Podcasts about Entangled

Hello, and welcome to Entangled! The podcast where we explore the science of consciousness, the true nature of reality, and what it means to be a spiritual being having a human experience. I'm your host Jordan Youkilis, and today I'm joined again by Dr. Peter Petropolus, in an interview recorded April 3, 2026.In this conversation, Dr. P and I discuss the RFK & Trump alliance and their battle against Deep State. We trace the origins of the Deep State back the British Empire's systems of control. We consider the American Revolution & Civil War and the role of foreign influence in those conflicts. Next, we discuss Israel, Iran, British Petroleum, and the importance of Middle Eastern control. We discuss Trump's ties to Jeffrey Epstein and the efforts he's taken to bring down global human trafficking networks.We consider the ties of between the City of London, drug & human trafficking, money laundering, war profiteering, and market manipulation. Peter describes the differences between the Anglo-Dutch Imperial economy and American economic philosophy. Next, we discuss the differences between the Board of Peace and the United Nations.From there, we consider the hoax of climate catastrophism and consider the practicality of alternative & free energies. Peter describes the importance of DOGE, identifying corruption in the system, and in breaking USAID & its associated NGOs. We then speculate as to whether JFK & RFK could have taken a different approach in the 60s to take down the British imperial system.Peter and I then describe this system coming out of WWII. We describe how the oligarchy has used color revolutions and civil unrest to divide nations and corrupt government institutions. We highlight the 2020 BLM / Summer of love riots and their usefulness in stealing the 2020 election through mail in ballots, electronic voting machines, & the COVID pandemic.Next, Peter assesses RFK Jr.'s first year in office. We discuss the importance of breaking the veil of disillusionment in the individual's journey for truth. From there, we discuss the ties of Jeffrey Epstein & Peter Mandelson, the 2008 Global Financial Crisis, and the importance of insider trading in facilitating wealth creation for the cabal. We focus on 9/11 and the financial crimes committed by Epstein and his associates. The conversation concludes with a discussion on the declassification of government corruption. The Outro is titled, “Iranian Liberation & the Fall of the British Empire”.Outros available for this and all episodes at entangledpodcast.substack.com, with supporting exhibits and footnotes. Music from the show available on the Spotify playlist “Entangled – The Vibes”.If you like the show, please drop a 5-star review and subscribe on Substack, YouTube, Spotify, Rumble, X, or wherever you listen to podcasts.Please enjoy the episode.Music: Intro/Outro: Ben Fox - “The Vibe”. End Credits: Nadaz – “Ajam Bliss”.Recorded: 4/3/2026. Published: 6/23/2026.Check out the resources mentioned:* Dancing Naked in the Mind Field by Kary Mullis: https://a.co/d/0beK0vSZ* Enough Already: Time to End the War on Terrorism by Scott Horton: https://a.co/d/04TiFBUc* Tragedy & Hope by Carroll Quigley: https://a.co/d/088uA8Vq* Killing Hope: US Military and CIA Interventions since World War II by William Blum: https://a.co/d/004kbzll* Empty Harvest: Understanding the Link Between Our Food, Our Immunity, and Our Planet by Bernard Jensen & Mark Anderson: https://a.co/d/06I8UPbk* Donald Trump Calls Into WWOR/UPN 9 News on 9/11: * Promethean Action: https://www.youtube.com/@PrometheanAction This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit entangledpodcast.substack.com

In this conversation, Andrew Sweeny sits down with author, scholar, and Cult of Personality host Greg Kaminsky to discuss his recent books The Silent Call of the Heart, Peregrine: Crossing Spiritual Boundaries to Find a New Home, and Entangled in Sunlight.The discussion explores Greg's journey from occult scholar and podcaster to committed spiritual practitioner, examining the limits of knowledge, the role of direct experience, and the challenges of spiritual transformation. Drawing on the teachings of Traktung Rinpoche, the conversation moves through topics such as knowledge and wisdom, the Garden of Eden, duality, the spiritual path, Vajrayana Buddhism, the relationship between emptiness and appearance, and the idea of an inner "silent call" that guides a person's life.The second half of the conversation focuses on Peregrine and the question of crossing spiritual boundaries. Can Westerners authentically practice Eastern traditions? Are spiritual paths tied to culture, geography, and ethnicity, or do they point toward something universal? Greg reflects on his own movement from Western esotericism and ceremonial magic into Buddhist Tantra, while discussing tradition, the guru-disciple relationship, and the search for a spiritual home.Topics include:• The transition from scholarship to spiritual practice• Knowledge, wisdom, and unknowing• Traktung Rinpoche and Vajrayana Buddhism• The Garden of Eden and the emergence of duality• One Ground, Two Paths, Two Results• Cataphatic and apophatic spirituality• Ego, surrender, and spiritual ambition• The meaning of The Silent Call of the Heart• The story of Little Luminous Blazing• East-West spirituality and cultural identity• Peregrine and crossing spiritual boundaries• Western esotericism, ceremonial magic, and Buddhist Tantra• Tradition, modernity, and finding a spiritual homeGreg Kaminsky is the author of numerous books on spirituality, religion, and esotericism, and the host of the Cult of Personality podcast.#GregKaminsky #Spirituality #Vajrayana #Buddhism #Mysticism #Esotericism #TraktungRinpoche #Philosophy #Religion #Parallax #CultOfPersonality #Occult #Meditation #EasternPhilosophy #WesternEsotericism

In this powerful episode, host Eric Bennett welcomes Lynn Arches-Rappaport, a Massachusetts teacher and grandmother, who shares her Near Death Experience (NDE) from nearly 50 years ago. While surfing in Puerto Rico, Lynn was caught in a brutal set of waves, slammed against a reef covered in sea urchins, and began drowning. At the moment she feared she wouldn't survive, she was pulled out of her body. ___________________Birch Natural MattressesPodcast Listeners Receive 20% - 30% OFFBirchLiving.com/Roundtrip____________________Her NDE included a vivid life review, a tunnel with a shadowy being, a welcoming group of entities, and the presence of both her deceased father, Jesus, and God, all bathed in an overwhelming sense of pure love and warmth unlike anything she had known on earth. Lynn describes her Near Death Experience as "more real than real" — a state of unconditional love so complete that it transformed her understanding of life, death, and her difficult childhood. She returned from her NDE with a mission to share her story and has since written a memoir, Entangled. Lynn also discusses the life lessons she believes souls choose before birth, and why she no longer fears death — viewing it instead as a homecoming to a place of permanent, boundless love. Video Version of This EpisodeRoundTripDeath.comDonate to this podcast: https://www.roundtripdeath.com/support/Lynn: https://www.lynnarchesauthor.com/

Hello, and welcome to Entangled! The podcast where we explore the science of consciousness, the true nature of reality, and what it means to be a spiritual being having a human experience. I'm your host Jordan Youkilis, and this is Part 1 of the new Entangled Series: Eyes Wide Open. Eyes Wide Open continues the conversation I had in episode 94 with John Coffey regarding Stanley Kubrick's film Eyes Wide Shut.Part 1 of the series begins with an overview of Eyes Wide Shut and the mysterious circumstances surrounding Kubrick's death. We continue with the testimony of human trafficking survivor Fiona Barnett: Candy Girl. Next, we discuss Meryl Streep, The Grand Dame of Hollywood Babylon. From there, Isaac Kappy Burns Down Hollywood Babylon. Then, we discuss Harvey Weinstein: The Pig Monster. Part 1 concludes with Ronan Farrow, Rose McGowan, & #MeToo.Outros available for this and all episodes at entangledpodcast.substack.com. Music from the show available on the Spotify playlist “Entangled – The Vibes”.If you like the show, please drop a 5-star review and subscribe on Substack, YouTube, Spotify, Rumble, X, or wherever you listen to podcasts.This is the biggest series we've published yet on Entangled. The content that follows is both intense and challenging, to put it mildly. But it's well past time we expose the men behind the curtain. Because as it will hopefully be made clear throughout this series, child trafficking is run as a single, integrated world operation. This operation is coordinated by the CIA. And that as we expose the king pins running this syndicate, we'll find that one leads to another to another to another. One leads to many.Please enjoy the episode.Music: Intro/Outro: Ben Fox - “The Vibe”. End Credits: Vic Sage – “Shut It Down”.Published: 6/9/26.Check out the resources mentioned:- Eyes Wide Shut: https://www.amazon.com/gp/video/detail/B000GOVK8Q/ref=atv_dp_share_cu_r- Fiona Barnett – ITNJ Testimony: - Eyes Wide Open by Fiona Barnett: https://archive.org/details/eyeswideopen-2020-edition/mode/2up- Isaac Kappy Livestream Archive: https://www.youtube.com/playlist?list=PL1U9nvTXdVdSJgJqZb0MjFzRM2GxmKVbC- Brave by Rose McGowan: https://a.co/d/064RW04f- Citizen Rose: https://www.amazon.com/gp/video/detail/B079HMLP6X/ref=atv_sr_fle_c_sra5ba81_2_1_2?sr=1-2&pageTypeIdSource=ASIN&pageTypeId=B079H5L466&qid=1780938801213- Catch & Kill by Ronan Farrow: https://a.co/d/022eRYo2- Catch and Kill: The Podcast Tapes: https://www.amazon.com/gp/video/detail/B0B8QD6HJJ/ref=atv_sr_fle_c_sra5ba81_1_1_1?sr=1-1&pageTypeIdSource=ASIN&pageTypeId=B0B8QW4HQR&qid=1780938869819- Allen v. Farrow: https://www.amazon.com/gp/video/detail/B0B7DGGTD4/ref=atv_sr_fle_c_src13fdd_1_1_1?sr=1-1&pageTypeIdSource=ASIN&pageTypeId=B0B7DC3ZX1&qid=1780938832027- Department of Justice: Epstein Files: https://www.justice.gov/epstein- The People's Voice: https://x.com/tpvsean This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit entangledpodcast.substack.com

This week we are reading one of the Bible's most famous disputes with God – Abraham's insistence that God should have mercy on Sodom for the sake of its righteous, found in Genesis 18:16-33. Now, we love mercy as much as the next guy, but this time around we wrestled with the profound entanglement of the righteous and the wicked in this story. There is no discussion here about simply stopping the wickedness in one way or another, or even just eliminating the people perpetrating wickedness while leaving the righteous alone – they are all in it together. But if mercy in this case basically means ignoring the land's outcry and letting the wickedness stand ... what does THAT mean for the innocent who continue to live there? In a modern society that so values individual autonomy, how do we think about the ways in which our fates are inextricably tied?  

