Podcasts about pawel pawlikowski

Štiri leta po tem, ko je poljski cineast Pawel Pawlikowski odstopil od projekta snemanja biografije kontroverznega ruskega pisatelja in politika Eduarda Limonova, smo dobili nedvomno povsem drugačno različico, v kateri ruski režiser Kiril Serebrenikov skoraj nekritično malikuje nekdanjega disidenta, ki je postal neonacist. Oceno filma Balada o Limonovu je napisal Igor Harb. Bere igor Velše.

Películas en blanco y negro con Jorge Michel Grau Regresamos a esta serie de episodios del podcast Cinegarage dedicados al cine en blanco y negro. Quienes conozcan la idea sabrán que los hacemos con mucho interés y más ganas de despertar su curiosidad, para pelear contra la idea de que el cine en blanco y negro (viejo o nuevo) no merece ser revisado. Todo lo contrario. El manejo de los contrastes, la aparición de todo tipo de grises, la pureza de lo blanco o las luces turbias que no lo son tanto, son más que un capricho artístico. Como veremos en este episodio son parte de lo dramático y elementos del discurso. El uso del blanco y negro es también una decisión para subrayar aquello de lo que las películas quieren hablar. En este episodio revisaremos dos películas que pudieron rodarse a color pero que sus directores y equipos decidieron realizar en blanco y negro: El odio de Mathieu Kassovitz y Guerra Fría de Pawel Pawlikowski. El invitado es el director de cine Jorge Michel Grau a quien seguramente ustedes conocieron por sus películas Somos lo que hay, 7:19, Perdida y Rabia. Hablemos de El odio, Guerra Fría y las posibilidades del blanco y negro con Jorge Michel Grau.

Olivier Award winner Elliot Levey was last at the Almeida for Nine Lessons and Carols, and before that in Three Sisters. Now, he has returned to London's top producing house in Cold War: Conor McPherson's adaptation of Pawel Pawlikowski's Oscar-nominated film. Over the course of his career, Elliot has established himself as one of the most recognised actors in British theatre. As Kaczmarek, he helps set up the story of Cold War, setting out the importance of traditional folk music in post-war Poland. Indeed, music plays a very important role in the story of Cold War and audiences are treated to a luscious score by Elvis Costello in this exciting London premiere.In this brand new interview, Elliot Levey opens up about his career working with the likes of Rupert Goold and Elvis Costello, but he also talks about working with Mike Bartlett on Snowflake and his experience of working on unsuccessful pieces like Take Flight at the Menier Chocolate Factory. He tells us about his love for telling compelling stories and seeing audiences moved after a performance. With one of the most familiar faces on stage and screen, he remains constantly excited by new collaboration opportunities having worked with directors such as Stephen Frears, Rebecca Frecknall and even Madonna. Naturally a curious thinker, audiences continue to be delighted by his performances and it's likely we'll have more intriguing performances from him to look forward to.Cold War runs at the Almeida Theatre until Saturday 27th January 2024.

This episode discusses themes some listeners may find distressing.Jared Harris (Mad Men, Chernobyl) and Joe Cole (Gangs of London, Peaky Blinders), join us at the Young Vic to talk about their time in Harold Panter's The Homecoming, directed by Matthew Dunster.For our reviews this week it's Ulster American at Riverside Studios, by David Ireland and directed by Jeremy Herrin, starring Woody Harrelson, Louisa Harland and Andy Serkis. Plus for our second review, Cold War at the Almeida theatre, adapted by Conor McPherson from Pawel Pawlikowski's award-winning 2018 film, starring Anya Chalotra and Luke Thallon.We also discuss Indhu Rubasingham being appointed as Director of the National Theatre, the unveiling of a very special plaque honouring Operation Mincemeat's Hester, and Paddington the musical which comes to the West End in 2025.Get in touch with us at theatrepod@standard.co.ukFor all the latest news head to standard.co.uk Hosted on Acast. See acast.com/privacy for more information.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro recomendaron películas como "Blanquita" de Fernando Guzzoni y "Guerra Fría" de Pawel Pawlikowski, la exposición "Un metro de Ecuador" y dos libros de la escritora Anne Boye, entre otros.

Matías Rivas, Arturo Fontaine y Sofía García-Huidobro recomendaron películas como "Blanquita" de Fernando Guzzoni y "Guerra Fría" de Pawel Pawlikowski, la exposición "Un metro de Ecuador" y dos libros de la escritora Anne Boye, entre otros.

