Podcast appearances and mentions of Kristin Chenoweth

Jared Shaw didn't build his career on one big break.He built it on being ready.National tours of Beautiful: The Carole King Musical and The Book of Mormon. Broadway sub credits on Tommy, Boop! The Musical, Beaches, and more. Four years as the drummer for Billy Mira & The Hitmen on the Howard Stern Show. Percussion guest with the National Symphony of Ghana. First drum chair of the NYU Broadway Orchestra under Ted Sperling. Over 40 theatrical productions in New York City.That's not a resume. That's a body of work built one gig at a time.He also came up the right way — NYU Steinhardt, Percussion Performance, University Honors, with minors in Business of Entertainment and Producing. In this episode, we get into what it actually took. How he approached learning difficult books. How he thinks about subbing. What touring taught him about professionalism. How electronic drumming and programming became part of his toolkit — not as a novelty, but as a necessity.We also talk about his studies with James Saporito, Shawn Pelton, and Valerie Naranjo. Three teachers who shaped how he hears music and approaches the instrument.This is a conversation about longevity. About what it actually takes to last in this business. About being the kind of drummer people call — and call back.If you're serious about how to get into subbing on Broadway, or getting a tour, this one's worth your time.For more: https://www.jared-shaw.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Gary Seligson: The Grammy-Winning Broadway Drummer Phil Collins Refused to Work WithoutPhil Collins snuck into a performance of Wicked one night without telling Gary Seligson he was coming.The next morning, he walked into Tarzan rehearsal and told the producers he didn't care who else they put in the band. There was one guy he wanted on drums. Not Chuck Burgi — who had literally replaced Phil Collins in Brand X and was calling in every favor he had to get the gig. Gary Seligson. The one he heard play in the theater when nobody knew he was watching.That's the kind of reputation you build over a career that most Broadway musicians would trade anything for.I chatted with Gary on August 24, 2021. The video is on the Broadway Drumming 101 YouTube channel. Now the audio is available everywhere you get your podcasts — Apple Podcasts, Spotify, wherever you listen.Gary is a Grammy Award winner who originated the drum books and recorded the cast albums for Aida, Wicked, Tarzan, A Little Princess, School of Rock, and Soft Power. He held the drum chair on Billy Elliot for over three years. He's on the Motown: The Musical cast recording playing percussion. His Broadway credits span more than two decades — from The Gershwins' Fascinating Rhythm in 1999 through Bob Fosse's Dancin' and Harmony in 2023. In 2025, he headed back out on the road with the Beauty and the Beast revival. He's also subbed on more than 20 Broadway productions, including Chicago, The Lion King, Les Misérables, Miss Saigon, Cats, and Rent.Gary grew up in West Orange, New Jersey, banging on his mother's pots and pans before his father bought him a tiny metal snare drum at age three. He studied with the same teacher from second grade through twelfth grade. He went to the Hartt School of Music in Hartford. He found his way to Gary Chester in New York, who completely rewired how he thought about the instrument, and then told him flat out: never leave town for more than four weeks.Gary took a touring gig anyway.Nine years on the road followed. And the moment he pulled into his mother's driveway after finally deciding to come home, the phone rang. It was Bob Billig calling about Chicago. That's how this business works when you've done the groundwork.We get into his first Broadway subbing experience at The King and I — walking into the pit two hours before curtain, sitting down at a drum set that felt completely foreign, getting thrown out by the stage manager before the show even started, then spending an hour and forty-five minutes walking around Midtown getting more nervous with every step. Trial by fire. He made the cut, and word traveled fast.We talk about what it felt like to play alongside Elton John in an Aida rehearsal room. We talk about Phil Collins tapping a pencil on a desk during Tarzan rehearsals — not even playing, just tapping — and how the groove was so wide the entire room felt it. And we talk about the moment Gary flew himself to San Francisco on JetBlue just to watch Wicked out of town, because he needed to know for himself whether to leave Aida for it.He knew by the first number.Gary is a Pearl Drums, Sabian Cymbals, Pro-Mark Sticks, Grover Percussion, and Remo Heads endorser, and has been featured in Modern Drummer and DRUM magazine multiple times.Press play. And if this episode gives you something, please leave us a glowing five-star review wherever you're listening. It takes 30 seconds and it means everything to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

