Podcast appearances and mentions of Kristin Chenoweth

Topics: a proper Saron intro, throwing the listeners off the baby scent, school's not stopping bullying, Zac Affleck the white walker himself, Saron's opinion on Tay's Zack Wickham take, Justin & Hailie on the rocks, Kristin Chenoweth's Nation Anthem, a waitress didn't know which drink had no alcoholSponsors:Mint Mobile: Get your summer savings and shop premium wireless plans at MINTMOBILE.com/TAYLORProlon: Visit ProlonLife.com/TOT to claim your 15% discount and your bonus giftArya: Visit Arya.fyi and use code TAYLOR for 15% off today.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taylor Swift all smiles as she supports Travis Kelce at training camp kickoff in Nashville (Page Six) (22:53)How much do Dallas Cowboys Cheerleaders make? Breaking down their 400 percent salary increase (Page Six) (30:05)Kristin Chenoweth slammed for ‘horrible' national anthem performance during NBA Finals (Page Six) (46:09)Kim Kardashian and Fausto Puglisi on How the New Roberto Cavalli x Skims Swim Collection Came to Be (Vogue) (51:01)Carolyn Bessette-Kennedy's hair colorist breaks down what Ryan Murphy got wrong in ‘American Love Story' (Page Six) (56:01)Love Island USA Recap (1:05:55)The Toast with Jackie (@JackieOshry) and Natalie Joy Viall (@nnataliejjoy) Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Headlines:  – Welcome to Mo News (02:00) – US Brokers Israel-Iran Ceasefire After 12-Day War (06:10)– Iran Strikes Largest U.S. Military Base In The Middle East (12:50) – Texas To Require Warning Labels On Food & 10 Commandments in Classrooms (29:10) – Voters Head To The Polls in NYC's Razor-Thin Mayoral Primary (34:00) – Rapper Fat Joe Accused Of Forcing Employee To Perform Sex Acts (40:30) – Sean “Diddy” Combs Not Expected To Testify At His Sex Trafficking Trial (42:00) – Kristin Chenoweth's Star Spangled Banner Raises Eyebrows (45:40) – On This Day In History (49:30) Thanks To Our Sponsors: – ZocDoc - Book Top-Rated Doctors  – LMNT - Free Sample Pack with any LMNT drink mix purchase – Industrious - Coworking office. 30% off day pass – Athletic Greens – AG1 Powder + 1 year of free Vitamin D & 5 free travel packs – Incogni - 60% off an annual plan| Promo Code: MONEWS – Saily - 15% off any data plan | Promo Code: MONEWS

After phone service resumed, callers discussed Boomer's accurate Tyrese Haliburton injury prediction and Gio's avoidance of the Mets' struggles. Fanatics-Fest amateur winner Matt called in. Peter Schwartz provided an update, addressing his son's "portal" status and a caller's "bag of problems" comment. He covered the Thunder's NBA Championship win, mixed reactions to Kristin Chenoweth's anthem, and the Yankees' victory over the Orioles with Jazz Chisholm's help. The segment ended with a comparison of Peter to Mr. Met and a discussion of the old Yankees mascot, "Dandy," plus a question about the Mets' slump-busting.

