Podcasts about sahar zand

Iranian-born artist and former Paralympian, Mohammad Barrangi, creates intricate, dreamlike worlds where myth and reality collide. His bold, layered works, murals, prints, and 3D sculptures, fuse Persian aesthetics, ancient symbols, and surreal hybrid creatures, often blending women and animals into fantastical forms. Born without the use of his left arm, Barrangi has developed a distinctive printmaking technique, working on the floor and stabilizing his materials with his feet. For his latest project, The Last Rain in Wonderland, Barrangi shifts his focus to the global climate crisis, weaving the stories of displaced communities and endangered animals in southern Iran into his visually striking work. Sahar Zand follows Barrangi's journey as he prepares for a major exhibition at Nottingham Exchange. Through vivid imagery and intricate textures, his work becomes a reflection on migration, memory, and fragile landscapes.

Sahar Zand follows young Hindu activists Banamali and Sukanto, who are documenting the violence they say authorities and media are ignoring. She joins them as they respond to a new attack on a Hindu-majority village, where a mob set fire to a yet another building. The attacks are not just aimed at buildings. Sahar meets victims, including an elderly village doctor recovering from an attempted murder and a grieving mother whose 14-year-old son was killed trying to escape the country. In a tense interview, Sahar confronts Mahmudul Hasan Gunovi, a far-right Islamist leader accused of fueling the violence with his inflammatory rhetoric. She experiences the violence first-hand during a volatile encounter when Banamali and Sukanto visit a sensitive site, where a Hindu crematorium has recently been destroyed, and a make-shift mosque built on its ruins.

In the aftermath of Bangladesh's political unrest and the student-led protests that led to the collapse of Sheikh Hasina's government in August 2024, the country is facing a period of transition and uncertainty. Amid the chaos, harrowing videos and reports of violent attacks against the Hindu minority flooded social media—images of burning buildings, horrifying violence, and women weeping as they pleaded for help. However, some began to doubt the veracity and authenticity of these videos after they seemed to be sensationalised by right-wing influencers and news outlets in neighbouring India.Despite this, shocking new videos of alleged attacks continue to appear on social media, with little or no acknowledgement from a world that is now questioning their legitimacy. In the first episode of a two-part series for BBC World Service's Heart & Soul, reporter Sahar Zand travels to Bangladesh to investigate the truth behind the contradictory news headlines and the contrasting videos emerging daily online. There, Sahar follows two Hindu university students, Sukanto and Banamali, who have made it their mission to verify and document what they describe as brutal assaults on their community, determined to set the record straight.Sahar follows Sukanto and Banamali as they travel to some of the worst-affected areas, and sees and hears firsthand accounts of homes burned, families separated, temples desecrated, and entire villages torn apart by mob violence. Despite their tireless efforts to report the truth, the two friends say that the Hindu experience in Bangladesh has been met with silence from both the world's media and the country's authorities. Producer: Sahar Zand Executive producer: Rajeev Gupta

Formed by guitarist and vocalist Shayan, TRIVAX was formed in 2009, in the underground music scene of his home city, Tehran. The capital of a country where freedom of expression is severely restricted, resulting in tough censorship laws. The Iranian government tightly controls musical content, prohibiting lyrics or themes deemed critical of the regime, or inconsistent with Islamic values, and heavy metal tends to fall under this category. Escaping to the UK, Shayan found a like-minded ally in bassist Sully, who had similarly left Syria after facing jail time for his metal associations, and they teamed up with British drummer Matt Croton. Now, TRIVAX utilises the adversity of its members' roots, to produce its unique trademark sounds they call "Eastern Death Magic”; a combination of black metal with Middle Eastern influences and on a mission to fight against oppression and totalitarianism through music. Sahar Zand follows them as they work on their latest track Against All Opposition.

