Podcasts about Forster

Your first crush explained Whether it was Chachi, David Cassidy, Kristy McNichol or even Willy Wonka (no lie), we think the Gen X era was the golden era of crushes. And in this episode, we'll examine that almost universal experience of falling in love with the people on our TVs, turntables and radios in a discussion with an actual Crushologist; Dr. Rebecca Tukachinsky Forster, Associate Professor in the School of Communication Studies at Chapman University studies the art and science of your first celebrity crush. And she's in the house for YOUR CRUSH STORIES! Our listeners called in and shared their first crush stories with us -- from David Cassidy beach towels to toilet paper wedding veils. Did you ever have a little case of crushitis? Don't worry, the doctor is in!Check out Dr. Forster's book on Amazon and at Bookshop.orgFollow PCPS on Instagram, Facebook, Twitter and TikTokSupport the PCPS by becoming a patron on Patreon. Check out all the extra perks you will receive here.

INTRODUCCIÓN PRESENTACIÓN LIBROS 00:01:35 Las Mitford. Cartas entre seis hermanas (Charlotte Mitford) 00:05:45 The other Mitford. Pamela's Story (Diana Alexander) 00:09:10 Los que cambiaron y los que murieron (Barbara Comyns) 00:11:15 Un reflejo velado en el cristal (Helen McCloy) 00:12:45 el festival de los dragones de té & El tapiz de los dragones de té (Kay O'Neill) 00;14;05 Una habitación con vistas (E.M. Forster) 00:16:05 La hija del tiempo (Josephine Tey) 00:19:30 Carcoma (Layla Martínez) 00:21:25 Flores para la señora Harris y La señora Harris va a Nueva York (Paul Gallico) 00:25:10 Devoción (Hannah Kent) 00:29:10 Quizás en otra vida (Taylor Jenkins Reid) PELÍCULAS 00:33:20 Spin me round 00:35:30 Bullet train 00:38:55 Our father 00:42:15 Una habitación con vistas 00:44:55 Imborrable 00;46:50 Voy a pasármelo bien 00:49:50 I came by 00:51:35 Deberes: Spiderhead SERIES 00:53:40 Yo soy Groot 00:54:45 Physical (T2) 00:57:05 Para toda la humanidad (T3) 01:00:05 Evil (T3) 01:02:15 Yo nunca (T3) 01:05:25 Locke & Key (T3) 01:08:50 New Amsterdam (T4) 01:11:15 Westworld (T4) 01:14:00 Glow up (T4) 01:18:40 Riverdale (T6) 01:21:40 Better call Saul (T6B) - CON SPOILERS 01:29:20 DESPEDIDA En este programa suenan: Radical Opinion (Archers) / Siesta (Jahzzar) / Place on Fire (Creo) / I saw you on TV (Jahzzar) / Bicycle Waltz (Goodbye Kumiko)

Barney and Dan chat about Tottenham's Son-sational win over Leicester. They discuss Conte's code words, 'two-way hockey', the Davinson dilemma, formations, Todd Boehly's latest gaffe, Conte's Twitch channel, the loss to Sporting, Champions League progression, the heights of players (and sporting directors), and the 'A bit Spursy Medal'.A bit Spursy is a Tottenham Hotspur podcast by Barney and Dan. Follow us on Twitter at @a_bit_spursy, email us at hello@abitspursy.com., support us on Patreon at patreon.com/abitspursy and join us on Discord at discord.gg/abitspursy.

Queen's FuneralSee omnystudio.com/listener for privacy information.

Unity is the world's leading platform for creating and operating interactive real-time 3D content and one of the main drivers within the XR space as the evolution of the internet continues. By using technology such as AR, Unity has the digital tools to bring this parallel world to life to help create beautiful, immersive experiences that engage from the very first pixels. Antonia Forster, Unity's Senior XR Technical Specialist joins me on Tech Talks Daily to discuss everything from "the metaverse" and emerging technology to business cases for VR/AR to my work on the LGBTQ+ VR Museum. About Antonia Antonia Forster is an award-winning VR/AR developer, TEDx speaker, and advocate for women, LGBTQ+ people, and marginalised voices in tech. A self-taught coder with expertise in emerging and immersive technology, Antonia is Senior XR Technical Specialist at Unity; and the founder of DiVRse Technologies Ltd, an innovation studio "using virtual worlds to change the real world for the better". Antonia has also been shortlisted for Nature's John Maddox Prize, the WiIT Advocate of the Year award, and won the YTKO Breaking Barriers award for her impactful work; including the creation of the world's first LGBTQ+ VR museum, which won Tribeca Film Festival's New Voices Award.