Hour 1 Boomer's predictions came true: Francisco Alvarez was sent down, and Tyrese Haliburton's calf injury became a season-ending Achilles injury. Kevin Durant was traded to the Rockets, finding out live at FanaticsFest. Peter Schwartz, filling in for Jerry, provided his first update, covering the Thunder's NBA Championship, Haliburton's injury, and KD's trade reaction. The Mets lost to the Phillies, falling out of first place, while the Yankees beat the Orioles thanks to Jazz Chisholm. Tom Brady won the Fanatics Games, distributing cash to fans. The hour ended with Keegan Bradley's Travelers Championship win. Hour 2 The Mets, after a rough night from David Peterson and series losses to the Rays, Braves, and Phillies, are now in second place. Francisco Alvarez was sent to Syracuse. Peter Schwartz provided an update, starting with the Thunder's NBA Championship win over Indiana. The Mets lost their series to the Phillies, while the Yankees won theirs against the Orioles. The segment concluded with questions about TMZ's coverage of Aaron Rodgers' wife and Travis Hunter's marriage without a prenuptial agreement. Hour 3 After phone service resumed, callers discussed Boomer's accurate Tyrese Haliburton injury prediction and Gio's avoidance of the Mets' struggles. Fanatics-Fest amateur winner Matt called in. Peter Schwartz provided an update, addressing his son's "portal" status and a caller's "bag of problems" comment. He covered the Thunder's NBA Championship win, mixed reactions to Kristin Chenoweth's anthem, and the Yankees' victory over the Orioles with Jazz Chisholm's help. The segment ended with a comparison of Peter to Mr. Met and a discussion of the old Yankees mascot, "Dandy," plus a question about the Mets' slump-busting. Hour 4 Woody Johnson is buying into Crystal Palace F.C. The show discussed the old Yankees mascot, Dandy. Callers disliked the Mets' joking during losses and pondered Boomer's QB helmet confusion. Peter Schwartz's final update covered the Thunder's NBA Championship, Tyrese Haliburton's Achilles injury, Mets' loss, and Yankees' win. The College World Series saw controversy. "Moment of The Day" was Peter being called "a bag of problems." The show ended discussing Joe Burrow's poor baseball throwing and Bengals contract situations.

