Podcasts about busoni

durée : 00:09:44 - Le Disque classique du jour du lundi 17 février 2025 - Pour son premier album solo, le pianiste Samson Tsoy a imaginé un programme tout en reprises et en variations. Un habile jeu de miroir où dialoguent Brahms, Bach, Reger et Busoni, à découvrir !

durée : 00:09:44 - Le Disque classique du jour du lundi 17 février 2025 - Pour son premier album solo, le pianiste Samson Tsoy a imaginé un programme tout en reprises et en variations. Un habile jeu de miroir où dialoguent Brahms, Bach, Reger et Busoni, à découvrir !

The pianist Samson Tsoy makes his solo debut on record with an album for Linn, 'Inmost Heart'. Built around Brahms's Variations and Fugue on a Theme by Handel, the programme explores Brahms's fascination with the Baroque, but also how his music was later transcribed by Reger and Busoni.  This Gramophone Podcast is given in association with Wigmore Hall  James Jolly visited Samson at his North London home to talk about the new album, his journey from Kazakhstan to London via Moscow, and how he plans to incorporate music from the album into his concert programmes.

En este episodio comparamos a tres gigantes del piano: Chopin, Busoni y Liszt. Descubre sus estilos, influencias y cómo cada uno dejó una huella única en la música clásica. ¡Acompáñanos en este duelo de virtuosos!

Ferruccio Busoni (1866 - 1924) - Piano Concerto in Do maggiore, Op. 39Prologo e Introito: Allegro, dolce e solennePezzo giocosoPezzo serioso:Introductio: Andante sostenuto·         Prima pars: Andante, quasi adagio·         Altera pars: Sommessamente·         Ultima pars: a tempo  5. All'Italiana: Tarantella: Vivace; In un tempo  6. Cantico: Largamente (con coro)Marc-André Hamelin, pianoforteLahden Kaupunginorkesteri Osmo Vänskä, direttore

Shirika la Umoja wa Mataifa la kuhudumia watoto UNICEF linaisaidia serikali ya Burundi katika kuunganisha taarifa za watu katika mifumo inayosomana ya kiraia na ya huduma ya afya. Euphrasie Butoyi mama akiwa amembeba mtoto wake mchanga, amekuja katika ofisi za msajili za eneo la Busoni jimboni Kirundo kaskazini mwa Burundi, anasema,“kabla ilikuwa vigumu kumwandikisha mtoto. Umbali ulikuwa mrefu. Tulikuwa tunalazimika kulipia tiketi ya safari kwa ajili yetu na mashahidi. Tulikuwa tunaweza kwenda kule hata mara mbili bila kupata cheti cha kuzaliwa.” Damien Ndayisenga ni msajili wa kijamii anathibitisha hilo kwa kusema, “ukweli kabla ya hatua hii, ofisi ya usajili wa raia ya Busoni ilikuwa imezidiwa na idadi kubwa ya watu wanaokuja kusajili watoto wao ili kupata vyeti vya kuzaliwa. Lakini huduma hii imerahisisha.” Hakika mradi huu umekuwa mkombozi kama anavyoendelea kueleza Euphrasie Butoyi. Anaposema faranga elfu 10 fedha ya Burundi hiyo ni takribani dola nne za kimarekani, “leo tofauti ni kuwa kituo cha afya kiko karibu na sisi kwa hiyo si lazima tena kulipa nauli kwa ajili ya mashahidi. Sasa ni rahisi kwetu kusajili watoto wetu baada tu ya kuzaliwa. Hata mume wangu hajui kama niko naandikisha hapa wakati huu. Anadhani nitapata tu chanjo ya mtoto lakini nitakapomuonesha cheti cha kuzaliwa cha mtoto wetu, atafurahi sana. Hatalazimika tena kwenye ofisi za serikali na kulipa faranga za Burundi 10,000 kwa ajili ya usafiri. Ni faida kwetu.” UNICEF pia inasaidia katika kuandikisha watoto ambao walichelewa kusajiliwa katika umri mdogo na hiyo imesaidia sana watoto walio katika mazingira magumu kupata huduma za msingi za kijamii ambazo hapo awali walikuwa nazikosa kwa kuwa hawana utambulisho wowote unaotambuliwa kiserikali. Katika mkoa wa Bugabira jimboni Kirundo kaskazini mwa Burundi, tunakutana na Jean Baptiste Mutaniyonka baba wa mtoto mwanafunzi Karerwa Olivier anaeleza changamoto walizokuwa wanakumbana nazo hapo awali kabla ya huduma ya usajili kuletwa karibu. “Mara ya kwanza nilipoenda kwenye ofisi za mkoa kusajili ilikuwa imefungwa kwa sababu ya sikukuu. Mara ya pili, mashahidi walitutaka kuwapatia faranga za Burundi elfu kumi nila mmoja. Sikuwa na fedha hiyo kwa hiyo ilibidi tuahirishe hiyo miadi ili tutafute pesa.” Mzazi huyu ili kuonesha namna cheti cha kuzaliwa kilivyo na umuhimu mkubwa katika maisha ya mtoto nchini Burundi anasema, “bila cheti cha kuzaliwa mtoto hana haki ya kupata kupata huduma ya bure katika hospitali. Tulikuwa tunaondoka bila bila kupata matibabu. Na katika hali kama hiyo tuligeukia katika tiba za asili au katika maduka ya dawa. Ilikuwa hivyo hivyo katika shule. Watoto wangu walikuwa wanarejeshwa nyumbani kwa kukosa cheti cha kuzaliwa.” Huyo ni Olivier Karerwa mwenyewe, mtoto wa Jean Mutaniyonka. Olivier amesajiliwa kupitia mradi huu wa UNICEF na anasema anataka kuwa mwalimu atakapohitimu masomo yake. Anne Rwasa ni bibi anazungumzia ilivyo rahisi sasa kumuhudumia mjukuu wake akisema, lakini leo mtoto  awe na homa au kuumwa tumbo tunakimbia katika kituo cha afya ambako anapata huduma ya bure ya afya.” Mradi huu wa UNICEF Burundi wa kuunganisha taarifa za watoto za serikali ili ziweze kusomeka pia katika taasisi nyingine kama vile vituo vya afya umepata  pia usaidizi kutoka kwa kamati ya UNICEF ya Uingereza.  

We're kicking off 2025 with a special bonus episode of The Piano Pod—coming your way on Tuesday, January 7!

durée : 01:28:42 - Une heure et plus, des compositeurs oubliés : Alfano, Martucci, Busoni - par : Aurélie Moreau - A l'aube du XXe siècle, trois compositeurs qui ont connu une éclipse de nos jours, ont pourtant contribué à l'essor musical de cette époque en Italie : voici quelques-unes des œuvres de Franco Alfano, Giuseppe Martucci et Ferrucio Busoni.