Kanske är hjälten den som inte förändras? Och samhället inte anpassat efter en klassisk berättarstruktur? Morris Wikström reflekterar över två konstnärer som gjorde uppror mot genrekraven. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.I Kristian Lundbergs kriminalroman ”Eldätaren” från 2004 möter läsaren en berättarröst som inte klarar av deckargenrens krav. Berättaren säger: ”Det är en tidig morgon. Det är så alla berättelser skall påbörjas. Du anger tiden, platsen och först senare kommer händelseförloppet att veckla ut sig, som en turistkarta man drar upp ur fickan. Vad säger kartan? Att du är vilse. Att detta inte är dina kvarter.”Nej, deckargenren var nog inte poeten Kristian Lundbergs kvarter. För genom hela boken bråkar han med genrekonventionerna. Istället för mysteriets gradvisa upplösning möts läsaren av en ordmassa om samhällets orättvisor, och det uppstår egentligen aldrig ett spänningsmoment. Någon deckare i traditionell bemärkelse är det alltså inte. Ett misslyckat försök, kanske. Men just därför blir boken en intressant inblick i hur svårt det är att berätta för den som inte accepterar de konventioner som är förknippade med genre och dramaturgi. Då har ändå författaren en lättare uppgift än filmskaparen – vars konstnärliga verk ofta av kommersiella skäl avkrävs en början, en vändpunkt och ett slut. Ja, så vanliga och utbredda är dramaturgins konventioner inom filmen att man som tittare ofta inte reagerar förrän de utmanas.En av dem som i sina filmer gjort just det är den polske regissören Pawel Pawlikowski. I sin Oscarsvinnande film Ida från 2013 berättar han historien om en katolsk ung kvinna som vuxit upp på ett kloster nu, innan hon ska avlägga sitt nunnelöfte, uppmanas att söka upp sin enda levande släkting – ett slags farväl till en värld som Ida egentligen aldrig upplevt. Filmen skildrar hur Ida stiger ut från ett skyddat klosterliv och utsätts för jazzmusik, kommunister, ateister och inte minst för den fysiska kärleken. Men trots dessa upptäckter sker inte det vi förväntar oss: långsamt inser vi att det inte spelar någon roll vad Ida får uppleva – hon kommer inte att ompröva sitt beslut att bli nunna. Ingen upptäckt, inget löfte om framtiden förmår förändra hennes beslut. Mötet med kärleken, som enligt dramaturgins konventioner borde innebära en vändpunkt för protagonistens strävan, leder inte till förändring. Idas bevekelsegrunder är desamma under hela filmen. Vad vill Pawlikowski säga? Det vore lätt att förstå filmen som en skildring av hur den kristna trons eviga anspråk trumfar samtidens förgänglighet. Men faktum är att Pawlikowski redan 1991 använde ett liknande berättande – då i dokumentärfilmen ”Dostoevsky's travels”.I dokumentärfilmen får vi följa Fjodor Dostojevskijs sentida släkting Dmitrij Dostojevskij som beger till Europa. Dmitrij är till skillnad från sin berömda släkting ingen författare, utan en enkel spårvagnsförare – och hans mål med resan till Europa är enkelt: han vill få tag i en Mercedesbil, ett märke som blivit populärt på Sankt Petersburgs (dåvarande Leningrads) grå paradgator. Dmitrij Dostojevskij är ärligt talat en ganska grå figur han med. Väl i Tyskland inser han snabbt att den summa pengar han fört med sig från Ryssland inte räcker för att köpa en Mercedes. För att tjäna pengar beslutar sig Dmitrij för att föreläsa för tyskarna om sin berömda författarsläkting. Men Dmitrij verkar inte vara så beläst, så för att knåpa ihop sina föreläsningar plagierar han skamlöst tyska läroböcker om Fjodor Dostojevskijs idévärld, samtidigt som han kedjeröker och dricker öl på toaletten. Det är först när Dmitrij deltar i en reklamfilm och får låna en röd sportbil som folk öppnar sina dörrar för honom. Det ena leder till det andra, och när Dmitrij till slut återvänder till Tyskland efter en hejdlös Europaturné lyckas han faktiskt få tag i en Mercedes. När filmen slutar står Dmitrijs tyska bilhandlare och vinkar av honom. ”Jag trodde aldrig han skulle lyckas”, mumlar bilhandlaren för sig själv.Men poängen är att Dmitrij – liksom Ida – inte alls förändras av sina nya erfarenheter. Han är lika färglös när han åker från Tyskland som när han kom. Trots alla sina möten lär han sig ingenting, han utvecklas inte. Han tänkte ju bara på sin Mercedes hela tiden. Men i Pawlikowskis film framstår detta inte alls som en svaghet – utan som en styrka. I sin orubbliga längtan efter en Mercedes är Dmitrij lika helig som Ida i sin religiösa tro. Omvärlden har gjort sitt bästa för att rubba deras drivkrafter, men misslyckats. Vad Pawlikowski gör är att ifrågasätta dramaturgins konventioner. Berättelsens vändpunkt, som borde innebära att huvudpersonen lär sig något, att huvudpersonens motiv förändras – inträffar aldrig. Istället tycks förhållandet vara det rakt motsatta: det är huvudpersonerna som stirrar dramaturgin i ögonen - tvingar dramaturgin att rannsaka sig själv. Tvingar den att ifrågasätta sin uppfattning om att vi människor blir våra bästa jag först när vi förändras. I Pawlikowskis värld är det den som inte viker en tum som avgår med segern.Det finns något väldigt subversivt i det här berättandet, som talar om beslutsamhet och integritet i en kultur och ekonomi som strävar efter att ersätta gamla begär och föremål med nya. Dramaturgins konventioner framstår i Pawlikowskis filmer som en otäck gestalt som ömsom sträcker fram morötter, ömsom låter piskrappen vina – allt för att få oss att hitta nya föremål för vår längtan. Både Ida och Dmitrij Dostojevskij prövas, men vägrar att omvändas. På det viset lyckas Pawel Pawlikowski gestalta den konflikt som Kristian Lundberg stod inför i sina prosaböcker när han vägrade anpassa sig till genrekonventionerna. hans romaner är ett sökande efter en berättelse som inte ger vika för oväntade slut och omvälvande vändpunkter.Kristian Lundbergs väg är en mycket svår väg att vandra. För problemet för den som förvägrar berättelsen en vändpunkt är att berättelsens början blir så avgörande. Ingenting går ju att förändra efterhand. Det är därför, tänker jag mig, som hans romaner är fyllda med omtagningar. Det han efter när han gör sina omtagningar är inte berättelsens slut, utan dess början. Ett godtagbart första påstående som kan styra den logik som berättelsen sedan måste följa. Och när deckargenren eller romangenrens karta inte stämde med den verklighet Kristian Lundberg ville berätta om – en verklighet där det sociala arvet aldrig gick att trolla bort i vändpunktens befriande rörelse – då blev skrivandet ett försök att rita en ny karta.Frågan är om Kristian Lundberg någonsin blev klar med sitt kartritande. I sin sista bok ”Sånger vid avgrunden” beskriver författaren hur han återfaller i ett drogmissbruk. Han söker fortfarande efter den där början som ska förklara allt som hände sen, men tycks ständigt misslyckas. Ändå, eller kanske just därför, är det i ”Sånger vid avgrunden” som Kristian Lundberg blir som tydligast i sin kritik mot ett konventionellt berättande. Han skriver i en passage som jag tror är avgörande, men lätt att missa i textens rasande rörelse: ”Du upptäcker inte förrän det är för sent att du igen har förlorat. Du förstod inte ens att det hade utkämpats en strid. Det är ett sätt att närma sig berättelsen”.Morris Wikström, kulturjournalist och doktorand i rysk litteratur

A film where two people try and be in love while a Cold War rages behind them. Kyle tries to peek behind the curtain. Dave wants to use sanctions. The Machine prefers to break hands. Watch the trailer for Cold War here: https://youtu.be/8ImvkXgGVWwSend feedback to kyleanddavevsthemachine@gmail.comKeep up to date with Kyle and Dave vs The Machine by following its social media channels: Twitter: https://twitter.com/kdvstmInstagram: https://www.instagram.com/kdvstm/YouTube: https://www.youtube.com/channel/UCEZKUfH0IOp-lH5OQdIpvLwPatreon: https://www.patreon.com/kdvstmThis week the Machine printed out: 01000101 01100100 01101001 01110100 01101000 00100000 01010000 01101001 01100001 01100110 00100000 01110111 01101111 01110010 01101011 01100101 01100100 00100000 01101001 01101110 00100000 01100001 00100000 01100010 01110010 01101111 01110100 01101000 01100101 01101100 00100000 01100001 01101110 01100100 00100000 01110100 01101000 01100101 00100000 01110000 01100101 01101111 01110000 01101100 01100101 00100000 01101100 01101111 01110110 01100101 00100000 01101000 01100101 01110010 00100000 01100101 01110110 01100101 01101110 00100000 01101101 01101111 01110010 01100101 00100000 01100110 01101111 01110010 00100000 01101001 01110100 00101110  ★ Support this podcast on Patreon ★

Megan Brady (I'm Screaming podcast) returns for Pawel Pawlikowski's understated meditation on grief and loneliness in 2014's Ida. Together we get into the 2023 Oscar race, how Agata Trzebuchowska was cast in the film and how close Pawlikowski almost made it into the best director race --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message

La pasión en la Polonia de posguerra. Un hombre y una mujer, un intelectual y una campesina, dos corazones que lloran porque no pueden encontrarse. Así canta una cría la pieza tradicional polaca, leitmotiv que va sonando en diversas variaciones a lo largo de la historia. Mediante una brillante sucesión de elipsis, el músico y la cantante cruzan sus vidas en diferentes momentos y lugares a ambos lados del telón de acero. Dos personas dañadas por la destrucción de la contienda reciente, y por su propia guerra interior, sin apenas concesiones, a base de besos, alcohol y desplantes. Se aman y no saben hacerlo, una tendencia fatal marca sus destinos. La plasticidad de un blanco y negro excelente, los aires grises de una época uniforme, de un régimen totalitario que modifica las letras de las canciones tradicionales para nombrar las bondades del maravilloso Stalin. Pawlikowski y su operador Lukasz Zal , con quien repetía tras la magnífica "Ida", consiguen el clasicismo del buen cine, el de Fritz Lang, el de Fellini, el de Billy Wilder. Paseamos por las calles lluviosas de París, navegamos por un Sena misterioso, nos tendemos sobre los pastos verdes junto al Vístula, sentimos el olor estanco de una celda del gulag, y, en un monasterio derruido, con un mural desvaído, ojos de icono contemplan la nostalgia de Tarkovski. Un pianista y una cantante en su ceremonia de renuncia, al otro lado se verá todo mejor. Esta noche esperamos en un garito de París… Chari Medina, David Velázquez. Salvador Limón, Raúl Gallego y Zacarías Cotán

Actor and filmmaker Valerie Buhagiar, who broke out in Bruce McDonald's Roadkill and Highway 61  and went on to direct her own features -- like The Anniversary, It's Hard to Be Human and her latest, Carmen, which is now playing in theatres across Canada -- tackles the religious and emotional undercurrents of Pawel Pawlikowski's Oscar-winning 2013 drama Ida, which stars Agata Trzebuchowska as a novitiate in early-60s Poland whose life is changed when she learns the secrets of her own past ... and her country's. Your genial host Norm Wilner is always up for a little soul-searching.

Projector Room Show Notes Show 113 Ted Salmon, Gareth Myles and Allan Gildea Projector Room Community Projector Room Group at MeWe Contributions and Feedback Irfan Ali on Stranger Things Robert MacRowan on The Endgame (Hulu, USA) Kah Leong on RRR (2022, Netflix) Duncan Robertson on Top Gun: Maverick (2022) Flop of the Fortnight Phil Harding on Candyman (2021) Candyman (1992) The Promotion (2008) Private Screening Silverton Siege (2021) - Trailer - Netflix Next Show: The Game (1997) - Trailer Themed Treats (Poland) Dekalog (1988) - Trailer Schindler's List (1993) Pawel Pawlikowski's Cold War - Ted's Review Pawel Pawlikowski's Ida - Ted's Review Anne Fontaine's The Innocents - Ted's Review Roman Polanski's The Pianist - Ted's Review Krzysztof Kieslowski's Three Colours White The Zookeeper's Wife - Ted's Review The Main Feature Moonfall (2022) Top Gun: Maverick (2022) - Trailer The Outer Range (2022) - Trailer Amazon Prime Petite Maman (2021) - Ted's Review - Mubi Paterson (2016) - Ted's Review - Mubi The Batman (2020) Camille Claudel 1915 (2013) - Mubi Coming Soon Mission Impossible Dead Reckoning Part 1 - Trailer True Lies (TV Series CBS) - Trailer Vengeance (2022) - Trailer Beast (2022) - Trailer Blood in the Water (2022) - Trailer Final Curtain Vangelis - Wiki Patricia Brake Ray Liotta - Wiki Links of Interest PodHubUK - Twitter - MeWe PSC Group - PSC Photos - PSC Classifieds - WhateverWorks - Camera Creations - TechAddictsUK - The TechBox - AAM - AAWP - Chewing Gum for the Ears - Projector Room - Coffee Time - Ted's Salmagundi - Steve's Rants'n'Raves - Ted's Amazon - Steve's Amazon - Buy Ted a Coffee

Volvemos los jueves con nuestro querido podcast. Donde hablaremos de cine y otras cosas. En este capítulo conversamos de “Cold War” dirigida por Pawel Pawlikowski. Un vistazo en la posguerra donde las relaciones amorosas parecieran imposibles. No hay ternura después del horror. Desde hoy jueves disponible por Spotify.

Scott L. Christensen must paint - it is core to his very being. His keen eye and probing curiosity of nature reveal a deep love of not just being outdoors – but, rather, immersed in it with all senses engaged. His response to the landscape is visceral. He wants the viewer to feel a deep emotional connection with the landscape. The viewer is not a mere passing observer of a Christensen painting, but is also a participant in the scene – curious, seeking answers to their own internal questions. Nature's beauty presents a cacophony of options. This excites Scott – he looks forward to the process of problem-solving and experimentation that long precedes making the first mark of a painting. Outdoor painting is just the beginning of the process. Developing ideas is fundamental to Scott's approach. Through this process of ideation, Scott seeks to find the key of a painting just as a composer decides the key of a song. It's a process that Scott Christensen appropriately likens to Managing Chaos. Links: Scott L. Christensen Website: https://www.christensenstudio.com Facebook: https://www.facebook.com/scott.christensen.33 Instagram: https://www.instagram.com/scottchristensenstudio/ Adventure of Painting Website: https://www.adventureofpainting.com Instagram: https://www.instagram.com/adventureofpainting/ Vision X Live 2021 Replay: Scott L. Christensen: Simple Is Core https://www.visionxlive.com/replay2021 Mentions: Rob Kapilow https://www.robkapilow.com Beyond the Easel with Christine Lashley and Scott L. Christensen https://www.christinelashley.com/event/138100/beyond-the-easel-bte William (Bill) F. Reese: http://www.williamfreese.com/index.html Coach Chris Carlisle https://twitter.com/coachcarlisle?lang=en Quarterback Russell Wilson https://en.wikipedia.org/wiki/Russell_Wilson Pete Carroll https://www.seahawks.com/team/coaches-roster/pete-carroll The Civil Wars cover of Michael Jackson's Billie Jean https://youtu.be/441mR2zsQbg Puddle's Pity Party https://www.youtube.com/user/PuddlesPityParty Tennessee Whiskey - Dean Dillon https://www.youtube.com/watch?v=abzh4-nhWD4 Ida, movie directed by Pawel Pawlikowski https://www.youtube.com/watch?v=oXhCaVqB0x0 Gunsmoke TV series https://www.imdb.com/title/tt0047736/ Doug Dirkson acting coach and artist: http://douglasdirksonfineart.com/about Alfred Hitchcock & Method Acting - Did Method Actors Not Belong In Hitchcock's Movies? – Robert Bellissimo At The Movies https://youtu.be/SQBt7ZQeHc4 Richard Sherman football cornerback https://en.wikipedia.org/wiki/Richard_Sherman_(American_football) Seattle Seahawks https://www.seahawks.com/ Vermeer Painting Restoration Reveals a Portrait of Cupid Hidden for Over 350 Years https://mymodernmet.com/vermeer-dresden-painting-restoration/ Federick W. Becker https://store.sternfinearts.com/fbecker.html Edgar Payne https://en.wikipedia.org/wiki/Edgar_Alwin_Payne Kevin Macpherson https://www.kevinmacpherson.com/ Russell Chatham https://en.wikipedia.org/wiki/Russell_Chatham Clyde Aspevig https://www.clydeaspevig.com/ Quang Ho https://quangho.com/ Jason Saunders https://www.saundersfineart.com/ Carol Anderson https://www.carolynanderson.com/ David Dibble https://www.dibbleart.com/ T. (Tim) Allen Lawson https://tallenlawson.com/ Scott Burdick https://www.scottburdick.com/page/15559/scott-burdick Susan Lyon https://www.susanlyon.com/ About the Artful Painter: Website: https://theartfulpainter.com/ YouTube: https://www.youtube.com/c/CarlOlsonArt This page may contain affiliate links from which I earn a small commission. When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. As an Amazon Associate, I earn from qualifying purchases.

Here we discuss the  four documentaries that Pawel Pawlikowski made for the BBC in the early nineties: 'Tripping with Zhirinovsky', 'Dostoevsky's Travels', 'Serbian Epics' and 'From Moscow to Pietushki'. Each of these films represent Pawlikowski's unique touch in the way that they blur the boundaries between fiction and reality, occupying a space of heightened, absurdist reality. Tune in and join the chat for a real discussion on one of the greatest filmmakers of our time. 

Segundo o diretor polonês Pawel Pawlikowski, mesmo diretor de Ida, vencedor do Oscar de melhor filme estrangeiro em 2014, o ponto de partida para Guerra Fria foi seu desejo de fazer um filme sobre seus pais, cuja relação tempestuosa durou até o fim de suas vidas, um pouco antes da queda do muro de Berlim. Além do nome – Zula e Wiktor - talvez esta seja a única característica em comum entre eles e os protagonistas de Guerra Fria. Pawlikowski disse que a melhor maneira de contar a história de seus pais era transformá-los em personagens totalmente fictícios. Se você gostou de Ida, ou se é fã de fotografia em preto e branco, não deixe de assistir essa belíssima história de amor, contada de forma sucinta, por meio de breves retratos da vida de um casal dividido por um muro, literal e figurativamente. Em seguida, confira a nossa discussão sobre o amor pendular, em constante movimento entre sonho e pesadelo; sobre ser estrangeiro e o desejo de retornar à pátria e às origens; sobre nacionalidade e identidade; e, por fim, não perca a participação especialíssima da nossa querida amiga e ouvinte Carol Galli. --- Quer fazer um comentário, uma crítica ou uma sugestão? Envie um email a saladeprojecaopodcast@gmail.com e responderemos em breve. --- Ficha do Filme: Guerra Fria (Cold War/Zimna Wojna), 2018. Direção: Pawel Pawlikowski. Roteiro: Pawel Pawlikowski, Janusz Głowacki e Piotr Borkowski. Elenco: Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza, Cédric Kahn e Jeanne Balibar. 88 min. Polônia. -- Créditos: Ilustração: Felipe Sobreiro Edição e Identidade Visual: Thiago Vergara Música de Introdução: https://www.bensound.com Músicas do filme: Trechos do filme (Cold War), Loin de Toi (Performed by Joanna Kulig), Love for Sale (Cole Porter), Dwa serduszka - jazz version (Marcin Masecki) Musica de crédito ao editor: It's the Love (The Breeders)

Esta semana recomendamos This is Pop y Captain Phillips en Netflix. La extraordinaria Cold War de Pawel Pawlikowski y Solos, la miniserie/antología de ciencia ficción, en Prime Video. A AppleTV+ llega Physical con Rose Byrne. Y comentamos opciones de la Sala Virtual de la Cineteca Nacional: entre ellas La Dolce Vita de Federico Fellini. Y finalmente, dónde ver las películas de Interior XIII. See acast.com/privacy for privacy and opt-out information.

Join us in our discussion of the movie Cold War (2018) directed by Pawel Pawlikowski. Be sure to watch the movie before listening because THERE WILL BE SPOILERS.

Falamos sobre as relações que se podem estabelecer entre Arte e Tempo, analisando tanto o papel da História e da memória na Arte como as problemáticas da eternidade e a efemeridade. Estas e outras questões revelam-se assim pertinentes numa conversa, digamos... Intemporal. Esperemos que gostem! Um bom ano de 2021 a todos! https://www.facebook.com/arteemanhas144 https://open.spotify.com/show/0cbNplm9159GAO8CFRd4yh https://www.youtube.com/channel/UCShktB8EroyFTV8-9TLNYPw Obras mencionadas e sugestões: Artes Performativas: -Prelúdio em Sol Maior para violoncelo BWV 1007 – J. S. Bach -Prelúdio em Dó Maior para cravo/piano do 1º Livro de “O Cravo Bem Temperado” – J. S. Bach -Für Elise – L. Beethoven -4'33'' – J. Cage -Trenodia para as vítimas de Hiroshima - K. Penderecki -Requiem para flauta solo – K. Fukushima -A Sagração da Primavera – I. Stravinsky -Comedian – M. Cattelan Artes Plásticas: -Vitória de Samotrácia (Museu do Louvre) -Unique Forms of Continuity in Space (MET Museum) – U. Boccioni -A Persistência da Memória (MOMA) – S. Dali -Nude Descending a Staircase (No. 2) (Philadelphia Museum of Art) – M. Duchamp Audiovisual: -Dark (Série da Netflix) -O Ano da Morte de Ricardo Reis (Filme de João Botelho) -Cold War (Filme de Pawel Pawlikowski)

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 54 Sam is joined by BAFTA award-winning actor, writer and director Celyn Jones. His next film, Six Minutes to Midnight, starring Eddie Izzard and Dame Judi Dench, is due out in March 2021. Celyn has chosen Last Resort (74 minutes) by Pawel Pawlikowski. The film from 2000 stars Paddy Considine and Dina Korzun.  Sam and Celyn discuss working with Elijah Wood on Set Fire To The Stars, his journey to becoming a film maker, and how Paddy Considine played a pivotal role in his career. Celyn recently produced Zara Hayes's Poms, starring Diane Keaton, Jacki Weaver and Pam Grier. The film is available to watch on a number of digital platforms.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm We are a proud member of the Stripped Media Network. Website: 90minfilmfest.comTweet: @90MinFilmFest Instagram: @90MinFilmFest  Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @celynjones. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus Link: Celyn Jones winning his BAFTA Cymru award.

Wayne and Shane discuss the movies that were nominated for the Academy Awards in 2019. The films we have selected explore the sometimes tumultuous but long-lasting relationships that can develop because of, or in spite of, our love for others. Cold War, directed by Pawel Pawlikowski, and Roma, directed by Alfonso Cuaron, are highlighted. "Let's go to the other side. The view will be better there."

DUVAR - Gazete Duvar sinema yazarı Şenay Aydemir'in hazırlayıp sunduğu 'Bir Film Bir Konuk'a Kardeş Türküler'den müzisyen Feryal Öney konuk oluyor. Aydemir ve Öney, Polonya sinemasının 21. yüzyılda yetiştirdiği en yetenekli yönetmenlerin başında gelen Pawel Pawlikowski'nin filmi ‘Soğuk Savaş'ı (Cold War, 2018) konuşuyorlar. Bir şarkının, tarihin dönüşümüyle birlikte aldığı biçimlerin izini sürüyorlar...

#Fitz22 alcanzamos el número 2️⃣2️⃣, los dos patitos 🐥🐥, aprovechamos para contaros nuestras experiencias en los bingos y explicar porque los bingos están realmente bien. Arrancamos nuestra selección musical desde el profundo Kentucky con Tyler Childers, un jornalero de la música que mezcla el country, el bluegrass y el folk, su padre trabajaba en una mina de carbón, y en sus canciones son habituales las referencias a los mineros y al ambiente de su infancia. El 18 de septiembre de 2020, Childers lanzó "Long Violent History"m un álbum sorpresa que consta principalmente de pistas de violín tradicionales. Compartimos con vosotros "Long Violent History", el tema central del álbum, una canción original que trata sobre el racismo, los disturbios civiles y la brutalidad policial. Necesitamos bailar, por eso compartimos otra novedad; “Lifetime”, el single de debut de Romy Madley-Croft la guitarrista y voz de The xx, un tema pop altamente bailable y que va directo a las pistas de baile. Compuesta y grabada en Londres durante la cuarentena, es una canción que habla del sueño de volver a reunirse con los amigos, la familia, con todos aquellos a los que queremos, capturando la euforia de poder estar juntos nuevamente. Ideal para disfrutar y bailar con los gatos. Continuamos con más música electrónica pero esta vez más oscura, con un cover de “Always“el tema original de Erasure, la banda de Andy Bell y Vince Clarke a cargo de Xiu Xiu y Dirty Beaches. El resultado es una versión menos edulcorada, una fascinante deconstrucción distorsionada del viejo hit de los ochenta. Xiu Xiu son una banda de música experimental originaria de San José (California), un proyecto capitaneado por Jamie Stewart, el único componente que ha permanecido en la banda desde su formación en 2002. Nos vamos a Ecuador a Quito con Lolabúm, este año ha sido un año prolífico para la banda sudamericana con el lanzamiento de dos discos “Verte antes de fin de año” y “O clarividencia”, álbumes que ponen banda sonora a este aciago 2020. Suena “Misterio y comedia” un tema recién salido del horno y que nos ha encantado, una muestra de la interesante escena musical ecuatoriana. Es el momento de que suene la gran Chavela Vargas, ponemos una canción de su primer disco del año 1963, una canción muy importante en nuestra vida “No volveré”. Cuantas veces hemos dicho no volveré y finalmente hemos vuelto. Podríamos estar infinidad de programas comentando sólo esta canción, sólo decir que tremenda Chavela. Para el último viajamos hasta Montreal, pinchamos “T’es belle” de Coeur de Pirate (Corazón de Pirata) nombre artístico de Béatrice Martin, con 31 años ya tiene una amplia y exitosa trayectoria a sus espaldas .Su nueva canción viene etiquetada como "un himno feminista que es fiel a los tiempos y francamente estimulante, una canción protesta contra un patriarcado sofocante que dicta lo que las mujeres deben hacer y cómo. Sus letras subversivas chocan con su alegre ritmo pop y sentimiento country”. ▶️▶️ 38’12” la película que comentamos esta semana es “Cold War” del director polaco Pawel Pawlikowski, recorremos su exitosa y premiada filmografía, centrándonos especialmente en su dos última películas hasta la fecha “Ida” y “Cold War” ,que representaron un giro respecto a todo lo que había rodado hasta la fecha; en la temática significaron una vuelta a sus raíces, a lengua polaca y a una época histórica, la de la dictadura comunista, y en lo formal supusieron una auténtica revolución estética, rodadas en un preciosista blanco y negro y en formato 4:3, con abundancia de encuadres simétricos con muchísimo aire sobre los personajes en un intento de hacer una película atemporal y de forzar a los espectadores a ver la película de modo meditativo. Cold War es una historia de amor fatal, que narra en un bellísimo blanco y negro los encuentros y desencuentros de una pareja a lo largo del tiempo desde la Polonia de posguerra y la dictadura Comunista de los años cuarenta hasta el París bohemio de los cincuenta , ella una bomba voluptuosa que parece siempre a punto de estallar, el un posibilista, en realidad la historia de un par de supervivientes en tiempos difíciles para el amor.

Polen er måske ikke det land, vi altid får sat i forbindelse med stor kultur. Ved valget i sommeren 2020 genvandt præsident Andrzej Duda fra partiet Lov og Retfærdighed magten med en kneben sejr til konservativ højrenationalisme og homoskepticisme, men trods det stramme politiske og intellektuelle klima er der god grund til at fremhæve Polen for sit sprudlende kulturliv. De producerer stor filmkunst med instruktører som Pawel Pawlikowski og Krzysztof Kie¶lowski, og Polen har vundet Nobelprisen i litteratur fem gange. De to seneste gange er den gået til kvinder: Wis¶awa Szymborska i 1996 og Olga Tokarczuk i 2018. Olga Tokarczuk er ikke ligefrem i kridthuset hos præsidenten, som faktisk ikke engang orker at læse sig igennem hendes værker, måske for hun skriver sig op imod den politiske udvikling i romaner som 'Rejsende' og 'Kør din plov over de dødes knogler'. Men hvordan formår Polen at blive ved med at producere fremragende litteratur, når det polske intellektuelle klima er så presset i de her år? I Skønlitteratur på P1 kan du komme nærmere svaret, når oversætterparret og polenselskere Judyta Preis og Jørgen Herman Monrad er på besøg for at udbrede kendskabet til polsk litteratur og kultur. Vært: Nanna Mogensen.

Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast SEPTEMBER 15 National Linguine Day Tom Hardy, Oliver Stone , Tommy Lee Jones, Ben Schwartz, Dave Annable, Josh Charles, Danny Nucci, Caterina Murino, Jo Sperber, Henry Silva, Agatha Christie, Rebecca Miller, Jackie Cooper, Fay Wray, Margaret Lockwood, Pawel Pawlikowski, Jean Renoir, Ron Shelton, Carmen Maura , Henry Charles Albert David Mountbatten-Windsor Prince Harry, Shohei Imamura, William Howard Taft, Chris Menges, Robert Benchley --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message

What a thrill to have these two as my guests. Not only do I love their work but they are both smart, funny people who love their culture and love to talk about it. Perfect for SAGL.Anne Marie Duff can be seen on BBC iPlayer at the moment starring in The Salisbury Poisonings, a brilliantly gripping reconstruction drama about the Novichok incident involving Russian spies in the west country cathedral city. She's also in a Royal Court Theatre production that evolved during lockdown called My White Best Friend.She was full of recommendations, bursting to share her excitement about what she's been watching including Pawel Pawlikowski films: My Summer of Love, Ida and Cold War.Simon Bird, known for The In Betweeners and as Adam in Friday Night Dinner, well he's a director now. And he is likely to be a very good one for a few years to come. His wistful comedy Days of the Bagnold Summer is available everywhere, including BFI Player, Curzon Home Cinema, Amazon and Sky Store. And season six of Friday Night Dinner is a must. He discusses discovering the docs of Molly Dineen. Anne-Marie Duff:Laura Marling, Union Chapel (12.30)Daughters of the Dust(13.34)Pawel Pawlikowski films (15.38)Simon Bird:Alice Doesn't Live Here Anymore (28.53)Very Semi Serious (30.47)Molly Dineen Collection (31.04)Music by Lee Rosevere. See acast.com/privacy for privacy and opt-out information.

June is LGBTQ pride month, and once again Halloween Boutique Psychotronic Reviews heads to the arthouse to deliver the first of two June episodes that focus on LGBTQ cinema. This first episode is entitled MY SUMMER OF LOVE (2005), a British film showcasing award winning director Pawel Pawlikowski in one of his early movies. Also on display is the cinematography of Ryszard Lenczewski. However, most importantly is the feature film debut of Emily Blunt that would lead to her international acclaim as one of today's most beloved actresses. Mona (Natalie Press) lives with her ex-con brother Phil (Paddy Considine) in a rural town outside of Manchester, England. During the summer, she meets a wealthy and beautiful boarding school girl, Tamsin (Emily Blunt). With her free spirit attitude, Tamsin entrances Mona and the two become best of friends that may lead to even more. But as the summer winds down, Mona's blinded expectations clashes with the bourgeois worldly life of Tamsin. MY SUMMER OF LOVE is a highly regarded arthouse film that has many themes drenching its fabric. Besides the obvious LGBTQ aspect of the movie, the differences between the classes, the coming of age, and the inevitable indirection of many of the characters is apparent. Nominated for numerous awards, your co-hosts take a look at this “cult classic” and give their thoughts.

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. June is LGBTQ pride month, and once again Halloween Boutique Psychotronic Reviews heads to the arthouse to deliver the first of two June episodes that focus on LGBTQ cinema. This first episode is entitled MY SUMMER OF LOVE (2005), a British film showcasing award winning director Pawel Pawlikowski in one of his early movies. Also on display is the cinematography of Ryszard Lenczewski. However, most importantly is the feature film debut of Emily Blunt that would lead to her international acclaim as one of today’s most beloved actresses. Mona (Natalie Press) lives with her ex-con brother Phil (Paddy Considine) in a rural town outside of Manchester, England. During the summer, she meets a wealthy and beautiful boarding school girl, Tamsin (Emily Blunt). With her free spirit attitude, Tamsin entrances Mona and the two become best of friends that may lead to even more. But as the summer winds down, Mona’s blinded expectations clashes with the bourgeois worldly life of Tamsin. MY SUMMER OF LOVE is a highly regarded arthouse film that has many themes drenching its fabric. Besides the obvious LGBTQ aspect of the movie, the differences between the classes, the coming of age, and the inevitable indirection of many of the characters is apparent. Nominated for numerous awards, your co-hosts take a look at this “cult classic” and give their thoughts. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. June is LGBTQ pride month, and once again Halloween Boutique Psychotronic Reviews heads to the arthouse to deliver the first of two June episodes that focus on LGBTQ cinema. This first episode is entitled MY SUMMER OF LOVE (2005), a British film showcasing award winning director Pawel Pawlikowski in one of his early movies. Also on display is the cinematography of Ryszard Lenczewski. However, most importantly is the feature film debut of Emily Blunt that would lead to her international acclaim as one of today’s most beloved actresses. Mona (Natalie Press) lives with her ex-con brother Phil (Paddy Considine) in a rural town outside of Manchester, England. During the summer, she meets a wealthy and beautiful boarding school girl, Tamsin (Emily Blunt). With her free spirit attitude, Tamsin entrances Mona and the two become best of friends that may lead to even more. But as the summer winds down, Mona’s blinded expectations clashes with the bourgeois worldly life of Tamsin. MY SUMMER OF LOVE is a highly regarded arthouse film that has many themes drenching its fabric. Besides the obvious LGBTQ aspect of the movie, the differences between the classes, the coming of age, and the inevitable indirection of many of the characters is apparent. Nominated for numerous awards, your co-hosts take a look at this “cult classic” and give their thoughts. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

What is love? Oh baby, don’t hurt me, don’t hurt me, no more. Oyoyoy. As the two watch 'Cold War', Sean painfully discovers Giannis’s true loves: pretentious black and white foreign films and communism. The title of the movie might be cold war, but trust me, this war is HEATING UP! Movie Chosen By: Giannis Trailer: https://www.youtube.com/watch?v=8ImvkXgGVWw Wikipedia Page: https://en.wikipedia.org/wiki/Cold_War_(2018_film) Watch it here: https://amzn.to/2A7DvVA Facebook Page , Twitter Page , Instagram Page ,Youtube Page, Patreon Page

En una Europa dividida por el Telón de Acero, lo romántico siempre es político. En el segundo episodio de Segundo Plano, viajamos desde Varsovia a Berlín y al bohemio París para conversar sobre Guerra Fría (2018), la obra maestra de Pawel Pawlikowski.

Lizzie is someone I’ve wanted on the podcast for a while. In fact when I first started this project whilst working at the BFI, I was always sort of biding my time slash working up the courage to ask her. And then serendipitously I was asked to do a live show at Glasgow, where two films that Lizzie had exec’d were showing and it seemed like exactly the right moment. She’s sort of the perfect guest for Best Girl Grip - not that perfection exists - but in terms of the expansive career she’s had from journalism to programming to being the Artistic Director of the Edinburgh International Film Festival to production to execing over 50 feature films at the BFI and working with renowned filmmakers such as Joanna Hogg, Andrea Arnold, Lynne Ramsay, Andrew Haigh, Pawel Pawlikowski and Mike Leigh, I love that her career has taken many different directions and it was such a pleasure to interrogate how she chartered that path.  Thank you so much for listening to this season, whether you joined me since October when I released the episodes recorded in Toronto, which feels like lifetime and an epoch ago, or if you jumped on the bandwagon more recently, I hope you liked what you’ve heard so far. I’ve been thrilled and awed and galvanised by the people I’ve managed to interview, and it remains my favourite part of doing this podcast. So I’m looking forward to seeing what season three bring in that respect.

Episode 6 of That Scene, That Song features a conversation with actor and model Gaia Weiss who has featured on screen in Judy, Vikings, Mary Queen of Scots and The Legend of Hercules. Doing ballet from the age of four, and drama from 7, performing and being on stage was always in her blood. Through a career that she says 'just happened' is thread of tenacity and doing the hard work. The Scenes Live and Become - a film that Gaia describes as a lesson in humanity. It is the story of Christian Ethiopian mother who saves her son by sending him to Israel, where he is adopted by a family in Tel Aviv and must acclimate to his new life while guarding the secret of his past. The particular scene that moved Gaia was where the mother implores her son to 'go, live and become'. Cold War by Pawel Pawlikowski is described as an impossible love story in impossible times. The film is a passionate love story between a man and a woman who meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in 1950s Poland, Berlin, Yugoslavia and Paris, it’s the tale of a couple separated by politics, character flaws and unfortunate twists of fate. The Songs Jerusalem by Alpha Blondy with an inspiring message of community and meaning of togetherness; something we can all take some inspiration from these days. Tezeta by Mulatu Astatke that joins Gaia whenever she needs to recharge from the frenetic nature of life. If you have nothing left, you can't give anymore. This song will fill your soul. Gaia discovered it under extraordinary circumstances: she was at Sting's house in Tuscany listening to Mia Moretti sing a captivating song that caressed her spirit. She Shazam'd it, and we get to listen to it today.

Episode 6 of That Scene, That Song features a conversation with actor and model Gaia Weiss who has featured on screen in Judy, Vikings, Mary Queen of Scots and The Legend of Hercules. Practicing ballet from the age of four, and drama from 7, performing and being on stage was always in her blood. Through a career that she says 'just happened' is thread of tenacity and doing the hard work. The ScenesLive and Become - a film that Gaia describes as a lesson in humanity. It is the story of Christian Ethiopian mother who saves her son by sending him to Israel, where he is adopted by a family in Tel Aviv and must acclimate to his new life while guarding the secret of his past. The particular scene that moved Gaia was where the mother implores her son to 'go, live and become'. Cold War by Pawel Pawlikowski is described as an impossible love story in impossible times. The film is a passionate love story between a man and a woman who meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in 1950s Poland, Berlin, Yugoslavia and Paris, it’s the tale of a couple separated by politics, character flaws and unfortunate twists of fate. The SongsJerusalem by Alpha Blondy with an inspiring message of community and meaning of togetherness; something we can all take some inspiration from these days. Tezeta by Mulatu Astatke that joins Gaia whenever she needs to recharge from the frenetic nature of life. If you have nothing left, you can't give anymore. This song will fill your soul. Gaia discovered it under extraordinary circumstances: she was at Sting's house in Tuscany listening to Mia Moretti sing a captivating song that caressed her spirit. She Shazam'd it, and we get to listen to it today.

Kinematografi so še vedno zaprti zaradi epidemije, filme pa lahko gledamo tudi doma. Na spletni strani Kinodvora si lahko brezplačno ogledamo štiri dokumentarce z oskarjem nagrajenega poljskega režiserja Pawla Pawlikowskega z začetka devetdesetih let, ki jih je snemal za BBC. Ocenili bomo novi igrano dokumentarni film Marte Frelih o slovenski koreografinji Rut Vavpotič. Film je bil ta teden premierno prikazan na Televiziji Slovenija. Prav tako na Televiziji Slovenija pa bosta ta konec tedna na sporedu dva izjemna vojna filma – Apokalipsa, danes Francisa Forda Coppole, ki obravnava vietnamsko vojno, in Raj, film o drugi svetovni vojni, za katerega je Andrej Končalovski leta 2016 prejel srebrnega leva za najboljšo režijo. Vabljeni k poslušanju!

Sinema yazarı Ali Deniz Şensöz, Pawel Pawlikowski'nin Cannes'da En İyi Yönetmen ödülü kazanan filmi Soğuk Savaş (Cold War) hakkında konuştu.

Über Folklore, Liebe und Grippeschutzimpfung. Passend zur Jahreszeit diskutieren wir einen Film über den Kalten Krieg - doch die Liebe lodert heiß! Wir besprechen eine Liebesgeschichte jenseits von Gut und Böse, erkennen in kleinen Fehlern die Makellosigkeit des Films und fühlen uns zum Brainstorming für eine alternative Schlussszene genötigt.

Matthew and Shane head behind the iron curtain to post-war Poland and are seduced by Pawel Pawlikowski's masterful Cold War from 2018. Notes:Video enhanced version of this episode: https://youtu.be/pbcfhj7cGIETrailer for Cold War: https://youtu.be/BvPkDdFeTk8IMDB listing for Cold War: https://www.imdb.com/title/tt6543652/Interview with Pawel Pawlikowski: https://www.theguardian.com/film/2019/feb/09/pawel-pawlikowski-poland-cold-war-ida

TLS bears witness to a star-crossed love affair that spans both sides of the Iron Curtain in Pawel Pawlikowski's, “Cold War.” [Aggregate score: 8.75] The post Film & TV: Cold War appeared first on The Lost Signals.

Never was the Cold War so sulky smooth as this! Black and white rooms filled with smoke and a depressing jazz romance to sing to—it’s about as European as it gets! And all the better for it!

Cold War (Zimna wojna) is a 2018 Polish film by Pawel Pawlikowski that probably should win best foreign film. We'll see. https://thevisualtext.com

Turner Classic Movie host Ben Mankiewicz joins EW's Shana Naomi Krochmal and Piya Sinha-Roy to definitively determine how an Academy Award-winning movie – or a losing one, or one that never even makes the nominations cut – might eventually become a time-honored, widely respected, and beloved classic film. Plus, we discuss who oddsmakers are predicting will win the big Oscars categories, how many awards shows Alfonso Curaon attend in one week, what cinematographers find funny, and whether rom-coms will ever get the respect they deserve. Piya also chats with director Pawel Pawlikowski about his beautiful black-and-white film, ‘Cold War.' Learn more about your ad choices. Visit megaphone.fm/adchoices

Í Lestinni í dag verður meðal annars fjallað um samtímann og sambandsleysið sem honum fylgir. Spurt verður: Hvers vegna sköpum við list? Marta Sigríður Pétursdóttir kvikmyndagagnrýnandi fjallar um kvikmyndirnar Bohemian Rapsody, sem fjallar um bresku hljómsveitina Queen, og kvikmyndina Cold War eftir pólska leikstjórann Pawel Pawlikowski. Og Karl Ólafur Hallbjörnsson flytur pistil um hugtakatvennd heildar og hluta í samhengi pólitískrar orðræðu. Umsjón: Anna Gyða Sigurgísladóttir og Eiríkur Guðmundsson

A passionate love story between two people of different backgrounds and temperaments, set against the background of the Cold War. The post Pawel Pawlikowski – Cold War #66SSIFF appeared first on Fred Film Radio.

'Cold War' is the latest film from Pawel Pawlikowski, director of the Oscar winning 'Ida'. 'Cold War' won Pawlikowski the award for Best Director at the 2018 Cannes Film Festival and we were lucky enough to speak to the film's lead actors Joanna Kulig & Tomasz Kot for this episode of the Curzon Film Podcast.'Cold War' is an epic romance set against the backdrop of Europe after World War II. Sumptuously shot in luminous black and white, it spans decades and nations to tell a love story that is as tragic as it is moving, and as transportive as it is honest.Discussing the film are podcast regular Sam Howlett, Kelly Powell and Steven Ryder, as well as special guest contributor Iana Murray, editor of Much Ado About Cinema.Follow the team on Twitter:@SamHowlett_1 - Sam@ks_powell - Kelly@ianamurray - Iana@jakehcunningham - JakeProduced by Jake CunninghamEdited by Mark TowerMusic from incompetech.com Hosted on Acast. See acast.com/privacy for more information.

On the last weekend of Cannes, Jake and Damo round up their favourite final watches, including Hirokazu Kore-eda's 'Shoplifters' and Matteo Garrone's 'Dogman'. For discussion on the Semaine Award winning 'Diamantino', Pawel Pawlikowski's 'Cold War' and 'Leave No Trace' - Debra Granik's acclaimed follow up to 'Winter's Bone', go back and listen to our previous episodes of Our Man In Cannes.For some in-depth conversation on the latest releases, check out our latest, full-length episodes on the Camera D'or winning 'Jeune Femme', as well as 'McKellen: Playing the Part', featuring an interview with the great thespian himself.Follow the team on Twitter:@damospandley - Damo@jakehcunningham - JakeProduced and edited by Jake CunninghamMusic supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.

El polaco Pawel Pawlikowski deslumbra con su historia de amor marcada por el Telón de acero en 'Cold War'. El periodista Kapuœciñski llega al cine para mostrar el inicio del tercer mundo en 'Otro día de vida'

The world's greatest film festival is in full swing and our man in Cannes, Head of Programming Damo Spandley, is here to guide us through the programme. Over a few micro-podcast episodes, he'll be revealing his most anticipated films and highlights so far as well (including Asghar Farhadi's 'Everybody Knows' and Pawel Pawlikowski's 'Cold War') trying to explain just what a programmer does.Follow the team on Twitter:@damospandley - Damo@jakehcunningham - JakeProduced and edited by Jake CunninghamMusic supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.

Kim Masters reflects on a personal Sundance first—actually appearing in a film featured at the festival. And a conversation with filmmaker Pawel Pawlikowski. His black and white Polish indie Ida is up for two Oscars.

Pawel Pawlikowski – Filmmaker – Ida FRED’s Matt Micucci meets Polish filmmaker Pawel Pawlikowski, who returns to his native land for his latest work IDA, winner of the 2014 LUX Prize. He talks with us about the meaning of his return to his homeland, and comments on the particular choice of cultural setting for this [...] The post Pawel Pawlikowski – Ida #venicedays appeared first on Fred Film Radio.