What happens when you're brand new to NYC, hanging out between shows, and you meet someone who might change your life? That's exactly what happened to drummer Patrick Phalen.In this candid clip, Patrick shares how a simple hangout with Shannon Ford and Joshua Samuels, who were both playing Beetlejuice, introduced him to Emma Ford, who later offered him the chance to sub on Shucked. Fast forward, and he's now on the First National Tour.The episode drops on Saturday, June 21st!Listen on Apple Podcasts or Spotify⭐️ Please subscribe, rate, and review—it helps more people discover the show and supports what we're building with Broadway Drumming 101.Hit that follow button, tell a friend, and join us as we explore the real stories behind Broadway's pit musicians.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, Clayton chats with drummer Patrick Phelan IV, the current touring drummer for the Shucked First National Tour. Patrick shares how a random hangout in NYC led to his first Broadway subbing opportunity and how he's since built a career full of friendship, groove, and grit.We dive into his musical upbringing in Wisconsin, studying classical percussion at UW–Eau Claire, and how his early decision to leave veterinary studies for a life behind the drum kit changed everything. Patrick talks about balancing eight shows a week, playing pickleball and golf to stay sane on the road, and bleeding all over his snare in Dallas — literally.Patrick also opens up about:* His deep love for Yacht Rock and why he dreams of touring with Michael McDonald or Christopher Cross* Learning to play entire shows from Vimeo videos (with no charts!) — like his recent tour with Clay Aiken & Ruben Studdard* Why subbing on Shucked led to a national tour* Playing music for music's sake—not just for the showWhether you're a drummer, a theater musician, or someone trying to figure out how to break into the Broadway world, this episode is packed with real advice, honest stories, and some good laughs.Featured Topics:* Getting into musical theater through friendship and trust, not just auditions* Classical chops meeting country-pop grooves on Shucked* Why networking isn't just schmoozing—it's about real human connection* Staying musically inspired while playing the same show night after night* The role of joy, artistic outlets, and “pretending you're at your own rock concert” when playing in isolationAbout Patrick Phelan:Outside of Broadway, Patrick has toured internationally with Americana band Them Coulee Boys, recording the album Die Happy, which charted on the American Radio Album charts. He played for the Grammy-nominated Jazz Ensemble 1 at the University of Wisconsin–Eau Claire and performed at PASIC with the UWEC percussion quartet. Patrick also teaches private lessons in drum set, concert percussion, and piano.Connect with Patrick:Instagram: @patrickphelan4Email: patrickphelan4@gmail.comCheck out the Broadway Bound and Beyond book and merch!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Meanwhile... America's sweetheart Kristin Chenoweth gave new meaning to the term "fur baby," a hungry elephant gently broke into a grocery store for a snack, and Stephen marvels at the discovery of a 200-year-old condom. And science-lover Stephen Colbert brings you the latest science news in his long-running science-focused segment. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this classic episode of Broadway Drumming 101, I chat with the multi-talented percussionist Joshua Mark Samuels, whose Broadway journey spans from singing and dancing as a child in California to holding down chairs in some of the biggest shows on Broadway and Radio City.We initially chatted in October of 2021, but I wanted to share this episode again. It's funny, thought-provoking, and incredibly informative. Episode Highlights:* Early Musical Roots: Josh shares stories of growing up in L.A., starting drum lessons at the age of two and a half, and learning music theory from his legendary uncle, Dave Samuels.* Dual Passions: How Josh navigated his love for both performing on stage and playing in orchestras, eventually fusing both into a career in musical theater.* Cruise Ship Hustle: Becoming a music director at age 21 and realizing pit drumming was his true calling.* Move to NYC: Josh recounts his unexpected relocation to New York and how one subway ride introduced him to Broadway drummer Gary Seligson, kick-starting his networking journey.* Landing Marvelous Wonderettes & Godspell: Hear how obsessive preparation, transcriptions, and laser-focused practice helped Josh build a strong reputation as a sub.* Radio City Christmas Spectacular: What it's really like to play 200+ shows in two months with the Rockettes—and why this gig is one of the most demanding in the business.* Subbing Philosophy: Learn why being effective matters more than being right, how to take notes without ego, and why watching the conductor is non-negotiable.* Building a Career: Josh offers insight into the importance of relationships, people skills, and being someone others want to be around, on and off the bandstand.Key Takeaways:* “Subbing is a people game. It's not just about chops—it's about trust.”* “Obsessive preparation isn't about showing off—it's about honoring the gig.”* “You don't succeed on Broadway because you're the best player. You succeed because you're the best fit.”About Joshua Mark Samuels:Josh currently holds the drums/percussion chair at Maybe Happy Ending on Broadway. His resume includes work on notable productions such as Beetlejuice, Aladdin, Miss Saigon, Jersey Boys, Chaplin, Godspell, A Bronx Tale, and Sunset Boulevard, among others. He's performed all three percussion books (drums, timpani, mallets) at Radio City's Christmas Spectacular, and he's a respected clinician and educator with presentations at NYU, Carnegie Mellon, Rutgers, and Temple University.He proudly endorses Vic Firth, Sabian Cymbals, MalletKat, and TreeHouse Drums.Website: joshuamarksamuels.comSubscribe to Broadway Drumming 101 on your favorite podcast platform, and visit BroadwayDrumming101.com for more content, resources, and merch.Don't forget to rate, review, and share this episode with fellow musicians and theater fans!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Frank Zambrano didn't take the traditional path to a Broadway tour, but that's exactly what makes his journey so inspiring.In this episode, Frank shares:* Why his biggest advice is to get out of the musical theater bubble* The pivotal role the Broadway Percussion Seminar played in his development* A quote from Clint de Ganon that changed his mindset forever* How his second chance to play Kimberly Akimbo became a story of preparation, grit, and follow-through* What it took to turn theme park gigs and months of shadowing into a Broadway pit opportunityWhether you're an aspiring pit musician or just someone chasing a dream, Frank's story is packed with the kind of real-world advice that doesn't get taught in school.Listen now and hear how Frank made his second shot count.Subscribe to our YouTube channel – help us reach 1,000 subscribers by the end of June:

Q. Robinson on the 92nd episode of the Broadway Drumming 101 Inc. podcast: Tour LifeIn this episode of Broadway Drumming 101, Q. Robinson shares what it's really like on the road with a major musical. He talks about longer stays in each city, the physical and emotional toll of eight shows a week, and how the role of the drummer has shifted in modern theatre.Watch the full conversation in Episode 92.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Kristin Chenoweth said her dog is absolutely hers, George Clooney on his former ER castmate Noah Wyle and the rule don't apply when you are Dave Chappelle. We also chat about what we are watching, plus TV Tummy time and do you pee in the shower?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Correction…This Week's Podcast GuestHey everyone – quick note!Sorry about the last email. I had Frank Pagano on my mind while posting about this week's episode featuring Frank Zambrano. Both are incredible drummers who've been guests on Broadway Drumming 101, and I'm honored to share their stories.The title is fixed now. Thanks for rolling with it—and don't forget to check out the latest episode!

Things get real wild in this week's Say Whats Reel as Dom, ILL, and Q break down the 2015 psychological thriller The Boy Next Door, starring Jennifer Lopez and Ryan Guzman. What starts as a steamy one-night stand turns into a full-blown nightmare when a 19-year-old develops a terrifying obsession with his teacher — and trust us, it goes off the rails quick.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally recorded in October of 2021, this conversation with Sammy Merendino is a standout. Sammy is a Broadway veteran with decades of experience under his belt and a reputation for being one of the most reliable and musical drummers in the business.In this episode, we discuss:* Growing up in Akron, Ohio, and playing in several bands during his formative years.* What it was like auditioning for Chubby Checker and getting an 18-month tour.* The importance of playing live and playing with older and better players.* Going to a cattle call for a Billy Idol tour and his many second-place finishes.* How a $2.75 beer at the Prince Street Bar catapulted him to another level where he became the go-to guy for drum programming in New York City.* Meeting Larry Blackman and recoding ‘ Single Life' and eventually programming the drums for their breakout album “Word Up.”* Working on commercials in the morning, then off to do sessions with Hall and Oates in the afternoon, and Cameo later at night.* How he met Cyndi Lauper and got the drum chair at Kinky Boots.This is the kind of episode that every drummer trying to break into theater should hear. Sammy is full of practical wisdom, and his calm, grounded approach is something a lot of players can learn from.Sammy has recorded and/or performed with many top artists, including Cameo, Michael Jackson, Billy Joel, Cyndi Lauper, Foreigner, Lou Reed, Aretha Franklin, Ziggy Marley, Hall & Oates, The Beach Boys, Pat Metheny, Joan Osborne, Anita Baker, Sophie B. Hawkins, Carly Simon, Paul Rodgers, and many others. He has played on numerous Grammy-winning recordings and over 1,000 commercials and television themes, including Monday Night Football with Hank Williams Jr., Nightline, World News Tonight, and ABC Golf.Currently residing in Harlem, Sammy's turn-of-the-century brownstone is home to a state-of-the-art recording studio. Complete with Pro-tools HDX, Neve/API/BAE/ mic pre's and EQ's, vintage microphones, and compressors, his drums are always set up, and mic'd - ready to go!If you're serious about making a career in Broadway drumming, don't miss this one.Subscribe to Broadway Drumming 101 wherever you listen to podcasts, and visit broadwaydrumming101.com for more interviews, resources, and stories from the pit.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Episode 94 — Frank Pagano: From Glen Rock to the Broadway PitIn this must-hear episode of the Broadway Drumming 101 Podcast, I sit down with legendary drummer and percussionist Frank Pagano — a true veteran of both the concert stage and the Broadway scene.Frank's career reads like a who's who of the music industry. He's played with icons like Bruce Springsteen, Bette Midler, Al Green, and Phoebe Snow. On Broadway, his credits span from Leader of the Pack and The Who's Tommy to Smokey Joe's Cafe, Cry-Baby, The Pirate Queen, Good Vibrations, Fosse, Big River, Saturday Night Fever, and more. What you'll hear in this episode:* How a 4th-grade music demo sparked Frank's lifelong love of drums.* Growing up and gigging with the Vivino brothers (yes — that Jimmy Vivino).* What it was like studying percussion at Manhattan School of Music and later with Joe Morello and Justin DiCioccio.* His unusual path to Broadway — having a chair before ever subbing.* The real reason he pivoted to Broadway full-time: marriage, fatherhood, and health insurance.* Wisdom on subbing: play their show, not yours.* Lessons from playing percussion alongside killer drummers like Brian Brake.