In this week's episode we speak to the winner of the Best Investigation category at the 2024 Freelance Journalism Awards. Sahar Zand won the award for her investigation into interpol's misuse of power which was released as a podcast series for Sky News. She discusses fleeing Iran as a child and her drive to uncover abuses of power, often in hostile environments.GuestSahar Zand https://x.com/SaharZandResourcesDirty Work podcast https://www.saharzand.com/podcast/skynews/dirtyworkSahar's TED Talk https://www.ted.com/talks/sahar_zand_why_iranians_are_cutting_their_hair_for_women_life_freedom?subtitle=enTalking Travel Writing newsletter https://travelwriting.substack.com/This award was sponsored by market research company Savanta https://savanta.com/

For artist Nazanin Moradi, who was brought up in Iran where women are “second-class citizens in every sense,” reversing the “unfair” gender roles is paramount. In her new project, the multidisciplinary artist challenges male domination and toxic masculinity, within a fragmented historical context where fantasy meets rebellion. She does this by changing the narrative of ancient Mesopotamian mythology, fixating on the legendary battle where the supremely powerful dragon goddess of oceans Tiamat, was killed by the storm god Marduk. Sahar Zand spends time with Nazanin as she embarks on the ambitious project.

In this episode, Sahar Zand goes back to speak to Brian Glendinning about his experience in Iraqi jail, and the harrowing impact of his unforeseen arrest. But Brian, compared to some people, is still lucky.For dissidents and opposition figures around the world, the Red Notice is the latest tool for transnational repression by autocratic governments. These people often end up in prison indefinitely, or extradited to the countries they had long fled for safety. With expert analysis from Rhys Davies and Ben Keith - authors of Red Notice Monitor - we take a look at the worst case scenarios for being on the wrong end of a Red Notice.Sahar meets Zeynure and her three children. They are Uyghur exiles living in Istanbul. Zeynure's husband, Idris Hasan, has been in prison in Morocco for two years facing extradition to China. Uyghur activists like Idris are increasingly at risk of Red Notices, experts tell us, as China has increased its use of Interpol as a tool of transnational repression. Sahar talks to Idris, who says this Red Notice has been a death sentence. A potential return to China is “worse than death.”Plus, Alicia Kearns, the Conservative MP who chairs the UK Parliament's Foreign Affairs Select Committee, tells Dirty Work about the committee's “grave concerns” over how the system works. She calls on the Home Office to find a way to inform British nationals if they're the subject of a malicious red notice.WARNING: This episode contains strong language. Presenter: Sahar Zand Producer: Heidi Pett Senior producer: Sarah Burke Sound designer: James Bradshow Editor: Paul Stanworth

Sky News has a new podcast series called Dirty Work - investigating Interpol red notices, which allow police forces to flag their most wanted persons at international borders around the world. In episode two, reporter Sahar Zand continues to follow Brian Glendinning's story - whose Interpol Red Notice raises significant questions about how the system works. Sahar also speaks to Interpol Secretary General Jurgen Stock, who has given a rare interview talking about why it was his priority to reform a system that had let so many people down.Presenter: Sahar Zand Producer: Heidi PettSenior Producer: Sarah BurkeSound Designer: James Bradshaw Editor: Paul Stanworth

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Filmmaker Sahar Zand vividly explores the ongoing struggle women face at the hands of Iranian morality police -- like living as second-class citizens with no right to travel, divorce or wear their hair uncovered -- and points to new hope as protests against this unfair treatment continue across the country and around the world. She urges us all to stand in solidarity with the fight for "Woman, Life, Freedom" and shows why hope is so dangerous to authoritarian regimes.

Filmmaker Sahar Zand vividly explores the ongoing struggle women face at the hands of Iranian morality police -- like living as second-class citizens with no right to travel, divorce or wear their hair uncovered -- and points to new hope as protests against this unfair treatment continue across the country and around the world. She urges us all to stand in solidarity with the fight for "Woman, Life, Freedom" and shows why hope is so dangerous to authoritarian regimes.

Filmmaker Sahar Zand vividly explores the ongoing struggle women face at the hands of Iranian morality police -- like living as second-class citizens with no right to travel, divorce or wear their hair uncovered -- and points to new hope as protests against this unfair treatment continue across the country and around the world. She urges us all to stand in solidarity with the fight for "Woman, Life, Freedom" and shows why hope is so dangerous to authoritarian regimes.

What if you could rewrite a part of history? What would you change, and where would you start? For multidisciplinary artist Nazanin Moradi, who was brought up in the Islamic Republic of Iran where women are, “second-class citizens in every sense,” the answer is easy; she would start at the very beginning of “time” to reverse the “unfair” gender roles. In her new project, the multidisciplinary artist challenges male domination and toxic masculinity, within a fragmented historical context where fantasy meets rebellion. She does this by changing the narrative of ancient Mesopotamian mythology, fixating on the legendary battle where the supremely powerful dragon goddess of oceans Tiamat, was killed by the storm god Marduk. Over a period of six months, reporter Sahar Zand spends time with Nazanin at various locations in London to find out how she embarks on the ambitious project, and how it's affected by the protests in Iran, which take place as she nears the end of her work. Through the mediums of textile design, interpretive dance, digital editing, collage, painting and sculpture, Nazanin rebels against social conventions by using her own body through the creative process.

