditsSign up for Rachel's weekly email: https://msrachelhollis.com/insider/Call the podcast hotline and leave a voicemail! Call (737) 400-4626Watch the podcast on YouTube: https://www.youtube.com/c/RachelHollisMotivation/videosFollow along on Instagram: https://www.instagram.com/MsRachelHollis To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices.

Today, we're talking all about TV shows--our favorites, those we never finished, and our biggest recommendations. Reba is the queen of comfort shows, Peyton loves horror, and Caitlin keeps talking about Haven. We also talk about how everyone loves Ouran High School Host Club, Arrested Development was ahead of his time, Kristin Chenoweth is a national treasure, and Taylor Lautner could never replace Andy Samberg. Next week, we will be talking about book covers--the good, the bad, and the ugly.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 – Episode: Quinton “Q.” Robinson (2025 Update)

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

Mark Consuelos and Kristin Chenoweth sit down for Kelly's Rapid Fire Round 4! Mark and Kristin join Kelly for a hilarious round of questions that reveal WAY more than what we expected! Mark tells all from his aspirations of being a race car driver, to the thing he can't leave home without (which annoys Kelly to no end), to what he thought when he first laid eyes on his co-host in life and love! Kristin tells us why her first client while performing as a singing telegram left her gobsmacked and how she inadvertently reverse harassed a famed Hollywood producer. She also shares a cautionary tale of tweeting on Ambien that could have left her jobless! And remember to stick around as Kelly answers listener's questions in a brand new, Ask Kelly. 

Special Guest: Danielle StevensFrasier is dismayed when his agent Bebe dumps him for a younger, hotter radio psychiatrist. Kristin Chenoweth steps in to try to fill the void. The Reversers go deep on the world of musicals and 9/11 era TV. 11m 32s-KACL Studios15m 16s-Frasier's Apartment20m 40s-Bebe's Office27m 38s-Frasier's Apartment Again32m 24s-KACL Studios Again36m 22s-Traffic Stop40m 40s-Athletic Club48m 14s-Tossed Salad & Scrambled Eggs51m 37s-Episode Ratings54m 44s-Rank the Ratings70m 28s-Previous PreviewFind us on Bluesky, Facebook, Instagram, TikTok, and Youtube or email us at ReversePsychPod@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

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In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

IT'S TIME TO CHAT! There has been A LOT happening in the Broadway stratosphere and we are covering it all on From the Mezzanine. First Lindsey catches you up on her latest Off-Broadway adventure, seeing All Nighter at MCC Theatre. Next, it's time to address the drama in The Outsiders fanbase. Broadway News:

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Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie.  In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few.  Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few  Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago,  The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse.  She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

It’s the second-to-last episode of Season Five and what’s not to love about it? It’s Chris Colfer’s Glee writing debut, featuring many cute dogs and the legendary June Squibb! Jenna and Kevin are back breaking down everything they LOVE about this episode—not just on screen but behind the camera, like the storyline that was inspired by a hilarious Kristin Chenoweth story, the actor who kept ad-libbing and had the cast in stitches, and we hear from Chris himself! He shares what it was like working with living legends Squibb, Billy Dee Williams, and Tim Conway! For fun clips and more inside scoop, don't forget to follow us on Instagram @andthatswhatyoureallymissedpod!See omnystudio.com/listener for privacy information.

In this week's Theatre Chat episode, Jeff and Richie dive into the latest Broadway news. They discuss Rachel Zegler's casting in Evita, Jean Smart's return to Broadway, and Kristin Chenoweth's new musical, Queen of Versailles. They also explore Ashley Graham's Broadway debut, the upcoming season at Manhattan Theater Club, and current trends in Broadway grosses. Tune in for insights into the theater industry's exciting and challenging season ahead. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on all things Broadway on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