We often say, "not my circus, not my monkeys."  We are reluctant to get involved with others.  Thann Bennett of The Equipped Newsletter and radio show challenges us that estrangement from others and their needs isn't good either.  God shows us how to get entangled with others. From a pastor jailed for preaching near an Irish hospital to a mass baptism, Billy Hallowell of CBN News and Faith Wire helps us see what God is doing in the world.   The Reconnect with Carmen and all Faith Radio are made possible by your support. Give now: Click here  

Il focolaio di Ebola scoppiato in Congo e arrivato anche in Uganda continua a diffondersi velocemente e la domanda che molti sembrano porsi è: dobbiamo preoccuparci? Ma forse è la domanda sbagliata. Perché abbiamo a che fare molto più con le cause che con le conseguenze questa epidemia. Intanto in Iran sta tornando Internet dopo mesi di blackout. E se arriverete fino in fondo ci sono due novità importanti: vi presento la mia nuova newsletter Entangled che mostra come tutte le notizie sono collegate tra loro, e Daniel Tarozzi ci racconta una puntata davvero molto interessante del podcast io non lascio tracce.INDICE:00:00:00 - Sommario00:01:00 - Cosa dobbiamo sapere sull'epidemia di ebola00:15:56 - Internet sta tornando, in Iran00:18:12 - Due cose che forse ti interessanoFonti: https://www.italiachecambia.org/podcast/epidemia-ebola/Iscriviti a "entangled - tutto è connesso": https://tuttoeconnesso.substack.com/p/tutto-e-connessoVuoi sostenere Io Non Mi Rassegno? Abbonati a Italia che Cambia.

Do dreams happen in our minds? What can lucid dreaming tell us about the nature of consciousness?  Dave Green is a London-based artist who creates drawings not FROM his dreams, but IN his dreams, which he re-creates upon waking. He's the author of Doodles In the Dark: An Artist's Guide to Lucid Dreaming & has participated in lucid & precognitive dream research with my other guest, Damon Abraham, PhD, a parapsychologist & the principal research scientist for the consciousness mobile app Entangled.  In this episode, Dave shows us how he uses lucid dreaming to create art WHILE he's dreaming & Dr. Abraham unpacks the science of the research behind it. You'll hear about the layers of lucid dreaming, when it becomes an out of body experience & how this may be connected to precognition, the debate about where consciousness lives & why Dave is hesitant to label himself as anything other than a lucid dreaming artist. If you liked this episode, you'll also like episode 308: HOW TO THINK IMPOSSIBLY: PRECOGNITION, POLTERGEISTS & TIME Guests:https://www.youtube.com/channel/UCEf56ussbNkUwXYOBjNQIqg https://www.instagram.com/davegreen5000/ https://x.com/davegreen5000 https://www.linkedin.com/in/damon-abraham-phd/https://entangled.org/ Sponsors: https://www.jordanharbinger.com/starterpacks/ https://www.historicpensacola.org/about-us/   0:00 — Dreams as Art: Meet Dave Green & Dr. Damon Abraham1:06 — Drawing Inside a Lucid Dream3:02 — Waking Yourself Up On Purpose3:26 — What Lucid Dreaming Actually Is5:02 — Control vs. Awareness in the Dream State7:04 — How Both Guests Discovered Lucid Dreaming8:56 — Is a Nightmare Origin Story the Norm?10:10 — Lucid Dreaming vs. Out-of-Body Experiences12:08 — Why "OBE" Is a Loaded Label15:03 — Do Dreams Happen Inside Your Head?18:23 — Researcher Hat vs. Experiencer Hat19:40 — Damon's OBE: The Bathroom Journal Story22:26 — The Lottie Dream Portrait Walkthrough28:22 — Precognition & Verifying What You See29:41 — Did the Telepathy Tapes Help This Research?32:14 — Lucid Dreaming Is More Common Than You Think35:11 — Brainwaves During a Lucid Dream36:20 — How Dave Navigates Dream Scenery39:11 — Dave's Portrait Technique41:23 — The Precognition Experiment Explained45:18 — The Temptation to Avoid Uncomfortable Conclusions48:50 — Is the Brain Generating or Receiving Consciousness?51:21 — Has This Changed How You See Reality?54:55 — The Real-World Utility of Lucid Dreaming58:16 — Dave's Dream Yoga Practice1:00:53 — Third Person Dreams & What They Mean1:01:44 — Giving a Dream Character a Pen1:04:57 — Why You Should Start a Dream Journal1:06:12 — Dave's Book & Dream Portraits1:07:33 — Damon's Entangled AppRequest to join my private Facebook Group, MFR Curious Insiders: https://www.facebook.com/share/g/1BAt3bpwJC/Follow me in all the places:https://www.meredithforreal.com/  https://www.instagram.com/the_curiousintrovert/ meredith@meredithforreal.comhttps://www.youtube.com/meredithforreal https://www.facebook.com/curiousintrovert

EVN ELLIS: Facing a total oil collapse, Cuba considers a U.S. aid offer for internet access while the state maintains Chinese listening stations and a tenuous military relationship with a distracted and entangled Russia. (9/16)1920 NEW ZEALAND

True Crime Tuesday presents The Treehouse: How To Rob A Bank/The True Story of Hollywood, The Bank Robber with FBI Agent, Shawn Johnson, and Ex-Convict/Author. Steven Myers! In the gray hues of Seattle, two men, Steven and Scott, are locked in a perilous journey beyond the law's reach. Entangled in a world of bank heists and fleeting loyalties, they chase redemption in a society relentless in pursuit. Amid adrenaline-fueled escapades and moral dilemmas, their kinship deepens, culminating in an unexpected bond. The tale traces their odyssey against the unforgiving backdrop of the law, culminating in the tragic end of Hollywood, a man who lived and died on his own terms, leaving a legacy entwined with the lives he touched.On Today's TCT, FBI Agent, Shawn Johnson and Bank Robbing Accomplice/Author, Steven Myers join the program to tell the story from two different sides of the Hollywood Bank Robber, Scott Scurlock!  We talk to both men about why the crime differed from so many other bank robberies... why Steven feels the crimes were "non-violent", despite the use of guns and threats, What made Scott Spurlock different from other criminals, and impressive feats he accomplished that even astonished law enforcement, and whether Hollywood could have had another life on the right side of the law!Get your copy of "The Treehouse ..." here:  https://bit.ly/433V1EkPLUS: AN ALL-NEW DUMB CRIMES/STUPID CRIMINALS WITH WAYNE D. Check out Wayne D. on social media!Instagram: https://www.instagram.com/heswayned/?hl=enFacebook: https://www.facebook.com/HesWayneD/X; https://x.com/HesWayneDIHeart:  https://thebig98.iheart.com/featured/wayne-and-tay/See the video of the Tampa officer finding the Heineken in a Happy Meal here:  https://www.wfla.com/news/hillsborough-county/video-tampa-officers-find-beer-can-in-happy-meal-during-dui-investigation/amp/For the first time, get ALL NEW TRUE CRIME TUESDAY GEAR!  Represent your favorite true crime podcast in style! There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Make sure you update your Darkness Radio Apple Apps!and subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennis#crime #truecrime #truecrimepodcasts #truecrimetuesday #shawnjohnson #fbi #stevenmyers #thetreehouse #thetruestoryofhollywoodthebankrobber #bankrobbery #armedrobbery #drugdealing #policeprocedure #drugsmuggling #murder #hellsangels #crimescene #forensicevidence #vaultrobbery #moneytrackers #explodingdyepacks #prostethicmakeup #seattlewashington #thetreehouse #dumbcrimesstupidcriminals #TimDennis #wayned #nashvillepredators #waynedandtaypodcast #saturdaynighthouseparrty #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes #pastalegobandit #sexcrimes 

