Podcast appearances and mentions of Molly Dineen

Writer Neil Forsyth (The Gold, Guilt, Bob Servant) talks about the comforts of Molly Dineen's 1989 fly-on-the-wall documentary 'Heart Of The Angel', a surprisingly deep study of the people working in a failing London Underground station.The documentary is available on the BBC iPlayer here:https://www.bbc.co.uk/iplayer/episode/b0074tkn/40-minutes-heart-of-the-angel Hosted on Acast. See acast.com/privacy for more information.

Adam talks with Irish novelist Colm Tóibín about New York, Don Trump, whether the motivations of terrorists are worth considering, whether anything valuable came from having cancer, writing his novel Long Island (the sequel to Brooklyn), why keeping a journal is 'offensive', and the magic of Bob Dylan.This conversation was recorded via Zoom on April 17th, 2024CONTAINS VERY STRONG LANGUAGEThanks to Séamus Murphy-Mitchell for production support and conversation editing Podcast illustration by Helen GreenRELATED LINKSAMONG THE FLUTTERERS: THE POPE WEARS PRADA by Colm Tóibín - 2010 (LONDON REVIEW OF BOOKS)IN RESPONSE TO 9/11 - 4th October 2001 (LONDON REVIEW OF BOOKS)COLM TÓIBÍN ON DESERT ISLAND DISCS - 2016 (BBC SOUNDS)COLM TÓIBÍN ON THE VERB - 2023 (BBC SOUNDS)THE NEW YORKER FICTION PODCAST - COLM TÓIBÍN READS MARY LAVIN - 2017 (APPLE PODCASTS)40 MINUTES - HEART OF THE ANGEL - 1989 (BBC I-PLAYER)40 MINUTES - MIXED BLESSINGS - 1988 (BBC I-PLAYER)GERI Directed by Molly Dineen - 1999 (YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.