He showed up to watch.9:28 AM. Carroll's Rehearsal Studios. The Tina Turner Broadway show is about to start.Jared's a college student at NYU. He's not there to play. He's there to observe — to see how a real Broadway drummer handles a real Broadway rehearsal. He's looking at the chart on the stand. Not touching anything. Just studying.9:30 hits.The drummer isn't there.Contractor John Miller scans the room. Lands on Jared.“All right, Jared. Sit down. You're on.”He sat down. Blacked out. And sight-read 15 minutes of a mega-mix — a chart he'd never seen, styles flipping every 16 bars, a section in 3/4 buried in the middle — while a friend quietly filmed from across the room.He had no idea that moment would eventually lead to his first touring gig: Beautiful.Not because he was perfect that day, but it was because he was prepared before it.My full conversation with Jared Shaw drops soon on the Broadway Drumming 101 podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.When I recorded this in February of 2022, Rodney was in his drum room. Blue Pearl kit behind him. Meshell Ndegeocello shirt on — second album, Peace Beyond Passion. We both agreed it's her best record. If you've never heard it, fix that before you do anything else today.Now he's the percussionist on The Lost Boys at the Palace Theatre. Twelve Tony nominations. Best Musical on the table. If there was ever a time to bring this one back in full, it's now.He came up in a town in North Carolina with no stoplight. His dad couldn't buy him brushes, so he put mini broomsticks in his hands and showed him what a brush sweep sounds like on a picnic table. That's the foundation. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Jeff Campbell put his name in front of Chris Parker. The rest followed.The conversation goes deep on what it actually costs to stack your deck in this business. Playing Diana in La Jolla, then jumping on a plane to Japan with Avril Lavigne, then folding Mrs. Doubtfire in because his wife asked one simple question: what's the worst that can happen?Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I chatted with Rodney Howard in February of 2022. He was in his drum room — blue kit behind him, Meshell Ndegeocello shirt on — and what started as a podcast felt more like a conversation between two guys who just happened to both live in this world.I had a great time revisiting this one.The Lost Boys is now running at the Palace Theatre with 12 Tony nominations, including Best Musical. It's the most Tony-nominated musical of 2026. Rodney is the percussionist on that show. Before that, he held the drum chair at Mrs. Doubtfire, subbed some of the hardest chairs on Broadway, and spent years on the road with Avril Lavigne, Gavin DeGraw, and Regina Spektor.This episode is about how you build that kind of career. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Then Jeff Campbell put his name in front of Chris Parker, and the rest is a masterclass in being ready when the call comes.Two things from this conversation I almost forgot about that were really important. First, he said, take notes literally and broadly, but not too literally. He learned that the hard way at Lion King, following a sub-conductor's shaky conducting because Tommy told him to follow the conductor. The notes you get points you somewhere, but it doesn't replace your judgment.Second, when you sub, use what the drummer uses for monitoring. Not your nice headphones. Not your in-ears. Whatever they use. The mix was built around that. He said he's personally tanked a sub gig because he didn't. Said it like a man who doesn't enjoy repeating the experience.The video drops this Friday. Go listen.Originally released February 2022 on the Broadway Drumming 101 Podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Morgan grew up in a small town in Kansas. No blueprint for this. No obvious path to musical theater. She found her way to NYU, studied West African music under Valerie Naranjo — which rewired the way she hears everything — and started building relationships one sub at a time.Now she's 600 shows into the national tour of A Beautiful Noise: The Neil Diamond Musical. And the way she talks about this industry is the kind of honest I don't always get on this podcast.We got into some really cool things:— What she does at the kit during the show that nobody expects, and why it actually works — The subbing etiquette mistakes that quietly end reputations before they start — A blacklist situation she handled with more integrity than most veterans twice her age — What ego, patience, and sitting with uncertainty actually look like when you're learning from the people ahead of youCheck out her site: https://www.morganparkernyc.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.This is why I started Broadway Drumming 101. Not to give people a checklist. But to share access with people who figured it out — and let you hear how they actually talk about it.The video is embedded above. Audio is available on every podcast platform.If this is your first episode…welcome! Stick around.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Morgan is the drummer on the national tour of A Beautiful Noise: The Neil Diamond Musical. Six hundred shows in. Almost quit drumming in high school. Grew up in a small town in Kansas with no real map for any of this. Found her way to NYU, subbed MJ and Yiddish Fiddler simultaneously, and landed a tour that's run nearly two years.Her path is not the one anybody draws up. And the way she talks about trust, subbing, ego, and what actually gets you hired — it's the kind of honesty you don't hear enough of.We also get into:* What she does at the kit during the show that nobody expects — and why it actually works* How studying West African music under Valerie Naranjo at NYU rewired the way she hears everything* The blacklist situation she handled with more integrity than most veterans twice her age* The subbing etiquette mistakes that quietly kill a reputation before it even starts* What she learned about ego, patience, and being comfortable with uncertainty from the people ahead of herEpisode #105 is out now. The video version drops this Friday on YouTube.If this is your first time here — Broadway Drumming 101 is the podcast and resource built for drummers and musicians who want to work in musical theater. New episodes drop regularly. Subscribe so you don't miss the next one.Subscribe to Broadway Drumming 101 on Substack →And if the podcast has helped you — even just one episode — leave a review on Apple Podcasts or wherever you listen. It takes two minutes and it's the best way to help other drummers find this. It means more than you know.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This is the video of last week's podcast — and another one in the Broadway Drumming 101 Classic Episode Series.This episode takes us back to January 2022 with one of the most respected drummers in both Broadway and jazz, Jared Schonig.Since we recorded this conversation, Jared has moved into the drum chair for Just in Time at Circle in the Square Theatre, but this episode still holds up because Jared drops a lot of real information about what it actually takes to survive in this business.We talked about:* How he went from jazz gigs and working at Apple to Broadway* Subbing on shows like Grease, American Idiot, and Next to Normal* Building Moulin Rouge from the ground up* Getting orchestration credit as a drummer* Broadway pit life, injuries, setups, pressure, and preparation* Why relationships and reputation matter more than people thinkJared has played with artists including Nicholas Payton, Chris Potter, John Patitucci, Cynthia Erivo, Kristin Chenoweth, and many others. He's originated seven Broadway drum books and built one of the most versatile careers out there.One thing I always appreciated about Jared is that he's honest about the work. The preparation. The pressure. The physical demands. The stuff people don't always talk about publicly.It's still one of my favorite conversations I've had on Broadway Drumming 101.Upcoming performances for Jared include shows at Sultan Room, Birdland, Zinc Bar, The Gin Mill, and dates with Brass Against.I may go and check out this show! Let me know and we can all connect there:Check out his site for more info! Click HERE https://www.jaredschonig.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This is a clip from my upcoming Broadway Drumming 101 conversation with Morgan Parker, currently holding the drum chair for A Beautiful Noise: The Neil Diamond Musical.Morgan dropped a lot of wisdom in this episode, but this part really stood out to me.One of her mentors told her that you're going to feel overwhelmed when the phone won't stop ringing… but you're also going to feel overwhelmed when the phone doesn't ring.That's the reality of this business.Morgan also talks about how dangerous it is to compare your path to other people's careers, especially in the social media era. Some musicians land major gigs quickly. For others, it can take years or even decades. Everybody comes to music in their own time.What matters is staying prepared, staying humble, keeping your ego in check, and continuing to grow.Morgan's career is a great example of that mindset in action. Along with Broadway and Off-Broadway credits, she's also worked as a stage manager for The New York Pops and performed in everything from theater productions to television performances and concert halls.Really great conversation. Full episode coming soon on Broadway Drumming 101.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.This is another one in the Broadway Drumming 101 Classic Episode Series.This episode takes us back to January 2022 with one of the most respected drummers in both Broadway and jazz, Jared Schonig.Since we recorded this conversation, Jared has moved into the drum chair for Just in Time at Circle in the Square Theatre, but this episode still holds up because Jared drops a lot of real information about what it actually takes to survive in this business.We talked about:• How he went from jazz gigs and working at Apple to Broadway• Subbing on shows like Grease, American Idiot, and Next to Normal• Building Moulin Rouge from the ground up• Getting orchestration credit as a drummer• Broadway pit life, injuries, setups, pressure, and preparation• Why relationships and reputation matter more than people thinkJared has played with artists including Nicholas Payton, Chris Potter, John Patitucci, Cynthia Erivo, Kristin Chenowethand many others. He's originated seven Broadway drum books and built one of the most versatile careers out there.One thing I always appreciated about Jared is that he's honest about the work. The preparation. The pressure. The physical demands. The stuff people don't always talk about publicly.It's still one of my favorite conversations I've had on Broadway Drumming 101.Upcoming performances for Jared include shows at Sultan Room, Birdland, Zinc Bar, The Gin Mill, and dates with Brass Against.Check out his site for more info! Click HEREhttps://www.jaredschonig.comSUBSCRIBE to be notifed when the video of this episode will be released.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Noah Hadland Is Subbing Seven Broadway Shows at Once.He didn't get there by sending cold emails and waiting.He got there by running after a stranger with a stick bag outside the Book of Mormon stage door. By sight-reading act one of MJ on Broadway with 45 minutes of prep. By buying the right person a beer in 2019 and not asking for anything until 2023 — when that same person handed him a Broadway chair.Noah is 30 years old. He's subbing Ragtime, The Great Gatsby, Just in Time, Wicked, 25th Annual Putnam County Spelling Bee, Chess, and Death Becomes Her. And in this episode, he breaks down exactly how he built that — the networking, the touch problem of juggling multiple shows, how to take a conductor's note without pushing back, and what he'd tell his 22-year-old self who came out of NYU convinced he should already be playing Hamilton.Watch the full episode above.Building a theater career and want the roadmap? I wrote the book. Broadway Bound and Beyond is at broadwayboundbook.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway performer Nina White (The Queen of Versailles) joins The Art of Kindness with Robert Peterpaul for a lovely discussion on navigating the ups and downs of theatrical journey with kindness all the way up to her new play You Got Older at the Cherry Lane Theatre. This positive podcast episode features: How Nina is working through stage door discomfort to learn to better accept compliments. The golden advice she received from her Tony-winning Kimberly Akimbo co-star Victoria Clark and The Queen of Versailles powerhouse Kristin Chenoweth. Her self tape tips + other advice for young musical theatre performers. The kindness of being present and honest and much more. NINA WHITE stars as ‘Jenny' in the Off-Broadway production of YOU GOT OLDER, which opened at the Cherry Lane Theatre on February 23rd to rave reviews and was a New York Times Critics' Pick. Most recently, she could be seen in Broadway musical THE QUEEN OF VERSAILLES, for which she received acclaim for her standout role as 'Victoria,' daughter to Kristen Chenowith's 'Jackie'. Nina first broke onto the theater scene originating the role of ‘Teresa' in the 5x Tony-winning musical, KIMBERLY AKIMBO, followed by a role in the Kennedy Center's acclaimed production of THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Her on-screen credits include A24's Golden Globe-winning film, A DIFFERENT MAN, starring Sebastian Stan, and Peacock series LONG BRIGHT RIVER with Amanda Seyfried.  She resides in New York City. Got kindness tips or stories? Please email us: ⁠⁠⁠artofkindnesspodcast@gmail.com⁠⁠⁠ Follow Nina ⁠@iamninawhite Follow us ⁠⁠⁠@artofkindnesspod⁠⁠⁠ / ⁠⁠⁠@robpeterpaul⁠⁠⁠ ⁠⁠⁠Support the show⁠⁠⁠! (⁠⁠https://www.buymeacoffee.com/theaok⁠⁠) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He came out of NYU convinced he should already be playing Hamilton.He isn't playing Hamilton.He is subbing seven Broadway shows at once.That didn't happen because he sent the right email. It happened because he ran after a stranger with a stick bag outside the Broadway stage door of Book of Mormon. That stranger was Dan Berkery. They talked, stayed in touch, and built a real relationship. So years later, when MJ on Broadway had an emergency — the sub tested positive for COVID 90 minutes before curtain and nobody else was available — the call went to Dan. Dan was already booked. But he knew exactly who to pass the name to. Noah ran to H&M in Times Square to grab black clothes, got to the theater with 45 minutes to spare, flipped through the charts, and sight-read act one of MJ on Broadway in front of a live audience. One conversation outside a stage door changed everything.Over time, his name got around. Now he's one of the busiest subs on Broadway — currently covering seven shows, and by the time you read this, maybe eight or nine. The seven: Ragtime, The Great Gatsby, Just in Time, Wicked, 25th Annual Putnam County Spelling Bee, Chess, and Death Becomes Her. That's not luck. That's years of showing up, staying ready, and never burning a bridge.He's still learning. Still building. And I have no doubt that his own Broadway chair is coming — it's just a matter of time.In this episode, Noah breaks down exactly how he built his career.We get into the networking — not the theory of it, the actual mechanics of how relationships in this industry form and pay off years later. We talk about the touch problem: what it actually takes to juggle seven shows without dropping any of them. How to take a conductor's note without pushing back. And what he'd tell the 22-year-old version of himself who came out of school thinking he was already behind.He wasn't behind. He just hadn't started yet.Noah Hadland: https://www.instagram.com/noahhadland/If You're Not Subscribed Yet, I'm Asking You NowIf you're already a subscriber — thank you. You're the reason this show keeps going.If you're not, I'm asking you to subscribe today. Free or paid. Every subscription helps cover the production of this podcast and keeps it alive. This is an independent show built for working musicians and people who want to become one. That only works if people show up for it.Subscribe. It matters more than you know.Two Resources If You're Serious About ThisThe first is free. The How to Land a Broadway Gig Roadmap breaks down how the industry actually works — the key players, how sub lists function, how to build relationships that lead somewhere. Grab it instantly at broadwayboundbook.com/roadmap when you subscribe.The second is The Broadway Sub Playbook — $7.99 at signaturebrandworks.com. From the moment you get the call to show day. How to study the score, build your sub book, take the conductor's notes, and walk into that pit like you belong there.Want the full picture? Broadway Bound and Beyond is available everywhere books are sold online. Signed copy at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit broadwaydrumming101.substack.com/subscribe