A year on from the Taliban takeover of Kabul on 15th August 2021, Sahar Zand talks to some of the Afghans who featured in her 2019 World Service programme Afghan Stars, which told the story of a ground-breaking TV music talent show in Afghanistan, which was won for the first time by a female singer. The Taliban had singled out the programme for special criticism, as it both promoted music, which their spokesman considered ‘haram' (forbidden), and because it promoted the voices of women, which, he had said, should not be heard in public. The current situations of the musicians and media personalities whom Sahar has traced are a mirror of what Afghans have experienced in the past twelve months.

The Cultural Frontline asks what's the future for arts, media and culture in Afghanistan under Taliban rule. Using their instruments for change. Sana Safi speaks to the musicians from the Afghanistan National Institute of Music about their fight to keep traditional Afghan music alive and their fears and hopes for musicians under a Taliban government. Over 250 newspapers, radio and TV stations closed in the first 100 days of Taliban rule following the withdrawal of US troops in August, and the Afghan press watchdog NAI says around 70% of journalists have lost their jobs. Our reporter Sahar Zand speaks to Massood Sanjer, one of Afghanistan's leading producers, about the future of Afghanistan's media landscape. #DoNotTouchMyClothes: We find out how Afghan women around the world used this hashtag to share photos of themselves in colourful traditional clothes in protest in response to pro-Taliban rally of women in Kabul - dressed all in black, full-veils, and long robes. Sana Safi speaks to Dr Bahar Jalil who posted the very first picture, and to Sabrina Spanta – once a refugee, and now a fashion designer in the USA, inspired by Afghan women, and who recently starred on TV fashion show Project Runway. (Photo: A traditional Afghan rubab. Credit: Marcus Yam)

Hassan Akkad was an amateur filmmaker forced to flee Syria, having been detained twice by regime forces. His destination was the UK, and on the way he used his camera to document the toughest chapters. In the Calais migrant camp, he met two documentary-makers who would use his footage in a high-profile film, kickstarting Hassan's career in documentary filmmaking. Hassan spoke to Sahar Zand. Picture: Hassan Akkad Credit: Hassan Akkad

Hassan Akkad was an amateur filmmaker forced to flee Syria, having been detained twice by regime forces. His destination was the UK, and on the way he used his camera to document the toughest chapters. In the Calais migrant camp, he met two documentary-makers who would use his footage in a high-profile film, kickstarting Hassan's career in documentary filmmaking. Hassan spoke to Sahar Zand. Picture: Hassan Akkad Credit: Hassan Akkad

The repeatedly arrested film maker and women's rights activist, Mahnaz Mohammadi, speaks from Iran about the censors and interrogators she had to deal with while making her award-winning debut feature film, Son-Mother. In the story, a young widow struggles to look after her two children in Tehran. When a kind local man offers her marriage, she must choose between poverty and sending her young son away. Mahnaz Mohammadi talks about making art through personal pain. Female singers in Iran have been prevented from performing solo since the Islamic revolution in 1979. But Farvaraz Farvardin was determined that her voice would be heard. She speaks to reporter Sahar Zand about her musical journey from singing in the classroom, to online videos, prosecution and seeking asylum in Germany. Visual artist Barbad Golshiri shares his artistic response to the Covid-19 pandemic in Iran. Tuba Mirum is an audio-visual installation that moves between viral spores and loudspeakers heralding the last judgement, and it draws on both Islamic and Christian iconography. Plus: Film director Shahram Mokri on how sanctions on Iran undermine hit film making, and why his new movie, Careless Crime, revisits the 1978 mass murder of a cinema audience, which fuelled the revolution in his country. Presenter: Pooneh Ghoddoosi Produced by Paul Waters, Sahar Zand, Lucy Collingwood and Shoku Amirani (Image: From the film Son-Mother by Mahnaz Mohammadi Image credit: Mahnaz Mohammadi)

The TV talent show Afghan Star has been running for 14 years, and has never been won by a woman singer. This year one of the two finalists is an 18-year-old girl – if she wins, it will be a historic breakthrough for the country. Sahar Zand meets finalist Zahra Elham, who has received death threats for singing on the show, and Afghanistan's most famous woman pop star Aryana Sayeed, a judge in the competition, who is constantly accompanied by an armed guard. She also visits the Afghanistan National Institute of Music, which is defying tradition as well as the Taliban in teaching musical instruments to young women. Afghan Star is much like any other TV talent show – except that its context is a war zone. The studios are guarded by bomb-proof gates and snipers, and the participants arrive by armoured vehicle. It is watched by millions throughout the country – and has led the way in a resurgence of music in Afghanistan despite constant threats.