American classical pianist and educator Christopher O'Riley has spent his career gleefully ignoring musical boundaries and playing whatever turned him on. In addition to playing Beethoven, Busoni, Ravel, Scriabin, and Liszt, he's also arranged music by Nick Drake, Nirvana, Elliot Smith, and Radiohead; he leads masterclasses covering nearly every aspect of piano playing and repertoire from 1600 to 2020. Christopher O'Riley's latest album is of J.S. Bach's Well Tempered Clavier, done in a distinctly personal, even idiosyncratic style. He presents his years-long study of the Preludes & Fugues by Bach and a recent arrangement of a classic popular song, in-studio. Set list: 1. Bach: Prelude & Fugue #1 in C major, BWV 846 2. Bach: Prelude & Fugue #4 in C# minor, BWV 849 3."Over the Rainbow"

The beloved Irish soprano Heather Harper died at the age of 88 on 22 April 2019 in London. In music ranging from the Baroque through the modern eras, she displayed an easy mastery as did very few others, as well as a radiant voice and demeanor that made her a favorite collaborator of some of the greatest conductors and composers of the Twentieth Century. Perhaps no other singer matched her accomplishment within such a wide range of styles. This episode was originally published as an addendum to an episode I published in the second season of Countermelody. It highlights Heather Harper in two Richard Strauss roles, Ariadne and the Kaiserin; and features two works which she created, Elizabeth Maconchy's setting of Cecil Day-Lewis's dramatic monologue Ariadne, premiered in 1971, and Michael Berkeley and Ian McEwan's searing 1983 oratorio Or Shall We Die? Harper is also featured in rare recordings of repertoire ranging from Monteverdi to Busoni; Offenbach to Dallapiccola. A forgotten 1964 recording of Harper's transcendent reading of “Aus Liebe will mein Heiland sterben” from Bach's St. Matthew Passion rounds off the episode. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Tom Sutcliffe is joined by Rhianna Dhillon and Viv Groskop to review novel Echoes by Evie Wyld, which focuses on Max, a ghost who, stuck in the flat they had shared, watches his girlfriend grieving and discovers secrets about her. Pianist Benjamin Grosvenor talks about his upcoming performance of the longest concerto ever written, the Piano Concerto by Ferruccio Busoni, whose centenary is celebrated at this year's Proms. We'll also review the film Didi, a coming of age film set in 2008, focussing on a 13-year-old Taiwanese-American boy learning how to navigate life, love and family relations.Presenter: Tom Sutcliffe Producer: Corinna Jones

Kritiker rühmen Ferruccio Busonis Virtuosität: "Es gibt gute Pianisten und es gibt große Pianisten. Und es gibt Busoni." Doch der Klassik ist der Komponist und Dirigent zu modern, der Moderne zu klassisch. Von Michael Struck-Schloen.

durée : 01:58:34 - Egon Petri (1882-1948) : un géant (2,02 m) du piano, disciple de Busoni - par : Philippe Cassard - Un des plus grands pianistes de l'histoire, formé par Busoni et Paderewski, tombé dans un relatif oubli. Réécoutons ses extraordinaires interprétations de Liszt et de Brahms ! - réalisé par : Pierre Willer

De retour à Paris, Albert de Morcerf rend visite au comte de Monte-Cristo et l'invite à un bal que donnent ses parents. Le jeune homme affirme de nouveau son peu d'empressement à épouser Eugénie Danglars. Albert demande également au comte de transmettre l'invitation à Andrea Cavalcanti pour le bal, mais Monte-Cristo se montre réticent à l'égard du jeune italien, sans pour autant l'expliquer. D'autre part, le procureur du roi, intrigué par la personnalité mystérieuse du comte, a interrogé sur ce dernier l'abbé Busoni et lord Willmore qui ne sont autre que Monte-Cristo en personne. *** Fiction radiophonique diffusée dans l'émission “Le Comte de Monte Cristo”, de Alexandre Dumas - Une adaptation de Serge Martel et Pierre Dupriez - Réalisation: Jean-Jacques Vierne - Première diffusion : le 13/11/1980 sur France Culture - Avec : Pierre Santini, Bernard Lavalette, Richard Leduc, André Weber, André Oumansky, Claire Maurier, Anne Deleuze, Pierre Arditi et Philippe Derrez - Un podcast INA.

Jess Gillam is joined by Italian-American violinist Francesca Dego to swap some of their favourite music. Francesca has played everywhere from Wigmore Hall to Lincoln Centre New York, and her latest recording of Brahms and Busoni violin concertos with BBC Symphony Orchestra and conductor Dalia Stasevska is out now via Chandos. Today Francesca has brought along music from neglected Finnish composer Helvi Leiviskä and a fiendish 12-tone work from Schoenberg, while I've chosen David Bowie's swansong.PLAYLIST:GIOACHINO ROSSINI – ‘Una voce poco fa' (Il barbiere di Siviglia: Act 1) [Teresa Berganza (mezzo soprano), London Symphony Orchestra, Alexander Gibson (conductor)] PETER MAXWELL DAVIES – Farewell to Stromness [Richard Casey (piano)] HELVI LEIVISKA – Orchestral Suite No 2, Op 11 (2nd mvt, Humoresque) [Lahti Symphony Orchestra, Dalia Stasevska (conductor)] DAVID BOWIE - Lazarus JOHANNES BRAHMS – Concerto for violin and cello in A minor, Op 102 (2nd mvt, Andante) [Salvatore Accardo (violinist), Heinrich Schiff (cello), Kurt Masur (conductor), Gewandhausorchester] ARNOLD SCHOENBERG – Phantasy for violin and piano [Patricia Kopatchinskaja (violin), Joonas Ahonen (piano)] LANKUM – Wild RoverProduced by Rachel Gill.

durée : 01:28:29 - En pistes ! du jeudi 07 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : La Flûte enchantée de Mozart, La Messe solennelle de Beethoven, le Concerto pour violon de Busoni interprété par Francesca Dego, le Quatuor Asasello dans l'œuvre de Chostakovitch, mais également le Stabat mater dolorosa de Serafino Razzi par l'ensemble La Morra. En pistes !

Jess Gillam swaps favourite music with pianist Keelan Carew, and between them they put together a boundary-pushing playlist with songs by Kurt Weill and Nat King Cole - pianistic fireworks by Busoni and Chopin, orchestral fireworks by Shostakovich and some classic Japanese jazz fusion by Casiopea.Playlist: KURT WEILL: Der Abschiedsbrief [Teresa Stratus (sop), Kurt Weill (piano)] SHOSTAKOVICH: Festive Overture [Philharmonia Orchestra, Vladimir Ashkenazy (cond)] CASIOPEA: Swear [Album: Mint Jams] MAURIZIO CAZZATI: Ciaccona [L'Arpeggiata, Christina Pluhar] CHOPIN: Ballade no.1 in G minor, op 23 [Vladimir Horowitz (piano)] MEERNAA: Good Luck [Album: Strange Life] BUSONI: Piano Concerto in C major, op.39 – iv. All Italiana, Tarantella [Kirill Gerstein (piano), Boston Symphony Orchestra] NAT KING COLE: When I Fall in Love

durée : 01:58:13 - Emanuel Ax (1949) et Richard Goode (1943), les deux plus grands pianistes américains d'aujourd'hui (1) - par : Philippe Cassard - Formé par un disciple de Busoni et protégé d'Arthur Rubinstein, le grand pianiste américain d'origine ukrainienne jouit d'un respect unanime dans la communauté musicale. Quelques-uns de ses enregistrements en solo à (re)découvrir. - réalisé par : Félicie Faugère

This week I present a Countermelody mini-series paying tribute to three great African American artists who were born in Baltimore. First up is the eclectic, versatile, and prodigiously talented Damon Evans, who introduces the latest Listeners' Favorites episode, a tribute to an idol we both treasure, the phenomenal and pathbreaking George Shirley, who on April 18 will celebrate his 90th birthday. Damon chose to do his introduction as an interview, so as a prelude to the main episode, my listeners get to hear one amazing tenor sing the praises of another one! George Shirley is one of the most versatile tenors of the second half of the twentieth century, and a pathbreaker as the first African American tenor to sing at the Metropolitan Opera. I first encountered him through his matchless portrayal of Pelléas in Debussy's Pelléas et Mélisande opposite Elisabeth Söderström. But his Mozart is equally celebrated: the podcast also features live and studio recordings of George Shirley as Tamino (opposite Judith Raskin), Don Ottavio, Ferrando (opposite Leontyne Price), as well as his extraordinary Idomeneo. Extant live performances of George Shirley including assumptions of roles as diverse as Don José (opposite Shirley Verrett), David in Die Meistersinger, Pinkerton (opposite the late Renata Scotto in an incandescent early performance of one of her greatest roles), Mephistopheles in Busoni's Doktor Faust, and even Bacchus in Ariadne auf Naxos. All of these are included in the episode, as are rare recordings of art songs and spirituals from throughout his career. Raise a glass to the great George Shirley and join me in thanking him for having shared so generously with us his extraordinary artistic gifts!