Now in 'Part TWO' for @EchoChamberFP https://www.instagram.com/echochamberfp/ takes a look at a new documentary and speaks to the creative mind behind it!!! Watch the conversation: HERE! https://youtu.be/TbteyTtOAZs 'Tish' is directed by Paul Sng. A moving portrait of social documentary photographer and trailblazer Tish Murtha, who dedicated her life to documenting the lives of working-class communities in North East England. In 'Part Two' we have: Tish Watch Review: Here. https://youtu.be/_FCdz47_DSw Sheffield DocFest: 14th June 2023 Theatrical Release Date: 17th November 2023 Tyneside CinemaL: 17th November 2023 Screening followed by Q&A with director Paul Sng, producer Jen Corcoran, Ella Murtha + Eileen Murtha Brown Book tickets: Here. https://tynesidecinema.co.uk/event/tish/ Aldeburgh Film Festival: 18th November 2023 Screening and post-film discussion with Molly Dineen and Martin Parr Book tickets: Here. https://aldeburghcinema.co.uk/AldeburghCinema.dll/WhatsOn?f=753313 Glasgow Film Theatre: 18th November 2023 Screening followed by Q&A with director Paul Sng, producer Jen Corcoran and Ella Murtha Book tickets: Here. https://www.glasgowfilm.org/movie/tish-qa/ Queen's Film Theatre: 20th November 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://queensfilmtheatre.com/Whats-On/Tish Art House Crouch End: 22nd November 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://www.arthousecrouchend.co.uk/programme/?programme_id=7742647 Watershed: 24th November 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://www.watershed.co.uk/whatson/12258/tish Chapter: 25th November 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://www.chapter.org/whats-on/tish Nottingham Broadway: 27th November 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://www.broadway.org.uk/whats-on/tish-qa Showroom & Workstation Sheffield: 28th November 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://www.showroomworkstation.org.uk/tishqanda Hebden Bridge Picture House: 30th November 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://hebdenbridgepicturehouse.co.uk/movies/hebden-bridge-film-festival-presents-tish-with-director-qa BFI Southbank: 1st December 2023 Screening followed by Q&A with director Paul Sng, producer Jen Corcoran and Ella Murtha Book tickets: Here. https://whatson.bfi.org.uk/Online/default.asp?BOparam%3A%3AWScontent%3A%3AloadArticle%3A%3Aarticle_id=70272918-4A53-44D6-B445-42C830CF02ED&BOparam%3A%3AWScontent%3A%3AloadArticle%3A%3Acontext_id=8ADC667F-CFF4-4950-924E-772EF694A507&doWork%3A%3AWScontent%3A%3AloadArticle=Load Duke of York's Picturehouse: 2nd December 2023 Screening followed by Q&A with director Paul Sng and Ella Murtha Tickets coming soon! Curzon Soho: 6th December 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://www.curzon.com/films/tish/HO00004931/ Middlesbrough Institute of Modern Art: 7th December 2023 Screening followed by Q&A with producer Jen Corcoran Book tickets: Here. https://mima.art/event/film-screening-tish-2023-12a-dir-paul-sng/ Stockton Arts Centre: 8th December 2023 Screening followed by Q&A with director Paul Sng Book tickets: Here. https://arconline.co.uk/whats-on/tish-15/ Craigmillar Now: 18th December 2023 Guests TBC Book tickets: Here. https://www.craigmillarnow.com/opportunities/cinema-screenings Star and Shadow Cinema: 26th January 2024 Guests TBC Tickets coming soon! Director: Paul Sng Cast: Ella Murtha, Maxine Peake, Shin-Fei Chen Running Time: 90 min Cert: 15 Trailer: Here. https://youtu.be/a--g_BgBl1g?si=0ZIebP44TJ5WULhk Website: Here. https://www.modernfilms.com/tish Instagram: @tishmurtha https://www.instagram.com/tishmurtha/ ------------ *(Music) 'The Big Payback' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Police forces in the UK have made welfare checks on every household that purchased poison from an online seller based in Canada. Over 200 people bought the poisonous substance from Kenneth Law, with 88 people subsequently dying, many of them young and still at university. James Beale and Will Roe, The Times journalists who tracked down Law, tell us how they posed as a potential buyer, eventually taking their findings to the Canadian authorities. The latest energy price cap for the first months of winter has been announced. While the headline price has fallen slightly, the BBC's Cost of living correspondent, Colletta Smith, delves into the devilish detail to explain what the new numbers mean for us - and gives her latest tips for saving money. And, having been set the challenge of naming her three top documentaries on Thursday's Newscast, film-maker Molly Dineen calls in to give Adam her suggestions. You can join our Newscast online community here: https://tinyurl.com/newscastcommunityhere Today's Newscast was hosted by Adam Fleming. It was made by Fiona Leach with Clare Williamson, Madeleine Drury and Miranda Slade. The technical producer was Dafydd Evans. The editor is Jonathan Aspinwall. BBC Sounds topics: 01:03 - Navigating the new energy price cap 10:51 - Uncovering the ‘suicide poison' chef 19:46 - Film-maker Molly Dineen on her top three ‘must-watch' documentaries

It's GCSE results day! Branwen Jeffreys is reporting on the picture across England, Wales and Northern Ireland, while headteachers Sir Anthony Seldon and Educating Yorkshire's Jonny Mitchell tell Adam how their schools got on. And documentary-maker Louis Theroux has made a speech about the future of TV in which he said the BBC has been ‘playing it safe'. Former creative director of BBC Alan Yentob and documentarian Molly Dineen discuss how documentaries are commissioned. You can join our Newscast online community here: https://tinyurl.com/newscastcommunityhere Today's Newscast was presented by Adam Fleming. It was made by Tom Smithard with Hayley Clarke, Madeleine Drury and Miranda Slade. The technical producer was Philip Bull. The editor is Jonathan Aspinwall. BBC Sounds topics: 00:00 - Newscasters let us know their GCSE results 02:31 - Headteachers Jonny Mitchell and Anthony Seldon join Branwen Jeffreys to chew over GCSE results 19:09 - Documentary makers Molly Dineen and Alan Yentob discuss whether the BBC has grown too safe in its commissions

