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When the supernatural seeps into our world, it doesn't just leave behind fear—it can also leave sickness. From shadowy visitors to ominous dreams, some eerie paranormal encounters suggest that the price of witnessing the unknown may be paid in flesh and blood.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/SupernaturalSicknessREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/hp3ua63cFEATURED STORIES IN THIS EPISODE: When the supernatural intrudes into our lives, it's not just our minds that are affected. We'll delve into a few bizarre cases where individuals fell gravely ill after brushes with the paranormal. Is it coincidence? Or something more sinister? And could these illnesses be due to the paranormal literally draining us of life? (Supernaturally Sick, Paranormally Poisoned) *** Helen Duncan made a living from conducting séances—until her uncanny knowledge of classified World War II tragedies spooked British authorities. (Britain's Last Witch) *** Jeremy Bentham was a philosopher whose ideas about mortality and utility extended beyond death. Bentham's wish for his body to be preserved and displayed as an "auto-icon" – so it could be seen publicly by all. And while his wishes were granted, it came with a few hiccups along the way… mostly with his poor head. (The Strange Story of Mr. Bentham's Corpse) *** Annie Dorman was discovered lifeless with a gunshot wound, sending shockwaves through her tight-knit community. Suicide seemed improbable, leaving detectives baffled and family perplexed. Was it a crime of passion, an accident, murder… or truly suicide? In a similar case, just a few years later, in the serene countryside of Greenwich, New York, the lifeless form of Maggie Hourigan is found, floating in a tranquil pool, speculation runs rampant. Were these cases suicide, as hastily concluded, horrible accidents… or sinister murders? (The Mysterious Deaths of Annie Dorman and Maggie Hourigan) *** AND MORE!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:02:11.442 = Show Open00:04:40.830 = Supernaturally Sick, Paranormally Poisoned00:21:39.741 = The Mysterious Deaths of Annie Dorman and Maggie Hourigan ***00:34:55.265 = Britain's Last Witch ***00:43:19.651 = The Strange Story of Mr. Bentham's Corpse00:54:21.727 = Eccentric Habits of History's Elite ***01:04:25.454 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Supernaturally Sick, Paranormally Poisoned” by Nick Redfern for Mysterious Universe:https://weirddarkness.tiny.us/6bu93dju“The Mysterious Deaths of Annie Dorman and Maggie Hourigan” by Robert Wilhelm for Murder By Gaslight:https://weirddarkness.tiny.us/meu37k4m; https://weirddarkness.tiny.us/4y9mn9a4“The Strange Story of Mr. Bentham's Corpse” by Melissa Sartore for Weird History: https://weirddarkness.tiny.us/yt6uetju“Britain's Last Witch” by Parissa Djangi for National Geographic: https://weirddarkness.tiny.us/2p8by87t“Eccentric Habits of History's Elite” by John Munoz for ListVerse: https://weirddarkness.tiny.us/bdh2dw3x(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: April 17, 2024Weird Darkness gathers five accounts in this episode: people who fell gravely ill within days of a paranormal encounter, two unsolved deaths of young women in the late nineteenth century, a wartime medium jailed for witchcraft, a philosopher who arranged to have his own corpse put on permanent display, and the private oddities of history's most famous figures.It opens with the argument that anemia and anorexia-like wasting can follow a paranormal encounter within hours or days. The Franciscan monk Joseph McCabe, who died in 1955, catalogued dozens of people who developed anemia soon after nighttime visits he blamed on the Mesopotamian demons Lilu and Lilitu. Albert Bender, the Bridgeport, Connecticut man who launched the Men in Black mystery in the early 1950s, endured migraines, stomach pain, memory lapses, and sharp weight loss after three phantom figures ordered him to drop his UFO research, then recovered, married, and lived to 94. In 1982, a fourteen-year-old named Robbie watched a flat black shadow crawl across his bedroom ceiling in Beckenham, Kent, was hospitalized with meningitis, and months later collapsed from acute anemia. Jim Harpur opened his door to two black-eyed children outside Orlando, Florida in March 2008 and was diagnosed with type 2 diabetes three weeks afterward. In Nova Scotia, Michelle came down with severe ulcerative colitis two days after a vivid Slenderman dream in January 2017. The longest case belongs to Alison, a seventeen-year-old in Texas who shed roughly twenty pounds in six weeks in 1998 while a tall, pale Woman in Black appeared at her bedside each night, starting days after she and two friends used a Ouija board; sea salt and sage spread through the house ended the visits, and she recovered.From there, the episode turns to two deaths that juries could not explain. Maggie Hourigan, a 19-year-old servant in Greenwich, New York, was found floating face-down in a roadside pool on October 20, 1889; a first autopsy by Dr. S. Walter Scott ruled drowning and suicide, but a second team found a head wound inflicted before she entered the water, and Dr. Scott later sued the New York Sun for libel over its coverage and won a $6,000 settlement. Eight years later and a state away, 18-year-old Annie Dorman was found shot dead in her half-brother John Dorman's farmhouse near Cobb's Creek, Philadelphia, on September 1, 1897; the rusty pistol that killed her sat unused on a high shelf the five-foot-tall victim could not reach without standing on furniture that had not been moved, it had been fired five times, and the coroner ruled she was shot by a person unknown.Next comes Helen Duncan, the Scottish medium nicknamed Hellish Nell, who produced ectoplasm and channeled spirit guides named Peggy and Albert at séances across wartime Britain. In May 1941 she announced the loss of the H.M.S. Hood before the public knew, and that November she described the sinking of the H.M.S. Barham, which the government withheld until January 1942. Authorities arrested her at a Portsmouth sitting and tried her at London's Old Bailey beginning March 23, 1944 under the 1735 Witchcraft Act; a jury convicted her on April 3, and she became the last person imprisoned under that law, serving her sentence at Holloway Prison while Winston Churchill dismissed the case as obsolete tomfoolery.After that, the episode examines Jeremy Bentham, the English philosopher born in 1748 who asked that his body be dissected, preserved, and displayed as what he called an auto-icon. Dr. Thomas Southwood Smith carried out the dissection three days after Bentham died on June 6, 1832, but his attempt to preserve the head with sulfuric acid and an air pump left it leathery and discolored, so a wax replacement by the French artist Jacques Talrich was fitted to the seated skeleton. The figure went on display at University College London, where students stole the real, shriveled head in 1975 and returned it after the university paid £10 against their £100 charity demand; the head later served as a soccer ball before being moved to a climate-controlled storeroom in 2002.The episode closes with ten eccentric routines of the wealthy and famous. Howard Hughes wore tissue boxes over his feet and wrote a manual instructing employees how to prepare and serve a can of peaches; Nikola Tesla fed pigeons in New York parks and called one white pigeon his muse; Salvador Dalí napped in a chair holding a key over a metal plate so its clatter would wake him; Marlon Brando dropped ice into hot coffee to drink it at once; Queen Elizabeth I whitened her skin with a mix of white lead and vinegar; Andy Warhol ate McDonald's nearly every day for two decades; Benjamin Franklin sat naked by open windows for what he called air baths; Michael Jackson traveled with a pet elephant named Gypsy on his Bad tour; Charles Dickens walked miles through London at night to feed his writing; and Albert Einstein gave up socks because his shoes already covered his feet.

Astrologers Chris Brennan and Patrick Watson explore the ancient timing technique known as Babylonian goal year periods, which can be used to identify repeating transits and events over very long spans of time. Recovered from the astronomical diaries of Mesopotamian sky watchers in the first millennium BCE, these periods demonstrate how the visible planets repeat their exact zodiacal placements and phase relationships with the Sun over predictable intervals. Our discussion breaks down the math behind these synodic cycles and highlights how repetition is the ultimate key to prediction in both mundane and natal astrology. By examining compelling historical case studies for each of the traditional planets, from the 1929 Wall Street Crash to major breakthroughs in modern communication technology, we show how tracking these ancient cycles allows astrologers to identify profound historical recurrences and project future events with stunning accuracy. This is episode 540 of The Astrology Podcast. Patrick's Website https://patrickwatsonastrology.com Timestamps 00:00:00 Introduction00:01:02 What are Babylonian goal year periods?00:08:52 The story of recovering these ancient periods00:10:42 Donald Trump's birth chart and the 2024 election00:19:29 Historical context: Mesopotamian sky watchers00:34:00 The math and synodic cycles behind the periods00:47:14 Repetition is the key to prediction00:49:44 The Francis Scott Key Bridge collapse00:55:41 Mars goal year examples00:56:19 The 1929 Wall Street Crash and the 2008 Housing Crisis01:15:26 Mercury goal year examples01:21:14 The first video broadcast, cell phone call, and 5G network01:38:16 Venus goal year examples01:41:08 How the 8-year Venus cycle perfectly tracks Nintendo's history01:43:32 The Academy Awards and broadcasting fiascos02:03:55 The Seneca Falls Convention and the 19th Amendment02:21:19 Jupiter goal year examples02:45:12 FDR's Lend-Lease Act and Biden's Ukraine aid package02:48:05 Saturn goal year examples03:00:12 Intimations of the outer planets?03:15:44 The 1,151-year ACT periods03:22:08 Concluding thoughts Watch the Video Version of This Episode https://www.youtube.com/watch?v=ZmOUA9qQTvk - Listen to the Audio Version of This Episode Listen to the audio version of this episode or download it as an MP3:

In this episode of The Reformed Brotherhood, Tony Arsenal walks through Jonah 1–2, focusing on the remarkable prayer Jonah offers from the belly of the great fish. Far from a simple morality tale, the Book of Jonah presents a complex, deeply theological portrait of a disobedient prophet who nonetheless clings to the Lord in his darkest moment. Tony explores the Hebrew literary features that shape how we read Jonah's prayer, the doctrine of divine sovereignty as it operates through human agency, and the rich typological connections between Jonah and the death and resurrection of Christ. Most importantly, the episode grounds Jonah's experience in the Westminster Confession's teaching on sanctification — offering genuine hope to believers who feel buried under besetting sin, assuring them that salvation, from beginning to end, belongs entirely to the Lord. Key Takeaways Jonah is not the hero of his own story — he functions more as an anti-hero whose failures actually make him a more useful and relatable example for ordinary believers. Divine sovereignty operates through, not apart from, human agency — the sailors freely threw Jonah overboard, and yet Jonah rightly says God cast him into the deep; both are simultaneously true. The sequence debate in Jonah 2 matters theologically — whether Jonah prayed before or after being swallowed affects how we read the book; reading it as a strict cause-and-effect sequence risks turning the gospel into a quid pro quo transaction with God. Jonah's "yet I will see your holy temple" is a confession of eschatological faith — in the midst of near-certain death, Jonah expresses confidence not merely in earthly rescue, but in his ultimate destiny as one of God's people. The deep is a Genesis image — Jonah's descent into the primordial waters deliberately echoes the formless void of Genesis 1 and the undoing of creation in the flood, placing his experience within the grand arc of biblical cosmology. Jonah is a prophetic type of Christ's death and resurrection — his three days in the belly of the fish, his descent into the pit, and his emergence onto dry land anticipate and foreshadow the resurrection, as Jesus himself confirms in Matthew 12. Sanctification is real but imperfect — drawing from Westminster Confession Chapter 13, Tony argues that the up-and-down nature of Jonah's spiritual life is not an aberration but a description of the normal Christian life, in which the flesh and spirit remain in perpetual war until glory. Key Concepts Eschatological Faith in the Pit One of the most striking moments in Jonah's prayer is his declaration in 2:4 — "Yet I shall again look upon your holy temple." Tony argues that this is not merely a hope of physical rescue and a return to Jerusalem. Jonah believed he was dying. The waters had closed in to take his life; he was being dragged into underwater trenches that the ancient Semitic mind associated with the very gates of Sheol. In this context, Jonah's declaration is better understood as eschatological faith — a confession that even if God takes his life in judgment, he will still see the Lord face to face in the heavenly temple. It mirrors Job's cry, "Yet in my flesh I shall see God," and anticipates the kind of faith that says, with the father in Mark 9, "Lord, I believe; help my unbelief." Sovereignty and Human Agency Working Together Tony uses Jonah's descent as a teaching moment on the Reformed doctrine of concurrence — the truth that God's sovereign decree and human free will are not in competition but operate simultaneously on different levels. The sailors made a free, agonized decision to throw Jonah overboard; and yet Jonah rightly attributes his casting into the sea to God himself. Tony draws the parallel to Joseph's words to his brothers in Genesis 50: "You meant evil against me, but God meant it for good." This is not a philosophical sleight of hand. It is the consistent testimony of Scripture that God governs all things — including the underwater currents that dragged Jonah to the ocean floor — without reducing human beings to puppets or eliminating their moral responsibility. Sanctification Is Real, Imperfect, and Guaranteed Perhaps the most pastorally significant thread of the episode is Tony's application of Westminster Confession Chapter 13 to Jonah's experience. Jonah makes genuine progress in faith — his prayer is theologically rich and demonstrates real trust in God — and yet he almost immediately slips back behind the curve, making vows the sailors had already made before him, and later in chapter 4, sulking over a dead plant. Tony refuses to read this as a failure of the text. Instead, it is the text faithfully portraying the reality of sanctification: real throughout the whole person, yet imperfect in this life, with an irreconcilable war between flesh and spirit. The hope is not that we will finally overcome that war on our own, but that through the continual supply of the sanctifying Spirit of Christ, the regenerate part will overcome. Salvation — including sanctification — belongs entirely to the Lord. Memorable Quotes Jonah is constantly behind the curve, but for this little moment, for this glimpse in the very center of the book, the pinnacle of the book is Jonah finally catching up to the sailors. All outside visible indicators said he was going to die and he was going to hell. Yet he trusted in the Lord that he would see his holy temple again. God redeems our life from the pit. From the very depths of hell itself, he snatched us like brands from the fire. Full Transcript [00:00:08] Tony Arsenal: Now the word of the Lord came to Jonah the son of Amittai, saying, "Arise, go to Nineveh, that great city, and call out against it. For their evil has come up before me." But Jonah rose to flee to Tarshish from the presence of the Lord. He went down to Joppa and found a ship going to Tarshish. So he paid the fare and went down into it, to go with them to Tarshish, away from the presence of the Lord.  [00:01:24] Storm and Sailors [00:01:24] Tony Arsenal: But the Lord hurled a great wind upon the sea, and there was a mighty tempest on the sea, so that the ship threatened to break up. Then the mariners were afraid, and each cried out to his god. And they hurled the cargo that was in the ship into the sea to lighten it for them. But Jonah had gone down into the inner part of the ship and had lain down and was fast asleep. So the captain came to him and said, "What do you mean, you sleeper? Arise, call out to your god. Perhaps the god will give us a thought that we may not perish." And they said to one another, "Come, let us cast lots, that we may know on whose account this evil has come upon us." So they cast lots, and the lot fell on Jonah. Then they said to him, "Tell us on whose account this evil has come upon us. What is your occupation, and where do you come from? What is your country, and of what people are you?" And he said to them, "I am a Hebrew, and I fear the Lord, the God of heaven, who made the sea and the dry land." Then the men were exceedingly afraid and said to him, "What is this that you have done?" For the men knew that he was fleeing from the presence of the Lord, because he had told them. Then they said to him, "What shall we do to you that the sea may quiet down for us?" For the sea grew more and more tempestuous. [00:02:36] Cast Into Sea [00:02:36] Tony Arsenal: He said to them, "Pick me up and hurl me into the sea. Then the sea will quiet down for you. For I know it is because of me that this great tempest has come upon you." Nevertheless, the men rowed hard to get back to the dry land, but they could not, for the sea grew more and more tempestuous against them. Therefore they called out to the Lord, "O Lord, let us not perish for this man's life, and lay not on us innocent blood. For you, O Lord, has done as it pleased you." So they picked up Jonah and hurled him into the sea. And the sea ceased from its raging. Then the men feared the Lord exceedingly, and they offered a sacrifice to the Lord and made vows. [00:03:15] Fish and Prayer [00:03:15] Tony Arsenal: And the Lord appointed a great fish to swallow up Jonah. And Jonah was in the belly of the fish three days and three nights. Then Jonah prayed to the Lord his God from the belly of the fish, saying, "I called out to the Lord out of my distress, and he answered me. Out of the belly of Sheol I cried, and you heard my voice. For you cast me into the dep-- into the deep, into the heart of the seas, and the flood surrounded me. All your waves and billows passed over me." Then he said, "I am driven away from your sight. Yet I shall look again upon your holy temple. The waters closed in over me to take my life. The deep surrounded me. Weeds were wrapped around my head." At the root of the mountain I went to the land, whose bars closed upon me forever. Yet you brought my life up from the pit, O Lord my God. When I-- when my life was fainting away, I remembered the Lord, and my prayer came to you into your holy temple. Those who pay regard to vain idols forsake their hope of steadfast love. But I, with a voice of thanksgiving, will sacrifice to you. What I have vowed I will pay. Salvation belongs to the Lord.  [00:04:23] Jonah Not the Hero [00:04:23] Tony Arsenal: And the Lord spoke to the fish, and it vomited Jonah out upon the dry land Jonah is an interesting book because, as I commented a year ago, Jonah is not necessarily the hero of the story. Uh, if anything, he is kind of the villain in, in some senses. But nevertheless, I think as we'll see today, Jonah still gives us a good example to follow in a sense, and that I think is really the centerpiece of this prayer, is that even as Jonah's going through all of this, his prayer is still remarkably filled with faithful sayings and trust in the Lord. We learned early on in Jonah that Jonah was a prophet during the time of the kings. Uh, he, uh, he seemed to have been a sort of a court temple. He was in the presence of the kings in Jerusalem itself, and he received a calling from the word of the Lord, and this phrase, "the word of the Lord," seems to imply a pre-incarnate, uh, visible manifestation of the second person of the Trinity. So we're not just talking about a, a disembodied voice. We're not just talking about some sort of sense or impression, but the word of the Lord itself, himself, came to give Jonah this mission, to give Jonah this task, to commission him as a prophet to Nineveh. And Jonah gets up and says, "No, thank you," and he goes the opposite direction. We see in that first section there the repeated phrase, "He goes to Tarshish. He boards a ship in Tarshish." The author here, who we, we think is Jonah, is hammering that he did not go where he was supposed to. He went the opposite direction. He went to Tarshish instead of Nineveh, which is 180 degrees the other direction from, uh, from Nineveh on the map. And he boards the, he boards the ship in order to flee the presence of the Lord. He pays, probably buys out the entire ship itself. He pays the fare for the whole ship, and the Lord hurls a great wave, uses the language of weapons. He hurls this storm like a spear. He weaponizes nature itself to correct and chastise and judge Jonah for his disobedience We get to verses seven through 17, and everyone on the boat is crying out to their chosen deity except Jonah. Jonah is asleep in the hold of the ship, oblivious to everything, totally dead to the world and dead to his Lord. The sailors begin to seek divine li- divine wisdom after they wake Jonah. He comes to the deck of the ship, and they cast lots to identify by divine, uh, revelation, sort of a strange practice in the Old Testament or the old, uh, world. Divine revelation that shows them Jonah is the source of this wickedness that is being wrought upon them, at least their impression of it. So they ask Jonah, "Who are you? Tell us who it is that has caused this great calamity." And he says emphatically, "A Hebrew am I." He identifies himself with God's people, and he says, "The Lord is my God, and he made the heaven and the earth and the sea." There's no small amount of irony, and it explains why the sailors are so afraid when he says that God created the heavens where the storm was. He created the sea where they were about to die, and he created the dry land where they were trying to get to. And so this one phrase that Jonah uses almost casually demonstrates that the Lord has total and utter sovereignty over what is going on, which is a theme that we'll see come back again and again through the book The sailors say, "Well, what do we do about this?" And Jonah says, "Throw me into the ocean, because I know that if you do so, then the storm will calm down and you will be saved." Whether he knew this because he's a prophet and it had been revealed to him, or whether he just was surmising that this was the case, we don't know. But the, uh, sailors are hesitant to do so, and we talked about how it was a little bit strange that these, uh, pagan sailors from cultures that d- had no qualms about human sacrifice were suddenly, uh, unwilling to throw Jonah over the sea a- as a, an appeasement offering to this Lord. And we came to the conclusion that they had been regenerated. They had come to faith in this God who created the heavens and the sea and the dry ground. And so they knew intrinsically that this was wrong, that there was a moral imperative not to do this. So they tried to row back to the land. They jettisoned all of their, uh, all of their goods, all of their cargo. They were making for land as best they could, and when it finally became clear that they couldn't do this, they sought the Lord's mercy in saying, essentially, "We don't understand how this is, but please don't put this man's blood on us, because you, Lord, have done as you please," right? The sovereignty of the Lord again comes to the forefront. They finally cast Jonah into the sea, and this is, this is important. They cast Jonah into the sea, and then they worship, they vow vows, and they vow to sacrifice. They offer sacrifices. They seek the Lord, they acknowledge his s- his sovereignty, and they worship him with what they have left. And then rounding out the chapter, the Lord appoints a great fish to come and swallow up Jonah. And we talked about how this, this swallowing of Jonah, although our popular children's books and VeggieTales and other stories we might read to our kids paints the fish often as the vehicle of judgment, it's actually a vehicle of deliverance for Jonah. There's this interesting grammatical feature that happens where in 1:17 the fish is masculine. The, the, the gender of the word is masculine, and then when we get to 2:1 it switches over to the feminine, almost as if to indicate that the whale was pregnant with Jonah, that Jonah was in the whale and was about to be reborn into the world in a new way And that brings us to our passage here today.  [00:10:21] Sequence Debate [00:10:21] Tony Arsenal: I'm gonna read, uh, 1:17 even though that's a little bit outside of our scope. I'm gonna read it along with 2:1 to, to make the point here. It says, "The Lord appointed a great fish to swallow up Jonah. And Jonah was in the belly of the whale, of the fish three days and three nights. Then Jonah prayed to the Lord his God from the belly of the fish." When you look at the Hebrew text, 1:17 is actually verse 2:1 and 2:1 is then 2:2 and so on and so forth. In the original Hebrew mindset of how this book goes together, these two things were linked together, him being swallowed by the whale and being in the belly of the fish and then him praying was linked together in this sequence. There's a feature in the Hebrew that's called a vav consecutive. You don't need to remember that. Nobody is gonna care about that. But it's, it's a little grammatical feature where it adds this little character to the front of the verb and it indicates a sequence. It's the narrative storytelling. When you look at Genesis 1 it's, "And then God said, 'Let there be light,' and then there was light." It tells you the sequence of events. Sometimes it indicates that it is a strict sequence of events. This happened and then that finished and then the next thing happened and then that finished. And many of the commentators use this passage to justify a perspective of Jonah where Jonah is this rebellious, stubborn prophet who holds out his stubbornness until the very last minute. He's swallowed by the whale, he's getting digested by stomach acid and he sort of finally relents to the Lord and cries out for deliverance and the Lord acquiesces in response to his prayer. That's certainly a possible interpretation. There's lots of good reasons in the, the text here to think Jonah was kind of a chucklehead and was not paying too much attention to what the Lord had for him The other option is to see this as a way for the author of the text to situate this prayer in contrast to other prayers that are not necessarily talked about directly in this text. And I'm gonna take that later view here, and I think it's important. This makes good sense of the text, and we'll explain exactly why that is when we get to the next little section here. But it also protects us theologically if we understand it this way. Jonah is already a book, uh, as I've alluded to, that tends towards a sort of crass moralism or fabulism. We tend to read it as sort of an allegory of if you do the wrong thing, God punishes you, and when you finally do the right thing, He blesses you. And there's a certain level of common grace wisdom to that approach, right? The whole book of Proverbs is-- are these proverbial sayings that if you do this, then the God-- then God will do this. If you raise up your children in the way they will go, they will not depart when they are older. But we also learn in the Book of Job and the Book of Ecclesiastes that those proverbial sayings, although generally true, it's not a magic formula. And so we have this tendency to read Old Testament literature as though it was this sort of like equation, that God punishes us when we're bad. He, uh, He relents from His punishment when we say we're sorry, and we have to be careful about that. If we understand what I'm about to teach from the next section here, that this is not a strict sequence of events, that Jonah began praying before he was swallowed by the whale, and this is simply recording the prayer that was actually within the whale. It helps protect us from seeing Jonah in this sort of quid pro quo, this for that kind of thing. I think we should simply understand this as saying Jonah was in the water, he got swallowed by the whale, and then when he was in the whale, he prayed. It doesn't say anything about whether he was overly stubborn or whether his stubbornness held out. It simply tells us that he was in the pray-- in the whale when this prayer occurred [00:14:23] Sheol and Descent [00:14:23] Tony Arsenal: He says in verse two, he calls out to the Lord out of his distress. He, and God answers him. Out of the belly of Sheol, Jonah cries, and God hears his voice This here tells us that he began praying, right? He was in the water, he was in the deep. All of this descriptive language we're gonna see later on about how deep he was, how quickly the current took him. He was wrapped up in seaweed, his life was fading from him. It was in the midst of all of that that he cries out in his distress. It's a pretty distressing situation. And Jonah, like all of us would, like even most atheists would, cries out to the Lord, even just out of instinct. I think it's kind of crazy for us to think that this man who's now been cast overboard and is being swept to the bottom of the ocean is sure he's gonna die. Somehow, he overrides all of his instinct and his entire life teaching and refuses to pray to the Lord. It just doesn't make sense, and it doesn't make sense of what the text presents here Jonah was in the belly of Sheol. He was in the very, the very womb of Sheol. And there is this interesting contrast that he goes from the belly of Sheol into the belly of the whale. This phrase, the belly of Sheol, is probably roughly equivalent to our phrase about being at death's door, right? It, it may or may not come from some sort of Mesopotamian, um, mythology. It may be a phrase of sort of co-opted into Hebrew, kinda like our phrase at death's door is actually co-opted in from Greek mythology, where there were actually literal doors to the underworld, and people would go there and when they were about to die. Jonah's point is that this was not a small thing. When we watch VeggieTales, he gets thrown in the water, and, like, 13 seconds later, the, the whale comes up and takes him. Jonah was swept down into the water almost supernaturally quick. He was drawn down to the very bottom of the ocean. We talk about the miracle of him surviving in the whale, and it was miraculous for sure, but the miracle of him being swept to the bottom of the ocean and not being crushed by the weight of the water, by the pressure, is equally miraculous. It's no more difficult for God to do that than it is for Him to preserve him in the whale or to raise Jesus from the dead or to create everything from nothing He finally starts to catch up with the pagan sailors. A theme in Jonah is that everyone around Jonah who shouldn't know any better somehow gets to the right conclusion before he does, right? The sailors begin to worship the Lord. They recognize this is divine wrath while Jonah is still asleep in the hold. Later, we'll see that, uh, the, the Ninevites recognize God's mercy and grace and thank Him for it, and Jonah is still mad because the plant he was sitting on d- uh, dies, right? Jonah is constantly behind the curve, but for this little moment, for this glimpse in the very center of the book, the pinnacle of the book is Jonah finally catching up to the sailors. [00:17:34] Sovereignty Explained [00:17:34] Tony Arsenal: He recognizes that it was God who cast him into the depths. This teaches us something about the doctrine of sovereignty and how it relates to human freedom, right? We, we often ask the question, what, what causes rain? Well, you can answer that by saying tiny particles of dust collect water in the air, and once they have enough weight, they fall out of the sky 'cause the air can't hold them up anymore. That's true, and it's good, and that's what nature teaches us. It's also equally true that God causes the rain to fall on the just and the unjust alike, and those two things are not contradictory. So when Jonah says, "You cast me into the sea," he's recognizing, like Joseph does in the Book of Genesis, that what the sailors in this case meant for good but what the brothers meant for evil, God purposed and caused for good. What the sailors did by their own volition, their own free will, they exercised their own, uh, autonomy in the, the horizontal sense to cast Jonah into the sea, God also cast him into the sea As I said, the text here uses language that we may not catch in our English translations to indicate that it's not just the sea here that's the problem. God's sovereignty continues to affect and act on Jonah. The word that we read here as the, the water or the flood, other places refers to the current of a river. The, um, the Euphrates itself is sometimes referred to this, the large- sort of the largest river apart from the Nile that the Egyptian or the, um, Israelite mind would have is the Euphrates, right? This underwater river, this underwater current, the undertow sucks him to the bottom of the ocean. It's like if you're swimming at the beach at the ocean and you get caught in the undercurrent. There's not a lot you can do about it. Y- sometimes even the strongest swimmers can't overcome this, and Jonah in all of his Middle Eastern robes, all of this stuff, probably with all of his baggage, his, his own equipment, things he had on him, is caught in this undercurrent that sucks him to the bottom of the ocean. And it's not just below the surface of the water. He's dropped down into the heart of the sea, the very core. We're seeing this language of him being pulled to the depths. In, in chapter one he goes down, down, down, and now he's being drawn into the belly of the ocean, into the pit of Sheol, into the heart of the waters The picture here is that Jonah doesn't just get thrown in the water and sink. He is actively pulled down to the bottom. This is not just a judgment where perhaps he can swim to the top. Just as the mariners hopelessly tried to reach land, Jonah would've been hopelessly trying to swim against this. We don't actually have any indication he tried, but had he tried, there would've been no chance He goes on to say that the God's breakers and his waves roll him. This is the picture we see if you ever watch surfing competitions on the ocean, where a surfer will get hit by the wave and he just gets rolled over and rolled over and rolled over, and it can be incredibly dangerous. That's why they have like the little lifeguards on the jet skis that zip out there to get them. Because when you get caught in that breaker, you just get rolled over and rolled over and rolled over, and soon you lose track of which direction is up, and even if you did, you couldn't get out This process is not just the forces of nature doing what they do. This is, again, the Lord weaponizing the forces of nature to execute judgment on Jonah This tumultuous and supernatural rapid descent showed Jonah that this is not only the moment in which God wanted to take his life, but was actively casting him away from the g- from the presence of the Lord [00:21:47] Yet I Will See [00:21:47] Tony Arsenal: It says here, um, in verse four, Jonah says, "I am driven away from your sight If you do a word study on this, you start to see that Jonah is pulling language from the creation account. He's pulling language from the fall. He's pulling a lot of language from Genesis itself. He's also pulling from the Psalms, which are pulling from the Genesis account. This word driven away could also be tran- translated as banished. He's cast out of the presence of the Lord. Just as in Genesis 3, we read, "God drove the man out at the east of the Garden of Eden. He placed cherubim and flaming swords." He drove the man out. Genesis 4:14, Cain says, "You have driven me away from the ground." And in Jonah 1:3, we see that Jonah was trying to get away from the presence of the Lord. And I wonder if there was this moment where he goes, "Ooh, I guess I got what I was looking for." Now, the second half of Jonah f- 2:4 here does something a little bit weird, and it's hard to translate. I think we should be honest at times. Hebrew is a language that in some senses is mysterious to us at times. There are still parts of the Hebrew Bible that we're not always 100% sure of. This verse here could be translated... In, in Hebrew it's just a statement. It's, "I, um, I shall again see the holy temple, or your holy temple." How that fits into the text itself is tricky. Some read it as, uh, as a question. "How shall I see your holy temple?" It's actually a statement kind of reaffirming the doubt and the fear and the idea that God was banishing him Most translations translate it as sort of a contrast. He says, "I was driven away from your sight, yet I shall again look on your holy temple." The force of this is even though you're driving me away, even though you're casting me out of your presence, I have faith, I have confidence that I will again see your holy temple The question here, and this is where I think Jonah becomes our example It's certainly possible that Jonah was asserting his belief that he would be rescued from this calamity and he would make his way back to Jerusalem and he would return to the holy temple. I think that what he says in the rest of this, he's recounting what he was praying. What he was praying in this context is not that he would return to the temple. He was confident God was taking his life. He says in verse five, "The waters closed in over me to take my life. The deep surrounded me. Weeds were wrapped around my head." The other way that the phrase holy temple is used in the Old Testament is to refer to the place that God lives in heaven. Jonah was asserting faith that even though he was being cast out of the presence of the Lord in this life, even though he was being justly punished for his sin, even though he was about to enter the belly of Sheol and to enter the pit, the very abyss, that he would see God again in His holy temple. This is a statement of Jonah's belief in his own destiny as one of God's people, destined to be saved by faith in God. In this moment, Jonah trusts the Lord despite all of the appearances that God was out to get him It's not all that different than when we read in Mark chapter 9, where this father brings his, uh, demon-possessed child to Jesus, and Jesus says, "I can heal him." And he says, "If you can do anything, Lord," I'm paraphrasing here. He says, "If you can do it, please, Lord." And he says, "If? All things are possible for me." And the father desperately cries out, "Lord, I believe. Help my unbelief." It's this raw, unfiltered statement of just the human condition on this side of glory, right? I believe in the Lord, but there's always that little part in the back of my head that isn't sure, because we're never going to be perfect. Now, I've said before, and, and this is becoming my new catchphrase, I think, I'm not here to rob you of your assurance of faith. Our, our confession, the Bible, this church, our Reform, broader Reform tradition, the assurance of faith of the Christian is the rightful possession inheritance of every person in this room who trusts the Lord. But it is a reality that at times that assurance is shaken. And if there's ever a time for your assurance to be shaken, it's when you're being dragged to the bottom of the ocean, right? One of the words in here, I don't have it-- I don't actually have it in my notes for some reason, but one of the note, words here, uh, s- about the roots of the mountain, I believe, in the next verse. It's not just that he was dragged to the bottom of the ocean. This word root of the mountain is like the word that's used to cut. He's not just being dragged to the bottom of the sea, he's being dragged to the bottom of a deep sea crevasse. He's literally being pulled into the pit, right? Many, uh, in the ancient Semitic world would have seen these underwater pits. They would have theorized or thought about these underwater crevasses as the actual entry into Sheol. And Jonah sees himself being drawn down into these things. Yet, he believes he will see the good presence of the Lord We read a similar statement, I won't, uh, I won't make us go there for time. We read a similar statement in Job. Job goes through this long speech about all the things that God has done to him, and at the very end of it, he says, "Yet I will see the Lord with my eyes, and he will stand up next to me on, on the earth." Right? Even though Job was going through this unimaginable grief, and we know that Job didn't deserve it in the strict sense, he still was saying, "I'm gonna be destroyed. God is shooting arrows at me," right? "His sword is in my side. He's targeting me. He's sending hornets after me." All of these terrible, vibrant images that he's using to show what God is doing to him, and yet he still trusts. I would say that he trusts that he would see the Lord in the flesh. This is not only Jonah's faith, it's a-- or Job's faith, it's a prophecy of Christ This is alien to our modern mindset. We've been talking about this in the Psalms. Weston's been leading us through the, the lament Psalms We often think that suffering and trials and difficulties are the opposite of blessing and favor. And we might recognize that in some sort of way that in God's economy, one thing leads to another. And again, there's an element of truth to that. James says, "Count it all joy when you face trials of every kind." He's not saying that the trials you're facing are in themselves joyful. You don't have to love when you get sick. You don't have to, you don't have to man up and put a smile on or s- pull yourself up by your bootstraps or whatever analogy you wanna use. It's okay to be sad when bad things happen. It's actually good, right? If we're to weep with those who weep, there's an element of sadness that must come with that, not to mention the one who's weeping is not chastised. But the idea that that only leads to this, that that's just one step in the chain, that's not really the mindset the Bible has. All across the Psalms, in the lament Psalms, all across the prophetic literature, the Book of Lamentations, Habakkuk has this long prayer at the end that's very similar, the entire Book of Job, suffering and sanctification, trials and joy and restoration, they're all sandwiched right there, and there is usually this statement in the middle of it that God will do what is right This is Jonah's example for us, and what an example it is. We'll talk in a little bit about all the ways that this whole scenario is typological of Christ. We'll, we'll get to that. But just for a minute in the middle of this book, Jonah is not such a bad guy. And it's because he still has all his faults that he can be this example for us [00:30:26] Genesis Deep Imagery [00:30:26] Tony Arsenal: As though it wasn't clear enough, Jonah in verse five says that the purpose of the waters closing over him was explicitly to take his life. He's now in the belly of the sea. He's being dragged down to the very roots of the mountain, to the very core of the earth in his mind. He, he thinks he's going to hell in the, the Hebrew mind. There's both this idea that God is dragging him to hell in a very real sense. The Hebrew mind, Sheol was a physical place that people went to, and we learn more about it and that becomes clarified as revelation is progressive, not contradictory, but as, as it's clarified But he uses this word deep, and this is where he's drawing again from Genesis. Genesis 1:2, he says, "The earth was without form and void. The darkness was over the face of the deep." The deep is this sort of like unformed chaotic water. It's what exists before God makes everything orderly and good. And in the fall, and especially in the flood in chapter seven, uh, chapter seven verse 11, the f- the flood itself is a sort of undoing of the order. God opens the floods from beneath, from the bottom of the earth, from the wellspring of the deep, as well as the chaotic waters from outside the firmament, and it all pours back in together and the entire world becomes again this deep, primordial, chaotic water And just as in Genesis God separates the land, in, in Genesis 7 or in Genesis 8, he separates out the land by drying it up, drying up the water. We also see that Jonah has this trust that he will return to the dry land. Again, he's the God of heaven and sea and dry earth. We could even read this phrase, depending on the context, as the abyss, which is this, a- again, is some borrowed language from Greek here that the Hebrews use. But it's this deep, watery, murky place th- full of shadows and darkness. Sounds familiar, I think, right? Christ says that those who are apart from him who refuse to obey will be cast into the outer darkness. This is the imagery that Jonah is seeing. All outside visible indicators was that he was gonna die and he was going to hell. Yet he trusted in the Lord that he would see his holy temple again Apart from God's gracious intervention, Jonah was right. So although God is the one that's bringing him to the depth, bringing him to the pit, dragging him down, using the very currents of the sea, weaponizing these underwater currents that only thousands of years later do we understand, and even then only this much, he also graciously rescues him from this by miraculously appointing a whale or a great fish who comes and swallows Jonah, takes him whole, and keeps him there in his own belly, keeps him there in her own womb when we get to chapter 2. In chapter six, or in verse six, Jonah makes this pivot. Again, he says he's brought to the very bottom of the sea, to the roots of the mountain, which is these deep underwater trenches. He conceptualizes himself now in this locked city behind bars. Again, this jail imagery, this pit imagery, it's all meant to evoke this idea of the final punishment of the wicked. This place of murky, gross water, this place of darkness and, uh, limitations of freedom, he's being taken there. This is the section here where people would actually argue that Jonah dies. He actually dies and is resurrected when he's swallowed by the whale. This comes from language where it says God does not prevent him from going to the pit. God actually draws him to the pit and then raises his life up from the pit. Now, I'm not convinced, um, that we should think that Jonah actually died. I don't, I don't think that the text fully supports that. But it certainly is using this imagery [00:34:45] Christ Typology [00:34:45] Tony Arsenal: This is where we get to some typology about Christ. This is where Jonah really shines as a prophet. Sometimes people wonder why the Book of Jonah is considered a prophetic book, and this along with it is part of that. Jonah, although the sign of Jonah in Matthew and in the other Gospels refers to the belly of the whale, that just as Jonah was in the belly of the whale for three days and three nights, so also Christ will be in the heart of the earth, the pit, for three days and three nights. When we're talking about typology, we can't get too tripped up on the details. We're not talking about strict allegory where this figure is that person and this signpost represents that thing. This isn't Pilgrim's Progress or Chronicles of Narnia, which is not allegory, but it's similar. Topology functions often on sort of these big picture concepts, right? Although there are some typological references that are super detailed, there are also some that are just sort of evocative The idea that Jonah died and was raised to life and sort of incubated in the earth, in- incubated in the whale and sort of reborn into the world, that certainly sounds a lot like a picture of the resurrection And I think we should see it that way. When Christ says that the sign of Jonah is roughly His resurrection, He is tying it to the three days and three nights, but He's not limiting to that Jonah comes to this pivot, and now he starts to reflect on the context of his deliverance. This whole s- this whole prayer should be seen sort of in the light of the thanksgiving psalms. There's a situation in which Jonah is in, and then God rescues him, and he begins to praise him for it. There's elements of lament, but it's really a thanksgiving psalm that he's drawing on here or that he's, he's writing In 2:7, Jonah is either dead or he's actively dying. I don't know about you, but if you've ever, uh, dove into a pool and got a little deeper than you thought you were, and you-- there's that, like, two seconds before you get to the top where you're sure the lights are going out and you've really only been underwater for, like, 45 seconds, but everything in you tells you if you don't get there, you're gonna die. Every instinct you have is to scramble for the surface. Think about how long it took Jonah to be dragged to the bottom of the ocean. Even at this accelerated pace, we're talking about a long time. And we have no reason to believe, and lots of reasons to think otherwise, Jonah was not preserved from the pain and the terror and the difficulty of feeling like you're drowning because he was drowning. He was without oxygen. His life was fading away. And it is in this context of him being on the brink of death, at death's door, in the belly of Sheol, being drawn into the very pit itself, that his prayer reaches the Lord in His holy temple. Right? This gives further evidence to the thought that Jonah is not talking about the temple in Jerusalem. There was, there was theology, and I, I think it's fine theology, that God lived in the temple in a special way. This is the reason that Daniel faces Jerusalem when he prays. There is a sense in the Old Testament that God's special place of presence is the temple in Jerusalem, and that the prayers of the people physically go to that place to be received by God. But Jonah doesn't know which direction the temple is. He's underwater. He's been tossed around by breakers. He has no sense of geography at this point He knows that his prayers are reaching the Lord in his heavenly temple. And they reach him in his heavenly temple just as his life is being lost in the pit. And it is from this moment that God raises him to life, or preserves his life, depending how you read it, and appoints the well to come reach him And some read this next verse as a little bit of a step back for Jonah, and it may be.  [00:39:02] Vows and Idols [00:39:02] Tony Arsenal: He reads, "Those who pay vain regard to i- regard to vain idols forsake their hope of steadfast love. But I, with the voice of thanksgiving, will sacrifice to you. And what I have vowed I will pay. Salvation belongs to the Lord." Jonah didn't see the sailors on the ship vow their vows and offer their sacrifices. That happened after they threw him into the pit and the current sucked him under So we may read this with a little bit of a, "Thank God I'm not like that tax collector," kind of a lens. And there's probably some wisdom for us in that, to recognize that Jonah still hasn't quite gotten there. But it's also very common in the Old Testament to recognize that God treats His people differently because they are different. God brings people to a place of sanctification, and through that process of sanctification, they cease to worship vain idols. And it is absolutely true that those who worship vain idols forfeit their hope of steadfast love from the Lord. That's straight out of the Ten Commandments, right? He visits the iniquity of, specifically of idolatry. He visits the iniquity unto the children to the third and fourth generation. But for those who love the Lord, He loves them with a steadfast love unto thousands We can recognize in Jonah that although he had made great progress in faith, that he still wasn't there yet. And we can recognize that in him because we can recognize that in ourselves. Jonah is the example in this because he is not perfect, because he has not arrived, 'cause he doesn't do a 180 about-face and get everything right going forward We can read this in light of Jonah in chapter four, where he takes big steps back Or we can read this as the regular up and down progress of sanctification in the life of all believers everywhere It is also ironic again, we're back now to Jonah being a little bit behind the curve. He was sent to Nineveh to evangelize the heathens, some of the worst enemies that Israel was going to face, and he ignores that call. And he, instead of going to Nineveh, he goes to Tarshish. He goes the opposite direction, and he does something that would be unthinkable to most Israelites. He goes out on the open ocean. That's just insanity to someone living in the ancient world He should have recognized that the sailors were fearing the Lord when they refused to throw him overboard. I think we all have a sort of innate sense when someone's behavior suddenly changes, and I think most of us, and not in some sort of strange, kooky, charismatic sense, but I think most of us can sort of go, "I think I know why that is." Right, when you, when you see someone at work that suddenly stops lying about everything and stops backbiting and stops taking credit for other people's work, and then you find out a little while linger- longer that they've come to faith in Christ, if we're being honest, we're not all that surprised. But Jonah doesn't get it. Jonah here promises the same things that the sailors already did, so now we're again back behind the curve [00:42:37] Sanctification Confession [00:42:37] Tony Arsenal: To wrap this out, I, I wanna, um, I wanna ground this in something that I think is really vital for us to understand. As I said, Jonah is an example to us because he demonstrates the limited nature of sanctification, but he also demonstrates in a certain sense the fact that sanctification is real and has real effects. So this is a little out of the ordinary, but grab your Trinity Hymnal from the pew in front of you. If you happen to have a copy of the Confession, you could use that if you'd prefer. But open with me to page 927 I have, um, I've been, uh, broadly Reformed most of my Christian life and didn't realize it until I got to seminary. And since I discovered the Westminster Confession of Faith a decade ago, it's not new, uh, not new to me, um, I realized how valuable this resource was. This is essentially a search engine without the internet. And so I wanna just read a little bit out of chapter 13 here, which is our Confessions chapter on sanctification. I'm not gonna read the whole thing, but the, the first, uh, the first section here essentially says that sanctification is real, and it happens throughout the whole person. We talk about total depravity, and there is a sense in which the Christian remains totally depraved after regeneration, in that there still is, there still is corruption within our entire being, uh, that is depraved. There's also an equal sense in which we can say we are totally sanctified in Christ because sanctification is throughout the whole man in which we are renewed after the image of God. So that's section one. And then section two says, "This sanctification is throughout," again, throughout the whole man, "in the whole man, yet imperfect in this life. There abiding still some remnant of corruption in every part, whence ariseth a continual and irre- irreconcilable war, the flesh left lusting after the spirit, and the spirit lusting after the flesh." Now, that may feel like just a crushing burden if you stop reading there, but it lines up with our experience, right? This is Paul in Romans 7, "The good things I wanna do, I do not, and the bad things that I, I kn- I do not want to do, I somehow do. The spirit is willing, but the flesh is weak." We shouldn't read that as though somehow our spirits are purified entirely and our bodies are what's really causing us to sin. This is a picture of the spirit being, uh, our, our spiritual part of us. The part of us that's regenerated is willing, but the part of us that remains corrupt is our flesh And our confession goes on to say, "In which war, although the remaining corruption for a time may much prevail, yet through the continual supply of strength from the sanctification- sanctifying spirit of Christ, the regenerate part doth overcome." And so the saints grow in grace, perfecting holiness in the fear of God. This is revolutionary in our broader evangelical world. The storybook Bible, Jonah did a bad thing and he gets punished, and he did a good thing and so he gets better, cannot understand this concept. This is why I think we have to be so careful when we choose what books to give to our little ones, right? I, I make jokes about VeggieTales. I loved VeggieTales when I was in VeggieTales age range. I probably would sit down and watch VeggieTales with Augie when he gets old enough. But we have to be so careful not to let those messages come to our children, or to ourselves for that matter, uninterpreted by the scriptures first and foremost, and our Reformed tradition that we all believe. Amen.  [00:46:49] Assurance in the Pit [00:46:49] Tony Arsenal: This is vital for us When all is said and done, salvation, whether we're talking about justification, sanctification, glorification, resurrection, all of the different stages and phases of our salvation, it is entirely of the Lord. And it's for this reason that Jonah says, "I, with a voice of thanksgiving, will sacrifice to you. What I have vowed I will pay." Salvation belongs to the Lord So this is the application of the sermon, loved ones. No matter how close to or actually into the pit itself we have fallen The, the chapter on assurance of faith, I won't go there, but the chapter in our confession on assurance of faith is very honest with us that our assurance will be shaken, and at times we may not feel as though we have any assurance at all But even when we have fallen that deep into the pit of despair, even when we feel as though we are in the very depths of hell No matter how much our spiritual or physical life is fainting away as we starve for spiritual breath, as we feel that impulse in us that recognizes we're moments away from losing the faith entirely. No matter how much the remnants of corruption in every part swirl around our heads like seaweed, how often do we feel wrapped up in sin? Whatever it is, I don't need to get specific 'cause I'm sure all of you are thinking of something in your head right now that has been swirling around you for years. Maybe it's months, maybe it's years. Maybe you've never felt, since coming to Christ, you've never felt like it wasn't wrapped up around you like seaweed. Besetting sin is something that we need to be serious about, and it's a good cause for us to think hard and deep about our status as Christians, and to go to our pastor and seek the elders' assistance in this. But besetting sin is not, is not a mark that excludes you from, from Christianity. Right? We're justified by faith alone, in Christ alone, by His grace alone. Not because we've overcome our besetting sin alone, right? That's not one of the five solas God redeems our life from the pit. From the very depths of hell itself, he snatched us like brands from the fire And though it is the case that we often are shaken, and at times God, just as he let Jonah, he let Jonah go to Tarshish. God had every ability to stop him from doing a stupid thing, and sometimes he does that, right? I'm sure there's plenty of times we can think about in our lives where we were heading towards sin and God just pulled a U-turn on us, and we are thankful for that. But there are times that he does not, and he lets us, he lets us do that. He lets us suffer the consequences, and he does that to chastise us and bring us back to him And even in the context of that, it is through this continual supply of the sanctifying Spirit of Christ, right?  [00:50:19] God Beautifies His Bride [00:50:19] Tony Arsenal: Christ was anointed by the Holy Spirit from the womb beyond measure. That's in the Book of John. There was never a time where Christ did not have the totality of the infinite sanctifying Spirit of the God, of God. We do not have the totality of the sanctifying Spirit of God. Now, we can get into a discussion after the service about divine simplicity and all the complexity of that, but the reality is that God sanctifies us more and more and more, and He does it by giving us the Spirit more and more. Might be more accurate to say He gives more of us to the Spirit. He gives us to the Spirit more and more. He gives us to Jesus more and more. We are Christ's inheritance. We are His bride. And just as the bride, as they're approaching the wedding, is made more and more beautiful, they start their, their beauty treatments weeks and months ahead of time, right? They're already making their hair appointments. They're already doing what they need to do to feel as beautiful as they can and to be as beautiful as they can on their wedding day. If that's the way we treat human weddings; guys do it too, just not as much. If that's the way we treat human weddings, how much more does God treat the heavenly wedding of His Son to His beloved bride? He's beautifying us, Church. Doesn't always feel like it. Doesn't always look like it, but He is. 