In this clip from my conversation with Noah Hadland on the Broadway Drumming 101 Podcast, we get into something most drummers don't think about.I asked him what the hardest part is about subbing multiple shows at once. Most people would say the music.It's not.If you've done the work, the notes aren't the problem. The real challenge is touch.Every drummer you sub for plays differently. Some dig in. Some are right on the click. Some lean with the conductor. Some lay back. Some push.When you're bouncing between shows — sometimes in the same day — you have to carry all of that with you. Not just the parts. The feel. You're not covering a book. You're covering a person.That's where most drummers fall short. They learn the notes and think they're ready. But they don't sound like the drummer they're subbing for. Stay tuned for Noah's GREAT interview. Make sure you're subscribed to be notified when the episode is released:Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit broadwaydrumming101.substack.com/subscribe

Gold Derby checks in with our Tony experts on the awards prospects for 'Queen of Versailles,' 'Waiting for Godot,' 'Ragtime' and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nina White stars as Jenny in You Got Older off Broadway at the Cherry Lane Theatre. Nina is known for her Broadway-debut performance as Teresa in the Tony Award-winning musical Kimberly Akimbo, reprising the role from the show's Off-Broadway premiere with Atlantic Theatre Company. She is also starred in the pre-Broadway world premiere and Broadway transfer of the musical The Queen of Versailles, playing the daughter of star Kristin Chenoweth; and she also starred as Olive Ostrovsky in the 2025 revival of The 25th Annual Putnam County Spelling Bee at the Kennedy Center in D.C. On-screen, she can be seen in Mr. and Mrs. Smith (Amazon Prime) and A Different Man (A24). University of Michigan alum. She loves to knit. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Seth takes a closer look at the Trump administration and Republicans saying the Iran war is both a short excursion and a longer war. Then, Kristin Chenoweth talks about how she already had roots in the cheer community before working on her new show "Stumble," recalls being a sore loser in beauty pageants and shares her love for live theater.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