Best known for having the longest escalators on the London Underground (and indeed the whole UK), and a very wide southbound platform - both products of the station's 1990s reconstruction. Angel was the terminus of the City and South London Railway between 1901 and 1907, was upgraded in the 1920s, then entered a long period of decay culminating in the decrepit state beautifully depicted in "Heart of the Angel", the 1989 BBC documentary on the station by Molly Dineen. The 1990s rebuild brought escalators (but sadly not step-free access, lots of red marble and a postmodern office block overhead, which is itself now facing redevelopment. In this episode we also look at plans for Crossrail 2, the disused City Road station to the south (now the Bunhill 2 district heating project), and the unique disused subterranean signal cabin at Weston Street to the north. A full list of references for all sources used for this episode is available here

We're kicking off 2022 with a trip to 1999 by watching the classic documentary GERI (a film by Molly Dineen). Get ready to experience the UN, Berkhamstead, being a tax exile in Paris and a trip to Battersea Dogs Home with George Michael. UR WELCOME!Let us know your thoughts;Insta: @urwelcomeamericaTwitter: @urwelcomeUSAEmail: urwelcomepodcast@gmail.com

Welcome to Gen.T, the podcast shining a spotlight on bright young people. Today with us we have Dr. Molly Dineen, one of the young student doctors who were catapulted into the COVID-ridden hospitals at the beginning of the pandemic. We talked about her experience of the pandemic as an insider and how she dealt with it considering that she was still being trained. Molly has already appeared on the BBC, Vogue and more, so tune in to hear her great story. --- Send in a voice message: https://anchor.fm/gent/message

As the Senate kicks off a week of Supreme Court hearings for judge Amy Coney Barrett, long-time civil rights activist Angela Davis joins Christiane Amanpour to discuss what’s at stake. Then, turning to the British chapter of the Black struggle, director Molly Dineen and producer Blacker Dread talk about their latest documentary, “Being Blacker.” Our Hari Sreenivasan speaks to Elizabeth Neumann, Former U.S. Homeland Security Assistant Secretary, about why she is not voting for President Trump this time around.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

What a thrill to have these two as my guests. Not only do I love their work but they are both smart, funny people who love their culture and love to talk about it. Perfect for SAGL.Anne Marie Duff can be seen on BBC iPlayer at the moment starring in The Salisbury Poisonings, a brilliantly gripping reconstruction drama about the Novichok incident involving Russian spies in the west country cathedral city. She's also in a Royal Court Theatre production that evolved during lockdown called My White Best Friend.She was full of recommendations, bursting to share her excitement about what she's been watching including Pawel Pawlikowski films: My Summer of Love, Ida and Cold War.Simon Bird, known for The In Betweeners and as Adam in Friday Night Dinner, well he's a director now. And he is likely to be a very good one for a few years to come. His wistful comedy Days of the Bagnold Summer is available everywhere, including BFI Player, Curzon Home Cinema, Amazon and Sky Store. And season six of Friday Night Dinner is a must. He discusses discovering the docs of Molly Dineen. Anne-Marie Duff:Laura Marling, Union Chapel (12.30)Daughters of the Dust(13.34)Pawel Pawlikowski films (15.38)Simon Bird:Alice Doesn't Live Here Anymore (28.53)Very Semi Serious (30.47)Molly Dineen Collection (31.04)Music by Lee Rosevere. See acast.com/privacy for privacy and opt-out information.