What started as one day of work turned into 16 seasons as the pianist, arranger, vocal coach, and Associate Musical Director for American Idol. Not only has Michael Orland had a hand in the success of the leading names from Idol, he has also worked with a Rolodex of names that includes Kristen Bell, Sabrina Carpenter, Lynda Carter, Kristin Chenoweth, Ariana Grande, Marilu Henner, Jennifer Holliday, Roslyn Kind, Barry Manilow, Maureen McGovern, Idina Menzel, Patti LuPone, Bernadette Peters, Ann Miller, and the legendary Kaye Ballard, just to name a few. Even though he has been front and center on stage and on television, he remains humble, always in awe of the power of music. This month, he released his debut piano solo album, In My Life, a celebration of piano covers of songs that have played a key role in his life.In this episode, we talk about his early love for music, dropping out of school and heading to New York City, his early breaks in the business, getting onto American Idol, getting starstruck and working with the best, his open mic nights, his debut album In My Life, and so much more…check it out.  Hosted by Alexander Rodriguez @AlexanderisOnAirYou can check out our in-depth chat with him at GEDMag.com 

This is not a drill! April Rhodes is here! Kristen Chenoweth, the talented Emmy and Tony Award-winning actress is spreading glee and sunshine on the pod today! She joins Jenna and Kevin to spill about her time on 'Glee,' including sharing what it was like to work with Gwyneth Paltrow, aka Holly Holliday, during the show's 100th episode, the memorable moment from that day she won't forget, and her fun idea for a Glee reboot! Plus, Kristin reveals the flood of emotions that hit her while filming her cameo in the Wicked movie 22 years after first playing Glinda on Broadway, her review of 'Maybe Happy Ending' featuring Darren Criss, and a little scoop on her upcoming show, 'Queen of Versailles!'See omnystudio.com/listener for privacy information.

It's a quick episode for our Call It Crew all about low energy hobbies and why the topic hits Jess & Camilla the right way. Plus, hear how Kristin Chenoweth's passion for bedazzling gave Camilla the urge to try something new. See omnystudio.com/listener for privacy information.

Mark Consuelos and Kristin Chenoweth sit down for Kelly's Rapid Fire Round 4! Mark and Kristin join Kelly for a hilarious round of questions that reveal WAY more than what we expected! Mark tells all from his aspirations of being a race car driver, to the thing he can't leave home without (which annoys Kelly to no end), to what he thought when he first laid eyes on his co-host in life and love! Kristin tells us why her first client while performing as a singing telegram left her gobsmacked and how she inadvertently reverse harassed a famed Hollywood producer.  She also shares a cautionary tale of tweeting on Ambien that could have left her jobless! And remember to stick around as Kelly answers listener's questions in a brand new, Ask Kelly. 

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Actress Natalie Moon is fully bidialectal, meaning she's equally proficient in using two or more dialects of the same language. In fact, she's so proficient at being bidialectal that she's an in-demand accent coach, and has coached big bold names like Jon Voight and Kristin Chenoweth. She also produced How To Make it in Hollywood (When You're Foreign AF), Alessandro Miro's hilarious web series that skewered stereotypes around accents in the film biz. In addition to her work in the accent realm, Natalie is also a talented actor who has performed in an array of fan favourite productions, including The Flash, Motherland: Fort Salem, DC's Legends of Tomorrow, Death Note, and a recent episode of Superman & Lois in which she portrayed Lex Luthor's ex-wife, Erica Alexandra del Portenza Luthor. In this fascinating conversation, Natalie talks about what it takes to be bidialectal, the creative ways she builds backgrounds for her characters, that time Sir Patrick Stewart read Moby Dick to her class at the Oxford School of Drama, and how she prepared to play Erica, Lex Luthor's ex-wife, on Superman & Lois (also: Sabrina shares her unpopular opinion on Star Trek: Deep Space Nine).Episode sponsor: UBCP/ACTRA