Sahar Zand is in Kabul for the finals of Afghan Star, a TV talent show that is on the front line of the fight to keep music alive in Afghanistan, following the years of the Taliban regime, when music was banned. She hears from a singer who has been targeted by extremists, meets one of the Taliban’s senior figures to explore the reasons behind the cultural conflict, and follows the votes as the TV audience chooses between the two young finalists. Afghan Star is much like any other TV talent show – except that its context is a war zone.

Being hung from tall trees on sharp hooks attached to flesh and piercing body parts with hot iron rods; it's a painful, almost sadistic way of praying for the harvest from the Hindu god Shiva in West Bengal to be a good one. Although they’re already experiencing some of the effects of climate change, they do not know about the catastrophe that awaits them in a future not so far away. West Bengal is amongst the areas in the world where scientists estimate climate change will hit the hardest. Sahar Zand takes listeners on an extraordinary journey to the heart of West Bengal where religious ceremonies outnumber the months in the calendar. Here every child grows up knowing the proverb “13 festivals in just 12 months”. Sahar hears how the faith in Shiva's power is so earnest, but that the evidence is that global warming is having a powerful and deadly affect on the farmers here. They tell her that many thousands of rural workers have committed suicide after their crops have been ruined. Produced and Presented by Sahar Zand Images: Sahar Zand / BBC

Denmark's efforts to better integrate its migrant population are attracting controversy at home, and abroad. Twenty nine housing districts, known as 'migrant ghettos', are now subject to special measures to tackle crime and unemployment, and encourage greater mixing between migrants and wider Danish society. In the run-up to Denmark's recent landmark election, Sahar Zand travelled to Copenhagen and witnessed immigration shaping the campaign debate, and questioned the country's politicians and migrants about these controversial policies. (Image: Muslim immigrants cross the street in Copenhagen city centre. Credit: Melanie Stetson Freeman/The Christian Science Monitor via Getty Images)

What is it like to be taken away from your childhood home, to be brought to a strange new country where you are locked away? That is what happened to reporter Sahar Zand when she became a refugee from her home country of Iran at the age of 12. She had to leave with her mother and sister after her father got into political trouble with the regime. Sahar explores the complex and often painful role reversals, deceptions and sacrifices that the three of them experienced during those often desperate days.

Sahar Zand has been in Nicaragua where journalists risk their lives in the midst of President Daniel Ortega's crackdown on the media and opposition.

The Proud Boys say they are nothing more than a fraternal drinking club, but they regularly show up armed to far-right rallies across the US. On a marijuana farm in Oregon, Mike Wendling meets one of their local leaders – a man who, in between stints farming weed, survives on government disability benefits while also agitating for an end to all forms of welfare. Kate Adie introduces this and other stories from correspondents around the world: Sahar Zand has an unsettling visit to the Museum of Jihad in Afghanistan. Sian Griffiths skates across the world’s largest naturally-frozen ice rink and hears what impact rising temperatures are having on the outdoor skating season in Canada. Martin Vennard joins an old boys' club in Bangladesh. And Rob Crossan delves beneath the usual tourist traps in Tenerife and explores the volcanic subterranean tunnels which are home to the world’s ugliest invertebrate: a mutant with no wings or eyes.

In a small cold courtyard in Herat in Afghanistan, two former enemies sit chained together. One is a former warlord, the other a Taliban fighter. Both men are dangerous. Both men are suffering from severe psychiatric conditions. The courtyard is where all 300 inmates of Afghanistan's only secure psychiatric spend their day; men and women who are too dangerous to be treated in a general hospital. Nearly four decades of war have left a terrible legacy of mental health problems in Afghanistan. In a country where mental illness is often viewed with suspicion and stigma, the challenges of dealing with it are immense. For Assignment, Sahar Zand, gains unprecedented access to the institution, the only one of its kind in the country, where she meets the medical staff trying to deal with Afghanistan's mental health emergency and the patients, traumatised by decades of conflict.