Tom Service talks to composer Anna Meredith as her soundtrack to the poetic British film The End We Start From, and starring Jodie Comer, is featuring in cinemas across the UK. She talks in detail about the compositional process; from the very beginning as she hums a tune and records it onto her phone, to the workings required to produce music that is full of irresistible energy. Pianist Igor Levit talks to Tom about his new album featuring Mendelssohn's Songs Without Words. He talks about his admiration for Busoni and the deep emotion and connection he feels when he plays music by Mahler.

Eine Stunde Klassik! Weihnachten 2023 mit Busoni und Schütz Der Münchner Pianist und "Musikdurchdringer" Jürgen Plich stellt jeden Dienstag um 20 Uhr große klassische Musik vor. Er teilt seine Hör- und Spielerfahrung und seine persönliche Sicht auf die Meisterwerke. Er spielt selbst besondere, unbekannte Aufnahmen, erklärt, warum die Musik so und nicht anders klingt und hat eine Menge aus dem Leben der Komponisten zu erzählen. Sonntags um 10 Uhr in der Wiederholung.

durée : 01:58:56 - Le Bach du dimanche du dimanche 01 octobre 2023 - par : Corinne Schneider - Au programme de cette 264e émission : une heure à l'écoute d'Hélène Grimaud avec la Chaconne en ré min transcrite par Busoni (en concert en 1987 à La Roque d'Anthéron, archive INA) ; la Fête de la Saint-Michel avec la Cantate BWV 130 ; et la 28e édition du Festival Toulouse-les-Orgues (4-15 oct.) - réalisé par : Emmanuel Benito

Der Pianist spielt vier Werke aus drei Jahrhunderten rund um das Thema "Fantasie", von Bach, Liszt, Berg und Busoni.

Wieder mal ein ziemlicher Brocken: Auf seinem neuen Album "Fantasia" durchsteigt Igor Levit den pianistischen Himalaya, dessen vier Gipfel in diesem Fall Bach, Liszt, Busoni und Berg heißen. Das ist manchmal anstrengend, oft aufregend und gewährt vor allem atemberaubende Aussichten.

Der Pianist Igor Levit ist für seine öffentlichkeitsfreudige Meinung ebenso bekannt wie für seine Fähigkeit, die schwierigsten Werke der Klavierliteratur zu schultern. Wenn er ein neues Album herausbringt, steckt dahinter viel gedankliche und musikalische Arbeit. Jetzt ist eine Aufnahme mit dem Titel „Fantasia“ erschienen mit Werken von Bach bis Berg, von Liszt bis Busoni. Christoph Vratz über die neue Einspielung von Igor Levit.

Interpreten: Cuarteto Casals Label: harmonia mundi EAN: 3149020946749 Seit Jahrhunderten beschäftigt „Die Kunst der Fuge“ von Johann Sebastian Bach die Musikwissenschaft. Abfolge der Sätze und Instrumentierung sind dabei nur zwei der nach wie vor diskutierten Punkte. Mozart, Beethoven, Busoni, Krenek und viele andere haben Ausschnitte daraus für eigene Werke verwendet und nun gibt es eine neue Aufnahme in der Version mit Streichquartett, die das Cuarteto Casals vorgelegt hat. Wenn mit Streichquartett, dann genau so, findet Michael Gmasz. Weder im Bach'schen Autograph, noch im Erstdruck finden sich Angaben zur Originalbesetzung der „Kunst der Fuge. Auch wenn sich die Wissenschaft mittlerweile fast einig ist, dass die 14 Fugen und vier Kanons wohl für Tasteninstrument verfasst wurden, bleibt doch aufgrund der Notation in Partiturform eine Möglichkeit, dass die Originalbesetzung anders gedacht war. Eine frühe Form des Streichquartetts könnte man sich dabei durchaus vorstellen und so haben sich in den vergangenen Jahrzehnten auch immer wieder namhafte Quartettformationen mit dieser „Geburt des aberwitzigen Altertums“ (Marpurg im Vorwort des Erstdrucks) beschäftigt. Auf beeindruckende Weise hier das spanische Cuarteto Casals. Ganz im Goethe'schen Sinn sehen die vier Musikerinnen und Musiker dieses Werk als „geistvolle Unterhaltung von vier Leuten“, bei der alle gleichberechtigt agieren. Und trotzdem ist es natürlich kein gefühlloses reines Abspielen von Tönen. Es ist ein Hervortreten und Zurücknehmen, dynamische Steigerungen und ein Zurückkehren zum pianissimo. Das Fugenthema ist immer irgendwo präsent, ohne mit dem Vorschlaghammer präsentiert zu werden. Der Einsatz von Vibrato ist äußerst dezent bzw. fast nicht vorhanden, was eine absolute Reinheit in der Intonation bedingt, die hier vollauf gegeben ist. Klang wird somit vorwiegend über die Geschwindigkeit des Bogenstrichs erzeugt. Absolut hohe Kunst des Streichquartettspiels! Ist man der Kunst der Fuge bisher eher skeptisch gegenübergestanden, kann man es spätestens nach dem Anhören dieser Aufnahme fast nur mit Alban Berg halten, der seiner Frau Helene nach einer Aufführung 1928 in Zürich geschrieben hat: „Gestern Kunst der Fuge gehört. Herrlich!! Ein Werk, das bisher für Mathematik gehalten wurde. Tiefste Musik!“ (mg)

Ferruccio Busoni adalah seorang komposer, pianis, konduktor, dan guru musik Italia yang memainkan peran penting dalam perkembangan musik abad ke-20. Ia juga tertarik pada hubungan antara arsitektur, ruang, dan musik, dan ia menggunakan prinsip-prinsip arsitektural dalam mengatur struktur musiknya. Selain itu, ia memanipulasi elemen-elemen musik untuk menciptakan perasaan ruang dan menghadirkan pengalaman pendengar yang lebih kaya.

Marc-André Hamelin is one of the world's greatest living pianists. He is known as a virtuoso of the highest order and has made nearly 100 recordings spanning the gamut of the piano repertoire. In this conversation we talk about how Marc fell in love with Gershwin, piano rolls, Busoni, Godowsky, the nature of virutosity, Haydn, CPE Bach, programming, nerves on stage, and much much more! This was such a fun and wide-ranging conversation and I certainly learned a lot speaking with Marc about the piano. Join us!!