* Touring vs. pit life — the physical grind of the road versus the stability of Broadway.* How working with artists like Laura Nyro and Bruce Springsteen shaped his perspective on artistry and professionalism.* Advice for drummers who want to make it in New York: “Play with everyone. Play everything. Be early. Be likable. Be ready.”Frank's reflections on time, groove, and what it really means to be musical are some of the best insights I've heard on this show. This episode is for any drummer who wants to play on Broadway — and stay there.Watch more episodes on YouTubeListen on Apple Podcasts, Spotify, or wherever you get your podcastsLearn more about Frank Pagano: https://www.frankpagano.com/bioClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Some drummers can play the show. They've got it memorized. But throw them on a gig where they don't know the song? Where there's no chart, no click, no safety net?They freeze.In tomorrow's episode, Frank Pagano breaks down some of the things you'll need to know to have a long-lasting career. A musician can memorize a show and play it just fine, but if someone suddenly calls out a song on a different gig and you haven't played with lots of different bands before, you might have no clue what to do. That kind of experience is what really builds your skills.Playing Broadway is about more than just knowing the notes. It's about being a musician. A collaborator. Someone who listens, adapts, and brings the music to life—even when it's unfamiliar.This episode is essential listening for anyone chasing the Broadway dream, or any gig that demands more than muscle memory.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're bringing back a Broadway Drumming 101 Classic episode with Joe Choroszewski—a musician whose Broadway and live performance resume is as deep as it is diverse.Joe has been on drums for The Radio City Christmas Spectacular Starring The Rockettes for the past three seasons, performing hundreds of shows at one of the most iconic venues in the world. Before that, he spent an entire decade (2009–2019) anchoring the Off-Broadway hit Avenue Q at New World Stages, helping extend the legacy of the Tony Award-winning production long after its Broadway run.As a Broadway sub, Joe is in rare company—having performed on more than twenty Broadway productions, including The Lion King, Wicked, The Book of Mormon, Beetlejuice, Frozen, Beautiful – The Carole King Musical, Legally Blonde, Jagged Little Pill, Ain't Too Proud, Newsies, and more.Joe also stepped in to take over the drum chairs for Finding Neverland in 2016 and Promises, Promises in 2010, finishing the final runs of both Broadway productions. He was the drummer for the Off-Broadway run of Avenue Q and on tour, he performed in Joseph and the Amazing Technicolor Dreamcoat starring Patrick Cassidy. Joe was also on the first national tours of Avenue Q and Monty Python's Spamalot.In this episode, Joe shares insights from:* His time working with major artists like Heather Headley, Ariana DeBose, Cheyenne Jackson, Sutton Foster, and Chita Rivera* Backing cabaret icons like Natalie Douglas, Christina Bianco, and “Kenn Boisinger” (Michael West)* Playing for household names like Mario Cantone and Real Housewives star Luann de Lesseps* And his long-standing involvement in Broadway Cares/Equity Fights AIDS benefit eventsBeyond Broadway, Joe's played everywhere—from symphony halls (Princeton Symphony, Allentown Symphony) to cruise ship showbands (Carnival and Norwegian), weddings to worship bands, jazz trios to hard rock cover groups. He's also helped shape new musicals in development and has been a go-to regional drummer for ACT of Connecticut and Ridgefield Playhouse concerts.Education Spotlight:Joe holds a degree in Jazz Studies from the prestigious University of North Texas College of Music, where he studied for six semesters with drum legend Ed Soph. He continued his private study with another legend—Tommy Igoe—in New Jersey and is featured on Igoe's best-selling instructional DVD Great Hands For A Lifetime. Joe has been teaching privately for over 25 years and continues to share his knowledge as a guest clinician at schools and studios.Offstage, Joe lives in Somerset County, NJ, with his wife Giana, their three boys, and three dogs. He's an avid runner, a vintage drum collector, and a passionate Major League Baseball fan.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, we chat with touring legend Paul Hannah, whose career spans over four decades and countless genres—from orchestras to biker bars and Broadway pits to jazz trios.Paul began playing professionally at just 16, growing up in Las Vegas during a time when the mob ran the city and every hotel had a full orchestra. He learned firsthand from giants like Jerry Gilgor, Tommy Check, Leo Camera, Roger Rampton, and Walfredo de los Reyes. Later, he studied with titans like Vic Firth, Alan Dawson, and Alexander Lepak, preparing him for a career that's taken him across the U.S., Canada, Japan, and China.