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBibliographyAguilar, L. A., et al. “Total Solar Eclipse Triggers Dawn Behavior in Birds.” Science, 2025. 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Imroni, Ali Imron, and Mahsun. “Cultural Myth of Eclipse in a Central Javanese Village: Between Islamic Identity and Local Tradition.” HTS Teologiese Studies/Theological Studies, 2022. Used for Batara Kala, eclipse devouring myths in Java, pregnancy/livestock concerns, and living village practice.NASA. “Why Do Eclipses Happen?” NASA Science. Used for solar and lunar eclipse geometry, alignment, lunar nodes, and the reason eclipses do not occur every month.NASA Space Place. “Lunar Eclipses and Solar Eclipses.” Used for simple public-facing explanations of solar and lunar eclipse mechanics.National Folk Museum of Korea. “Solar and Lunar Eclipse / Ilsik, Wolsik.” Used for Bulgae, the Korean fire dogs from the Dark World who cause eclipses by biting the Sun and Moon.NOAA NESDIS. “NOAA Satellites View Total Solar Eclipse.” Used for environmental effects during totality, including temperature drops, changes in local air circulation, cloud behavior, and animal confusion.Rochester, University of. “Surprising Facts and Beliefs About Eclipses During Medieval and Renaissance Times.” Used for the point that medieval astronomers understood eclipse prediction while still interpreting eclipses as morally or religiously serious.Sefaria. Sukkah 29a. Used for rabbinic material treating eclipses as ominous signs.Sunnah.com. Sahih al-Bukhari, Book 16, “Eclipses.” Used for the hadith that the Sun and Moon do not eclipse because of the life or death of any person and that the correct response is prayer and invocation.The Metropolitan Museum of Art. “The Solar Eclipse and the Substitute King.” Used for Mesopotamian eclipse omens, danger to the king, priestly divination, substitute kingship, and the šar pūḫi ritual.U.S. Fish & Wildlife Service. “Wildlife Behavior and a Solar Eclipse.” Used for darkening skies, cooling temperatures, and wildlife shifting toward nighttime routines.University of Pittsburgh World History Center. Lilly Taylor, “Solar Eclipses and World History.” Used for the Batammaliba tradition of making peace and ending disputes during eclipse.van Soldt, Wilfred H. Solar Omens of Enūma Anu Enlil: Tablets 23 (24)–29 (30). Leiden: Nederlands Historisch-Archaeologisch Instituut te Istanbul, 1995. Used for Mesopotamian solar omen literature and the textual archive of unusual solar phenomena.This keeps Part 1 sourced without dragging Part 2's Mesoamerica, Andes, North American Indigenous, Australian, Arctic, Pacific, colonial, and modern eclipse-pilgrimage sources into the wrong half.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Welcome to Day 2891 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – Theology Thursday – When Myth Remembers: The Case for the Supernatural in History. Wisdom-Trek Podcast Script - Day 2891 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2891 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled:  When Myth Remembers: The Case for the Supernatural in History. Modern thinking often treats myths as primitive fiction, old stories made up to explain what ancient people didn't understand. This is a shallow and deeply flawed view. A myth, in its original form, was never just a tale. It was a framework for understanding reality. Myths carried the collective memory, theology, morality, and worldview of a people group. They encoded truth, not always literal in every detail, but meaningful, historical, and often rooted in real events, places, and supernatural encounters. To dismiss myths because they involve divine beings or miracles is to miss their purpose. Ancient people did not separate the sacred from the secular. Their myths reflected how they understood the world and how they encountered powers beyond it. The first segment is: Historical Memory Preserved in Myth Some myths are poetic versions of real events. The story of the Trojan War, once thought to be legend, gained new weight when archaeological discoveries confirmed the existence of a city that fits Homer's description of Troy. Likewise, while the legends of King Arthur are wrapped in fantasy, they are likely based on a real post-Roman warlord who resisted Saxon invaders. Even in Scripture, the events that modern critics label “mythic” often show clear signs of historical anchoring. The global flood, the destruction of Sodom, the Tower of Babel, and the conquest of Canaan are presented not as metaphors but as real acts of God in human history. These accounts, though cosmic in scope, are rooted in geography, time, and national memory. The second segment is: Myth as Cultural Lens Myths also reveal what mattered most to a people. Norse mythology, shaped by harsh winters and unrelenting violence, emphasizes cold, fate, and struggle. Mesopotamian myths center on divine kingship and cycles of fertility, reflecting the importance of rivers, temples, and crops. These stories do not just preserve events; they preserve the lens through which cultures viewed divine activity. In the Bible, this same pattern holds. Its creation narrative, flood story, and judgments are not recycled myths but deliberate responses to the surrounding pagan world. Scripture confronts and corrects the worldview embedded in other myths. It does not borrow their gods. It defeats them. The third segment is: The Modern Turn Against the Supernatural The rejection of mythic material as a source of truth is not ancient. It is modern. It was not the biblical writers or the early Church who dismissed the supernatural. That rejection began in earnest during the eighteenth and nineteenth centuries, when Western intellectual culture began shifting under the influence of the Enlightenment. The Enlightenment exalted reason, skepticism, and empirical science. Thinkers like David Hume and Immanuel Kant argued that miracles violated the laws of nature and were therefore unreliable as historical events. Supernatural claims were relegated to the realm of fiction or psychological projection. This created a new definition of truth, one that excluded divine intervention, spiritual beings, and cosmic conflict. In the nineteenth century, these assumptions were applied to the Bible through the historical-critical method. Scholars such as Julius Wellhausen dissected Scripture not as divine revelation but as a collection of evolving mythologies shaped by human communities. The creation narrative, the flood, the Tower of Babel, and the miracles of Jesus were no longer treated as actual events but as religious poetry or borrowed legends. In this model, myth was not something to be trusted. It was something to be deconstructed. Even movements that sought to preserve the value of myth, such as Romanticism, did so by redefining it. Myths were not allowed to speak about divine realities. Instead, they were reduced to metaphors for the human condition. Their theological and historical weight was stripped away in favor of psychological interpretation. The fourth segment is: Augustine's Overcorrection: From Mysticism to Minimalism But the groundwork for this modern rejection of mythic material was laid even earlier. Augustine of Hippo, one of the most influential theologians in Christian history, had once been deeply involved in Manichaeism, a mystical cult that emphasized a cosmic struggle between light and darkness. After leaving the cult and converting to Christianity, Augustine understandably sought to distance himself from the elaborate supernatural systems he had once embraced. However, in doing so, he overcorrected. He rejected many established supernatural interpretations of Scripture, favoring more allegorical and philosophical approaches. Influenced by Neoplatonism, Augustine prioritized abstract spiritual realities over tangible supernatural beings. He reinterpreted Genesis 6, for example, not as a rebellion of divine beings, but as a moral tale about the intermarriage of the godly and ungodly. Though Augustine never denied God's power or the reality of miracles, his discomfort with mythic material and his desire for theological respectability led him to downplay or spiritualize the cosmic conflict found in much of the Bible. His influence steered much of Western theology away from the ancient worldview that accepted divine councils, rebellious spirits, and supernatural intervention as real components of history. This theological shift made it easier for Enlightenment thinkers to later dismiss myth outright. The supernatural had already been contained and abstracted. In many ways, the modern rejection of myth did not begin with science. It began with Augustine's reaction against his own past. The fifth segment is: The Myth That Was True and the Myths That Remembered Not all myths are lies. Many are distorted memories of real events, echoes of a spiritual history that the nations once knew but later twisted. The flood, the divine rebellion, the rise of giants, the war among the gods, these appear in cultures across the globe not because they were invented out of thin air, but because they preserve fragments of true events. The nations remembered the rebellion of the sons of God, but they passed it down in corrupted form. They remembered divine judgments, but attached them to false deities. Their stories are not false because they are myth. They are flawed because they lost the context of Yahweh's supremacy. In the twentieth century, this idea was captured powerfully in a conversation between J.R.R. Tolkien and C.S. Lewis. At the time, Lewis still considered myths to be beautiful lies, moving, meaningful, but ultimately untrue. Tolkien challenged that view. He explained that myths resonate because they point to something real. Humanity tells stories of gods and sacrifice and resurrection because it dimly remembers. Made in the image of a Creator who speaks through story, we carry within us a longing for the true version of the story all nations once knew. Tolkien told Lewis, “The story of Christ is a myth working on us in the same way as the others, but with this tremendous difference: it really happened.” The point was not that the other myths were worthless, but that they were shadows. The gospel is the fulfillment of what all the others pointed toward. It is not myth in the modern sense of fiction, but myth in the ancient sense of divine reality revealed in story. Where the nations preserved pieces of divine truth wrapped in confusion, Scripture restores the original pattern. Where paganism elevates rebel gods and obscures justice, the Bible reorients the mythic structure around Yahweh, the Most High. It does not erase the mythic imagination. It redeems it. The sixth segment  is: Yahweh Is Not Bound by the System He Created A major reason people reject mythic material is the presence of supernatural events. Miracles, divine appearances, and acts of judgment are written off as fabrications because they do not conform to natural law. But that objection is built on a misunderstanding of who Yahweh is. If we believe that Yahweh is...