In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Welcome back to another Broadway Drumming 101 Classic episode! This time, I'm revisiting an incredible conversation I had with the talented Shannon Ford back in late 2021. Shannon has an amazing story, and I'm excited to share it with you again today.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Shannon is a versatile drummer and percussionist who has carved out an inspiring path in the Broadway world. Whether it's his impeccable groove, his dynamic adaptability, or his incredible professionalism, Shannon has earned his place in this tight-knit and supportive community. His journey into Broadway is a testament to hard work, persistence, and the power of connection.In this episode, Shannon dives into how he got his start in the Broadway scene, sharing both the challenges and triumphs of building a career in this unique industry. He talks about the importance of relationships, the mentorship he's received along the way, and how the Broadway drumming community has been welcoming and encouraging to him. If you're an aspiring Broadway musician, Shannon's story is one you'll definitely want to hear—it's filled with insights and advice that can help you on your journey.I loved hearing Shannon talk about his approach to the craft and what it takes to succeed in this competitive but rewarding world. There's so much to take away from his experiences, whether you're a drummer, a musician, or just someone who appreciates the hard work that goes into making Broadway magic happen.So take a listen, and let Shannon Ford's journey inspire you. This is an episode filled with heart, wisdom, and the kind of perspective that makes the Broadway drumming community so special. I hope you enjoy it as much as I did when I first recorded it.Be sure to check it out today, and as always, feel free to share your thoughts after listening—I'd love to hear what resonated with you. What's New at Broadway Drumming 101?We're always working on bringing you more incredible content! Here's what else we've got going on:* Exclusive Articles & Tips: Subscribe to our website to gain access to exclusive behind-the-scenes posts and resources you didn't learn in music school.* Video Content: Check out our YouTube channel for interviews, tutorials, and in-depth discussions with Broadway's top drummers. Don't forget to hit that subscribe button!* Shop Broadway Drumming 101: Grab your favorite merch, including T-shirts, hoodies, and more, at our Shopify store to show your love for the art of Broadway drumming.

Send us a text  This week, Broadway Besties is thrilled to welcome the one and only *Seth Rudetsky*! A true Broadway legend, Seth embodies everything we love about the Great White Way: passion, talent, and a boundless love for the theater. Join us as we dive into Seth's incredible career, from his work as a pianist, writer, and producer to his unparalleled storytelling as the host of *Seth's Big Fat Broadway* and *Stars in the House*. Get ready for behind-the-scenes anecdotes, hilarious Broadway stories, and Seth's take on the state of modern musical theater. Plus, we'll put Seth to the test with some rapid-fire Broadway trivia—spoiler alert: he's probably unbeatable. Whether you're a seasoned theater aficionado or just dipping your toes into Broadway fandom, this episode is packed with laughs, inspiration, and everything that makes Broadway sparkle.  You won't want to miss it!