True Crime Tuesday presents The Treehouse: How To Rob A Bank/The True Story of Hollywood, The Bank Robber with FBI Agent, Shawn Johnson, and Ex-Convict/Author. Steven Myers! In the gray hues of Seattle, two men, Steven and Scott, are locked in a perilous journey beyond the law's reach. Entangled in a world of bank heists and fleeting loyalties, they chase redemption in a society relentless in pursuit. Amid adrenaline-fueled escapades and moral dilemmas, their kinship deepens, culminating in an unexpected bond. The tale traces their odyssey against the unforgiving backdrop of the law, culminating in the tragic end of Hollywood, a man who lived and died on his own terms, leaving a legacy entwined with the lives he touched.On Today's TCT, FBI Agent, Shawn Johnson and Bank Robbing Accomplice/Author, Steven Myers join the program to tell the story from two different sides of the Hollywood Bank Robber, Scott Scurlock!  We talk to both men about why the crime differed from so many other bank robberies... why Steven feels the crimes were "non-violent", despite the use of guns and threats, What made Scott Spurlock different from other criminals, and impressive feats he accomplished that even astonished law enforcement, and whether Hollywood could have had another life on the right side of the law!Get your copy of "The Treehouse ..." here:  https://bit.ly/433V1EkPLUS: AN ALL-NEW DUMB CRIMES/STUPID CRIMINALS WITH WAYNE D. Check out Wayne D. on social media!Instagram: https://www.instagram.com/heswayned/?hl=enFacebook: https://www.facebook.com/HesWayneD/X; https://x.com/HesWayneDIHeart:  https://thebig98.iheart.com/featured/wayne-and-tay/See the video of the Tampa officer finding the Heineken in a Happy Meal here:  https://www.wfla.com/news/hillsborough-county/video-tampa-officers-find-beer-can-in-happy-meal-during-dui-investigation/amp/For the first time, get ALL NEW TRUE CRIME TUESDAY GEAR!  Represent your favorite true crime podcast in style! There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/Make sure you update your Darkness Radio Apple Apps!and subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennis#crime #truecrime #truecrimepodcasts #truecrimetuesday #shawnjohnson #fbi #stevenmyers #thetreehouse #thetruestoryofhollywoodthebankrobber #bankrobbery #armedrobbery #drugdealing #policeprocedure #drugsmuggling #murder #hellsangels #crimescene #forensicevidence #vaultrobbery #moneytrackers #explodingdyepacks #prostethicmakeup #seattlewashington #thetreehouse #dumbcrimesstupidcriminals #TimDennis #wayned #nashvillepredators #waynedandtaypodcast #saturdaynighthouseparrty #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes #pastalegobandit #sexcrimes 

In the gray hues of Seattle, two men, Steven and Scott, are locked in a perilous journey beyond the law's reach. Entangled in a world of bank heists and fleeting loyalties, they chase redemption in a society relentless in pursuit. Amid adrenaline-fueled escapades and moral dilemmas, their kinship deepens, culminating in an unexpected bond. The tale traces their odyssey against the unforgiving backdrop of the law, culminating in the tragic end of Hollywood, a man who lived and died on his own terms, leaving a legacy entwined with the lives he touched.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

If you ever wanted to mingle romantic suspense and "ghost ships," Elizabeth Goddard has you covered. Listen in to see how she got that idea and all the things. note: links may be affiliate links that provide me with a small commission at no extra expense to you. Learning all about this "Ghost Ship" stuff worked, how she wove it all together was awesome. I just LOVED this conversation Deadly Currents by Elizabeth Goddard  USA Today Bestselling Author Elizabeth Goddard Presents a Gripping Thrill Ride Investigative journalist Cressida Dane arrives in Hidden Bay after a worldwide journey to finish her late father's manuscript on shipwrecks. As she tries to discover the story behind the "ghost ship" Specter's Bounty, her only lead is a name her father left behind--Evelyn Monroe. As Cressida uncovers more about the ship, she quickly realizes that her research has placed her in the crosshairs of dangerous forces. County detective Braden Sanders is in Hidden Bay for one reason--to get his niece lifesaving medical treatment. To do that, he is assigned to protect Cressida from a revenge-driven enemy. Together, Braden and Cressida dig deeper to discern the myth from the facts surrounding the Specter's Bounty. But more is brewing under the surface than they could ever imagine. Entangled in secrets, they must unravel the past before the current sweeps away their future. Praise for the Hidden Bay Series"A thrilling ride, perfect for devouring in one sitting."--Lynette Eason, bestselling and award-winning author, on Storm Warning "Fans of Lynette Eason and Nancy Mehl will love this thrill-a-minute ride from Goddard."--Library Journal on Storm Warning Brace yourself for Elizabeth Goddard's final adrenaline-inducing installment in the Hidden Bay series. This clean romantic suspense combines maritime mystery with protective hero romance that readers of Dani Pettrey and Nancy Mehl will enjoy. Don't miss our first interview about this series HERE. Learn more about Elizabeth Goddard on her WEBSITE and follow her on BookBub and GoodReads. Like to listen on the go? You can find Because Fiction Podcast at: Apple Castbox Google Play Libsyn RSS Spotify Amazon and more!

The White House has nominated Lieutenant General Doug Schiess to become the third U.S. Space Force Chief of Space Operations. This nomination comes at a critical juncture, as allies race to develop sovereign space capabilities to reduce — or altogether avoid — dependence on the United States and its commercial service providers. Laura Winter speaks with Pacôme Révillon, CEO of Novaspace.

In this Adventure in Etymology we untangle the perplexing roots of the word perplexity. Perplexity [pəˈplɛksɪti / pəɹˈplɛksəti] is: The state or quality of being perplexed (puzzled, confused, bewildered) Something that perplexes. (information theory) A measure of how well a probability distribution or model predicts a sample. It comes from Middle English perplexite ([a state […]

This episode we have our great friend and mentor Cecil Burch on to talk about Entangled Fights. We also do an AAR of the NRA ARC Level 1 match that Eric shot recently. Support our one of our sponsors: Tenicor More about Cecil and IA CombativesCecil Burch teaches people to take immediate action when the fight is on.He is the founder of Immediate Action Combatives, specializing in clinch fighting, grappling, and weapons access in close-range encounters. His approach centers on decisive action, positional control, and finishing the problem in front of you.Cecil is a Brazilian Jiu-Jitsu black belt with a proven competition record, including podium finishes at the Pan-Ams, American Nationals, and World Masters at the black belt level.His background spans decades of training in grappling and striking, along with extensive work in weapons-based environments. This experience shapes his ability to integrate clinch, ground, and weapons access into a single, functional system.He teaches nationally and internationally, working with law enforcement, military personnel, and civilians who want skills they can apply under pressure. His instruction scales from new students to experienced practitioners.His standard is clear: take immediate action, establish control, and win

We have finished the Blackshear series and I need to lay down.

In the gray hues of Seattle, two men, Steven and Scott, are locked in a perilous journey beyond the law's reach. Entangled in a world of bank heists and fleeting loyalties, they chase redemption in a society relentless in pursuit. Amid adrenaline-fueled escapades and moral dilemmas, their kinship deepens, culminating in an unexpected bond. The tale traces their odyssey against the unforgiving backdrop of the law, culminating in the tragic end of Hollywood, a man who lived and died on his own terms, leaving a legacy entwined with the lives he touched.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

You've seen the Hollywood version of the Red Sea parting, but do you know the spiritual reason God led Israel into a dead end? Sometimes the "wrong direction" in the eyes of the world is the only way to see the "salvation of the Lord." Summary: In this deep dive into Exodus 14–18, we follow Israel out of Egypt and into the refining fires of the wilderness. We explore how Jehovah transforms a group of former slaves into a covenant people through trials of hunger, thirst, and war. The Red Sea Crossing: We analyze why God told Israel to "stand still" and see His power, and how the cloud that gave light to Israel was darkness to the Egyptians. The Wilderness of Sin: We address the "murmuring" of Israel and the miracle of Manna. We learn that God provides "daily bread" to teach us daily dependence on Him. Water from the Rock: We look at the symbolism of the smitten rock at Rephidim and how it points directly to the Living Water offered by Jesus Christ. Sustaining the Prophet: We study the battle with Amalek and the vital role of Aaron and Hur in holding up Moses' hands. We discuss how "sustaining" our leaders is an active, physical labor. The Wisdom of Jethro: We conclude with the organizational breakthrough in Exodus 18. Jethro teaches Moses (and us) that "this thing is too heavy for thee," showing the power of delegation and shared responsibility in the kingdom of God. Call-to-Action: Are you currently facing a "Red Sea" with Pharaoh's army behind you and nowhere to go? How has the Lord provided "manna" for you during a lean season of your life? Share your experiences in the comments! To keep your faith "Unshaken" as we approach the foot of Mount Sinai, please like, subscribe, and share this video. Chapter Timestamps: 0:00 Introduction 6:38 Entangled in Sin 16:45 Faith or Fear 22:19 Stand Still or Move Forward 27:50 Impossible Commands 38:03 Parting the Waters 52:30 Swallowed Up in the Sea 58:15 The Sea of Faith 1:04:42 The Song of Moses 1:21:52 Murmuring at Marah 1:32:25 Manna from Heaven 1:59:14 Memorializing the Manna 2:06:49 More Murmuring 2:18:01 Sustaining the Prophet 2:42:11 Jethro, Moses, & the Blessings of Extended Family 2:52:22 What the Lord Has Done 2:56:49 Learning to Lead: Doing For or Doing To 3:12:34 Teach Correct Principles and Let Them Govern Themselves 3:46:06 Learning to Delegate

In tonights message, we look at four different kinds of entanglement. Foolish debates, False doctrine, fleshly defilement, and frivolous distractions. These are things we cannot avoid happening in our lives, but with Christ's help, we can avoid being entangled in these things, and overcome them in our daily spiritual battles.