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsCore historical / comparative sourcesEncyclopaedia Britannica. “moon worship.” Good for the broad comparative frame: lunar symbolism, death-rebirth, hunting vs. agrarian patterns, and why the moon is sometimes male and sometimes female.Encyclopaedia Britannica. “The moon,” in Nature Worship: Celestial Phenomena as Objects of Worship or Veneration. Good for lunar phases, magical timing, menstruation/tides, dangerous dark days, eclipse anxiety, and symbolic variation.Encyclopaedia Britannica. “Celestial phenomena as objects of worship or veneration,” in Nature Worship. Useful for the broader claim that many hunting and gathering societies, and some pastoral and royal cultures, conceived the moon as male.MesopotamiaOracc / Ancient Mesopotamian Gods and Goddesses. “Nanna-Suen.” Best core reference for the identity, names, and cultic status of the Mesopotamian moon god.Encyclopaedia Britannica. “Sin.” Best quick reference for Nanna/Sin as moon god, his bull symbolism, Ur, fertility functions, and Nabonidus.Encyclopaedia Britannica. “Enheduanna.” Useful if you want to reference the priestly/literary world attached to the cult of Nanna at Ur.EgyptEncyclopaedia Britannica. “Khonsu.” Strong for Khonsu as youth, moon god, Pyramid Text background, and Karnak.Encyclopaedia Britannica. “Thoth.” Strong for Thoth as moon god of reckoning, learning, writing, and later Hermetic importance.The Metropolitan Museum of Art. Collections and bulletin material on Iah / Osiris-Iah and Egyptian lunar symbolism. Best for the more specialized lunar material beyond Khonsu and Thoth.Levant / Anatolia / Near EastEncyclopaedia Britannica. “Yarikh.” Best starting point for the Ugaritic / West Semitic moon god and the Nikkal marriage material.Encyclopaedia Britannica. “Kushukh.” Best for the Hurrian moon god, oath function, iconography, and Hittite adoption.Encyclopaedia Britannica. “Religions of the Hittites, Hattians, and Hurrians,” in Anatolian religion. Best broad source for Arma and the Hittite/Luwian/Hurrian lunar world.Encyclopaedia Britannica. “Men.” Best source for the later Anatolian moon god, iconography, and possible tie to Mao.ArabiaEncyclopaedia Britannica. “Arabian religion.” Good for the broad astral background of pre-Islamic Arabian religion.Encyclopaedia Britannica. “Pre-Islamic deities,” in Arabian religion. Essential for Wadd, ʿAmm, Ḥawl, and for correcting outdated claims about Almaqah and Syn.India and IranEncyclopaedia Britannica. “navagraha.” Good for Chandra/Soma in astrology and lived Hindu cosmology.Encyclopaedia Britannica. “nakshatra.” Best for lunar mansions, lunar months, and Chandra's mythic/calendar role.Encyclopaedia Britannica. “soma.” Essential for Soma as sacred drink and later lunar identification.Encyclopaedia Iranica. “Māh Yašt.” Best specialist source for the Iranian moon, lunar phases, and the “seed of the Bull” symbolism.Northern / Eastern EuropeBritannica Kids / Students. “Sól and Máni.” Good clean source for the Norse sibling pair and the male moon.Encyclopaedia Britannica. “Mēness.” Best source for the Baltic moon god, renewal, prayer, and agricultural strength.Encyclopaedia Britannica. “Slavic religion: Folk conceptions.” Essential for the masculine Slavic moon, kinship language, and lunar veneration.JapanEncyclopaedia Britannica. “Tsukiyomi.” Best short source for Tsukuyomi as moon god.Encyclopaedia Britannica. “Izanagi.” Useful for the birth of Tsukuyomi from purification and the Shintō context.Encyclopaedia Britannica. “Ukemochi no Kami.” Best source for the separation myth involving Tsukuyomi and Amaterasu.Indigenous / circumpolar traditionsEncyclopaedia Britannica. “Oral literatures,” in Mythologies of the Indigenous Peoples of the Americas. Best broad source for the Arctic male moon pursuing his sister the sun.Encyclopedia.com. “Igaluk.” Useful specialist entry for the Inuit moon god story.MesoamericaEncyclopaedia Britannica. “Aztec religion.” Best for the Teotihuacán fire myth and Tecciztécatl becoming the moon.Susan Milbrath. “The Moon in Meso-America.” Oxford Research Encyclopedia of Planetary Science (2020). Best specialist source for masculine moon material in Central Mexico and broader lunar roles in Mesoamerica.Qabalah / Jewish mysticism / occult sourcesHistorical Jewish mysticismEncyclopaedia Britannica. “sefirot.” Best concise source for the sefirot, including Yesod as “foundation.”Encyclopaedia Britannica. “Jewish mysticism,” in Judaism. Good for the broader Kabbalistic context.My Jewish Learning. “What Are the Sefirot?” Good readable support source for explaining sefirot on air.Western esoteric / occult QabalahDion Fortune. The Mystical Qabalah. Weiser, 2000. Strongest single occult source for Yesod as astral foundation, imaginal reservoir, and “treasure house of images” current.Aleister Crowley. 777 and Other Qabalistic Writings of Aleister Crowley. Weiser, 1986. Best for formal occult correspondences, including the Yesod-Moon scheme.Aleister Crowley. Magick Without Tears. New Falcon, 1991. Useful for Crowley's practical Qabalistic framing.Lon Milo DuQuette. The Chicken Qabalah of Rabbi Lamed Ben Clifford. Weiser, 2001. Good modern, readable summary of Yesod in Western occult terms.Israel Regardie. The Tree of Life: A Study in Magic. Weiser, 1972. Strong for Golden Dawn style Yesod/astral-plane framing.Gareth Knight. A Practical Guide to Qabalistic Symbolism. Weiser, 2001. Very useful for Yesod symbolism and the broader Tree of Life structure.Science / symbolism supportNASA Science. “Moon Phases.” Best source for the simple but important physical point that moonlight is reflected sunlight.NASA Science. “Eclipses.” Useful if you want a clean science-side reference when talking about eclipses before contrasting that with mythic fear and ritual response.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Send us a text or leave a voice message!email us! twroadpodcast@gmail.comhttps://buymeacoffee.com/twrpodLilith is one of the oldest, most controversial, and most misunderstood names in all of demonology. In this feature episode, JJ examines Lilith through the lens of language, history, and reception rather than modern mythmaking. Beginning with her Mesopotamian roots and moving through Isaiah 34, Psalm 91's allusive “arrow that flieth by day,” the Dead Sea Scrolls, and later Jewish tradition, this episode explores how Lilith developed into one of the most enduring demonic figures in religious history. Along the way, JJ explains why Lilith is far more complex than the simplified versions found in pop culture, occult books, and internet lore. Was she originally a night demon, a wind spirit, a child-killing entity, Adam's first wife, or something even older and stranger? This episode lays out the evidence carefully and shows why names must be treated as data before doctrine. If you want to understand Lilith without flattening the ancient sources into easy certainty, this is the place to start.Support the showSOCIAL MEDIATwitter: @TWRoadpodcastIG: twroadpodcastWant to be a guest or share your paranormal experiences?  Email us!twroadpodcast@gmail.com

Greg Jenner is joined in the ancient world by Dr Moudhy Al-Rashid and comedian Marjolein Robertson to learn all about the famous Mesopotamian poem, the Epic of Gilgamesh.Sumerian poems about a legendary king called Gilgamesh began to be composed sometime in the third millennium, and were told and retold throughout Mesopotamia until a Babylonian scholar named Sîn-leqi-unninni wrote down what has become the standard version. The tale he recorded tells of a tyrannical king of Uruk, Gilgamesh, and the transformative journey he takes with his enemy-turned-friend (and possibly more), Enkidu. In the 3100 lines of the poem, they fight forest guardians and celestial bulls, anger the gods, and even challenge death itself.In this episode, we retell the story of Gilgamesh, exploring the history of the epic's composition, what it tells us about ancient Mesopotamian storytelling and beliefs, and how it was rediscovered in the nineteenth century, written in cuneiform on clay tablets housed in the Library of Ashurbanipal at Nineveh. We also look at the themes of companionship, community and environmental protection that are still relevant today, and ask the question: is Gilgamesh just a legend, or was he based on a real king?This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Katharine Russell Written by: Katharine Russell, Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars

Welcome to Day 2881 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – The Bible as a Polemic: Confronting the Powers that Rebelled Wisdom-Trek Podcast Script - Day 2881 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2881 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled:  The Bible as a Polemic: Confronting the Powers that Rebelled To modern readers shaped by pluralism and academic detachment, the confrontational tone of the Bible may seem abrasive. But this response overlooks what the Bible truly is. It is not a disinterested theological reflection. It is a weapon. It is a series of books forged in the heart of a spiritual and historical rebellion. Its message was not formed in a vacuum but in the aftermath of Babel and the divine treason of the bene elohim who had been placed over the nations. Understanding the polemical nature of the Bible begins by understanding the world it was written to confront. The first segment is: What Is a Polemic? And Why the ANE Was Full of Them A polemic is a targeted argument or critique meant to expose, undermine, or discredit a rival idea, practice, or system. Unlike a simple disagreement or neutral description, a polemic is written to confront. It deliberately challenges an existing claim and seeks to replace it. In the ancient world, polemics were often theological, political, and cultural all at once. The gods, kings, and cities of rival nations were not treated as irrelevant. They were treated as threats that had to be addressed. In the context of the Ancient Near East, polemics were deeply embedded in the stories nations told about themselves. Every origin story, temple hymn, or divine genealogy was not just a description of how things came to be. It was a claim of legitimacy. To say your god created the world or defeated the sea monster or chose your king was to declare supremacy over other peoples and their gods. It was to say, “Our story is the true one. Yours is a counterfeit.” For example, when Babylon claimed that Marduk created the world by killing the goddess Tiamat, it was not just promoting cosmology. It was justifying Babylon's imperial authority as the city of the supreme god. When Egypt said that Ma'at held the universe together through the Pharaoh's divine rulership, it was declaring that Egyptian order was the divine ideal, and everyone else lived in chaos. In such a world, writing something like Genesis 1 was not a quiet religious reflection. It was a direct challenge to every claim made by Egypt, Babylon, and Canaan. It was a polemic. And in the Bible, this polemical instinct is not occasional. It is foundational. Israel's Scriptures were not meant to fit within the theological frameworks of other nations. They were meant to shatter them. The second segment is: Babel and the Reordering of the World Genesis 11 describes a human rebellion that goes far deeper than building a tower. At Babel, humanity attempted to unify under its own authority and defy Yahweh's mandate to fill the earth. But the judgment that followed did more than scatter languages. According to Deuteronomy 32, verses eight and nine, when Yahweh divided the nations, He appointed the bene elohim, divine sons of God, to oversee them. Only Israel would remain His direct possession. The nations were not abandoned without guidance. But over time, the spiritual beings given authority over them failed in their stewardship. They began to crave worship and corrupted the justice they were meant to uphold. Psalm 82 records Yahweh standing in judgment over these divine rulers, declaring that they would fall like mortals. This cosmic judgment sets the stage for the mission of Israel and the tone of Scripture itself. The third segment is: Israel: The Counter-Nation Unlike the nations that inherited rebellious rulers, Israel was created from scratch. Yahweh did not reform an existing people. He called Abram from among the disinherited nations and made a new people who would be His portion. Israel was not simply chosen for privilege but created for purpose. As stated in Exodus 19 verse six, they were to be a kingdom of priests and a holy nation. This priestly identity means Israel's role was inherently polemical. Their laws, festivals, temples, and scriptures were not private religious expressions. They were public declarations that the gods of the nations were false, the powers behind them were corrupt, and that Yahweh alone was Most High over all the earth. The Bible, as the written witness of Israel's calling, reflects this purpose. The Fourth Segment is: Polemics in the Biblical Texts The polemical nature of the Bible is woven deeply into its stories, laws, songs, and prophecies. These are not culturally isolated documents. They are intentional confrontations with the dominant worldviews shaped by the fallen gods of the nations. The Fifth segment is: Creation and the Flood Genesis one is not merely an account of beginnings. It is a direct response to Mesopotamian creation myths such as Enuma Elish, which portray creation as the result of divine violence and chaos. In contrast, the biblical God creates through speech, with order and intention. There is no struggle, no divine bloodshed, no pantheon. It is a declaration that the gods of Babylon are not creators but pretenders. Likewise, the flood account in Genesis six through nine subverts the flood stories of the surrounding cultures. In the Epic of Gilgamesh, the gods send the flood in terror and regret it. In the Bible, the flood is just, purposeful, and moral. It is a surgical judgment on a world corrupted by human violence and divine rebellion, not the panicked act of unstable deities. The sixth segment is: Conquest and the Defeat of the Gods When Israel enters the land of Canaan, the conquest is not simply a political campaign. It is a cosmic battle against the corrupted spiritual rulers of the land. The defeat of Pharaoh in Egypt is explicitly described as Yahweh executing judgment on the gods of Egypt. The plagues are not random punishments but targeted humiliations of Egypt's divine protectors. Jericho's fall, the silencing of Baal on Mount Carmel, the defeat of Dagon before the Ark in 1 Samuel 5, and the crushing of Leviathan imagery in the Psalms all follow the same pattern. The text is not just reporting history. It is declaring war on the false gods and the unseen rulers who manipulated the nations into darkness. The seventh Segment is: Psalms and Prophets as Weapons The Psalms, often viewed only as worship poetry, are filled with divine council imagery and subversion of Canaanite theology. Psalm 29, for instance, uses storm language that sounds like a Baal hymn but places Yahweh as the one who rides the storm and subdues the waters. In Ugaritic myth, Baal defeats Yam to earn his throne. In the Bible, Yahweh sits enthroned above the flood before it ever lifts its head. The prophets likewise deliver blistering critiques of the nations and their gods. Isaiah 19 declares judgment not just on Egypt but on its idols, priests, and necromancers. Ezekiel 28 mocks the divine claims of the Prince of Tyre, unmasking him as a fallen being in Eden. These are not veiled jabs. They are open condemnations of spiritual rebellion embedded in political empires. The Eighth segment is: The New Testament: The War Reaches Its Climax By the time of Christ, the powers of the nations had not been dethroned. The world remained under their sway. Jesus refers to Satan as the ruler of this world and frames His ministry as a battle to bind the strong man and plunder his house. Every healing, exorcism, and storm-calming miracle is a polemic in action. Jesus is not just showing compassion. He is confronting the gods. The cross itself is the ultimate polemic. It appears to be a defeat but is actually a triumph. As Paul writes in Colossians 2:15, Christ disarmed the rulers and authorities and put them to open shame. This is courtroom and battlefield language. The spiritual powers that once ruled unchallenged were publicly exposed as weak, condemned, and temporary. The apostles carry this mission forward. Paul sees the preaching of the gospel as a cosmic declaration to the rulers and authorities in the heavenly realms. The church is not merely a new religious community. It is the living proof that

In this week's episode of The Learning Curve, co-hosts Alisha Searcy of the Center for Strong Public Schools and Jake Tawney of the Institute for Catholic Liberal Education speak with Dr. Snezana Lawrence, an independent scholar affiliated with Middlesex University London, about the origins and development of mathematics across human civilizations. Dr. Lawrence reflects on her work, including her book A Little History of Mathematics, tracing early counting systems and artifacts such as the Mesopotamian cuneiform and Egyptian mathematical practices. She explains how Greek thinkers like Pythagoras and Euclid shaped mathematics, geometry, and logical reasoning, while highlighting India's development of zero and the later adoption of the Hindu-Arabic numeral system. She connects these mathematical traditions to modern science through Copernicus, Kepler, Galileo, and the Newton–Leibniz calculus controversy, underscoring mathematics as the language of science and discovery across time and diverse human civilizations. In closing, Dr. Lawrence reads a passage from her book, A Little History of Mathematics.