From the Syrian conflict to Black Lives Matter; now more than ever there is an urgency for stories told by less represented and authentic voices emerging from affected communities. Getting access to a community not your own, to spend a few days filming on the ground, is widely considered ‘extractive’ storytelling. Can extended integration with protagonists truly embed a filmmaker with their subject's experience? What does it take to tell an ‘authentic’ story? A panel of filmmakers at Sheffield Doc/Fest 2018 share their own experiences of extractive vs authentic storytelling. Chaired by Anca Dimofte (Frontline Club) with filmmakers Molly Dineen, Leon Oldstrong and Deeyah Khan. Filmed by Sheffield Hallam University students and edited by Matthew Sturdy (Cosmic Joke).

Love the Spice Girls? Pod of the Pops celebrates their career ahead of the 2019 reunion tour. Go get yourself wet girls, I know you want to!   Geri Halliwell was the first to leave the Spice Girls in 1998 proving that friendship never ends, unless, like, you know, you’re not feeling it anymore.   She started the year with  a hand written note from Prince Charles and would go on to sing at his 50th. Of course, she sang Happy Birthday – Marilyn Monroe style – and blew him a little kiss.   That same year, she became a United Nations Goodwill Ambassador. Yes, a United Nations Goodwill Ambassador.   Of course, all of this was documented in the documentary – Geri by Molly Dineen. It’s a pretty hard hitting doc. Raw.     She was the first to release a solo album – Schizophonic. It had a rough start but went on to feature 3 number 1 singles and chart in America.   In this episode we also talk about: Geris 4 number one singles. That was (at the time) more than any other British Female Solo artist. Do you know who has beaten her since? Geris 3 albums, including Scream if you wanna go faster and Passion. Geris Hand Choreography The Yoga DVDs THAT body, after being admitted to an eating clinic due to the stress and pressures of fame How Geri Halliwell literally created Girls Aloud! Giving birth to her first baby 

Does documentary ever really tell the truth? BAFTA award winning filmmaker Molly Dineen examines the concept of truth and the creation of narrative in documentary film making. Robert Flaherty's 'Nanook of the North' is considered the first documentary ever made, and much of it was specially set up for the cameras. We think that modern 'Scripted Reality' is a new phenomenon, but does it have its roots in the earliest days of documentary? We look at the making of a documentary, from idea, to casting, filming and editing to find out how documentary makers craft their story. Molly Dineen looks at nearly 100 years of documentary making from the archives, as well as looking back on her own career. Her first film 'Home from the Hill' followed retired Solider Hilary Hook returning to England after a career in Kenya, and she has also filmed the London Zoo in crisis, in her BAFTA award winning series 'The Ark', modern celebrity in her portrait of ex-Spice Girl Geri Halliwell, and a Prime Minister in waiting in the 1997 Party Political Broadcast for the Labour Party. Molly's observational style sees her immersing herself in the worlds she shoots, but we also take a look at modern 'Fly on the Wall' programming, speaking to TV producer Jonathan Stadlen about his series 'GP's: Behind Closed Doors'. There's more factual programming around now than ever; but is this a good thing? Are the schedules clogged with cheap programming that sacrifices the truth for style, using fast cutting, music and voice over rather than allowing people to speak for themselves? We also hear from Kim Loginotto, whose films examine the lives of women worldwide, Radio Producer Simon Elmes and TV Critic AA Gill. Presenter: Molly Dineen Producer: Jessica Treen.

Elijah Wood talks to Kirsty Lang about his role in Set Fire to the Stars, a biopic about Dylan Thomas's turbulent time in 1950s New York. Pianist Angela Hewitt discusses her new recording of Bach's The Art of Fugue. Writers Paul Kingsnorth and Julian Gough explain how important crowd-funding was to help them write their novels. And film-maker Molly Dineen reviews The Overnighters, a documentary about a pastor in North Dakota who came to the aid of the flood of men who travelled from all over the USA to seek work in the area's booming oil industry. Presenter: Kirsty Lang Producer: Olivia Skinner.