Prolific playwrights Mona Mansour and Emily Zemba recently debuted Entangled: 12 Scenes in a Circle K off the I-40 in New Mexico. The play, which was directed by Scott Ilingworth, premiered at HERE Arts Center and is presented by SOCIETY Theatre Company. SOCIETY is a collective of theatre makers creating new research-driven, radically collaborative works. This episode was recorded March 23, 2026. Read the New York Times piece about quantum entanglement, https://www.nytimes.com/2022/10/10/science/black-holes-cosmology-hologram.html Dan Hooper's podcast that was mentioned is Why This Universe? Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of QAV, Cameron Reilly and Tony Kyneston navigate a world of "prolonged conflict" and "supply disruptions," examining the ripple effects of Middle East tensions on global oil, fertilizer, and food security. They dive deep into Australia's precarious fuel security, noting the country holds significantly less than the internationally mandated 90-day buffer. The investment discussion focuses on the "Pulled Pork" of the week, **BSP Financial Group (BFL)**, the largest bank in Papua New Guinea and the South Pacific, which Tony argues is unfairly valued as a high-risk "frontier" stock despite its dominant market share and high return on equity. The duo also discusses the RBA's interest rate dilemma, the "Wild West" of Gen Z using unregulated AI for financial advice, and the 2018 MIT experiment proving quantum entanglement.

Love rarely collapses because of one dramatic conflict — more often, relationships slowly lose their balance through subtle shifts in closeness and space. In this reflective episode, we explore the quiet tension between togetherness and autonomy, and why many of us grow up believing that love means constant proximity. But this conversation goes deeper than relationship advice. It's about the evolving relationship we have with ourselves, and why solitude, reflection, and personal space are essential for creativity, clarity, and growth. Through this reflection, you'll be invited to reconsider what healthy love really looks like — and how conscious partnerships allow two people to stay deeply connected without losing themselves.

On the latest Whisper in the Wings from Stage Whisper, we welcome on several of the artists behind Society Theatre Company's production of Entangled: 12 Scenes in a Circle K off the I-40 in New Mexico. Director Scott Illingworth, actor Rosa Gilmore, and co-writers Mona Mansour and Emily Zemba were so wonderful to chat with about this fantastic new work. So make sure that you hit play and get your tickets today!Society Theatre Company PresentsEntangled: 12 Scenes in a Circle K off the I-40 in New MexicoMarch 11th-29th @ HERE Arts CenterTickets and more information are available at here.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: here.orgsocietytheatre.com@societytheatreco

When someone dies, there's a script.When you get divorced, there isn't.No ritual.No defined role.No socially approved space to grieve someone who is still alive.In this episode, we unpack why divorce grief is neurologically and socially different from death — and why so many women feel stuck for years without understanding why.We talk about:The three ways divorce grief disrupts the nervous systemWhy “stages of grief” don't fully apply hereThe self-esteem hit that makes you ask, “Why wasn't I enough?”Why many support groups validate you… but don't actually help you healAnd we introduce something deeper — what we mean when we say divorce grief is quantum.Not mystical. Not abstract.Layered. Overlapping. Entangled.Your past self, your present body, and your future identity are all grieving at once. Your nervous system is still wired to seek comfort from the person you're trying to let go of.Divorce grief doesn't move in stages.It moves in waves.There may be no meal train for this kind of loss.But you don't have to grieve it alone.If this episode resonated, your next step is simple: don't stay isolated in it.Join us inside the Cocoon community in the Heartbeat app, come to a Cocoon Connect, or take one deeper step into your healing.Because this kind of grief doesn't resolve with time...It resolves with support.We'll meet you there.Facebook: https://www.facebook.com/MyCoachDawnInstagram: (@dawnwiggins)Instagram: (@coachtiffini)On the Web: https://www.mycoachdawn.comA podcast exploring the journey of life after divorce, delving into topics like divorce grief, loneliness, anxiety, manifesting, the impact of different attachment styles and codependency, setting healthy boundaries, energy healing with homeopathy, managing the nervous system during divorce depression, understanding the stages of divorce grief, and using the Law of Attraction and EMDR therapy in the process of building your confidence, forgiveness and letting go.Support the show✨Join the Cocoon Community - your people are waiting! ✨

Canada's main teacher federation says violence in classrooms has reached a crisis point. From class size to the lingering effects of pandemic shutdowns, the reasons vary. But they say violence in the classroom is increasing — even with some educators wearing Kevlar.Plus: A top U.S. trade official says Canada may need to face a future with tariffs, regardless of what comes out of upcoming CUSMA renegotiations. The comments follow a State of the Union speech by President Donald Trump, in which he put America's trade partners on notice, and suggested the revenue generated from import levies could one day replace income taxes for U.S. citizens.And: Why a changing environment may be linked to increased harm for the West Coast humpback whale population in Canada and the USPlus: Poilievre's trade message reset, Mexico steps up security, the Pentagon's Anthropic ultimatum, and more.

Hello everyone,Todays episode is called The Entangled Mermaid. And is a Dutch fairytale by William Elliot Griffis.If you enjoy listening to these stories, please do leave an Apple review so we can grow and reach more people.Sweet Dreams. Lucy ❤#SleepStories #BedtimeStories #GuidedMeditation #Relaxation #Calm #Mindfulness #MeditationPodcast #SleepPodcast #Folktales #FairyTales #Storytelling #SoothingVoices #SleepAid #RelaxingStories #Tranquility #DriftOffToSleep

Entangled in a nexus of commerce, industry, food security, and environmental concerns, palm oil has become a prominent topic of controversy and debate. In this episode, Dr. Ayu Pratiwi illuminates the complicated reality behind the controversy by introducing the University of Turku research project "Good and Bad Palm Oil: Food Security, Paradigm Shift and Stakeholder Negotiations in Indonesia and the EU." What is good and what is bad about palm oil, and what is the recent paradigm shift in its status between Southeast Asia and Europe? Dr. Ayu Pratiwi is a Docent in economic geography at the Department of Marketing and International Business and Senior Researcher at the Department of Biodiversity Sciences at the University of Turku. Ari-Joonas Pitkänen is a Doctoral Researcher at the Centre for East Asian Studies, University of Turku. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway). We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Entangled in a nexus of commerce, industry, food security, and environmental concerns, palm oil has become a prominent topic of controversy and debate. In this episode, Dr. Ayu Pratiwi illuminates the complicated reality behind the controversy by introducing the University of Turku research project "Good and Bad Palm Oil: Food Security, Paradigm Shift and Stakeholder Negotiations in Indonesia and the EU." What is good and what is bad about palm oil, and what is the recent paradigm shift in its status between Southeast Asia and Europe? Dr. Ayu Pratiwi is a Docent in economic geography at the Department of Marketing and International Business and Senior Researcher at the Department of Biodiversity Sciences at the University of Turku. Ari-Joonas Pitkänen is a Doctoral Researcher at the Centre for East Asian Studies, University of Turku. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway). We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Entangled in a nexus of commerce, industry, food security, and environmental concerns, palm oil has become a prominent topic of controversy and debate. In this episode, Dr. Ayu Pratiwi illuminates the complicated reality behind the controversy by introducing the University of Turku research project "Good and Bad Palm Oil: Food Security, Paradigm Shift and Stakeholder Negotiations in Indonesia and the EU." What is good and what is bad about palm oil, and what is the recent paradigm shift in its status between Southeast Asia and Europe? Dr. Ayu Pratiwi is a Docent in economic geography at the Department of Marketing and International Business and Senior Researcher at the Department of Biodiversity Sciences at the University of Turku. Ari-Joonas Pitkänen is a Doctoral Researcher at the Centre for East Asian Studies, University of Turku. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway). We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Magnets have been replacing potentiometers in a variety of places for a while now, especially as Hall effect and TMR joysticks have started popping up in fancy game controllers. Now magnetic switches are becoming more common in mice and mechanical keyboards, and Will has spent some time with new products in both of those categories, so we figured it was a good time to lay out how these kinds of switches work, how resistant to wear and electrical "bouncing" they are, what the heck a transducer is, whether there's quantum mechanics involved or not, and what effect these new switches are going to have on the input devices of the future.Show notes for this episode: https://tinyurl.com/techpod-326-mag-switches Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, a monthly bonus episode, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

Josh loves his job as a full-time novelist, but writing and working from home don't give him many opportunities to meet people. So he decides to try a dating site and connects with a woman named Hannah. After months of conversation and growing closer, Hannah tells Josh about her cryptocurrency investments and encourages him to invest as well. Over time, he puts in more than $100,000 and watches his money grow. When he tries to withdraw money from his account, it is frozen and Hannah disappears. Panicked, Josh searches for help online and finds a company that claims to trace and recover stolen crypto funds. The tragedy only deepens when he turns to family for help paying the company's fees.  