Send us Fan MailA city that promises security. A tower that promises unity. A plan that quietly says, “We don't want God's way.” We open Genesis 11:3–4 and slow the story down until you can see why the Tower of Babel still feels familiar in modern life and modern culture.We talk through Nimrod's rise, why ancient tradition paints him as more than a talented leader, and how a single decision can steer a whole people toward centralised power instead of obedience to God's command to spread out and fill the earth. We also dig into the practical details: why they chose bricks in the Mesopotamian valley, what “burn them thoroughly” implies, and how tar mortar and archaeology make Babel feel grounded in real history.Then we follow the spiritual trajectory of the tower itself. What starts as a permanent community project becomes reputation-building, defiance, and a religious centre tied to the host of heaven, astrology, and deception. We wrestle with the idea that Babel becomes a seedbed for corrupt worship and the kind of spiritual confusion Scripture later describes as “Babylon.”We close by turning from darkness to clarity: Jesus Christ is the truth, and His word is truth. John 8:31–32 is our anchor, reminding us that continuing in His word leads to freedom. Subscribe, share this devotional with a friend, and leave a review so more people can find Bible teaching that points to Jesus as more than enough.Support the showhttps://www.jacksonfamilyministry.comhttps://bobslone.com/home/podcast-production/

What if the most dangerous spiritual abuse doesn't look abusive at all?What if it looks like loyalty, obedience, and being ‘on fire for God'?How theology, prophecy, and deliverance get distorted.Support this show!! : https://www.bibspeak.com/#donateGrab your free gift: the top 10 most misunderstood Biblical verses: https://info.bibspeak.com/10-verses-clarifiedJoin the newsletter (I only send 2 emails a week): https://www.bibspeak.com/#newsletterShop Dwell L'abel 15% off using the discount code BIBSPEAK15 https://go.dwell-label.com/bibspeakDownload Logos Bible Software for your own personal study: http://logos.com/biblicallyspeakingSign up for Riverside: https://www.riverside.fm/?utm_campaig…Use Manychat to automate a quick DM! It's great for sending links fast.https://manychat.partnerlinks.io/nd14879vojabStan.Store—way better than Linktree! It lets me share links, grow my email list, and host all my podcast stuff in one place.https://join.stan.store/biblicallyspeakingSupport this show!! : https://www.bibspeak.com/#donate Dr. Anna Kitko originally a British-trained Cambridge graduate, Anna's clinical work focuses in the realm of Cults and New Religions by weaving together an eclectic background in Theology, World Religion, Christian Apologetics, and modern Psychology for a therapeutic experience that is spiritually focused and mindful of the boundaries of Holy Scripture. She carries two undergraduate degrees from the University of Florida in Philosophy and Religion as well as a Master of Biblical Studies from Reformed Theological Seminary. On top of this, Anna is a current Research Associate with the University of Salford, Manchester UK, carrying a Master of Science in the Psychology of Coercive Control and having authored the first psychometric in the world measuring spiritual abuse in demonic deliverance settings. Respectively, she is a member and regular lecturer for the International Cultic Studies Association and the Director of Theological Integrity for Ratio Christi: Campus Apologetics Alliance; an international Christian Apologetics network. Locally, Anna is Theological Director of Integrated Wellness Tennessee, a non-profit mission providing clinical mental health care to those in the community who otherwise could not afford care financially. Her expertise focuses on cases of spiritual abuse, cultic and coercive control, brainwashing, domestic violence, human trafficking, terrorism, Complex Post-Traumatic Stress Disorder, Narcissistic Personality Disorder, Dissociation, and spiritual pathologies such as Prelest. She is an unabashed Christian and the center of her therapeutic interventions is housed in an office modeled after a 12 th century monastic cloister. Anna possesses a knowledge of a vast array of historic therapeutic interventions from Mesopotamian exorcism protocols, to meridian work, and all the way to modern interventions such as Cognitive Processing Therapy and EMDR. She also is well versed in the healing of popular and fraudulent mental health interventions such as SOZO and Apostolic Demonic Deliverance. email: annakitko@ratiochristi.orgYouTube channel: https://www.youtube.com/@annakitkoRecommended reading inspired by this episode:

The Old Testament was not written in a vacuum. It was written inside a world. A world of clay tablets and cuneiform, flood epics and creation myths, law codes carved into stone centuries before Moses climbed the mountain. Dr. Joshua Bowen has spent his career decoding that world. And what he found does not diminish Scripture. It puts it in focus.Dr. Bowen holds a Ph.D. in Assyriology from Johns Hopkins University and is the founder of Digital Hammurabi. He reads Sumerian, Akkadian, and Biblical Hebrew, and has spent years working the primary cuneiform sources that form the ancient backdrop of the Hebrew Bible. In this conversation, we cover the Mesopotamian parallels to Genesis, the flood traditions that predate Noah, the law codes that share striking overlap with the Torah, and the theological genius behind how Israel reworked those traditions to say something no surrounding culture was saying about God.In this episode you will learn:- Why the ancient Near East is essential background for anyone who takes the Bible seriously- How the Enuma Elish and Genesis 1 interact and what that interaction actually means- What the Gilgamesh Epic reveals about the biblical flood narrative and why borrowing an earlier story does not undercut the theology- How the Laws of Hammurabi, Ur-Namma, and Eshnunna relate to the legal material in the Torah- Why the goring ox law appears in nearly identical form across multiple ancient law collections- How Israel used surrounding mythology as a polemic, arguing theologically through the very stories the surrounding nations told- What Genesis 1 is doing in response to the Enuma Elish and why Yahweh does not even have to fight- How the Babylonian exile shaped Israelite identity and the final form of the Hebrew Bible- Why understanding these ancient texts deepens rather than destroys a serious reading of ScriptureGet Dr. Bowen's book:Did the Old Testament Endorse Slavery?: https://www.amazon.com/Did-Old-Testament-Endorse-Slavery/dp/1734358629Explore Digital Hammurabi:https://www.digitalhammurabi.comStay Connected with Johnny Ova:Website: https://johnnyova.comSubscribe on YouTube: https://www.youtube.com/@thejohnnyovaGet Johnny's latest book: The Revelation Reset: https://www.amazon.com/Revelation-Reset-Johnny-Ova/dp/B0C9SFQX4J

What if your deepest desires weren't your own? In this chilling episode of Unknown and Mysterious Creatures, we descend into one of the most unsettling entities in paranormal lore—the succubus. A seductive night demon said to visit in the darkest hours, feeding not just on desire… but on life itself.From ancient Mesopotamian spirits to the legend of Lilith, and from medieval demonology to modern-day sleep paralysis encounters, the succubus has haunted humanity for thousands of years. Victims across centuries describe the same terrifying pattern: waking in the night, paralyzed… aware… and not alone. Is this simply the mind playing tricks in its most vulnerable state? Or could something far older—far more intelligent—be exploiting us in our sleep?Get our merch at: bonfire.com/store/umcreatureConsider becoming a patron at patreon.com/kingasilasFollow us on X @umcreature

In 2016, the idea of a hidden planet lurking far beyond Neptune reignited one of astronomy's biggest mysteries. Since then, the search for "Planet Nine" has captured the imagination of scientists and the public alike—raising profound questions about how our solar system formed, and whether we've overlooked an entire world in our cosmic backyard. Today, I'm joined by Konstantin Batygin, professor of planetary science at the California Institute of Technology (Caltech) and one of the leading architects of the Planet Nine hypothesis. We discuss the evidence for the theory, the controversy surrounding it, and the new evidence that could be found this year supporting the idea that Planet Nine actually exists! We also discuss what its discovery would mean for astronomy and how it could reshape our understanding of the solar system. Finally, we explore the line between science and mythology—from cultural Mesopotamian legends like Nibiru and the Anunnaki to what Planet 8's discovery would mean for people who follow Anunnaki folklore. Does this mean Sumerians were right? Join us as we get rebelliously curious. Join us as we get rebelliously curious. Watch the YouTube interview here: https://www.youtube.com/watch?v=nQUIu1X47y8 Follow Chrissy Newton: Winner of the Canadian Podcast Awards for Best Science Series. YouTube: https://www.youtube.com/channel/UCM32gjHqMnYl_MOHZetC8Eg  Instagram: https://www.instagram.com/beingchrissynewton/  X: https://twitter.com/chrissynewton?lang=en Facebook: https://www.facebook.com/BeingChrissyNewton  Chrissy Newton's Website: https://chrissynewton.com Top Canadian Science Podcast: https://podcasts.feedspot.com/canadian_science_podcasts/   

Episode 543 Nick the Rat crawls out of the Brooklyn sewer for Episode 543 with a deep dive into the oldest obsession in human history — demonology. From ancient Mesopotamian clay tablets and King Solomon's grimoire to Elizabethan spirit mediums and the Loudun possessions, Nick traces 5,000 years of humans trying to make contact with something they don't fully understand. Then he asks the question nobody else is asking: is firing up your AI chatbot really all that different from summoning a demon? Also on tonight's episode — Nick returns from Charlotte, NC with strong opinions about sidewalks and Wells Fargo, roasts the TSA over a $45 Real ID shakedown, and breaks down the United Airlines flight that turned around because someone named their Bluetooth speaker "bomb." Special guest Lilith the demon summoner calls in to share her craft, Mystery Man delivers a truly unhinged Bigfoot story from 1847, Zindu absolutely loses it over professional sports, and Jane Hanoi reports live from the Dark Sewer Network News. Donations, voicemails, and a late-night AI bubble rant round out one of the wildest episodes yet. Welcome to the sewer. #sewerchat #NickTheRatRadio #Demonology #AIConspiracy #Demons #Paranormal #ConspiracyTheory #DarkSewerNetwork #MysteryMan #JaneHanoi #Occult #Grimoire #KingSolomon #SleepParalysis #ArtificialIntelligence #AIBubble #Underground #Brooklyn #PodcastEpisode #LateNightRadio #WeirdPodcast #TrueParanormal #SpiderNoir #TSARant #DemonSummoning #CultPodcast A paranoid rat discusses conspiracies, secret agendas, and things they don't want you to know — while playing hand-picked underground music. Call in live: 1-917-719-5923 Originally aired: 06/10/26 All music is Attribution 3.0 Unported (CC BY 3.0). All artists are credited during the episode. For more info: www.nicktherat.com

In this episode of Dark Academy, we gather in the Midnight Library to discuss all things Exorcist. The whole show is the Exorcist. Join me as we journey from the ancient ruins of Iraq and the legend of the Mesopotamian demon Pazuzu to the streets of Georgetown, where a young girl's possession would forever change the horror genre.But the story doesn't end there.The movie was based on real events. A real demon possession? You may ask. Yes! Or so they say. We'll explore the claims, the exorcisms, the skeptical explanations, and the events that blurred the line between faith, fear, folklore, and reality.Then step into the resulting American fear of the occult, demon possession, ouija boards and the rise of the Satanic PanicFinally, we'll close with the strange and unsettling stories surrounding the production of The Exorcist itself. From mysterious fires and on-set injuries to deaths connected to the cast and crew, many came to believe the film was cursed long before audiences ever sat down to watch it.Was Roland Doe truly possessed?Did The Exorcist unleash a new era of fear?And was the production really cursed?Grab your candle and join me in the Midnight Library circle as we explore one of the darkest stories in horror history.Topics include: The Exorcist, Roland Doe, Ronald Hunkeler, exorcisms, Pazuzu, demonology, Catholic exorcism rituals, Satanic Panic, paranormal folklore, horror history, and alleged curses.

How do you define a spiritual cult or high-control group?What separates deep commitment from coercion?Why is ‘high control' such a critical psychological category?Support this show!! : https://www.bibspeak.com/#donateGrab your free gift: the top 10 most misunderstood Biblical verses: https://info.bibspeak.com/10-verses-clarifiedJoin the newsletter (I only send 2 emails a week): https://www.bibspeak.com/#newsletterShop Dwell L'abel 15% off using the discount code BIBSPEAK15 https://go.dwell-label.com/bibspeakDownload Logos Bible Software for your own personal study: http://logos.com/biblicallyspeakingSign up for Riverside: https://www.riverside.fm/?utm_campaig…Use Manychat to automate a quick DM! It's great for sending links fast.https://manychat.partnerlinks.io/nd14879vojabStan.Store—way better than Linktree! It lets me share links, grow my email list, and host all my podcast stuff in one place.https://join.stan.store/biblicallyspeakingSupport this show!! : https://www.bibspeak.com/#donate Dr. Anna Kitko originally a British-trained Cambridge graduate, Anna's clinical work focuses in the realm of Cults and New Religions by weaving together an eclectic background in Theology, World Religion, Christian Apologetics, and modern Psychology for a therapeutic experience that is spiritually focused and mindful of the boundaries of Holy Scripture. She carries two undergraduate degrees from the University of Florida in Philosophy and Religion as well as a Master of Biblical Studies from Reformed Theological Seminary. On top of this, Anna is a current Research Associate with the University of Salford, Manchester UK, carrying a Master of Science in the Psychology of Coercive Control and having authored the first psychometric in the world measuring spiritual abuse in demonic deliverance settings. Respectively, she is a member and regular lecturer for the International Cultic Studies Association and the Director of Theological Integrity for Ratio Christi: Campus Apologetics Alliance; an international Christian Apologetics network. Locally, Anna is Theological Director of Integrated Wellness Tennessee, a non-profit mission providing clinical mental health care to those in the community who otherwise could not afford care financially. Her expertise focuses on cases of spiritual abuse, cultic and coercive control, brainwashing, domestic violence, human trafficking, terrorism, Complex Post-Traumatic Stress Disorder, Narcissistic Personality Disorder, Dissociation, and spiritual pathologies such as Prelest. She is an unabashed Christian and the center of her therapeutic interventions is housed in an office modeled after a 12 th century monastic cloister. Anna possesses a knowledge of a vast array of historic therapeutic interventions from Mesopotamian exorcism protocols, to meridian work, and all the way to modern interventions such as Cognitive Processing Therapy and EMDR. She also is well versed in the healing of popular and fraudulent mental health interventions such as SOZO and Apostolic Demonic Deliverance. Recommended reading inspired by this episode:

In this week's episode, I take a look at the movies and streaming shows I watched in Spring 2026, and rate them from least to most favorite. This coupon code will get you 25% off the ebooks in the Dragontiarna series at my Payhip store: DRAGONJUNE The coupon code is valid through June 15, 2026. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 305 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 29th, 2026 and today we'll be discussing my Spring Movie Review Roundup for 2026, where I discuss the movies and streaming shows I watched over the last few months. We will also have Coupon of the Week and a progress update on my current writing, publishing, and audiobook projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Dragontiarna series at my Payhip store. That coupon code is DRAGONJUNE. And as always, you get the coupon code and the links in the show notes for this episode. This coupon code will be valid through June the 15th, 2026. So if you need a new ebook for this summer, we have got you covered. Now let's move on to my current writing, publishing, and audiobook projects. As I mentioned last week, Dragon-Mage is out and you can get it at Amazon and Kindle Unlimited and it's doing well, so thank you for that. My next main project is Blade of Thieves and as of this recording, I am on chapter 11 of 25, though that'll probably expand in the final draft, which puts me at 56,000 words in. So I'm almost halfway through. I think probably it's going to be the length of Blade of Wraiths or a little longer, but we'll see. I'm hoping to have it out towards the end of June, but depending on how June goes, that might slip till July. Hopefully we can avoid that. I'm also 5,000 words into Cloak of Frost and that will be my main project once Blade of Thieves is done. I'm hoping to have Cloak of Frost out towards the end of July, but depending on how June goes, it might slip to August. For audiobook projects, Blade of Wraiths is still processing at ACX, though I believe as of right now, you can get it at Google Play, Kobo, Spotify, and my own Payhip store. The other stores should be available within a few weeks. As of right now, I don't actually have any current audiobooks in production, though we have some scheduled for the future. Once Blade of Thieves is finally done, Brad Wills will record that for us. Hollis McCarthy is scheduled to record Cloak of Worlds in June, if all goes well. Leanne Woodward will be recording Dragon-Mage sometime in July, if all goes well. So that is where I'm at with my current writing, publishing, and audiobook projects. Hopefully we'll have new things for you to read and listen to before much longer. 00:02:32 Main Topic: Spring 2026 Movie Review Roundup Now without any further ado, let's move on to our main topic, my Spring 2026 Movie Review Roundup. It's time for the Spring 2026 Movie Review Roundup, where I review the movies and streaming shows I watched over the last few months. As always, they're listed from least favorite to most favorite. The grades are wholly subjective and based on nothing more than my own opinions and thoughts. With that disclaimer out of the way, let's go to the movies. First up is Kicking and Screaming, which came out in 2005. This is a family comedy with Will Ferrell and Robert Duvall. Pharrell plays Phil Weston, a mild mannered vitamin store owner and Duvall plays his father, Buck Weston, owner of a successful chain of sports equipment stores. Buck is one of those hyper competitive guys who has to win at everything and Phil has always rolled with it. But when Phil's son is a benchwarmer on the youth soccer team that Buck coaches, Phil's had enough and starts coaching a rival team to get his son into the game and to defeat his father. Along the way, of course, he descends into Will Ferrell style comedic lunacy, but the PG version since this is a PG movie. Mike Ditka was also hilarious as Phil's sidekick and assistant coach. It seemed like an '80s family movie. It was a sort of movie where you could have taken the entire family to the theater in 2005 and everyone would have been at least moderately entertained. Overall Grade: C Next up is the animated Lord of the Rings, which came out in 1978. As I mentioned, this was the animated version of Lord of the Rings from 1978. Extremely ambitious, but I think it's fair to say this landed in ambitious failure territory, but they tried the best they could given the constraints of the technology at the time and the actual available budget. They tried to pack the entirety of the Fellowship of the Ring and the first half of The Two Towers into about two hours and 20 minutes. I'm sorry to say it just didn't work. Like Dune, the Lord of the Rings is one of those books that requires like 10 hours of very expensive filmmaking to pull off properly. That said, I think it is fair to say that this stumbled so that the Peter Jackson live action trilogy could run. Adapting a book (especially a big book) into a movie is a challenge and I don't think this quite got there. Too much was cut out and if you hadn't read the book, you would probably have no idea what was happening or just been confused the entire time. Additionally, the movie relied heavily on rotoscoping and it didn't always quite work. Like the rotoscope Nazgul looked creepy and unsettling, so that worked for them. However, the rotoscoped orcs just looked bad. You know how in live theater stagehands will dress all in black? The orcs kind of looked like that, albeit they're wearing yellow ponchos over their black stagehand outfits, almost like the stagehands were expecting inclement weather backstage. That said, the vocal performances and the music were very good. So an ambitious and admirable failure. As I said, I think the filmmaker's vision exceeded the grasp of their budget and the available technology of the 1970s. Overall Grade: C Next up is Airplane!, which came out in 1980. It was interesting to watch this as a cultural artifact. It had the leisurely pace of an '80s movie, with far more absurdist humor. It was a parody of various airplane disaster movies from the 1970s. It's also interesting that this is remembered as a Leslie Nielsen movie nowadays, though Leslie Nielsen 's character is only a supporting character. For all that he's known for his absurdist humor these days from later movies, Nielsen plays his character stone cold dead straight, which makes him all the funnier, amazingly enough. Some of the jokes in this movie have aged very badly, but it's still worth watching as an interesting and amusing cultural artifact, given how it influenced the entire genre of comedy movies afterwards. There's also the obligatory three seconds of nudity that can get cut on cable TV broadcast. Overall Grade: B- Next up is the Thomas Crown Affair, which came out in 1999. This is an interesting remake of a movie from the 1960s. Pierce Brosnan plays Thomas Crown, a billionaire who has grown bored with his life, so he orchestrates the theft of a priceless Monet painting from the Metropolitan Museum of Art in New York. The heist goes off flawlessly and the museum's insurance company sends out investigator Catherine Banning (played by Renee Russo) to retrieve the painting and avoid a hundred million dollar insurance payout. Banning immediately intuits that Crown is the thief and sets about to find the painting. This investigation is complicated by the fact that Crown and Banning immediately develop a strong attraction and start an affair. It was interesting to watch since neither Crown nor Banning are particularly sympathetic characters. In 2026, the phrase "bored New York billionaire" has much more sinister connotations than it did in 1999 and Banning breaks all kinds of laws and sleeping with her target is not a particularly bright idea. That said, the opening heist was interesting and Crown's final gambit to return the painting was extremely clever and enjoyable to watch. So overall, I like the movie, but there's still way too much nudity. Cable broadcasts are probably like 10 minutes shorter than the actual runtime from cutting it all out. Overall Grade: B- Next up is Whiskey Galore, which came out in 2017 and this is a remake of the original Whiskey Galore from 1949. Honestly, this is exactly the same movie from 1949 that I watched in the Movie Review Roundup for Summer 2025, just updated with modern filmmaking techniques. If the movie makers in the '40s could have done it this way, they would have. Though I would recommend watching the 1949 one first and then the one from 2017. Overall Grade: B Next up is Super Mario Galaxy, which came out in 2026. And I have to admit, it felt a little strange to be the oldest person at the theater watching Super Mario Galaxy, but I've been playing Mario games since before any of these kids were born, so I think I had a right to be there. Anyway, I would say this movie is about 75% as good as the first one. It was a little overpacked and the plot wasn't quite as tight, but it's still fun to watch. The animation was excellent and I enjoyed all the callbacks to the various Mario games and since I haven't actually played all the Mario games (as a reminder, I played no console games of any kind between 1998 and 2019), I'm sure there were quite a few I missed. The plot is that Bowser Jr is coming to rescue his father, Bowser, who's been held captive since the end of the last movie. To power his doomsday weapon, Junior kidnaps Princess Rosalina and Princess Peach goes to rescue her while Mario, Luigi, and Yoshi stay to protect the Mushroom Kingdom. Their separate subplots will end up crossing when Bowser Jr. invades the Mushroom Kingdom to get Bowser. Glen Powell was an excellent choice to voice Fox McCloud. I'd say if you could imagine a movie that the audience would enjoy and the critics would hate, you'd end up with Super Mario Galaxy. Since that appears to be what happened to the tune of $970 million, it appears that metaphor was accurate. Also, to be less glib, "movies you can take your kids to" do serve a valuable social function (in my opinion). Overall Grade: B Next up is the Rise and Fall of Reggie Dinkins, which came out in 2026. This was a comedy with a fun premise. Reggie Dinkins (played by Tracy Morgan) was an elite NFL player who got bounced out of the league for placing bets on himself. Years later, he teams up with an indie filmmaker named Arthur Tobin (played by Daniel Radcliffe), to make a documentary to rehabilitate his image. However, Tobin has his own issues. He has an Oscar, but after the Oscar, he got hired to direct a Marvel movie and cracked under the pressure. He and Reggie have to go on a journey to recover their reputations. I thought this was a pretty funny sitcom. Tracy Morgan is a comedic natural, but Daniel Radcliffe turned out to be an excellent comedic actor as well. He was great in that Weird Al biopic a few years ago and he's very funny in this. Craig Robinson was also great as Jerry Basmati, Reggie's sleazy nemesis. Overall Grade: B+ Next up is The Mandalorian and Grogu, which came out in 2026. I enjoyed this. It was like three pretty good episodes of The Mandalorian show put together. The end result was an adventure movie that kind of reminded me of the best of 1980s fantasy and sci-fi movies with a lot of creature work and a lot of action scenes. For an extended stretch of the movie, Grogu takes over as the primary protagonist, and given that Grogu is a very expensive puppet, that's an impressive feat. The plot picks up from the end of The Mandalorian show. The Mandalorian and his adopted son Grogu are now working for the New Republic, helping to hunt down Imperial warlords. Mando gets assigned to hunt down in a mysterious Imperial warlord named Commander Coin, but the only people who have information on Coin's location are the Twins, a pair of Hutt crime lords and relatives of Jabba the Hutt from Return of the Jedi. The Twins are willing to give up Coin's location if Mando does a job for them, but as Han Solo could have warned Mando, working for the Hutts is not a good idea. I was surprised that the reviews for this movie were as mixed as they were, but I suspect that's a combination of three social factors: Number one, cumulative ill will towards Disney as a corporation, which has done numerous sketchy things in the 2020s. I think something similar happened with Microsoft and Starfield. Number two, the lingering bad aftertaste of the sequel trilogy and number three, the tendency of the hardcore Star Wars fandom to chronically overthink things. Overall Grade: B+ Next up is the animated Hobbit, which came out in 1977. Peter Jackson's Hobbit Trilogy from the 2010 famously stretched The Hobbit across three movies, which really didn't work and added a bunch of epic battle scenes, which was totally off for what was essentially a children's book. The animated 1977 version of The Hobbit, by contrast, went in a different direction, neatly adapting it down to 70 minutes or so, presumably because animation is very expensive. At the time, this got mixed reviews, but looking back nearly 50 years later, I think we can appreciate it more because of the sheer amount of work that goes into hand-drawn animation. Like computer-based animation is unquestionably a lot of work as well, but hand-drawn animation is on something of a higher level in terms of difficulty, in my opinion. That said, I think this adaptation did a better job of compressing the story down than the animated Lord of the Rings movie I mentioned earlier in this episode. There's also a lot of 1970s style folk singing-like a LOT. I suspect J.R.R. Tolkien would have hated every single adaptation ever made of any of his works (with perhaps the exception of the audiobooks), but he would have approved of the number of songs and poetry in this. Though it was amusing that the high elves in this movie sing in a '70s folk music style. It would be humorous if in the Silmarillion, Earnedil the Mariner had finally crossed the Sundering Seas to reach Valinor and appeal the aid of the Valar against Morgoth and his hordes, only to hear '70 style folk music echoing across the shining hills of the Undying Lands. Anyway, it's definitely worth watching this if you like The Hobbit or old style animation. Overall Grade: A- Next up is House of David Season 2, which came out in 2026. I wrestled with what grade to give this because it used a lot of AI for the big battle scene in episode one and as long time readers and listeners know, I do not generally approve of LLM generated slop. Ironically, I think episode one, the big battle sequence with all the AI, was definitely the weakest point of the entire second season. Everything else was better. That said, all the character drama and interactions and acting were really good, which amusingly shows that while LLM stuff can generate blurry scenes of mounted soldiers charging at night, the real human emotion comes from, well, real human emotion. Anyway, this picks right up from the end of Season 1, right after David kills Goliath, which means it takes place during most of the events with the third quarter of the book of 1 Samuel from the Bible. David becomes one of the chief commanders of King Saul, but David is secretly the anointed king of Israel. Saul's deteriorating mental state becomes threatening to David while Saul's children scheme for position (with the exception of Jonathan, who has accepted that God has chosen David as the next king of Israel) and the Philistines prepare for war against Israel. It is interesting how the show alternates between leaning into the Grimdark aspects of life in the late Bronze Age and early Iron Age and avoiding them. Like, constant warfare was a fact of life for a Mesopotamian king around 1000 BC. But the show also shows David as having passionate romantic love for Saul's daughter Michal and in the Bible, David ended up with at least eight wives that we know about (there were likely others) and an unnamed number of concubines. So late Bronze Age/early Iron Age monarchs were not likely to have been in the grips of fervent romantic love. Though based on the Psalms he wrote, David seems to have been a man who definitely was in touch with his emotions and quite possibly he would have passionately loved multiple women at the same time. Anyway, I enjoyed the show. While I am not an expert, I probably have a higher than average level of Old Testament knowledge. So when the show expanded on something from 1 Samuel (such as the role of Doeg, the murderous Edomite shepherd), I could see where they were coming from. Or the subplot where Jonathan falls in love with an Israelite woman since in the Bible, David took care of Jonathan's son, Mephibosheth, logically, Jonathan had a wife at some point. Related to that as Saul continues his descent, in a moment of rage in 1 Samuel, he calls Jonathan "the son of a perverse and rebellious woman" and the show has a subplot explaining how Saul came to see Queen Ahinoam as a "perverse and rebellious woman". So I enjoyed this and will definitely watch Season 3 when it comes along. That said, the opening battle with the AI generated battle scenes is still definitely the weakest part of the series, though. Overall Grade: A- Next up is Maul: Shadow Lord, which came out in 2026. And in my opinion, this was pretty good. I think he could call the plot Sith Noir. Maul, desiring vengeance against the Emperor for all the pain he has endured, has decided to rebuild his criminal syndicate (previously destroyed in the Clone Wars) and use it to bring down the Empire. Meanwhile, Captain Lawson, a detective on a minor world, is trying to rebuild his relationship with his teenage son and keep his career afloat. This becomes tricky when a pair of fugitive Jedi fleeing from the Inquisitors turn up on their world. But in the younger of the two Jedi, Maul sees a potential apprentice for himself, one he could corrupt to the dark side. The animation has improved by quantum leaps and bounds since the days of the Clone War show. The lighting and the shadows are excellent. Maul looks spooky and a little uncanny. The lightsaber fights are quick and fluid. No spoilers, but the final episode is absolutely excellent. I also think one of the best things about the Star Wars animation shows is how Maul's character has evolved from simply the cool swordsmen at the end of The Phantom Menace to a sympathetic yet still evil warrior-philosopher, a tragic figure whose every effort always contains the seeds of its own downfall. Overall Grade: A Next up is Emma, which came out in 2020. This is an excellent adaptation of the Jane Austen's novel. Good performances, good cinematography, and it captures the essence of the novel quite well and it's probably a must for Austen fans to see. I don't really have anything negative to say about it, say that it has the three seconds of unnecessary nudity that can be cut in cable broadcasts. Ironically, and quite amusingly, that three seconds of nudity is quite literally the only thing this movie has in common with Airplane!. Overall Grade: A Next up is No Packers, No Life, which came out in 2025. This was a fun documentary about a group of Japanese Green Bay Packers fans. Obviously, there are fairly large cultural and linguistic divides between the United States and Japan, so American football is not hugely popular in Japan. However, the Green Bay Packers are the only community owned team in the NFL to this day and so they're quite a bit more sympathetic than one that's owned by a faceless billionaire. Anyway, an American businessman goes to Japan and stumbles across a Japanese man wearing a Packers jersey at a bar. From there, he learns of a small club called the Japanese Packers Cheering Team that gathered to watch Packers games. This businessman in question happened to be from Wisconsin, so he befriended the Japanese Packers Cheering Team and invited them to Green Bay for a game. The invitation snowballed and so the entire club and their families arrived to watch the game. Sports fandom really isn't one of my interests, so it's always interesting to look at it from the outside. That said, this was an enjoyable documentary about cross-cultural communication at its best. Overall Grade: A Let's close out this episode with my favorite thing I saw in spring 2026, which was Project Hail Mary, which came out in 2026. This is another "science man solves space problem that saves the day with math and science", type science fiction adventure like The Martian, though some new twists on the formula. Dr. Ryland Grace wakes up alone on a spaceship with all the other crew dead and no memory of how he got there. Gradually, he partially remembers and works out that he is part of Project Hail Mary, a last ditch effort to stop Earth's sun from dimming due to an extremophile organism called the Astrophage. Only one other star in Earth's stellar neighborhood was showing no signs of Astrophage infection, so Grace's ship was sent there on a suicide mission to try and recover some means of defeating the Astrophage. While there, he encounters an alien ship with a sole survivor and he slowly works out how to communicate with the alien, who he dubs Rocky. It turns out Rocky's people sent him there on a mission to solve the Astrophage problem as well and together Grace and Rocky try to work out how to save their respective home worlds. Quite enjoyable and worth seeing. At the time I typed this in March of 2026, it was the highest-grossing movie of 2026 and I think it deserved that, though it did eventually get overtaken by Super Mario Galaxy. Overall Grade: A I suppose that was an eclectic range of movies, wasn't it? Interestingly, I actually saw three of them in theaters: Project Hail Mary, Super Mario Galaxy, and The Mandalorian and Grogu, so I went to the theater three times in three months. I think that's the most I've been to the movie theater in a single year in the entirety of the 2020s. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show interesting. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and we'll see you all next week.  

Archaeological discoveries reveal that Daniel's vision in chapter 8 follows the same pattern as a Babylonian king's dream - a 'dream within a dream' - the most authoritative type of vision in ancient Mesopotamian culture. In 556 BC, King Nabonidus claimed divine appointment through such a dream, commanding restoration of a pagan sanctuary. Three and a half years later, God gave Daniel his own dream within a dream, revealing that true sanctuary restoration would take 2,300 prophetic days, extending far beyond Babylon's existence. This discovery provides compelling evidence for Daniel's historical authenticity while revealing God's powerful response to competing claims about sanctuary restoration.

Two listeners.Two encounters with the dead that refused to stay buried.And one terrifying thread connecting them both.Harrison doesn't scare easily, six years of night shifts, no startle reflex. So why did standing at the mouth of a 5,000-year-old burial mound leave him certain that something deep in the dark had turned to face him… and was waiting to see what he'd do?Then Miriam takes us inside Harvard's Peabody Museum at 2am. A man pulled from the earth outside Ur a century ago. Catalogued. Displayed. Waiting. And one night, something stepped to her shoulder and made it clear it had known her all along.No bangs. No shadows. Just the unbearable sense of being assessed by something with all the time in the world.Producer Dom unpacks the dark folklore beneath it all: the Norse mound-dweller fed by a thousand years of fear, the Mesopotamian eṭemmu taking inventory of the living, and the chilling idea that for the trapped dead, time doesn't pass… it compresses.What happens when something that's waited a hundred years finally decides you're worth knowing?A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

I want to tell you about a clay mask. It sits in a glass case at the British Museum, in the Mesopotamian galleries. The mask is approximately three thousand eight hundred years old, made in southern Iraq during the Old Babylonian period. Its face was made to terrify. The hair tangles into serpentine coils across the brow. The grin is bared, with one tooth chipped on the left side. Hooded sockets sink the eyes into darkness. Time has cracked the surface of the clay in seven places that I have counted. That mask was paid for. Someone took silver from a temple administrator's hand and walked it across the city to a workshop, where a craftsman took clay and pigment and several days of his working life and converted them into a monster. The monster was a job. The figure left the workshop on the back of a delivery cart, settled by an invoice that the temple's accountants logged in their cuneiform ledgers. We do not know who the patron was. The artisan is also anonymous to us. The tablets that recorded the rate structures of the Old Babylonian craft economy survive in archives in London and Chicago and Berlin, and those tablets establish that the transaction happened, even though the specific contract for this specific mask has not survived.

The Old Testament wasn't written in a cultural vacuum, but who and what influenced its writers. Today we're talking about the cultural background of the Old Testament and how the literature and societies of the surrounding cultures impacted its creation.

Matthew Shindell explores how ancient civilizations interpreted Mars to understand their connection to the cosmos. He explains that archaeologists studying the Mayan Dresden Codex identified a "Mars beast" representing the planet's opposition and retrograde motion. In ancient China, astronomy served as a political tool, where planetary patterns helped hold rulers accountable for maintaining heavenly harmony. Shindell highlights Mesopotamian omen-tracking as the foundational "birth of science" due to their meticulous record-keeping and predictive mathematics. Finally, he discusses how Greek philosophers like Aristotle and Ptolemy struggled to reconcile Mars's erratic behavior with their earth-centered models. (1/4)june 1954

⚡ Typical Skeptic Podcast #2614 ⚡LIVE TONIGHT — 7PM EASTERN

⚡ Typical Skeptic Podcast #2614 ⚡LIVE TONIGHT — 7PM EASTERN

Long before Pazuzu terrorized audiences in *The Exorcist*, this ancient Mesopotamian demon struck fear into the hearts of the Assyrians and Babylonians—both as a harbinger of destruction and an unlikely protector against even greater evils.EPISODE BLOG PAGE (includes sources and full transcript): https://weirddarkness.com/pazuzuFEATURED STORIES IN THIS EPISODE: The Exorcist is widely regarded as one of the most influential horror movies of all time. Even now, half a century after its release, it continues to terrify audiences, in large part due to its horrifying practical effects and iconic antagonist: Pazuzu. (Pazuzu, The Demon ‘The Exorcist' Made Famous) *** Latoya Ammons and her family claim to have experienced demonic possession that began when they moved into what became known as the “house of 200 demons” in 2011. (The Haunting on Carolina Street) *** In the eerie depths of 1920s Los Angeles, a sinister tale unfolded, shrouded in secrets and steeped in darkness. It all began with May Otis Blackburn and her daughter, Ruth, who claimed to receive divine revelations from the angels Gabriel and Michael. Thus emerged the enigmatic Blackburn Cult, a group entangled in a web of prophecies, tributes, and whispered mysteries. (The Blackburn Cult) *** 19th-century freak shows brought both the extraordinary and the macabre to captivated audiences far and wide. Among the peculiar spectacles of these exhibitions stood a man whose skeletal frame defied all norms of human anatomy… as his skeleton and skin appeared to be the only parts of his anatomy intact. (Seurat, The Living Skeleton) *** In the heat of summer in 2008, a mysterious creature washed ashore on a beach in Montauk, Long Island, sending shockwaves through the community. What began as a simple sighting by local resident soon exploded into a media frenzy, with wild theories and speculation running rampant. (Hot Montauk Summer) *** While epic Hollywood films often depict gladiators as men, the truth is far more captivating. We'll step into the arena with the women who dared to defy convention and enter the gladiatorial games. (Gladiators Of The Fairer Sex)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:04.902 = Show Open00:03:56.963 = Pazuzu, The Demon ‘The Exorcist' Made Famous00:12:38.281 = The Blackburn Cult00:18:05.924 = Haunting on Carolina Street00:23:19.429 = Seurat, The Living Skeleton00:29:34.090 = Gladiators of the Fairer Sex00:44:04.311 = Hot Montauk Summer00:52:59.948 = Show Close & Bloopers*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Pazuzu, The Demon ‘The Exorcist” Made Famous” by Austin Harvey for All That's Interesting:https://tinyurl.com/3myts9h4“The Blackburn Cult” by Troy Taylor from the book “Taking Up Serpents: American Cults, Messiahs and Madmen”: https://amzn.to/4ak7SUG“The Haunting on Carolina Street” sources: https://tinyurl.com/2cvyfu46, https://tinyurl.com/bdzz467u,https://tinyurl.com/39u7b79f, https://tinyurl.com/35uvhbp6“Seurat, The Living Skeleton” by Kaushik Patowary for Amusing Planet: https://tinyurl.com/mr4xwp9k“Gladiators Of The Fairer Sex” by Paul Chrystal for Ancient Origins: https://tinyurl.com/ptzpv46v“Hot Montauk Summer” by TheGhostInMyMachine.com: https://tinyurl.com/2b74wzpx(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: March 26, 2024