In this episode of 'The Rachel Hollis Podcast,' we dive into the importance of having vision and purpose. Featuring valuable wisdom from Matthew McConaughey, who shares stories about perseverance, and Arnold Schwarzenegger, who discusses the significance of having a clear vision for success. The episode also includes insights on motivation and resilience from psychologist David Yeager, and Kristin Chenoweth's experiences with work ethic and mental health.Get your copy of Rachel's New Book Here: Audible, Amazon, Barnes & Noble, Books-A-Millon, Bookshop.org, or wherever books are sold!01:29 Introduction to the Mastermind Series02:17 Embracing Perseverance and Discipline03:12 Finding Reason in Everything05:41 The Importance of Gratitude and Perspective06:30 The Journey of Self-Improvement14:33 Adolescent Motivation and Social Learning24:30 Choosing the Right College26:23 The Importance of Mental Health28:12 Balancing Work and Personal Life30:07 Following Your Passion36:57 The Power of Vision45:21 Inspiration and Leadership48:28 Conclusion and CreditsSign up for Rachel's weekly email: https://msrachelhollis.com/insider/Call the podcast hotline and leave a voicemail! Call (737) 400-4626Watch the podcast on YouTube: https://www.youtube.com/c/RachelHollisMotivation/videosFollow along on Instagram: https://www.instagram.com/MsRachelHollis To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Paul Hannah is the latest guest on the 93rd episode of Broadway Drumming 101. In this episode (dropping May 10), Paul shares how he managed to live out nearly every dream he had in the music business, without ever relocating to New York City. From performing with top-tier jazz musicians to launching a successful Broadway-style career and securing a pension, his journey proves there's more than one path to success.Get his book: Show Drumming – An Expert's Guide to Theatre and TouringPaul's wisdom doesn't stop at the podcast. His new book,

Today, we're talking all about TV shows--our favorites, those we never finished, and our biggest recommendations. Reba is the queen of comfort shows, Peyton loves horror, and Caitlin keeps talking about Haven. We also talk about how everyone loves Ouran High School Host Club, Arrested Development was ahead of his time, Kristin Chenoweth is a national treasure, and Taylor Lautner could never replace Andy Samberg. Next week, we will be talking about book covers--the good, the bad, and the ugly.