What if the American Revolution was never just an American story? Historian Ronald Angelo Johnson helps us uncover the deep connections between the American and Haitian Revolutions to reveal how both revolutions emerged from the same Atlantic imperial struggle for empire, racialized power, and war. Using details from his book Entangled Alliances, Ron will guide us from the Treaty of Paris in 1763 to the Siege of Savannah in 1779, where hundreds of Black soldiers from French Saint Domingue landed on Georgia's shores—not as enslaved laborers, but as uniformed volunteers ready to fight for American Independence. Ron's Website | Book |Show Notes: https://www.benfranklinsworld.com/433 EPISODE OUTLINE00:00:00  Introduction00:01:08  Episode Overview00:04:50 The Treaty of Paris 1763 and its Impact00:09:09 Consequences of the Seven Years' War for Saint Domingue00:18:39 Saint Domingue Society Post-Seven Years' War00:24:32 French Imperial Reaction vs. Local Resentment00:28:36 Circulation of News Between British North America & Saint Domingue00:39:22 France's Strategy to Assist American Revolutionaries00:50:42 Reception of the Chasseurs Volontaires Regiment in Georgia00:54:42 Re-evaluating the American Revolution00:57:32 Time Warp01:05:38 ConclusionRECOMMENDED NEXT EPISODES

2 Peter 2:17-22 (ESV)Andrew, Isack, and Edwin jump to the end of the chapter to discuss what is at stake if we refuse to make every effort to grow in Christ.Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=24380The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

During The Lamb Lies Down on Broadway Tour, Peter Gabriel informed his Genesis bandmates that he would be leaving once his touring duties were fulfilled. While this was disappointing to the band, some members of the press heralded it as the end of Genesis. However, Tony Banks, Mike Rutherford and Steve Hackett could all contribute to the songwriting as could their wily drummer, Phil Collins. So the band forged ahead and began and exhaustive search for lead singers. To make a long story short, they figured out that Phil had the kind of voice they were looking for and decided it best if he came out from behind the drum kit to be the lead singer. While sometimes replacing the lead singer can cause a revolt of hardcare fans, it actually opened up the band for greater success in the US as they found his funny, entertaining style more fun than the serious, artsy Gabriel. Their first post-Gabriel effort was A Trick of the Tail, a gathering of 8 eclectic songs that hold them to their progressive roots but also branch out into more radio friendly material. The opener Dance on a Volcano let's Hackett and Banks bounce off each other in bombastic proggy fashion while the follow up Entangled is a more lilting back and forth. And it adds a bit of humor as does Robbery, Assault and Battery which lets Collins adjust his accent for different characters. Ripples is a lovely song that would portend more like it in the coming years and Los Endos is a great way to end the album (and a concert). Of course we talk about all the politics, go track x track and discuss how this album started them on a more pop path, one that would end up with them on top of the rock /pop world 10 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello, and welcome to Entangled! The podcast where we explore the science of consciousness, the true nature of reality, and what it means to be a spiritual being having a human experience. I'm your host Jordan Youkilis, and in this episode, I'm joined by my friend, John Coffey, for the second installment of the John Coffey Chronicles.In this conversation, John and I discuss Stanley Kubrick's film Eyes Wide Shut. Kubrick's final film, considered by many his magnum opus, portrays the dark reality of the psychopathic oligarchy that runs our world. John takes us through the movie, scene by scene, and highlights the themes that occur throughout the film. Recurring themes that include mind control, demon worship, pedophilia, and Satanic, ritualistic abuse.In the subsequent episode, “Eyes Wide Open”, I'll share testimony from MK-Ultra child trafficking survivors Fiona Barnett and Anneke Lucas. Their stories – like thousands of other survivors – validates the truths that Kubrick revealed in his film. Truths that far too many of us have chosen to ignore, by keeping our eyes wide shut, rather than confronting them head on.No more. The oligarchy's time is done, and all lies will be revealed.Outros available for this and all episodes at entangledpodcast.substack.com. Music from the show available on the Spotify playlist “Entangled – The Vibes”.If you like the show, please drop a 5-star review and subscribe on Substack, YouTube, Spotify, Rumble, X, or wherever you listen to podcasts. Please enjoy the episode!Music: Intro/Outro: Ben Fox - “The Vibe”. End Credits: Roie Shpigler – “Burning Silence”.Recorded: 12/4/24. Published: 2/6/26.Outro: “Eyes Wide Open” continues with episode 95.Check out the resources mentioned:* Eyes Wide Shut directed by Stanley Kubrick: https://tubitv.com/movies/599629/eyes-wide-shut* Wake the Dead with Sean McCann - Fidelio Experiment Deciphered: * Kubrick's Odyssey (Trilogy) directed by Jay Weidner: https://www.primevideo.com/detail/Kubricks-Odyssey-I/0I9ZY6L7B5IR73YLQ0NME94CDQ, https://www.primevideo.com/detail/0I1BQWCQF5M812KGX2TNGKYW0J/ref=atv_dp_amz_c_TS8274d9_1_4?jic=16%7CCgNhbGwSA2FsbA%3D%3D, https://www.amazon.com/Clockwork-Shining-Kubricks-Odyssey/dp/B0DLSLPMP7* Room 237: https://www.justwatch.com/us/movie/room-237-being-an-inquiry-into-the-shining-in-9-parts* The Return of the Gods by Jonathan Cahn: https://www.amazon.com/Return-Gods-Jonathan-Cahn/dp/1636411428* Hollywood Decoded – “Eyes Wide Shut”: https://www.gaia.com/video/kubricks-eyes-wide-shut* David Icke's Books: https://www.bookseriesinorder.com/david-icke/* Crow777: https://www.youtube.com/@Crrow777 This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit entangledpodcast.substack.com

During The Lamb Lies Down on Broadway Tour, Peter Gabriel informed his Genesis bandmates that he would be leaving once his touring duties were fulfilled. While this was disappointing to the band, some members of the press heralded it as the end of Genesis. However, Tony Banks, Mike Rutherford and Steve Hackett could all contribute to the songwriting as could their wily drummer, Phil Collins. So the band forged ahead and began and exhaustive search for lead singers. To make a long story short, they figured out that Phil had the kind of voice they were looking for and decided it best if he came out from behind the drum kit to be the lead singer. While sometimes replacing the lead singer can cause a revolt of hardcare fans, it actually opened up the band for greater success in the US as they found his funny, entertaining style more fun than the serious, artsy Gabriel. Their first post-Gabriel effort was A Trick of the Tail, a gathering of 8 eclectic songs that hold them to their progressive roots but also branch out into more radio friendly material. The opener Dance on a Volcano let's Hackett and Banks bounce off each other in bombastic proggy fashion while the follow up Entangled is a more lilting back and forth. And it adds a bit of humor as does Robbery, Assault and Battery which lets Collins adjust his accent for different characters. Ripples is a lovely song that would portend more like it in the coming years and Los Endos is a great way to end the album (and a concert). Of course we talk about all the politics, go track x track and discuss how this album started them on a more pop path, one that would end up with them on top of the rock /pop world 10 years later. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Epstein files have been released and as things trickle out it seems Bill Gates is getting caught up in what people have been able to go through so far.  Visit the Howie Carr Radio Network website to access columns, podcasts, and other exclusive content.

Send Us Your Prayer Requests --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Even before we get to introduce ourselves by name, our hair has already started to tell stories about who we are, where we are from and where we are at. Our hair is tangled up in the interplay of race, gender, class, nationality, sexuality, power and beauty. It is an avid storyteller and a consummate performer - whether we like it or not. If our hair could talk, what stories would it tell about us? (Dis)entangled: Black Hair, Race, and Identity (Coronet, 2025) delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring - through a collection of diverse experiences - the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.Through the voices of those who have walked this textured path, the book ultimately seeks to empower readers to embrace their own unique journey of self-discovery, one strand at a time. This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has just been published (2025, Oxford University Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Maggie's recovery story will resonate with runners and women who learned to equate control, performance, and worth with staying small. After years of restriction, being told she was “healthy,” and struggling to maintain cycles while trying to conceive, Maggie realized recovery required more than willpower.Through the Restore Program, coaching, and community inside The HA Society, she learned to let go of body control, navigate weight gain, and rebuild trust in her body, even when the process wasn't linear. Her story is a powerful reminder that healing often begins when we give ourselves permission to honor what our bodies actually need.Apply for the Restore Your Fertility Group Program | Starts January 19th 2026https://thehasociety.com/restore-liveWork 1:1 with us to get your period backhttp://thehasociety.com/coachingVisit us on YouTubehttps://youtube.com/c/danisheriffFollow us on IGhttp://instagram.com/thehasocietyhttp://instagram.com/danisheriffThe Content is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician.Support this podcast at — https://redcircle.com/the-hypothalamic-amenorrhea-podcast/donations

.SURVIVAL STORY: WOMAN OUTLASTS SNAKE TRAPPED IN HER SHOE Colleague Jeremy Zakis. In Southwest Sydney, a woman survived a bite from a deadly eastern brown snake that became entangled in the loop of her trainer shoe. Displaying remarkable calm, she remained still to slow the venom's spread while waiting for emergency services. A snake catcher carefully removed the heat-stressed reptile before the woman was treated at a hospital. Zakisnotes that her quick thinking and composure likely saved her life.

Kat Owens is a plastic pollution researcher, artist, and activist. She merges science, policy, and the arts to address plastic pollution in her ongoing art series “Entangled and Ingested” which showcases portraits of animals affected by plastic pollution…made of plastic. Owens is also a National Geographic Explorer, a Fulbright Nehru fellow, and a Professor at the University of Hartford in the Department of Politics, Economics, and International Studies. Owens works with her students on a variety of projects to address real-world problems, such as collecting marine debris and addressing pollution along their hometown shorelines in Connecticut. Owen’s research in marine plastic pollution and river debris has been supported by the National Oceanic and Atmospheric Administration, the Fulbright Nehru Foundation, and the National Geographic Society.See omnystudio.com/listener for privacy information.