NBC's Chief Consumer correspondent Vicky Nguyen has an inside look at driverless freight trucks that haul products from warehouses to stores, how they may result in savings for consumers. Also, Kristin Chenoweth stops by to discuss her role in the new comedy “Stumble” which follows a group of misfits training to compete in a national cheer competition. Plus, Erin Florio, global features director at “Condé Nast Traveler” breaks down the hottest travel trends this year.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Like I said I would, I want to show you what it's really like to build a Broadway show. Not the opening night photos, the red carpet, or the reviews. I'm talking about the early days. The first speeches. The moment when everyone realizes what they've actually signed up for.On the first day of Cats: The Jellicle Ball at New 42 Studios, we had our official meet and greet. The cast, creative team, and producers all came together for the first time. The energy was high. It was great to see many of the same cast and band members from our time at the Perelman Arts Center near the World Trade Center. There was a sense of history, but also a feeling that something bigger was about to happen.During the meet-and-greet, Matthew Harrison stood up and read a letter he had written to Andrew Lloyd Webber. Matthew is part of Lloyd Webber Harrison Musicals, the producing team of Andrew Lloyd Webber and Michael Harrison. He's spent his whole life around big productions. He's not someone who gets impressed easily.Then he said something that made everyone pause and pay attention.“In nearly 40 years of theatre going, I have never experienced a reaction from an audience like it.”He talked about sitting in the audience and watching the people around him. There was a 19-year-old nearby, two men in their 50s, a straight couple on a date, a couple in their 60s with their 20-year-old son, and a group of young women who see every Broadway show. People of different ages and backgrounds, but everyone reacted the same way.People were pointing at the stage, crying, then cheering. They sang “Jellicle Cats” as if it were their own anthem. Some got out of their seats because they couldn't contain themselves. He counted five standing ovations during the show. Not just at the end, but throughout.He also admitted that he used to roll his eyes when people called the theater a religious experience. He never believed that before. But that night, he understood it.This wasn't just marketing. He was trying to describe something that truly surprised him.I felt something similar the night I took a night off from playing the show downtown and watched it from the audience. I thought it was fantastic. Seriously. I was cheering like everyone else in the audience, and I was part of the rehearsal process before. But seeing it in full bloom was really special. I never liked the original Cats, but this version makes sense.Matthew put it simply. This isn't just a revival. It's a reinvention. It feels new, like Cats is the most relevant musical in New York right now.If you want to work on Broadway, you need to understand this part of the process. Big moments don't just happen. They start with conviction in a rehearsal studio, long before critics arrive. They begin with producers willing to take risks and artists giving their all before anyone knows how the show will turn out.Sitting there on day one and hearing those words, I felt the weight of it all. It was motivating and grounding. Once the speeches are over, the real work starts: long days, lots of details, adjustments, repetition, and precision.That was just the beginning of week one. We're in week two now. There's downtime. There are short sections repeated ad nauseam. It's fascinating to watch something take shape in real time.Next, I'll write about the piano vocal book you get on the first day of a Broadway show, especially when there isn't a drum score yet, and what that means for you as a working musician.If you're interested in how Broadway shows are really built, keep following. Share this with anyone who wants to learn about the process. And if you want everything explained step by step, that's why I wrote Broadway Bound and Beyond.You can get it from signaturebrandworks.com or from any other place you buy books online.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Thank you for being a longtime listener of Broadway Drumming 101.I've been thinking about doing more solo episodes for a while, and I'm finally starting today.Over the past week, I've been deep in rehearsals for Cats: The Jellicle Ball, and this version is even stronger than what we did at PAC. Everything feels sharper and more focused. We officially open on April 7th, and I'm excited for people to see it.READ: Two Icons of New York, Ready for Broadway's ‘Jellicle Ball'At NAMM, I brought up a topic that doesn't get talked about enough:How careers really begin.For me, it wasn't Broadway. It wasn't some audition. It was a hotel gig in New Rochelle, playing the same 20 songs every other Friday night.A connection from that gig led me to a tour.That tour opened the door to subbing.And subbing eventually brought me to Broadway.In this new solo episode, I break down:• Why saying yes early in your career matters• Why showing up beats just posting• How small gigs compound over time• And how to know when it's time to start saying noIf you caught my talk at NAMM, this episode goes even deeper into that topic.READ: And if you're serious about building a real career in theater, get my book:Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.You can order it right now on Amazon or Barnes and Noble.If you want a signed copy, go to SignatureBrandWorks.com.Listen to the new solo episode.Pick up the book if you're interested.And I hope to see you at the Broadhurst!Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Arianna Davis stars as series regular ‘Madonna' in the new NBC cheerleading comedy Stumble opposite Kristin Chenoweth and Taran Killam.  Filling the current void of cheerleading media which dominated the early aughts and 2010s, Stumble is being prioritized by NBC as its next big comedy. Arianna's character, a curvy, Black college cheerleader with a chronic illness, is a breath of fresh air in the on-screen cheerleading space which has long been devoid of diverse representation. Arianna is a true triple threat – in addition to acting, she is a professional dancer who started dancing at just two years old, as well as a singer-songwriter. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this wacky zany family comedy; Robin takes his family out on an RV road trip where they come across all sorts of cooky situations and strange personalities including Jeff Daniels and Kristin Chenoweth as the Gornicke family.

Guest: Elena Bonomo, drummer for SIX. Originally released January 14, 2022.This is one of those conversations that still holds up years later.In this episode, Elena Bonomo talks through what it actually looks like to build a career in theater music from the ground up. Elena shares how early musical experiences with her family shaped her connection to music, why drums always felt like fun instead of work, and how getting her first drum set set everything in motion.We also talk about her early pit experiences, reading music at a young age, and how playing school musicals laid the foundation for what she does now. She breaks down her time at Berklee, why versatility mattered to her more than locking into one lane, and how musical theater work at school mirrored the real expectations of Broadway life.Elena also gets honest about touring right after school, making very little money, and learning the realities of life on the road. From there, she talks about cruise ship work, adaptability, and how every gig, even the unglamorous ones, added tools to her toolbox.If you're trying to understand how Broadway careers are actually built over time, this episode is full of perspective that's still relevant today.https://www.elenabonomo.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.If you want to go deeper into this world, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, is available now on Amazon.com.If you'd like a signed copy by Clayton, along with Broadway Drumming 101 merchandise, head to signaturebrandworks.com.The book lays out the mindset, preparation, relationships, money realities, and long-term thinking behind real theater careers.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this wide-ranging and entertaining conversation, host Tom Alvarez reconnects with acclaimed performer and impressionist Christina Bianco, joining from London to reflect on her international career, viral success, and life abroad.Christina shares how a post-COVID pivot led her from New York to London, where she's found creative freedom, steady work, and a lifestyle that blends city energy with village calm. She breaks down the differences between Broadway and the West End, explaining why the UK has become a hotspot for developing new musical theater—and why many American creatives are taking their work overseas.The conversation dives deep into Christina's rise as the “queen of musical impressions,” tracing her journey from Forbidden Broadway to viral YouTube fame, major symphony collaborations, and international television appearances. She discusses her creative process for impressions, emphasizing that mimicry must come from a place of love, not parody—and shares memorable reactions from stars like Kristin Chenoweth, Bernadette Peters, and Kathy Griffin.Listeners are treated to a live a cappella impression medley, showcasing Christina's uncanny ability to channel legends like Judy Garland, Barbra Streisand, Liza Minnelli, Bernadette Peters, and more.Christina also opens up about:· Life in London vs. New York· Her husband Bill's career as a veterinary physiotherapist· The cultural differences between American and British audiences· Her upcoming role as June Carter Cash in The Ballad of Johnny & June, directed by Des McAnuff· Mentoring young performers and staying connected through social mediaWarm, funny, and insightful, this episode is a masterclass in adaptability, artistry, and building a global career while staying grounded.Perfect for fans of theater, Broadway, West End, vocal performance, and behind-the-scenes artist stories.Follow host Tom Alvarez on Facebook, Instagram, Twitter, and TikTok. Watch Tom every other Thursday on Lifestyle Live on WISH-TV, and listen every week on the All- Indiana Podcast Network.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MICHAEL COLBY is the librettist/lyricist of such musicals as CHARLOTTE SWEET (Drama Desk Award nomination), TALES OF TINSELTOWN, NORTH ATLANTIC (Show Business Award), SLAY IT WITH MUSIC (off-Broadway & London), MRS. McTHING, THEY CHOSE ME!, and LUDLOW LADD. He was chief writer for the Drama Desk Award-winning New Amsterdam Theatre Company and has been a writer for The NY Festival of Song and Theatre By the Blind.He is the author of the well-received autobiographical book “The Algonquin Kid: Adventures Growing Up at New York's Legendary Hotel.” Jay Records has released CDs of TALES OF TINSELTOWN, CHARLOTTE SWEET (the complete show), and LUDLOW LADD. DANGEROUS, a musical he co-wrote, has recently been optioned for Broadway.Michael wrote continuity for two benefits at the 92nd Street Y: STANDING OVATIONS (starring Carol Channing, Nell Carter, Elaine Stritch, Leslie Uggams, and other great ladies of the theatre) and THE LONGEST RUNNING SHOW ON BROADWAY (a tribute to Maurice Levine, hosted by Angela Lansbury). He also wrote STEPHEN SCHWARTZ: A MUSICAL CELEBRATION, a benefit for the Directors Company, starring Betty Buckley, Paul Shaffer, Kathy Najimi, et al.He created special material for ANIMAL CRACKERS (Paper Mill Playhouse/Goodspeed), lyrics for MEESTER AMERIKA (The Garage Theatre, NJ) and THE HUMAN HEART (at Marymount Manhattan College), and the narration for THE MAYOR MUSICALS, a benefit for Musicals In Concert hosted by Sheldon Harnick. Among the personalities for whom Mr. Colby has written material are Linda Lavin, Tony Randall, Tovah Feldshuh, Andrea McArdle, Robert Cuccioli, Savion Glover, Dina Merrill, Susan Stroman, Michael Feinstein, Natalie Douglas, Jack Gilford, Sharon McNight, Tom Wopat, Tony Yazbeck, Kristin Chenoweth, Bruce Adler, Lainie Kazan, Jane Powell, Julie Wilson, Alison Fraser, Donna McKechnie, & Cicely Tyson.Michael's movie credits include writing the title song for the film HEART OF THE BEHOLDER.He currently serves as Vice President of the acclaimed off-Broadway company, Urban Stages. There, he has written, produced, and often hosted annual benefits for their Winter Rhythms series.  These include: The Algonquin Kid, Ludlow Ladd in Concert, Other Lives: The Story Songs of Michael Colby (also an album from JAY Records), The Algonquin Retrospective (Nights at the Algonquin and Created at the Algonquin), Holiday Regards (MAC Award nomination), and the upcoming Cast of Characters.A member of BMI and the Dramatists Guild, Michael has a BA in English from Northwestern University and an MA in Drama from NYU. He lives in Metuchen, NJ with his wife Andrea.Website