Back when we were all stuck inside and Broadway had gone quiet, I had the pleasure of sitting down with the great Warren Odze—a true Broadway and NYC studio veteran. Re-listening to this interview in 2025, I'm reminded just how rich and inspiring Warren's stories are. Things have changed for the better since we first recorded, but this conversation holds up stronger than ever.Warren has played in an incredible list of Broadway shows, including:

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 – Episode: Quinton “Q.” Robinson (2025 Update)

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

Mark Consuelos and Kristin Chenoweth sit down for Kelly's Rapid Fire Round 4! Mark and Kristin join Kelly for a hilarious round of questions that reveal WAY more than what we expected! Mark tells all from his aspirations of being a race car driver, to the thing he can't leave home without (which annoys Kelly to no end), to what he thought when he first laid eyes on his co-host in life and love! Kristin tells us why her first client while performing as a singing telegram left her gobsmacked and how she inadvertently reverse harassed a famed Hollywood producer. She also shares a cautionary tale of tweeting on Ambien that could have left her jobless! And remember to stick around as Kelly answers listener's questions in a brand new, Ask Kelly. 

Special Guest: Danielle StevensFrasier is dismayed when his agent Bebe dumps him for a younger, hotter radio psychiatrist. Kristin Chenoweth steps in to try to fill the void. The Reversers go deep on the world of musicals and 9/11 era TV. 11m 32s-KACL Studios15m 16s-Frasier's Apartment20m 40s-Bebe's Office27m 38s-Frasier's Apartment Again32m 24s-KACL Studios Again36m 22s-Traffic Stop40m 40s-Athletic Club48m 14s-Tossed Salad & Scrambled Eggs51m 37s-Episode Ratings54m 44s-Rank the Ratings70m 28s-Previous PreviewFind us on Bluesky, Facebook, Instagram, TikTok, and Youtube or email us at ReversePsychPod@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

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In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

IT'S TIME TO CHAT! There has been A LOT happening in the Broadway stratosphere and we are covering it all on From the Mezzanine. First Lindsey catches you up on her latest Off-Broadway adventure, seeing All Nighter at MCC Theatre. Next, it's time to address the drama in The Outsiders fanbase. Broadway News:

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Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

Initially an actress ('Les Miserables', 'Aspects of Love', et al.), Merri found herself out West some years back where she quickly made a name for herself at Liberman/Hirschfeld Casting, then Liberman/Patton Casting, working on such shows as Seinfeld, Party of Five, HBO's Band of Brothers, the feature film My Big Fat Greek Wedding and the Miramax feature film "Playing By Heart", starring Sean Connery and Angelina Jolie.  In 2000, Merri moved to Dreamworks Studios as the Casting Executive in charge of TV Pilots and Series- including "Spin City", “Freaks and Geeks” and the critically acclaimed "The Job", starring Denis Leary. She was then offered a position as the Director of Casting for Dramas and Movies at ABC Television, overseeing the casting of the series "Alias", "NYPD Blue", "The Practice" and the made for television movies "Gilda Radner - It's Always Something" and "The Music Man", starring Matthew Broderick and Kristin Chenoweth, to name just a few.  Merri then returned to the East Coast to teach and coach actors – something she still does (and loves) as time permits, when Tara Rubin offered her a Senior Casting Director position where she's been happily ensconced ever since, working on, among many others - the Broadway, touring and international companies of THE WHO'S TOMMY, COMPANY, AIN'T TOO PROUD, JERSEY BOYS,THE PHANTOM OF THE OPERA, LES MISERABLES, SCHOOL OF ROCK, MISS SAIGON, A BRONX TALE, CLUELESS the Musical, TREVOR the Musical (2023 Artios Award) and FIDDLER ON THE ROOF (2024 Artios Award) The TRC office is also responsible for the casting of Billy Crystal's series “Before” for Apple TV and the Broadway productions of The Outsiders, SIX and Death Becomes Her, just to name a few  Merri also casts for many theaters regionally – including The Papermill Playhouse, Lyric Opera of Chicago,  The Old Globe, Seattle Rep, The Goodman and The La Jolla Playhouse.  She is the very proud Casting Director of the critically acclaimed web series SUBMISSIONS ONLY and also boasts having cast many other independent TV & film projects, workshops and readings. In 2024, Merri took on some passion projects on the side, as well. These include the highly acclaimed and starry concert production of “FOLLIES” at Carnegie Hall for Transport Group's annual benefit gala, and a reading of a new play at The Actors Studio written by Lyle Kessler (“Orphans”) and directed by Academy Award winner Bobby Moresco – starring Chazz Palminteri, Tim Blake Nelson and Gina Gershon. In addition, Merri is now also the Casting Director at The South Carolina New Play Festival. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