An exploration of the mysterious, fragrant world of fortune-telling with Turkish coffee grounds, a practice popular across the Middle East. The BBC's Nooshin Khavarzamin discovers the history, culture, Sufism and the mystic world of coffee fortune tellers. As a young, stylish, modern and educated woman, Sengel might not fit the stereotypical image of a fortune teller but her accurate readings have made her one of the most famous coffee fortune tellers in Istanbul. Her clients include politicians and world-renowned celebrities. How does she do it? In a backroom of a local public baths, we meet a handful of women who are using their break time to drink Turkish coffee and read each other's fortunes. This is where we learn that coffee cup reading is not exclusive to people with special powers, but is in fact a pivotal point to gatherings amongst almost all Turkish women - although there are some heated debates about the Islamic morals of this kind of 'superstition'.Meanwhile, Sufi master Musa Dede explains where the first coffee drinkers came from and how coffee cup reading came into existence.Produced by Sahar Zand for BBC World Service.Image: A coffee cup and saucer with coffee grounds, Credit: Getty Images

Since the beginning of time, man has lived in awe and fear of death, and every culture has faced its mystery through intricate and often ancient rituals. Few, however, are as extreme as those of the Torajan people on the Indonesian island of Sulawesi. Here, the dead are a constant presence, with corpses often kept in family homes for many years. When funerals are eventually held, they don't mean goodbye. Once every couple of years, the dead are dug back out for a big family reunion. Is this a morbid obsession? Or could it be a positive way of dealing with the grief of losing a loved one? For Crossing Continents, Sahar Zand enters these remarkable communities where the dividing line between this world and the next is like a thin veil - a place with lessons for all of us. Exploring these traditions, Sahar seeks to understand the Torajan way of death and finds it changing her own thinking towards the loss of her own father. Producers Rebecca Henschke and Bob Howard.

This is a story about what happens to your body after you die. In many countries, the current options are burial and cremation, but, both methods come with significant environmental impacts. We’re running out of space for burial in many places, and cremation carries the risk of toxins and greenhouse gases being released. For World Hacks, Sahar Zand travels to the US, where they’re using a new process to deal with the dead. It’s been called “green cremation,” “water cremation” or “resomation” and uses alkaline hydrolysis to mimic and accelerate the breakdown of tissue that would occur in burial. Those who invented the process say it’s an environmentally friendly way to address this fundamental moment in the human life-cycle, but does the evidence stack up? Reporter: Sahar Zand Presenter Mukul Devichand Image: A resomation machine / Caption: BBC

Controversial votes in Turkey and Kashmir, and a university challenged in Hungary. Kate Adie introduces correspondents' stories: Justin Rowlatt is in Kashmir on election day where he sees plenty of police and protestors, but where are the voters? In Turkey Mark Lowen finds that paranoia has reached the level of absurdity ahead of the country’s referendum. Not only are TV chefs accused of being spies, but our own correspondent comes under suspicion of being a foreign agent, though thankfully not for long. In Cuba Linda Pressly meets the scientists behind a cancer vaccine now being trialled in the US; they owe everything to Fidel Castro, they tell her. As part of the World Service Life Stories season, Sahar Zand meets the Toraja people of Eastern Indonesia for whom death doesn’t always mean goodbye. And in Hungary Nick Thorpe dips his toe into the stream of controversy that surrounds the government’s ongoing war against liberalism.

Parents struggling with childcare costs in London are banding together to care for each other’s kids. They run a super-cheap nursery where mums and dads take on half of the childcare. It’s a throwback to the childcare movement of the 1970s but can it work in the modern age? Presented by Sahar Zand. Produced by William Kremer. Image: Drawing of a family / Credit: BBC

The internet is awash with made-up news stories. It’s not a new problem, but the highly charged US election campaign forced people to pay attention. This week on World Hacks we’re speaking to some of those fighting back against what they see as a threat to democracy: the fake news epidemic. We hear from guests including Le Monde’s Samuel Laurent, Democratic State Senator Bill Dodd of California, and Claire Wardle from journalism non-profit First Draft. Presented by Sahar Zand. Produced by Harriet Noble. Image caption: Close up of a computer screen showing a web address, Image credit: Lionel Bonaventure/AFP/Getty Images