Quick note before the show - after taking almost 4 years off to produce the Morse Code TV Pilot, I'm about to release some new music. So so excited about this. The first single is called Meet Me at the End of the World. Its about reaching for love at all costs. I texted our guest Tyler Merritt the track after our interview last week and, to quote the man: “The whole song is super melodic. Great lyrical imagery. Super solid song bro”. So, early reviews are promising! The single launch party and Korby full band show (!) is Saturday Feb 15 at the Five Spot in East Nashville at 6pm. My friends Abby Jane and Carl Anderson are joining me on the bill, and podcast alum Ryan Rado will be live painting. We'll also be premiering the ridiculously ambitious music video we made for this new song of mine, directed by another MC podcast alum Mila Vilaplana. Ballroom dancing, a couple dozen costumed extras, a three-story tall LED lightwall made to look like a sunset in heaven, and a huge Viet Nam War protest set piece are some of the elements. We're filming next week and I'll be sharing behind the scenes clips and pics on my IG if you want to follow along. We're announcing the show Tuesday but here is the early ticket link for my substackies. We are gonna sell out — don't sleep on this :)And now back to our featured presentation~ Happy Publication Week to Tyler Merritt!!Tyler Merritt is an actor, musician, comedian, and activist behind The Tyler Merritt Project. Best known for his viral video “Before You Call the Cops” (seen now by more than 100 million people) and his bestselling debut I Take My Coffee Black, Jan 14th, 2025 just saw the publication of his second book, This Changes Everything: A Surprisingly Funny Story About Race, Cancer, Faith, and Other Things We Don't Talk About. No less a pop culture icon than Jimmy Kimmel wrote the foreword for Coffee, but his new book (which as of two days ago is available everywhere) features a who's who of admirers, reviewers and blurbers, including Trisha Yearwood, Joy Reid, Kristin Chenoweth, Heather Locklear, and about twenty more famous folks…Tyler is also a seasoned actor whose credits include Netflix's Outer Banks, the Disney series Falcon and the Winter Soldier, and A24's upcoming feature film The Inspection. So, I don't know how many threats that is, but it's a lot.Awhile back, I read I Take My Coffee Black, pretty much in one sitting. I loved it. Full of humor — both self-deprecating and barbed — pathos, and hilarious anecdotes, like the time he busted out an improvised rap to avoid being forced into a gang — there are no shortage of surprising revelations, praise in equal parts for rap icons and musical theater, and warm-hearted descriptions of big personalities (his force-of-nature mom comes to mind). The man's personal voice is so buoyant it basically floats on the page.Accordingly, this conversation was as wild a ride as the writing. Things got off to a rocky start (!) when Tyler reminded me he was still mad I didn't book him for a role in Morse Code. But we hugged it out and jumped into a fast, substantive discussion, based in part on a few shared perspectives. For one, we are both children of the West. He's from Nevada and I'm from Idaho. Having living here in the south for almost twenty years, I still retain much of the present-leaning-forward spirit of the west, and in reading Coffee, I felt Tyler had a similar perspective. The western half of America doesn't care where you're from. In that way it can be shallow and fatuous, but the south's preoccupation with its past can be a real head-scratcher to someone not from here. There was so much in this conversation — about Counting Crows, the Nashville music scene, George Floyd, Tyler's mom, the segregation that still exists in Nashville, how in some ways its more pronounced than in other southern cities.If you're still reading this it's probably because you know what a lovable, and loveably complicated person is Tyler Merritt. I hope you love this conversation and I hope it makes you buy his new book.PS I'm including a special exchange not included in the public pod as an exclusive for my Patreons. Up now.Last Week Redux. 10 minutes with Adam RossListen to Author and Editor in Chief of the Sewanee Review Adam Ross talk about the experience of writing a novel, and the sympathetic characters of Playworld, in an excerpt from the conversation we shared last week.Adam's second novel Playworld is a mere week old, and continues its reign of praise and adulation on the literary circuit. Seems like everyone loves it, (including me). As the Morse Code Podcast YouTube Channel nears 500 subscribers, we're going to include a 10 min highlight from each episode, going forward. We're working hard to build a community around creators and their important, life-giving, world-saving work.You can thank us, encourage us, join us, by subscribing to to the MCP channel. Thank you and stay passionate. ~Korby Get full access to The Morse Code with Korby Lenker at korby.substack.com/subscribe

On the next episode of Broadway Drumming 101, we sit down with Mike Ramsey, a seasoned professional musician who's been making it happen in New York City for years. Mike shares what it takes to build a career in one of the most competitive music scenes in the world—talking about why being early, prepared, and easy to work with are non-negotiables for success.We dive into the nitty-gritty of subbing on Broadway, where Mike's had to step into some intense percussion setups, like the dynamic dual percussionist roles in The Lion King. He explains why subbing is about emulating the chair holder's style—not showing off your own. “It's not your gig,” Mike reminds us, “your job is to make it seem like the regular musician is in.”Mike also shares some hilarious (and humbling) stories from his career—like a U-Haul mishap on the Belt Parkway that ended with the truck roof peeled back like a can of sardines. Somehow, the instruments survived, and Mike learned a valuable lesson about NYC driving restrictions.If you're an aspiring musician, this episode is loaded with practical advice, from how to get started in Broadway pits to why versatility and freelancing skills are a must in a city where gigs can be unpredictable. We even touch on the importance of building your online presence and why Mike might finally create a website after all these years.Don't miss this one—it's packed with insights, laughs, and gems for anyone looking to make it in NYC's music scene.