Welcome back to the Tyndale House podcast series on Genesis 1–9. In episode 1, we opened the series by exploring the full depth of Genesis 1:1 in which God created the heavens and the earth, and how it stands apart from ancient Near Eastern creation myths. In this second episode, we move deeper into the creation story as the silence of the primordial world is broken by a divine command: 'Let there be Light.' Episode 2 examines what it means for God to create by speaking, why Genesis presents light as appearing rather than being explicitly ‘created', and how this moment shapes the chapter. Along the way, we continue comparing the biblical creation account with Mesopotamian creation myths, exploring how Genesis has a distinctive view of divine power, cosmic order, and the notion of ‘image'. In a world where only kings were considered images of gods, Genesis claims that all humans bear God's image is nothing short of remarkable.Perfect for listeners searching for:Genesis commentary Bible study podcastsCreation story vs ancient myths Old Testament background Hebrew word studies Hosted by Dr Peter Williams, Principal of Tyndale House, Cambridge, with Dr J Caleb Howard and Dr James Bejon who are both in the Old Testament research team at Tyndale House. Edited by Tyndale House 00:00 Introduction0:22 Day 1 and the creation of light5:45 God's delegation through as he creates7:00 Day four10:30 How Genesis 1 conceives of the world around it17:52 Day six, Genesis 1:2726:45 Day 7 – God rests31:00 reflectionsSupport the showEdited by Tyndale House Music – Acoustic Happy Background used with a standard license from Adobe Stock.Follow us on: X | Instagram | Facebook | YouTube

This episode is inspired by https://open.substack.com/pub/deadhidden/p/the-pyramids-were-not-tombs-they Host Jeff Shepherd walks listeners through a provocative Dead Hidden Substack piece that flips the conventional conversation about the pyramids: they weren't primarily tombs or alien runways but ‘counterfeit mountains' — human attempts to copy a remembered heavenly original. The episode contrasts archaeological facts (the Great Pyramid's astounding precision, empty king's chamber, and star shafts) with a theological reading that locates the pattern in Scripture. The show explores how a single sacred shape — mounds, ziggurats, pyramids, and stepped platforms across Egypt, Mesopotamia, Mesoamerica, Sudan, Cambodia, and China — suggests a shared memory or obsession: man building artificial mountains to reach heaven. Shepard traces this idea through Genesis (Eden, the Flood, the Sons of God), Babel's tower, and the famous Mesopotamian ziggurat motif, arguing these are rebellious architectural responses to a heavenly pattern. Central to the episode is the contrast between two answers to humanity's longing for heaven: Babel's ascent (build higher) versus God's provision (tabernacle and sacrificial access). Shepard points to Exodus 25's command to make the tabernacle “after the pattern” and to Isaiah 14 and Ezekiel 28's descriptions of a pre-fall heavenly mountain — Mount Zion — that Lucifer once knew. The episode culminates with New Testament significance: Christ's descent, the torn temple veil at the crucifixion, and the claim that access to God comes by blood, not by climbing stone. Listeners can expect close readings of biblical texts (Genesis 3, 6, 11; Exodus 25; Isaiah 14; Ezekiel 28; Matthew 27), historical observations about ancient monuments, and a theological argument that archaeology measures technique while Scripture explains motive. The episode features commentary on the Dead Hidden article and Jeff Shepard's reflections rather than an outside guest interview. Key takeaways: the pyramids as symbolic, rebellious imitations of a heavenly mountain; the Bible as a map to understand ancient motivations; the shift from human ascent to divine descent in Christ; and an invitation to rethink how we ask questions about ancient monuments. The host closes by inviting listener feedback and encouraging readers to follow the Dead Hidden piece for the full argument. Want to Understand and Explain Everything Biblically? Click Here: Decoding the Power of Three: Understand and Explain Everything or go to www.rightonu.com and click learn more. Use coupon code MAY50 for $50. value savings until May 31st.. Thank you for Listening to Right on Radio. Prayerfully consider supporting Right on Radio. Click Here for all links, Right on Community ROC, Podcast web links, Freebies, Products (healing mushrooms, EMP Protection) Social media, courses and more...https://linktr.ee/RightonRadio Live Right in the Real World! We talk God and Politics, Faith Based Broadcast News, views, Opinions and Attitudes We are Your News Now. Keep the Faith

→ Watch on YouTube → Detailed Show Notes → Timestamps: (00:00) A brief overview of these chapters.(02:35) The Israelites murmur and complain in the wilderness. How we respond to our afflictions will shape our character. We can strive to see God's hand in our lives like Nephi and Francis Webster.(15:34) The book of Numbers contains evidence that it is a compilation of separate traditions. Understanding these traditions helps to explain some contradictions in the text.(21:48) Israel murmurs and lusts for meat instead of manna. The Lord abundantly blesses them with quail.(25:11) Moses complains that he can't bear the burden alone and is commanded to choose 70 to assist him. The very essence of Christianity is to have compassion for those who are downtrodden.(29:24) The Greek translation of manna leads to fascinating possibilities. The Israelites loathe the manna and want something exciting and new.(35:41) Aaron and Miriam challenge Moses' authority. Numbers 12 portrays Moses as God's authorized representative, emphasizing hierarchical priesthood authority.(39:08) Moses sends 12 spies to search the land of Canaan. Ten of them bring back a negative report, telling of giants inhabiting the land. Joshua and Caleb give a positive report and say that Israel can take the land of Canaan.(43:20) Moses stands as intercessor, working to convince the Lord to not smite the Israelites. The adult Israelites murmur and want to die in the wilderness. The Lord grants this request, while also emphasizing that he desires to have a righteous people who will build Zion.(47:34) Miriam and Aaron die in the wilderness. Moses will see, but not enter the promised land.(49:42) The king of Edom refuses to let Israel pass peacefully through his land. We can choose to not be offended.(52:04) The Israelites are plagued and bitten by fiery serpents. Moses lifts up a serpent of brass to save those who will look upon it. This story is told in greater detail in the Book of Mormon. We should not be slothful because of the easiness of the way.(1:00:00) Og, the king of Bashan, is described as the last of the giants. His bed is described with the same dimensions as that of Marduk, a Mesopotamian deity.(1:02:16) Balak offers Balaam money, cattle, and great honors to curse Israel. Balaam refuses, and instead pronounces great blessings upon Israel.(1:13:54) Another perspective on why the Lord was angry with Balaam. → For more of Bryce Dunford’s podcast classes, click here. → Enroll in Institute → YouTube → Apple Podcasts → Spotify → Amazon Music → Facebook The post Ep 370 | Numbers, Come Follow Me 2026 (May 4-10) appeared first on LDS Scripture Teachings.

Step into the very first verse of the Bible with a new podcast series from Tyndale House, Cambridge, on Genesis (The Creation Story). Episode 1 explores the full depth of Genesis 1:1 'In the beginning, God created the heavens and the earth'. This single verse has shaped centuries of belief, debate, and scholarship, and we unpack why it still matters today.In this episode, we take a research‑rich, accessible journey through some of the most searched questions about the creation narrative:How does Genesis 1:1 compare to ancient Mesopotamian creation myths such as the Enuma Elish and other Near Eastern texts?Can we trust the historical reliability of this ancient narrative?What numerical patterns and structural features appear in the Hebrew text, and how might they highlight the intentional design of God's Word?Perfect for listeners searching for Genesis commentary, Bible Study podcasts, creation vs ancient myths, Old Testament background, and biblical numerology explained. Whether you're exploring Scripture for the first time or diving deeper into familiar passages, this episode offers a thoughtful, engaging look at the verse that starts it all.This episode is hosted by Dr. Peter Williams, Principal of Tyndale House, Cambridge and author of 'Can We Trust the Gospels?' And 'The Surprising Genius of Jesus'. He is joined by Dr. J Caleb Howard and Dr. James Bejon, who both work on the Old Testament names project at Tyndale house. Edited by Tyndale House Music – Acoustic Happy Background used with a standard license from Adobe Stock.Follow us on: X | Instagram | Facebook | YouTubeTimestamps 00:00 Introduction 00:35 Genesis 1:11:30 Is Genesis like Enūma eliš?1:50 What is the link between Genesis 1&24:41 Genesis 1:1-56:30 Mesopotamian texts and the links to Genesis8:54 Is Enūma Eliš well known in the Ancient Near East? (+ Star Wars)10:10 Back to links between Mesopotamian texts and Genesis12:30 Are there connections between Genesis 1:2 and Tiamat?15:00 Is Genesis 1 poetry?17:08 The descriptions of God in Genesis 1 in light of the canon of scripture22:15 James' love for biblical numerology27:15 Caleb's responseSupport the showEdited by Tyndale House Music – Acoustic Happy Background used with a standard license from Adobe Stock.Follow us on: X | Instagram | Facebook | YouTube

In this special presentation for Just World Educational's Iran Crisis series, Helena Cobban, the president of Just World Ed, delivered a pre-recorded talk for the Mount Diablo Peace and Justice Center conference in Orinda, California, on April 25th. Unable to attend in person and having to record her remarks more than 24 hours before they would be delivered, she chose to take a long historical view of the crisis by tracing the Strait of Hormuz across 5,000 years of human history. She traced Hormuz's  origins as a key node connecting the formative ancient civilizations in the Indus Valley and Mesopotamian, and as a central artery in the vast Indian Ocean trading zone that once stretched from East Africa to China. She described that pre-European world as a thriving, self-governed commercial network with its own norms and technologies, drawing on the work of historian Janet Abu-Lughod. She then walked through the entry of five European imperial powers into that world: Portugal, Spain, England, the Netherlands, and France. She described what she called the "White Supremacist International," a succession of empire-building ventures driven by profit, looting, and the rise of finance capitalism. She traced Portugal's violent seizure of Hormuz in 1507 under Afonso de Albuquerque, followed by the London-based East India Company's takeover of the port in 1622, and drew direct parallels between those colonial methods and what Israel is doing in Palestine and Lebanon today. Cobban closed by urging viewers to work toward curbing Western military power and ending the war.Support the show

Join David Lee Corbo (The Raven) and Top Lobster on Nephilim Death Squad as Thomas the Paranoid American returns for one of the wildest episodes yet! Thomas, 15-year conspiracy & occult comic creator, ex-Disney animator, ex-military, and current Freemason, drops his viral theory: BUGS ARE DEMONS.He traces the 14th-century Middle English origin of “bug” meaning disembodied spirit, hobgoblin, and ghost — not insect — then connects it to biblical Beelzebub (Lord of the Flies), plague locusts that sting like scorpions, worms that don't burn, Exodus flies, and Mesopotamian scorpion-men from the Epic of Gilgamesh.Thomas announces live he is ready to renounce Freemasonry entirely and bend the knee to Christ as King. They break down Masonic boy bride rituals, Albert Pike, the controversial South American photo that triggers every Mason, and why low-level Masonry feels like Rotary Club networking while higher degrees hide darker truths.Plus: Bohemian Grove 2026 updates, general admission tickets still available first to Patreon members at TopLopsa.com, cursed Paranoid American merch (grab it at the Standard Coffee Shop Casino / NDS studio), Thomas's new children's chemtrails book “Connect the Dots” (Magic School Bus style with real research on Morgellons, nanotechnology, Draco star system & Space Preservation Act), eat-the-bugs WEF propaganda, parasites as spiritual conduits, pop culture insect demons in Men in Black (Edgar the Bug), Constantine (Vermin), The Tingler, Alien, Naked Lunch, Spawn's Violator, Nightmare Before Christmas Oogie Boogie, Kafka's Metamorphosis, and more.Thomas also performs at Bohemian Grove every year and is the official Donut convincer. Full episode packed with etymology, scripture, Hopi Ant People, Zoroastrian fly demon Nasu, devil's coach horse beetle, and why killing (or eating) bugs carries spiritual weight.Support the show & get early/ad-free access + Bohemian Grove priority: patreon.com/NephilimDeathSquadTickets & merch: TopLopsa.comThomas's comics, books & cursed merch: paranoidamerican.com  00:00 – Welcome to Nephilim Death Squad  00:45 – Patreon & Bohemian Grove 2026 Tickets Announcement (VIP sold out, General Admission still available for Patrons first)  03:10 – Introducing Thomas “Paranoid American” – 15 years of conspiracy/occult comics, ex-Disney animator, ex-military, current Freemason  05:55 – Thomas drops the bomb: “I'm ready to renounce Freemasonry and bend the knee — Christ is King”  08:40 – Paranoid American merch, cursed merch at the studio, and why it's all “full of lies”  11:20 – Bohemian Grove performance history + Thomas is the official “Donut convincer”  14:30 – How the “Bugs Are Demons” theory was born (flippant comment that went viral)  17:05 – Etymology bombshell: “Bug” originally meant disembodied spirit, hobgoblin, ghost (14th century Middle English)  20:15 – Biblical connections – Beelzebub (Lord of the Flies), plague locusts that sting like scorpions, worms that don't burn, Exodus flies  25:40 – Mesopotamian scorpion-men, Epic of Gilgamesh, and human-insect hybrids  29:50 – Morality of killing bugs – is it okay? Personal stories (cricket torture, son's environmentalism)  35:20 – Parasites as spiritual conduits + demonic possession overlap  39:10 – Pop culture insect demons: Men in Black (Edgar the Bug), Constantine Vermin, The Tingler, Spawn Violator, Oogie Boogie, Kafka's Metamorphosis  45:55 – Hopi Ant People, Zoroastrian fly demon Nasu, Devil's Coach Horse Beetle & more demon-named bugs  51:40 – “Eat the Bugs” WEF agenda + why it feels nefarious  56:30 – Thomas's new children's chemtrails book “Connect the Dots” (Magic School Bus style with real research)  1:01:10 – Chemtrails as spiritual Faraday cage theory  1:05:45 – Deeper Freemasonry talk: Albert Pike, boy bride ritual photo, low-level vs high-level Masonry  1:12:20 – Thomas Edison's Necrophone, bugs in technology, and demons in AI/code  1:18:50 – Closing thoughts + where to find Paranoid American  1:22:30 – Final “Christ is King” moment & outroBecome a supporter of this podcast: https://www.spreaker.com/podcast/nephilim-death-squad--6389018/support.☠️ Nephilim Death Squad — New episodes 5x/week.Join our Patreon for early access, bonus shows & the private Telegram hive.Subscribe on YouTube & Rumble, follow @NephilimDSquad on X/Instagram, grab merch at toplobsta.com. Questions/bookings: chroniclesnds@gmail.com — Stay dangerous.

Hello Witches In this episode we look at Witch's Salt, one of the most ancient, powerful and accessible tools in magickal practice. We explore the many forms salt can take, from sea salt and Himalayan pink salt to black salt, kosher salt and beyond. Looking at how each can be worked with in spellcraft, ritual and everyday magick including how to create your own black salt, a potent protective blend rooted in folk tradition. We journey through the sacred history of salt across different religions and cultures, uncovering its role in ritual, purification and protection. Along the way we touch on old superstitions of witches, the devil, spilled salt and various different folklore. We also dive into mythology exploring deities connected to salt including those from Aztec and Mesopotamian traditions and the powerful stories woven around them. Finally we look at creative ways to work with salt in your own practice, blending your own magical salts for different intentions from protection to glamour. Our book review is Scratch Moss by David Barnett My new zine Beneath the Hawthorn Tree is out now, in this zine my zine covers an in-depth look at  Beltane and how you can celebrate it, all of its magickal associations, related deities, herbs, flowers, foods, crystals, trees, animals and journal and tarot prompts for Beltane, we look at the element of fire and how to honour it within your practice and then we go full fae with sections the faery realm, how to journey or astral travel to the faery realm, faery witchcraft, pixies, brownies, the bantee or woman of the house (a female Irish counterpart of the brownie), then we look at deities such as Morgan Le Fay and Cliodhna, their lore and how to work with them. We finish up with a very in depth section on faery flora and fauna with foxglove and hawthorn. There will also be a witch box alongside this zine with 'Night of the Fae' candles, herb blend, vanilla incense and a fae altar print of trooping faeries. My Etsy store can be found here with a ton of witchy zines, witch boxes, altar prints and candles - https://www.etsy.com/shop/TheWhiteWitchCompany?ref=dashboard-header Join me in The Hedge & Hollow for The Crooked Path Academy with a witch's initiation, podcast episodes on each day of the week and its magical associations, Hedge Witch Studies on Cornflower and Hollyhock with grimoire pages, Grimoire week with a week devoted to your book of magic, Spellcraft foundations looking at simple forms of spell and ritual and we finish up with a week of integration including a guided visualisation to meet the witch you are stepping into and anchor that identity moving forward. You can access all of the outlined content via The Sorceress tier in The Hedge & Hollow. Should you wish to join the higher Tier The Witches who run with the Wolves you will be able to join us for a live workshop held on Thursday 30th April from 7pm UK time via Zoom. A replay will be available the following day should you be unable to make it in person. You do not need to keep up with everything or do it perfectly! This is something to move through slowly, intuitively and in your own time. Find me on Instagram - https://www.instagram.com/thewhitewitchpodcast/ Email me carly@thewhitewitchcompany.co.uk   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Long before modern economics, rulers such as Hammurabi in ancient Mesopotamia grappled with a political problem that still haunts our economies today: when people's debts grow faster than their ability to repay them, the entire economic system can start to crack. Hammurabi adopted a radical solution: cancel debts entirely. Amanda H Podany, professor emeritus of history at California State Polytechnic University, Pomona, and a research affiliate at New York University, tells The Story of Money hosts, FT columnist Gillian Tett and FT Alphaville editor Robin Wigglesworth, what these debt jubilees say about how the ancient Mesopotamian economy worked and what it might teach us about debt today. To enjoy future episodes, be sure to subscribe to The Story of Money wherever you get your podcasts, also on the show's dedicated YouTube channel here.Learn more at ft.com/tsomWant more?Check out Dr Podany's book, Weavers, Scribes, and Kings: A New History of the Ancient Near East Hosts: Gillian Tett and Robin WigglesworthProducer: Lulu SmythSenior Producers: Michela Tindera and Laurence KnightExecutive Producers: Flo Phillips and Manuela SaragosaOriginal music and sound engineering: Breen TurnerBroadcast engineers: Bianca Wakeman and Petros GioumpasisPodcast Development: Laura ClarkeFT Global Head of Audio: Cheryl BrumleyVideo editor: Kristen Kenton at Podcast DiscoveryRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Babylon had survived five destructions before Sennacherib tried to erase it for good. Why did Assyria's most bookish king — a man who loved Babylonian scholarship — finally flood the city and smash its temples in 689 BCE?This is Oldest Stories, a biweekly deep dive into ancient Mesopotamia. Online at oldeststories.netIn this episode we trace Babylon's strange immortality: a city founded around 1894 BCE that claimed six thousand years of history by borrowing it from Eridu, the first city of the gods. We walk through each of Babylon's "deaths":Death 1: the ritual transfer from dying Eridu to Babylon under Hammurabi's successors, making Babylon the heir to pre-Flood kingshipDeath 2: the Hittite sack of 1595 BCE and decades of abandonmentThe Kassite revival, when Babylon became the world's university town, exporting doctors and diviners instead of armiesThe humiliations under Tukulti-Ninurta I, the Elamite sack that stole Marduk, and Nebuchadnezzar I's brief martial comebackThe long grind with Assyria: Merodach-Baladan's revolts, Sennacherib's first campaign at Cutha and Kish in 703 BCE, the puppet kings Bel-ibni and Assur-nadin-shumi, the 694 BCE boat raid on Elam, the Elamite counterstroke in 693, and the bloodbath at Halule in 691We end with the two-year siege of Babylon, Sennacherib's decision to dig a canal through the city, and what the destruction meant for cuneiform civilization. If Babylon had stayed dead, would Mesopotamian culture have lasted longer?This episode continues our Sennacherib series. For the rise of Sargon II, Tiglath-Pileser III, and the earlier Assyrian-Babylonian wars, see the playlist.Music from the show: oldeststories.net/music (or search "Oldest Stories Music")Support the show:Books: https://a.co/d/7Wn4jhSDonate: oldeststories.netPatreon / YouTube members get bonus episodes: patreon.com/JamesBleckleyNo-AI readings of ancient texts: youtube.com/@osnightreading