Chris has worked with them all - from Amy Grant and Michael W. Smith to Stevie Ray Vaughn and Kristin Chenoweth and everyone in between. Lots of great behind-the-scenes stories in this episode!

Joe Bergamini on Subbing, Broadway Reality, and Building a Real Music CareerIn this episode of the Broadway Drumming 101 Podcast, I sit down with Joe Bergamini—drummer, educator, author, and one of the most thoughtful voices in the drum world.Joe has subbed on more than 15 Broadway shows, toured nationally, taught for decades, and written some of the most respected drum books out there. But what really stands out is how clearly he talks about what it actually takes to build a sustainable life as a working musician.We dig into what subbing on Broadway is really like, how learning music note-for-note early on prepared him for theater work, and how teaching, touring, rock bands, and saying yes to the right gigs quietly shaped his career. Joe also shares stories from his early club days and why preparation, curiosity, and relationships matter more than hype or shortcuts.This is an honest, practical conversation for drummers who care about longevity.Here are just a few books he has written:Speaking at NAMM – January 24I'll be expanding on many of these ideas in person at NAMM:Building a Career in Theater MusicSaturday, January 2411:30 AM – 12:00 PMHilton California AIf you're attending NAMM and curious about Broadway, touring, subbing, networking, contracts, and the real financial side of being a working musician, I hope you'll stop by.Broadway Bound and BeyondMy upcoming book, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, goes deeper into many of the topics we talk about here—how musicians actually get hired, how careers are sustained, and what no one explains when you're starting out.Get on the list at:www.broadwayboundbook.comSubscribe and Stay ConnectedIf you're getting value from these conversations, make sure you're subscribed to Broadway Drumming 101 so you don't miss future episodes and articles.If you know a musician trying to figure out their next move, share this episode with them. Subscriptions and reviews help more working players find the show.Thanks for listening and for supporting the Broadway Drumming 101 community.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This is a Broadway Drumming 101 Classic.Originally released in December 2021, this episode features Rich Rosenzweig, recorded on the very day Companyofficially opened on Broadway. The timing alone makes it special. Rich was stepping into an opening night shaped by grief, history, and pressure, following the passing of Stephen Sondheim, while carrying the responsibility of yet another major Broadway chair.But what makes this episode endure is not the moment. It is the honesty.Rich and Clayton dig into the parts of Broadway drumming that rarely get talked about clearly. Reviews. Word of mouth. Why some shows with mediocre press run for years while others with praise disappear. Rich explains how the power of critics has shifted, and why storytelling, audience response, and momentum now matter more than ever.From there, the conversation goes deep into subbing. This is one of the most detailed discussions anywhere about what chair holders actually look for in a sub drummer. Not flash. Not ego. Preparation, consistency, psychological trust, and the ability to make a conductor feel safe. Rich explains why subbing can be more stressful than holding a Broadway chair full time, and why even great drummers struggle if they miss these non-negotiables.They also talk candidly about career reality. Getting fired. Losing gigs. Being passed over. How to assess whether feedback is something to grow from or simply a mismatch. Rich shares stories from Beauty and the Beast, Cats, Rent, Memphis, and more, showing how longevity in this business often comes down to adaptability and self-awareness, not perfection.This episode is essential listening if you are serious about musical theater, Broadway, or touring at a high level.Not motivational quotes. Not shortcuts. Just real talk from someone who has lived it.If you are trying to understand how Broadway actually works, this one belongs in your library.Support Broadway Drumming 101 and unlock exclusive content at BroadwayDrumming101.com.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Mission Matters, ⁠Adam Torres⁠ interviews ⁠Ian Stevenson⁠, Director & Producer at Bondi Beach Productions, about how to navigate AFM with intention—prepping early, targeting the right buyers, and using networking to advance finished films and projects in development. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠⁠ ! About ⁠Ian Stevenson⁠ With a rugged beginning as an Australian ‘jackaroo' (cowboy), Ian has 20 years of award-winning international experience in scripted and non-scripted television and film, on productions with budgets ranging from $500k-$10M. He has filmed in 20 countries including the deserts of Cairo, the canals of Venice, on top of 18,000 feet Bolivian mountains and deep inside rebel occupied jungles of Belize.  Establishing his own production company, Ian's first program, “Purple Haze”, won awards and sold internationally. He then headed to Cannes to sell films. Since then, Ian has directed, produced and created several prime time, number-one rating TV shows.  His Director skills draw the performance from hosts, actors, reality talent and celebrities (RuPaul, Ashton Kutcher, Kevin Hart, Kristin Chenoweth, Tori Spelling, Tommy Lee, Ludacris, Linda Perry, Mel Gibson). Whether it's shooting a TV Show or Documentary or 35 mm Commercial, Ian, through his creativity, working in a collaborative style, along with his passion for the TV and Film business always delivers a high-quality result of stunning pictures and, engaging and entertaining stories. About ⁠Bondi Beach Productions⁠ Conceived on the shores of Sydney, Australia's historic Aboriginal-named Bondi Beach (“water tumbling over rocks”); Bondi Beach Productions is a multi-award-winning Film and TV production company with offices also in Los Angeles and New York. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠⁠ ! Follow Adam on Instagram at ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/askadamtorres/⁠⁠⁠⁠⁠⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠⁠⁠⁠⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠⁠https://missionmatters.com/⁠⁠⁠⁠⁠⁠⁠ More FREE content from Mission Matters here: ⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Mission Matters, Adam Torres interviews Ian Stevenson, Director & Producer at Bondi Beach Productions, about how to navigate AFM with intention—prepping early, targeting the right buyers, and using networking to advance finished films and projects in development. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠ ! About Ian Stevenson With a rugged beginning as an Australian ‘jackaroo' (cowboy), Ian has 20 years of award-winning international experience in scripted and non-scripted television and film, on productions with budgets ranging from $500k-$10M. He has filmed in 20 countries including the deserts of Cairo, the canals of Venice, on top of 18,000 feet Bolivian mountains and deep inside rebel occupied jungles of Belize.  Establishing his own production company, Ian's first program, “Purple Haze”, won awards and sold internationally. He then headed to Cannes to sell films. Since then, Ian has directed, produced and created several prime time, number-one rating TV shows.  His Director skills draw the performance from hosts, actors, reality talent and celebrities (RuPaul, Ashton Kutcher, Kevin Hart, Kristin Chenoweth, Tori Spelling, Tommy Lee, Ludacris, Linda Perry, Mel Gibson). Whether it's shooting a TV Show or Documentary or 35 mm Commercial, Ian, through his creativity, working in a collaborative style, along with his passion for the TV and Film business always delivers a high-quality result of stunning pictures and, engaging and entertaining stories. About Bondi Beach Productions Conceived on the shores of Sydney, Australia's historic Aboriginal-named Bondi Beach (“water tumbling over rocks”); Bondi Beach Productions is a multi-award-winning Film and TV production company with offices also in Los Angeles and New York. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠ ! Follow Adam on Instagram at ⁠⁠⁠⁠⁠⁠https://www.instagram.com/askadamtorres/⁠⁠⁠⁠⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠⁠⁠⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠https://missionmatters.com/⁠⁠⁠⁠⁠⁠ More FREE content from Mission Matters here: ⁠⁠⁠⁠⁠⁠https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode, we dissect Our Little Secret, a film released on November 27, 2024 starring Lindsay Lohan, Lindsay Lohan, Ian Harding, Tim Meadows, and Kristin Chenoweth. Join us as we discuss Tim Meadow's cat, extramarital affairs, bathroom décor, religious shade, gummies, vet fraud, business proposals, and more!Notable Mentions + References in This Episode:Pretty Little LiarsPushing Daisies(The Legend Of) Miss Baltimore Crabs - HairsprayOur Little Secret (Animated Opening by Amber Hollinger)Merry Liddle ChristmasWhy Did I Get Married? (Episode 090)The Perfect Holiday (Episode 131)Save the Last Dance (Episode 109) Connect with us:Instagram: @in_hindsight_podTwitter: @in_hindsightpod Want us to dissect one of your favorite childhood movies? Send us a DM or email us at inhindsightpod@gmail.com.Thanks for listening!