It’s the second-to-last episode of Season Five and what’s not to love about it? It’s Chris Colfer’s Glee writing debut, featuring many cute dogs and the legendary June Squibb! Jenna and Kevin are back breaking down everything they LOVE about this episode—not just on screen but behind the camera, like the storyline that was inspired by a hilarious Kristin Chenoweth story, the actor who kept ad-libbing and had the cast in stitches, and we hear from Chris himself! He shares what it was like working with living legends Squibb, Billy Dee Williams, and Tim Conway! For fun clips and more inside scoop, don't forget to follow us on Instagram @andthatswhatyoureallymissedpod!See omnystudio.com/listener for privacy information.

In this week's Theatre Chat episode, Jeff and Richie dive into the latest Broadway news. They discuss Rachel Zegler's casting in Evita, Jean Smart's return to Broadway, and Kristin Chenoweth's new musical, Queen of Versailles. They also explore Ashley Graham's Broadway debut, the upcoming season at Manhattan Theater Club, and current trends in Broadway grosses. Tune in for insights into the theater industry's exciting and challenging season ahead. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on all things Broadway on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

This is not a drill! April Rhodes is here! Kristen Chenoweth, the talented Emmy and Tony Award-winning actress is spreading glee and sunshine on the pod today! She joins Jenna and Kevin to spill about her time on 'Glee,' including sharing what it was like to work with Gwyneth Paltrow, aka Holly Holliday, during the show's 100th episode, the memorable moment from that day she won't forget, and her fun idea for a Glee reboot! Plus, Kristin reveals the flood of emotions that hit her while filming her cameo in the Wicked movie 22 years after first playing Glinda on Broadway, her review of 'Maybe Happy Ending' featuring Darren Criss, and a little scoop on her upcoming show, 'Queen of Versailles!'See omnystudio.com/listener for privacy information.

It's a quick episode for our Call It Crew all about low energy hobbies and why the topic hits Jess & Camilla the right way. Plus, hear how Kristin Chenoweth's passion for bedazzling gave Camilla the urge to try something new. See omnystudio.com/listener for privacy information.

Mark Consuelos and Kristin Chenoweth sit down for Kelly's Rapid Fire Round 4! Mark and Kristin join Kelly for a hilarious round of questions that reveal WAY more than what we expected! Mark tells all from his aspirations of being a race car driver, to the thing he can't leave home without (which annoys Kelly to no end), to what he thought when he first laid eyes on his co-host in life and love! Kristin tells us why her first client while performing as a singing telegram left her gobsmacked and how she inadvertently reverse harassed a famed Hollywood producer.  She also shares a cautionary tale of tweeting on Ambien that could have left her jobless! And remember to stick around as Kelly answers listener's questions in a brand new, Ask Kelly. 

New Year, New Calls — we're dissecting the iconic NYE programming (Kristin Chenoweth wants to do less... coke?!?) [Dianna] @AgronUpdates officially pulls the plug and is Alan Ritchson reportedly not as 'big' as previously reported? David Harbor and Lily Allen probably haven't actually broken up, meanwhile Paige DeSorbo and Craig Conover definitely have (and the Bravo world is shook!) Parris Goebel gets the Beyoncé half-time gig (and the NYT mag profile!), plus Lukas Gage smooches Anna Camp outside a resto. And we wouldn't leave you without a 'WHO'S MORE FAMOUSBIRTHDAYS.COM?' Game for January. Happy 2025! And as always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There? Plus, get a ton of bonus content over on Patreon.com/WhoWeekly. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices