Podcasts about new esthetic

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Ostensibly,Silence is the absence of ambient audible sound, the emission of sounds of such low intensity that they do not draw attention to themselves, or the state of having ceased to produce sounds; this latter sense can be extended to apply to the cessation or absence of any form of communication, whether through speech or other medium.Professor Margaret Montoya purports that silence has many meanings.It signifies different things in different cultures. It also changes depending on the context. Concomitantly, one thing for sure Silence can mean many things especially in interpersonal relationships. It's ambiguous. It can express lots of different emotions ranging from joy, happiness, grief, embarrassment to anger, denial, fear, withdrawal of acceptance or love. WILLIAM Anderson GittensAuthor, Cinematographer,Dip., Com., Arts. B.A. Media Arts Specialists’ Editor-in-Chief License Cultural Practitioner, Publisher, Student of Film, CEO Devgro Media Arts ServicesiMovie and Devgro Media Arts ServicesPresent A Devgro Media Arts Services Production In Association With iMovie A William Anderson Gittens Podcast The Silence In Culture©2020Directed,Edited,Produced, Shoot on Location, Scripted, and Narrated By William Anderson Gittens Author, Dip. Com. Art, Editor-In-Chief, Media Arts Specialist Publisher, License Cultural Practitioner PodcasterCEO Devgro Media Arts ServicesSome of the digital flowers Filmed on Location Thorsby Barbados-WORKS CITED"Messiah Part II". May 16, 2020. Retrieved May 25, 2020 – via Wikipedia."Silence | Define Silence at Dictionary.com". Dictionary.reference.com. Retrieved 2013-08-15."Silent Films on JSTOR". www.jstor.org. Retrieved October 29, 2019.Ann Mullen (November 8, 2000). "Breaking the blue code". Metro Times. Retrieved December 29, 2014.Armstrong, P. (2007, July). Cultures of silence: Giving voice to marginalized communities. Paper presented at the meeting of the Standing Conference on University Research and Teaching in the Education of Adults, Belfast, Northern Ireland.Bartje Bartmans (1 August 2015). "Igor Stravinsky - Les Noces (1923)" – via YouTubBlack 2006, xvi.Britain Yearly Meeting, "Quaker Faith and Practice"Bromberg, Serge; Lang, Eric (directors) (2012). The Extraordinary Voyage (DVD). MKS/Steamboat Films.Brookfield, S. (2006). The Skillful Teacher: On Techniques, Trust, and Tesponsiveness in theBrownlow, Kevin (1968a). The Parade's Gone By... New York: Alfred A. Knopf.Busoni, Ferruccio (1911). Sketch of a New Esthetic of Music. New York: G. Schirmer. p. 23.Cage, J.(1952), 4’33", Published by Edition Peters (PE.P06777)Charles Darwin (2004). The Descent of Man. London: Penguin Books. pg. 123.Chin, Gabriel; Wells, Scott (1998). "The "Blue Wall of Silence" and "the Blue Curtain of Secrecy" as Evidence of Bias and Motive to Lie: A New Approach to Police Perjury". University of Pittsburgh Law Review. 59: 233. SSRN 1810012.Christalyn Brannen (2002), Going to Japan on Business: Protocol, Strategies, and Language for the Corporate Traveler, Stone Bridge Press, p. 73, ISBN 978-1-880656-73-0Classroom (2nd edition), Jossey-Bass, 2006.Cook, David A. (1990). A History of Narrative Film (2nd ed.). New York: W.W. Norton. ISBN 978-0-393-95553-8.Cooper, Barry (Spring 2011). "Beethoven's Uses of Silence". The Musical Times. 152 (1914): 25–43. JSTOR 23039954.Cox, Christoph; Warner, Daniel (2004). Audio Culture: Readings in Modern Music.:Current, Richard Nelson; CuSupport the show (http://www.buzzsprout.com/429292)

Pianist Kirill Gerstein chooses the conductor and composer Ferruccio Busoni. Matthew Parris presents. When Busoni died in Berlin in 1924, his pupil Kurt Weill said, "We did not lose a human being but a value." Unravelling exactly what this means is the pianist Kirill Gerstein, a great admirer of Busoni and also a performer of his work. Busoni was a thinker as well as a composer. His book from 1907, Sketch of a New Esthetic of Music, has influenced generations of musicians. The producer in Bristol is Miles Warde.

LIVE from the DLAT Conference from Texas a few weeks ago. We sit down with Herb Baird from Ivoclar Vivadent talking about getting into the industry, the early days of the esthetic revolution, and what Ivoclar Vivident is trying to do to improve the restorations and the role of a dental technician. "The Socks" Until May 11th get a Voices From the Bench shirt and support The Foundation of Dental Laboratory Technology. Order yours here! (https://www.bonfire.com/voices-from-the-bench-fundraiser/) Come see Voices From the Bench - The FDLA Southern States Symposium & Expo May 9 - 11th in Orlando, FL (https://www.fdla.net/symposium/) If you are on the west coast go to - LMT Lab Day West 2019 May 10 & 11 in Garden Grove, CA (https://lmtmag.com/lmtlabdaywest) A Huge thank you to Open Implants for their support of the podcast. Head over to openimplants.com/voices (https://www.openimplants.com/voices) to learn more and use the code voices10 to get 10% off your first order Special Guest: Herb Baird.

Music writing has always been something of an occult practice, trying by some weird alchemy to use concepts to describe stuff that defies the basic categories of intellect. So long as we stick to classical music, we can pretend that nothing too odd is happening, since the classical tradition has been steeped in notation for centuries. But when a musicologist attempts to analyze, say, an ambient track by Brian Eno, things aren't so simple. Suddenly notation won't do, and there comes the need to make use of every tool in the poet's shed. This episode focuses on a recently published article by Phil on this question. In due course, the discussion turns to the power of good writing: its capacity not just to convey an author's subjective impressions, but to disclose new facets of the ineffable, baroque objective world. SHOW NOTES Phil Ford, "Style as Analysis" in The Routledge Companion to Popular Music Analysis: Expanding Approaches (https://www.routledge.com/The-Routledge-Companion-to-Popular-Music-Analysis-Expanding-Approaches/Scotto-Smith-Brackett/p/book/9781138683112), edited by Ciro Scotto, Kenneth M. Smith and John Brackett Christopher Ricks, [Dylan's Vision of Sin](https://en.wikipedia.org/wiki/Dylan%27sVisionsofSin)_ Ferrucio Busoni, Sketch of a New Esthetic of Music (https://www.gutenberg.org/files/31799/31799-h/31799-h.htm) Susan McClary, Feminine Endings: Music, Gender, and Sexuality (https://www.upress.umn.edu/book-division/books/feminine-endings) Hans Ulrich Gumbrecht, Production of Presence: What Meaning Cannot Convey (https://www.sup.org/books/title/?id=1360) Phil Ford, Dig: Sound and Music in Hip Culture (https://www.amazon.com/Dig-Sound-Music-Hip-Culture-ebook/dp/B00DPJ6RE6) Jerry Hopkins, [No One Here Gets Out Alive](https://en.wikipedia.org/wiki/NoOneHereGetsOutAlive)_ Brian Eno, [Another Green World](https://en.wikipedia.org/wiki/AnotherGreenWorld) Mitchell Morris, The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s (http://california.universitypressscholarship.com/view/10.1525/california/9780520242852.001.0001/upso-9780520242852) William Youngren, “Balliett’s Bailiwick,” Partisan Review 32, no. 1 (Winter 1965) Whitney Balliett, Collected Works (https://www.goodreads.com/book/show/1168302.Collected_Works) E.M. Forster, [Aspects of the Novel](https://en.wikipedia.org/wiki/AspectsoftheNovel)_ Henri Bergson, [Matter and Memory](https://en.wikipedia.org/wiki/MatterandMemory)

M. R. James' "The Mezzotint" is one of the most fascinating, and most chilling, examples of the classic ghost story. In this episode, Phil and JF discover what this tale of haunted images and buried secrets tells us about the reality of ideas, the singularity of events, the virtual power of the symbol, and the enduring magic of the art object in the age of mechanical reproduction. To accompany this episode, Phil recorded a full reading of the story. Listen to it here (http://www.weirdstudies.com/11a). REFERENCES M.R. James, "The Mezzotint" (http://www.thin-ghost.org/items/show/145) Robert Aickman (https://en.wikipedia.org/wiki/Robert_Aickman), English author of "strange stories" Edgar Allan Poe, "The Oval Portrait" (https://poestories.com/read/ovalportrait) Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" (https://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm) Marshall McLuhan, The Book of Probes (https://www.amazon.com/Book-Probes-Marshall-McLuhan/dp/1584232528) Clement Greenberg (https://en.wikipedia.org/wiki/Clement_Greenberg), American art critic J.F. Martel, Reclaiming Art in the Age of Artifice (https://www.northatlanticbooks.com/shop/reclaiming-art-in-the-age-of-artifice/) Marcel Duchamps, Fountain (http://www.tate.org.uk/art/artworks/duchamp-fountain-t07573) Henri Bergson, Laughter (http://www.gutenberg.org/ebooks/4352) John Cage (https://en.wikipedia.org/wiki/John_Cage), American composer David Lynch (director), Twin Peaks: The Return (http://www.sho.com/twin-peaks) Gilles Deleuze, [Difference and Repetition](https://en.wikipedia.org/wiki/DifferenceandRepetition) Vilhelm Hammershøi (https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i), Danish painter Sigmund Freud, [Beyond the Pleasure Principle](https://www.libraryofsocialscience.com/assets/pdf/freudbeyondthepleasureprinciple.pdf) Martin Heidegger, [What is Called Thinking?](https://www.amazon.com/Called-Thinking-Harper-Perennial-Thought/dp/006090528X/ref=sr11?s=books&ie=UTF8&qid=1524419879&sr=1-1&keywords=heidegger+what+is+called+thinking) Stanley Kubrick, [The Shining](https://en.wikipedia.org/wiki/TheShining(film)) Ferruccio Busoni, Sketch of a New Esthetic of Music (https://archive.org/details/sketchofanewesth000125mbp) David Lynch on why you shouldn't watch films on your phone (https://www.youtube.com/watch?v=wKiIroiCvZ0) Nelson Goodman (https://en.wikipedia.org/wiki/Nelson_Goodman), American philosopher Pablo Picasso, Guernica (https://www.pablopicasso.org/guernica.jsp) Paul Thomas Anderson, The Master (https://www.newyorker.com/culture/richard-brody/the-astonishing-power-of-the-master) Martin Heidegger, Basic Writings (http://www.harpercollins.ca/9780061627019/basic-writings) Phil Ford, "No One Understands You" (http://www.weirdstudies.com/articles/no-one-understands-you)