Why do some romance authors build decades-long careers while others vanish after one breakout book? What really separates a throwaway pen name and rapid release strategy from a legacy brand and a body of work you're proud of? How can you diversify with trad, indie, non-fiction, and Kickstarter without burning out—or selling out your creative freedom? With Jennifer Probst. In the intro, digital ebook signing [BookFunnel]; how to check terms and conditions; Business for Authors 2026 webinars; Music industry and AI music [BBC; The New Publishing Standard]; The Golden Age of Weird. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jennifer Probst is a New York Times, USA Today, and Wall Street Journal bestselling author of over 60 books across different kinds of romance as well as non-fiction for writers. Her latest book is Write Free. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes How Jennifer started writing at age 12, fell in love with romance, and persisted through decades of rejection A breakout success — and what happened when it moved to a traditional publisher Traditional vs indie publishing, diversification, and building a long-term, legacy-focused writing career Rapid-release pen names vs slow-burn author brands, and why Jennifer chooses quality and longevity Inspirational non-fiction for writers (Write Naked, Write True, Write Free) Using Kickstarter for special editions, re-releases, courses, and what she's learned from both successes and mistakes – plus what “writing free” really means in practice How can you ‘write free'? You can find Jennifer at JenniferProbst.com. Transcript of interview with Jennifer Probst Jo: Jennifer Probst is a New York Times, USA Today, and Wall Street Journal bestselling author of over 60 books across different kinds of romance as well as non-fiction for writers. Her latest book is Write Free. So welcome, Jennifer. Jennifer: Thanks so much, Joanna. I am kind of fangirling. I'm really excited to be on The Creative Penn podcast. It's kind of a bucket list. Jo: Aw, that's exciting. I reached out to you after your recent Kickstarter, and we are going to come back to that in a minute. First up, take us back in time. Tell us a bit more about how you got into writing and publishing. Jennifer: This one is easy for me. I am one of those rarities. I think that I knew when I was seven that I was going to write. I just didn't know what I was going to write. At 12 years old, and now this will kind of date me in dinosaur era here, there was no internet, no information on how to be a writer, no connections out there. The only game in town was Writer's Digest. I would go to my library and pore over Writer's Digest to learn how to be a writer. At 12 years old, all I knew was, “Oh, if I want to be a famous writer, I have to write a book.” So I literally sat down at 12 and wrote my first young adult romance. Of course, I was the star, as we all are when we're young, and I have not stopped since. I always knew, since my dad came home from a library with a box of romance novels and got in trouble with my mum and said, basically, “She's reading everything anyway, just let her read these,” I was gone. From that moment on, I knew that my entire life was going to be about that. So for me, it wasn't the writing. I have written non-stop since I was 12 years old. For me, it was more about making this a career where I can make money, because I think there was a good 30 years where I wrote without a penny to my name. So it was more of a different journey for me. It was more about trying to find my way in the writing world, where everybody said it should be just a hobby, and I believed that it should be something more. Jo: I was literally just going back in my head there to the library I used to go to on my way home from school. Similar, probably early teens, maybe age 14. Going to that section and… I think it was Shirley Conran. Was that Lace? Yes, Lace books. That's literally how we all learned about sex back in the day. Jennifer: All from books. You didn't need parents, you didn't need friends. Amazing. Jo: Oh, those were the days. That must have been the eighties, right? Jennifer: It was the eighties. Yes. Seventies, eighties, but mostly right around in the eighties. Oh, it was so… Jo: I got lost about then because I was reminiscing. I was also the same one in the library, and people didn't really see what you were reading in the corner of the library. So I think that's quite funny. Tell us how you got into being an indie. Jennifer: What had happened is I had this manuscript and it had been shopped around New York for agents and for a bunch of publishers. I kept getting the same exact thing: “I love your voice.” I mean, Joanna, when you talk about papering your wall with rejections, I lived that. The only thing I can say is that when I got my first rejection, I looked at it as a rite of passage that created me as a writer, rather than taking the perspective that it meant I failed. To me, perspective is a really big thing in this career, how you look at things. So that really helped me. But after you get like 75 of them, you're like, “I don't know how much longer I can take of this.” What happened is, it was an interesting story, because I had gone to an RWA conference and I had shopped this everywhere, this book that I just kept coming back to. I kept saying, “I feel like this book could be big.” There was an indie publisher there. They had just started out, it was an indie publisher called Entangled. A lot of my friends were like, “What about Entangled? Why don't you try more digital things or more indie publishers coming up rather than the big traditional ones?” Lo and behold, I sent it out. They loved the book. They decided, in February of 2012, to launch it. It was their big debut. They were kind of competing with Harlequin, but it was going to be a new digital line. It was this new cutting-edge thing. The book went crazy. It went viral. The book was called The Marriage Bargain, and it put me on the map. All of a sudden I was inundated with agents, and the traditional publishers came knocking and they wanted to buy the series. It was everywhere. Then it hit USA Today, and then it spent 26 weeks on The New York Times. Everybody was like, “Wow, you're this overnight sensation.” And I'm like, “Not really!” That was kind of my leeway into everything. We ended up selling that series to Simon & Schuster because that was the smart move for then, because it kind of blew up and an indie publisher at that time knew it was a lot to take on. From then on, my goal was always to do both: to have a traditional contract, to work with indie publishers, and to do my own self-pub. I felt, even back then, the more diversified I am, the more control I have. If one bucket goes bad, I have two other buckets. Jo: Yes, I mean, I always say multiple streams of income. It's so surprising to me that people think that whatever it is that hits big is going to continue. So you obviously experienced there a massive high point, but it doesn't continue. You had all those weeks that were amazing, but then it drops off, right? Jennifer: Oh my goodness, yes. Great story about what happened. So 26 weeks on The New York Times, and it was selling like hotcakes. Then Simon & Schuster took it over and they bumped the price to their usual ebook price, which was, what, $12.99 or something? So it's going from $2.99. The day that they did it, I slid off all the bestseller lists. They were gone, and I lost a lot of control too. With indies, you have a little bit more control. But again, that kind of funnels me into a completely different kind of setup. Traditional is very different from indie. What you touched on, I think, is the biggest thing in the industry right now. When things are hot, it feels like forever. I learned a valuable lesson: it doesn't continue. It just doesn't. Maybe someone like Danielle Steel or some of the other big ones never had to pivot, but I feel like in romance it's very fluid. You have genres hitting big, you have niches hitting big, authors hitting big. Yes, I see some of them stay. I see Emily Henry still staying—maybe that will never pause—but I think for the majority, they find themselves saying, “Okay, that's done now. What's next?” It can either hit or not hit. Does that make sense to you? Do you feel the same? Jo: Yes, and I guess it's not just about the book. It's more about the tactic. You mentioned genres, and they do switch a lot in romance, a lot faster than other genres. In terms of how we do marketing… Now, as we record this, TikTok is still a thing, and we can see maybe generative AI search coming on the horizon and agentic buying. A decade ago it might have been different, more Facebook ads or whatever. Then before that it might have been something else. So there's always things changing along the way. Jennifer: Yes, there definitely is. It is a very oversaturated market. They talk about, I don't know, 2010 to 2016 maybe, as the gold rush, because that was where you could make a lot of money as an indie. Then we saw the total fallout of so many different things. I feel like I've gone through so many ups and downs in the industry. I do love it because the longer you're around, the more you learn how to pivot. If you want this career, you learn how to write differently or do whatever you need to do to keep going, in different aspects, with the changes. To me, that makes the industry exciting. Again, perspective is a big thing. But I have had to take a year to kind of rebuild when I was out of contract with a lot of things. I've had to say, “Okay, what do you see on the horizon now? Where is the new foundation? Where do you wanna restart?” Sometimes it takes a year or two of, “Maybe I won't be making big income and I cut back,” but then you're back in it, because it takes a while to write a few new books, or write under a pen name, or however you want to pivot your way back into the industry. Or, like you were saying, diversifying. I did a lot of non-fiction stuff because that's a big calling for me, so I put that into the primary for a while. I think it's important for authors to maybe not just have one thing. When that one thing goes away, you're scrambling. It's good to have a couple of different things like, “Well, okay, this genre is dead or this thing is dead or this isn't making money. Let me go to this for a little while until I see new things on the horizon.” Jo: Yes. There's a couple of things I want to come back to. You mentioned a pen name there, and one of the things I'm seeing a lot right now—I mean, it's always gone on, but it seems to be on overdrive—is people doing rapid-release, throwaway pen names. So there's a new sub-genre, they write the books really fast, they put them up under whatever pen name, and then when that goes away, they ditch that pen name altogether. Versus growing a name brand more slowly, like I think you and I have done. Under my J.F. Penn fiction brand, I put lots of different sub-genres. What are your thoughts on this throwaway pen name versus growing a name brand more slowly? Jennifer: Well, okay, the first thing I'm goign to say is: if that lights people up, if you love the idea of rapid release and just kind of shedding your skin and going on to the next one, I say go for it. As long as you're not pumping it out with AI so it's a complete AI book, but that's a different topic. I'm not saying using AI tools; I mean a completely AI-written book. That's the difference. If we're talking about an author going in and, every four weeks, writing a book and stuff like that, I do eventually think that anything in life that disturbs you, you're going to burn out eventually. That is a limited-time kind of thing, I believe. I don't know how long you can keep doing that and create decent enough books or make a living on it. But again, I really try not to judge, because I am very open to: if that gives you joy and that's working and it brings your family money, go for it. I have always wanted to be a writer for the long term. I want my work to be my legacy. I don't just pump out books. Every single book is my history. It's a marking of what I thought, what I put out in the world, what my beliefs are, what my story is. It marks different things, and I'm very proud of that. So I want a legacy of quality. As I got older, in my twenties and thirties, I was able to write books a lot faster. Then I had a family with two kids and I had to slow down a little bit. I also think life sometimes drives your career, and that's okay. If you're taking care of a sick parent or there's illness or whatever, maybe you need to slow down. I like the idea of a long-term backlist supporting me when I need to take a back seat and not do frontlist things. So that's how I feel. I will always say: choose a long, organic-growth type of career that will be there for you, where your backlist can support you. I also don't want to trash people who do it differently. If that is how you can do it, if you can write a book in a month and keep doing it and keep it quality, go for it. Jo: I do have the word “legacy” on my board next to me, but I also have “create a body of work I'm proud of.” I have that next to me, and I have “Have you made art today?” So I think about these things too. As you say, people feel differently about work, and I will do other work to make faster cash rather than do that with books. But as we said, that's all good. Interestingly, you mentioned non-fiction there. Write Free is your latest one, but you've got some other writing books. So maybe— Talk about the difference between non-fiction book income and marketing compared to fiction, and why you added that in. Jennifer: Yes, it's completely different. I mean, it's two new dinosaurs. I came to writing non-fiction in a very strange way. Literally, I woke up on New Year's Day and I was on a romance book deadline. I could not do it. I'll tell you, my brain was filled with passages of teaching writing, of things I wanted to share in my writing career. Because again, I've been writing since I was 12, I've been a non-stop writer for over 30 years. I got to my computer and I wrote like three chapters of Write Naked (which was the first book). It was just pouring out of me. So I contacted my agent and I said, “Look, I don't know, this is what I want to do. I want to write this non-fiction book.” She's like, “What are you talking about? You're a romance author. You're on a romance deadline. What do you want me to do with this?” She was so confused. I said, “Yes, how do you write a non-fiction book proposal?” And she was just like, “This is not good, Jen. What are you doing?” Anyway, the funny story was, she said, “Just send me chapters.” I mean, God bless her, she's this wonderful agent, but I know she didn't get it. So I sent her like four chapters of what I was writing and she called me. I'll never forget it. She called me on the phone and she goes, “This is some of the best stuff I have ever read in my life. It's raw and it's truthful, and we've got to find a publisher for this.” And I was like, “Yay.” What happened was, I believe this was one of the most beautiful full circles in my life: Writer's Digest actually made me an offer. It was not about the money. I found that non-fiction for me had a much lower advance and a different type of sales. For me, when I was a kid, that is exactly what I was reading in the library, Writer's Digest. I would save my allowance to get the magazine. I would say to myself, “One day, maybe I will have a book with Writer's Digest.” So for me, it was one of the biggest full-circle moments. I will never forget it. Being published by them was amazing. Then I thought I was one-and-done, but the book just completely touched so many writers. I have never gotten so many emails: “Thank you for saying the truth,” or “Thank you for being vulnerable.” Right before it published, I had a panic attack. I told my husband, “Now everybody's going to know that I am a mess and I'm not fabulous and the world is going to know my craziness.” By being vulnerable about the career, and also that it was specifically for romance authors, it caused a bond. I think it caused some trust. I had been writing about writing for years. After that, I thought it was one-and-done. Then two or three years later I was like, “No, I have more to say.” So I leaned into my non-fiction. It also gives my fiction brain a rest, because when you're doing non-fiction, you're using a different part of your brain. It's a way for me to cleanse my palate. I gather more experiences about what I want to share, and then that goes into the next book. Jo: Yes, I also use the phrase “palate cleanser” for non-fiction versus fiction. I feel like you write one and then you feel like, “Oh, I really need to write the other now.” Jennifer: Yes! Isn't it wonderful? I love that. I love having the two brains and just giving one a break and totally leaning into it. Again, it's another way of income. It's another way. I also believe that this industry has given me so much that it is automatic that I want to give back. I just want to give as much as possible back because I'm so passionate about writing and the industry field. Jo: Well, interestingly though, Writer's Digest—the publisher who published that magazine and other things—went bankrupt in 2019. You've been in publishing a long time. It is not uncommon for publishers to go out of business or to get bought. Things happen with publishers, right? Jennifer: Yes. Jo: So what then happened? Jennifer: So Penguin Random House bought it. All the Writer's Digest authors did not know what they were going to do. Then Penguin Random House bought it and kept Writer's Digest completely separate, as an imprint under the umbrella. So Writer's Digest really hasn't changed. They still have the magazine, they still have books. So it ended up being