What happens when a movie podcast reviews a horror film about a podcaster? Welcome to the meta nightmare. This week on The Commentary Booth, Jamie Apps and Corrina Mabey dive into Undertone, the Canadian supernatural horror film written and directed by Ian Tuason in his feature directorial debut. What they find is far more disturbing than your average haunting movie. On paper, it's about a paranormal podcaster receiving a series of disturbing audio recordings. But the deeper they go, the less it feels like a mystery, and more like a slow, suffocating descent into grief, guilt, and something… not entirely explainable.Jamie and Corrina examine why this film lives and dies by its sound design, and why you absolutely need headphones or a cinema-grade surround system to experience it the way Toussaint intended. For the review, Jamie watched Undertone with high-end audio, Corrina didn't, and that contrast shapes a surprisingly different viewing experience.During the episode, we break down the film's masterful use of negative space and camera work that subverts every horror trope you think you know, the career-defining performance from Nina Kiri reacting to nothing but recorded voices and whispers, and the genuinely haunting concept of a Mesopotamian fertility and miscarriage entity that makes the film infinitely more sinister.Then there's the emotional core. Beneath the supernatural elements, Undertone is dealing with caregiving, terminal illness, and the kind of prolonged grief that doesn't really have a clean ending. It's messy. Complicated. And, confronting.Highlights Breakdown: - The sound-first experience - Budget vs Box Office Result: $500K to $20M - Nina Kiri's one-woman show - The Abyzou mythology - Grief is the real horrorBy the time the credits roll, the conversation shifts to interpretation. What actually happened? Was it possession, psychological breakdown, or something in between? The film doesn't hand you answers, which might be why it sticks.If you're into psychological horror that trades jump scares for atmosphere and leaves you thinking long after it ends, this one's worth the listen.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

In this episode, we dive deep into the creative practices and philosophies of the brilliant gamer, poet, professor, scholar, and the most charismatic introvert we know, dezireé a. brown!  Dez's debut poetry collection, they/she/he: ritual to forget your (un)becoming, won the 2025 Joe W. Bratcher Prize, for its immense tenderness, singular experimentation, and refusal to conform to what we think we know about poetry. Influenced by video game worlds, choose-your-own adventures, and a multifaceted collective of Mesopotamian goddesses, speaking with Dez about this collection led to the most engaging conversation about gender, transformation, and healing, as well as video games and the space they can create for us to imagine ourselves into a better future.  We know you'll love this conversation with this inimitable poet. As always, thanks for listening!   

On the Saturday Show, Mike brings us an excerpt from his recent appearance on the Uncertain Things podcast with hosts Adaam and Vanessa. They kick things off by exploring Mesopotamian ghost-busting and ancient demons before they discuss how Hollywood actors unwittingly romanticize radical revolutions, why the Starbucks union prioritized sending militant tweets over negotiating higher wages, and Mikes views Greta Thunberg. Listen to the full Show - Uncertain Things | Substack Produced by Corey Wara Video and Social Media by Geoff Craig Do you have questions or comments, or just want to say hello? Email us at ⁠⁠⁠⁠thegist@mikepesca.com For full Pesca content and updates, check out our website at https://www.mikepesca.com/⁠ For ad-free content or to become a Pesca Plus subscriber, check out ⁠⁠⁠⁠https://subscribe.mikepesca.com/ For Mike's daily takes on Substack, subscribe to The Gist List https://mikepesca.substack.com/ Follow us on Social Media:⁠⁠⁠⁠ YouTube https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Instagram https://www.instagram.com/pescagist/ X https://x.com/pescami TikTok https://www.tiktok.com/@pescagist To advertise on the show, contact ⁠⁠⁠⁠sales@amplitudemediaparters.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

1. Ancient Interpretations and the Birth of Scientific ObservationMatthew Shindell explores how the Mayans, Chinese, and Mesopotamians projected human meaning onto Mars. These early civilizations used celestial movements to predict earthly events, ultimately laying the groundwork for mathematical science and astronomy. (1)1913

Dedicated by Irina KomissarenkoIn honor ofmy dearest Mama, G-D Bless her until 120!Sponsor a global webcast in honor or memory of a loved oneIt is difficult to overstate the historic—even cosmic—significance of the current war.This is not just another conflict. It is unfolding in the very cradle of civilization, the Mesopotamian region, where human history and the earliest biblical narratives began. The Garden of Eden, our first moral drama, is rooted in this very soil, between the Euphrates and Tigris, spanning ancient Persia and its neighbors.This land has always been more than geography; it is the stage upon which the human story—birth, struggle, faith, and conflict—has continuously played out.Consider the story of Esther. The Purim narrative unfolds in Persia, then the world's superpower, spanning 127 provinces. And now, once again, the echoes return.As we move from Purim toward Passover, from Persia to Egypt, we are drawn back to the same region—centered around the Land of Israel, with Jerusalem at its heart. Empires have risen and fallen here, yet the tension never disappears.It is easy to reduce this moment to politics, economics, or personalities. But something far deeper is at work.Please join Rabbi Simon Jacobson as we take a closer look—beyond headlines and into the soul of the moment: where prophecy meets policy, and ancient echoes resound in today's crisis.

History's earliest civilizations didn't just invent writing, cities, and law, they also gave us one of the most unpredictable, volatile, and straight-up terrifying deities ever worshipped. Meet Ishtar: the Mesopotamian goddess of love, war, sex, power, and absolutely zero chill. Hosted by Ben Thompson with guest Dr. Patricia Larash, this episode dives into the legend of a goddess who could seduce kings, destroy armies, and then descend into the underworld on what might be the most ill-advised power move in mythological history. She's been worshipped, feared, blamed for plagues, and credited with victory in battle -- all depending on what kind of mood she woke up in. From divine romances that ended in disaster to her infamous showdown with the Queen of the Dead, Ishtar's story is a wild ride through ancient Mesopotamia's greatest myths and a reminder that when you're the most powerful being in the universe, consequences are more of a suggestion than a rule.

We have all heard the story of Adam and Eve. But what was the Garden of Eden which they inhabited? In this week's episode, Helen and Lloyd travel back to the dawn of time with Dr Dylan Johnson as their guide to this mythical landscape. Together, they get to the bottom of questions like:Was the Garden of Eden meant to be a real place, or a symbolic vision of paradise?Is Genesis borrowing from older Mesopotamian stories about divine gardens? Was Adam imagined as a king placed in God's garden to rule on his behalf?Is Eve really to blame for “the fall,” or is that a misreading?And who exactly is the serpent, before later tradition identified him with Satan?SUPPORT BIBLICAL TIME MACHINEIf you enjoy the podcast, please (pretty please!) consider supporting the show through the Time Travellers Club, our Patreon. We are an independent, listener-supported show (no ads!), so please help us continue to showcase high-quality biblical scholarship with a monthly subscription.In this week's bonus episode, Dylan Johnson unpacks whether Eden is a Temple. Support the showTheme music written and performed by Dave Roos, creator of Biblical Time Machine. Season 4 produced by John Nelson.

Greg Jenner is joined in the ancient world by Dr Moudhy Al-Rashid and comedian Marjolein Robertson to learn all about the famous Mesopotamian poem, the Epic of Gilgamesh. Sumerian poems about a legendary king called Gilgamesh began to be composed sometime in the third millennium, and were told and retold throughout Mesopotamia until a Babylonian scholar named Sîn-leqi-unninni wrote down what has become the standard version. The tale he recorded tells of a tyrannical king of Uruk, Gilgamesh, and the transformative journey he takes with his enemy-turned-friend (and possibly more), Enkidu. In the 3100 lines of the poem, they fight forest guardians and celestial bulls, anger the gods, and even challenge death itself. In this episode, we retell the story of Gilgamesh, exploring the history of the epic's composition, what it tells us about ancient Mesopotamian storytelling and beliefs, and how it was rediscovered in the nineteenth century, written in cuneiform on clay tablets housed in the Library of Ashurbanipal at Nineveh. We also look at the themes of companionship, community and environmental protection that are still relevant today, and ask the question: is Gilgamesh just a legend, or was he based on a real king?If you're a fan of captivating myths and legends from the ancient world, heroic kings and impossible quests, and historians decoding ancient texts, you'll love our episode on the Epic of Gilgamesh.If you want more ancient history with Dr Moudhy Al-Rashid, listen to our episodes on the Babylonians and Cuneiform. And for more from Marjolein Robertson, check out our episode on Robert Bruce.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Katharine Russell Written by: Katharine Russell, Dr Emmie Rose Price-Goodfellow, Dr Emma Nagouse, and Greg Jenner Produced by: Dr Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Dr Emma Nagouse Executive Editor: Philip Sellars

Enid Baxter Ryce has built a fascinating career as an artist and university professor, but her unique living situation presents a very different challenge: navigating life on a massive, decommissioned, and potentially haunted military base. She knows how to uncover the historical art left behind in the empty barracks, but the leap to understanding and confronting the supernatural entities that might linger there feels intimidating and out of reach. On this episode: How To!'s Mike Pesca brings on Dr. Irving Finkel, a renowned British Museum curator, Assyriologist, and author of The First Ghosts. Irving offers Enid guidance on bypassing modern skepticism to view hauntings through an ancient Mesopotamian lens, the power of using precise incantations to address spirits—and why dealing with a ghost should be treated as practically as catching a mouse in the kitchen. Executive Producer Corey Wara Edited by Geoff Craig Booking by Lya Yanne Do you have a burning question or a problem you need help with? Email us at howto@mikepesca.com and we will consider your topic for the show. For full Pesca content and updates, check out our website at https://www.mikepesca.com/⁠⁠⁠⁠⁠⁠⁠⁠ To receive ad-free content, become a Pesca Plus subscriber at ⁠⁠⁠⁠https://subscribe.mikepesca.com/ For Mike's daily takes on Substack, subscribe to The Gist List https://mikepesca.substack.com/ Follow us on Social Media:⁠⁠⁠⁠ Instagram https://www.instagram.com/pescagist/ X https://x.com/pescami YouTube https://www.youtube.com/@pescagist⁠⁠⁠⁠ TikTok https://www.tiktok.com/@pescagist To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/howto

Enid Baxter Ryce has built a fascinating career as an artist and university professor, but her unique living situation presents a very different challenge: navigating life on a massive, decommissioned, and potentially haunted military base. She knows how to uncover the historical art left behind in the empty barracks, but the leap to understanding and confronting the supernatural entities that might linger there feels intimidating and out of reach. On this episode: How To!'s Mike Pesca brings on Dr. Irving Finkel, a renowned British Museum curator, Assyriologist, and author of The First Ghosts. Irving offers Enid guidance on bypassing modern skepticism to view hauntings through an ancient Mesopotamian lens, the power of using precise incantations to address spirits—and why dealing with a ghost should be treated as practically as catching a mouse in the kitchen. Executive Producer Corey Wara Edited by Geoff Craig Booking by Lya Yanne Do you have a burning question or a problem you need help with? Email us at howto@mikepesca.com and we will consider your topic for the show. For full Pesca content and updates, check out our website at https://www.mikepesca.com/⁠⁠⁠⁠⁠⁠⁠⁠ To receive ad-free content, become a Pesca Plus subscriber at ⁠⁠⁠⁠https://subscribe.mikepesca.com/ For Mike's daily takes on Substack, subscribe to The Gist List https://mikepesca.substack.com/ Follow us on Social Media:⁠⁠⁠⁠ Instagram https://www.instagram.com/pescagist/ X https://x.com/pescami YouTube https://www.youtube.com/@pescagist⁠⁠⁠⁠ TikTok https://www.tiktok.com/@pescagist To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/howto Marketing and promotional assistance by The Podglomerate

In this syndicated episode, The Biblical Mind features the inaugural release of The Bible Bar, a new podcast from Bar-Ilan University hosted by Dr. Joshua Berman. The first episode dives into one of the most debated chapters in Scripture: Genesis 1. Dr. Berman welcomes eminent Assyriologist and Old Testament scholar Lawson Younger to explore how the biblical creation account relates to ancient Near Eastern cosmogonies and theogonies. What makes Genesis similar to Egyptian and Mesopotamian creation stories—and what makes it radically different? Younger explains how ancient Near Eastern cultures viewed creation and divinity as intertwined, where sun, moon, rivers, and mountains were themselves gods. In contrast, Genesis 1 insists on a Creator wholly distinct from creation. The world is not divine—it is spoken into being. The conversation explores Tiamat and tehom, the image of God, the Memphite Theology, and the striking emphasis on divine speech. Rather than offering a scientific account, Genesis answers a different question altogether: Who is the Creator, and what does that mean for humanity? Listeners are encouraged to subscribe to The Bible Bar as it works chapter-by-chapter through the Torah. You can find the podcast on their webpage or Spotify channel here: https://sites.biu.ac.il/en/bible-bar/page/10098 https://open.spotify.com/show/3kHJ6MrxrEDobNRDsOPKn4 We are listener supported. Give to the cause here: https://hebraicthought.org/give For more articles: https://thebiblicalmind.org/ Social Links: Facebook: https://www.facebook.com/HebraicThought Instagram: https://www.instagram.com/hebraicthought Threads: https://www.threads.net/hebraicthought X: https://www.twitter.com/HebraicThought Bluesky: https://bsky.app/profile/hebraicthought.org Chapter: 00:00 Introduction to the Bible Bar 03:17 What Do We Have In Genesis 1? 06:52 Who, Or What, Is God? 13:30 What Does Genesis 1 Have to Say About Humanity? 17:43 Does the Bible Borrow from Other Cosmogenies? 21:26 What Does the "Image of God" Really Mean? 25:03 What Is Memphite Theology? 30:46 The Shared World of the Author and Audience

Welcome to Day 2801 of Wisdom-Trek, and thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom – Theology Thursday – Ancient Kings and Giants: Were the Sumerian Rulers the Nephilim? Wisdom-Trek Podcast Script - Day 2801 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2801 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website   theologyinfive.com.   Today's lesson is titled  Ancient Kings and Giants: Were the Sumerian Rulers the Nephilim? In the earliest layers of Mesopotamian literature, the Sumerian King List stands as a remarkable record of legendary rulers. These kings, beginning with Alulim of Eridu, are said to have reigned for tens of thousands of years. Alulim ruled for Twenty-Eight Thousand, Eight Hundred years, while others, such as En-men-lu-ana of Bad-tibira, are credited with reigns of Forty-Three Thousand Two Hundred years. The list presents eight antediluvian kings in total, whose rule was said to have lasted for Two Hundred Forty-One Thousand, Two-Hundred years before the heavens brought a great flood. These numbers are not historical in the modern sense. They are symbolic and rooted in the Sumerian sacred use of numbers, especially the sexagesimal base-sixty system. Lifespans were often structured as multiples of Three Thousand, Six Hundred, a unit known as a sar. The theological point is clear. Kingship was believed to have descended from heaven, and these early rulers were seen not merely as political figures but as mediators between gods and mortals. Their reigns reflect divine favor, cosmic order, and a time when humans stood closer to the divine realm. The flood marks a dividing line in the narrative. After it, reigns become shorter and more grounded. The mythic age gives way to something closer to recognizable history. Cities shift, dynasties rise and fall, and the divine distance from humanity becomes more evident. What survives is a memory of a time when the lines between human and divine were blurred, when kings were more than men, and when the age before the flood carried an aura of sacred timelessness. The First Segment is: Echoes from Akkadian and Babylonian Tradition. The Akkadian-speaking cultures of Babylon and Assyria preserved an expanded version of the Sumerian memory in two major works, the Atrahasis Epic and the Epic of Gilgamesh. These texts also recall a time before the flood, inhabited by extraordinary beings, divine-human figures, and a collapse of order that led to judgment. In the Atrahasis Epic, the gods create humans to relieve themselves of labor, but humanity quickly multiplies and becomes noisy and disruptive. Enlil, the chief god, decides to destroy them. A series of plagues and famines fails to work, so a flood is sent to wipe out the human race. The god Ea (or Enki) warns Atrahasis, a righteous man, who builds a boat to survive. After the flood, humanity is restructured and reduced, and a new social and spiritual order is established. The Epic of...

Matthew Shindell explores how ancient Mayan, Chinese, and Mesopotamian civilizations interpreted Mars through mythology, omens, and early scientific observation to understand their relationship with the cosmos.