„Fantasie“ heißt das neue Album des Pianisten Alexander Melnikov. Der Titel bezieht sich auf Maßstab und Modell seines Recitals: Die „Chromatische Fantasie und Fuge“, d-moll BWV 903 von Johann Sebastian Bach. Sie steht an erster Stelle des Programms, alle folgenden Werke – von Carl Philipp Emanuel Bach über Mozart, Mendelssohn, Chopin, Busoni bis zu Alfred Schnittke – berufen sich direkt oder indirekt darauf. „Eine Art Handschlag-Spiel“ sei damit gemeint, erklärt Melnikov dazu im Booklet: „Die Stücke sind so ausgewählt, dass jede Fantasie sich stilistisch oder in der Instrumentenwahl auf das zuvor erklungene Stück bezieht, während alle sich in irgendeiner Weise auf Bach berufen.“ Ist Melnikovs Experiment geglückt? Eleonore Büning findet: Ja, absolut!

Es geht um Form und um Logik, um Melodie und thematische Arbeit, um höchste künstlerische Ansprüche: Die Sonate ist für das Soloinstrument, was die Sinfonie für das Orchester und das Streichquartett für die Kammermusik ist: die Königsgattung. Und für Komponist:innen ist sie die Königsdisziplin. Wer eine Sonate schreibt, der hat etwas zu sagen. »Und genau das interessiert mich«, erklärt die aus dem ehemaligen Jugoslawien stammende Pianistin Tamara Stefanovich. »Warum nimmt man seit Jahrhunderten diese eine Form und kleidet sie immer wieder neu?« In ihrem dreiteiligen Sonatenmarathon reihen sich über einen Zeitraum von fünf Stunden scheinbar übergangslos Sonaten von Bach an Busoni, Soler an Ives, Skrjabin an Ustwolskaja. Barock-Komponist Domenico Scarlatti ist dabei »mein Wegweiser, mein Museumsführer«, verrät Stefanovich im »Elbphilharmonie Talk«. Außerdem sinniert sie über den heutigen Interpret:innenkult, über Flow-Momente beim Improvisieren zu viert auf der Bühne, musikalische Einflüsse aus ihrer Kindheit und die kleinen Wendepunkte in ihrer Karriere. Sie erzählt, warum sie zehn Jahre lang kein Klavier gespielt hat und wie sie mit einem Eyeliner während einer Corona-Erkrankung zum Zeichnen gekommen ist.  Der Talk fand digital statt.

Pour accéder à l'intégralité de ce podcast et écouter chaque semaine un nouvel épisode du Quart d'Heure Véto, c'est très simple, il vous suffit de vous abonner en cliquant sur ce lien : https://m.audiomeans.fr/s/S-yUNSBZSR A.Fairburn résume dans son article l'intérêt, la sensibilité et la spécificité du protocole d'échographie abdominale "FLASH" (fast localised abdominal scan of horses), décrit en 2011 par Busoni & al, et utilisé lors de coliques aigües à des fins de triage entre colique chirurgicale et médicale, comparé au protocole échographique abdominale complet. Mais le protocole échographique FLASH est-il aussi sensible et spécifique que l'échographie abdominale complète et détaillée pour différencier affection médicale et chirurgicale ?? Notes et références Article A. Fairburn - "Fast vs. detailed ultrasound scan for decision making in colic" Equine vet. Educ.(2017)29(8) 466-467 - OPEN ACCESS - https://beva.onlinelibrary.wiley.com/doi/epdf/10.1111/eve.12717 Retrouvez toute la synthèse sur la fiche podcast : https://bit.ly/echominute Pour nous suivre : 1. Abonnez-vous à notre chaine pour profiter de l'intégralité des épisodes : Le Quart d'Heure Véto : décrypte et résume en moins de 15 min un article de biblio véto - Sur abonnement uniquement Le Véto du Mois : Partagez le temps d'une interview l'expérience de vétérinaires emblématiques de notre milieu, des rencontres conviviales, comme si nous étions dans votre salon au coin du feu. Podcasts bonus au fil des inspirations... 2. Le Scope Nous partageons avec vous nos dernières découvertes, inspirations, pistes de réflexion, nouveautés… À découvrir et utiliser dès maintenant, TOUT DE SUITE, dans votre quotidien de vétérinaire, de manager, de vie personnelle, de chef d'entreprise… Et tout cela en moins de 5 minutes top chrono un à 2 mardis par mois ! Je souhaite recevoir mon Scope : https://vetmasterclass.com/lescope/ 3. Contactez-nous, suivez-nous et donnez nous votre avis ! Des sujets que vous souhaiteriez approfondir, des références à partager, ou nous faire part de vos feed-backs : Abonnez-vous à notre chaine, donnez nous des étoiles, un commentaire et partagez autour de vous ! Sur notre site : https://vetmasterclass.com/ Sur Facebook : https://www.facebook.com/VmHorse Sur Instagram : https://www.instagram.com/vetmasterclass/ Sur YouTube : https://www.youtube.com/channel/UC18ovcWk9e-mFiTL34OQ03g Sur Linkedin : https://www.linkedin.com/company/vetmasterclass-horse/about/ Belle journée à tous, Et continuez à vivre votre métier avec Passion !

Pianist-composer Bruce Wolosoff is a musical alchemist, organically mixing his multiple experiences in the worlds of jazz, rock, blues and classical music. His new solo album, Memento, melds the evolution of Wolosoff's performance and compositional style into a genre that is all his own and true to himself. Wolosoff is a “formidable pianist” (Gramophone) who can tackle the great romantics like Busoni and Liszt. He can improvise like Bach and Beethoven as well as today's jazz greats. His contemporary compositions are informed by his past whilst imbued with his current belief in “the primacy of lyricism and melody.” TRACKLIST:1. Siempre 4.492. Morning Song 4.213. Improvisation on a Ground by Henry Purcell 2.454. After the Rain 3.285. Memento 4.516. Letter to a Friend 2.337. City Lights 2.158. The Lotus Eaters 3.489. Dido's Blues 4.34Night Paintings10. I. I've Got It All Up Here (after a painting by David Salle) 5.0411. II. Evening on Karl Johan Street (after a painting by Edvard Munch) 2.3812. III. La Nuit étoilée sur le Rhône (after a painting by Vincent van Gogh) 4.4513. IV. Nocturnal (after a painting by Margaret Garrett) 4.37Total duration: 50.33Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Incontro con Giancarlo Riccio. Presenta Valentina Silvestrini Allarme al concorso pianistico Busoni. Una serie di strane sparizioni si intreccia con alcune minacce agli organizzatori. E proprio alla vigilia della prestigiosa competizione di Bolzano. A provare a dipanare il mistero, un maestro accordatore, Davide Paradisi. E' la chiave da accordatore, strumento che torna a presentarsi nel corso del racconto, a diventare la metafora inquieta della ricerca non solo della soluzione del giallo al Busoni, ma delle tracce dello smarrimento di ciascuno di noi. Edizione 2022 www.pordenonelegge.it

Concerto para Piano em Dó Maior de Ferruccio Busoni, de 1904 ,com mais de setenta minutos, pode ser o concerto mais longo já escrito para qualquer instrumento. Também pode ser o mais desafiador. O concerto de Busoni é composto por cinco grandes movimentos, como três lagos majestosos ligados por dois rios caudalosos. Nenhum deles se encaixa em nenhum dos movimentos padrões. O tema é do padrinho Thiago Gonçalves, que levou o sorteio! Conversa de Câmara é apresentado por Aroldo Glomb com Eduardo Masses na bancada! Estamos também no programa Antigas Novidades! ESSE PROGRAMA É PRODUZIDO POR NA PAUTA PODCAST! FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.com.br https://www.padrim.com.br/conversadecamara RELAÇÃO DE PADRINS Karollina Coimbra, Aarão Barreto, Gustavo Klein, Eduardo Barreto, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto, Thiago Gonçalves e Aldo França

At more than 70 minutes, Ferruccio Busoni's wildly inventive Piano Concerto stands as a holy grail of the repertoire – a tour-de-force of virtuousity and stamina that has rarely been set down on disc. With his latest album, powerhouse pianist Kirill Gerstein adds to the collection his own formidable interpretation, which has been years in the making. Kirill joins us for a conversation about the work, and his long-time fascination with Busoni's music.