On the next episode of Broadway Drumming 101, we chat with Mike Ramsey, who's been making it happen as a professional musician in New York City for many years. We get into what it really takes to build a career in New York—from being on time (actually, being early) to knowing how to gel with people and stay prepared. Mike also drops some major gems about subbing for other musicians—like why it's never the time to “do your own thing” when you're filling in. If you're serious about playing in this city, this episode is packed with practical advice and real talk about what works—and what doesn't—when it comes to making it in the NYC music scene.Check out all of our podcasts HERE!Our last was with Nate Patten. A must-listen: Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an accompanist in the dance department at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In the next episode of the Broadway Drumming 101 Podcast, I chat with Mike Ramsey, a talented drummer/percussionist and an accompanist in the Dance department at NYU, to discuss his musical journey and offer invaluable advice for aspiring Broadway musicians.When asked about how to break into the Broadway scene, Mike shared a memorable lesson from his mentor, Javier Diaz, during a clinic at Rutgers University. The advice? "Focus on becoming a good musician." It's a simple reminder that technical skill and musicality are the foundation for success.Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an adjunct faculty member at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

New Year, New Calls — we're dissecting the iconic NYE programming (Kristin Chenoweth wants to do less... coke?!?) [Dianna] @AgronUpdates officially pulls the plug and is Alan Ritchson reportedly not as 'big' as previously reported? David Harbor and Lily Allen probably haven't actually broken up, meanwhile Paige DeSorbo and Craig Conover definitely have (and the Bravo world is shook!) Parris Goebel gets the Beyoncé half-time gig (and the NYT mag profile!), plus Lukas Gage smooches Anna Camp outside a resto. And we wouldn't leave you without a 'WHO'S MORE FAMOUSBIRTHDAYS.COM?' Game for January. Happy 2025! And as always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There? Plus, get a ton of bonus content over on Patreon.com/WhoWeekly. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Purchase on Bookshop: bit.ly/3Kczb6EShare, rate, & review the podcast, and follow Zibby on Instagram @zibbyowens! Now there's more! Subscribe to Moms Don't Have Time to Read Books on Acast+ and get ad-free episodes. https://plus.acast.com/s/moms-dont-have-time-to-read-books. Hosted on Acast. See acast.com/privacy for more information.

Chelsea and Ilana Peña (“Diary of a Future President,” “Crazy Ex-Girlfriend”) share their hot takes on the highly anticipated movie adaptation of “Wicked.” Then we revisit a previously subscriber-only episode on Kristin Chenoweth's 2023 memoir, “I'm No Philosopher, But I Got Thoughts.” From Ambien tweets to bible quotes to emotional discoveries about her birth parents, this ep takes you on a surprising and emotional journey down the yellow brick road. Where to order Chelsea's book: Bookshop.org  Find other places to order Follow Chelsea: Instagram @chelseadevantez Join the cookie community: Become a member of the Patreon Show Notes: Jennette McCurdy Memoir Episode Q&A with Original Wicked Novel Author, Gregory Maguire (on how he was inspired to write Wicked based on real-world events around the Gulf War) Where to find our Guest: Ilana Peña Instagram *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Visit Brooklinen.com and use code TRASH to get $20 off your order of $100 or more. Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit megaphone.fm/adchoices

Teresa Giudice joins Jennifer Aydin and Dolores Catania on Kim D's podcast. The ladies chat about Gia's rumored pregnancy, Kristin Chenoweth's surprising comment about Teresa being "scary and dangerous," and their favorite Christmas family traditions. Dolores shares the story of her first date with Paulie, and Jennifer talks about why she was let for this recording. A festive episode to wrap up the year, offering an intimate glimpse into the personal lives of these "Real Housewives." Don't let menopause keep you from feeling like yourself—give Hormone Harmony a try today! 15% off on your first order at happymammoth.com with the code TURNINGTHETABLES at checkout. You'll love it!  Teresa Giudice Instagram  Turning The Tables Instagram Pat's Instagram  Get my merch HERE This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel!

Roll out the red carpet, because the queen of Christmas movies has arrived! Jess & Camilla welcome the Original Glinda to the show to discuss all things "Wicked," how she spends her barely there free time, and what it was really like working with some of her major A-list co-stars over the years. She also shares a hilarious audition story involving one of our hosts!!!See omnystudio.com/listener for privacy information.