Christian Cowan , Fashion Designer turned Costume Designer (Queen of Versailles) joins The Art of Kindness with Robert Peterpaul as he makes his Broadway debut. This episode covers: - the kindness of embracing your unique style - learning on the job as Broadway Costume Designer with Queen of Versailles - working with legends like Paris Hilton, Kristin Chenoweth and more CHRISTIAN COWAN is a celebrated fashion designer known for his bold vision and exuberant sense of glamour. His collections have been worn by stars including Beyoncé, Lady Gaga, Miley Cyrus, and Zendaya, and featured in Vogue and The New York Times. A fixture of New York Fashion Week, Cowan champions individuality and joy. His shows are known to bring drama, spectacle, and unapologetic self-expression. Queen of Versailles marks his Broadway costume design debut. Follow Christian: @christiancowan Follow us: ⁠@artofkindnesspod⁠ / ⁠@robpeterpaul⁠ ⁠youtube.com/@artofkindnesspodcast⁠ ⁠Support the show⁠! (⁠https://www.buymeacoffee.com/theaok⁠) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Costume House, Spencer Williams steps into the dazzling world of Broadway with none other than world-renowned designer Christian Cowan. Known for dressing icons like Beyoncé, Lady Gaga, Miley Cyrus, and Zendaya, Christian makes his Broadway costume design debut with The Queen of Versailles.Spencer and Christian explore how he transitioned from the runway to the stage, what first drew him to the world of theater, and how he captured the spectacle, ambition, and unapologetic glamour of Jackie Siegel's world. Christian opens up about building the show's visual identity, crafting a larger-than-life Jackie for Kristin Chenoweth, and diving deep into historical silhouettes that would make any costume lover swoon.From the breathtaking Marie Antoinette gown adorned with hand-made silk flowers to the striking lilac python-skin dress, Christian breaks down the textures, textiles, and meticulous craftsmanship that shaped The Queen of Versailles into a feast of fashion, storytelling, and theatrical extravagance.-------The Queen of Versailles" is playing now through December 21, 2025 at the St. James Theatre. Head to queenofversaillesmusical.com to get your tickets now!

In this episode of The Costume House, Spencer Williams steps into the dazzling world of Broadway with none other than world-renowned designer Christian Cowan. Known for dressing icons like Beyoncé, Lady Gaga, Miley Cyrus, and Zendaya, Christian makes his Broadway costume design debut with The Queen of Versailles.Spencer and Christian explore how he transitioned from the runway to the stage, what first drew him to the world of theater, and how he captured the spectacle, ambition, and unapologetic glamour of Jackie Siegel's world. Christian opens up about building the show's visual identity, crafting a larger-than-life Jackie for Kristin Chenoweth, and diving deep into historical silhouettes that would make any costume lover swoon.From the breathtaking Marie Antoinette gown adorned with hand-made silk flowers to the striking lilac python-skin dress, Christian breaks down the textures, textiles, and meticulous craftsmanship that shaped The Queen of Versailles into a feast of fashion, storytelling, and theatrical extravagance.-------The Queen of Versailles" is playing now through December 21, 2025 at the St. James Theatre. Head to queenofversaillesmusical.com to get your tickets now!

This week, it’s a party on the podcast because Tommy is joined by Lindsay Lohan, Kristin Chenoweth and Ian Harding, who star in Our Little Secret on Netflix. The movie is about a girl who goes to meet her boyfriend’s family for the very first time over Christmas. But also staying with his family is her ex-boyfriend, who is dating her current boyfriend’s sister. Two exes under one roof for Christmas. As you can imagine, chaos ensues. Today, Lindsay opens up about why she was attracted to this unconventional story, the moment in this film where she just had to pay homage to Regina George, reuniting with Tim Meadows (a.k.a. Principal Duvall) for this movie, why Ian and Kristin wanted to jump at the opportunity to work with Lindsay, Kristin’s advice on how to play the perfect villain, how Ian felt about playing the quintessential hunky holiday heartthrob, what their relationships are like with grief, how they put one foot in front of the other when grieving, why its important to keep the people around you who bring you true joy, thoughts on a Mean Girls Christmas movie, what they each are manifesting for 2025, and so much more.Subscribe, rate and review this episode if you enjoyed this conversation!See omnystudio.com/listener for privacy information.