Welcome to the first episode of our new series, "A Brief History of the Metaverse". Mark and co-host Tony Parisi travel back more than a century to uncover the roots of the Metaverse. From pioneers Chip Morningstar and Randy Farmer, creators of "Habitat", the first massively multiplayer online environment, we learn the Metaverse has never been about technology - but always about people. Featuring Chip Morningstar and Randy Farmer. Have a read through Tony Parisi's “The Seven Rules of the Metaverse” here.Read E.M. Forster's “The Machine Stops” here.Listen to William Gibson reading an abridged version of Neuromancer here.Wondering what Lucasfilm's Habitat looked like? Watch the promo video here.Read Chip Morningstar and Randy Farmer's amazing, prescient paper, “The Lessons of Lucasfilm's Habitat” here.Want to play Habitat? You can – in your web browser. Just go here. Big thanks to the wonderful folks who voiced those historical evocations of Metaverse: Genevieve Bell, Mark Jeffrey, Paul Godwin and David Baxter. For more information about this and all our other 'The Next Billion Seconds" content, please check out https://nextbillionseconds.com This podcast is sponsored by the Digital Skills Organisation. The DSO is championing an employer-led, skills-based approach to digital literacy. Our offering is designed to support future-proofing the country, growing jobs, supporting our economic growth and ensuring that Australia remains a global leader in digital. If we are to equip our workforce with the skills to meet a rapidly changing, technological future, we need a new approach. We're working in collaboration with employers, trainers and employees. Their involvement is vital. We believe it's a better way to create consistent journey pathways and build relevant digital skills. We define the problem this way - digital skills training must: Create value both internally and externally. Improve customer experience. Build operational capabilities. To deliver on these objectives we need to strengthen Australia's digital workforce.  It's that simple. DSO - Digitally Upskilling Australia To find out more, visit the DSO website: https://digitalskillsorg.com.au   Mark Pesce - The Next Billion Seconds is produced by Ampel - visit https://ampel.com.au to find out what Ampel could do for you! If you are interested in sponsoring The Next Billion Seconds podcast, reach out to our Director of Media and Partnerships Lauren Deighton at lauren@ampel.com.au If you enjoyed this show, please leave a rating and/or review on Apple, Spotify or any other podcast platform. See omnystudio.com/listener for privacy information.

Barney and Dan celebrate Spurs' grinding win over Marseille. They chat about the Queen's passing and game postponements, biased Champions League commentary, the rise of our beloved pigeon, sending Sonny to Cheese World, Guylian chocolates, Lucas' divisive politics, and Todd Boehly and Thomas Tuchel's secret audio tapes.A bit Spursy is a Tottenham Hotspur podcast by Barney and Dan. Follow us on Twitter at @a_bit_spursy, email us at hello@abitspursy.com., support us on Patreon at patreon.com/abitspursy and join us on Discord at discord.gg/abitspursy.

Ricky Martin John Farnham Emmy Awards See omnystudio.com/listener for privacy information.

Naracoorte's legendary son and former Fremantle player, Alex Forster, appears on the Flow Sports Hour to discuss how he's currently tracking at the helm of the Pembroke Kings in the Adelaide Footy League, who've experienced huge success this year with both the Pembroke Kings and Pembroke Queens making it to the big dance. Alex also touches on his days with Freo in the AFL and staying in touch with best mate and fellow Naracoorte alumni-turned Brownlow winner, Lachie Neale.

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Barney and Dan are back with a bite-sized episode after the limp West Ham draw and the ferocious Fulham win. They discuss the impact of Sanchez, the luxurious Lenglet, Richarlison's work-rate, Mark Noble, General Ho being up to his old (new?) tricks, Scottish Romero, concussions, interchanges, and preview Conte's elusive 'Spider' formation.A bit Spursy is a Tottenham Hotspur podcast by Barney and Dan. Follow us on Twitter at @a_bit_spursy, email us at hello@abitspursy.com., support us on Patreon at patreon.com/abitspursy and join us on Discord at discord.gg/abitspursy.