okay. But what I did do is—because I sold Write Naked and I have no regrets about that, it was the best thing for me to do, to go that route—the second and the third books were self-published. I decided I'm going to self-publish. That way I have the rights for audio, I have the rights for myself, I can do a whole bunch of different things. So Write True, the second one, was self-published. Writers Inspiring Writers I paired up with somebody, so we self-published that. And Write Free, my newest one, is self-published. So I've decided to go that route now with my non-fiction. Jo: Well, as I said, I noticed your Kickstarter. I don't write romance, so I'm not really in that community. I had kind of heard your name before, but then I bought the book and joined the Kickstarter. Then I discovered that you've been doing so much and I was like, “Oh, how, why haven't we connected before?” It's very cool. So tell us about the Kickstarters you've done and what you know, because you've done, I think, a fiction one as well. What are your thoughts and tips around Kickstarter? Jennifer: Yes. When I was taking that year, I found myself kind of… let's just say fired from a lot of different publishers at the time. That was okay because I had contracts that ran out, and when I looked to see, “Okay, do we want to go back?” it just wasn't looking good. I was like, “Well, I don't want to spend a year if I'm not gonna be making the money anyway.” So I looked at the landscape and I said, “It's time to really pull in and do a lot more things on my own, but I've got to build foundations.” Kickstarter was one of them. I took a course with Russell Nohelty and Monica Leonelle. They did a big course for Kickstarter, and they were really the ones going around to all the conferences and basically saying, “Hey guys, you're missing out on a lot of publishing opportunities here,” because Kickstarter publishing was getting good. I took the course because I like to dive into things, but I also want to know the foundation of it. I want to know what I'm doing. I'm not one to just wing it when it comes to tech. So what happened is, the first one, I had rights coming back from a book. After 10 years, my rights came back. It was an older book and I said, “You know what? I am going to dip my foot in and see what kind of base I can grow there. What can I do?” I was going to get a new cover, add new scenes, re-release it anyway, right? So I said, “Let's do a Kickstarter for it, because then I can get paid for all of that work.” It worked out so fantastically. It made just enough for my goal. I knew I didn't want to make a killing; I knew I wanted to make a fund. I made my $5,000, which I thought was wonderful, and I was able to re-release it with a new cover, a large print hardback, and I added some scenes. I did a 10-year anniversary re-release for my fans. So I made it very fan-friendly, grew my audience, and I was like, “This was great.” The next year, I did something completely different. I was doing Kindle Vella back in the day. That was where you dropped a chapter at a time. I said, “I want to do this completely different kind of thing.” It was very not my brand at all. It was very reality TV-ish: young college students living in the city, very sexy, very angsty, love triangles, messy—everything I was not known for. Again, I was like, “I'm not doing a pen name because this is just me,” and I funnelled my audience. I said, “What I'm going to do is I'm going to start doing a chapter a week through Kindle Vella and make money there. Then when it's done, I'm going to bundle it all up and make a book out of it.” So I did a year of Kindle Vella. It was the best decision I made because I just did two chapters a week, which I was able to do. By one year I had like 180,000 words. I had two to three books in there. I did it as a hardback deluxe—the only place you could get it in print. Then Vella closed, or at least it went way down. So I was like, “Great, I'm going to do this Kickstarter for this entire new thing.” I partnered with a company that helps with special editions, because that was a whole other… oh Joanna, that was a whole other thing you have to go into. Getting the books, getting the art, getting the swag. I felt like I needed some help for that. Again, I went in, I funded. I did not make a killing on that, but that was okay. I learned some things that I would have changed with my Kickstarter and I also built a new audience for that. I had a lot of extra books that I then sold in my store, and it was another place to make money. The third Kickstarter I used specifically because I had always wanted to do a writing course. I go all over the world, I do keynotes, I do workshops, I've done books, and I wanted to reach new writers, but I don't travel a lot anymore. So I came up with the concept that I was going to do my very first course, and it was going to be very personal, kind of like me talking to them almost like in a keynote, like you're in a room with me. I gathered a whole bunch of stuff and I used Kickstarter to help me A) fund it and B) make myself do it, because it was two years in the making and I always had, “Oh, I've got this other thing to do,” you know how we do that, right? We have big projects. So I used Kickstarter as a deadline and I decided to launch it in the summer. In addition to that, I took years of my posts from all over. I copied and pasted, did new posts, and I created Write Free, which was a very personal, essay-driven book. I took it all together. I took a couple of months to do this, filmed the course, and the Kickstarter did better than I had ever imagined. I got quadruple what I wanted, and it literally financed all the video editing, the books, everything that I needed, plus extra. I feel like I'm growing in Kickstarter. I hope I'm not ranting. I'm trying to go over things that can help people. Jo: Oh no, that is super useful. Jennifer: So you don't have to go all in and say, “If it doesn't fund it's over,” or “I need to make $20,000.” There are people making so much money, and there are people that will do a project a year or two projects a year and just get enough to fund a new thing that they want to do. So that's how I've done it. Jo: I've done quite a few now, and my non-fiction ones have been a lot bigger—I have a big audience there—and my fiction have been all over the place. What I like about Kickstarter is that you can do these different things. We can do these special editions. I've just done a sprayed-edge short story collection. Short story collections are not the biggest genre. Jennifer: Yes. I love short stories too. I've always wanted to do an anthology of all my short stories. Jo: There you go. Jennifer: Yes, I love that for your Kickstarter. Love it. Jo: When I turned 50 earlier this year, I realised the thing that isn't in print is my short stories. They are out there digitally, and that's why I wanted to do it. I feel like Kickstarter is a really good way to do these creative projects. As you say, you don't have to make a ton of money, but at the end of the day, the definition of success for us, I think for both of us, is just being able to continue doing this, right? Jennifer: Absolutely. This is funding a creative full-time career, and every single thing that you do with your content is like a funnel. The more funnels that you have, the bigger your base. Especially if you love it. It would be different if I was struggling and thinking, “Do I get an editor job?” I would hate being an editor. But if you look at something else like, “Oh yes, I could do this and that would light me up, like doing a course—wow, that sounds amazing,” then that's different. It's kind of finding your alternates that also light you up. Jo: Hmm. So were there any mistakes in your Kickstarters that you think are worth sharing? In case people are thinking about it. Jennifer: Oh my God, yes. So many. One big thing was that I felt like I was a failure if I didn't make a certain amount of money because my name is pretty well known. It's not like I'm brand new and looking. One of the big things was that I could not understand and I felt like I was banging my head against the wall about why my newsletter subscribers wouldn't support the Kickstarter. I'm like, “Why aren't you doing this? I'm supposed to have thousands of people that just back.” Your expectations can really mess with you. Then I started to learn, “Oh my God, my newsletter audience wants nothing to do with my Kickstarter.” Maybe I had a handful. So then I learned that I needed longer tails, like putting it up for pre-order way ahead of time, and also that you can't just announce it in your newsletter and feel like everybody's going to go there. You need to find your streams, your Kickstarter audience, which includes ads. I had never done ads either and I didn't know how to do that, so I did that all wrong. I joined the Facebook group for Kickstarter authors. I didn't do that for the first one and then I learned about it. You share backer updates, so every time you go into your audience with a backer update, there's this whole community where you can share with like-minded people with their projects, and you post it under your updates. It does cross-networking and sharing with a lot of authors in their newsletters. For the Write Free one, I leaned into my networking a lot, using my connections. I used other authors' newsletters and people in the industry to share my Kickstarter. That was better for me than just relying on my own fanbase. So definitely more networking, more sharing, getting it out on different platforms rather than just doing your own narrow channel. Because a lot of the time, you think your audience will follow you into certain things and they don't, and that needs to be okay. The other thing was the time and the backend. I think a lot of authors can get super excited about swag. I love that, but I learned that I could have pulled back a little bit and been smarter with my financials. I did things I was passionate about, but I probably spent much more money on swag than I needed to. So looking at different aspects to make it more efficient. I think each time you do one, you learn what works best. As usual, I try to be patient with myself. I don't get mad at myself for trying things and failing. I think failing is spectacular because I learn something. I know: do I want to do this again? Do I want to do it differently? If we weren't so afraid of failingqu “in public”, I think we would do more things. I'm not saying I never think, “Oh my God, that was so embarrassing, I barely funded and this person is getting a hundred thousand.” We're human. We compare. I have my own reset that I do, but I really try to say, “But no, for me, maybe I'll do this, and if it doesn't work, that's okay.” Jo: I really like that you shared about the email list there because I feel like too many people have spent years driving people to Kindle or KU, and they have built an email list of readers who like a particular format at a particular price. Then we are saying, “Oh, now come over here and buy a beautiful hardback that's like ten times the price.” And we're surprised when nobody does it. Is that what happened? Jennifer: Exactly. Also, that list was for a non-fiction project. So I had to funnel where my writers were in my newsletter, and I have mostly readers. So I was like, “Okay…” But I think you're exactly right. First of all, it's the platform. When you ask anybody to go off a platform, whether it's buy direct at your Shopify store or go to Kickstarter, you are going to lose the majority right there. People are like, “No, I want to click a button from your newsletter and go to a site that I know.” So you've got that, and you've got to train them. That can take some time. Then you've got this project where people are like, “I don't understand.” Even my mum was like, “I would love to support you, honey, but what the heck is this? Where's the buy button and where's my book?” My women's fiction books tend to have some older readers who are like, “Hell no, I don't know what this is.” So you have to know your audience. If it's not translating, train them. I did a couple of videos where I said, “Look, I want to show you how easy this is,” and I showed them directly how to go in and how to back. I did that with Kindle Vella too. I did a video from my newsletter and on social: “Hey, do you not know how to read this chapter? Here's how.” Sometimes there's a barrier. Like you said, Joanna, if I have a majority that just want sexy contemporary, and I'm dropping angsty, cheating, forbidden love, they're like, “Oh no, that's not for me.” So you have to know whether there's a crossover. I go into my business with that already baked into my expectations. I don't go in thinking I'm going to make a killing. Then I'm more surprised when it does well, and then I can build it. Jo: Yes, exactly. Also if you are, like both of us, writing across genres, then you are always going to split your audience. People do not necessarily buy everything because they have their preferences. So I think that's great. Now we are almost out of time, but this latest book is Write Free. I wondered if you would maybe say— What does Write Free mean to you, and what might it help the listeners with? Jennifer: Write Free is an extremely personal book for me, and the title was really important because it goes with Write Naked, Write True, and Write Free. These are the ways that I believe a writer should always show up to the page. Freedom is being able to write your truth in whatever day that is. You're going to be a different writer when you're young and maybe hormonal and passionate and having love affairs. You're going to write differently when you're a mum with kids in nappies. You're going to write differently when you are maybe in your forties and you're killing your career. Your perspective changes, your life changes. Write Free is literally a collection of essays all through my 30 years of life. It's very personal. There are essays like, “I'm writing my 53rd book right now,” and essays like, “My kids are in front of SpongeBob and I'm trying to write right now,” and “I got another rejection letter and I don't know how to survive.” It is literally an imprint of essays that you can dip in and dip out of. It's easy, short, inspirational, and it's just me showing up for my writing life. That's what I wish for everybody: that they can show up for their writing life in the best way that they can at the time, because that changes all the time. Jo: We can say “write free” because we've got a lot of experience at writing. I feel like when I started writing—I was an IT consultant—I literally couldn't write anything creative. I didn't believe I could. There'll be people listening who are just like, “Well, Jennifer, I can't write free. I'm not free. My mind is shackled by all these expectations and everything.” How can they release that and aim for more freedom? Jennifer: I love that question so much. The thing is, I've spent so many years working on that part. That doesn't come overnight. I think sometimes when you have more clarification of, “Okay, this is really limiting me,” then when you can see where something is limiting you, at least you can look for answers. My answers came in the form of meditation. Meditation is a very big thing in my life. Changing my perspective. Learning life mottos to help me deal with those kinds of limitations. Learning that when I write a sex scene, I can't care about my elderly aunt who tells my mother, “Dear God, she ruined the family name.” It is your responsibility to figure out where these limitations are, and then slowly see how you can remove them. I've been in therapy. I have read hundreds of self-help books. I take meditation courses. I take workshop courses. I've done CliftonStrengths with Becca Syme. I don't even know if that's therapy, but it feels like therapy to me as a writer. Knowing my personality traits. I've done Enneagram work with Claire Taylor, which has been huge. The more you know yourself and how your brain is showing up for yourself, the more you can grab tools to use. I wish I could say, “Yes, if everybody meditates 30 minutes a day, you're going to have all blocks removed,” but it's so personal that it's a trick question. If everybody started today and said, “Where is my biggest limitation?” and be real with yourself, there are answers out there. You just have to go slowly and find them, and then the writing more free will come. I hope that wasn't one of those woo-woo answers, but I really do believe it. Jo: I agree. It just takes time. Like our writing career, it just takes time. Keep working on it, keep writing. Jennifer: Yes. And bravery, right? A lot of bravery. Just show up for yourself however you can. If “write free” feels too big, journal for yourself and put it in a locked drawer. Any kind of writing, I think, is therapeutic too. Jo: Brilliant. So where can people find you and your books and everything you do online? Jennifer: The best place to go is my website. I treat it like my home. It's www.JenniferProbst.com. There is so much on it. Not just books, not just free content and free stories. There's an entire section just for writers. There are videos on there. There are a lot of resources. I keep it up to date and it is the place where you can find me. Of course I'm everywhere on social media as Author Jennifer Probst. You can find me anywhere. I always tell everybody: I answer my messages, I answer my emails. That is really important to me. So if you heard this podcast and you want to reach out on anything, please do. I will answer. Jo: Fantastic. Well, thanks so much for your time, Jennifer. That was great. Jennifer: Thanks for having me, Joanna.The post Writing Free: Romance Author Jennifer Probst On A Long-Term Author Career first appeared on The Creative Penn.