In Barcelona, they’re experimenting with a new way of designing the city. Superblocks are vast low-traffic zones, but they’re also deeply controversial. The aim is cut pollution and reclaim public space from the car, but does it work? World Hacks investigates. Presented by Sahar Zand. Image: A superblock from above / Image credit: Google Maps

In one of the most expensive cities in the world, students are moving in with older people who have spare rooms as part of a “homeshare” scheme. The young people in Paris get cheap accommodation and the older people get companionship and support in return. World Hacks reports on the generation-spanning friendships that are blossoming as a result. Presented by Sahar Zand. Photo: Monique and Mikyoung, who are part of the homeshare scheme / Credit: BBC

Most refugees do not have the right to work. In Jordan they’re running an experiment to find out what happens when they’re given that right. They’re handing out work permits to thousands of Syrian refugees in the hope of improving their lives and the health of the economy. Academics say it’s better for everyone, but in the local area – where unemployment is nearly 20% - they’re not convinced. World Hacks reports. Presented by Sahar Zand. Image caption: Syrian refugees make their way in the Zaatari refugee camp / Image credit: Khalil Mazraawi, Getty Images.

Some £600bn is sent home every year by overseas migrant workers, almost four times more than all the countries of the world combined spend on foreign aid. But far from home, many workers fear their families are not spending their money in the right way. World Hacks looks at a two possible solutions for giving them more control over how their hard-earned cash is being used. Presented by Sahar Zand. Image caption: 1000 peso bills in the Philippines / Image credit: Joel Nito, Getty Images.

One in three children in Peru was growing up too short for their age, stunted by a lack of the right foods in their diet. Then in 2005, the government put in place an innovative new system. They gave cash hand-outs to poor mothers but only on the condition that they had regular health check-ups and their children went to school. By 2014 the number of children growing up too small had halved. World Hacks tells the story. Presented by Sahar Zand. Image caption: Mother and child part of the malnutrition programme / Image credit: BBC

Giving children lessons in how to think and learn for themselves can lead to dramatic improvements in results, according to education researchers. World Hacks meets children learning these “meta-cognition” techniques through philosophy lessons and juggling and looks at the difficulties in implementing the system. Presented by Sahar Zand. Image caption: Child with hand up in class / Image credit: AP

In the centre of Patan City in Nepal resides a living goddess, a child as young as four, chosen to host a deity of invincible feminine power. On her young shoulders rests the fate of the nation. Goddesses in many religious traditions around the world exist only in the spiritual realm, symbolised by statues and icons. But in Nepal they live and breathe and take the form of young girls – the kumari. For centuries Hindus and Buddhists across the Kathmandu Valley have worshiped these young Buddhist girls believed to be possessed by the Hindu goddess Taleju. Selected so young, it is no easy task being a kumari – for reasons of purity they are taken out of school, only allowed to communicate with a select few, and are not allowed to walk on the ground outside of their homes. They are expected to sit still for long hours whilst giving blessings to thousands of visitors. But the kumari’s reign as a living deity is short. Upon her first period she is retired and replaced. Her powers are believed instantly lost and she must then negotiate how to become a normal teenager. As part of the 100 Women Season, Sahar Zand joins the thousands of Nepalese Hindus and Buddhists on leave from work and school as they celebrate the national festival of Dashain. Sahar explores the symbolic status of blood, the importance of sacrificing animals during Dashain festival and why when a kumari first menstruates the goddess is believed to vacate her body. Sahar meets solicitor Subin Mulmi who argues the strict rules of purity and segregation surrounding the kumari are detrimental to the child’s freedom and education. However, a former kumari Chanira Bajracharya, who despite describing the trauma of her first day transitioning from goddess to mortal, advocates this ancient tradition must be continued for the spiritual and cultural identity of Nepal.

Nearly 1,000 people were shot and killed by the US police in 2015, sparking protests and huge controversy. But a new solution promises to reduce the death toll, by focusing in on the key moment of stress in which guns are discharged. Studies have looked at police officers' reactions in these situations - including their stress levels and their implicit biases. Now, a new training system has been developed which uses heart rate monitors and breathing exercises to minimise the stress reaction. World Hacks investigates whether the system works, and whether it will help save lives. Presented by Sahar Zand. (Photo: Police stand guard near Trump Tower on Election Day. Credit: Spencer Platt/Getty Images)