MUSICApple Music released its year-end data, and 2025 was good to Kendrick Lamar. He and SZA had the top song of the year in the U.S., with "Luther". Morgan Wallen had a good year, too. We discuss the the Top 10:On the Global chart, the #1 song was "APT." by ROSE and Bruno Mars. "Luther" came in second. Even though Kendrick had a great year, he did NOT accomplish his main goal, which was to END DRAKE. He was Apple's most-streamed artist GLOBALLY in 2025. Willie Nelson is tired of the internet trying to kill him off . . . and he finally said so in the most Willie way possible. https://www.whiskeyriff.com/2025/12/01/willie-nelson-sounds-off-on-the-endless-amount-of-ai-slop-about-him-if-you-believe-those-death-stories-one-more-time/ Think you can dodge Wham! this holiday season? Think again. Whamageddon is the ultimate holiday survival game. The challenge? Make it till Christmas Eve without hearing Wham!'s “Last Christmas.” Sounds easy, right? Nope. This song is everywhere, from here on the radio to shops to the dentist's office. The rules are simple: if you hear the original 1984 version of the song, you're out and have to post your fail to #Whamageddon. But covers and remixes? Totally safe. The song is hard to escape … So, be careful out there. And good luck! https://www.aol.com/articles/think-beat-whamageddon-dodge-one-205519330.html?guccounter=1&guce_referrer=aHR0cHM6Ly9zdGF0aWNzLnRlYW1zLmNkbi5vZmZpY2UubmV0Lw&guce_referrer_sig=AQAAAE4LKFNU0obfYftLM3HS0I3IXT_4AMPdBHCN-dMHo1M-dws6Qq0VHTcF4fc2qyJdxXb02DCE_XrcWpU8FOGBgHrgBwDq-gfmY3loC0GtJOf9JCAIbMJrXuLpwLMz2lUYMDjtFC5REf3ACTxe5qsAYFGl2jfiv__btgFG-1mFXoNi TVThe Rockefeller Center Christmas Tree Lighting: The famous tree will be lit tonight during Christmas in Rockefeller Center, a two-hour special airing live from New York City on NBC and simulcast on Peacock. Reba McEntire is hosting the event, which includes performances by Marc Anthony, Halle Bailey, Michael Bublé, Kristin Chenoweth, Laufey, New Edition, Brad Paisley, Carly Pearce, Gwen Stefani, and the Radio City Rockettes. The tree will remain on display until mid-January 2026. "Full House" star Dave Coulier is going through another health battle. He beat Stage 3 Non-Hodgkin lymphoma seven months ago, and in October, doctors found TONGUE cancer during a routine scan. Dave shared the news on "Today" yesterday. Quote, "It turned out that I have P16 squamous carcinoma at the base of my tongue. I said to the doctors, 'Well, did this happen because of the lymphoma?' And they said, 'Totally unrelated.'" https://www.today.com/health/news/dave-coulier-tongue-cancer-rcna245598 "Stranger Things 5" had the second-biggest premiere of any Netflix original series. https://www.hollywoodreporter.com/tv/tv-news/stranger-things-5-premiere-week-ratings-netflix-1236438569/ David Letterman will interview Michael B. Jordan, Mr. Beast, and Jason Bateman on the new season of "My Next Guest Needs No Introduction". https://www.hollywoodreporter.com/tv/tv-news/letterman-netflix-guests-michael-b-jordan-mrbeast-jason-bateman-1236439487/ MOVING ON INTO MOVIE NEWS: If you keep up with Quentin Tarantino, you probably already know his deep love for "Toy Story 3". So it'll come as no surprise to see it on his list of the Top 20 Movies of the 21st Century. Tarantino set only one rule for himself: Only one film per director. Chuck Norris, at 85 years old, is still focused on fitness and recently posted a workout update on Instagram. https://www.cinemablend.com/television/chuck-norris-at-85-workout-update-didnt-know-i-needed AND FINALLYHate her or love her, you can't deny that Kim Kardashian knows a thing or two about business. That's why she has her own MasterClass launching tomorrow. https://www.tmz.com/2025/12/02/kim-kardashian-masterclass-business-ten-kimmandments/There's a sneak peek online that includes what she calls her Ten Kimmandments to building your brand and business.AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Classic episode goes back to 2021 with drummer Rich Rosenzweig. At the time, he was playing the drum chair for Company. Today, he is the drummer for Ragtime at Lincoln Center. Part One focuses on his early years, his training, and his path into the Broadway world.What we cover in this episode* How Rich transitioned from piano lessons to drums.* Growing up in a home filled with music and support for the arts.* Group snare drum lessons in grammar school and early practice habits.* Playing in the basement, practicing with records, and discovering big band.* Hearing Buddy Rich, Basie's band, and how those experiences shaped his sound.* Getting into jazz as a teenager and forming his first jazz groups.* Studying at UNC Chapel Hill and balancing music with a liberal arts education.* His obsession with film, film scores, and composers like Bernard Herrmann and Ennio Morricone.* Moving to New York with pianist Frank Kimbrough and building a freelance life.* Playing weddings, club dates, and the slow grind toward professional theater work.* Watching Ray Marchica play The Will Rogers Follies and learning what Broadway drumming really requires.* Subbing under conductor Eric Stern and facing a click track for the first time.* Landing his first Broadway chair on State Fair and what he learned from that experience.* Why Broadway drumming demands consistency, reading skills, groove, and a full understanding of the storytelling behind the music.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Why this episode matters* It gives a clear picture of how a Broadway drummer builds a career from scratch.* It highlights the mix of training, influences, timing, and relationships that shape a long career on Broadway.* It shows how jazz, film music, and classical Broadway scoring all feed into a drummer's approach and musical identity.* It offers practical insight for anyone who wants to pursue theater drumming at a high level.Part Two will be released next week.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Jess is joined by All I Want to Do Is Talk About Madonna co-host Mark Snyder for a 2025 revue of our favorite theater, films, and concerts. Topics— Wicked ambivalence, Kristin Chenoweth's rough year, a Chess revival, Oh Mary predictions, the Plainclothes film, the Lilith Fair documentary, Mike Albo's Hologram Boyfriends, Julio Torres' Color Theories, and Linda Perry's reunion with 4 Non Blondes. Plus— an in-memoriam for Diane Keaton & Jill Sobule, and major existential Madonna happenings in 2026. ⭐ IG: @jessxnyc | @markbsnyder2025 ⭐ Jess' docu-series on the rise & fall of SoulCycle — Cult of Body & Soul ⭐ Jess' docu-series on the history, mystique & lore of Fire Island — Finding Fire Island

Abby and Alex pick up where they left off last week, and talk through The Wiz and Wicked, in all of it's forms. Get Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Support your favorite podcast by wearing some haunting and highly specific clothing. Check out our merch store here. Consider joining our Patreon for bonus episodes, spooky literature and deep dives into horror and history. Click here to learn more. Follow us on TikTok, X, Instragram and YouTube. Join the conversation on Discord. Support us on Patreon. Support the show

Let's throw it back this week and revisit Lindsey's first-ever episode of From the Mezzanine, where she did a major deep dive into the history of WICKED on Broadway! In this episode, we break down the inspiration behind Wicked, how Idina Menzel and Kristen Chenoweth were cast in the roles of Elphaba and Glinda, and the ongoing success of the Broadway blockbuster musical!

Send us a textThanksgiving. Man. Again, pinchin' my dedgum self y'all. Thanksgiving for me is SO special because it revolves around being grateful. Being thankful. Knowing that we are blessed. Sometimes it may be hard to see the ground through the fog but with faith in your heart, there's no tellin' how many blessin's you can count. AND TY HERNDON is here to tell us all about it, folks. From his sensational song that ear wormed its way into my 44 year old self to this DAY.... to his brand new album with the likes of LeAnn Rimes, Michael Ray, Kristin Chenoweth, Brooke Eden, and Ashley McBryde. Like- FOR REAL. And doofus papa is here to talk about it all!!!!!Not to mention his BRAND NEW MEMOIR that isn't even released yet, y'all! 'What Mattered Most' An intimate, often hilarious but always sincere memoir from country legend Ty Herndon on his struggles with addiction, mental health, his career, relationships, and being the first openly gay male country superstar.This episode is from my heart to yours... and Ty's on this Thanksgiving eve. Remember to stay true to WHO YOU ARE. And then? Everything will fall into place. Love yall and God bless ya. papaThank you to our family of amazing sponsors! STATE FARM® INSURANCE AGENT Leigh Ann Arcuri https://ridewithla.com/ Ochsner Children's HospitalWww.ochsner.orgRouses MarkersWww.rousesmarkets.comSandpiper VacationsWww..sandpipervacations.comCafe Du Monde www.shop.cafedumonde.com The Law Firm of Forrest Cressy & James Www.forrestcressyjames.comComfort Cases Www.comfortcases.orgNew Orleans Ice Cream CompanyWww.neworleansicecream.comERA TOP REALTY: Pamela Breaux plbreaux@gmail.com