Lisa Vanderpump seems to be enjoying this current season long feud of Dorit versus Kyle even through she is not watching. As Kyle has become LVP and Dorit has become Kyle, we break down LVP's comments about her recent run in with Kyle, why she is winning at life and why, despite any claims to the otherwise, LVP must be enjoying this more than she cares to admit. LVP also weighs in on the termination of VPR OG's, Stassi's role on Vanderpump Villa and shares updates on Schwartzy, James and Lala. In other news, Teresa slams Melissa Gorga on her new Sprinkle Cookie business, shades Kristin Chenoweth and thanks the Tre Stumps for trolling Cheno on social as we wonder, sarcastically, why RHONJ is still on pause.  @behindvelvetrope @davidyontef Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch on Philo! - Philo.tv/DTH#Sponsored by BetterHelpBetterHelp.com/Hallmark - for 10% off your first month #adVisitGreenvilleSC.com/Things-To-Do/Winter/ The movie kicks off with a fun little animation telling the story of a secret that started in 1996 when Avery met Logan. They became quick friends. Avery could 100% be herself around him, and vice versa. As they got older, that friendship blossomed into true love—the kind that can get you through anything, like the loss of Avery's mom.Fast forward: they're adults now. Avery lands a job in London, and Logan is less than thrilled. It's 2014, and on their last night together, Logan is driving the struggle bus. They're in the middle of a fight, but it boils down to him saying, “I'm just really going to miss you, and I'm sad.”At her going-away party, her dad gives an emotional speech before handing the mic to Logan. Logan gets down on one knee, but before he can even pop the question, Avery blurts out, “No.” Logan does not handle it well and throws out, “If your mom were alive, she'd be disappointed.” Ouch. Avery breaks up with him and leaves.Cue a fun montage of the world's biggest moments from 2014-2024 (shoutout to Stranger Things and Squid Game—Netflix wins again).Now it's 2024. Avery is a hotshot dealmaker with a hotshot dealmaker boyfriend named Cam. Logan, meanwhile, is a contractor dating Cassie, who comes from a family where every sibling's name starts with “C.” (More on that soon.)Avery and Cam head to her dad's house, which is all packed up. Her dad, now remarried, is selling the family home. She says goodbye as her dad and stepmom leave for a holiday trip. Then it's off to Cam's very uptight family. At their gathering, guess who walks in? Logan and Cassie. Turns out Cam is Cassie's brother (one of the “C” names).Logan and Avery are stunned but quickly decide to pretend they've never met. Avery, already intimidated by Cam's mom (played by Kristin Chenoweth, no less), doesn't need the added drama.But the awkwardness only grows. Cam has his own “former friend” story: a girl named Sophie who studied abroad and is now back. Cam's mom loves Sophie.Meanwhile, Logan and Avery strike a deal: Avery will help Logan land a business deal with Tim Meadows, and Logan will make Kristin Chenoweth like Avery.This is where things go off the rails. Avery borrows a jacket, eats some gummies from the pocket, and discovers (too late) that they're weed gummies. At church. She ends up rambling about her hands and turns a Christmas reading into a Kool & the Gang singalong. Kristin Chenoweth is not impressed, but hey, the pastor loved it.Later, the munchies hit. Avery eats a batch of cookies meant for a cookie exchange. To cover it up, she blames the dog, which backfires when the dog has to be rushed to the vet. Shenanigans ensue, but they manage to keep Kristin in the dark.The chaos ramps up when Cam's younger brother, Callum, overhears Logan and Avery talking about their past relationship. He blackmails them into helping him get a booth at a Christmas market.Then there's a bar scene. Guess who shows up? Sophie. Avery sees her getting flirty with Cam, and when she gets a call about her dad's real estate agent needing access to the house, she leaves. Logan offers her a ride, and they have a heart-to-heart about her memories of the house. He encourages her to buy it, and they spend some quiet time there.Later, Logan catches Cam sneaking into the house late at night. Cam begs Logan not to tell Avery.Finally, everything blows up at the Christmas Eve gathering. Cassie surprises Logan by inviting his parents, and Grandma spills the beans about Logan and Avery's past. Callum exposes Avery's cookie crime. Just as she's about to leave, Avery asks Cam if anything happened with Sophie. He admits it did. It's over.Avery leaves, and Logan asks if he can call her. She says no.But when she finds out that Logan suggested to her dad that she should buy the house, she realizes he might be something special. She ensures his business plan gets to the right people.In the end, Avery's dad surprises her with the keys to her childhood home. At her housewarming party, Logan asks for a second chance. They confess their love and kiss. A year later, they're planning their wedding. Through animation, we learn they get married sometime after that. 

Kristin Chenoweth slams Teresa Giudice as “Scary” and a “Dangerous Person”. We break down these claims, explain where they originate from, discuss the validity of them and analyze why she is “Team Gorga”. Speaking of Melissa Gorga, Kiki Barth shades her claiming she buys fake followers and Mel prepares to hit back. Vanderpump Rules has ended and, money aside, a cast divided where two main cast members are no longer speaking is a huge reason for its demise.  Sound familiar? We address the rumors that Teresa is freaking out about the end of VPR as a foreshadow to her potential RHONJ termination when the announcement of RHONJ Season 15 drops, probably, possibly, early 2025. Lala reveals her big Vanderpump regret, Scheana weighs in and LVP prepares for Season 12. Finally, Kyle Richards wants Eileen Davidson back on RHOBH, Eileen responds and other past Diamond Holders emerge ripe for a return in the future.  @behindvelvetrope @davidyontef Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics: Workers using your bathroom, ordering outside food to a wedding, Kristin Chenoweth agrees that Glinda might be in the closet, Jason & Kylie Kelce expecting baby no. 4, Teddi Mellencamp apologizes after cheating scandal, microscopic handbag sells for over $60k, favorite new showsSponsors:Skylight Frames: Get twenty dollars off your purchase now at SkylightFrame.com/TAYLORPlease note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kristin Chenoweth & Kiernan Shipka join host Andy Cohen. Listen to lively debates on everything from the latest drama surrounding your favorite Bravolebrities to what celebrity is making headlines that week live from the WWHL clubhouse.Aired on 11/21/24Binge all your favorite Bravo shows with the Bravo app: bravotv.com/getbravoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The incredibly talented and hilarious Kristin Chenoweth and the OG of Wicked, joins Kelly to discuss the new show Sunset Boulevard, aging in Hollywood, and how she was brought to tears over her first anniversary with husband Josh ...just not the kind of tears she hoped for! Kristin tells Kelly all about her first date with Prince and their friendship thereafter. She also gives insight to her new co-star Lindsay Lohan, The Queen of Versailles, her years-long friendship with Ariana Grande and what she truly thinks about people trying to pit them against each other.  

Seth takes a closer look at Trump confirming he would declare a national emergency and use the military to round up migrants when he takes office next year.Then, Kristin Chenoweth talks about playing a mean role in the Netflix film Our Little Secret, putting up her Christmas tree the day after Halloween and returning to Broadway in the musical The Queen of Versailles.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Emmy winning actor and Heather's high school friend DAN BUCATINSKY joins the show to talk about their upbringing in Chappaqua, reconnecting on the set of NBC's Jenny, why Dan started #Failure Friday, why you should NOT deprive your child "the privilege of suffering", why Dan could never do reality TV, advice he once got from Jane Lynch, Heather's story about one of her kids trying to park the car, Dan's upcoming film OUR LITTLE SECRET with Lindsay Lohan, Kristin Chenoweth, and Ian Harding, AND another famous celebrity that they both knew in high school! WE HAVE HOLIDAY DEALS FOR YOU!!! Dagsmejan: Upgrade your sleepwear! Visit Dagsmejan.com and use code HEATHER for 20% off your first purchase! Uncommon Goods: Find something unique for your loved ones! Get 15% off your next gift at UncommonGoods.com/heather G-Defy: Relieve your feet! Visit GDEFY.com and get $20 off your order of $100 or more with code "Heather" RO: You deserve to look and feel great! Access prescription compounded GLP-1s at a fraction of the cost at Ro.co/heather Progressive: Quote at Progressive.com to join over 28 million drivers who trust Progressive!