After releasing Harry's conversation with Carol Leonnig and Aaron C. Davis two days early to sync up with the publication of their new book—Injustice: How Politics and Fear Vanquished America's Justice Department—Talking Feds is hosting a special preview of another podcast that's exploring the consequential issues that impact, and define, American culture: The Alabama Murders, a new series by bestselling author Malcolm Gladwell's Revisionist History podcast. Entangled in an affair with a parishioner, a Northwest Alabama minister makes a devastating choice. Rather than face the shame of divorce, he arranges for three men to kill his wife. One of the men convicted in her murder, Kenny Smith, spent decades on death row, only for his execution to go horribly wrong. Eventually, the consequences lead to the center of a hot national debate on who should be allowed to live, who should die, and how the state should kill them. On The Alabama Murders, Malcolm asks: why, in our efforts to alleviate suffering, do we so often make it worse? If you want to hear the full story, find Revisionist History wherever you get podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're sharing an episode from another podcast that asks big questions about who we are and how we got here: The Alabama Murders, a new series by bestselling author Malcolm Gladwell's Revisionist History podcast. Entangled in an affair with a parishioner, a Northwest Alabama minister made a devastating choice. Eventually, the consequences led to the center of a hot national debate about who should be allowed to live, who should die, and how the state should kill them. Malcolm asks: why, in our efforts to alleviate suffering, do we so often make it worse?  Learn about your ad choices: dovetail.prx.org/ad-choices