With Mark Lawson. The Bletchley Circle, a drama about a group of women who worked at Bletchley Park during WWII, returns to our screens this week. It stars Anna Maxwell Martin, Rachael Stirling, Sophie Rundle and Julie Graham as former code-breakers turned detectives who have uncovered a conspiracy. The writer and creator of the series, Guy Burt, on imagining post-war life for the Bletchley code-breakers. Author Donal Ryan discusses his second novel, The Thing About December. Donal discusses his love of exposing his characters' interior monologues and explains how his day job as an Employment Inspector helps impose a discipline on his writing. Molly Dineen reviews two documentaries released this week. Kiss the Water is a poetic biography of Megan Boyd, who spent her life in the remote Scottish Highlands making anglers' flies so unique that they were desired all over the world, whilst The Square documents the ongoing struggles of the Egyptian Revolution through the eyes of the activists involved in the conflict. As part of Radio 4's MINT season, Front Row has been investigating arts and culture in the emerging economies of Mexico, Indonesia, Nigeria and Turkey. Tonight, Nigerian film maker Obi Emelonye discusses the rise of the multiplex in Nigeria. Producer: Olivia Skinner.

With Kirsty Lang. The artist Peter Blake's new exhibition Under Milk Wood is the culmination of a 25-year project, in which he's created a series of illustrations, portraits, watercolours, and photographs based on Dylan Thomas's 'play for voices'. Peter Blake looks back over his ambitious project and discusses his fascination for Thomas's celebrated work. A new film documentary, Leviathan, provides an insight into the harsh world of North Atlantic commercial fishing. With no narration, little dialogue, and long lingering shots of life aboard a fishing vessel, the film has divided audiences. Documentary film maker Molly Dineen gives her response. Iain Sinclair and Professor Jeffrey Richards tell the story of the chequered history of Gaslight, Thorold Dickinson's adaptation of Patrick Hamilton's play, which was suppressed by a Hollywood studio when it bought up the rights. Legend has it that the film only survives now because the director smuggled out a copy under the cloak of darkness. Sarah Ruhl's play In the Next Room (or The Vibrator Play) was nominated for three Tony Awards and a Pulitzer Prize after its initial Broadway run in 2009. Opening tonight at the St James Theatre in London, the play shows how 19th Century medicine used the female orgasm as a cure for hysteria, and how the invention of electricity transformed the treatment. Sarah Ruhl discusses the inspiration for the play and reflects on why it has been a hit in some surprising locations. Producer: Stephen Hughes.

 Jess Search; Molly Dineen and Zoe Williams. Part of the Names Not Numbers 2013 symposium www.namesnotnumbers.com

Mary Ann Sieghart; Molly Dineen; Hannah Rothschild and Charlie Leadbeater. Part of the Names Not Numbers 2013 symposium www.namesnotnumbers.com.

With Mark Lawson. Greg Doran discusses his appointment as the next Artistic Director of the Royal Shakespeare Company, which was announced today, and reflects on his priorities in his new role. Award-winning documentary maker Molly Dineen reviews Werner Herzog's new television series based on interviews with inmates on Death Row in the United States. The renowned Complicite theatre company's new production is a staging of The Master And Margarita, based on Bulgakov's novel. Sarah Churchwell gives her first-night verdict. Singer and bass player Esperanza Spalding reflects on her unexpected success at last year's Grammy Awards, and discusses her approach to song-writing. Producer Stephen Hughes.

Colin Marshall talks to Pepita Ferrari, director of Capturing Reality: The Art of Documentary. The first documentary film to concentrate specifically on documentary filmmaking, Capturing Reality features conversations with the likes of Errol Morris, Werner Herzog, Nick Broomfield, Albert Maysles, Scott Hicks and Molly Dineen about such important issues in the genre as interviewing, editing, the line between fact and fiction, the evolutionary possibilities of individual projects and the effect of a filmmaker's presence.