Leading British pianist Benjamin Grosvenor joins us to preview his latest album Homages, a collection of works by Busoni, Mendelssohn, Chopin and others which pay tribute to others.

Episode #53: Busoni Bliss Uploaded: February 26, 2022 Sir Arthur Bliss: Meditations on a Theme by John Blow* Adam Zero (excerpts) Fanfare Overture Adam's Fates Dance of Spring Awakening of Love Dance of Summer Finale – the stage is set again Checkmate (excerpts) I. Prologue – The Players II. Dance of the Four Knights III. Entry of the Black Queen IV. The Red Knight's Mazurka V. Ceremony of the Red Bishops VI. Finale – Checkmate *City of Birmingham Symphony Orchestra Royal Liverpool Philharmonic Orchestra Vernon Handley, conductor EMI CDC 7 57712 2 Ferruccio Busoni: Concerto for piano, orchestra, and male chorus, Op. 39 I. Prologo e introit II. Pezzo giocoso III. Pezzo serioso (Introductio – Prima pars – Altera pars – Ultima pars) IV. All'italiana (Tarantella) V. Cantico John Ogdon, piano Men's voices of the John Alldis Choir Royal Philharmonic Orchestra Daniell Revenaugh, conductor EMI STUDIO CDM 7 69580 2

Jess is joined this week by the conductor Jamie Phillips. They share some of their favourite tracks and musical discoveries, including Bach's second Brandenburg Concerto, a jazz arrangement of Holst's The Planets, elegiac piano music by Busoni and a track by Gordon Goodwin's Big Phat Band.

TPP had the privilege of interviewing Dr. Lowell Liebermann, one of America's most frequently performed and recorded composers, and a multiple-award recipient. He has written over 140 works in all genres, several of which have become standard repertoires, such as Sonata for Flute and Piano, and Gargoyles for solo piano.Dr. Liebermann has been commissioned by many ensembles and instrumentalists, including the Philadelphia Orchestra, Emerson String Quartet, and flutist Sir James Galway.  Dr. Liebermann is a Steinway Artist, who has also written an extensive amount of piano solo and ensemble music. Last year, he released his debut solo-piano album, Personal Demons (https://www.steinway.com/music-and-artists/label/personal-demons-lowell-liebermann), under the Steinway & Sons label—the repertoire includes his compositions and works by Busoni, Liszt, and (Czech composer,) Kabelach.  Dr. Liebermann currently serves as a distinguished composition faculty member and the head of the composition department at Mannes School of Music, where he founded the Mannes American Composers Ensemble, devoted to performing works of living American composers.His latest project, a solo-piano album of world premiere recordings by contemporary British composer David Hackbridge Johnson, “The Devil's Lyre,” will be released on February 4, 2022, under the Steinway & Sons label. This recording will be available on all music streaming services and CDs. For more information, please visit https://www.lowellliebermann.com/. [Dr. Lowell Liebermann]

Was ist das Gegenteil von österreichischen Bundeskanzlern, SPD-Parteivorsitzenden und sportlichen Übungsleitern von Schalke 04? Richtig, Chefdirigenten der Berliner Philharmoniker. In 140 Jahren Orchesterbestehen gab es von ihnen offiziell gerade einmal sieben. Der zweite, Arthur Nikisch, mag in unseren heutigen Ohren zwar vielleicht der unbekannteste Name in dieser exklusiven Reihe sein. Seine Bedeutung für den Aufstieg der Philharmoniker zu einem der berühmtesten Klangkörper des Planeten ist dennoch nicht zu unterschätzen. Nicht nur kommt er bis heute – nach Herbert von Karajan – auf die zweitlängste Amtszeit bei den ‘Philis‘. Seine Ägide steht außerdem für die Entwicklung einer ausgedehnten Tourneetätigkeit, für einige wichtige Uraufführungen (u.a. von Mahler und Busoni) sowie nicht zuletzt für die ersten Schallplattenaufnahmen in der Orchestergeschichte. Am 9. Januar 1922 stand Nikisch noch am Pult seiner Philharmoniker, am 23. Januar starb er plötzlich an den Folgen einer Grippe, am 25. Januar würdigt ihn Kurt Singer im Vorwärts – und Frank Riede bei Auf den Tag genau.