In this episode of “Half Hour,” we take a sharper look at the new Broadway musical The Queen of Versailles at the St. James Theatre, tracing Jackie and David Siegel's rise, their unfinished Orlando mega-mansion, and the show's transformation of Lauren Greenfield's documentary into a full-scale musical. We dig into Stephen Schwartz's score, Lindsey Ferrentino's book, and Michael Arden's staging, asking how the music, design, and performances serve the story's ideas about wealth, ambition, and collapse, with particular focus on sound design, vocal clarity, and the tension between flashy visuals and what the audience actually hears. We also examine Kristin Chenoweth's performance as Jackie, the ensemble around her, and the design team's scenic, lighting, and costume choices, before turning to how The Queen of Versailles may factor into this season's Tony Awards races and where it sits among the year's other large new musicals. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The dynamic husband-and-husband duo behind Brainstorm Theatrics, Frank Galgano and Matt Castle, blend musical storytelling with innovative orchestration, working with legends like Kristin Chenoweth and Carole King. Learn more about the unique synergy that fuels their artistic partnership, insightful musical dramaturgy and witty banter.Join our Patreon for ad-free early access to episodes, exclusive discounts, weekly Q&As, and so much more. Visit https://www.patreon.com/CreativeRiskPodcast today!Submit your story to Raw & Rising, the mini-series spotlighting hustling creatives—those self-producing, diversifying their income, and tackling challenges head-on. Visit www.artists-strategy.com/creative-risk to pitch your story today. —Thanks for listening!Join our email list for our weekly newsletter with deep insight on our personal artistic journeys: www.artists-strategy.com/signupSubscribe on Apple Podcasts: podcasts.apple.com/us/podcast/creative-risk/id1706381310Subscribe on Spotify: open.spotify.com/show/5hzvD8HgCjOo1NcA5zBDN4?si=404a2369523a45cbFollow Us on IG: www.instagram.com/creativeriskpod/Follow Us on TikTok: www.tiktok.com/@creativeriskpod— “CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts.

Today's episode is sparked by Host Steve V's new app, Connect & Confidence. Download it and get 20% Off now through Black Friday: Studio.com/stevev/connect In queer dating, do we overvalue chemistry and undervalue compatibility The hosts share what was at play when they met their partners...chemistry, compatibility or both... The hosts share when chemistry played the only factor and how that worked out for them Why queer men often confuse sexual magnetism with relational potential. Have you ever felt chemistry with someone who wasn't good for you at all? Chemistry can grow with emotional connection, trust, vulnerability, and quality time. Hot Topic: Kevin Spacey says he's struggling financially post allegations of sexual assault... Hot Topic: The Queen of Versailles with Kristin Chenoweth is closing amid awful reviews and the community turning against her... Hot Topic: Matt Rogers hard launches new relationship with a Bravolebrity at Bravocon and getting some undo backlash from the gays... Advice: We're sharing our favorite ways to ask a guy out...Follow Stevie on IG: @iam_stevevFollow Jeremy on IG: @jrosslopez Follow Lincoln on IG: @madlincoln Follow Protein Bakery on IG: @proteinbakery Rate and Review us!Wanna drop a weekly or one time tip to TAGSPODCAST - Show your love for the show and support TAGS! Visit our website: tagspodcast.com Needs some advice for a sex or relationship conundrum? Ask TAGS! DM US ON IG or https://www.talkaboutgaysex.com/contact Follow Of a Certain Age on IG: @ofacertainagepod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

A 16-year FBI employee claims he was fired for displaying a Pride flag at his desk, which he says was given to him by the bureau. The lawsuit accuses FBI Director Kash Patel and other agency leaders of violating his First Amendment rights and seeking to intimidate and silence LGBTQ employees nationwide. Scott MacFarlane reports. DEA administrator Terry Cole said "I think the strategy of an all hands approach, it's making a difference" after the Coast Guard had its largest seizure of cocaine in history. It comes after last month, President Trump criticized the Coast Guard's longtime approach of intercepting drugs at sea. Nicole Sganga reports. The National Women's Soccer League Championship is set for Saturday in San Jose, California. The matchup features the Washington Spirit, who lost in last year's final, and New York's Gotham FC. Kristin Chenoweth is starring in a new Broadway musical for the first time in a decade. She talks to "CBS Mornings" about the musical, "The Queen of Versailles." The "Wicked" star also reflects on her role as Glinda and talks about Ariana Grande's portrayal of the character in "Wicked: For Good." British singer-songwriter Lily Allen recently dropped her first album in seven years, "West End Girl." She spoke with Anthony Mason about her new music after heartbreak and her healing process. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Kristin Chenoweth talks 'Queen of Versailles'; Hundreds evacuated in Alaska after flooding; Thanksgiving food forecast: What to expect to pay this year. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kristin Chenoweth talks 'Queen of Versailles'; Hundreds evacuated in Alaska after flooding; Thanksgiving food forecast: What to expect to pay this year. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Shannon sits down for a catch-up with fellow podcaster and Breadwinning Housewife, Kenzie Elizabeth! They discuss the importance of dual-income households (this is a finance podcast) and dive into the latest pop culture happenings. The gurliepops chat Taylor and Travis, Kristen Chenoweth's National Anthem, Sabrina's album cover, and the end of Meghan Markle's podcast. Kenzie shares about her home brand, Friend of Mine, and her new hosting journals, and love for junk journaling. They talk about the truths of podcasting, and how easy, yet challenging it can be to stay consistent. Tune in for all the celebrtiy updates and giggles you need. TIMESTAMPS:00:00 Introduction and House Guest Chat01:17 Dual Income Household and Breadwinning Housewife03:24 Hosting and Home Decor04:58 Pop Culture Roundup16:00 Taylor Swift Level of Fame20:39 Kristin Chenoweth's National Anthem Performance27:48 Sabrina Carpenter Cover Art Drama34:15 Critiquing Art and Music36:35 Childhood Music Memories40:13 Meghan Markle's Podcast Controversy46:08 Podcasting Statistics + Quitting53:13 Balancing YouTube and Podcasting58:25 Foster Sisters and Celebrity Encounters01:08:39 Closing Remarks and FarewellLINKS:Follow Shannon: https://instagram.com/probablyshannon/Follow Kenzie: https://www.instagram.com/kenzieelizabeth/Shop Friend of Mine: https://www.shopfriendofmine.com/Follow Producer Courtney: https://instagram.com/whatsacourtney/Follow Probably A Podcast: https://instagram.com/probablyapodcast/Watch the full episode on YouTube: https://www.youtube.com/probablyshannonfordProduced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taylor Swift all smiles as she supports Travis Kelce at training camp kickoff in Nashville (Page Six) (22:53)How much do Dallas Cowboys Cheerleaders make? Breaking down their 400 percent salary increase (Page Six) (30:05)Kristin Chenoweth slammed for ‘horrible' national anthem performance during NBA Finals (Page Six) (46:09)Kim Kardashian and Fausto Puglisi on How the New Roberto Cavalli x Skims Swim Collection Came to Be (Vogue) (51:01)Carolyn Bessette-Kennedy's hair colorist breaks down what Ryan Murphy got wrong in ‘American Love Story' (Page Six) (56:01)Love Island USA Recap (1:05:55)The Toast with Jackie (@JackieOshry) and Natalie Joy Viall (@nnataliejjoy) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.