Shortly after Doolittle, bassist Kim Deal needed an outlet to channel her creative energies in ways she wasn't able to under Black Francis' firm grip on the Pixies' songwriting process. So she formed a supergroup called The Breeders, teamed up with producer Steve Albini, and cranked out their debut record Pod in just 10 days. The result is an unapologetically straight-forward indie rock album that feels like an urgent expression of raw emotion and energy from a pent-up songwriter who had a hell of a lot to say. Join us as we chat about The Breeders album that came out before "Cannonball" made them a household name among rock fans.TracklistHellboundCannonballDoeIrisOpenedLime HouseThis show is part of the Pantheon Podcast network.

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The He Waka Eke Noa Programme Director responds to claims made by concerned sheep and beef farmers in an open letter in the NZ Farmers Weekly "Waka adrift - Farmers urgent call for change".See omnystudio.com/listener for privacy information.

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Become an Ivory Tower Boiler Room Café subscriber to watch the unedited video: https://www.patreon.com/posts/71231329 Calling all British Modernist literature lovers and Gay Fiction lovers, this episode is for you! Andrew is joined with William di Canzio, who is a novelist, playwright, and scholar, and he recently wrote Alec, which expands E.M. Forster's openly queer male love story, Maurice. Andrew and William open up about their first experience with E.M. Forster's groundbreaking love story and how it speaks to their gay male identity. William reveals why he didn't change any of Forster's narrative between Maurice and Alec, and why he thinks Alec's same-sex desire is much more nuanced than Maurice's. Not only is William indebted to the late great E.M. Forster, but he actually knows James Ivory, the director of the 1987 film adaptation. They actually went to lunch together! What happened at this lunch? Andrew gets William to talk about writing sex scenes between Maurice and Alec, and they both weigh in on why sex scenes in literature can be so different than in film or TV. William also provides advice about writing a play, compared to writing a novel, compared to writing scholarship. Are all of these genres related in his opinion? Andrew makes sure to shout out friends of the podcast, including Matt Aucoin (who William adores), Gregory Maguire (who knows intimately about retelling a popular tale), and Jan Balakian (who balances being a playwright and a scholar). You can buy Alec here: https://us.macmillan.com/books/9780374102609/alec Listen to John Sackville read Alec on Audible: https://www.audible.com/pd/Alec-Audiobook/1250804523 Learn more about William di Canzio's literary work here: https://us.macmillan.com/author/williamdicanzio Follow Ivory Tower Boiler Room on Instagram, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and Twitter, @IvoryBoilerRoom! Email us at ivorytowerboilerroom@gmail.com. Many thanks to the Ivory Tower Boiler Room podcast team: Andrew Rimby, Executive Director; Mary DiPipi, Chief Contributor; Nicole Arguello, Marketing Assistant; Kimberly Dallas, Editor Thanks to Anne Sophie Andersen and Meghan Ames for our theme song, "Loverman." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ivorytowerboilerroom/support

Barney and Dan chat about Spurs solid 2-0 win over Forest. They discuss the old NSL, phantom handballs, introducing a 'Naughty Corner', dice rolling VAR, smell referees, Richarlison's glorious shithousery, rotating Sonny, Spence's debut, breaking stereotypes, the Underground Commentary Network, Old-Fashioned Loans, and Bryan Gil's poo jar.A bit Spursy is a Tottenham Hotspur podcast by Barney and Dan. Follow us on Twitter at @a_bit_spursy, email us at hello@abitspursy.com., support us on Patreon at patreon.com/abitspursy and join us on Discord at discord.gg/abitspursy.

Writer Brian Hall joins host Catherine Nichols to discuss Ford Madox Ford's 1928 quartet of novels, Parade's End, focusing particularly on the first book, Some Do Not.... Their conversation covers the book's place in Modernist literature, comparisons to the work of E.M. Forster and Virginia Woolf, and particularly its descriptions of World War One: as granular as a soldier's perspective on the field all the way outward to the war's effects on every part of British society. Brian Hall is the author of eight books, five of them novels, including The Saskiad (Houghton-Mifflin, 1997); I Should Be Extremely Happy In Your Company (Viking, 2003); and Fall of Frost (Viking, 2008). The Saskiad, a coming-of-age novel about a precocious and imaginative young girl, has been translated into 12 languages. I Should Be Extremely Happy In Your Company was named one of the best novels of the year by The Boston Globe, Salon Magazine, the Los Angeles Times, and The Christian Science Monitor. Fall of Frost was named one of the best novels of the year by The Boston Globe and The Washington Post. His most recent novel is The Stone Loves the World (Viking, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices

Seit 1952 wird jährlich der Internationale Musikwettbewerb der ARD vom Bayerischen Rundfunk in München ausgetragen. Am 29. August startet die 71. Ausgabe - nach zwei schwierigen Corona-Jahren. Auch darüber haben wir mit der künstlerischen Leiterin und BR-KLASSIK-Redakteurin Meret Forster gesprochen.

Stilleven van Sarah Winman Radio Savannah is terug! Met Stilleven van Sarah Winman smeren Lola en Suzanne in deze aflevering de zomervakantie lekker nog wat langer uit en duiken ze de Italiaanse bergen in met een roman over kunst, vriendschap en verbinding.   Wil je meekletsen met Lola en Suzanne? Laat het ons weten op Instagram, Twitter en Facebook en gebruik #RadioSavannah. Voor (lees)tips en fanmail zijn we ook te bereiken op info@savannahbay.nl. Lees Sarah Winman! Stilleven In 1944, terwijl de geallieerde troepen optrekken en rondom bommen neerkomen, ontmoeten twee onbekenden elkaar in de verwoeste wijnkelder van een Toscaanse villa. Ulysses Temper is en jonge Britse soldaat die ooit wereldbollen maakte, en Evelyn Skinner een kunsthistorica - en mogelijk spionne - van in de zestig. Zij is naar Italië gekomen om schilderijen uit de puinhopen te redden en haar herinneringen opnieuw te beleven aan de keer dat ze E.M. Forster ontmoette en in Florence haar hart werd gestolen door een Italiaans dienstmeisje in een zekere kamer met uitzicht. Onverwacht herkennen deze twee mensen in elkaar een verwante ziel, en de dingen die Evelyn vertelt over waarheid en schoonheid planten een zaadje in Ulysses' geest dat het verdere verloopt van zijn leven - en dat van de mensen die van hem houden - zal bepalen. Stilleven gaat van de heuvels in Toscane naar de smog in het Londense East End en vandaar naar de pleinen van Florence. Het is een epische en speelse roman vol kleurrijke personages over schoonheid, liefde, familie en verbondenheid. Vind het boek hier in de webshop. Still life From the author of When God was a Rabbit and Tin Man, Still Life is a big-hearted story of people brought together by love, war, art and the ghost of E.M. Forster. 1944, in the ruined wine cellar of a Tuscan villa, as bombs fall around them, two strangers meet and share an extraordinary evening. Ulysses Temper is a young British soldier, Evelyn Skinner is a sexagenarian art historian and possible spy. She has come to Italy to salvage paintings from the wreckage and relive memories of the time she encountered EM Forster and had her heart stolen by an Italian maid in a particular Florentine room with a view. Evelyn's talk of truth and beauty plants a seed in Ulysses' mind that will shape the trajectory of his life – and of those who love him – for the next four decades. Moving from the Tuscan Hills and piazzas of Florence, to the smog of London's East End, Still Life is a sweeping, joyful novel about beauty, love, family and fate. Vind het boek hier in de webshop. Toen God een konijn was Toen God een konijn was is een roman over een zus en een broer. Een roman over een kindertijd, over opgroeien, familie, en alle triomfen en tragedies die daarbij horen. Maar bovenal is het een roman over de liefde in al haar vormen. Vind het boek hier in de webshop. Nieuw op het boekenplankje Silvia Moreno-Garcia – Mexican Gothic The acclaimed author of Gods of Jade and Shadow returns with a mesmerising feminist re-imagining of Gothic fantasy, in which a young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico. Vind het boek hier in de webshop.  Ali Smith – Companion Piece A celebration of companionship in all its timeless and contemporary, legendary and unpindownable, spellbinding and shapeshifting forms… It follows the unique achievement of her Seasonal cycle of novels – Autumn, Winter, Spring and Summer – written and published in as close as possible to real time, between 2016 and 2020, absorbing and refracting the times we are living through: the ‘state-of-the-nation novels which understand that the nation is you, is me, is all of us' (New Statesman). Vind het boek hier in de webshop.  Min Jin Lee – Pachinko Een generaties omspannend verhaal over een Koreaanse familie die een nieuw leven opbouwt in Japan Korea, 1900. Sunja,

He Waka Eke Noa chairman Michael Ahie says the primary sector climate action partnership is "on track", despite "some unfounded speculation and conjecture" about the process. At the weekend, Groundswell New Zealand issued a press release saying it understood Climate Change Minister James Shaw had "finally conceded" the scheme was terminally flawed and would scrap it. The group's emissions spokesman, Steve Cranston, stated Government and industry leaders had been quietly looking at alternative emission pricing options to the He Waka Eke Noa scheme for the past few months and now appeared ready to "pull the pin on it". Groundswell called on Shaw and members of the He Waka Eke Noa partnership to confirm whether it was "dead" and what alternatives were being considered. In a short statement yesterday, He Waka Eke Noa said the partnership remained on course and 11 primary sector and Māori agribusiness partners had committed to the system it recommended for pricing agricultural emissions. It recommended a farm-level, split-gas levy with built-in incentives to reduce emissions and recognise carbon sequestration from 2025. "We have had positive and encouraging discussions with the Government and we all remain committed to the process underway," Ahie said. "We know there is some unfounded speculation and conjecture out there about the process. "However, farmers, growers and all New Zealanders can be confident He Waka Eke Noa is on track." Over the coming weeks, the partnership would continue to discuss its recommended option with the Government, he said. ANZ Research's latest Agri-Focus report said the proposal included providing offsets for sequestration and implementing farming practices that would reduce agricultural emissions. However, the Climate Change Commission had recommended that offsets for sequestration not be included within He Waka Eke Noa. If the Government took that advice, that would jeopardise the whole implementation of the scheme, as the industry-led agreement was based around that package deal. Pulling part of it out would most likely mean heading back to the negotiating table. At present, the impact of the pricing of methane emissions had a larger impact on the sheep and beef sector than the dairy sector, because the dairy sector was more efficient at producing milk relative to methane emissions and was more likely to be able to implement farming practices that reduced methane emissions, the report said. The profit margins in dairy were also generally higher than sheep and beef, so paying for methane emissions would have a smaller impact on the viability of the farm business.See omnystudio.com/listener for privacy information.

Industrial synth-pop? Noise gaze? What exactly is electronic body music? All of these words have been used to describe the musical stylings of HEALTH, a band that refuses to stop screaming at you in every song title. Travis is joined by long-time friend of the pod Nathan Forster to dive into a handful of HEALTH tunes to get to the bottom of the band's unique blend of noise rock and synth-pop.TracklistDIE SLOWGOTH STARTEARSCOURTSHIP IIThis show is part of the Pantheon Podcast Network.

Ps Luke Neale

Thursday's episode of Locked On Blackhawks is Part 2 of a special crossover with Jay Forster from Locked On Blue Jackets! Forster and LOB host Jack Bushman take a look back at the Seth Jones trade from just over one year ago and discuss how this deal helped expedite the Blue Jackets' rebuild, how former Blackhawks first-round pick Adam Boqvist fared in his first season with Columbus, plus, the outlook for Jones and Chicago in the 2022-23 regular season. All that and more on Locked ON Blackhawks. Part of the Locked on Podcast Network. Your Team. Every Day. SUBSCRIBE on YOUTUBE: https://www.youtube.com/channel/UCc1cYsJV90zr-fxKmeUkcGA FOLLOW on TWITTER: https://twitter.com/LO_Blackhawks FOLLOW on INSTAGRAM: https://www.instagram.com/lockedonblackhawks/ BetOnline.net has you covered this season with more props, odds, and lines than ever before. BetOnline – Where The Game Starts! Learn more about your ad choices. Visit podcastchoices.com/adchoices

A Room With A View by E. M. Forster audiobook. When Lucy Honeychurch travels to Italy with her cousin, she meets George Emerson, a bohemian and an atheist who falls in love with her. Upon her return to England, she is forced to choose between free-spirited George and her more conventional fiancé, Cecil Vyse. The story is both a romance and a critique of English society at the beginning of the 20th century.

Tuesday's episode of Locked On Blackhawks is part 1 of a special crossover with Jay Forster from Locked On Blue Jackets! Forster & LOB host Jack Bushman take a look back at the Seth Jones trade from just over one year ago and discuss the poor decision made by then-GM Stan Bowman, the criticism that surrounds Jones due to his contract, plus how this deal helped kickstart the Jackets' rebuild! All that and more on Locked On Blackhawks. Part of the Locked On Podcast Network. Your Team. Every Day. SUBSCRIBE on YOUTUBE: https://www.youtube.com/channel/UCc1cYsJV90zr-fxKmeUkcGA FOLLOW on TWITTER: https://twitter.com/LO_Blackhawks FOLLOW on INSTAGRAM: https://www.instagram.com/lockedonblackhawks/ Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dan spent his career preserving wildlife as a wildlife biologist for the state of Georgia. He shares how his passion for hunting motivated him throughout his career. Dan has used many opportunities to encourage first time hunters. If you are wondering how to make a difference in the outdoors, this episode is for you.

Ps Wayne Alcorn

Lena Meyer-Landrut und Mark Forster zählen zu den größten und beliebtesten Stars in Deutschland. Das Liebes-Outing der ESC-Gewinnerin und des Popstars verzauberte nicht nur ihre eigenen Fans, ebenso wie die Berichte über ein Baby und die Hochzeit der beiden. Jetzt hat das Pop-Paar gemeinsam ein traumhaftes Landgut in Italien erworben, wie BUNTE exklusiv erfuhr. Das Anwesen ist eine idyllische Oase für ihre kleine Familie. In der neuen Folge von BUNTE-Menschen spricht Barbara Fischer mit Unterhaltungs-Chefin Stephanie Göttmann-Fuchs, die die Geschichte recherchiert hat, über das Paar, das Deutschland fasziniert. -- Ein BUNTE Original Podcast. -- buntemenschen@burda.com

What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought? Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022). Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson's “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel's modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at IqraSCheema@gmail.com or Twitter.

What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought? Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022). Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson's “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel's modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought? Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022). Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson's “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel's modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What is the purpose of a novel? What purpose or logic do literary critics assign to a novel? How has the novel changed? What does that mean for its readers and literary criticism in the contemporary era? What does novel share with cinema and what does that mean for contemporary thought? Timothy Bewes provides brilliant insights on these questions in his book, Free Indirect: The Novel in a Postfictional Age (Columbia UP, 2022). Everywhere today, we are urged to “connect.” Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing - E. M. Forster's “Only connect . . .” and Fredric Jameson's “Always historicize!” - helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel's modus operandi but the defining aesthetic ideology of our era-and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel's refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today. Iqra Shagufta Cheema is writer, researcher, and chronic procrastinator. When she does write, she writes in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. Check out her latest book chapter Queer Love: He is also Made in Heaven. She can be reached via email at IqraSCheema@gmail.com or Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Recorded July 31, 2022 Our offseason Armchair GM series continues with one of out loyal listeners Cheryl Anne Forster (C4!!!).  We go over not only all of the deals for the Free Agent signings and the new players but also the re-signed players as well as the promotion of Scott Allen to assistant coach as well.   Anyone else wanting to give their $0.02, all are welcome!   #ALLCAPS #SportsOTHP #NHLFreeagency2022 #Powerplaypointpodcast

Ps Luke Neale

Diesen Freitag startet mit dem Klassiker Eintracht Frankfurt gegen den FC Bayern München die 60. Spielzeit der Fußball-Bundesliga der Männer. Zusammen mit dem Stadionsprecher der Fußball-Nationalmannschaft und dem Kommentator von Sport1, Servus TV und DAZN, Oliver Forster, besprechen wir die kommende Saison. Und dann gibt es noch ein sensationelles Gewinnspiel! Das Warten hat ein Ende. Endlich kehrt die Bundesliga zurück und der Sommer hat jede Menge Theater, spektakuläre Transfers, Trainerwechsel geboten. Mit dem FC Schalke 04 und Werder Bremen kehren zwei Traditionsvereine der Extraklasse ins Oberhaus zurück und selten hat man sich so auf eine neue Saison gefreut. Oliver Forster verrät uns, was wirklich wichtig in der neuen Saison sein wird Unser guter Freund unseres Sportmagazins, Oliver Forster (DAZN, Sport1, Nationalmannschaft, Servus TV), ist deswegen so gerne bei uns gesehen, weil er mit Leidenschaft und voller Fachkenntnis diese Liga lebt wie kaum ein Zweiter. Er verrät uns, wer es mit dem Abstiegskampf zu tun haben wird, wer mehr Ambitionen auf einen besseren Tabellenrang haben darf und wen man zu den unbedingten Kandidaten um die Deutsche Meisterschaft zählen muss. Das war wie immer ein großer Spaß! Ein sensationelles Gewinnspiel Ein großer Dank geht an unsere Partner, die Euch für diese Episode für unser großes Gewinnspiel fantastische Preise bereit gestellt haben. Beantwortet die Frage, die wir Euch im Podcast stellen und sendet bis einschließlich 8. August 2022 die Antwort an gewinnspiel@plattsport.de! Nennt uns die Antwort, Euren Namen und welchen Preis Ihr gewinnen möchtet: 1x2 Tickets für das Heimspiel gegen Mainz 05 am 20. August 2022 spendiert der FC Augsburg das Buch "60 Jahre Bundesliga" von Ben Redelings kommt vom Werkstattverlag der FC Bayern München gibt Euch ein von Sadio Mané unterzeichnetes Authentic-Trikot vom 1. FC Union Berlin kommt ein Heimtrikot der aktuelles Spielzeit der Kunstdruck "German Classics"  wird Euch von Hands of God geschenkt Eintracht Frankfurt hat ein wunderbares Europa League-Paket geschnürt eine Rarität ist das Eishockey-Trikot von Borussia Dortmund Ein Fan von Mainz 05 wird sich über ein Überraschungspaket freuen Borussia Mönchengladbach haut zu guter Letzt Yann Sommers-Torwarthandschuhe, ein Paar hohe Sportsocken und ein Trainingsshirt von Puma raus Wir möchten uns herzlich für diese großzügigen Preise bedanken! Euch nun viel Spaß mit unserer wunderbaren Saisonvorschau 22/23 mit Oliver Forster! Bleibt gesund! Folgt Plattsport hier: Instagram Facebook www Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Kayak bream fishers, today's episode is just for you! Hobie Worlds Champ Andrew Death heads to Forster with recently crowned Australian Hobie Champ 2022 Russell Babekuhl. The level of information shared in this conversation is next level, it's a "must-listen" for anyone keen on targeting bream in the Forster area during the July to September period!  Of course, if you'd like to sharpen your bream fishing skills even further - particularly when it comes to catching the bigger fish - then be sure to catch Deathy's Big Bream Audio Masterclasses with top tournament guns. You can get the whole series over at Team Doc Lures: https://team.doclures.com/death Full show notes for today's episode are available at https://doclures.com/forster-bream-andrew-death-russell-bebekuhl

It's not been an easy year for environmentally focused funds, as the market rotation into value-focused equities has delivered a body blow to the share prices of the many innovative growth companies seeking solutions to global environmental problems. Our guest on this week's pod is Jon Forster, co-manager of the Impax Environmental Markets investment trust. IEM is the largest in the closed-ended sector at more than £1.3 billion AUM; it soft-closed to new investors in 2020. Forster talks to Faith Glasgow about how the environmental market universe has changed over the past 20 years since IEM launched, the macro challenges of the past few months and how the managers have used that market volatility, and the key opportunities emerging within this rapidly evolving investment arena. See acast.com/privacy for privacy and opt-out information.

Ps Ezra Boots

Ps Ryan Alcorn

Howards End is a 1992 period romantic drama film directed by James Ivory, from a screenplay written by Ruth Prawer Jhabvala based on the 1910 novel of the same name by E. M. Forster. Marking Merchant Ivory Productions', third adaptation of a Forster novel (following 1985's A Room with a View, and 1987's Maurice) — was the first film to be released by Sony Pictures Classics. The film's narrative explores class relations in turn-of-the-20th-century Britain, through events in the lives of the Schlegel sisters. --- Send in a voice message: https://anchor.fm/drzeusfilmpodcast/message Support this podcast: https://anchor.fm/drzeusfilmpodcast/support

Ps Jason Van Vuuren

Johnny Gaudreau gets a warm welcome in the city of Columbus at his introductory presser. Jay Forster and I discuss John's style of play and why it fits Columbus more than the other options available. How does this impact the Flames future? What does this mean for free agents in the future for Columbus? Columbus Meets Johnny Gaudreau ft. Jay Forster Locked On Blue Jackets | Locked On Flames https://www.youtube.com/channel/UCSceDAGvzezmR5Fyo_a-VEg WANT MORE DAILY CALGARY FLAMES CONTENT? Follow & Subscribe to the Podcast on these platforms…

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death's End. When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c). Mr. Liu, flanked by John and Pu (photo: Claire Ogden) They discuss the evolution of Mr. Liu's science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu's work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology. Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction's taking as its subject the affairs of the whole human community–compared to the valuable but distinctly Chinese concerns of Mo Yan, or the distinctly Russian concerns of Tolstoy. Discussed in This Episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death's End Leo Tolstoy, War and Peace Stanley Kubrick (dir.), 2001: A Space Odyssey E.M. Forster, “The Machine Stops“ Mo Yan, Red Sorghum Read the transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death's End. When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c). Mr. Liu, flanked by John and Pu (photo: Claire Ogden) They discuss the evolution of Mr. Liu's science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu's work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology. Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction's taking as its subject the affairs of the whole human community–compared to the valuable but distinctly Chinese concerns of Mo Yan, or the distinctly Russian concerns of Tolstoy. Discussed in This Episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death's End Leo Tolstoy, War and Peace Stanley Kubrick (dir.), 2001: A Space Odyssey E.M. Forster, “The Machine Stops“ Mo Yan, Red Sorghum Read the transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death's End. When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c). Mr. Liu, flanked by John and Pu (photo: Claire Ogden) They discuss the evolution of Mr. Liu's science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu's work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology. Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction's taking as its subject the affairs of the whole human community–compared to the valuable but distinctly Chinese concerns of Mo Yan, or the distinctly Russian concerns of Tolstoy. Discussed in This Episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death's End Leo Tolstoy, War and Peace Stanley Kubrick (dir.), 2001: A Space Odyssey E.M. Forster, “The Machine Stops“ Mo Yan, Red Sorghum Read the transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death's End. When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c). Mr. Liu, flanked by John and Pu (photo: Claire Ogden) They discuss the evolution of Mr. Liu's science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu's work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology. Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction's taking as its subject the affairs of the whole human community–compared to the valuable but distinctly Chinese concerns of Mo Yan, or the distinctly Russian concerns of Tolstoy. Discussed in This Episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death's End Leo Tolstoy, War and Peace Stanley Kubrick (dir.), 2001: A Space Odyssey E.M. Forster, “The Machine Stops“ Mo Yan, Red Sorghum Read the transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Pu Wang, a Brandeis professor of Chinese literature, spoke with science-fiction genius Cixin Liu back in 2019. His most celebrated works include The Three Body Problem, The Dark Forest, and Death's End. When he visited Brandeis to receive an honorary degree, Liu paid a visit to the RTB lair to record this interview. Liu spoke in Chinese and Pu translated his remarks in this English version of the interview (the original Chinese conversation is at 刘慈欣访谈中文版 Episode 14c). Mr. Liu, flanked by John and Pu (photo: Claire Ogden) They discuss the evolution of Mr. Liu's science fiction fandom, and the powerful influence of Leo Tolstoy on Mr. Liu's work, which leads to a consideration of realism and its relationship to science fiction. Science fiction is also compared and contrasted with myth, mathematics, and technology. Lastly, they consider translation, and the special capacity that science fiction has to emerge through the translation process relatively unscathed. This is a testament to science fiction's taking as its subject the affairs of the whole human community–compared to the valuable but distinctly Chinese concerns of Mo Yan, or the distinctly Russian concerns of Tolstoy. Discussed in This Episode: Cixin Liu, The Three Body Problem, The Dark Forest, and Death's End Leo Tolstoy, War and Peace Stanley Kubrick (dir.), 2001: A Space Odyssey E.M. Forster, “The Machine Stops“ Mo Yan, Red Sorghum Read the transcript here Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

It is truly unbelievable that this story was written in 1909 - E. M. Forster's dystopian world feels all too real in our increasingly digitally connected and physically isolated real world. The story is about ritual & superstition, resistance to change, the dangers of reliance on an all-powerful authority, the origins of knowledge and creativity, and a tumultuous relationship between a mother and son who see the world in very different ways. We're joined to talk about the story by actor and writer Kiran Subramaniam, who also joined us to record our full cast, unabridged audiobook of this story! No spoilers here as usual, but we do highly recommend listening to the story as well, whether before or after the analysis & review. It's an incredible story and isn't too long - the audiobook episode is just over an hour. You should see that free audiobook available as our episode 19.  As always, we also recommend and discuss some similar books if you are looking for more great books to read. This week we recommend 1984 by George Orwell, Brave New World by Aldous Huxley, Welcome to the Monkey House by Kurt Vonnegut, and Foundation by Isaac Asimov.Or you can watch the show on YouTube here if you prefer video.Happy reading y'all!

Hey, hey, hey it's part two of rewrites! On Beauty by Zadie Smith (2005) loosely based on Howards End by E.M. Forster (1910).