In this episode, we look back and pick our favorite classical and jazz recordings from this year.    The Adult Music Podcast is featured in: Feedspot's Top 40 Jazz Podcasts   Classical   Episode 2: “Duo by Duo” “The Mad Lover” (Harmonia Mundi) Theotime Langlois de Swarte (violin), Thomas Dunford (lute) https://open.spotify.com/album/4TrV6jQQ37SFwWXlRvkwaB https://music.apple.com/jp/album/the-mad-lover/15384061731   Episode 6: “Boats! Scooters! Turtlenecks! Music!” "Settecento" (Signum Classics) La Serenissima, Adrian Chandler (director/violin) Tabea Debus (recorders) https://open.spotify.com/album/5p5I0dWZUQ9PcdybfQLRP6 https://music.apple.com/gb/album/settecento/1545224932   Episode 10: “10th Episode Fiesta: Spanish Guitar, Latin Jazz, Hammond Organ, and Bourbon Shots” “Del Canto Gitano - Music of Ancient Andalusia” (ARC Music) Ignacio Lusardi Monteverde https://open.spotify.com/album/2aWqkLuSgnbAA2ZYSGOxpl https://music.apple.com/us/album/del-canto-gitano-music-of-ancient-andalusia/1551203695   Episode 13: “Get a Sax Pack with Our Renaissance Workout” “The Golden Renaissance: Josquin des Prez” (Decca) Stile Antico https://www.prestomusic.com/classical/products/8862027--the-golden-renaissance-josquin-des-prez https://open.spotify.com/album/10KrRMLwof6IDVAjF0NRqD https://music.apple.com/us/album/the-golden-renaissance-josquin-des-prez/1537654822   Episode 15: “French Me, Baby! Forqueray, Flute, and French Jazz” “Forqueray Unchained” (Arcana) André Lislevand, Jadran Duncumb, Paola Erdas, Rolf Lislevand https://www.prestomusic.com/1classical/products/8894901--forqueray-unchained https://open.spotify.com/album/6k8pFBrfNzeIQc8vjMpcWQ   Episode 16: “Split Nationalities: Justin Taylor Plays Rameau, Freddie De Tommasso Sings Italian Songs, Diego Lubrano's Flamenco Jazz, and More” “Beethoven: Symphony No. 3 - Méhul: Les Amazones Overture” (Harmonia Mundi) Les Siècles, François-Xavier Roth https://open.spotify.com/album/6pcSb0PknKgM98D6MfR33r https://music.apple.com/us/album/beethoven-symphony-no-3-méhul-les-amazones-overture/1559536832   Episode 17: “Bach, Bulgaria, Baevsky, (Hammond) B3 & Big Band” “ Vladigerov: Exotic preludes & Impressions” (Hyperion) Nadejda Vlaeva (piano) https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68327 https://www.prestomusic.com/classical/products/8874868--vladigerov-exotic-preludes-impressions   Episode 18: “Modernist Martini” “Zemlinsky: Die Seejungfrau & Schreker: Der Geburtstag der Infantin” (Onyx) Royal Liverpool Philharmonic Orchestra, Vasily Petrenko https://open.spotify.com/album/07jA9rwSrIWwhig97FD0OL https://music.apple.com/ca/album/zemlinsky-die-seejungfrau-schreker-der-geburtstag-der/1562851792   Episode 29: “Europa, Europa!” “Mozart & Contemporaries” (Deutsche Grammophon) Víkingur Ólafsson (piano) https://open.spotify.com/album/70RFSsaRzmyH4IlZv76VKA https://music.apple.com/us/album/mozart-contemporaries/1572873864   Episode 36: “Mirror, Mirror” “Paul Wranitzky: Orchestral Works, Vol. 3” (Naxos) Symphony in D major 'La Chasse', Symphony in C major, Mitegefühl - Overture, Die gute Mutte – Overture Czech Chamber Po / Stilec https://open.spotify.com/album/4n1jh1rsDPC46aGLzdlCOi https://music.apple.com/us/album/wranitzky-orchestral-works-vol-3/1586825665   Episode 6: “Boats! Scooters! Turtlenecks! Music!” “French Duets” (Hyperion) Paul Lewis, Steven Osbourne https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68329 https://www.prestomusic.com/classical/products/8863099--french-duets   Episode 16: “Split Nationalities: Justin Taylor Plays Rameau, Freddie De Tommasso Sings Italian Songs, Diego Lubrano's Flamenco Jazz, and More” “Passione” (Decca) Freddie De Tommaso (tenor), London Philharmonic Orchestra, Renato Balsadonna https://open.spotify.com/album/6g0pbfNr5KlNRwtISrTLCn https://music.apple.com/us/album/passione/1551681378   Episode 32: “Trios of Trios and Visionaries” “The Visionaries of Piano Music: Works by William Byrd & John Bull” (Deutsche Grammophon) Kit Armstrong (piano) https://open.spotify.com/album/7vxXDYK7KufQJNvIud7XQt https://music.apple.com/us/album/william-byrd-john-bull-the-visionaries-of-piano-music/1566850095   Episode 32: “Trios of Trios and Visionaries” “Vasks: Oboe Concerto” (Ondine) Albrecht Mayer (oboe), Latvian National Symphony Orchestra, Andris Poga https://open.spotify.com/album/0c1xQn0EsRnvsl2D4C8zMs https://music.apple.com/us/album/pēteris-vasks-oboe-concerto-vēstījums-lauda/1579754945   Episode 7: “Soaring Sopranos and Omnipotent Organs” “György Ligeti: The 18 Études” (Hyperion) Danny Driver (piano) https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68286 https://www.prestomusic.com/classical/products/8863097--ligeti-the-18-etudes   Episode 38: “In the Fun House” “Sofia Gubaidulina: Dialog: Ich und Du, The Wrath of God & The Light of the End” (Deutsche Grammophon) Gewandhausorchester Leipzig / Andris Nelsons https://open.spotify.com/album/3OWebM6dry0YlYZaoDmbPt https://music.apple.com/us/album/sofia-gubaidulina-dialog-ich-und-du-the-wrath-of/1584322440   Episode 24: “Sea, Sun, Soil, Serenade, and Sax Summit” “Haydn 2032, Vol. 10: Les heures du jour” (Alpha) Il Giardino Armonico, Giovanni Antonini https://open.spotify.com/album/2BIyQeXjICfDrORWRtDItu https://music.apple.com/us/album/haydn-2032-vol-10-les-heures-du-jour/1567553784   Episode 16: “Split Nationalities: Justin Taylor Plays Rameau, Freddie De Tommasso Sings Italian Songs, Diego Lubrano's Flamenco Jazz, and More” “La famille Rameau” (Alpha) Justin Taylor (harpsichord) https://www.prestomusic.com/classical/products/8894895--la-famille-rameau https://open.spotify.com/album/3V2WD6nXpChCFVl2cRyxO4 https://music.apple.com/us/album/la-famille-rameau/1554112304   Episode 34: “Big Band Booze-Up” “Sebastian Fagerlund: Nomade & WaterAtlas” (BIS) Nicolas Altstaedt (cello), Finnish Radio Symphony Orchestra, Hannu Lintu https://open.spotify.com/album/3sZx74Os411GLMarCitZ3k https://music.apple.com/us/album/sebastian-fagerlund-cello-concerto-nomade-live-water/1564753940   Episode 32: “Trios of Trios and Visionaries” “Arvo Pärt: Tabula Rasa” (Erato) Renaud Capuçon (violin), Orchestre de chambre de Lausanne https://open.spotify.com/album/1uFbf5bzNZKrVPrmGls0BY https://music.apple.com/us/album/pärt-tabula-rasa/1576174661   Episode 30: “Guitar Monks” “Nino Rota: Chamber Music” (Alpha) Daishin Kashimoto, Emmanuel Pahud, Eric Le Sage, Paul Meyer, François Meyer, Gilbert Audin, Benoît de Barsony, Joaquín Riquelme García, Claudio Bohórquez, Olivier Thiery, Aurélien Pascal https://open.spotify.com/album/2QS8uYqp1gVDbUwXGXMxwz https://music.apple.com/gb/album/nino-rota-chamber-music/1567546173   Episode 21: “Solo Power!” “Iridescence” (Stradivarius) Antonella Ciccozzi (harp) https://www.prestomusic.com/classical/products/8907221--iridescence https://open.spotify.com/album/6kee60nF4Lov4FDVr9ilKZ   Jazz   Episode 17: “Bach, Bulgaria, Baevsky, (Hammond) B3 & Big Band” “It's All Your Fault” (Savant) Mike LeDonne https://open.spotify.com/album/4MkGmK7w7ui8PjpOywfe10 https://music.apple.com/us/album/its-all-your-fault/1561405889   Episode 8: “Piazzolla Time Two and a European Jazz Review” “Going Up” (Stunt Records) Snorre Kirk Quartet https://open.spotify.com/album/2Jsv8fQJq9yvJoUjjvKqqV https://music.apple.com/us/album/going-up/1552840208   Episode 37: “Known Unknowns” “City of Sounds”(Smoke Sessions Records) Joe Farnsworth https://open.spotify.com/album/7eCsq51INi4VOW6VxEQATr https://music.apple.com/us/album/city-of-sounds/1579430869   Episode 25: “From Moravia through Scandinavia to Brazilian Sanz” “Sinhá” (Youkali) Albert Sanz & Javier Colina https://open.spotify.com/album/3ul5ui8KdMoLZfENtw8EdW https://music.apple.com/us/album/sinhá/1573377518   Episode 40: “Enigma of Time” “Street of Dreams” (Blue Note) Bill Charlap Trio https://open.spotify.com/album/61y1rgjqARtBJxEn4WEPPr https://music.apple.com/us/album/street-of-dreams/1586728867   Episode 15: “French Me, Baby! Forqueray, Flute, and French Jazz” “Light Blue” (Jazz & People) Simon Chivallon https://open.spotify.com/album/6xwX1d7flkMFKWHtAQFcc9 https://music.apple.com/us/album/light-blue-feat-nicolas-moreaux-antoine-paganotti/1554850215   Episode 37: “Known Unknowns” “Homeward Bound” (Blue Note) Johnathan Blake https://open.spotify.com/album/567r4Wqu7u5g1G7Jj3qpBj https://music.apple.com/us/album/homeward-bound/1584424929   Episode 30: “Guitar Monks” “Side-Eye NYC (V1.IV)” (Modern / Modern Recordings) Pat Metheny https://open.spotify.com/album/2pYj1LTMlFv0zvNZeY2A9y https://music.apple.com/gb/album/side-eye-nyc-v1-iv/1575463693   Episode 5: “GRAMMY Review and Back to the New” “Tough Baritones” (Steeple Chase) Ronnie Cuber, Gary Smulyan https://open.spotify.com/album/6zSDrD9zq6E3vwi01AuVHk https://music.apple.com/us/album/tough-baritones/1547237943   Episode 5: “GRAMMY Review and Back to the New” “John Patitucci-Trio” (Le Coq Records) John Patitucci, Vinnie Colaiuta, Bill Cunliffe https://open.spotify.com/album/08wqEgpg6llw85TKA3OLAj https://music.apple.com/us/album/trio/1550864669   Episode 26: “French Me Again, Baby!” “Vesuviana” (Records DK2) Bruno D'ambra https://open.spotify.com/album/5nJmsH6sC59djojDyZSi8U https://music.apple.com/us/album/vesuviana/1545626478   Episode 6 “Boats! Scooters! Turtlenecks! Music!” “Tone Poem” (Blue Note) Charles Lloyd and the Marvels https://open.spotify.com/album/6Qo5COqwUoBomPPQsGx568 https://music.apple.com/us/album/tone-poem/1550230419   Episode 7 “Soaring Sopranos and Omnipotent Organs” “I Told You So” (Colemine Records) Delvon Lamarr Organ Trio https://open.spotify.com/album/4z1iO0enp7c919GrpOnttF https://music.apple.com/us/album/i-told-you-so/1537206995   Episode 11 “Killer Bs! Bach, Busoni, Bruckner, and Big Band” “Kinetic” (Outside in Music) Steven Feifke Big Band https://open.spotify.com/album/36jijEsR2LREuaLNrp30kc https://music.apple.com/us/album/kinetic/1553562204   Episode 13 “Get a Sax Pack with Our Renaissance Workout” “Preaching to the Choir” (Smoke Session Records) Vincent Herring https://open.spotify.com/album/3Lc55JT9sZ0c4nTVu2xKWD https://music.apple.com/us/album/preaching-to-the-choir/1557973605   Episode 23 “Something Old, Something New, Clarinet and Piano, Jazz Vocals, too!” “Open Sky” (Posi-Tone Records) Art Hirahara https://open.spotify.com/album/5k5BNDv4gQxmO7zZMqdj1y https://music.apple.com/us/album/open-sky/1569463520   Episode 23 “Something Old, Something New, Clarinet and Piano, Jazz Vocals, too!” “Samara Joy” (Whirlwind Records) Samara Joy https://open.spotify.com/album/7odhq8nBHDrTgYXIuV6g23 https://music.apple.com/us/album/samara-joy/1564788476   Episode 29 “Europa, Europa!” “Countdown” (Fresh Sound New Talent) Simon Moullier https://open.spotify.com/album/1b6trTbjFjuwTfXFpnDaks https://music.apple.com/us/album/countdown-feat-luca-alemanno-jongkuk-kim/1565007863   Episode 32 “Trios of Trios and Visionaries” “The Upside of Down (Live at Birdland)” (Ropeadope Records) Joe Alterman       https://open.spotify.com/album/6uC9OJP41q2ITZCxaML0sB https://music.apple.com/us/album/the-upside-of-down-live-at-birdland/1574414667   Episode 32 “Trios of Trios and Visionaries” “Coming down Roses” (Aveni Test Music) Billy Test Trio https://open.spotify.com/album/4hzlshd041Kud1R6gRGFfu https://music.apple.com/us/album/coming-down-roses/1572120017   Episode 36 “Mirror, Mirror” “When Can I See You Again?” (Ubuntu) Sean Gibbs https://open.spotify.com/album/4PIbSWjO05hqgnBq8i4OdR https://music.apple.com/us/album/when-can-i-see-you-again/1567252407   Episode 37 “Known Unknowns” “Songs from My Father” (Whaling City Sound) Gerry Gibbs https://open.spotify.com/album/3CTuAvuUMrDE3QY4HG0V9l https://music.apple.com/us/album/songs-from-my-father/1584426956   Episode 42 “Trane's Legacy” “Mabern Plays Coltrane” (Smoke Sessions Records) Harold Mabern https://open.spotify.com/album/4suBtE9VUuPLhZ6BI7NUaW https://music.apple.com/us/album/mabern-plays-coltrane/1587802084  

Plongez dans la vie de la baroque star Farinelli et dans les secrets de la bande-originale du film. De la forme la plus débridée à la plus raisonnée, vous entendrez aussi des pages de folie (musicale) et des fugues, et vous saurez quel grand compositeur baroque a composé "Frère Jacques".     Références musicales     Porpora, Semiramide, « In braccio a mille furie », Ann Hallenberg, Les Talens Lyriques, Christophe Rousset (dir.)  Haendel, Tolomeo, re d'Egitto, « Stille amare », Bejun Mehta, Orchestre baroque de Fribourg, René Jacobs (dir.)  Broschi, Idaspe, « Ombra fedele anch'io », scène du film Farinelli de Gérard Corbiau, Ewa Malas-Godlewska et Derek Lee Ragin, Les Talens Lyriques, Christophe Rousset (dir.)  Marais, Follia, Hesperion XX, Jordi Savall (dir. et viole de gambe)  Corelli, sonate pour violon et basse continue « La Follia », Stefano Montanari, Accademia Bizantina, Ottavio Dantone (dir.)  Couperin, Les Folies françaises ou les Dominos, Christophe Rousset  Couperin, Les Nations, Les Talens Lyriques, Christophe Rousset (dir.)  Lully, Bellérophon, Les Talens Lyriques, Christophe Rousset (dir.)  Haendel, Riccardo Primo, Les Talens Lyriques, Christophe Rousset (dir.)  Bach, L'Art de la fugue, Accademia Bizantina, Ottavio Dantone (dir.)  Bach, L'Offrande musicale, canones diversi : ricercar a 6, Ricercar Consort  Dufay, motet « Vasilissa ergo gaude », Ens. Huelgas, Paul van Nevel (dir.)  Bach, toccata et fugue en ré mineur, arrangement pour piano de Busoni, Nikolai Demidenko  Rameau / Grandjany, « Frère Jacques », Anne-Marguerite Michaud, harpe   Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Elias and I talk about a few of the great performing pianists. Part 2 we discuss modern and currently performing pianists. https://www.eapettersson.com/ Here is a list of pianists we discuss and think you should listen to: Alfred Brendel (b. 1931) Vladimir Ashkenazy (b. 1937) Martha Argerich (b. 1941) Maurizio Pollini (b. 1942) Nelson Freire (b. 1944) Ursula Oppens (b. 1944) Maria João Pires (b. 1944) Radu Lupu (b. 1945) Murray Perahia (b. 1947) Mitsuko Uchida (b. 1948) *Håkon Austbø (b. 1948) Grigory Sokolov (b. 1950) Santiago Rodriguez (b. 1952) András Schiff (b. 1953) Krystian Zimerman (b. 1956) *Dang Thai Son (b. 1958) Yefim Bronfman (b. 1958) *Sara Davis Beuchner (b. 1959) *Stephen Prutsman (b. 1960) *Paul Stewart (b. 1960) *Sergei Babayan (b. 1961) Casadesus (1st), Hamamatsu (1st), Scottish (1st), Busoni (3rd), Honens (4th) Stephen Hough (b. 1961) Jean-Yves Thibaudet (b. 1961) *Frederic Chiu (b. 1964) *Pavel Nersessian (b. 1964) *Alexander Korsantia (b. 1965) Sydney (1st) Rubinstein (1st) Leif Ove Andsnes (b. 1970) *Stanislav Ioudenitch (b. 1971) Evgeny Kissin (b. 1971) Arcadi Volodos (b. 1972) Nikolai Lugansky (b. 1972) Simone Dinnerstein (b. 1972) Valentina Lisitsa (b. 1973) *Antonio Pompa-Baldi (b. 1974) Long-Thibaud (3rd), Cleveland (1st), Cliburn (2nd) Ning An (b. 1976) *Roberto Plano (b. 1978) American Prize, Cleveland (1st), Cliburn (finalist) *Andrius Žlabys (b. 1978) “There is no better time to do the best work of your life than right now” Spencer Myer (b. 1978/9) Sa Chen (b. 1979) Alexander Kobrin (b. 1980) Alexandre Moutouzkine (b. 1980) Yundi Li (b. 1982) Lang Lang (b. 1982) *Boris Giltburg (b. 1984) (Beethoven Sonatas) Santander (2nd=1st), Queen Elisabeth (1st), Rubinstein (2nd) Evgheny Bozhanov (b. 1984) Cliburn (finalist), Queen Elisabeth (2nd), Chopin (4th-refused) Ingolf Wunder (b. 1985) *Rafał Blechacz (b. 1985) Chopin (1st) *Yeol Eum Son (b. 1986) Tchaikovsky (2nd) Vadym Kholodenko (b. 1986) *Vitaly Pisarenko (b. 1987) Liszt (1st), Leeds (3rd) Adam Golka (b. 1987) Yuja Wang (b. 1987) *Sean Chen (b. 1988) American Prize, Cliburn (3rd) *Yekwon Sunwoo (b. 1989) Sendai (1st), Cliburn (1st) *Charles-Richard Hamelin (b. 1989) Seoul (3rd), Montréal (2nd), Chopin (2nd) *Haochen Zhang (b. 1990) China Piano Competition (1st) Avery Fisher Grant, Cliburn (1st) *Claire Huangci (b. 1990) ARD Munich (2nd), Geza Anda (1st) *Lukas Geniušas (b. 1990) Bachauer (1st), Scottish (2nd), Chopin (2nd), Tchaikovsky (2nd) *Daniil Trifonov (b. 1991) Chopin (3rd), Rubinstein (1st), Tchaikovsky (1st) (also composer) *Kenny Broberg (b. 1993) Cliburn (2nd), Tchaikovsky (3rd), American Prize *Beatrice Rana (b. 1993) Montréal (1st), Cliburn (2nd) *Seong-Jin Cho (b. 1994) Hamamatsu (1st), Tchaikovsky (3rd), Rubinstein (3rd), Chopin (1st), DAEWON Music Awards *Kate Liu (b. 1994) NY International (1st), Hilton Head (6th), Montréal (finalist), Chopin (3rd) *Do-Hyun Kim (b. 1994) Gilmore Fellow, Vendome (2nd), Young Concert Artist Auditions (1st) Drew Peterson (b. 1994) American Prize, Avery Fisher Grant,  *Syzmon Nehring (b. 1995) Rubinstein (1st) *Eric Lu (b. 1997) Minnesota E-Comp. (1st), Chopin (4th), German Piano Award (1st), Leeds (1st) Tony Yike Yang (b. 1998) Chopin (5th-age of 16!) *Alexander Malofeev (b. 2001) China (1st), winner of youth competitions…career exploded (a la Kissin)

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El Liceu al

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Bruce Wolosoff is a composer and pianist whose work has been recognized for the way it integrates modern, classical, jazz, and blues together into "an authentic American voice". In recent years, Wolosoff has been composing music in response to visual art. "Astronomer's Key", inspired by the artwork of Milton Resnick, was commissioned by the Roswell Artists in Residence Foundation for the Montage Music Society in celebration of the Roswell Artist-in-Residence Program's 50th Anniversary. “The Loom”, inspired by the watercolors of Eric Fischl, was commissioned by the Eroica Trio and premiered at the Isabella Stewart Gardner Museum in Boston. “for April” a work for cello and piano inspired by the charcoal drawings of April Gornik was recorded by Wolosoff with cellist Sara Sant'Ambrogio and released as part of a book of Gornik's drawings.In July 2018, Bruce Wolosoff's “Concerto for Cello and Orchestra” was recorded in London by Sara Sant'Ambrogio and the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak. ​ A frequent collaborator in the field of dance, Wolosoff has collaborated with choreographer Ann Reinking on two ballets for Thodos Dance Chicago. “The White City” was named "Best Dance of 2011" by the Chicago Sun-Times, and a film version of “A Light in the Dark”, based on the story of Helen Keller and Ann Sullivan, received an Emmy nomination for Outstanding Achievement for Arts Programming. Wolosoff's recording “Darkling, I Listen” is being used for a new Ann Reinking ballet based on the life of John Keats. An accomplished pianist as well, Bruce Wolosoff received early acclaim for a recording of piano music by Busoni. More recently, he has performed and recorded his own compositions, including "Shenandoah Variations", “Many Worlds", "Four Blues", and "Darkling, I Listen”. Wolosoff's discography also includes “Songs without Words” on Naxos American Classics. Mia sat down with Bruce in his home on Shelter Island to discuss his creative life and music.www.creativeprocess.info

Bruce Wolosoff is a composer and pianist whose work has been recognized for the way it integrates modern, classical, jazz, and blues together into "an authentic American voice".In recent years, Wolosoff has been composing music in response to visual art. "Astronomer's Key", inspired by the artwork of Milton Resnick, was commissioned by the Roswell Artists in Residence Foundation for the Montage Music Society in celebration of the Roswell Artist-in-Residence Program's 50th Anniversary. “The Loom”, inspired by the watercolors of Eric Fischl, was commissioned by the Eroica Trio and premiered at the Isabella Stewart Gardner Museum in Boston. “for April” a work for cello and piano inspired by the charcoal drawings of April Gornik was recorded by Wolosoff with cellist Sara Sant'Ambrogio and released as part of a book of Gornik's drawings.In July 2018, Bruce Wolosoff's “Concerto for Cello and Orchestra” was recorded in London by Sara Sant'Ambrogio and the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak. ​A frequent collaborator in the field of dance, Wolosoff has collaborated with choreographer Ann Reinking on two ballets for Thodos Dance Chicago. “The White City” was named "Best Dance of 2011" by the Chicago Sun-Times, and a film version of “A Light in the Dark”, based on the story of Helen Keller and Ann Sullivan, received an Emmy nomination for Outstanding Achievement for Arts Programming. Wolosoff's recording “Darkling, I Listen” is being used for a new Ann Reinking ballet based on the life of John Keats. An accomplished pianist as well, Bruce Wolosoff received early acclaim for a recording of piano music by Busoni. More recently, he has performed and recorded his own compositions, including "Shenandoah Variations", “Many Worlds", "Four Blues", and "Darkling, I Listen”. Wolosoff's discography also includes “Songs without Words” on Naxos American Classics. Mia sat down with Bruce in his home on Shelter Island to discuss his creative life and music.

Conductor Sakari Oramo draws connections between the Symphony No. 3 by Sibelius and the Piano Concerto by Busoni, and Edward Dusinberre, violinist with the Takacs Quartet, talks about the variety and strength of Beethoven and the inner workings of the ensemble.